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This episode answers the question: How can I make my new place feel like home? Can I create a new house registry?We chatted with Holly Martins, a real estate agent, about how to make a new place feel like home. Holly emphasizes the importance of reflecting your personality in your space, tailoring it to your unique needs and desires. She suggests incorporating personal touches like artwork and choosing paint colors that bring you joy to create a welcoming atmosphere. Holly also shares the idea of creating a home registry for essentials that can help make your space more comfortable and peaceful. She encourages reaching out to friends and family for support in acquiring items that will make your new home feel cozy and truly yours.Learn more about Holly on her Fresh Starts Profile: https://www.freshstartsregistry.com/resourceguide/holly-martins-nj-real-estateMentioned in this episode:Become a Fresh Starts Expert!What is the Fresh Starts Expert Membership? The Fresh Starts Expert Membership is a business membership for entrepreneurs, experts, and small business owners to support them in business development, marketing efforts, public relations, networking, and community engagement. The membership includes a standalone profile on Fresh Starts Registry's website, weekly virtual coworking, open hours business coaching, and accountability groups, as well as exclusive press and media opportunities, workshops, seminars, a content and video library of resources, a podcast episode, and so much more. Membership is $55/month. Fresh Starts Registry is the first and only support registry platform for people to access the items and experts they need during life transitions. Fresh Starts has been featured in The New York Times, Time Magazine, Forbes, Wall Street Journal, Washington Post, The Today Show, and more. It was founded in 2021 by sisters Olivia Dreizen Howell and Genevieve Dreizen. Who can be an expert? An expert is simply a small business owner, freelancer, entrepreneur, solopreneur, writer, creator, podcaster - or more! See HERE for a list of potential expert types. We are open to any and all expert types. What are the benefits of joining Fresh Starts? Joining Fresh Starts as an expert offers numerous benefits for professionals passionate about guiding individuals through life transitions. For just $55 a month, you gain access to a thriving community, complete with business development support, marketing tools, coaching, and networking opportunities. Your profile will be SEO-optimized, making it easier for clients to find you. You'll also enjoy press and media exposure, weekly offers including workshops and events, and a supportive network to share insights and celebrate successes.Fresh Starts Expert MembershipJoin the Fresh Starts Collective!Whether you're an ambitious entrepreneur, a dedicated student, a heads down writer or simply striving to achieve your professional goals, the Fresh Starts Collective is here for you. We believe that surrounding yourself with a supportive community can be the key to unlocking your full potential. The Fresh Starts Collective offers daily community gathering - whether it's VirtualCo-Working and Body Doubling, Open Office Hours or Accountability Hour - community support and growth, networking opportunities and access to marketing, design and writing professionals to bounce ideas off of, pick the brains of or crowd source some ideas. The Fresh Starts Collective is $35/month.Fresh Starts Collective
Paul and Drew revisit the Noir film, "The Third Man (1949)WHERE CAN WE WATCH: TUBIDIRECTED BY: Carol Reed (Oliver!, Mutiny on the Bounty)WRITTEN BY: Graham Greene (End of the Affair (novel) STARS: Joseph Cotten, Alida Valli, Orson WellesPREMISE: Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.IMDB RATING: 8.1BOX OFFICE: Budget: $1 Mil, Gross: 1.2 MillionAWARDS: Won 1951 Oscar Best Cinematography, Nominated for Best Editing and Best Director. Won BAFTA for Best British Film 1950.
5 Fresh Tips to Help You Get Your Marital Home Ready to Sell (and help you get through it sanely) with Realtor Holly Martins Learning how to get your marital home ready to sell can be overwhelming, but you're not alone! Check out these 5 Fresh Tips to help you get your marital home ready to sell (without losing your mind) with realtor Holly Martins. I'm a divorced mom of two kids and a full-time Realtor. With a background in social services, and a lifetime of experience in the world of divorce, I understand and empathize with the many transitions that occur during the process. That's why my business is client centered: my goal is to ensure the people who I'm working for are educated, advocated for, and taken care of from start to finish. This is not a sales business to me, it is the business of helping people and families move onward and upward. You can learn more about Holly Martins on her Fresh Starts profile.
Dana and Tom discuss the noir mystery thriller, The Third Man (1949): directed by Carol Reed, written by Graham Greene, music by Anton Karas, starring Joseph Cotten and Orson Welles.Plot Summary: "The Third Man" is a cinematic masterpiece that seamlessly blends noir intrigue with post-war disillusionment, creating a gripping tale of mystery and moral ambiguity. Set against the atmospheric backdrop of post-World War II Vienna, the film follows pulp novelist Holly Martins as he investigates the suspicious death of his old friend Harry Lime. Director Carol Reed masterfully crafts a world of shadowy alleys and crumbling architecture, enhancing the film's sense of unease.Joseph Cotten delivers a compelling performance as Martins, an everyman caught in a web of deception and betrayal. However, it's Orson Welles who steals the show as the enigmatic Harry Lime, a charismatic and morally complex figure whose presence looms large over the narrative. The iconic zither score by Anton Karas adds a haunting and distinctive layer to the film's atmosphere, creating an unforgettable sonic backdrop.As the narrative unfolds, "The Third Man" becomes more than a mere whodunit by delving into the moral ambiguity of its characters and the bleak aftermath of war. Reed's masterful use of light and shadow, coupled with Graham Greene's sharp screenplay, elevates the film beyond the confines of traditional noir, making it a timeless classic that continues to captivate audiences with its gripping storytelling and cinematic brilliance. In the hands of Reed and his talented cast, "The Third Man" remains a haunting exploration of loyalty, deception, and the shadows that linger in the aftermath of conflict.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-third-man-1949For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios
Sam Underwood was born in Woking, Surrey and attended the Winston Churchill School. He trained at the Karen Clarke Theatre Group (now Summerscales Performing Arts). He was taught by vocal coach Phil Wisdom and attended Songtime Theatre Arts. He moved to the United States in 2006 where he studied at the American Musical and Dramatic Academy in New York.After graduating he went on to appear as Marchbanks in George Bernard Shaw's Candida at the Irish Repertory Theatre, New York. In April 2010, he was asked to play the part of Alan Strang in a production of Equus at the John Drew Theater at Guild Hall of East Hampton, co-starring alongside Alec Baldwin.In 2013, Sam was cast in the eighth season of television series Dexter in the recurring role of Zach Hamilton, Dexter Morgan's 'protégé'. He subsequently joined the third season of Homeland as Leo Carras.Beginning in February 2014, Sam took on the dual roles of twins Mark and Luke Gray in the second season of the Fox murder mystery The Following. But after the death of Luke, he was left playing Mark – who had split identities – in its third and final season.In 2017, Sam went on to join the cast of the hit AMC thriller series Fear the Walking Dead in its third season as Jake Otto, the enigmatic son of the colony leader.In 2019, he was cast as Adam Carrington in The CW television series Dynasty, a reboot of the 1980s series of the same name.When this podcast was recorded, he was playing the title role of Holly Martins in the brand new musical production of The Third Man directed by Trevor Nunn at the Menier Chocolate Factory in London.
In 1948 author Graham Greene was in Vienna getting a tour of the city, its back alleys, less-reputable nightclubs, and even its sewers. He was also introduced by actress Elizabeth Montagu to Peter Smolka, the central European correspondent for The Times. Greene was working on a novella that would become a screenplay called The Third Man. Greene sold the film rights to producers Alexander Korda and David O'Selznick. In the story a man named Holly Martins comes to Vienna to accept a job with his friend Harry Lime, only to learn that Lime has died. Martins is a writer. He's told Lime was killed by a car while crossing the street. At Lime's funeral, Martins meets two British Royal Military Police: Sergeant Paine, a fan of Martins' books, and Major Calloway. Martins thinks the death is suspicious, so he stays in Vienna to investigate the matter. Orson Welles was cast as Lime with longtime Mercury Theater friend Joseph Cotton cast as Martins. Principal photography began in Vienna in early November of 1948 and lasted for six weeks. The rest was done around London and completed by March of 1949. Then-unknown composer Anton Karas was hired to create the musical score, performing it on a zither. The film was released in the UK in September of 1949, quickly becoming that year's most popular. When released in the U.S. audiences loved it. Time wrote that the film was "crammed with cinematic plums that would do Hitchcock proud—ingenious twists and turns of plot, subtle detail, full-bodied bit characters, atmospheric backgrounds that become an intrinsic part of the story, a deft commingling of the sinister with the ludicrous, the casual with the bizarre.” At the 1951 Academy Awards, the film took home the award for Best Black and White Cinematography, while at the British equivalent, it won for Best British Film. In the meantime Welles and Tyrone Power made The Black Rose in 1950, directed by Henry Hathaway. Welles played Mongolian warrior Bayan of the Hundred Eyes. Hathaway, who liked Welles, later said the casting was poor, with Welles purposely outwitting people during shooting. While in England making The Third Man, Orson Welles became acquainted with Harry Alan Towers. Towers was a thirty-year-old radio producer whose company, Towers of London, was heavily into syndicated productions in British, American, Australian, and Canadian markets. His anthology series Secrets of Scotland Yard had proven that there was a lucrative market for high-end entertainment and, in Welles, he saw a personality and a talent that could quickly make his production company a leading one. Towers and Greene had the same literary agent. Finding out that Greene hadn't sold Harry Lime's character rights when he sold the screenplay, Towers quickly bought the rights to the character with plans to put a syndicated radio series into production. Welles signed with Towers to produce The Adventures of Harry Lime. They were prequel stories showcasing some of the more good-hearted things Harry Lime was supposed to have done. Only sixteen of the episodes were acquired and broadcast by the BBC. It was the first time that the BBC broadcast episodes of a dramatic series that it did not produce. The full fifty-five episodes were syndicated to radio stations in the U.S. Welles is credited as the author of ten scripts, including the first episode, “Too Many Crooks” which aired on August 3rd, 1951. The fifth episode was called, “Voodoo,” something Orson Welles had a lot of experience with, dating back to his time in South America during World War II.
Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime. Starring Joseph Cotton and Orson Welles.To download, right-click here and then click SaveJoin the Journey Into Patreon to get early Outfield Excursions episodes.Episode Art courtesy of Gino Moretto.To comment on this or any episode:Leave us a voicemail at 77-JINTO-107 (775-4686-107)Send comments and/or recordings to journeyintopodcat@gmail.comTweet us on TwitterPost a comment on Facebook here
This week on the OETA Movie Club Podcast we have a double-feature! Join our hosts as they discuss "The Third Man", the 1949 film noir directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. The movie is about Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime. Then, listen as Jeff and Robert talk about the 1944 psychological thriller, "Gaslight", directed by George Cukor and starring Charles Boyer, Ingrid Bergman, Joseph Cotten, and Angela Lansbury (in her film debut). Listen now wherever you get your podcasts and tune in to "The Third Man" and "Gaslight" on Saturday August 27, 2022 at 9 pm on OETA.
What does this 1949 film, set in post-WWII Vienna, tell us about the black market in post war Europe? How does the story of Anna's plight reflect the fate of citizens of East European countries occupied by Soviet forces? Why does Anna persist in her loyalty to black marketer Harry Lime even after being informed that his activities caused children who had contracted Meningitis to die after being given diluted penicillin? Why does Harry's old friend Holly Martins vacillate in that regard, even after having seen the harm first hand? Is it loyalty to Harry, or compassion for Anna? How does the charisma of the sociopathic Harry account for this moral blindness on the part of these two main characters? How does this movie cause us to consider the connection between physical, psychological or emotional distance and the capacity for inhuman behavior? Is it a cautionary tale for all of us?
One of the most famous movies of all time, and what many consider to be the greatest movie of all time, is 1941's Citizen Kane, starring Orson Welles. While it is certainly a great movie, and one of my personal favorites, it tends to overshadow Welles' other great movies. One of them is The Third Man, released in 1949 and starring Orson Welles and Joseph Cotten, among others. The Third Man is a British film noir set in postwar Vienna. The story centers around a writer named Holly Martins, played by Joseph Cotten, who has come to Vienna to work for his friend Harry Lime, played by Orson Welles. On today's episode, you'll be encouraged by Orson Welles' film, The Third Man, to step out of the shadows and make yourself known, so you can impact others. *** Are you looking for a community of enthusiastic, generous writers to help you build better habits and grow your writing business? Check out our Daily Writer Community. Check out our Daily Writing Prompts, which will help you break through creative blocks, brainstorm new ideas, and get back into a state of flow. Writing prompts are a fantastic creative tool for creative writing, journaling, teaching, social media posts, podcasting, and more! Connect with Kent: https://DailyWriterLife.com Facebook: https://facebook.com/kent.sanders Instagram: https://instagram.com/kentsanders LinkedIn: https://linkedin.com/in/kent-sanders Twitter: https://twitter.com/kentsanders
One of the most famous movies of all time, and what many consider to be the greatest movie of all time, is 1941's Citizen Kane, starring Orson Welles. While it is certainly a great movie, and one of my personal favorites, it tends to overshadow Welles' other great movies. One of them is The Third Man, released in 1949 and starring Orson Welles and Joseph Cotten, among others. The Third Man is a British film noir set in postwar Vienna. The story centers around a writer named Holly Martins, played by Joseph Cotten, who has come to Vienna to work for his friend Harry Lime, played by Orson Welles. On today's episode, you'll be encouraged by Orson Welles' film, The Third Man, to step out of the shadows and make yourself known, so you can impact others. *** Are you looking for a community of enthusiastic, generous writers to help you build better habits and grow your writing business? Check out our Daily Writer Community. Check out our Daily Writing Prompts, which will help you break through creative blocks, brainstorm new ideas, and get back into a state of flow. Writing prompts are a fantastic creative tool for creative writing, journaling, teaching, social media posts, podcasting, and more! Connect with Kent: https://DailyWriterLife.com Facebook: https://facebook.com/kent.sanders Instagram: https://instagram.com/kentsanders LinkedIn: https://linkedin.com/in/kent-sanders Twitter: https://twitter.com/kentsanders
The lads are once again joined by co-host and player on Critical Bits, Struggle Session film correspondent, and critic and video essayist Shannon Strucci to discuss queer Draculas, film noir and the hapless charm of Holly Martins in 1949's THE THIRD MAN! swimfanspod.com
Welcome to Reel Britannia-a very British podcast about very British movies ...with just a hint of professionalism. A very special episode this week as we celebrate our 4th birthday as well as our 100th episode. Joining us is our good friend Anthony from the Glass Onion: On John Lennon podcast to chat about one of the greatest British movies of all time Join us we take a look at The Third Man (1949) starring Joseph Cotton, Trevor Howard and Orson Welles Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime—and thus begins this legendary tale of love, deception, and murder. Thanks to brilliant performances by Joseph Cotten, Alida Valli, and Orson Welles; Anton Karas's evocative zither score; Graham Greene's razor-sharp dialogue; and Robert Krasker's dramatic use of light and shadow, The Third Man, directed by the inimitable Carol Reed, only grows in stature as the years pass. “Don't be so gloomy. After all, it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long, Holly.” https://www.youtube.com/watch?v=5VvXKm2deh0 You can find this and all our previous episodes at: Apple Podcasts Libsyn Player FM Podtail Owltail ListenNotes Follow us on Twitter @rbritanniapod Join us over at our Facebook Group ….we'd love to chat with you email: reelbritannia@gmail.com You can listen to Glass Onion: On John Lennon at https://podcasts.apple.com/gb/podcast/glass-onion-on-john-lennon/id1473867166 Join Anthony for Film Gold at https://podcasts.apple.com/us/podcast/film-gold/id1544641271 #thethirdman #orsonwelles Thanks for listening Scott and Steven
Best Old Time Radio Podcast with Bob Bro Tuesday, March 15, 2021 - OTR Dramas Lux Radio Theatre - "The Third Man" Holly Martins is an out of work pulp fiction novelist. He is in post war Vienna, a city he finds facing critical shortages of goods -- resulting in a flourishing black market. Holly has traveled to Austria at the invitation of an old school friend named Harry Lime, who has offered him a job. But he soon finds out that he is too late -- Harry Lime has recently been killed in a traffic accident. After spending some time speaking with Lime's friends and associates, Martins takes note of inconsistencies in their stories. He then makes up his mind to find out what really happened to the mysterious Mr. Lime. Featuring: Joseph Cotton, Evelyn Keyes, Ben Wright, Edgar Barrier, Ted Decorsia, Bill Johnstone, Fritz Feld, Harold Dyrenforth, Herb Butterfield, Jack Kruschen, Robert Boone, Norman Field, Jeffrey Silver, Gladys Holland, Eddie Marr Original Air Date: April 9, 1951 on CBS To hear more of the best old time radio programs, visit our website: https://bestoldtimeradio.com Contact: Bob@bestoldtimeradio.com
Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Neasa Hardiman, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. This time, Carol Reed's The Third Man. Holly Martins arrives in Vienna to visit his old friend Harry Lime. However, Holly quickly discovers that all is not what it seems. Harry apparently died in a freak traffic accident shortly before Harry arrived. As British officers start asking pointed questions about the dead man, Holly becomes increasingly anxious that something has gone very wrong. At time of recording, it was ranked 177th on the list of the best movies of all time on the Internet Movie Database.
RIP Alan Parker & Wilford Brimley New Movies: Yes God Yes - After an innocent AOL chat turns racy, a Catholic teenager in the early 00s discovers masturbating and struggles to suppress her new urges in the face of eternal damnation. Undisputed ClassicThe Third Man - Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime. 1990 Mo Better Blues - Jazz trumpeter Bleek Gilliam makes questionable decisions in his professional and romantic lives. Young Guns 2 - In 1881, cattle baron John Chisum pays a bounty to Patrick Floyd Garrett to kill outlaw Billy the Kid.Metropolitan - A group of young upper-class Manhattanites are blithely passing through the gala debutante season, when an unusual outsider joins them and stirs them up. Next Week - She Dies Tomorrow, I Used to Go Here, American PickleUndisputed - Chinatown1990 - Air America, Flatliners, The Two Jakes
Support the show! www.Patreon.com/TheWatchAndTalk This week Dylan Schuck (@schuckster) sits down with John Bucher (@JohnKBucher) to discuss THE THIRD MAN (1949). This film appeared on 3 out of our 28 lists. June had it ranked #1 John Bucher had it ranked #4 Stephen P Had it ranked #35 PLOT SUMMARY: Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime. @TheWatchAndTalk (Twitter/Instagram) Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Next week we review HALLOWEEN (1878)
Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.
Description Returning guest John Darowski helps Joe discuss Holly Martins, Anna Schmidt, and Harry Lime from classic film noir The Third Man. Topics of discussion include the improbably but historically accurate setting of the film, the brilliant but historically inaccurate … Continue reading →
On this week’s Technicolor Jesus, Adam and Matt welcome Brennan Breed, Assistant Professor of Old Testament at Columbia Theological Seminary to talk about the perils of modernism, post-war Europe, Amos’ Day of the Lord and the 1950’ classic The Third Man. Set in post-war Vienna, The Third Man follows the naive and earnest Holly Martins as he tries to unravel the mysterious death of his friend Harry Lime. Written by Graham Greene, directed by Carol Reed, and scored by Anton Karas and his famous Austrian zither, The Third Man feels as fresh as ever. It’s ideas about diplomacy, international collusion, American exceptionalism, and the curse of the past are still relevant. In our first segment, Brennan leads a discussion about how American tropes and grand narratives fail to make sense of the post-war Vienna and how tempted the church is to impose pre-built narratives onto foreign stories. In the second segment, Adam and Matt talk with Brennan about the week’s lectionary passages. The discussion touches on Amos’ understanding of the day of the Lord, the craven moral justifications of Harry Lime, and Joshua’s covenant as a paradigm for communal living in the wake of fractured optimism. Finally, Adam looks to some hasidic brothers for guidance, and Matt learns a history lesson from Thor: Ragnorok. So this week, we invite you out of the shadows to proclaim your love for the cuckoo clock, it’s time for another Technicolor Jesus.
ORIGINAL AIRDATE: February 24th, 2017 --- Mac and the team are disavowed after a bombing leaves them suspected of terrorism MISSION: A simple Observe and Report mission is sideline by a bomb that destroys what little evidence the team has collected and incriminates them in the eyes of foreign intelligence agencies. This week's highlights include: The Third Man (Film) The Third Man is a 1949 British film noir directed by Carol Reed and written by Graham Greene. It stars Joseph Cotten, Valli (Alida Valli), Orson Welles, and Trevor Howard. The film takes place in post-World-War-II Vienna. It focuses on Holly Martins, an American who is given a job in Vienna by his friend Harry Lime, but when Holly arrives in Vienna he gets the news that Lime is dead. Martins then meets with Lime's acquaintances in an attempt to investigate what he considers a suspicious death. Check out the article on wikipedia: https://en.wikipedia.org/wiki/The_Third_Man.
Título original The Third Man (The 3rd Man) Año 1949 Duración 104 min. País Reino Unido Reino Unido Director Carol Reed Guión Graham Greene (Novela: Graham Greene) Música Anton Karas Fotografía Robert Krasker (B&W) Reparto Joseph Cotten, Alida Valli, Trevor Howard, Orson Welles, Bernard Lee, Paul Hörbiger, Ernst Deutsch, Siegfried Breuer, Erich Ponto, Wilfrid Hyde-White, Hedwig Bleibtreu Productora London Films. Productores: Alexander Korda & David O. Selznick Género Cine negro. Intriga. Drama | Amistad Sinopsis Comienzos de la Guerra Fría, en Viena, 1947. El norteamericano Holly Martins, un mediocre escritor de novelas del Oeste, llega a la capital austríaca cuando la ciudad está dividida en cuatro zonas ocupadas por los estados aliados de la II Guerra Mundial. Holly va a visitar a Harry Lime, un amigo de la infancia que le ha prometido trabajo. Pero su llegada coincide con el entierro de Harry, que ha muerto atropellado por un coche en plena calle. El jefe de la policía militar británica le hace saber a Martins que Lime estaba gravemente implicado en el mercado negro. Pero a Martins no le cuadra un detalle: todos dicen haber visto a dos hombres en el lugar del atropello intentando ayudar a Lime, pero un testigo asegura haber visto a un tercer hombre... Adaptación de la novela homónima de Graham Greene.
It's Vienna, 1949, Holly Martins steps off a train and into a mystery, full of intrigue and backstabbing. Is it just another day at the office for Mr. Martins? No way, he's a clueless American writer of pulp westerns. He's completely out of his depth and that's the fun of the movie. It unravels before our eyes in glorious black and white with the incomparable zither score by Anton Karas. Directed by Carol Reed, with an all star cast of Joseph Cotten, Orson Welles, Trevor Howard, and Valli, the movie is a true masterpiece of film-making. Not everyone agrees with this assessment, just read through some of the IMDB forum posts. That's alright, Bob and I certainly enjoyed it. And we hope you enjoy this episode of Classic Movie Reviews.
The 36th Top 100 Project podcast is the mystery noir, The Third Man! Citizen Kane pals Joseph Cotten and Orson Welles re-team in Austria to discuss black-market business opportunities and to ride Ferris wheels. What did we think of Welles as the snaky Harry Lime, of Cotten as the weaselly Holly Martins and of the legitimately ravaged streets of postwar Vienna? You know the only way to find out the answers to those questions? Hit that play button!