Podcast appearances and mentions of Henry Hathaway

In this episode, we review our 10th-ranked film for 1965, “The Sons of Katie Elder,” a Western directed by Henry Hathaway and starring John Wayne. We also rank the top five Wayne films of all time. Support this project on Patreon!

Jaume Segalés y su equipo hablan de el violonchelista de los mil acentos y de cine clásico. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Matthieu y Camille Saglio en la Sala Villanos Entrevistamos a "el violonchelista de los mil acentos". Así es como llaman al virtuoso instrumentista y compositor Matthieu Saglio, al que vamos a poder ver en directo este domingo en la Sala Villanos. Músico aclamado a escala internacional que está de gira por Europa presentando su último disco "Al Alba". Un trabajo a dúo en el que la voz de su hermano Camille también protagoniza esta magnífica colección, de 14 bellas canciones, que va a publicarse el 25 de abril. Cantadas en francés, español, inglés, árabe e incluso en bambara (el idioma de Mali), abarcan diversos estilos como el jazz, el blues, la música clásica, los sonidos orientales y tradicionales y las llamadas músicas del mundo. Un disco que nos propone un viaje interior y espiritual guiado por la complicidad de estos dos hermanos y excelentes músicos, Matthieu y Camille Saglio. Tenemos la oportunidad de escuchar las canciones de "Al Alba", por adelantado y en vivo, este domingo a partir de las 19:00 en la Sala Villanos (c/ Bernardino Obregón, 18). Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre El beso de la muerte (Kiss of Death). Película estadounidense de cine negro dirigida en 1947 por Henry Hathaway y protagonizada por Víctor Mature, Richard Widmark, Brian Donlevy, Coleen Gray, Karl Malden. El delincuente de poca monta Nick Bianco es atrapado en un robo de joyas y, a pesar de las insistencias del bienintencionado fiscal D'Angelo, se niega a delatar a sus socios y va a la cárcel, con la seguridad de que su esposa e hijos estarán bien cuidados. Al enterarse de que su deprimida esposa se ha suicidado, Nick delata a sus excompañeros y obtiene la libertad condicional. Nick se vuelve a casar, consigue un trabajo y comienza una vida feliz cuando se entera de que uno de los hombres a los que delató, el asesino psicópata Tommy Udo, ha sido puesto en libertad y busca venganza contra Nick y su familia.

Extrait : « … Muriel Moreno n'a été rennaise que sur le tard. Rendons à César ce qui est à César, elle est née en Indre et Loire, personne sait où c'est, et à dix ans elle est venue vivre à Nantes. Repeat after me, à Nantes. Ce n'est qu'à sa majorité qu'elle est montée à Rennes pour y faire des études d'histoire de l'art, et accessoirement, rencontrer Daniel Chenevez, se lancer une première fois comme Les Espions, puis comme L'ombre jaune, et enfin comme Niagara. Le nom du groupe vient du film du même nom, réalisé en 1953 par Henry Hathaway, avec Maryline Monroe, dont Muriel Laporte s'est inspirée pour se rebaptiser Moreno, anagramme de Monroe, drôlement maline la Muriel … » Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience.   Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe.   Pour soutenir Good Morning Music et Gros Naze : 1. Abonne-toi 2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict 3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Henry Hathaway started directing in the early 1930s and though he made movies of all genres, he was particularly associated with Westerns. This allowed him to ride out the 1960s making pretty much the same kinds of movies with the same stars (Gregory Peck, Robert Mitchum) that he had been working with for decades. But shortly after the massive success of Hathaway's True Grit in 1969 – for which John Wayne won his only Oscar – the director felt he was being put out to pasture by a changing industry. His last film would be Hangup (also known as Super Dude) a work-for-hire that he claimed he took only as a favor to the producer, and which was dismissed at the time as a sop to the Blaxploitation trend - not least by Hathaway himself. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jaume Segalés y su equipo hablan de esta enfermedad y de cine clásico. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Enfermedad Injerto Contra Receptor (EICR) Hoy viernes 28 de febrero es el Día Mundial de las enfermedades raras. Vamos a hablar de una de ellas: la EICR, Enfermedad Injerto Contra Receptor, que afecta a casi la mitad de los pacientes trasplantados de médula ósea. España es líder en trasplantes a nivel mundial desde hace 33 años. Sólo en 2023 se realizaron aproximadamente 1.500 trasplantes alogénicos de médula ósea (de un donante diferente al receptor). Un 43% de ellos (637) de una persona no emparentada, lo que incrementa el riesgo de complicaciones. El paciente con un trasplante alogénico de médula ósea se enfrenta a momentos críticos como el diagnóstico de la neoplasia hematológica maligna (que es un tipo de cáncer), el tratamiento con quimioterapia, la incertidumbre de encontrar un donante adecuado y el trasplante como última opción curativa. La supervivencia de estos pacientes ha mejorado en los últimos años, pero un número importante sufre complicaciones post trasplante, no relacionadas con las recaídas de su enfermedad de base. La Enfermedad Injerto Contra Receptor puede ser crónica. Es una patología compleja en la que las células del donante (que se injertan) atacan a las células del receptor, provocando inflamación y fibrosis (cicatrización o engrosamiento) en múltiples tejidos y órganos. Entrevistamos al Dr. Guillermo Orti, experto en esta enfermedad y miembro del Grupo Español de Trasplante Hematopoyético y Terapia Celular (GETH). Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre El demonio del mar (Down to the Sea in Ships). Película estadounidense de 1949 dirigida por Henry Hathaway, protagonizada por Richard Widmark, Lionel Barrymore, Dean Stockwell, Paul Harvey, Berry Kroeger . A finales del siglo XIX, el capitán de un barco ballenero de Massachusetts, Bering Joy, lleva a su nieto Jed a una expedición ballenera. El viejo capitán quiere enseñar a su nieto los valores de la vida real como la honestidad, el coraje, la sabiduría, la justicia y el trabajo duro. Al mismo tiempo, el primer oficial Dan Lunceford recibe el encargo de dar clases particulares al niño en sus tareas escolares. Una pequeña competencia y rivalidad comienza cuando ambos hombres, el capitán Joy y el primer oficial Lunceford, se esfuerzan por convertirse en el modelo masculino a seguir del joven Jed. El capitán Joy puede tener la sabiduría dictada por las experiencias de su vida, pero la imaginación del joven Jed está más bien cautivada por los cuentos marineros de Dan Lunceford.

Ayer sábado por la noche Aitana Sánchez-Gijón recibió el Goya de Honor de este año. A sus 56 años es la persona más joven que lo consigue. Nosotros en este episodio repasamos lo que ha sido su vida y su carrera hasta ahora. También recordamos a un director americano de los llamados “artesanos de Hollywood”, Henry Hathaway, director de películas como “Niagara”, “El beso de la muerte” o “Valor de ley”. El 11 de febrero se cumplen 40 años de su fallecimiento. Elio Castro ha charlado con el actor Vito Sanz, candidato al mejor actor en los Goya por su papel en la película “Volveréis” de Jonás Trueba. Y en la sección de Jack Bourbon dedicada al cine del Oeste tenemos uno de los westerns más famosos y singulares de la historia: “Dos hombres y un destino” con Paul Newman y Robert Redford asaltando bancos y trenes.

*Apologies for the audio, working on fixing it for next review This week Harrison will review "Call Northside 777" (1948) starring James Stewart and directed by Henry Hathaway. #callnorthside777 #jamesstewart #henryhathaway #reelyoldmovies Join my Discord!: https://discord.gg/VWcP6ge2 Social Media Links: https://linktr.ee/reelyoldmovies

Front Row Classics continue Noirvember with a rare Technicolor film noir. We're taking a look at 1953's Niagara. Brandon welcomes Peter Martin for the first time to Front Row Classics. Peter teaches Cinema Studies and bring great perspective to this Marilyn Monroe led potboiler. Brandon and Peter discuss the exceptional performance of Monroe in one of her rare antagonistic turns on film. They also praise the performances of Joseph Cotten and Jean Peters. Discussion also includes the gorgeous location shooting, pristine technicolor and nimble direction by Henry Hathaway.

Six String Hayride Classic Country Podcast, Episode 51, Our Favorite Westerns. Winner of the 2024 OCLU Podcast award for a Music Series. Chris Wainscott and Jim O'Malley discuss their favorite Western Movies, Directors John Ford, Henry Hathaway, and Howard Hawks, Composers Elmer Bernstein and Ennio Morricone. The great films like Tombstone, The Magnificent Seven, The Searchers, Liberty Valance, Butch and Sundance, SHANE, True Grit, Unforgiven, and More. Western TV shows and their influence on Science Fiction TV. A toast to John Wayne and John Ford's collaboration with two new drink recipes and our Western Movie Recommendations. Join Chris and Jim for the Classic Westerns, the Amazing Actors, and the Classic Songs on Six String Hayride Classic Country Podcast. We are your Classic Country Podcast Huckleberry. ‘Over the Mountains Of the Moon, Down the Valley of the Shadow, Ride, boldly ride.'https://www.patreon.com/user?u=81625843

"Der erfahrene Wüstenführer Joe January wird von dem Abenteurer Paul Bonnard angeheuert, um ihn auf der Suche nach einem Schatz durch die Sahara zu begleiten. Gegen Joes Widerstand schließt sich auch die schöne, junge Dita den beiden Männern an. Ihretwegen kommt es bald zu Rivalitäten unter den Männern. Als sie schließlich in einer Ruinenstadt mitten in der Wüste tatsächlich einen Schatz finden, eskalieren die Spannungen."

This Fox 1947 Studios Year by Year episode looks at two examples of the docu-noir: Boomerang! (directed by Elia Kazan), starring Dana Andrews as a prosecuting attorney who has to decide between morality and political expedience; and Kiss of Death (directed by Henry Hathaway), in which Victor Mature's sympathetic gangster is menaced by Richard Widmark's psychopathic gangster and the legal system. Then another oddball assortment of movies in Fear and Moviegoing in Toronto: Everything Everywhere All At Once (2022), Who's Afraid of Virginia Woolf? (1966), and Spellbound (1945).    Time Codes: 0h 00m 30s:      BOOMERANG!  [dir. Elia Kazan] 0h 27m 35s:      KISS OF DEATH [dir. Henry Hathaway] 0h 54m 55s:      Fear and Moviegoing in Toronto – Everything, Everywhere, All at Once (2022) by Daniel Scheinert & Daniel Kwan; Who's Afraid of Virginia Woolf? (1966) by Mike Nichols and Spellbound (1945) by Alfred Hitchcock Studio Film Capsules provided by The Films of Twentieth Century-Fox by Aubrey Solomon and Tony Thomas Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

True Grit directed by Henry Hathaway and starring John Wayne, Kim Darby, and Glen Campbell. Episode Roundup: The Cowpunchers reflect on awful childhood haircuts. Mel warns us of the dangers of fourteen-year-old horse girls who are good at math. Amy successfully describes a snake pit. Stu is impressed by John Wayne's lumbering.

This week's Fox 1946 Studios Year by Year episode features the strange bedfellows of Henry Hathaway's The Dark Corner, a curiously feminist film noir in which the tormented protagonist is saved by the persistence of a good woman (played by Lucille Ball), and Edmund Goulding's The Razor's Edge, based on a Somerset Maugham novel about spiritual enlightenment and bourgeois ennui, featuring Gene Tierney's best performance, although Anne Baxter won the Oscar. And in Fear and Moviegoing in Toronto, the TIFF Cinematheque Duras retrospective continues with Nathalie Granger, Baxter, Vera Baxter, Le Navire Night, and Les Enfants. We discuss comedy, mysticism, nihilism, recalcitrant children, and happy endings in Duras's films. Time Codes: 0h 00m 35s:      THE DARK CORNER [dir. Henry Hathaway] 0h 25m 04s:      THE RAZOR'S EDGE [dir. Edmund Goulding] 0h 52m 22s:      Fear and Moviegoing in Toronto: Nathalie Granger (1972), Baxter, Vera Baxter (1977), Le Navire Night (1979) and Les Enfants (1984) – all by Marguerite Duras Studio Film Capsules provided by The Films of 20th Century-Fox by Aubrey Solomon & Tony Thomas Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

Welcome back to the GGtMC!!! This week Sammy and Troy from Not a Bomb Podcast discuss Five Card Stud (1968) directed by Henry Hathaway!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/ggtmc/message

Your Film Freaks put their feet up on their private eye desk, slip a gat in their pocket, and light a Chesterfield, see? Mark Jordan Legan and Phoef Sutton discuss six of their favorite crime noirs—some well known and some rather obscure—the films cover the time period of 1940 through 1959. Everyone from Peter Lorre to Ida Lupino to Robert Ryan to Lucille Ball show up in these tough, fast-talking flicks where bad guys and dangerous dames stay back in the shadows and plan their next moves. Directors like Henry Hathaway, Richard Fleischer, Nicholas Ray, and even producer John Houseman are discussed. Like always, lots of fun, fascinating audio clips are played throughout this episode. Come join us or take a slap across the mouth or a one-way ride to the river, get me? This episode is sponsored by: Libro.fm (FILMFREAKSFOREVER) | 2 audiobooks for the price of 1 when you start your membership The Writer's Bone Podcast Network

Christopher and Benjamin return to the well of westerns with their review of Rawhide directed by Henry Hathaway, who most fans of the genre will know as the director of True Grit (1969) among other notable collaborations with John Wayne. Hathaway also dabbled in film noir in the 1940s, so it's no surprise this B&W western was influenced by that directorial style. Rawhide includes maybe the best role of regular western heavy Jack Elam, and a stunning performance from tough and beautiful gal Susan Hayward... Tune in to hear about this lesser known classic western! You can find Rawhide on YouTube, for free, HERE. Furthermore, happy birthday to Chris! If you like westerns, check out our past review of The Big Country (1958), HERE. Submit your mailbags to us at thesearcherspodcast@gmail.com. We got a mailbag on this episode from LB friend Odie. Thank you!! Please rate us a 5/5, and review us on Apple, Spotify, or wherever you listen to us. Reviews really do help! Follow us on Letterboxd.com if you'd like to see what we've recently watched and to read our individual movie reviews! Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Clare and Hannah read Charles Portis' 1968 novel, True Grit, and have not been able to talk normally since. We also analyze two movie adaptations of the book: the 1969 adaptation directed by Henry Hathaway and the 2010 adaptation directed by the Coen Brothers. To get your own copy of this amazing book and/or your own DVD copy of the movies, visit Clare's Bookshop.org store. (It's in the Splanchnics Book Club section). You'll get a discount AND you'll be supporting your favorite podcast! Thanks so much for your support!Music: "Splanchnics Riff" composed and performed by Clare T. WalkerSupport the show

In 1948 author Graham Greene was in Vienna getting a tour of the city, its back alleys, less-reputable nightclubs, and even its sewers. He was also introduced by actress Elizabeth Montagu to Peter Smolka, the central European correspondent for The Times. Greene was working on a novella that would become a screenplay called The Third Man. Greene sold the film rights to producers Alexander Korda and David O'Selznick. In the story a man named Holly Martins comes to Vienna to accept a job with his friend Harry Lime, only to learn that Lime has died. Martins is a writer. He's told Lime was killed by a car while crossing the street. ​​At Lime's funeral, Martins meets two British Royal Military Police: Sergeant Paine, a fan of Martins' books, and Major Calloway. Martins thinks the death is suspicious, so he stays in Vienna to investigate the matter. Orson Welles was cast as Lime with longtime Mercury Theater friend Joseph Cotton cast as Martins. Principal photography began in Vienna in early November of 1948 and lasted for six weeks. The rest was done around London and completed by March of 1949. Then-unknown composer Anton Karas was hired to create the musical score, performing it on a zither. The film was released in the UK in September of 1949, quickly becoming that year's most popular. When released in the U.S. audiences loved it. Time wrote that the film was "crammed with cinematic plums that would do Hitchcock proud—ingenious twists and turns of plot, subtle detail, full-bodied bit characters, atmospheric backgrounds that become an intrinsic part of the story, a deft commingling of the sinister with the ludicrous, the casual with the bizarre.” At the 1951 Academy Awards, the film took home the award for Best Black and White Cinematography, while at the British equivalent, it won for Best British Film. In the meantime Welles and Tyrone Power made The Black Rose in 1950, directed by Henry Hathaway. Welles played Mongolian warrior Bayan of the Hundred Eyes. Hathaway, who liked Welles, later said the casting was poor, with Welles purposely outwitting people during shooting. While in England making The Third Man, Orson Welles became acquainted with Harry Alan Towers. Towers was a thirty-year-old radio producer whose company, Towers of London, was heavily into syndicated productions in British, American, Australian, and Canadian markets. His anthology series Secrets of Scotland Yard had proven that there was a lucrative market for high-end entertainment and, in Welles, he saw a personality and a talent that could quickly make his production company a leading one. Towers and Greene had the same literary agent. Finding out that Greene hadn't sold Harry Lime's character rights when he sold the screenplay, Towers quickly bought the rights to the character with plans to put a syndicated radio series into production. Welles signed with Towers to produce The Adventures of Harry Lime. They were prequel stories showcasing some of the more good-hearted things Harry Lime was supposed to have done. Only sixteen of the episodes were acquired and broadcast by the BBC. It was the first time that the BBC broadcast episodes of a dramatic series that it did not produce. The full fifty-five episodes were syndicated to radio stations in the U.S. Welles is credited as the author of ten scripts, including the first episode, “Too Many Crooks” which aired on August 3rd, 1951. The fifth episode was called, “Voodoo,” something Orson Welles had a lot of experience with, dating back to his time in South America during World War II.

It's Noirs of Moirch month, so be on the lookout for femme fatales - especially those who would have you thrown off a belltower next to a popular water feature. Apply your bedtime lipstick and put on your slicker, we're getting soaked by 1953's Niagara! Featuring Shrishma Naik, Carolyn Naoroz, Katherine Sherlock, and Justin Zeppa. Niagara was directed by Henry Hathaway and stars Marilyn Monroe and Joseph Cotten. Join us on Patreon at the Boom Room for exclusive, ad-free bonus content in the form of super-deluxe length episodes: patreon.com/oldmovietimemachine We appreciate your support, so please subscribe, rate, review, and follow the show: Instagram: @timemachinepodcasts Facebook: facebook.com/oldmovietimemachine Email: partyline@oldmovietimemachine.com Buy our luxurious merchandise: www.teepublic.com/user/old-movie-time-machine ★ Support this podcast on Patreon ★

Buy Where Lies the Strangling Fruit:Theme Music by Prod. Riddiman:Films mentioned in this week's podcast:Annihilation (2018, dir. Alex Garland)The Beast from 20,000 Fathoms (1953, dir. Eugène Lourié)The Blair Witch Project (1999, dir. Daniel Myrick and Eduardo Sánchez)Cannibal Holocaust (1980, dir. Ruggero Deodato)Creature from the Black Lagoon (1954, dir. Jack Arnold)The Day the Earth Stood Still (1951, dir. Robert Wise)Destination Moon (1950, dir. Irving Pichel)Fear & Desire (1953, dir. Stanley Kubrick)The Fly (1958, dir. Kurt Neumann)From Here to Eternity (1953, dir. Fred Zinnemann)Gentlemen Prefer Blondes (1953, dir. Howard Hawks)Godzilla Series (1954-current)The Greatest Show on Earth (1952, dir. Cecil B. DeMille)The House of Wax (1953, dir. André de Toth)The House on 92nd Street (1945, dir. Henry Hathaway)How to Marry a Millionaire (1953, dir. Jean Negulesco)Invasion of the Body Snatchers (1956, dir. Don Seigel)Jaws (1975, dir. Steven Spielberg)Mon Oncle (1958, dir. Jacques Tati)Mr. Hulot's Holiday (1953, dir. Jacques Tati)Niagara (1953, dir. Henry Hathaway)Peter Pan (1953, dir. Hamilton Luske, Wilfred Jackson, Clyde Geronimi)Plan 9 From Outer Space (1959, dir. Ed Wood)PlayTime (1967, dir. Jacques Tati)The Robe (1953, dir. Henry Koster)Roman Holiday (1953, dir. William Wyler)Sawdust & Tinsel (1953, dir. Ingmar Bergman)Shane (1953, dir. George Stevens)Stalag 17 (1953, dir. Billy Wilder)Stalker (1979, dir. Andrei Tarkovsky)Star Wars (1977, dir. George Lucas)Summer With Monika (1953, dir. Ingmar Bergman)The Ten Commandments (1923, dir. Cecil B. DeMille)Tokyo Story (1953, Yazujirō Ozu)Ugetsu (1953, dir. Kenji Mizoguchi)War of the Worlds (2005, dir. Steven Spielberg)When Worlds Collide (1951, dir. Rudolph Maté) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to It's A Wonderful Podcast!! It would have been rude not to cover at least one true Noir movie this Noirvember. On this week's main show, Morgan and Jeannine talk Henry Hathaway's deeply sympathetic yet strikingly sinister KISS OF DEATH (1947) starring Victor Mature, a twisted, giggling Richard Widmark in his debut screen role, Brain Donlevy & Coleen Gray! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

It's Noir-vember again and we are back with another great film noir themed show! This year The Criterion Channel has a collection of 20th Century Fox produced films and we look at three of the movies showing. Joining the show is critic Alisha Mughal, who was last heard on episode 197: David Cronenberg and Body Horror. We discuss Fallen Angel directed by Otto Preminger, Call Northside 777 directed by Henry Hathaway and Panic in the Streets directed by Elia Kazan. Listen to last year's noir themed episode 173: Noir-vember to hear Rachel and Dakota share their favourites of the genre. You can watch the three movies we covered either on The Criterion Channel with two of them for free on YouTube (Fallen Angel and Call Northside 777) Read Bil Antoniou's Criterion Shelf articles on last year's Fox Noir collection and on journalism in film. Read Alisha's review on Leonore Will Never Die at The Asian Cut and subscribe to the Film Daze Substack for their new movie club! Follow Alisha on Twitter. Follow Rachel on Twitter, bookmark The Asian Cut and check out her website for more great reviews. Make sure to read Rachel's interview with Randall Park on Exclaim! for his new show Blockbuster. Listen to Contra Zoom on Anchor, Apple Podcasts, Spotify, Google Play, Overcast, RadioPublic, Breaker, Podcast Addict and more! Please rate and review the show on Apple Podcasts or Spotify. Send us a screenshot of your 5 star rating and review to contrazoompod@gmail.com and we will send you free stickers! Thank you Eric and Kevin Smale for the original theme songs, Jimere for the interlude music and Stephanie Prior for designing the logo. Support the show on Ko-fi by sending us a tip! Follow the show on Twitter, Instagram, YouTube and Facebook and visit our official website. --- Send in a voice message: https://anchor.fm/contrazoompod/message

Au sommaire de cette spéciale classiques du cinéma : -Quelques films pour les plus jeunes avec CHARLIE, MON HEROS (1989) de Don Bluth paru chez Rimini et LE VIEUX KHOTTABYCH (1956) de Gennadi Kazansky paru chez Artus Films ;-Quelques films avec des révolutionnaires et des pirates parus chez Artus Films, à savoir, TROIS POUR UN MASSACRE (TEPEPA - 1969) de Giulio Petroni, LA BELLE ET LE CORSAIRE (1957) de Giuseppe Maria Scotese et LE SECRET DE L'EPERVIER NOIR (1961) de Domenico Paolella ;-Des bobines mettant en vedette un tout jeune John Wayne telles que LA FRONTIERE IMPITOYABLE (1935) de Carl Pierson, LA RIVIERE ECARLATE (1936) de Joseph Kane et LA CHEVAUCHEE SOLITAIRE (1936) de Joseph Kane, trois titres parus chez Elephant Films ;-Quatre œuvres d'Henry Hathaway sorties chez Elephant Films : C'EST POUR TOUJOURS (1934), LA FILLE DU BOIS MAUDIT (1936), AMES A LA MER (1937) & LES GARS DU LARGE (1938). Bonne écoute à toutes et tous !

For this Fox 1940 episode, we look at a couple of films with the same director (Henry Hathaway), same cinematographer (Arthur Miller), and same nominal star (Tyrone Power), but radically different stories. Brigham Young tells the story of the persecution of the Mormons and their journey westward from Illinois to the Great Salt Lake, recasting this American epic as an implicit anti-Nazi tale with progressive values. Then we shift from Fox's traditional sophisticated "rural" storytelling to their new urban focus with the crime drama Johnny Apollo, which casts a cool eye on the American system in this moment of transition from Great Depression to WWII.  Time Codes: 0h 01m 00s:      BRIGHAM YOUNG [dir. Henry Hathaway] 0h 42m 50s:      JOHNNY APOLLO [dir. Henry Hathaway]   Studio Film Capsules provided by The Films of 20th Century Fox by Tony Thomas & Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!   

Join us this week as we cover Henry Hathaway's The Sons Of Katie Elder and John Singleton's remake titled, Four Brothers. We go in-depth on how the creative minds behind Four Brothers update a western to the present-day Detroit. Next Week's Films: Alfred Hitchcock's Dial M For Murder & Andrew Davis' A Perfect Murder Cover by Jake Dean Outro Music: Jelly Roll Morton - Buddy Bolden's Blues --- Support this podcast: https://anchor.fm/podcast-43/support

We conclude our Coen Brothers theme with True Grit (2010), as well as compare it to its 1969 predecessor that's directed by Henry Hathaway. Hosted by Justin Morgan and Charles Phillips. Mixing and QA by Scratchin' Menace with Music by Daniel Birch and Ben Pegley. Follow us on Facebook and Twitter for the latest updates. Available on Apple Podcasts, Google Podcasts, Spotify, and a dozen other popular platforms. Please subscribe, rate and review us. Every little bit helps, and more importantly, thank you for listening!

En una nueva edición del viernes de cine en Página 13, Iván Valenzuela conversó con Ascanio Cavallo y Antonio Martínez, entre otros filmes, sobre “Huérfanos de Brooklyn” dirigida por Edward Norton y “Sweet girl” del director Brian Andrew Mendoza. Además, se ahondó en los 60 años de “La conquista del oeste” de Henry Hathaway, John Ford y George Marshall

En una nueva edición del viernes de cine en Página 13, Iván Valenzuela conversó con Ascanio Cavallo y Antonio Martínez, entre otros filmes, sobre “Huérfanos de Brooklyn” dirigida por Edward Norton y “Sweet girl” del director Brian Andrew Mendoza. Además, se ahondó en los 60 años de “La conquista del oeste” de Henry Hathaway, John Ford y George Marshall

Charles Portis wrote a novel that became a John Wayne film before the Coen brothers took a crack at it.  From 1968 to 2010, here's a look or two at the world through the eyes of Mattie Ross.  So, fill your hands, you son of a...

Agents Scott and Cam peak at each other through X-ray mirrors while analyzing the FBI approved 1945 spy docudrama The House on 92nd Street. Directed by Henry Hathaway. Starring William Eythe, Lloyd Nolan, Signe Hasso, Gene Lockhart, Leo G. Carroll and Lydia St. Clair. The House on 92nd Street is available on YouTube Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.

Matt and Andrew discuss "Niagara" starring Marilyn Monroe and Joseph Cotten: As two couples are visiting Niagara Falls, tensions between one wife and her husband reach the level of murder.

Refried Scenes hosts Carol The Cat Cowles and the Mighty Mia Davis return to talk about the 1969 True Grit, directed by Henry Hathaway and its 2010 remake, directed by the Cohen Brothers.

True Grit by Charles Portis/True Grit (1969)In the first half of the episode, we discuss True Grit by Charles Portis. In the second half of the episode, we discuss the 1969 film adaptation of True Grit, directed by Henry Hathaway.The following sources were consulted for this episode:AFI CatalogJohn Wayne: The Life and LegendCharles Portis NYT obituaryEmo Philips JokeThe wisdom and ‘True Grit’ of Mattie RossCheck out our reviews on GoodReads and Letterboxd.Follow us on Twitter at FadeoutBooksEmail us at fadeoutbooks@protonmail.comSound editing by Lydia.Our theme song is "I'll Build a Stairway to Paradise," composed by George Gershwin and performed by the Paul Whiteman Orchestra.

durée : 00:53:19 - Le Masque et la Plume - par : Jérôme Garcin - "La Voix humaine" de Pedro Almodovar, "Le Procès de Julie Richards" de Larry Peerce, "L’Attaque de la malle-poste" de Henry Hathaway, "L’Etrange Monsieur Victor" deJean Grémillon, "Les Yeux de Satan" Sydney Lumet et "La Maison de la mort" de James Whale ?

Her father's murder sends teenage tomboy Mattie Ross on a mission of "justice" to avenge his death. She recruits tough old marshal "Rooster" Cogburn because he has "grit" and a reputation for getting the job done. They are joined by Texas Ranger La Boeuf, who is looking for the same man for another murder in Texas. Their odyssey takes them from Fort Smith, Arkansas to deep into Indian Territory (present-day Oklahoma) to find their man.Hollywood has produced two versions of this classic tale and each is worth the watch. The first, directed by Henry Hathaway and released in 1969 starred John Wayne, Kim Darby and Glen Campbell. The second, directed and produced by the Coen Brothers, featured Jeff Bridges, and Hailee Steinfield and was released in 2010.Co-hosts Elysabeth Gwendolyn Belle and Robert Meyer Burnett review both movies and two-fist a couple bottles of wine in the process.(Episode #119. Originally aired January 31, 2021.)

Paramount, 1935: we have two very unusual and very different movies, which nevertheless share the theme of private worlds and the possibility of communication between them. First up is Gregory La Cava's Private Worlds, about the inner lives of psychiatrists and the permeable boundary between sanity and insanity. It stars Claudette Colbert as Dr. Jane Everest and Charles Boyer as her chauvinistic boss and secret crush. Next, Henry Hathaway's fantasy melodrama Peter Ibbetson, which treats love as a shared mental world in ways that anticipate Eternal Sunshine of the Spotless Mind, while the camera falls in love with Gary Cooper's sweaty, suffering face.  Time Codes: 0h 0m 00s:                              PRIVATE WORLDS (dir. Gregory LaCava)        0h 46m 40s:                            PETER IBBETSON (dir. Henry Hathaway)                 +++ * Check out our Complete Upcoming Schedule - now projected to the end of our Lilli Palmer series in 2024 * Find Elise’s latest film piece on Billy Wilder and 1930s Romantic Comedy *And Read lots of Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com    

Extracto perteneciente a Krakozhia Subvaloradas. Aquí, Manuel destacando Call Northside 777 (1948), de Henry Hathaway.

On this episode of Screen Riot, the Wheel of Fate landed on Kyle and his genre to pick a movie from was film noir. For his pick, he chose 1947's “Kiss of Death.” “Kiss of Death” Details Release Year: 1947Genre: Film NoirStarring: Victor Mature, Brian Donlevy, and Coleen Gray.TrailerSummary: Nick Bianco is caught during a botched jewelry heist. The prosecution offer him a more lenient sentence if he squeals on his accomplices but he doesn't roll over on them. Three years into the sentence an event changes his mind. Join Our Community Sign Up for Email Updates | Patreon | Facebook | Twitter (@ScreenRiotPod) | Reddit Visit our online shop! www.screenriot.net/shop

Howdy partners, it’s been a while since we last met up on our Western trail. Why not saddle up again and join Jeff The Kid, Itchy Trigger Finger Graham and Snake Eyes Neil? We are going to ride along and jaw about True Grit. The version we are discussing is the 1969 version for which John Wayne won the Best Actor Oscar. Indeed, his performance as the mean no nonsense lawman who likes to bend an elbow has been a role model for our Jeff all his life. True Grit came out just a year after the release of Charles Portis’ original novel and became one of the top ten highest grossing films of 1969. We look at why it was successful, what is it about the movie that appeals to your At The Flicks team and why it still retains such a high reputation today. What you may find surprising, as we did, is how troubled the production was. Some of the original casting choices walked before filming started, or asked for so much money the budget couldn’t accommodate their request. Then there were the on set arguments and the refusal of some stars to work with director Henry Hathaway ever again. All this detail and more can be found here. As an added bonus, we talk about the real life inspiration for Rooster Cogburn and below you will find a link to an old silent movie called The Bank Robbery in which he appears. So, stop being a coffee boiler (yes Neil that means you) and ride along for this rip roaring adventure. We enjoyed making it and hope you enjoying listening to it. Let us know and we may let you ride the trail with us for future episodes of Rustlers’ Roundup. See you next time amigos.

We take a deep dive into the FBI this week with the 1945 film The House on 92nd Street. The House on 92nd Street is a 1945 black-and-white American spy film directed by Henry Hathaway. The movie, shot mostly in New York City, was released shortly after the end of World War II. The House on 92nd Street was made with the full cooperation of the Federal Bureau of Investigation (FBI), whose director, J. Edgar Hoover, appears during the introductory montage. Also, the FBI agents shown in Washington, D.C. were played by actual agents. The film's semidocumentary style inspired other films, including The Naked City and Boomerang.[2] Support us by subscribing and leaving a review! https://anchor.fm/speakeasy-noircast Call us at: ‪(818) 643-1441 Facebook: https://www.facebook.com/speakeasynoircast Twitter: https://twitter.com/SpeakEasyNoir Website: http://resurrectionfilms.co.uk/home/index.php/speakeasy/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/speakeasy-noircast/message Support this podcast: https://anchor.fm/speakeasy-noircast/support

After last time stuck inside, this week we’re enjoying the great outdoors. We start with How the West Was Won (1962) by Henry Hathaway, John Ford and George Marshall; an episodic epic in extra widescreen. Next up is Picnic at Hanging Rock (1975) by Peter Weir; an ethereal horror mystery in the Australian outback. We finish with Paris, Texas (1984) by Wim Wenders; an intimate quest from the Texas desert to the L.A. urban sprawl and back.Also: Cinerama. Alfred Newman. Underwater (2020). Red Dead Redemption 2, again! Intermission. The Hateful Eight (2015). Blazing Saddles (1974). Walkabout (1971). Pareidolia. The Ruins (2008). The Enigma of Amigara Fault. Quantum Leap (1989). Seven Psychopaths (2012). Lighting on film. Ry Cooder. U2’s The Joshua Tree. Crossroads (1986), not Crossroads (2002). Daddy issues. We play a game of “The Great Outdoors”.

durée : 00:03:36 - Capture d'écrans - par : Dorothée Barba - Aujourd'hui à 13h35, Arte diffuse True Grit. Un film des Frères Coen sorti en 2010... Le premier western des Frères Coen qui se sont amusés avec True Grit à adapter un roman de Charles Portis. Roman qui avait d'ailleurs déjà été porté à l'écran en 1969 par Henry Hathaway.

Pictured: Javier Pérez de Cuéllar Matthew Bannister on The United Nations Secretary-General Javier Pérez de Cuéllar. The Peruvian diplomat faced major challenges including the Iran-Iraq war and the Falklands War. Max von Sydow the Swedish-born actor whose film roles ranged from Ingmar Bergman to James Bond and, more recently, Game of Thrones. Professor Hannah Steinberg - a pioneer of psychopharmacology - the study of the effects of drugs on the human mind. Charles Portis, the American writer best known for his novel "True Grit" which was twice adapted for the big screen. Interviewed guest: Richard Gowan Interviewed guest: Angela Errigo Interviewed guest: Sandra Fraser Interviewed guest: Professor Clare Stanford Interviewed guest: Michael Carlson Producer: Neil George Archive clips from: Witness, BBC World Service 12/01/2012; Interview with Cuellar, The Classic Sports 17/11/1991; Iran/Iraq War, TV Eye 1980; Meeting Of The U.N. Security Council (Falklands Conflict), BBC Sound Archive 23/05/1982; Perez De Cuellar Admits Defeat, BBC Sound Archive 31/05/1984; UN 40th Anniversary: J. Perez De Cuellar, BBC Sound Archive 31/05/1984; Virendra Dayal on Cuellar, UN News 05/03/2020; The Seventh Seal, directed by Ingmar Bergman, Svensk Filmindustri 1957; The Film Programme, Radio 4 19/02/2012; The Greatest Story Ever Told, directed by George Stevens, George Stevens Productions 1965; Never Say Never Again, directed by Irvin Kershner, TaliaFilm II Productions/Woodcote/Producers Sales Organization (PSO) 1983; The Exorcist, directed by William Friedkin, Warner Bros/Hoya Productions 1973; Liv Ullmann on Working with Max von Sydow, Criterion Collection 11/02/2019; The Simpsons: The War of Art, Fox Broadcasting Company 23/03/2014; Games of Thrones Season 6, HBO 24/04/2016; True Grit, directed by Henry Hathaway, Wallis-Hazen 1969; True Grit, Radio 4 Extra 26/09/2016; True Grit, directed by Joel and Ethan Coen, Paramount Pictures/Skydance Media/Scott Rudin Productions/Mike Zoss Productions 2010.

Une édition musicale consacrée aux grandes musiques d'un genre typiquement américain : Le Western. Au cours de cette ballade musicale, vous pourrez entendre les thèmes suivants :  - "Les 7 Mercenaires" de John Sturges (1960) / Musique composée par Elmer Bernstein. - "Les Géants de l'Ouest" d'Andrew V. McLaglen (1969) avec John Wayne et Rock Hudson / Musique composée par Hugo Montenegro. - La Bataille de la Vallée du Diable de Ralph Nelson (1966) avec James Garner, Sidney Poitier, Dennis Weaver / Musique composée par Neal Hefty. - "Bandolero" d'Andrew V. McLaglen (1968) avec James Stewart, Dean Martin, George Kennedy, Raquel Welch / Musique composée par Jerry Goldsmith. - "La Conquête de l'Ouest" réalisé par John Ford, George Sherman et Henry Hathaway (1962) / Musique composée par Alfred Newman. - "Le Solitaire de Fort Humbolt" de Tom Gries (1975) avec Charles Bronson / Musique composée par Jerry Goldsmith. - "Silverado" de Lawrence Kasdan (1984) avec Kevin Costner, Scott Glenn, Kevin Kline, Danny Glover / Musique composée par Bruce Broughton. - "Les Grands Espaces" de William Wyler (1958) avec Gregory Peck, Charlton Heston / Musique composée par Jerome Moross. - "Danse avec les loups" de Kevin Costner (1990) / Musique composée par John Barry. - Alama" de John Wayne (1960) / Musique composée par Dimitri Tiomkin. - El Dorado" d'Howard Hawks avec John Wayne, James Caan et Robert Mitchum (1966) / Musique composée par Nelson Riddle. - "Les 4 Fils de Kathie Elder" d'Henry Hathaway avec John Wayne et Dean Martin (1966) / Musique composée par Elmer Bernstein. - "L'Homme des vallées perdues" de King Vidor avec Alan Ladd, Jack Palance et Van Heflin / Musique composée par Victor Young. - "Chisum" d'Andrew V. McLaglen avec John Wayne (1970) / Musique composée par Dominic Frontiere. - "Le Dernier des Mohicans" de Michael Mann avec Daniel Day Lewis et Madeleine Stowe (1992) / Musique composée par Trevor Jones et Randy Edelman.  Une émission mise en ondes par François Bour et présentée par Christophe Dordain, produite et proposée par Le Quotidien du Cinéma.   

The “Garden Of Evil” presents a fairly straight-forward and borderline run-of-the-mill story, set to an outstanding soundtrack and spectacular visuals. Gary Cooper puts in his usual excellent portrayal of a western gun man, Hugh Marlow gives a convincing performance as a desperate prospector, Richard Widmark plays the cranky suspicious card shark, Cameron Mitchell portrays a man with a sorted past and a soul that needs redeeming, Victor Mendoza plays a solid Mexican local trying to get the most of the adventure, and Susan Hayward carries them all away with her incredible performance as someone that will stop at nothing to achieve her goals. The music by Bernard Hermann, the on location scenery and Susan Hayward’s performance are clearly the stars of the show. Henry Hathaway does a competent job in the director’s chair. The movie is entertaining in the old Saturday double-feature sort of way.

We live in an era of remakes and sequels. With that mind, Corey (@coreyrstarr) and Jonathan (@berkreviews) realized there were several films they've seen and loved that were, in fact, remakes of older movies. Thus, the theme for August became Originals! That is to say movies that have been remade that either Jonathan or Corey hasn't seen the source material but has seen the remake. This required a bit of research to pick the movies for this month, but the two did a great job of finding some real classics they have never seen. August will have five episodes so Corey got to pick three movies to Jonathan's two. As far as the podcast goes, each episode features an in-depth review of the movie for the week. They begin with a spoiler-free review before diving in completely after the needed spoiler warning. However, before getting into the review of the week, Jonathan and Corey discuss what other movies they've seen since the last episode as well as anything else they feel like discussing. To help them decide which of the many films to watch each month they started creating themes for them all. Week 5 - True Grit (1969) Corey and Jonathan really love the Jeff Bridges led, Coen Brothers directed, 2010 film True Grit. Neither are that familiar with John Wayne and despite neither loving The Searchers (1959), they decided it made sense to watch the original True Grit (1969). The movie is directed by Henry Hathaway and it stars Wayne, Kim Darby, and Glen Campbell where Rooster Cogburn is hired to "help a stubborn teenager track down her father's murderer in Indian territory." --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support

Episode hors-série, en partenariat avec le film "Once Upon a Time... In Hollywood” en salle le 14 août.1969, année de tous les possibles ? A l’occasion de la sortie du film "Once Upon A Time… In Hollywood" qui se déroule en 1969, David Honnorat revient sur les événements qui ont marqué cette même année, d’un point de vue historique mais aussi musical et cinématographique.Premier homme sur la Lune, Woodstock, des films incontournables comme Easy Rider et Le Lauréat… L’année 1969 a été un tournant culturel pour les États-Unis qui ont été confrontés à l’avénement de la contre-culture, la démilitarisation du Vietnam mais aussi à la métamorphose de son cinéma.Ecrit et animé par David Honnorat.RÉFÉRENCES CITÉES DANS L’ÉMISSIONCinéma : Le Lauréat (Mike Nichols, 1967), Easy Rider (Dennis Hopper, 1969), Hello, Dolly! (Gene Kelly, 1969), Matt Helm règle son compte (Phil Karlson, 1969), Bob et Carol et Ted et Alice (Paul Mazursky, 1969), Model Shop (Jacques Demy, 1969), Cent dollars pour un shérif (Henry Hathaway, 1969), La Horde sauvage (Sam Peckinpah, 1969), Butch Cassidy et le Kid (George Roy Hill, 1969), Macadam Cowboy (John Schlesinger, 1969).Musique : Sugar Sugar (The Archies, 1969), Let the Sunshine In (Aquarius, 1969), Born to be wild (Steppenwolf, 1968).CRÉDITS NoCiné est un podcast de Binge Audio, animé par Thomas Rozec. Cet épisode a été enregistré le 31 juillet 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Quentin Bresson. Générique : Corentin Kerdraon. Direction de projet : Soraya Kerchaoui-Matignon. Production : Albane Fily. Edition : Simon Lestang. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

Kevin brings in Next Best Picture writer and podcaster Casey Lee Clark to talk about John Ford, Henry Hathaway and George Marshall's epic western 'How the West Was Won,' the likely runner-up in the 1963 Oscar race that lost to 'Tom Jones.'   0:00 - 1:18 - Introduction   1:19 - 26:49 - 'How the West Was Won' review   26:50 - 57:36 - Why 'How the West Was Won' lost Best Picture   57:37 - 1:21:39 - Shoulda been a contender   1:21:40 - 1:25:04 - Did 'How the West Was Won' deserve to win? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter:   @Kevin_Jacobsen   Follow Casey Lee Clark on Twitter:   @CaseyLeeClark   Follow And the Runner-Up Is on Twitter:   @OscarRunnerUp   Theme/End Music is "The Virtue" by Jonathan Adamich

United Artists released Legend of the Lost to theaters on December 17, 1957. Henry Hathaway directs the film which stars John Wayne, Sophia Loren, and Rossano Brazzi. The post Legend of the Lost (1957) appeared first on Movie House Memories.

In this episode of Adapt or Perish, we discuss Charles Portis’ True Grit! For this episode, we read, watched, and discussed: Charles Portis’ original 1968 novel. Read it on Amazon or iBooks. The 1969 John Wayne movie of the same name, directed by Henry Hathaway, starring John Wayne, produced by Hal B. Wallis, written by Marguerite Roberts, and starring John Wayne, Kim Darby, Glen Campbell, Robert Duvall, and John Wayne. Watch it on iTunes or Amazon. The 2010 movie adaptation, written and directed by Joel and Ethan Coen, and starring Jeff Bridges, Hailee Steinfeld, Matt Damon, and Josh Brolin. Watch it on iTunes or Amazon. Footnotes: Episode 11 of Adapt or Perish, The Fault in Our Stars r/menwritingwomen The Last of Us and Children of Men “True Grit” written by Don Black and Elmer Bernstein, performed by Glen Campbell Arielle’s thinking of Maureen McGovern in The Poseidon Adventure, not Karen Carpenter When Jeremy said “John Wayne is just John Wayne,” and thought he was quoting The Birdcage, he was thinking of a line from Get Shorty. It’s important to him that you know that. Rooster Cogburn, 1975, starring John Wayne and Katharine Hepburn Cinematographer Roger Deakins Actor Elizabeth Marvel Theater director Ivo van Hove Coen regular Peter Stormare Joel & Ethan Coen - Shot/Reverse Shot from the YouTube channel Every Frame a Painting You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. If you want to send us a question or comment, you can email us at adaptorperishcast@gmail.com or tweet using #adaptcast.

Plusieurs réalisateurs ont essayé de faire vivre l’univers de Predator depuis sa sortie en 1987, sans réel succès. Au tour de Shane Black qui fait le nécessaire pour ne pas se mettre à dos les fans de la franchise mais qui reste très loin du film évènement. On retrouve le ton ironique du réalisateur, ses punchlines récurrentes, sa gestion des personnages et on ne peut qu’admirer ses tentatives de renouvellement du scénario. Mais le film regorge d’hésitations narratives et de problèmes d’écriture qui contribuent à sa mauvaise réception. Comment faire vivre le Predator en dehors de la jungle dans laquelle il évoluait initialement ? Que trouver de mieux qu’une explosion nucléaire pour l’abattre ? S’inscrire dans le prolongement d’un film culte n’est jamais évident. Même quand on s’appelle Shane Black. Podcast animé par Thomas Rozec avec Arnaud Bordas, Rafik Djoumi et Stéphane Moïssakis.LES RECOMMANDATIONS LA RECO DE ARNAUD : « Le jardin du diable », un film d’Henry Hathaway (1954) qui partage de nombreux points commun avec Predator. LA RECO DE STEPHANE : Le documentaire « If it bleeds we can kill it » qui expose tous les problèmes rencontrés sur le tournage de John McTiernan.LA RECO DE RAFIK : Le film de Raoul Walsh « Aventures en Birmanie », sorti en 1945 et qui est à l’origine du pitch de Predator. Un autre scénario de Shane Black : « Au revoir à jamais » de Renny Harlin (1996).RÉFÉRENCES CITÉES DANS L’ÉMISSIONPredator (John McTiernan, 1987), Predator 2 (Stephen Hopkins, 1990), Iron Man 3 (Shane Black, 2013), The Nice Guys (Shane Black, 2016), Alien Vs. Predator (Paul W. S. Anderson, 2004), Alien Vs. Predator : Requiem (Greg Strause, Colin Strause, 2007), L’Agence tous risques, Rencontres du troisième type (Steven Spielberg, 1977), Futurama, Hulk (Ang Lee, 2003), Predators (Nimród Antal, 2010), Avengers : Infinity War (Anthony Russo, Joe Russo, 2018), Die Hard, Spider-Man 3 (Sam Raimi, 2007)CRÉDITSEnregistré le 26 septembre 2018 à l’Antenne (Paris 11eme). Réalisation : Jules Jellaoui. Chargée de production : Juliette Livartowski. Chargée d’édition : Judith Hillebrant. Direction de production : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Générique : « Soupir Articulé », Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). Production : Binge Audio. See acast.com/privacy for privacy and opt-out information.

1916: A bounty is offered to whoever can kill the “Man-eater of Matawan.” Cut to: 1973. Peter Benchley sells the rights to JAWS to a pair of legendary Hollywood producers, Richard Zanuck and David Brown. Sensing a winner, Spielberg steals the galleys off Zanuck’s desk before insisting that this be his next project. Meanwhile, Zanuck and Brown toss away a would-be director who can’t distinguish between a whale and a shark, legendary director Henry Hathaway offers Spielberg some advice, and casting begins. Two very important executives want their wives to play the Chief’s wife. In Spielberg’s words, “Oy vey.”Inside Jaws is presented by Audible. Get a free 30-day trial when you visit them at Audible.com/JawsOther sponsors includeDollar Shave Club - Get the DSC daily essentials kit for just $5 at DollarShaveClub.com/JAWSNutrafol - Get your first months supply for just $10 when you use code JAWS at Nutrafol.comFind us on Facebook at facebook.com/insidejawsOr Twitter at @insidejaws

Paramount Pictures released The Sons of Katie Elder to theaters on August 16, 1965. Henry Hathaway directed the film which starred John Wayne, Dean Martin, and Martha Hyer. The post The Sons of Katie Elder (1965) appeared first on Movie House Memories.

Fresh from Melissa introducing the film at the Pickford Film Center in Bellingham, we talk about three versions of True Grit: the 1968 novel by Charles Portis, the 1969 film version directed by Henry Hathaway and starring John Wayne, Kim Darby and Glen Campbell, and the 2010 adaptation by the Coen Brothers, with Jeff Bridges, Hailee Steinfeld and Matt Damon.

Michael and Pax finally watch the epic classic from directors Henry Hathaway, John Ford, and George Marshall; starring Carroll Baker, Debbie Reynolds, Jimmy Stewart, Gregory Peck, and George Peppard. And with cameos by everyone else alive at the time. Does it live up to its reputation? Will the fellas finally be able to tell it apart from Once Upon a Time in the West? Only one way to find out. Also: Pony Express mail and quick reviews of The Way West (1967) and The War Wagon (1967).

Este singular western versa sobre la formación de un joven huérfano mestizo, interpretado por un actor no tan joven y que no parecía mestizo. Este buen salvaje, presentado como una tábula rasa, se lanza en una aventura de venganza que es a la vez una gran fábula de encuentros sucesivos, y también una película compuesta por minipelículas, definidas por las etapas de la misión y por entornos naturales poderosos e inolvidables. De eso y más hablamos en el podcast.

Lee, Daniel and Paul are back to look at more noir and crime films. This week they take a look at 1947's "Kiss of Death", directed by Henry Hathaway and featuring a star-making performance by Richard Widmark. Lee shouts out another movie podcast he likes, "The Hail Ming Power Hour", and Paul sneaks in a quick bit of the Movie God game for Lee and Daniel to ponder. Also covered: what they've watched as of late. Featured Music: "Street Scene" by Alfred Newman.

Kent Jones is truly one of the most essential voices for Peter. His writings are reflective, intelligent, and complex in a way few writers come close to, and his other work—A Letter To Elia, the World Cinema Project, and the New York Film Festival—are key to Peter's continuing exposure to cinema. So Kent sits down with Peter to discuss his first exposure to cinema, his mentorship under Manny Farber and Martin Scorsese, his complicated process of writing, working on making films and using images, and the auteurs that continue to inspire him. The two then end with a conversation on the rarely seen Spawn of the North, a Henry Hathaway film with Henry Fonda that finds something very physical in its Alaskan set border town. 0:00-1:20 Opening2:47-8:47 Establishing Shots - John Ford's Young Mr. Lincoln / Donations9:32-1:16:20 Deep Focus - Kent Jones1:17:28-1:36:48 Double Exposure - Spawn of the North (Henry Hathaway)1:36:52-1:38:31 Close