Podcast appearances and mentions of Anton Karas

Für die Stadt Wien war Mitte April 1945 der Zweite Weltkrieg zu Ende. In der düsteren Nachkriegskulisse der geteilten Stadt drehte Carol Reed seinen Film "Der dritte Mann" - weltberühmt durch die Musik von Anton Karas. Von Alfred Treiber und Richard Goll.

Für die Stadt Wien war Mitte April 1945 der Zweite Weltkrieg zu Ende. In der düsteren Nachkriegskulisse der geteilten Stadt drehte Carol Reed seinen Film "Der dritte Mann" - weltberühmt durch die Musik von Anton Karas. Von Alfred Treiber und Richard Goll.

Der in der Nachkriegszeit an Originalschauplätzen in Wien gedrehte Film besticht vor allem durch eine hochwertige und detailverliebte Inszenierung sowie eine packende Geschichte um die faszinierende Figur des Harry Lime, die von Orson Welles ideal verkörpert wird. Zum Kult machte den Film nicht zuletzt auch die Zithermusik von Anton Karas.Kontakt zu uns: podcast(at)retroboost.de

Songs include: The Third man Theme by Anton Karas, Ruby by Richard Hayman, The Syncopated Clock by Leroy Anderson, Swedish Rhaposdy by Percy Faith, Dragnet by Ray Anthony and Melancholy Serenade by Jackie Gleeson. 

La Venganza Será Terrible: todo el año festejando los 40 años Estudios AM 750 Alejandro Dolina, Patricio Barton Introducción • Entrada0:01:08 Segmento Inicial • Todo lo que no sabías de los pingüinos0:05:15 • Oyentes Segmento Dispositivo • Algunos datos de la historia de la biología0:47:24 • "Mi Viejo" ♫ (Canta Piero De Benedictis, 1969) Segmento Humorístico • ¡Qué calor, qué calor!: consejos para combatir el calor Sordo Gancé / Manuel Moreira • Presentación • "Lloró Como Una Mujer" ♫ (José María Aguilar/Celedonio Flores) • "Imagine" ♫ (Johan Lennon) • "El Tercer Hombre" ♫ (Anton Karas) • "Hey Hey" ♫ (Big Bill Broonzy) • "El Deschave" ♫ (Edmundo Rivero/José Tiscornia) • "Al Ritmo Del Pan Dulce De Rolón" ♫ (Al Ritmo de Maracas y Bongo, Los Lamas)

Just as Orson Welles finally bowed out in 1985, we must do the same. This time round Antony and Ghosty pick up Orson's film career from his acting gig in the sublime ‘The Third Man', a couple of returns to Shakespeare territory and a trio of absolute masterworks of his own making, namely ‘Touch of Evil', ‘The Trial' and ‘F For Fake' (plus a couple of other films along the way). Finally we look at interviews, his fall from grace into TV commercials, more comparisons with Marlon Brando and a final summing-up of our feelings about his life and legacy.   We (and Orson up there in the clouds) hope that you have enjoyed this latest series and Film Gold will be back before the end of the year for more. In the meantime, please check out Antony's other podcasts (links below)   'Film Gold' is on all the main podcast platforms.   Feedback to contrafib2001@gmail.com   Facebook⁠⁠ https://www.facebook.com/filmgoldpod⁠⁠   Twitter ⁠⁠https://twitter.com/FilmGold75⁠⁠   Antony's website (blog, music, podcasts) ⁠⁠ https://www.antonyrotunno.com⁠⁠   Antony's John Lennon/Beatles and Psychology/Alt. Media podcasts ⁠⁠ https://glassoniononjohnlennon.com https://lifeandlifeonly.podbean.com/   Support Antony's podcast work (Film Gold, Glass Onion: On John Lennon and Life And Life Only) at ⁠⁠https://www.paypal.com/paypalme/antonyrotunno⁠⁠ OR ⁠⁠https://www.buymeacoffee.com/antonyrotunno⁠⁠   Ghosty's Cliff Richard & The Shadows podcast ⁠https://wesayyeah.podbean.com/⁠   Interview clips from Ghosty's radio show ⁠https://www.youtube.com/@GhostyTMRS⁠   episode links Website for everything Orson https://www.wellesnet.com/   The Third Man theme played by Anton Karas & also The Beatles https://www.youtube.com/watch?v=2oEsWi88Qv0 https://www.youtube.com/watch?v=M1cHZSskXxw   Poignant scenes from ‘Touch of Evil' (1958) https://www.youtube.com/watch?v=JTI6rN0Vmes https://www.youtube.com/watch?v=jeccTYUrb_Q   Law court scene from ‘The Trial' (1962) https://www.youtube.com/watch?v=eFGlB4a2B1I   F For Fake (1973) podcast deep dive https://www.projectionboothpodcast.com/2020/08/episode-482-f-for-fake-1973.html   Recommended documentaries about Orson (Arena special, Magician, One-man band) https://www.youtube.com/watch?v=jFqW6b1hfFY https://www.youtube.com/watch?v=brVah-r65pI&t=1s https://dochouse.org/event/magician-the-astonishing-life-and-work-of-orson-welles/ https://www.youtube.com/watch?v=9eoN1m73xXk   Simon  Callow (Orson biographer x many) discusses him on the ‘Great Lives' podcast https://www.bbc.co.uk/sounds/play/b0b1r3hs   Classic Orson interviews (Dick Cavett 1970, Michael Parkinson 1974) https://www.youtube.com/watch?v=9NTOSevzp4w https://www.youtube.com/watch?v=9NTOSevzp4w   Orson loses it over frozen peas! https://www.youtube.com/watch?v=tyko_oQ0da8

Le Troisième homme, The Third Man, est celui qui apparaît mystérieusement cité par les protagonistes du film de Carol Reed sur un scénario de Graham Greene. Le Troisième Homme est un film tourné à Vienne en 1948 sur les ruines encore fumantes laissées par la seconde guerre mondiale. A lʹécran : Joseph Cotten, Orson Welles, et Alida Valli, qui jouent dans une Vienne, véritable nid dʹespion à lʹépoque, rongée par le marché noir, loin très loin des froufrous des valses de Strauss. Les rues sont bordées de ruines, le Danube grisâtre, la population maigrichonne, peureuse, et il flotte dans les airs une odeur de gravats et de poussières. Des détails dʹambiance mais qui donnent toutes ses lettres de noblesse à ce film noir, passé à la postérité pour sa photographie incroyable, son style inspiré par lʹexpressionnisme allemand, un courant cinématographique, ses effets dʹombre et de lumière, pour le personnage dʹHarry Lime incarné par Orson Welles et pour sa musique à la cithare signée Anton Karas. On a tout dit ou presque sur le Troisième Homme, palme dʹor à Cannes en 1949. Cʹest le presque qui nous intéresse aujourdʹhui dans Travelling. Nous allons évoquer Graham Green, écrivain, qui donne à son scénario une irone acerbe. Nous allons évoquer Alexander Korda producteur anglais, Carol Reed, Orson Welles, nous plongeons dans une Vienne qui nʹexiste plus que dans les archives cinématographiques. Ne tardons pas. Harry Lime a rendez-vous devant la Grande Roue du Prater. La projection va commencer….attention, ça peut mal se terminer. REFERENCES Interview de Graham Greene PANGON Gérard, HERPE Noël, Le Troisième Homme, Les années Festival, Arte Editions, mille et une nuits. 1997 Moi Orson Welles - Un livre d'entretiens par Peter Bogdanovitch - Belfond

Tune in for a journey back to the golden age of radio with the latest episode of The Shiver Show, where we visit the world of the iconic character, Harry Lime. This week's episode is the 1952 production of The Lives of Harry Lime: Man of Mystery, written and performed by Orson Welles in the titular role.Orson Welles brings his renowned pacing and dramatic flair to the enigmatic Harry Lime—a character as charming as he is elusive. Lime travels the globe, navigating a labyrinth of deception and danger, while the haunting zither music of Anton Karas sets the mood. Mary and Greg discuss what makes this audio drama so compelling and ponder the career of voice actor Robert Rieti, who plays the role of Mr Arkadan. Rieti was known as "the man of a thousand voices," for his ability with accents.  Whether you're a longtime admirer of Orson Welles or new to the Harry Lime audio drama series, this episode is sure to captivate your imagination and keep you hooked from start to finish. Tune in and let the mystery unfold!Thank you for listening! If you like the show, please share us with your friends and family AND give us a review!Follow The Shiver Show https://www.facebook.com/theshivershowhttps://www.instagram.com/theshivershowor check out our website at https://www.timewarpstudios.com https://tiktok.com/@timewarpsoundstudios https://www.facebook.com/timewarpstudios Other podcast platforms: https://linktr.ee/theshivershow

The Austrian zither player and composer is best known for his internationally famous soundtrack to the film noir The Third Man. 

Dana and Tom discuss the noir mystery thriller, The Third Man (1949): directed by Carol Reed, written by Graham Greene, music by Anton Karas, starring Joseph Cotten and Orson Welles.Plot Summary: "The Third Man" is a cinematic masterpiece that seamlessly blends noir intrigue with post-war disillusionment, creating a gripping tale of mystery and moral ambiguity. Set against the atmospheric backdrop of post-World War II Vienna, the film follows pulp novelist Holly Martins as he investigates the suspicious death of his old friend Harry Lime. Director Carol Reed masterfully crafts a world of shadowy alleys and crumbling architecture, enhancing the film's sense of unease.Joseph Cotten delivers a compelling performance as Martins, an everyman caught in a web of deception and betrayal. However, it's Orson Welles who steals the show as the enigmatic Harry Lime, a charismatic and morally complex figure whose presence looms large over the narrative. The iconic zither score by Anton Karas adds a haunting and distinctive layer to the film's atmosphere, creating an unforgettable sonic backdrop.As the narrative unfolds, "The Third Man" becomes more than a mere whodunit by delving into the moral ambiguity of its characters and the bleak aftermath of war. Reed's masterful use of light and shadow, coupled with Graham Greene's sharp screenplay, elevates the film beyond the confines of traditional noir, making it a timeless classic that continues to captivate audiences with its gripping storytelling and cinematic brilliance. In the hands of Reed and his talented cast, "The Third Man" remains a haunting exploration of loyalty, deception, and the shadows that linger in the aftermath of conflict.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-third-man-1949For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

No cabe duda de que Javier Olivares es uno de los mejores dibujantes de este país. A lo largo de su carrera ha solido elegir sólidos compañeros de viaje como Santiago García y Jorge Carrión para gestar obras como Las Meninas, La Cólera, La Guerra de los Mundos o Warburg & Beach. Tras una breve introducción en la que además de hacer un repaso sobre la figura de Olivares, os hablaremos de la estupenda exposición El enigma Pertierra que tuvo lugar en Bilbao para, finalmente, ofreceros la entrevista que realizamos al artista madrileño. Colaboradores: Diego García Rouco, Tristan Cardona y Sergio Fernández Atienza Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Música de intermedio: "El Tercer Hombre" de Anton Karas - https://www.youtube.com/watch?v=6U1YTetfR5Y Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!

Hablamos de cuatro grandes bandas sonoras que se salen un poco del estilo más o menos habitual de la música de cine, ya sea por su instrumentación o por su misma concepción pero que resultan fundamentales en la historia de la música cinematográfica. La banda sonora de 'El tercer hombre', de Anton Karas, la de 'Dos hombres y un destino', de Burt Bacharach, la de 'La misión', obra de Ennio Morricone y la de “Amelie”, compuesta por Yann Tiersen.

In 1948 author Graham Greene was in Vienna getting a tour of the city, its back alleys, less-reputable nightclubs, and even its sewers. He was also introduced by actress Elizabeth Montagu to Peter Smolka, the central European correspondent for The Times. Greene was working on a novella that would become a screenplay called The Third Man. Greene sold the film rights to producers Alexander Korda and David O'Selznick. In the story a man named Holly Martins comes to Vienna to accept a job with his friend Harry Lime, only to learn that Lime has died. Martins is a writer. He's told Lime was killed by a car while crossing the street. ​​At Lime's funeral, Martins meets two British Royal Military Police: Sergeant Paine, a fan of Martins' books, and Major Calloway. Martins thinks the death is suspicious, so he stays in Vienna to investigate the matter. Orson Welles was cast as Lime with longtime Mercury Theater friend Joseph Cotton cast as Martins. Principal photography began in Vienna in early November of 1948 and lasted for six weeks. The rest was done around London and completed by March of 1949. Then-unknown composer Anton Karas was hired to create the musical score, performing it on a zither. The film was released in the UK in September of 1949, quickly becoming that year's most popular. When released in the U.S. audiences loved it. Time wrote that the film was "crammed with cinematic plums that would do Hitchcock proud—ingenious twists and turns of plot, subtle detail, full-bodied bit characters, atmospheric backgrounds that become an intrinsic part of the story, a deft commingling of the sinister with the ludicrous, the casual with the bizarre.” At the 1951 Academy Awards, the film took home the award for Best Black and White Cinematography, while at the British equivalent, it won for Best British Film. In the meantime Welles and Tyrone Power made The Black Rose in 1950, directed by Henry Hathaway. Welles played Mongolian warrior Bayan of the Hundred Eyes. Hathaway, who liked Welles, later said the casting was poor, with Welles purposely outwitting people during shooting. While in England making The Third Man, Orson Welles became acquainted with Harry Alan Towers. Towers was a thirty-year-old radio producer whose company, Towers of London, was heavily into syndicated productions in British, American, Australian, and Canadian markets. His anthology series Secrets of Scotland Yard had proven that there was a lucrative market for high-end entertainment and, in Welles, he saw a personality and a talent that could quickly make his production company a leading one. Towers and Greene had the same literary agent. Finding out that Greene hadn't sold Harry Lime's character rights when he sold the screenplay, Towers quickly bought the rights to the character with plans to put a syndicated radio series into production. Welles signed with Towers to produce The Adventures of Harry Lime. They were prequel stories showcasing some of the more good-hearted things Harry Lime was supposed to have done. Only sixteen of the episodes were acquired and broadcast by the BBC. It was the first time that the BBC broadcast episodes of a dramatic series that it did not produce. The full fifty-five episodes were syndicated to radio stations in the U.S. Welles is credited as the author of ten scripts, including the first episode, “Too Many Crooks” which aired on August 3rd, 1951. The fifth episode was called, “Voodoo,” something Orson Welles had a lot of experience with, dating back to his time in South America during World War II.

Jackie and Greg take chase in the sewers of post-war Vienna for Carol Reed's THE THIRD MAN from 1949. Topics of discussion include the famous zither score by Anton Karas, the allure of post-WWII cinema, the effect of unknowable characters, and the influence Orson Welles had on the finished film.#73 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#63 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Der Filmklassiker „Der Dritte Mann“ führt uns ins Wien der Besatzungszeit. Die Stadt liegt in Trümmern und moralisch am Boden. Amerikaner, Russen, Engländer und Franzosen teilten die Stadt in vier Zonen. Innerhalb der Ringstraße gibt es eine fünfte Zone, wo die fremden Mächte abwechselnd das Sagen haben. Das war ideal für Gangster wie Harry Lime, die Hauptfigur des Films, gespielt von Orson Welles. Bei einer Verfolgungsjagd im weitverzweigten Wiener Kanalsystem wird er schließlich erschossen. „Der Dritte Mann“ ist eine britische Produktion, gedreht 1948 im zerbombten Wien, und ein Welterfolg. Nur in Österreich, wo der Film 1950 Premiere hatte, war man nicht begeistert. Warum? Liegt es an der deutschen Synchronisation, oder daran, dass die Wienerinnen und Wiener das Elend ihrer Zeit nicht sehen wollten? Das private Dritte Mann Museum nahe dem Naschmarkt ist seit vielen Jahren ein Tourismusmagnet für internationale Gäste. Es ist ein Filmmuseum und zugleich ein Museum der Geschichte Wiens. Gezeigt werden unzählige Originale von der Zither des Anton Karas, der für die Filmmusik das berühmte Harry-Lime-Thema gespielt hat, bis zu Bildern eines privaten Fotografen, der unsere Stadt in den Tagen der Befreiung rund um den 11. April 1945 festgehalten hat. Für radio klassik führen die beiden Museumsmacher Karin Höfler und Gerhard Strassgschwandtner durch ihre Ausstellung. Sie erklären die Hintergründe zum Film und geben Einblick in die Tiefen Wiens und seiner Geschichte. Ein radio klassik-Kulturausflug gestaltet von Stefanie Jeller. Mittwoch, 26. August 2020, 17.30-17.55 Uhr. Link: Das „Dritte Mann Museum“ http://www.3mpc.net/ Geöffnet samstags von 14.00-18.00 Uhr, private Führungen nach Vereinbarung.

The Lives Of Harry Lime - The Third Woman From-1951 Stars-Orson Welles & Anton Karas plays the zither During the war, Corporal Lime is ordered to a tailor on Saville Row for three suits, and told to report to the Savoy Hotel for a special assignment, with the rank of Colonel. All through his military career Corporal Harry Lime had never been able to force himself to be fond of the brass. You've got have the army you've got to have the brass but Lime didn't honestly see why.

Shellac Stack No. 271 gives you a couple nights in June. We visit the “Cafe Mozart” with Anton Karas; dance with Gene Rodemich, the Ipana Troubadours, and Willie Creager; and enjoy some fine jazz courtesy of the Metronome All-Stars, pianist Johnny Wittwer, and Cyril Watts and His Jazzmen. More too! Thank you for supporting the … Continue reading »

15/02/22 programa 122 Nuestro veterano Rudy radio Jock Pep Llambies presenta la primera entrega de su interesantísima serie sobre Musica Pop que nos ha acompañado y alegrado la vida en las salas cinematográficas desde nuestra infancia y hasta hoy dia.. En la entrega de hoya hasta los años 70.. PLAYLIST #122 - POPCINE: The Third Man Theme (de El tercer hombre / ANTON KARAS (cabecera) Johnny Guitar (de Johnny Guitar) / PEGGY LEE Pocket Full Of Rainbows (de G.I. Blues) / ELVIS PRESLEY Moonriver (de Breakfast at Tiffany's) / HENRY MANCINI Theme from Zorba The Greek (de Zorba The Greek) / MIKIS THEODORAKIS My Little Red Book (What's New Pussycat? ) / MANFRED MANN Don't Make Waves (de Don't Make Waves) / THE BYRDS Mrs. Robinson (de El graduado) / SIMON & GARFUNKEL Hey Bulldog (de Yellow Submarine) / THE BEATLES A Little Less Conversation (de Live a Little Love A Little) / ELVIS PRESLEY Bullitt (Main Title) (de Bullitt) / LALO SCHIFRIN Nothing To Lose (de The Party) / CLAUDINE LONGET Wandering Star (de Paint Your Wagon) / AMERICAN WEST ORCHESTRA Raindrops Keep Falling On My Head (de Dos hombres y un destino) / B.J. THOMAS Ballad Of Easy Rider (de Easy Rider) / THE BYRDS Everybody's Talking (de Midnight Cowboy) / HARRY NILSSON (Tema de cierre) Desde la promotora musical RUDY SESSIONS hace algún tiempo estamos intentando activar la escena musical de la isla con nuestros conciertos de carácter internacional. Todos los martes de 20 a 21 horas les haremos partícipes de nuestro amor por la música con programas en los que varios de los socios pincharán sólo buena música de variados estilos (pop, rock, rhythm & blues, power pop, garaje, groove, folk, etc.)

Featuring special guest Natalie Marlin (https://twitter.com/NataliesNotInIt)! THE THIRD MAN is often cited as one of the greatest movies of all time, an expressionist noir that mixes style, form, and zeitgeist to paint postwar Vienna with sharp chiaroscuro that spotlights wanton interventionist masculinity and hides sinister motivations in the shadows. It is also an incredibly entertaining watch today, which makes its twists and turns fun to follow some 70 years after its release. With Natalie, we search the nooks and crannies of this classic tale with a take that considers the men at the center of the story, the place that plays stage to their game of cat and mouse, and the people who wish to call it home again. Find more of Natalie's work here: - https://twitter.com/NataliesNotInIt - “Ranking Every Animal Collective Album” at Paste: https://www.pastemagazine.com/music/animal-collective/albums-ranked-time-skiffs/ - Indieheads Podcast on Apple Podcasts: https://podcasts.apple.com/us/podcast/indieheads-podcast/id963583140 Links: - Buy tickets to “Carol Reed: The Odd Man Out” (February 2022 at the Trylon): https://www.trylon.org/films/category/carol-reed-the-odd-man-out/ - Buy tickets to “Elegy for a Master: Late Kurosawa” (February 2022 at the Trylon Cinema): https://www.trylon.org/films/category/elegy-for-a-master-late-kurosawa/ - Buy tickets to “Anime's Great Genius: Satoshi Kon” (March 2022 at the Trylon Cinema): https://www.trylon.org/films/category/animes-great-genius-satoshi-kon/ - Buy tickets to “Ishirô Honda's Godzilla” (May 2022 at the Trylon Cinema): https://www.trylon.org/films/category/ishiro-hondas-godzilla/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "The Third Man" theme by Anton Karas from the THE THIRD MAN soundtrack.

Orson Welles Stars 1951 "See Naples and Live". Harry plans to heist a beautiful emerald locket from a Neapolitan socialite. Anton Karas plays the zither.

Join us for another week of How Have You Not Seen as we discuss Carol Reed's 1949 British film noir 'The Third Man.' We fawn Anton Karas' use of the Zither, Corey discovers he doesn't know what Orson Welles looks like LIVE on air, and Carson jokes that this might be the best episode of Spongebob ever made. It's a REAL GOOD TIME. Follow us on Social Media- Facebook- www.facebook.com/HHYNSPodcast Twitter- @hhynsmovies Instagram- @hhynsmovies Letterboxd- HHYNSPod Patreon- Patreon.com/hhynspod Thank You to our Patrons- Caitlin Matthews, Stephen Woosley, and Neehar Phadke.

Welcome to Reel Britannia-a very British podcast about very British movies ...with just a hint of professionalism. A very special episode this week as we celebrate our 4th birthday as well as our 100th episode. Joining us is our good friend Anthony from the Glass Onion: On John Lennon podcast to chat about one of the greatest British movies of all time Join us we take a look at The Third Man (1949) starring Joseph Cotton, Trevor Howard and Orson Welles Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime—and thus begins this legendary tale of love, deception, and murder. Thanks to brilliant performances by Joseph Cotten, Alida Valli, and Orson Welles; Anton Karas's evocative zither score; Graham Greene's razor-sharp dialogue; and Robert Krasker's dramatic use of light and shadow, The Third Man, directed by the inimitable Carol Reed, only grows in stature as the years pass. “Don't be so gloomy. After all, it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long, Holly.” https://www.youtube.com/watch?v=5VvXKm2deh0 You can find this and all our previous episodes at: Apple Podcasts Libsyn Player FM Podtail Owltail ListenNotes Follow us on Twitter @rbritanniapod Join us over at our Facebook Group ….we'd love to chat with you email: reelbritannia@gmail.com You can listen to Glass Onion: On John Lennon at https://podcasts.apple.com/gb/podcast/glass-onion-on-john-lennon/id1473867166 Join Anthony for Film Gold at https://podcasts.apple.com/us/podcast/film-gold/id1544641271 #thethirdman #orsonwelles   Thanks for listening Scott and Steven  

Download the episode. Front Row Classics closes out April with one of the greatest noir/mystery thrillers ever made. Brandon and Eric are joined by first time guest, Rahul Ragunathan, to discuss this timeless piece of cinema. Among the discussion topics are: Sir Carol Reed’s use of the camera, Anton Karas’ unique zither score and Orson … Continue reading Ep. 71- The Third Man →

Download the episode. Front Row Classics closes out April with one of the greatest noir/mystery thrillers ever made. Brandon and Eric are joined by first time guest, Rahul Ragunathan, to discuss this timeless piece of cinema. Among the discussion topics are: Sir Carol Reed’s use of the camera, Anton Karas’ unique zither score and Orson … Continue reading Ep. 71- The Third Man →

Vienna, 1949. Still ravaged by the ravages of the second World War, the once beautiful city is bruised and battered but still standing, hints of her former glory still present even as the Americans, British, French, and Soviets portion her up. This is the stage for the Third Man, British Noir excellence which has been ranked as variously, "the greatest British film of all time" and "the second best British film ever" ... so it's really good! We explore the twisty world of Harry Lime and chums and along the way learn a little bit about what it was like to make a film in the true golden age of cinema. Intro Music: Harry Lime Theme, Anton Karas, ℗© 1997 Elite Special Outro Music: Holly Gets Drunk at the Casanova Club, Anton Karas, © 2017 Stage & Screen --- Send in a voice message: https://anchor.fm/wdawkt/message

Boo! It’s a word designed to scare… or to heckle a comedian. Somehow both definitions apply this week as Craig tackles his ultimate fear by watching two notoriously awful Twilight Zone comedies (“Mr. Bevis” and “Cavender is Coming”), and honestly, what’s more terrifying than that? It’s a Hallowe’en episode with a smile. Oh wait, that’s not a smile…. that’s a frozen mask of abject terror. Boo! Twitter: @ZoneCraB facebook.com/zonepod/   Theme: “Neither Here Nor There (Very Hairy Variant)” by Twin Loops “Opus 185: Descent” composed and performed by Sigmund Krähe (copyright Sigmund Krähe) “Yakety Sax” (aka The Benny Hill Theme) performed by Ronnie Aldrich and His Orchestra “The Wild Bunch: Main Title” composed and conducted by Jerry Fielding (from The Wild Bunch Original Motion Picture Soundtrack, copyright 1968 by Warner Records Inc.) “The Third Man Theme” (aka “The Harry Lime Theme”) performed by Anton Karas (single, copyright 1949 by Decca Records) “Everybody Wants to Rule the World” performed by Tears for Fears (from the album Songs from the Big Chair, copyright 1985 by Phonogram/Mercury Records) “Firewater” performed by The Astronauts (from Surf Party: The Original Soundtrack Album, copyright 1964 by 20th Century Records) “I’m So Glad We Had This Time Together” performed by Carol Burnett (probably copyrighted, I dunno)   The Twilight Zone is a trademark of CBS, Inc. Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.

In this episode, we discuss more films from 1950 that were not nominated for Best Picture at the 23rd Academy Awards. Check out www.gildedfilms.com and follow us on Facebook, Twitter, Instagram, and Letterboxd for more episodes and content! The theme music provided for this podcast was composed by Joshua Arnoldy, and the music from “The Third Man” was composed by Anton Karas. Beginning - Stats on films we watched 4:35 - A Song of Love (Un Chant d’Amour) 13:45 - Outrage 24:45 - The Asphalt Jungle 35:05 - Harvey 47:45 - Caged 58:00 - The Third Man 1:10:35 - In a Lonely Place 1:18:35 - Honorable Mentions 1:32:45 - Personal Awards

Vandaag ruim aandacht voor prachtige muziek uit de Muscle Shoals Studios. En je hoort de mooiste instrumentals van o.a. Toots Tielemans, Anton Karas, The Champs en David Rose.

Vandaag ruim aandacht voor prachtige muziek uit de Muscle Shoals Studios. En je hoort de mooiste instrumentals van o.a. Toots Tielemans, Anton Karas, The Champs en David Rose.

Songs include: The Thing, The Third Man Theme, Be My Love, La Viv En Rose, I'm Movin On, Frosty the Snowman, Mona Lisa and The Hot Canary. Performers include: Phil Harris, Patty Page, Edith Piaf, Hank Snow, Anton Karas, Mario Lanza, Nat King Cole and Gene Autry.

A couple of weeks ago, New York Attorney General Eric Schneiderman was brought down by the fact that he was a disgusting and abusive scumbag to women, all the while presenting himself as a progressive feminist champion. In the #MeToo era, this kind of hypocrisy is no longer surprising. Along with Trump and Weinstein, Schneiderman is the latest mortal wound to the idea of white benevolence, especially white male benevolence. Teen, Oxford, and Mark talk about how this has freed Asian Americans to develop our own unique political and cultural viewpoints. Intro Voice Track: "Girl at a Bar" from Saturday Night Live Outro Music: "Harry Lime Theme" by Anton Karas from The Third Man (1949, dir. by Carol Reed) Outro Voice Track: Eric Schneiderman talking about Weinstein investigation TWITTER: Teen (@mont_jiang) Mark (@snbatman) Oxford (@oxford_kondo) REFERENCED RESOURCES: Why Has The #MeToo Movement Spared Woody Allen?: http://www.latimes.com/opinion/op-ed/la-oe-farrow-woody-allen-me-too-20171207-story.html Four Women Accuse New York's Attorney General of Physical Abuse: https://www.newyorker.com/news/news-desk/four-women-accuse-new-yorks-attorney-general-of-physical-abuse Korea? It's Always Really Been About China!: https://www.counterpunch.org/2017/09/22/korea-its-always-really-been-about-china/ Asian Fetish Or "Yellow Fever" Is Causing A Stir At NYU: https://t.co/uJMp95aPVq The Alt-Right's Asian Fetish: https://www.nytimes.com/2018/01/06/opinion/sunday/alt-right-asian-fetish.html Yellow Fever: https://thenewinquiry.com/yellow-fever/ Podesta emails re Asians: https://wikileaks.org/podesta-emails/emailid/16031 #AsianReadingList: https://twitter.com/search?q=%23AsianReadingList&src=typd Did Trump Kill "Master of None"?: https://planamag.com/master-of-nones-failed-liberalism-a-chance-for-asian-american-progress-21ac11c50a69 What If Asian American Men Fall To The Alt-Right?: https://planamag.com/what-if-asian-american-men-fall-to-the-alt-right-3b392495786 Menelaus vs Paris from "Troy": https://www.youtube.com/watch?v=eS9kqq6PNnQ "The Shock Doctrine" by Naomi Klein: https://www.amazon.com/Shock-Doctrine-Rise-Disaster-Capitalism/dp/0312427999 "Orientalism" by Edward Said: https://www.amazon.com/Orientalism-Edward-W-Said/dp/039474067X/ref=sr_1_1?s=books&ie=UTF8&qid=1526858459&sr=1-1&keywords=orientalism "The Big Aiiieeeee!" (includes "Come All Ye Asian American Writers of the Real and the Fake") by Frank Chin: https://www.amazon.com/Big-Aiiieeeee-Frank-Chin/dp/0452010764/ref=sr_1_8?s=books&ie=UTF8&qid=1526858427&sr=1-8&keywords=frank+chin "The Bonfire of the Vanities" by Tom Wolfe: https://www.amazon.com/Bonfire-Vanities-Tom-Wolfe/dp/0312427573 "I Am Charlotte Simmons" by Tom Wolfe: https://www.amazon.com/I-Am-Charlotte-Simmons-Novel/dp/0312424442 Champagne Sharks episode with Kenyan sex trade segment in intro: https://soundcloud.com/champagnesharks/cs-087-the-throwaway-people-pt-3-04032018

On this week’s Technicolor Jesus, Adam and Matt welcome Brennan Breed, Assistant Professor of Old Testament at Columbia Theological Seminary to talk about the perils of modernism, post-war Europe, Amos’ Day of the Lord and the 1950’ classic The Third Man. Set in post-war Vienna, The Third Man follows the naive and earnest Holly Martins as he tries to unravel the mysterious death of his friend Harry Lime. Written by Graham Greene, directed by Carol Reed, and scored by Anton Karas and his famous Austrian zither, The Third Man feels as fresh as ever. It’s ideas about diplomacy, international collusion, American exceptionalism, and the curse of the past are still relevant. In our first segment, Brennan leads a discussion about how American tropes and grand narratives fail to make sense of the post-war Vienna and how tempted the church is to impose pre-built narratives onto foreign stories. In the second segment, Adam and Matt talk with Brennan about the week’s lectionary passages. The discussion touches on Amos’ understanding of the day of the Lord, the craven moral justifications of Harry Lime, and Joshua’s covenant as a paradigm for communal living in the wake of fractured optimism. Finally, Adam looks to some hasidic brothers for guidance, and Matt learns a history lesson from Thor: Ragnorok. So this week, we invite you out of the shadows to proclaim your love for the cuckoo clock, it’s time for another Technicolor Jesus.

Shellac Stack No. 73 welcomes a new year with selections by Raymond Scott, Rawicz and Landauer, Anton Karas, Sister Slocum, and more. We listen to some rare 1930s swing bands from C. P. MacGregor transcriptions and slip in a 100-year-old record of a Cole Porter song.

It's Vienna, 1949, Holly Martins steps off a train and into a mystery, full of intrigue and backstabbing. Is it just another day at the office for Mr. Martins? No way, he's a clueless American writer of pulp westerns. He's completely out of his depth and that's the fun of the movie. It unravels before our eyes in glorious black and white with the incomparable zither score by Anton Karas. Directed by Carol Reed, with an all star cast of Joseph Cotten, Orson Welles, Trevor Howard, and Valli, the movie is a true masterpiece of film-making. Not everyone agrees with this assessment, just read through some of the IMDB forum posts. That's alright, Bob and I certainly enjoyed it. And we hope you enjoy this episode of Classic Movie Reviews.

This week on Alcohollywood, we grab our zithers and wander back to post-WWII Vienna for Carol Reed’s noir classic The Third Man! Starring Joseph Cotten and Orson Welles, the film follows writer Holly Martins (Cotten) who works to unravel the mystery behind the assumed death of his friend Harry Lime (Welles), finding romance, mystery and intrigue along the way. The film’s cinematography is second to none, and Anton Karas’ inimitable zither score has become one of the most recognizable pieces of music in cinema history; Welles, Cotten and the rest of the cast are equally superb. If you haven’t seen it, the film is well worth a watch. When you do, be sure to listen to our review and try out our custom cocktail and drinking rules!

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.THIS EPISODE:January 18, 1952 - The Double Double Cross -  Lang-Worth syndication. A Love Affair. Commercials added locally. In a remote Saudi Arabian town, Harry finds a murder and a double-cross in oil. Harry has the oil concession rights and two foreign agents set to buy. Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 27:00.

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special. THIS EPISODE: September 28, 1951. Program #9. Lang-Worth syndication. "Work Of Art". Commercials added locally. In Buenos Aires in July, 1944, Harry is hired to swindle an original Rubens from its beautiful owner. Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 27:13.

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.THIS EPISODE:October 19, 1951. Program #12. Lang-Worth syndication. "Blue Bride". Commercials added locally. Harry's involved in a counterfeiting scheme in Bordeaux. Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 26:34.

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.