Podcasts about Drum

Recorded 2026-06-25 13:59:22

Recorded 2026-06-25 02:01:43

Recorded 2026-06-24 15:19:37

Recorded 2026-06-24 01:22:39

Recorded 2026-06-24 00:00:21

Recorded 2026-06-23 20:39:37

Recorded 2026-06-23 15:13:52

Recorded 2026-06-23 04:08:34

In this episode, Jason explores the lean concept of Drum Buffer Rope and its application in construction and Takt planning. Using the analogy of a line of hikers, he breaks down how the drum sets the pace with the slowest resource, the buffer protects the bottleneck from upstream delays, and the rope keeps faster activities aligned.  What you'll learn in this episode: How to identify the most limiting factor in your project. How to set the drum to pace your team. Why buffers are essential in front of bottlenecks. How to tie the "rope" to maintain alignment across trades. How to implement Drum Buffer Rope in Takt production and project management. Are your projects flowing at the right pace, or is your bottleneck being left unprotected?   If you like the Elevate Construction podcast, please subscribe for free and you'll never miss an episode. And if you really like the Elevate Construction podcast, I'd appreciate you telling a friend (Maybe even two

Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsPart 1 focuses on the drum as an ancient technology of altered consciousness. The argument is not that every beat causes trance, or that neuroscience has proven spirits. The stronger argument is that rhythm enters the human organism through hearing, motor prediction, breath, movement, attention, emotion, expectation, culture, and social synchrony. The drum becomes powerful when sound, body, group, ritual frame, and meaning converge. These sources support the archaeology, neuroscience, EEG research, shamanic studies, possession studies, Indigenous and culturally specific drum traditions, ritual theory, placebo and meaning-response research, ceremonial magic, and modern witchcraft material used in the episode.Core Academic and Scientific SourcesHuels, Emma R., Hyoungkyu Kim, UnCheol Lee, Tirsa Bel-Bahar, Ana V. Colmenero, Alexandra Nelson, Stefanie Blain-Moraes, George A. Mashour, and Richard E. Harris. “Neural Correlates of the Shamanic State of Consciousness.” Frontiers in Human Neuroscience 15 (2021): 610466.Gordon, Yoel, Golan Karvat, Noa Dagan, and Ayelet N. Landau. “Neural Tracking at Theta Predicts Drumming-Induced Altered States of Consciousness.” Scientific Reports 16, no. 1 (2026): Article 10204.Aparicio-Terrés, R., et al. “The Neurobiology of Altered States of Consciousness Induced by Drumming and Other Rhythmic Sound Patterns.” Annals of the New York Academy of Sciences, 2025.Neher, Andrew. “Auditory Driving Observed with Scalp Electrodes in Normal Subjects.” Electroencephalography and Clinical Neurophysiology 13 (1961): 449–451.Neher, Andrew. “A Physiological Explanation of Unusual Behavior in Ceremonies Involving Drums.” Human Biology 34, no. 2 (1962): 151–160.Maurer, R., V. K. Kumar, L. Woodside, and R. J. Pekala. “Phenomenological Experience in Response to Monotonous Drumming and Hypnotizability.” American Journal of Clinical Hypnosis 40, no. 2 (1997): 130–145. Use for monotonous drumming, subjective altered experience, imagery, absorption, and hypnotizability.Maxfield, Melinda C. “Effects of Rhythmic Drumming on EEG and Subjective Experience.” PhD diss., Institute of Transpersonal Psychology, 1990. Use as older supporting context on drumming, EEG, imagery, body-image changes, and subjective altered experience. Do not make this the main scientific proof; use it as background.Nozaradan, Sylvie, Isabelle Peretz, and André Mouraux. “Tagging the Neuronal Entrainment to Beat and Meter.” The Journal of Neuroscience 31, no. 28 (2011): 10234–10240. Use for EEG evidence that the brain can track beat and meter. This supports the claim that the brain does not merely hear rhythm as background sound; it can represent rhythmic structure in measurable ways.Nozaradan, Sylvie. “Exploring How Musical Rhythm Entrains Brain Activity with Electroencephalogram Frequency-Tagging.” Philosophical Transactions of the Royal Society B 369, no. 1658 (2014). Use as broader rhythm/EEG entrainment support. This helps explain frequency-tagging, beat tracking, meter, neural entrainment, and the measurable relationship between rhythmic structure and brain activity.Thaut, Michael H., Gerald C. McIntosh, and Volker Hoemberg. “Neurobiological Foundations of Neurologic Music Therapy: Rhythmic Entrainment and the Motor System.” Frontiers in Psychology 5 (2015). Use for rhythm as motor-system timing information. This supports the claim that a beat can become bodily instruction, not just sound for the ear. Especially useful when discussing rhythmic auditory stimulation, motor planning, gait, entrainment, and the auditory-motor bridge.Ross, Jessica M., John R. Iversen, and Ramesh Balasubramaniam. “Time Perception for Musical Rhythms: Sensorimotor Perspectives on Entrainment, Simulation, and Prediction.” 2022. Use for rhythm, timing, prediction, sensorimotor entrainment, and the way musical rhythm interacts with time perception.Hove, Michael J., and Jane L. Risen. “It's All in the Timing: Interpersonal Synchrony Increases Affiliation.” Social Cognition 27, no. 6 (2009): 949–960. Use for synchrony and social bonding. This helps support the group-body argument: moving or acting in time with others can increase affiliation.Wiltermuth, Scott S., and Chip Heath. “Synchrony and Cooperation.” Psychological Science 20, no. 1 (2009): 1–5. Use for the claim that synchronized movement can increase cooperation and attachment among participants.Tarr, Bronwyn, Jacques Launay, and Robin I. M. Dunbar. “Music and Social Bonding: ‘Self-Other' Merging and Neurohormonal Mechanisms.” Frontiers in Psychology 5 (2014): 1096. Use for music, synchrony, bonding, endorphin/social mechanisms, and why group rhythm can feel like more than private listening.Fancourt, Daisy, Rosie Perkins, Sara Ascenso, Louise Atkins, Fatima Kilfeather, and Aaron Williamon. “Effects of Group Drumming Interventions on Anxiety, Depression, Social Resilience and Inflammatory Immune Response among Mental Health Service Users.” PLOS ONE 11, no. 3 (2016): e0151136. Use for modern group-drumming research showing psychological and physiological effects, including anxiety, depression, social resilience, wellbeing, and inflammatory immune response. Use carefully: this does not make group drumming a cure-all. It supports the more grounded claim that embodied rhythm and group participation can affect mood, social connection, and body chemistry.Bittman, Barry B., et al. “Composite Effects of Group Drumming Music Therapy on Modulation of Neuroendocrine-Immune Parameters in Normal Subjects.” Alternative Therapies in Health and Medicine 7, no. 1 (2001): 38–47. Use as older supporting material on group drumming and neuroendocrine-immune measures. Keep secondary. Fancourt is cleaner for the main script body.Archaeology and Deep History of DrumsLawergren, Bo. “Neolithic Drums in China.” In Music Archaeology in China. 2006. Use for clay drums in Neolithic China and the deep-history claim that drums are not just poetic symbols of antiquity. They appear in the archaeological record as instruments tied to early sound-making, ceremony, and social order.Both, Arnd Adje. “Music Archaeology: Some Methodological and Theoretical Considerations.” Use as general support for why ancient instruments should be treated as ritual and social evidence, not merely decorative objects.Anthropology, Ethnomusicology, Ritual, and TranceRouget, Gilbert. Music and Trance: A Theory of the Relations Between Music and Possession. Translated by Brunhilde Biebuyck. Chicago: University of Chicago Press, 1985. Essential source. Use for the caution that music does not mechanically or universally cause trance. Rouget helps keep the argument academically serious by emphasizing culture, ritual frame, meaning, and expectation.Becker, Judith. Deep Listeners: Music, Emotion, and Trancing. Bloomington: Indiana University Press, 2004. Use for music-linked trancing, emotional absorption, religious experience, and culturally trained ways of listening. This supports the “hearing versus entering” distinction.McNeill, William H. Keeping Together in Time: Dance and Drill in Human History. Cambridge, MA: Harvard University Press, 1995. Use for marching, dance, drill, muscular bonding, synchronized movement, and rhythm as social glue. This is useful both for Part 1's group-body material and Part 2's war-drum material.Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy. Princeton: Princeton University Press, 1964. Use carefully. Eliade's phrase “archaic techniques of ecstasy” is powerful, but the episode should also note that later scholarship criticizes his tendency to universalize shamanism.Winkelman, Michael. Shamanism: A Biopsychosocial Paradigm of Consciousness and Healing. 2nd ed. Santa Barbara, CA: Praeger, 2010. Use for shamanism as a ritual technology involving altered consciousness, healing, social integration, symbolism, and body-brain processes.Winkelman, Michael. “Shamanism and Psychedelics: A Biogenetic Structuralist Paradigm of Ecopsychology.” European Journal of Ecopsychology 4 (2013): 90–115. Use as supplemental background on shamanism, altered consciousness, and comparative models of trance and visionary states.Kontouli, Athanasia, Michael J. Hove, Alexandre Lehmann, Peter Vuust, and Peter E. Keller. “The Rhythms of Trance: Cultural Phenomenology and Neural Mechanisms of Music-Induced Lewis-Williams, David. The Mind in the Cave: Consciousness and the Origins of Art. London: Thames & Hudson, 2002. Use cautiously for altered states, entoptic imagery, ritual vision, and the relationship between neuropsychology and symbolic culture.Non-Ordinary States of Consciousness.” Neuroscience & Biobehavioral Reviews, 2026. Use for the bridge between cultural phenomenology and neuroscience. This supports the point that music-induced trance is not only acoustics; it involves body, training, expectation, culture, environment, and interpretation.Tart, Charles T., ed. Altered States of Consciousness. New York: Wiley, 1969. Use as classic altered-state background.Hultkrantz, Åke. “The Drum in Shamanism.” Use for classic comparative material on the shamanic drum, especially Arctic, SiberiAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Recorded 2026-06-22 00:59:23

Recorded 2026-06-22 02:04:29

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Recorded 2026-06-21 11:57:39

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Recorded 2026-06-21 16:43:22

Recorded 2026-06-20 13:00:08

Recorded 2026-06-20 16:30:08

Recorded 2026-06-20 10:35:24

Recorded 2026-06-20 19:20:38

Claus Hessler  is an internationally acclaimed German drummer, author, and educator widely recognized as a foremost authority on drum technique and history. He is especially renowned for preserving and expanding complex coordination styles and historical rudimental methodologies.Technical ExpertiseMoeller Technique: Regarded as a legitimate successor to his mentor Jim Chapin, Hessler is a premier authority on teaching the fluid, forearm-driven Moeller method in its purest formOpen-Handed Playing: He is a global pioneer of this style, where drummers play the hi-hat with the left hand and the snare with the right (for right-handed kits), avoiding crossing their arms to increase ergonomic comfort and expand creative options.Rudimental Frameworks: He specializes in combining traditional European rudiments (like Basel drumming) with modern drum set orchestration.Hessler has written several highly acclaimed books that have earned award nominations from major industry publications like Modern Drummer and DRUM! magazineOpen-Handed Playing Vol. 1 & 2 (co-authored with legendary educator Dom Famularo)Daily Drumset WorkoutDrumming KairosCollapsed Rudiments (Completing and expanding upon structural concepts initially conceptualized by Jim Chapin)Huge thanks to Claus for giving up his time so generously to do this interview.Claus is performing masterclasses on July 4th in Rotherham Yorkshire for Bobs Drum School, please checkout Bobs Drum School on Social Media for More Information.July 5th finds Claus Performing 2 masterclasses in Denbigh North Wales, please contact me for further details if you are interested mathewroberts@btinternet.com

EP 3 Show: Worldwide Bangers Artist: Groove Mind Air Date: 20 June 2026 Genre: Drum & Bass Worldwide Bangers EP 3 In this episode 100% Drum and Bass Classics + some unreleased upcoming Remixes Tracklist: 1. Groove Mind - ID 2. Groove Mind - ID 3. Groove Mind - ID 4. Groove Mind - ID 5. Ray Charles - Hallelujah I Love Her So (Dan The Lion & Mista Trick Remix) 6. Hoax, Breach - Jack (Hoax Rework) 7. Original Nuttah (Chasse & Status Remix) 8. Groove Mind - ID 9. Stewie Wonder - Superstition (WBBL Remix) 10. Come Together feat. Tyson Kelly (Original Mix) 11. The Prodigy - Voodoo People (Phibes Remix) 12. Punjabi MC - Mundian To Bach Ke (Flite Bootleg) 13. The Prodigy - Breathe (Mefjus & Camo & Crooked Remix) 14. Phibes - Gangsta Hits 15. Perfect (1991 Remix) 16. Phibes - The Next Episode 17. Austin Powers - soul Bossa Nova (Flavours remix) 18. Phibes - Sensi 19. Dillinja - Twist Em Out (Groove Mind remix) 20. Camo & Crooked - Sientelo 21. Noisia - Concussion 22. Groove Mind - The Chronicles of Mr Groove 23. Shouse - Love Tonight (Culture Shock Remix) 24. Metrik - Hackers 25. Camo & Crooked - History of The Future 26. Friction - Mad in The Jungle 27. Fugees - Fu gel la (AC13 Bootleg) 28. Mefjus - Sidewinder 29. Tequila (Dr Fresh Edit) 30. Groove Mini - Radiance) 31. Serum, Inja - Lumberjackin 32. The Jacksons - Shake Your Body (Groove Mind Remix) 33. WBBL - Ms Jackson Booty 34. Police In helicopter (Benny L Remix) 35. Chris Lake - I Want You 1991 remix 36. Turn On The Light (Tsuki Bootleg) Originally broadcast on Data Transmission Radio. Listen live and explore the archive: https://radio.datatransmission.co

Recorded 2026-06-19 22:03:50

Recorded 2026-06-19 16:04:07

Recorded 2026-06-19 16:00:21

Recorded 2026-06-19 03:35:20

Recorded 2026-06-19 03:05:37

The Lower Chesapeake Bay Fishing Report is your best resource for the Virginia Beach Fishing Report, Ocean View Fishing Report, Norfolk Fishing Report, Lynnhaven Inlet Fishing Report, and everywhere in between.For the anglers looking for an Eastern Shore Fishing Report, Hampton fishing report, Buckroe Beach Fishing Report, or York River fishing report, look no further. Every week we bring you a report for those anglers interested in a Cape Charles fishing report and a Chesapeake Bay Bridge Tunnel fishing report and for every location in the Lower Chesapeake Bay. For our guys looking for the Virginia fishing report, we've got you covered.This week we have Mike Robey, with Hooked on Hope VB, talking with us about the hot redfish bite he has been experiencing in the Lynnhaven River, as well as the reason he started Hooked on Hope in the first place. He shares some tips on how to muscle those big slot reds out from under the docks as well as gives us an overview of all the exciting prizes, raffles and activities that will be going on with this years 7th annual Spanish Mackerel Tournament, some incredible people making a REEL impact on the lives of families dealing with pediatric cancer. To get involved, or questions about the event, call Mike today at 757-472-7212Next, Captain Bill gives us the 411 on all things offshore Tuna aboard Playin Hookey Charters! He has had some awesome action lately as the warm water has pushed them within reach from Rudee. Captain Bill also gives us one of the BEST tuna recipes we can try next time we get our hands on some fresh tuna loins. As always, he leaves us with some solid tips and tricks to help improve our catch chances next time we are out on the blue water in search of a bit! To get booked and get hooked, call him now: 757-619-3530www.greatdaysoutdoors.com/lcbfr to be added to our email list and we'll send you the new show each week! All Lower Chesapeake Bay Fishing Report Email Subscribers receive a PROMO CODE for a FREE AFTCO Camo Sunglasses Cleaner Cloth with the purchase of any products!Sponsors:EMS Endeck PVC DeckingPure Flats - Slick LuresAFTCOSlipSki SolutionsBlack BuffaloHilton's Realtime Navigator

Recorded 2026-06-18 00:10:34

Recorded 2026-06-18 02:07:45

Recorded 2026-06-18 18:02:34

Drum & Bass Session #22 Trackist 01. Rare Groove EP – A1 02. DJ Rap, Outlaw Candy – Intelligent Woman (Aries RMX)
03. J Majik – Treat Me Right 04. DJ Die – Slingshot 05. Quadrant & Iris – Prismatic 06. Amoss – Ghost Signals 07. Trex – Get Enough 08. Zero T & Crystal Clear – Now It's Time 09. Kasra & Waeys – Rear View Mirror 10. Majistrate – Step Up 2026 11. Simula – Gargoyle 12. Serum & Caleb Vigro – Get Better 13. Circandian, Pirapus, Mila Falls – Slow Motion 14. Pirapus – Energy 15. Disrupta – Disrupt The Dancefloor 16. Breakage, Rike Dan – CTRL 17.Rare Groove – B1 18. Swift & Zinc – This Side Of The Moon 19. Remarc – In Da Hood 20. Quartz – Mute Reflex 21. Phibes – Ride Or Die 22. Voltage – The Swarm 23. Primate – Booyah 24. Andromedik, Arcando & Raphaella – Hold Me In Heaven 25. Freaks & Greeks, Mugatu, Alika – Night Is Gone 26. Prolix – No Turning Back 27. Killbox – Without You

Recorded 2026-06-17 18:00:39

Recorded 2026-06-17 14:19:30

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. Today, I'm joined by my co-host Eric Urrea (Marina City, La Armada) and returning guest Zack Albetta (Broadway's & Juliet , Working Drummer Podcast) for another installment of The Drum Panel. In this episode: Angine de Poitrine and the rise of microtonal math-rock weirdness Masks, costumes, performance art, and the word “gimmick” Why musicians can be so quick to dismiss what they don't understand Cynicism as both a shield and a trap The danger of bonding through negativity How touring can breed complaints if you let it Choosing to be positive without being fake Why “I don't get it” is sometimes enough Art, context, and the death of context Whether success in music is ever really linear --- Get Your Copy of the Drummers on Drumming Book Today

We ask the rockaholics, bonus points if you know the drummer.

Recorded 2026-06-16 22:14:22

Recorded 2026-06-16 04:01:13

Bay Area's Alternative Queen, Marci, joins Sarah and Vinnie to talk about her experience seeing Gwen Stephani at The Sphere. Then, Marci and Vinnie go head to head guessing the greatest drum intros in rock history.

Recorded 2026-06-15 13:51:37

Recorded 2026-06-15 03:21:22

Recorded 2026-06-15 01:01:27

Deep House / Progressive House

Recorded 2026-06-14 04:06:14

Recorded 2026-06-14 12:22:58

Recorded 2026-06-13 11:36:58