Podcasts about american musical

Born with a passion for performance, Conor's musical journey began in his small hometown where he immersed himself in musical theater and taught himself how to play the piano on the keyboard his parents bought him. Following his dreams, he took a leap of faith after high school and moved to New York to study at the American Musical and Dramatic Academy. The city's vibrant culture allowed him to embrace his authentic queer self while honing his craft. After six years in New York, Conor ventured west to Los Angeles, where he balances his artistic pursuits with practical necessities. Today, he's established himself as a working musician and producer, performing four nights a week across venues from nursing homes to luxury hotels, private events all while releasing original music.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Born with a passion for performance, Conor's musical journey began in his small hometown where he immersed himself in musical theater and taught himself how to play the piano on the keyboard his parents bought him. Following his dreams, he took a leap of faith after high school and moved to New York to study at the American Musical and Dramatic Academy. The city's vibrant culture allowed him to embrace his authentic queer self while honing his craft. After six years in New York, Conor ventured west to Los Angeles, where he balances his artistic pursuits with practical necessities. Today, he's established himself as a working musician and producer, performing four nights a week across venues from nursing homes to luxury hotels, private events all while releasing original music.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Trade wars have far-reaching consequences beyond what makes headlines, and the music industry stands particularly vulnerable when international relations sour. Looking at potential tensions between the United States and its neighbors Canada and Mexico, this episode examines how independent musicians and the broader music ecosystem could face serious challenges from trade disruptions.For independent artists already funding their careers out-of-pocket, tariffs on imported instruments and equipment would immediately squeeze already tight budgets. The recording gear many musicians rely on crosses borders multiple times during manufacturing, with each crossing potentially adding costs that ultimately land on creators. Beyond production, the vital lifeline of touring faces existential threats—not just making international performances less profitable, but potentially restricting artist movement altogether.The digital side of music won't escape unscathed either. Streaming platforms facing increased licensing costs across borders would inevitably pass those expenses to consumers, potentially reducing subscriber numbers in an already price-sensitive market. Meanwhile, the rich collaborative tradition between American, Canadian, and Mexican artists—which has historically produced innovative sounds and genres—stands to diminish as creative partnerships become logistically and financially challenging.Using coffee as an illuminating parallel, we explore how deeply trade policies penetrate everyday life and creative industries. Just as most American coffee is imported, making it vulnerable to trade tensions, so too are countless materials and services musicians depend on to create and share their art. The lesson becomes clear: when borders harden, culture suffers. For music to thrive, the connections between nations must remain strong and cooperative.Want to understand how global policies affect independent artists? Follow Indie Artist Music Hustle on all podcast platforms and social media, and support the show by grabbing merch at www.blonde-intelligence.com.Support the show

We speak with Jesse J Sanchez the creator of the musical Suenos: Our American Musical and members of the upcoming Las Positas College workshop production running from March 21st to the 30th 2025.

Molly Durand is a classically trained singer and songwriter whose lifelong career in music started in Chicago. At a young age, she had the opportunity to work with some of the greatest classical conductors of the 20th century, Sir Gorge Solti and Christoph Eschenbach, alongside the Chicago Symphony Orchestra and Chorus at Orchestra Hall and Medina Temple.   As an adult, Molly Durand was awarded scholarship to study voice at The De Paul Music School. During her tenure, she performed the American premiere of The Marriages Between Zones 3, 4 & 5 by renowned minimalist composer Phillip Glass, who mentored the production and rehearsals.  While at DePaul she was in the Theater School production of the Vagina Monologues and then also played Mrs. Lovett in Steven Sondheim's Sweeney Todd: The Demon Barber of Fleet Street, at the Music School there. She furthered her training and study at The American Musical and Dramatic Academy in both New York City and Los Angeles and served as a stage manager to further her study of the theater and live performance.

Molly Durand is a classically trained singer and songwriter whose lifelong career in music started in Chicago. At a young age, she had the opportunity to work with some of the greatest classical conductors of the 20th century, Sir Gorge Solti and Christoph Eschenbach, alongside the Chicago Symphony Orchestra and Chorus at Orchestra Hall and Medina Temple.   As an adult, Molly Durand was awarded scholarship to study voice at The De Paul Music School. During her tenure, she performed the American premiere of The Marriages Between Zones 3, 4 & 5 by renowned minimalist composer Phillip Glass, who mentored the production and rehearsals.  While at DePaul she was in the Theater School production of the Vagina Monologues and then also played Mrs. Lovett in Steven Sondheim's Sweeney Todd: The Demon Barber of Fleet Street, at the Music School there. She furthered her training and study at The American Musical and Dramatic Academy in both New York City and Los Angeles and served as a stage manager to further her study of the theater and live performance.    Synth - Chris Newlin Bass David Barsky Guitar  Harry Owen Piano  Mark Brown Violin Nino Chikviladze  Georgian Drum Kit  Francesca Pratt  Rome, Italy Toms (drums) - Glenn Welman - South Africa Percussion Gabrielle from Caracas Venezuela Mix Engineer  Bill Mims Master Chris Sorem Moon Photograph & Music Video - Adam Petrishin

Our Guest: Lucie Tassel--Lucie Tassel is an artist with ' experience, and a completely atypical background.-Being French, she naturally made her debut in Paris, where she is originally from. Under the direction of Ned Grujic, she played the role of Helen Sinclair in Bullets Over Broadway and was part of the On The Town and Godspell ensembles at the Théâtre des Variétés in Paris. She also played the role of Poncia in Federico García Lorca's play The House of Bernarda Alba at the Théâtre de La Nouvelle Athènes, directed by Guillaume Bouchède. She was also a member of the chorus of the symphony orchestra accompanying Joe Hisaishi on his last tour of France, and the singers of the Chœur à l'horizon, a Paris-based professional chorus specializing in the musical theatre repertoire, created and directed by Nima Santonja. In 2024, she played the lead role of Della in Sneaky Pete's Wild West Dinner Show at the Legacy Dinner Theatre in Wisconsin, USA. She is also the producer and artistic director of the A-Broad'way Cabaret, in collaboration with Kendra McBride as musical director, which opens this November at Green Room 42 in New York City, and in which she will sing alongside other international artists.-Lucie is a graduate of ECM in Paris, a musical comedy school run by Ned Grujic and Véronique Fruchart, where she trained for 3 years in singing (vocal technique, polyphony, musicianship), dance (classical, jazz, tap), theater (classical, contemporary, mime, clowning) and stage combat (swords, batons). —She also trained in cartoon voice-over with Edwige Chandelier. —To complete her professional training, she moved to New York to study at AMDA, the American Musical and Dramatic Academy, where she benefited from American expertise, honing her skills in singing, dancing and acting.A sportswoman from an early age, she has a passion for salsa and other Latin dances, and enjoys a wide range of disciplines including tennis (her specialty), climbing, skiing, horse-riding and rollerblading. Lucie's career path is atypical: after obtaining her Master's degree in physical and nutritional rehabilitation, she worked as an elementary school teacher in Paris for 5 years before devoting herself fully to the performing arts. Trilingual French-Spanish-English, she is also a traveler who, after visiting several countries in Europe, Asia, Africa and America, fell in love with Venezuela, a country that really helped her grow emotionally and from which she has learned an enormous amount. All these trips, and the people she met along the way, opened her heart and mind, bringing to light what she dared not admit but secretly dreamed of: being an artist.----Join the conversation LiveChat as we raise the questions, give our opinions , and ask you the same questions... --Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : www.youtube.com/ProfessorSoraMusic ** OneMicNite Theme Song "Chance" & Background Song "Kanye" Host:--Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms.. ** Support Us Now: http:www.Anchor.fm/onemicnitetalk ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link : https://azulesen.myshopify.com/products/onemicnite-signature-logo-unisex-talk-live-pod-tee --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

Ever wondered how someone navigates the unique challenges of a thriving career in musical theater while dealing with the daily hurdles of a chronic illness? Chelsey, our inspiring guest, shares her remarkable journey from Vancouver to the American Musical and Dramatic Academy and how she's now making a difference as the Associate Director of Musical Theater at the 92nd Street Y in New York City. Diagnosed with rheumatoid arthritis in 2020, Chelsey didn't let her condition define her; instead, she transformed her journey into a support system for others through her "Immune System Hates Me" podcast and the Rheumatoid Arthritis Warriors support group. Tune in to hear how Chelsey champions the importance of community and support for those living with chronic illnesses.Through candid reflections, Chelsey discusses overcoming self-imposed barriers and avoiding the catastrophic mindset that often accompanies chronic illness. She emphasizes the support she receives from her colleagues and the nurturing environment that allows her to thrive in both teaching and performing. Learn how Chelsey's passion for musical theater extends beyond the stage as she helps young performers build confidence and find their voice in a creative space that welcomes all. From guiding shy kids to become confident performers to creating a sense of belonging, Chelsey's story is a beautiful testament to the power of the arts in personal development.Navigating a career in the performing arts while managing a chronic illness is no small feat, but Chelsey shares invaluable insights and practical advice on how to make it work. Listen as she talks about adapting dance routines, understanding personal limitations, and having backup plans like further education. Get a glimpse into her personal life, including her experiences with new medications and maintaining relationships. With heartwarming anecdotes and genuine moments, Chelsey's episode is a heartfelt reminder that authenticity and relatability are key to building a supportive community. Join us for an episode filled with humor, shared experiences, and the special bond with our "spoonies sisters.Send us a text Hi, Jen here! We are so glad to have you back. I want to personally thank those that have signed up with Rare Patient Voice recently. We love your support of the podcast, and this is another way that you can by signing up with Rare Patient Voice through our referral link. Remember, we're here to support you every step of the way. Support the showSupport:https://rarepatientvoice.com/Myspooniesisters/https://www.etsy.com/shop/MySpoonieSistershttps://www.graceandable.com/?bg_ref=980:nzTyG6c9zK (Use code GAJen10)Website:https://myspooniesisters.com/

Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns' comic masterpiece Black Hole, and you're guaranteed a memorable Weird Studies episode. Black Hole was serialized over ten years beginning in 1995, and first released as a single volume by Pantheon Books in 2005. Like all masterpieces, it shines both inside and out: it tells a captivating story, a "weirding" of the teenage romance genre, while also revealing something of the inner workings of comics as such. In this episode, Phil and JF explore the singular wonders of a medium that, thanks to artists like Burns, has rightfully ascended from the trash stratum (https://www.weirdstudies.com/20) to the coveted empyrean of artistic respectability—without losing its edge. BIG NEWS: • If you're planning to be in Bloomington, Indiana on October 9th, 2024, click here (https://cinema.indiana.edu/upcoming-films/screening/2024-fall-wednesday-october-9-700pm) to purchase tickets to IU Cinema's screening of John Carpenter's In the Mouth of Madness, featuring a live Weird Studies recording with JF and Phil. • Go to Weirdosphere (http://www.weirdosphere.org) to sign up for Matt Cardin's upcoming course, MC101: Writing at the Wellspring, starting on 22 October 2024. • Visit https://www.shannontaggart.com/events and follow the links to learn more about Shannon's (online) Fall Symposium at the Last Tuesday Society. Featured speakers include Steven Intermill & Toni Rotonda, Shannon Taggart, JF Martel, Charles and Penelope Emmons, Doug Skinner, Michael W. Homer, Maria Molteni, and Emily Hauver. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Charles Burns, Black Hole (https://bookshop.org/a/18799/9780375714726) Clement Greenberg's concept of “medium specificity” (https://en.wikipedia.org/wiki/Medium_specificity#cite_note-2) Terry Gilliam (dir.), The Fisher King (https://www.imdb.com/title/tt0101889/) Seth (https://drawnandquarterly.com/author/seth/), comic artist Chris Ware, Building Stories (https://bookshop.org/a/18799/9780375424335) “Graphic Novel Forms Today” (https://www.jstor.org/stable/10.1086/677339) in Critical Inquiry Raymond Knapp, The American Musical and the Performance of Personal Identity (https://bookshop.org/a/18799/9780691141053) Vilhelm Hammershoi (https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i), Danish painter Ramsey Dukes, Words Made Flesh (https://bookshop.org/a/18799/9780904311112) G. Spencer-Brown, [Laws of Form](https://en.wikipedia.org/wiki/LawsofForm) Dave Hickey, “Formalism” (https://approachestopainting.wordpress.com/wp-content/uploads/2013/01/19135319-hickey-7-formalism-036.pdf) Nelson Goodman, [Languages of Art](https://en.wikipedia.org/wiki/LanguagesofArt) Chrysippus (https://en.wikipedia.org/wiki/Chrysippus), Stoic philosopher Scott McCloud, Understanding Comics (https://bookshop.org/a/18799/9780060976255)

Alex Compomizzi, a local Havasu actor, joins The Missed Cue to discuss his journey in the theater world. He shares how he got started in theater, his experiences at Grace Arts Live, and his time at the American Musical and Dramatic Academy in LA. In this conversation, Alex discusses his excitement about landing a role in Little Shop of Horrors and reflects on his journey as a performer. He shares how he had to work hard to improve his skills and the inspiration he received from fellow actors. Alex also talks about his passion for art and how he integrates it into his performances. He mentions his experiences at First Friday, a local art event, and his success as a featured artist. --- Support this podcast: https://podcasters.spotify.com/pod/show/themissedcue/support

“Miller, Lyles, and I were standing near the exit door . . . Blake stuck out there in front, leading the orchestra—his bald head would get the brunt of the tomatoes and rotten eggs.” This is the story of American musical theater and the dawn of modern Broadway.  Popular entertainment is evolving fast in the early twentieth century. Minstrel shows just aren't drawing the same numbers anymore (for good reason), and burlesque and variety shows abound. The earliest “official” musical, The Black Crook takes several notes from these sometimes scandalous shows, as do Flo Ziegfeld's new “revues.” By the 1920s, composers, writers, and choreographers are experimenting with what a musical production can do: using songs to advance the plot (thanks Hammerstein!), and incorporating new music genres like jazz.  Big players including George Gershwin, Noble Sissle, and Irving Berlin all play a role in crafting the perfect environment for the American musical to emerge, but the production Show Boat really gives a glimpse of the future of musical theater. It entertains even as it tackles heavy topics, and the score is seriously moving. It's difficult to anticipate how audiences will receive this new form—less pompous than a European operetta, but definitely more substantial than one of Ziegfeld's musical revues. So, without further ado . . . take your seat, the show's about to begin.  ____ Connect with us on HTDSpodcast.com and go deep into episode bibliographies and book recommendations join discussions in our Facebook community get news and discounts from The HTDS Gazette  come see a live show get HTDS merch or become an HTDS premium member for bonus episodes and other perks. HTDS is part of the Airwave Media Network.  Interested in advertising on the History That Doesn't Suck? Email us at advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lari Panini, la talentosa artista mexicana, está brillando en el escenario off-Broadway en “La Llamada” del Repertorio Español. Su carrera está marcada por una pasión inquebrantable por las artes escénicas y una resiliencia admirable. Recordada por su participación en la edición mexicana de “La Voz” en 2022, donde aprendió que su carrera no solo se trata de su arte, sino también de otros factores que importan al otro lado de la mesa. Comenzó su viaje en el mundo del teatro musical a temprana edad, explorando disciplinas como el tap, jazz, hip-hop, ballet, canto y actuación. Se formó en México, Toronto y finalmente en Nueva York en la American Musical and Dramatic Academy (AMDA). Lari enfrentó desafíos durante la pandemia, pero su espíritu competitivo y dedicación la llevaron lejos. Pero hoy por hoy, en “La Llamada”, Lari encuentra un espacio para mostrar su talento y abogar por la representación latina en las artes. Lari Panini es un ejemplo inspirador de perseverancia y pasión en el escenario de Broadway. . . ¡Bienvenidos a este Power Moment para todos los Hispanos! . . . Invitada: Lari Panini IG / TW / FB: @PowerLamas @PLamas7 Clubhouse: @PaulaLamas & @PaulaLamas1

Welcome to the next episode to our special three-part series on mental health disclosures in college applications.  In Episode 2, Ethan is joined by Christina Lopez, Dean of Enrollment Management at Barnard College. They cover, among other things:   Why is this topic important—both generally, but also personally, for Christina? What advice would Christina give to students about whether or not to disclose? What does Christina look for in a personal statement?  How can college counselors and parents help their students navigate this process? And more  Christina Lopez has served in college admissions for 18 years. She attended New York University Tisch School of the Arts and majored in Drama and later received her M.Ed. from NYU Steinhardt in Higher Education Administration. After graduating she worked in television and film casting and realized she enjoyed working with students. Her first admissions job was at the American Musical and Dramatic Academy in NYC.  During her time at NYU, she read for the Stern School of Business and managed the admissions process for Tisch School of the Arts. She joined Barnard's admissions team in 2014 as the Associate Director for Multicultural Recruitment and now serves as the Dean of Enrollment Management, providing oversight to the Office of Admissions and Financial Aid.  During her career in higher education, Christina has served as an Executive Board Member for New York State Association of College Admissions Counseling (NYSACAC) and Co-Chair of the Association of Black Admissions and Financial Aid Officers of the Ivy League and Sister Schools (ABAFAOILSS). As an advocate for access and equity within higher education, she has previously served on the board of Go To College NYC and Minds Matter, two Community-Based Organizations in NYC that serve under-resourced students as they navigate the college process. We hope you enjoy the conversation.   Play-by-Play: 2:29 - Why is this topic important—both generally, but also personally, for Christina? 4:05 - Christina shares her background  15:27 - What advice would Christina give to students about whether or not to disclose? 20:36 - What are some different options for where students can disclose if they choose to? 23:33 - What information might not be as helpful to disclose? 26:00 - What does Christina look for in a personal statement?  33:45 - Christina shares some memorable college essays 38:22 - How can college counselors help their students navigate this process? 40:38 - What should students and families keep in mind during the college admission process? 50:31 - Closing thoughts   Resources: Blog post linked to this episode: Should I Discuss Mental Health in My Personal Statement or College Application? (And If So, How)? Part 1 of this series: Episode 512, Navigating Mental Health Disclosures in the College Application: The Counselor Perspective Your College Bound Kid Podcast: Christina Lopez on “Mental Health”' How to Brainstorm 7 Different Personal Statement Ideas Episode 406: Why You Don't Have to Write about Trauma in Your College Essay to Stand Out—and What You Can Do Instead

Yes, there are now 100 episodes of Shannon in New York City and Erik in Prague discussing the American Musical. To celebrate, we decided to each compile a list of 5 songs that, for us, represent what makes the musical the wonderful art form it is. The musical can do things that nothing else -- no other art form -- can do, and we think these songs illustrate that. In this episode, we discuss the first 5 of these songs -- our next episde will cover the other 5. We sincerely hope you enjoy and that you'll email or message us with the 5 songs you would choose. NB: There will be a playlist of just the songs discussed in these two episodes included in the notes of the next episode to avoid spoiling anyone who wants the second half of the list to be a surprise. Also, STOP READING to avoid getting spoiled for what's on this episode. We also hope to make a playlist of your selections, so we can all share. All clips are from, in order, Merrily We Roll Along: New Broadway Cast Recording, Guys & Dolls: Original Broadway Cast Recording, The Music Man: Original Broadway Cast, The Rink: Original Broadway Cast, Rent: Original Cast Album, and Into the Woods: A New Musical and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

Ben West is a musical theatre artist and historian. His book, The American Musical, chronicles a detailed and comprehensive history of the art form's artistic evolution. Ben also created 20 “Timeline Wall” exhibits for the Museum of Broadway, that trace the history of the Broadway stage from 1732 to 2021, and spotlight more than 500 productions and 100 artists.He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. Ben has spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award.

Today I am excited to share with you the third and final segment of my conversation with author Kevin Winkler regarding his new book, On Bette Midler: An Opinionated Guide. In this engaging book, Kevin focuses on all aspects of Bette Midler's career — on stage, recordings, film, and television. But in this conversation, again we focus primarily on her work as a theater artist. If you missed the other two episodes in this series, you may want to listen to those before jumping into this one. For more than twenty years, Kevin was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer on Broadway. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical, and Everything is Choreography: The Musical Theatre of Tommy Tune. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time members Mark Stanton and Andy Wigginton. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode author Kevin Winkler returns for the second part of our discussion of his fascinating new book, On Bette Midler — An Opinionated Guide. If you missed part one of this conversation, you may want to catch up with that before listening to this one. In that episode, Kevin and I touched on Bette's childhood, explored her early years in the off-off-Broadway experimental and very campy Gay theater scene, detailed her unusual rise to at least demi-stardom at the Continental Baths, her debut on Broadway in Fiddler On The Roof, and her Tony Award wining concert at the Palace Theater which set the stage for the first of what Kevin calls her Broadway musicals of her own devising: Bette Midler's Clams On The Halfshell Revue, conceived and staged by Broadway director/choreographer Joe Layton, and the shows that followed. For more than twenty years Kevin Winkler was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical in 2018, and Everything is Choreography: The Musical Theatre of Tommy Tune. Kevin and I discussed that terrific book on several episodes of Broadway Nation back at the beginning of 2022. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time member, ANNE WELSH. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I am excited to welcome author Kevin Winkler back to Broadway Nation to discuss his new book, On Bette Midler: An Opinionated Guide. This engaging book is a critical analysis of every aspect of Bette Midler's career on stage, recordings, film, and television, but in this conversation, we focus primarily on her work as a theater artist. To date, Midler's long career has been bookended by her appearances in two classic Broadway musicals, Fiddler On The Roof and Hello, Dolly! In between, she invented her distinctive brand of musical theater—“musicals of her own devising,” as Kevin calls them. For more than twenty years Kevin Winkler was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical in 2018, and Everything is Choreography: The Musical Theatre of Tommy Tune. Kevin and I discussed that terrific book on several episodes of Broadway Nation back at the beginning of 2022. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time member, ANNE WELSH. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Rizwan Manji is an actor known for his captivating performances on hit TV shows like 'Schitt's Creek' and 'The Magicians,' and his appearances in acclaimed films and commercials. He is a distinguished actor celebrated for his versatile portrayals across television and film. In this episode, Manji shares insights into his upbringing as a Canadian actor of Indian descent and his journey to success in Hollywood. He also discusses his advocacy work for South Asian and Muslim actors, providing valuable perspectives on diversity and inclusion in media.  Raised in Calgary, Alberta, by Indian parents who immigrated from Tanzania, Manji's Ismaili-Muslim heritage deeply influences his life and career. Despite his parents' wishes for him to pursue a traditional education, Manji's passion for acting led him to attend the American Musical and Dramatic Academy in New York City, following a brief stint at the University of Alberta. Launching his career with minor roles in various productions, Manji's talent and dedication soon earned him recurring roles in acclaimed series such as "Privileged," "Better Off Ted," and "24." Manji's captivating presence extended to the fantasy realm with his role as Tick Pickwick in seasons 2-5 of the SyFy series "The Magicians." Beyond his screen appearances, Manji advocates for South Asian and Muslim actors in Hollywood and co-hosts the enlightening podcast "The Brighter Side of News." Residing in Studio City, California, with his wife and three children, Manji continues to captivate audiences with his talent and commitment to authentic representation in the entertainment industry.  

This is the third segment of my conversation with author BEN WEST, regarding his new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. As you will hear this book is a comprehensive history of the American Musical from its origins in the 19th Century right up to the turn to the 21st Century. Along the way Ben West sheds new light on a myriad of shows, authors, directors, and performers including a host of often-overlooked women and African-American artists. If you missed the previous episodes in this series you may want to go back and catch on that before listening to this one. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. West has lectured and spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our Producer Level member, Bob Braun. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of The Brulé Chronicles unravels an extraordinary personal journey. Host Paul LaRoche recounts his life story, beginning with his adoption from birth as a Native American child and how he discovered his true heritage after his adoptive parents' death - a revelation that helped him reconnect with his biological family and Native American roots. In 1993, a heartwarming reunion with his biological Lakota family embarked him and his wife, Kathy, on an incredible journey into the heart of Native America - a journey that ultimately led to the birth of the popular Native American music group, Brulé. Despite initial setbacks, Brulé's unique blend of traditional tribal music and classical rock carved a niche for them in the music industry, stirring waves beyond their Lower Brule Sioux Indian Reservation home in South Dakota to nation-wide recognition. The episode titled "Tribe" encapsulates the story of an exciting musical project three years after the start of Brulé in 1998. Balancing the pressures of recording new music albums and staging performances at small events, Paul received a surprising offer that promised a significant leap in his career: a role as a music composer for a new musical project. Brulé's adventurous journey to create the Broadway-style musical, 'Tribe,' faced obstacles from skeptics and critics alike. Yet, their undaunted spirit fueled their mission to create a performance that encompassed the experiences and culture of Native America. In a touching interview with Minnesota Public Radio in 1998, Paul spoke about the challenges and rewards of bringing native traditions and contemporary music together, while keenly aware of the fine balance needed to respect his heritage. This episode brings to light the burgeoning potential of Native people in the entertainment industry, a stepping stone to inspire young people to explore the performing arts. From humble beginnings, through trials and tribulations, the story of Brulé is one of resilience, reconciliation, and triumph. Join us on this enriching journey that transcends music and heritage. Discover the story that unites us all through the transformative power of music and shared human experiences.

Today's episode is the second part of my recent conversation with author BEN WEST, regarding his his exceptionally comprehensive new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. This book traces the American Musical's creative journey from its 19th Century beginnings through its 20th Century maturation, and on to the turn of the 21st century. Along the way, Ben West sheds new light on a myriad of shows, authors, directors, and performers including a host of often-overlooked women and African-American artists. If you missed the first episode in this series you may want to go back and catch on that before listening to this one. As our previous episode ended Ben and I were discussing the revue form, especially the annual revues such as the Ziegfeld Follies and Earl Carroll's Vanities. Today we pick up conversation with some of the other forms of musical theater that Ben explores in Part Two of his book, a section that he titles Birth Of An Art Form. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. West has lectured and spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member, Taryn Darr. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Viertel is an American theatrical producer and writer. During his 34 years at Jujamcyn Theaters from 1987 to 2021, he occupied positions including Creative Director and Senior Vice President. He was "conceiver of the longest running musical revue in Broadway history, Smokey Joe's Cafe, conceived the critically acclaimed After Midnight, and served as the dramaturg for Hairspray. The musical and movie The Prom were developed from his original concept." From 2000 to 2020, he was a producer at the Encores! series. Under his tenure, several Encores! productions transferred to Broadway, including After Midnight, The Apple Tree, Finian's Rainbow, and Gypsy. In 2003, he began lecturing at the New York University Tisch School of the Arts. He developed the content of his music theatre studies course into a book, The Secret Life of the American Musical, published in 2016. Reviews were largely positive, with The New York Times calling it "revelatory and entertaining." Broadway Melody traces three lives through the early ambitions and unlikely pathways that landed all of them in the same place at the same time - 1960s Broadway. Woven through its pages are the hits and flops, the making and breaking of careers, the destruction of three historic theater buildings, the plague of AIDS, the machinations of union bosses and producers, and, of course, the world outside this insular community - the audience that looks to Broadway for emotional thrills, for enlightenment, and for pure entertainment.Laced with humor and sadness, portraits of historical characters from The Street and a long view of the rise, fall and revival of Times Square itself, Broadway Melody stitches three lives - and three hearts - into the fabric of an endlessly compelling tale of the American theater.

Laine Monica Cordell began her journey  in musical theatre at the age of ten, and received her Bachelor of Fine Arts degree from the American Musical and Dramatic Academy in Los Angeles. She wrote, directed and produced her own play for the Hollywood Fringe Festival in 2010, and spent some much loved time on the West Coast building her TV and film resume. In 2014, Laine moved back to Missouri to be closer to family, and met her wife, Felisity, in Springfield. They were married August 30, 2015 and now reside happily with their four sons and four dogs. Laine is a proud faculty member at Missouri State University in the Theatre & Dance Department where she teaches  Acting Fundamentals and Voice & Movement.

My guest this week is author BEN WEST, who joins me to discuss his exceptional new book: THE AMERICAN MUSICAL — EVOLUTION OF AN ART FORM. This book is a comprehensive history of the American Musical that traces the form's creative journey from its 19th Century beginnings through its 20th Century maturation, and on to the turn of the 21st century. Along the way Ben sheds new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. In a similar way to this podcast, this book actively addresses the form's often-overlooked female and African-American artists. It also goes beyond the strict boundaries of Broadway to explore such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque as well as the dynamic relationship between the American Musical and and the consciousness of its country that gave it birth. Ben West is a musical theatre artist and historian who created the extensive “Timeline Wall” exhibits for the Museum of Broadway that trace the history of the Broadway stage from 1732 to 2021 and spotlight more than 500 productions and 100 artists. He has worked in various capacities on Broadway, Off-Broadway, and regionally, and created and directed Unsung Carolyn Leigh for Lincoln Center's American Songbook series. West has lectured and spoken at several institutions including Yale University, University of Michigan, the Dramatists Guild, and the Shubert Organization. He is a recipient of Lincoln Center's Martin E. Segal Award. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Viertel has the kind of knowledge I wish I had about Broadway history, having studied the various journeys of great shows for his book The Secret Life of the American Musical, but he's also worked with playwrights like August Wilson and Tony Kushner. He's even conceived the long running Smokey Joe's Café and the critically acclaimed After Midnight and served as dramaturg as well for Hairspray and Dear Evan Hansen. And through his many colleagues over the years he's learned the fine art of collaboration.  Subscribe or Donate to WINMI Subscribing helps support this podcast, while also giving early access to extended conversations and other bonus content. Donating can be done on a one-time on ongoing basis. So whether you subscribe or donate, your financial contribution to this podcast is greatly appreciated! If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.   Follow WINMI: Website | Instagram | Twitter | YouTube ---------- Why I'll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Jack Viertel who joins us to talk about his delightful new novel, Broadway Melody. This is one of a fascinating wave of novels that explore the history of Broadway though a combination of fictional characters and real-life Broadway figures. Jack Viertel began his theatrical career as a drama critic for the Los Angeles Herald Examiner and then worked as a dramaturg at the Mark Taper Forum. This led to him serving three decades as Creative Director and Senior Vice President of Jujamcin Theaters where he oversaw the production of 50 Broadway plays and musicals. Simultaneously, during two of those decades, he also served as the Artistic Director of the New York City Center's Encores! series, producing 65 musical revivals. And he was a creative force behind a string of blockbuster musicals including Smokey Joe's Café, Dear Evan Hanson, and Hairspray. He taught musical theater at NYU Tisch School of the Arts and is the author of the New York Times bestseller The Secret Life of The American Musical. I want to thank all of our Broadway Nation Patron Club members, including our longtime Producer Level patrons, Paula & Steve Reynolds. Their generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. Become a PATRON of Broadway Nation! For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Experience the dynamic world of Brentley Gore, celebrated for his multifaceted talents in the entertainment industry. From his iconic portrayal as Matt Garrison on the globally acclaimed series "California Dreams" to his chart-topping music career, Brentley has enthralled audiences worldwide for over two decades. Join host Elias on Pop Culture Unplugged as he delves into Brentley's latest album, "At The Ready," and explores the exhilarating "California Dreams" Reunion. With a stellar background spanning acting, music, and stage performance, Brentley's journey is a testament to his unparalleled creativity and dedication. Discover the essence of Brentley's musical prowess showcased in his solo releases, including the acclaimed "Up Until Now," produced in collaboration with the legendary Don "Redcloud" Smith. As a distinguished stage actor, Brentley's accolades include the prestigious Ovation Award for his stellar performance in "The Fantasticks." Beyond the spotlight, Brentley's contributions extend to education and philanthropy. As a respected professor at the American Musical and Dramatic Academy and the visionary behind the Los Angeles Performing Arts Foundation, he remains committed to nurturing talent and fostering creativity. Immerse yourself in Brentley's latest endeavors, from his electrifying role in the rock opera "Staring Into Nothing" to the launch of his highly anticipated second studio album, "At The Ready." Experience the brilliance of Brentley Gore—an icon whose talent knows no bounds. Watch the full interview on YouTube: Click here For more exclusive interviews and behind-the-scenes content, subscribe to Pop Culture Unplugged w/ Elias on YouTube: Subscribe here

So excited to begin Season 5 of my podcast, Baring It All with Call Me Adam!This season I am focusing on My Entertainment Idols.I am thrilled to kick off this season with Singer, Songwriter & Actor Brentley Gore, who you know from NBC's '90s television series California Dreams.Last year, I got to interview Brentley who played Matt Garrison on California Dreams, along with Jennie Kwan who played Samantha 'Sam' Woo when they came to NYC for the California Dreams Reunion Concert.NOW, Brentley has released his newest solo album, At The Ready, and I am so proud to say I am a fan of it.In this NEW interview, Brentley is Baring It All with Call Me Adam about:The meaning behind his new album, At The ReadyHis creative process for writing an albumWhen he had to put on a brave face, but was really struggling insideHow Brentley would portray Matt Garrison on California Dreams todayWho are some of Brentley's Entertainment IdolsSo much moreAt The Ready is available to stream on all digital music platforms.More on Brentley Gore:Brentley Gore is a multi-talented performer and creative professional with over 20 years of experience in the entertainment industry. He is best known for his role as Matt Garrison on the hit television show California Dreams, which aired in over 48 countries and established him as a teen star. In addition to his acting career, Brentley is a talented singer-songwriter and musician. He has released several albums as a solo artist, including Up Until Now, which includes a mix of songs recorded with his previous band King Straggler, as well as solo recordings. Many of the songs on the album were recorded with the late producer Don "Redcloud" Smith, who had credits on albums by artists such as Tom Petty, Keith Richards and the Rolling Stones. Brentley is also a gifted stage actor, winning the Ovation Award for his performance in the off-Broadway musical The Fantasticks.In addition to his performing career, Brentley has also worked behind the scenes in the entertainment industry. He has served as a professor of performance and song craft at the prestigious American Musical and Dramatic Academy. Brentley was also the founder of the Los Angeles Performing Arts Foundation, a 501(c)(3) non-profit organization dedicated to supporting the performing arts. In the fall of 2022, he had a starring role in the rock opera, Staring Into Nothing in Los Angeles. Special Thanks:Scott Appel, Scott Appel MediaTheme Song by Bobby CroninPodcast Logo by Liam O'DonnellEdited by Adam RothenbergConnect with Me:Website: www.callmeadam.comFacebook: @CallMeAdamNYCInstagram: @CallMeAdamNYC

Today's guest is the ever so talented professional dancer @RileyGroot. You may have just seen her dancing next to Katy Perry in her Las Vegas residency, but I know Riley from her time as a student at AMDA college here in LA and have had the pleasure of witnessing her career unfold over the years. She's been on “American Horror Story”, the MTV Video Music Awards with BLACKPINK, Disney's Christmas Spectacular, the Grammys, Billboard music awards, to name a few. We chat about:How being a reliable dancer can provide more opportunitiesWhy connections are the most important aspect of your careerThe challenges and mindset shifts to withstand the breaks between gigsHow dancers can self-advocate to make the changes we need in the industryBorn and raised in San Diego, Riley Groot's love for dance sparked at age 13 when she began training with the non-profit company, Unity Dance Ensemble. After winning numerous competitive titles, all while touring nationally as an assistant for established dance conventions, Riley moved to Los Angeles, where she continued her study of dance and the performing arts at The American Musical and Dramatic Academy. Since her graduation she has grown her resume and reputation through the commercial industry as a hard-working and reliable talent. Her credits include “American Horror Story”, the MTV Video Music Awards with BLACKPINK, Disney's Christmas Spectacular, and The Annual Grammy Awards with J Balvin, to name a few. Currently, she is traveling Asia on Jolin Tsai's Ugly Beauty World Tour, and when she is not on the road or working in LA, you can find her dancing in her fourth Las Vegas Residency: Katy Perry's ‘PLAY', where she leads as dance captain. Riley believes that with every job and opportunity, a new lesson is to be learned. She vows to pass along the powerful insights she has acquired throughout her growing career and hopes to inspire the next generation of dancers, just as her mentors have inspired her.Hey y'all! I'm Justine, the voice behind the DC:U pod and MNTR MGMT. After 15+ years in the industry as a choreographer, dancer, producer, educator and more, I'm now working closely with dance artists on professional development, business skills and digital enhancement. Curious? Book a free 1:1 Career Call. You can also help support the podcast! Subscribe and receive exclusive member benefits --> Pod Producer/SupporterConnect with me on Insta @mntr.mgmt

Wrapping up the season with a wonderful talk with the multitalented, Rashaan James! In this episode with talk tap, Equity, Miss America and so much more.  A fun way to wrap up our season, we hope you enjoy our chat with Rashaan James!Rashaan James II went to the University of Buffalo for a BFA in Musical Theatre and a BA in dance. He's performed all over the world in productions like Crazy for You at Lincoln Center, the Dirty Dancing U.S. tour, the West Side Story international tour, and the South Pacific 1st National Tour. He's currently on faculty at the American Musical and Dramatic Academy (AMDA), Broadway Dance Center and Steps on Broadway in NYC. He is an elected member of the National Council for Actors' Equity AssociationThank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

Haleigh is the lead singer for the local rock band "Blood Moon Majesty" She has always had a passion for performing, and graduated from the American Musical and Dramatic Academy in Los Angeles before moving back to Utah. Haleigh is a hairstylist and esthetician who works with women suffering from hair loss to find and style wigs and hair pieces. She is also a newly minted step-mom and engaged to Dr. Nicholas Howland. Enjoy this episode!

Get ready to embark on a captivating musical journey as we dive into the rich tapestry of Native American Musical Storytelling in honor of Native American Heritage Month. For centuries, Native American communities have passed down their traditions, stories, and cultural heritage through the power of music. In this episode, we'll explore the mesmerizing world of Native American music, a form of storytelling deeply rooted in history, tradition, and the natural world. Together, we'll embrace the rhythms, melodies, and narratives that have been an integral part of Native American culture. Native American Heritage Month is a time to honor and celebrate the rich heritage of the Indigenous peoples of North America, and I believe that music is one of the most beautiful ways to do just that. Through the power of storytelling in song, we'll gain a deeper appreciation for the incredible diversity and resilience of Native American cultures. Links Mentioned in this Episode: Episode 6: Instruments in Native American Music Episode 33: Powwow Music Musical Samples You'll Hear in this Episode: Hopi Spirit Chant - The Native American Indian Tony Redhouse Traditonal Navajo Chant Carlos Nakai: Earth Spirit SweetGrass Ojibway-Intertrible Drum Song Powerful Native American Chant Music Listening Schedule for Episode 109 A playlist of the music heard in today's episode can be found here. Listen to it over the next 2 weeks, until our next brand new episode of Busy Kids Love Music airs! Subscribe & Review in Apple Podcasts Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in Apple Podcasts! If you're feeling extra magnanimous, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other families find my podcast learn more about music. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what you love about Busy Kids Love Music. Thanks!

We had the pleasure of interviewing Elliot Greer over Zoom video!Elliot has pulled us in again with another beautiful story. "I Bought A Honda" is about getting memorabilia of a love you once had. Elliot's posts teasing “I Bought A Honda” across IG have already garnered 1 millions since January 5th of this year.“I Bought A Honda”, Elliot comments:“ ,”Like many of my songs, “I Bought A Honda” is a fictional story derived from glimpses of personal experience. Fleeting feelings that led my spiraling mind into some other walk of life; in this case, a man romanticizing his past so much that he buys an entire car just to feel connected to it. It's silly when you say the name or try to summarize the concept, but the actual lyrics and melody will try their best to break your heart. You do have to listen carefully, but it's worth it for the punchline I think.”Watch the music video here: https://www.youtube.com/watch?v=_V2t7F9hLdMAbout Elliot Greer:Whether scrawled in a handwritten diary, committed to the pages of a book, or posted online, an authentic story will resonate. From a stark and stripped-down perspective, Elliot Greer delivers unfiltered truth with grizzled, yet warm intonation accompanied by acoustic guitar. For as much as he harks back to an old school troubadour tradition, his appeal transcends eras. As such, he asserts himself as the rare singer-songwriter who can cut through the noise on social media with tens of millions of views or pack a residency gig on a weekly basis. Growing up in Scotland, he attended the American Musical and Dramatic Academy in New York city and later landed a part in Glen Hansard's Once in upstate New York —only for COVID to shut down the production before it got off the ground. Armed with a basic $100 microphone purchased by his girlfriend, he wrote, produced, recorded, mixed, and mastered his independent debut, Handcrafted, in the bathroom of his apartment. Simultaneously, he gigged nonstop, busking 357 days in Central Park, performing anywhere around town with a stage, and joining Ashley McBryde and John Osborne for a performance on The Tonight Show at Jimmy Fallon.In 2022, he launched a TikTok account and broke through with the single “Bleed.” A video of Elliot with an acoustic guitar singing his soul out caught fire, reeling in 8 million views on Instagram and 5 million on TikTok. Now, the Scotland-born and New York-based artist forges a lasting connection on a series of 2023 singles for Arista Records and much more to come, including the captivating and cinematic “I Bought A Honda.”We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ElliotGreer #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

DAMN YANKEES  Book by Douglass Wallop & George Abbott | Music & Lyrics by Jerry Ross & Richard Adler | Based on the novel The Year the Yankees Lost the Pennant by Douglass WallopWorks Consulted & Reference :Damn Yankees (Libretto) by Douglass Wallop & George AbbottDamn Yankees (Revised Libretto) by Joe DiPietroDamn Yankees (1958 Film) Directed by George AbbottFosse by Sam WassonSense of Occasion by Hal PrinceThe Secret Life of the American Musical by Jack ViertelMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Whatever Lola Wants" from Damn Yankees (Original Broadway Cast Recording)  | Music & Lyrics by Jerry Ross & Richard Adler | Performed by Gwen Verdon"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Stuart Ross wrote and directed the long running musical Forever Plaid, and its various offsprings: Plaid Tidings, The Sound of Plaid, and Forever Plaid: The Movie.             Other New York Credits include: Radiant Baby, Enter Laughing, The Musical, Standing on Ceremony, The Gondoliers, and Fun with Dick and Jane.            Stuart co-wrote with Jack Viertel The Secret Life of the American Musical and directed it. He also he directed Golden Rainbow in its workshop.             For the York he adapted and directed Subways Are for Sleeping, It's a Bird, It's a Plane, It's Superman, Minnie's Boys, Silk Stockings, and Bajour.             On Broadway, Stuart co-wrote the book to Starmites, which received 6 Tony Nominations, and The Radio City Music Hall Easter Show.              For TV, he's directed sitcoms like Frasier and Veronica's Closet. He also created special material for PBS's Great Performances, An Evening at the Pops starring Jason Alexander, and Diahann Carroll: Both Sides Now!            For ten seasons Stuart has worked as a Director/Dramaturg and/or writer at the Eugene O'Neill Theatre Center-National Music Theatre Center Conference. And for nine years he's been a panelist for the ASCAP/Disney Musical Theatre Workshop.            Current Projects include: Industrial Strength, The Alice B. Toklas Cookbook, The Bay Street Theatre-Youth Workshops: Creating Theatre Magic, and Second Time Around workshops.

Episode 044: of the American Grown Podcast in the Colortech Creative Solutions studios with Elijah Walters singer/songwriter. I first met Elijah while photographing a CCHS graduation. He was one of the senior speakers and immediately I was very impressed with what he had to say. After doing some research on social media I found that he has a Spotify and is producing music. If you consider yourself a "Swifties" this episode is for you!In this episode Elijah talks about how he discovered music through KIDZ BOP. He started writing down song lyrics. Around the same time he started learning piano which included a few singing lessons at the end of each session. Elijah found his love for music. He's currently on a journey to become the next great pop singer bringing his own spin to the genre. Elijah is attending college at The American Musical & Dramatic Academy in New York city. While at college he's also producing new music which can be found on Spotify & purchased on iTunes. Singers like Lorde & Taylor Swift are a big inspiration for the music he produces.Towards the end of the episode we talk about aliens/end of the world and Elijah sings an EXCLUSIVE sound bite to one of his new unreleased songs. Summer Girl.-To learn more about Elijah Walters & listen to the songs we discuss in the episode click here: https://open.spotify.com/artist/2PLgRhtztMXJpzmxTFLUnK?si=9soZau1UROSsEQNB-k_gUA-#ad this episode is brought to you by Triggered 22. Support a local veteran and help spread awareness for PTSD & #22aday.-#ad this episode is brought to you by Colortech Creative Solutions. Colortech Creative Solutions takes your creative projects from visualization to realization since 1980 while keeping your budget in mind.-Engage with us on Social media: IG- https://www.instagram.com/americangrownpodcast/ FB-https://www.facebook.com/profile.php?id=100077655465940 or visits us at https://rss.com/podcasts/americangrownpodcast/

So many studio owners and dance business leaders self identify as their work, and sacrifice personal everything because they think they have to to experience professional success, or they will look like they don't care.Ashe Caldwell of Bloom Studio Coaching and I are here to share our conversation about how you don't have to do all that anymore. Ashe shares her journey of how she has successfully built her dance studio business without needing to be in it everyday. We dive into a lot of beliefs that we fully embody but may seem contradictory with what the dance world tells us we need to do to be successful. Are you looking for permission to do things differently than you've been taught? This is the episode for you! Ashe Caldwell has been involved with the arts all of her life. She danced numerous hours a week, took singing and acting lessons, and was on the stage every chance that she got. Eventually, she was granted acceptance into the Musical Theatre program at The American Musical and Dramatic Academy in New York City and had the privilege to audition and work in dance and theatre productions in the US as well as Canada. She moved her love of the arts on stage to behind the curtain creating dance and music studios and even a fine arts preschool. She has had the privilege to be a studio owner for the past 20 years owning multiple locations and bringing in 6 and 7 figures consistently. She has purchased commercial space and acquired a $2.2 million dollar commercial mortgage all through her studios and has been Awarded the Canadain Business Review Board's Best Dance Studio in Canada. She now loves coaching studio owners(just like you) on how to stop surviving and start thriving in their studios. Episode Highlights: A different, more successful way to run a dance studio & business How a coach made Ashe's success happen The power of tapping into your intuition Different ways you can run your business & live the personal life you desire Links: www.bloomstudiocoaching.comwww.thedanceceocoach.com/masterclass Follows: Ashe Caldwell - @ashe.caldwellAudra Allen-Queen- @thedanceceocoach Make sure to subscribe to this Podcast & like this episode! Thank you for listening

It's 2018. I'm working with a Syrian-born American filmmaker named Sam to get him ready to hit the TEDx stage. We're forming the foundation of his Talk--his idea worth spreading--when I ask him, “Why was making this particular film so important to you?” And he responds, “It's imperative to amplify the voices of what Syrians are going through. Their voices are muted right now and giving voice to the voiceless should be an obligation. That's why people literally risked their lives to make this film.” With that, we have his idea worth spreading: For society to survive, the voices of repressed people must be revived.  By the way, Sam's film, Little Gandhi, becomes the first official Oscar entry for Best Foreign Language Film and goes on to win several awards. And most importantly of all, Sam's willingness to stand up for and speak on what he believes has changed individual and collective stories around the world...which leads me to my special guest today! Lynn Andrews is a versatile artist who has been standing up for what she believes, literally. As a singer, actress, and writer, she has a stake in bringing stories to life as part of her life's work and is fresh off the picket line protesting as part of the SAG-AFTRA strike. In this episode of the Storytelling School Podcast, listen in as she and I dive into the idea of using your story to stand up and speak up, whether your voice matters at all, and how to influence the stories that are told. You'll also discover the answer to questions such as: What's it like participating in a community of storytellers standing up for themselves? What's one thing you need to be mindful of as you speak up for your cause during a protest or strike? What opportunity can you choose to take with an Improv performance, beyond the humor? And why does your profession not matter when it comes to storytelling? And along the way, you'll hear about trimmed trees, strongly-worded umbrellas, memorable theater moments, and more! What you will learn in this episode: Why your voice matters in changing an unfolding story Why people sometimes hesitate to speak up with their story How to get an audience to love a villainous character Who is Lynn? Lynn Andrews, an artist excelling as an actor, singer, and writer, was born in Denver, Colorado. Her passion for the arts led her to pursue training at the American Musical and Dramatic Academy (AMDA) in New York City. Lynn won the coveted role of Miss Hannigan in the national tour of Annie. The New York Times praised her, saying she "has a wonderful way with a shimmy." During her time in New York, Lynn showcased her singer-songwriter abilities as one-third of the girl group The Shirtwaist Sisters, highlighted by the NPR Tiny Desk competition. In 2017, Lynn made her way to Los Angeles, where she appeared in popular television shows like The Big Bang Theory, Modern Family, and Dead To Me, as well as the critically acclaimed film The Dark and the Wicked. Her recent appearances on The Resident and American Auto continue to solidify her status as an accomplished and skillful performer. Links and Resources: @fakelynnandrews on Instagram @fakelynnandrews on Tik Tok The Shirtwaist Sisters on Spotify The Annoyance Theatre & Bar Storytelling School Website @storytellingschool on Instagram @storytellingSchool on Facebook

Steven Maglio heard a recording of Frank Sinatra singing MY KIND OF TOWN, and to pass the time on his new daily trek, he would sing the song to himself over and over. After a few days, he decided he needed another song and began to explore the only Sinatra album his parents owned at the time, A MAN AND HIS MUSIC. That was the beginning of his addiction to Sinatra and that whole world of standard songs and singers. TANYA MOBERLY has been performing in cabaret since 1997 when she co-created the THE BLONDE LEADING THE BLONDE. The show ran for 8 episodes over the course of 5 years and received a MAC Award nomination for special production. Sandra Bargman's life journey has been multi-faceted. As a kid, she always wondered why she was here, if she had a life mission, if there is an afterlife. Sandra was insanely fascinated with cemeteries. Raised Presbyterian, she loved the rituals, and singing in the choir, but foundshe needed to look outside organized religion to find HER answers to the big questions. JILLIAN SNOW is a singer and actor who graduated from the American Musical and Dramatic Academy in New York City. She has worked predominately in comedy, gracing the stages of Gotham Comedy Club, the Laugh Factory, and Comix NYC as a Liza Minnelli impersonator. After seeing her perform, Michael Musto of the Village Voice said, “This could open up Minnelli to a whole new audience!” Eventually, Jillian fled New York so she could get some sleep and found exile in Portland, Oregon.   As an actor David was nominated for Broadway World's “Performer of the Decade” for his performance in “Murder for Two” at Broadway Rose Theatre. David is a Liberace tribute artist who performs with Jillian Snow (as Liza Minnelli), and Bo Ayars (Liberace's actual Music Director from 1973-1985). 

Elliot Greer delivers unfiltered truth with grizzled, yet warm intonation accompanied by acoustic guitar. Growing up in Scotland, he attended the American Musical and Dramatic Academy in New York city. Armed with a basic $100 microphone purchased by his girlfriend, he wrote, produced, recorded, mixed, and mastered his independent debut,Handcrafted, in the bathroom of his apartment. Simultaneously, he gigged as often as he could, joined Ashley McBryde and John Osborne for a performance onThe Tonight Show at Jimmy Fallon, and even supported himself by busking in Central Park. In 2022, he launched a TikTok account and broke through with the single "Bleed." A video of Elliot with an acoustic guitar singing his soul out caught fire, reeling in 8 million views on Instagram and 5 million on TikTok. Now, the Scotland-born and New York-based artist forges a lasting connection on a series of 2023 singles for Arista Records and much more to come. Elliot is a modern troubadour. You're going to love his story! 

This is the third and final part of my conversation with Ben Francis whose amazingly compelling new book is titled Careful the Spell You Cast — How Stephen Sondheim Extended the Range of the American Musical. Just like the book, our discussion has been structured around Sondheim's collaborators. In this episode we discuss his work with George Furth, John Weidman, Hugh Wheeler & James Lapine. And, as always, Sondheim's mentor and surrogate father Oscar Hammerstein II plays a big role in this conversation as well. Along the way nearing everyone of Sondheim's musicals are discussed including A Little Night Music, Anyone Can Whistle, Assassins, Company, Do I Hear A Waltz?, Follies, Gypsy, Into the Woods, Merrily We Roll Along, Passion, Road Show, Sunday In The Park With George, Sweeney Todd, and West Side Story as well as Rodgers & Hammerstein's Allegro. Ben Francis' other works include contributions to the Oxford Handbook Of Sondheim Studies, the Oxford Handbook of British Musicals, and the Oxford Handbook of Shakespeare and Music, as well as Christopher Hampton: Dramatic Ironist. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Broadway Nation Patron Club members including our inaugural members Roger Kloresse, Neil Hoyt, and Chris Moad. My sincere thanks to all three of you for your loyal support! If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Sex Archie: The Riverdale Recap Podcast This episode covers Chapter 131: Archie The Musical by Tessa Leigh Williams; directed by Ronald Paul Richard The annual musical is here, and it gives us more to talk about with the Musical form and history than the previous five. At the same time, it's another Season 7 episode that passes a few plotlines along and lets the rest wait, unremarked.

This is the second part of my conversation with author Ben Francis regarding his very compelling new book: Careful the Spell You Cast — How Stephen Sondheim Extended the Range of the American Musical. This week Ben and I focus on three of Sondheim's key collaborators — Harold Prince, Burt Shevelove, and James Goldman. If you missed last weeks episode you may want to catch up with that one before listening to this. Sondheim is without a doubt one of the most studied, examined, and analyzed Broadway creators of all time. In fact, we have done quite a bit of that right here on Broadway Nation. However, as you will hear, Ben Francis contends that in spite of all of that investigation, Sondheim continues to be very misunderstood. He is often labeled as being cynical and pessimistic, but Francis instead argues that Sondheim firmly belongs to the “Broadway aspirational tradition” — a tradition that celebrates dreams of a better life — and he suggests that Sondheim's shows are to a great extent are a continuation of the work of his mentor Oscar Hammerstein II. Ben Francis' other works include contributions to the Oxford Handbook Of Sondheim Studies, the Oxford Handbook of British Musicals, and the Oxford Handbook of Shakespeare and Music, as well as Christopher Hampton: Dramatic Ironist Become A PATRON of Broadway Nation! This episode is made possible in part by the generous support of our Producer Level Patrons: Paula and Steve Reynolds. If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is Ben Francis, author of a very compelling new book titled Careful the Spell You Cast — How Stephen Sondheim Extended the Range of the American Musical. Sondheim is without a doubt one of the most studied, examined, and analyzed Broadway creators of all time. In fact, we have done quite a bit of that right here on Broadway Nation. However, as you will hear, Ben Francis contends that in spite of all of that investigation, Sondheim continues to be very misunderstood. He is often labeled as being cynical and pessimistic, but Francis instead argues that Sondheim firmly belongs to the “Broadway aspirational tradition” — a tradition that celebrates dreams of a better life — and he suggests that Sondheim's shows are to a great extent are a continuation of the work of his mentor Oscar Hammerstein II. Ben Francis' other works include contributions to the Oxford Handbook Of Sondheim Studies, the Oxford Handbook of British Musicals, and the Oxford Handbook of Shakespeare and Music, as well as Christopher Hampton: Dramatic Ironist Become A PATRON of Broadway Nation! This episode is made possible in part by the generous support of our newest Patrons: Andy Wigginton and Mark Stanton. If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Anthony Ramos Martinez is an American actor and singer. After graduating in musical theatre from the American Musical and Dramatic Academy, he began working in stage musicals. In 2015, he originated the dual roles of John Laurens and Philip Hamilton in the Broadway musical Hamilton. Transformers: Rise of the Beasts, moves at a breakneck pace and features some of the most epic action scenes you'll ever see on the big screen. Ramos praised the production team for creating a film that pushed the boundaries of what was possible, especially in terms of special effects.

It's the moment you've been waiting for! Let's give it up for the musical that revolutionized Broadway forever: Hamilton. The American Musical took the country and the world by storm, and Joseph and Lilliana are ready to discuss it all. From gushing about the musical itself to looking back on how it came to be, they're examining the legacy of Hamilton and how it cemented Lin-Manuel Miranda as one to watch! Lilliana Vázquez and Joseph Carrillo are the hosts of Becoming an Icon with production support by Juan Carlos Arenado, Josie Meléndez, Daniela Sarquis, and Santiago Sierra of Sonoro Media in partnership with iHeart Radio's My Cultura Podcast network. If you want to support the podcast, please rate and review our show. Follow Lilliana Vázquez on Instagram and Twitter @lillianavazquez  Follow Joseph Carrillo on Instagram @josephcarrilloSee omnystudio.com/listener for privacy information.

In honor of AAPI Heritage Month, a look back at 1961's Flower Drum Song, a Rodgers and Hammerstein musical that was the first major Hollywood film to star an almost entirely Asian and Asian-American cast— and the last one for decades. Plus, updates on the status of the WGA strike and a look at promising series Yellowjackets and A Small Light. Follow us on Twitter and Instagram @vfawardsinsider Email us at littlegoldmen@vf.com Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97  Our editor and producer is Brett Fuchs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In coming together to create On This Side of the World, Tirol and Shapiro connected deeply to the experiences of countless Filipino Americans who flew over 7,000 miles to start new lives in America. Produced by East West Players in partnership with FilAm ARTS, this wonderful new musical makes its world premiere at the David Henry Hwang Theater in Little Tokyo, Los Angeles, from May 11 - June 4. For show times and tickets please visit www.eastwestplayers.org.

Looking for someone with peak screen presence? It's Janelle Monáe. Whether it's in a film or show, via her music, or perhaps even giving an acceptance speech when being recognized for her work, she's utterly captivating courtesy of her inspiring energy and the palpable intention behind everything she does. You can see it in her work in Glass Onion: A Knives Out Mystery, and you can feel the gratitude in her speeches and interviews while celebrating the film's awards season run.Given Glass Onion has been streaming on Netflix for nearly a month, this will be your one and only warning; this interview contains Glass Onion spoilers! If you've yet to see the film, go watch it on Netflix and this interview will be waiting for you when you're ready.With that taken care of, Monáe tackles not one, not two, but three roles in Glass Onion. She plays Andi, she plays Andi's sister Helen, and she also plays Helen pretending to be Andi. It's not an easy range to navigate, but Monáe pulls it off beautifully, managing to make both Helen and Andi feel whole, and using the connection between the two to bolster the strength and urgency of Helen's mission.It's a performance feat that's rightfully being recognized this awards season with Monáe being named Best Supporting Actress by the National Board of Review and earning a Best Supporting Actress nomination at the Critics Choice Awards. While celebrating all of that recognition, Monáe joined me for a Collider Ladies Night conversation to revisit some of her journey from studying at the American Musical and Dramatic Academy to standing at podiums accepting awards for her work in Glass Onion: A Knives Out Mystery. Hosted on Acast. See acast.com/privacy for more information.