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https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

This week, an interview we just conducted with Madeleine Wattenbarger and Axel Hernández of the Cooperativa de Periodismo in Mexico and Ambar Ruiz of Radio Zapote about the case of autonomous resistance and repression in the Mazateca community of Eloxochitlán de Flores Magón in Oaxaca, Mexico, so named for being the birthplace of the Cipriano Ricardo Flores Magón, revolutionary Mexican anarchist who was murdered by medical neglect by the US prison system in 1922 (check out our 2022 episode on the history). We talk about the rise to economic and political power of the family of Manuel Zepeda and his daughter Elena, their weaponization of the judiciary against community defenders resisting a hijacking in 2014 of the traditional community assembly and the years of organizing by Mazateca women whose loved ones face long prison sentences. We also speak about the case of Miguel Peralta, a Mazateca anarchist challenging his 5 decade sentence related to this case, as well as the recent murder by medical neglect while in prison of militant anarcho-punk Yorch Esquivel at the hands of the Mexican state at the behest of UNAM. Media mentioned: Observatorio Memoria y Libertad: https://observatoriomemoriaylibertad.org Facebook and Instagram Radio Zapote: https://radiozapote.org/ Avispa Midia: https://avispa.org/en/ Cooperativa de Periodismo Instagram and Youtube: https://www.instagram.com/chingadamadrx/ Cooperativa de Periodismo Youtube: https://www.youtube.com/channel/UCSIrcSb3v_q8hxD1iqulLSw Groups to follow: Mazatecas Por Libertad (facebook) Presos Politicos de Eloxochitlan de Flores Magon (facebook) Further reading: "A Oaxacan Indigenous Community Fights a New Round of Bogus Charges," NACLA "Communal care, backbone of resistance in Oaxaca," Ojalá Excerpts of our translation of the MANIFESTO OF THE FEMALE SELF-DEFENSE FORCES IN SUPPORT OF FREEDOM (June 2023, translated & narrated): https://ahuehuete.substack.com/p/eloxochitlan And finally, a letter from Miguel Peralta to Yorch, narrated by Miguel Peralta Announcements Xinachtli Phone Zap Continues First up, Chicano anarchist prisoner Xinachtli (state name Alvaro Luna Hernandez) was transferred on December 23rd from a hospital in Galveston back into solitary at McConnell Unit in Texas as punishment for the call-in campaign. He's still lacking access to an ADA-accessible bathroom and shower unit and has not had his property or commissary card returned. According to his supporters, Xinachtli is still experiencing weakness in his legs and has now been forced back into a completely inaccessible space, where he faces a serious risk of another life-threatening fall or injury. Xinachtli's supporters demand remains: Xinachtli must be moved out of McConnell into an ADA-accessible facility that can address his medical needs. McConnell has already proven it can't and won't provide adequate resources to care for Xinachtli in his current state. They are putting his life in danger. Updated phone blast at https://bit.ly/xphoneblast Instagram at @FreeXinachtliNow McConnell Unit: +1 361 362 2300 McConnell Unit Director Angela Chevalier +1 361 362 6328 TDCJ Executive Director: +1 936 437 2101 To learn more about his case, check out our interview with Xinachtli from late 2024, or the earlier recording of him telling the story of his case. Prisoners for Palestine Hunger Strike Continues Four members of the Prisoners for Palestine collective, which we covered in our November 30th 2025 episode, continue their hunger strike with 3 of them at around or beyond 60 days without food as of this recording. As the situation is shifting daily, we suggest you get updates for ways to provide solidarity and the current demands of the hunger strikers at PrisonersForPalestine.org Imam Jamil Al-Amin, Presente! Revolutionary Jamil Al-Amin, formerly known as H. Rap Brown, returned to the ancestors on November 23, 2025 after 25 years in federal prison. The Imam was convicted in 2002 for the murder of a sheriff's deputy and Al-Amin continued to be incarcerated despite the video-taped confession of another man with the means and the motivation for the killing. You can find a brief writeup and further readings, right before notes about the state murder by medical neglect of Yorch in the December 10th issue of In Contempt Stop Cop City RICO Dismissed Judge Farmer finally decided to dismiss the RICO charges against the 61 defendants in the Stop Cop City case on the grounds that they were filed improperly. This doesn't remove the domestic terrorism or arson charges against some remaining defendants, and the state says it will refile the RICO charges but for now that's a little off our comrades' plates. To learn more, check out our latest episode on the subject from October. Jessica Reznicek In Transitional Housing Catholic Worker and pipeline saboteur Jessica Reznicek has entered transitional housing and left prison, proper. You can read her address to the public at the ABCF website. To hear an interview on her case, check out the one linked in our shownotes. You can write directly to Jess at: Fresh Start Women's Center (Women's Residential Correctional Facility) 1917 Hickman Rd, Des Moines, IA 50314 Northumberland 2 Has Some Charges Dismissed Judge Rosini dismissed 11 charges total between defendants Cara and Celeste—including one count of ecoterrorism and several misdemeanors. The two friends from Massachusetts were accused of liberating hundreds of minks from a fur farm in PA that kills thousands of minks every season. As Phily Anarchist Black Cross says: There is a pretrial conference in February. After that will come trial. While this is big and exciting news, the case isn't over yet. Cara and Celeste still have many charges to fight. Trial will come with extra costs on top of the other legal fees. You can donate and learn more at phillyabc.org/nu2 Prairieland Defendants Trails Scheduled Finally from DFW Support Committee: A date has been set for the start of the Prairieland Defendants' federal jury trial: February 17th! We have been told by multiple lawyers this date is very unlikely to change. The North Texas federal court circuit in Fort Worth is well know for being fast and firm with trial dates. Also, Dario Sanchez's state trial is set for 1/12 in Johnson County. This is not a lot of time! We're calling on supporters everywhere to do everything you can to help the defendants get the best defense possible. That means continued fundraising for expert witnesses and other trial expenses, writing letters to keep their spirits up, and raising awareness to highlight the importance of this case. If you're able to come to DFW for the trial please do! We will have other concrete asks soon, so please stay tuned! Letter writing info is available at: https://dfwdefendants.noblogs.org/getinvolved/ Fundraiser links: https://www.givesendgo.com/supportDFWprotestors https://www.gofundme.com/f/get-artist-des-revol-an-immigration-attorney https://www.gofundme.com/f/help-maricelas-family-while-she-fights-for-justice . ... . .. Featured track: De Cara A La Pared by Lhasa from La Llorona  

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

 In this episode of Cashflow Legendz, we dive into one of Zig Ziglar's most powerful concepts from See You at the Top: being a “Prisoner of Hope.” Zig teaches that hope isn't wishful thinking—it's a disciplined mindset rooted in belief, purpose, and expectation. And when it comes to building wealth, cash flow, and long-term freedom, your mindset is either compounding your results… or quietly sabotaging them. The guys break down how your self-image, expectations, and daily thoughts directly influence financial decisions, risk tolerance, and consistency. If you don't believe a better financial future is possible, you'll unconsciously create ceilings you never break through. Top Takeaways from This Episode: Why hope is a strategy, not an emotion, and how it fuels long-term wealth building How your self-image dictates your income level more than your skillset The danger of becoming a “prisoner of circumstance” instead of a prisoner of hope How expectations shape financial behavior, investing discipline, and patience Practical ways to reprogram your mindset to support cash flow, legacy, and freedom This episode challenges you to examine whether your current financial reality is a reflection of external limitations or internal beliefs. Because once you change how you see yourself, you change what you believe is possible.  

Divorces in Czechia to become simpler and cheaper in 2026, Over 300 prisoners were released in Czechia on New Year's Day, Cynthia Paces on her new book 'Prague: The Heart of Europe'

This is a Grave Talks CLASSIC EPISODE! For decades, death was an unavoidable presence inside Nevada State Prison. From executions carried out by lethal gas and lethal injection to the daily realities faced by inmates and staff, the prison became a place where final moments were witnessed again and again. Though the facility officially closed in 2012, many believe its story didn't end there. In this episode of The Grave Talks, we explore the history and ongoing reports of paranormal activity at Nevada State Prison. Former staff, inmates, and investigators have described unexplained voices, shadowy figures, and disturbing encounters throughout the prison—from the mess hall to the shower rooms and beyond. This conversation examines how repeated trauma, confinement, and execution may leave an imprint long after the doors are locked—and why some believe the spirits inside never truly served their final sentence. This is Part Two of our conversation. #TheGraveTalks #NevadaStatePrison #HauntedPrison #ParanormalHistory #TrueParanormal #HauntedLocations #AfterlifeQuestions #ParanormalPodcast Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

01-01-26 - Mexican Prisoner Kills Visiting Family In Jail - BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

01-01-26 - Mexican Prisoner Kills Visiting Family In Jail - BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textIn this episode, we are discussing  Harry Potter and the Prisoner of Azkaban Chapter 22. We have renamed the chapter "Snape gets mad, and Lupin quits, The End"Support the show and get some cool bonuses (Including videos!)  (https://www.patreon.com/PotterChat)Follow us on Facebook (https://www.facebook.com/PotterChatPodcast)Join the discussion in our Facebook group (https://www.facebook.com/groups/246834503246058)Follow us on Instagram (https://www.instagram.com/potterchatpodcast)Follow us on Twitter (https://twitter.com/potter_podcast)Support the show

This is a Grave Talks CLASSIC EPISODE! For decades, death was an unavoidable presence inside Nevada State Prison. From executions carried out by lethal gas and lethal injection to the daily realities faced by inmates and staff, the prison became a place where final moments were witnessed again and again. Though the facility officially closed in 2012, many believe its story didn't end there. In this episode of The Grave Talks, we explore the history and ongoing reports of paranormal activity at Nevada State Prison. Former staff, inmates, and investigators have described unexplained voices, shadowy figures, and disturbing encounters throughout the prison—from the mess hall to the shower rooms and beyond. This conversation examines how repeated trauma, confinement, and execution may leave an imprint long after the doors are locked—and why some believe the spirits inside never truly served their final sentence. #TheGraveTalks #NevadaStatePrison #HauntedPrison #ParanormalHistory #TrueParanormal #HauntedLocations #AfterlifeQuestions #ParanormalPodcast  Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

In which we discuss Dean's harshest words, the opposite of "Yes And," and the right time to burn down the Bunker. SPOILERS for ALL seasons! Looking for earlier episodes? Find our back catalogue here: https://directory.libsyn.com/shows/view/id/theplaidcast We would love to hear from you! Email: theplaidcast@gmail.com Facebook: www.facebook.com/groups/theplaidcast

Jim, Jack and Isaac review two games in a week yet again; Arsenal away in the cup and Tottenham at home in the league to round off a rough end to 2025. They also discuss set pieces, long throws, some selection issues and more. They dish out more 321 points and review your predictions for 2026. Sign up to buy tickets to Jim's 2026 UK Tour here: ⁠https://mailchi.mp/a4ed48e88aa2/jdfc⁠ Join the FYP Clubhouse for extra episodes, match previews, post match reviews, early access to live podcast tickets and more: ⁠⁠⁠⁠patreon.com/fyppodcast⁠⁠ facebook: FYPFanzineinstagram: @fypfanzinebluesky: @fiveyearplan.bsky.socialtiktok: @fiveyearplanpodcasttwitter: @fypfanzine⁠⁠⁠⁠⁠⁠⁠ ⁠⁠email: contact@fypfanzine.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Het moet nog 2026 worden, maar op de transfermarkt zijn de inleidende beschietingen - of beter gezegd: het vuurwerk - al in volle gang. Daarom zijn we er met #DoneDeal per direct weer twee keer per week. In deze aflevering: Ajax en de sensationele race om Quilindschy Hartman, Jordi Cruijff en de zoektocht naar een nieuwe trainer, Peter Bosz en zijn PSV-dilemma, de meest ‘vergetelijke’ Feyenoord-transfer van dit jaar én de miljoenenjacht op Kees Smit. Check nu de nieuwste aflevering van #DoneDeal!See omnystudio.com/listener for privacy information.

It's the year 386 and we are in Antioch. Tensions are rising along with political corruption and taxation. Early church father John Chrysostom (aka "Golden-Mouth") isn't having it. He's about to deliver a sermon so fire that prison gates are going to be swung wide open. Join us in our year's final episode as Summer tells the story of one of the most famous sermons in all of church history! The post The Sermon That Set the Prisoners Free appeared first on Sheologians.

Sabbath School panel discussion and insight by 3ABN pastors and teachers. This podcast episode follows 2026 quarter 1, lesson 1 of the adult Bible study guide book. This quarter's book topic is “Uniting Heaven and Earth. Christ in Philippians and Colossians”, and this week's Sabbath School lesson is titled “Persecuted but Not Forsaken”. Join us every week for a fresh and relevant study of the word of God.  Reading: Eph. 3:1; 2 Cor. 4:7–12; Acts 9:16; Philem. 15, 16; Col. 4:9; Phil. 1:1–3; Col. 1:1, 2. Memory Text: “Rejoice in the Lord always. Again I will say, rejoice!” (Philippians 4:4, NKJV). (December 27 - January 02)  Sunday – Jill Morikone - Paul, the Prisoner of Jesus ChristMonday – John Dinzey - Paul in ChainsTuesday – Shelley Quinn - Paul in PhilippiWednesday – James Rafferty - Paul and ColossaeThursday – John Lomacang - The Churches of Philippi and Colossae Want the Panelists' notes? You can sign up here: https://3abnsabbathschoolpanel.com/notes/  Questions or Comments? Email us at mail@3abn.org Donate: https://3abn.org/donate-quick.html

In this episode, KyLee and Darcy share a few holiday highlights, then KyLee sits down with author Julie Klassen to talk about research, faith, and her latest Regency release. Key takeaways Holiday traditions can be simple, and still feel special. Teachers and read-aloud stories can shape a reader and a writer for life. Julie Klassen weaves themes of grace, forgiveness, and second chances into her fiction. Real places and local legends can add weight and texture to historical novels. Whispers at Painswick Court blends romance with gothic atmosphere and a murder plot. Holiday baking, hot chocolate, and an Instagram invite A Bookworm Review of The Lost Girl of Astor Street, Stephanie Morrill KyLee: Today I will be talking with Julie Klassen. Darcy will not be with us because she’s gone to spend some time with her family. We’re recording this beforehand, and Darcy, we are about 10 days until Christmas. I know you are full of Christmas cheer and doing tons of Christmas things. No, that is not true. Darcy and I were talking about how it feels like the season has not quite started because we have been so busy. However, there are a couple special things we would like to share with you. Darcy: The most Christmas-y thing I am doing this year is making hot chocolate over and over at the ice cream shop. I’m not complaining — I love hot chocolate. I love making it, frothing the milk and everything. I am really looking forward to visiting my sister for Christmas. She lives five hours away. We see each other regularly through the year, but I’m going to spend a whole week at her place with my younger sister. The three of us will be hanging out. She has to work, so we’ll probably be doing some reading during the day. I have a couple of Christmas novellas picked out, one by Rosanna White. I’m looking forward to relaxing and doing Christmas-y things after I get the chaos behind me. KyLee: Do you ever throw something in with your hot chocolate, or make it different? Darcy: I’m very classic. I like to stir it with a candy cane and let that slowly melt in. So it’s like a peppermint hot chocolate. KyLee: I only ask because I started baking while procrastinating on preparing for this episode. I had this idea to take peanut butter cookies, make them a little bigger, and put a Reese's cup in the middle. Like you put a chocolate kiss in the middle. We got Reese's cups and they were PB&J, which I’m not the biggest fan of. I thought, let's see if I can make this work. I get halfway through the recipe. I have my sugar out, shortening measured, flour measured, and I have no peanut butter. I do not know how this happened in my house. My oldest has a pretty severe allergy to milk that affects her esophagus. Finding things like proteins is something we’re constantly trying to do. I pulled out some plant-based chocolate protein powder and mixed that in with the cookies, then cooked them up. They are so good. They are a little heavy on the sugar. Along with having my daughter with this severe allergy, my husband has diabetes. So I rarely bake. I was procrastinating and it is Christmas time, so I broke that out. He tried them against my recommendation. He hates coconut, and since it is plant-based, it has coconut, so he does not want them. So it worked out. Darcy: I love that you are improvising with your holiday baking. This may be a new tradition. You might end up making these chocolate-protein-powder cookies every Christmas now. KyLee: They might be the start of a beautiful Christmas dessert. For our listeners, we are going to do something fun. Pop over to Instagram, on the Historical Bookworm Podcast page. On Instagram, it is Historical Bookworm Podcast, not Historical Bookworm Show. You will find a picture of my cookies, and Darcy, a picture of some hot chocolate. Darcy: Yes, absolutely. KyLee: We would love to see pictures of your sweet treats that you are making this holiday season. Now we are going to get on to the show with Julie Klassen. Meet Julie Klassen Julie Klassen loves all things Jane—Jane Eyre and Jane Austen. She worked in publishing for sixteen years and now writes full time. Three of her novels have won the Christy Award for Historical Romance. She has also won the Minnesota Book Award, the Midwest Book Award, and Christian Retailing's BEST Award. Julie is a graduate of the University of Illinois. She and her husband have two sons and live in St. Paul, Minnesota.  KyLee: Julie, welcome to the Historical Bookworm Show. Julie: Thank you, KyLee. I’m happy to be here. The most Jane Austen thing, besides tea KyLee: Tea drinking goes without saying for an Anglophile. What is the most Jane Austen thing, other than drinking tea, that you might incorporate into your daily life? Julie: True confessions, I do not drink as much tea as I’m probably alleged to do. I am a coffee drinker. Normally it is coffee in the morning, and then I might switch to tea. I just went to the Jane Austen Christmas and birthday party for my local Jane Austen Society of North America meeting and drank lots of tea. Today I drank lots of tea, but it’s not usual. I don’t incorporate a lot of things from the Regency era into my real life because I like my computer and technology. A few things I do. I love candles. I’m not a writer who writes with music or soundtracks, but I do love to burn sweet-smelling candles when I write. If we’re talking about Christmas, then I do love to go to church. We have candlelit services. Charity was very big in the Jane Austen time during Christmas in general. Those kinds of things I am a fan of, but I also like modern medicine and other ways of modern life. KyLee: I agree with you about the modern thing. There is something homey and romantic about candles. Aromatherapy would be great for when you are writing. Julie: I do enjoy it. Ordinary people who leave a lasting impact KyLee: Jane Austen's characters are average people with ordinary lives, often drawn from real life observations. Can you tell us about a time an ordinary person left a lasting impact on your life? Julie: There are a lot. I’ll name teachers. Mrs. Hayes read Jane Eyre to us out loud over several weeks in the sixth grade. That cemented my love of all things English, British literature. Even though I grew up in Illinois, she had a big impact on me. Later, Mrs. Mitchell, a high school writing English teacher, encouraged me in my writing. I am still connected with both of those women online, and I send them my books every year. KyLee: Teachers have a big impact on our lives. There is something special about having a story read aloud to you. It builds trust and imagination. I am a teacher, so I try to read out loud to my students often. I read to them every day. When my children were younger, I read out loud to them too. They don’t really let me do that anymore. How faith and writing intersect KyLee: Could you share a little bit about how faith and writing intersect for you? Julie: I came to Christ later, in my 20s. A lot of my books carry similar themes of grace, forgiveness, second chances, things that I appreciate in my own life. God was very generous to me and wooed me and called me and saved me when I was not interested in Christianity. I try to weave those kinds of things into my books. I have imperfect characters who make mistakes, because that is what I did and continue to do. I am grateful for His mercy, and I try to weave that into all of my books. KyLee: It makes sense that you would share those experiences. We write what we know. Real history, and writing historical fiction versus fantasy Is there anything especially interesting you haven’t covered in other interviews for this book? Julie: One of the things I love about being a historical writer is that, even though I am writing fiction, I love to base things on what was really happening. My book is set in a real place called Painswick in England. Someone praised me about how I continue to show great historical medical knowledge. I laughed because I have zero real medical knowledge, but it shows I have to do a lot of research. For this book, the main character is a surgeon's daughter. She is trying to serve as a sick room nurse to an older woman. It was a fun connection that Jenner, who came up with the smallpox vaccination, was related to Painswick. I did not know that when I made the setting there. It was interesting to include some real history about medical practices. I do a lot of research, but I am not a medical expert. KyLee: You do your research and write those characters and that story, and it takes off. Weaving in historical details makes a difference. I am a fan of fantasy too, but I like that historical fiction is anchored in the way it really was. Julie: In fantasy, you have to build that whole world. In historical, I have anchors, but you still have to build the world for the story. I don’t think I could be a fantasy writer. You would have to make up all your rules and keep track of it. KyLee: I would have to have lists of rules, then I would lose the list and find it a decade later on my computer. Julie: You and I have a similar organizational system. There are so many resources in historical. I can check if a word is too modern. I can see if Jane Austen used it. Whispers at Painswick Court KyLee: Let's talk about your latest release, Whispers at Painswick Court. Anne Loveday, a surgeon's daughter, is determined to live a single, useful life. To escape her matchmaking stepmother, she accepts an invitation from an old friend to return to Painswick, the place she and her sister spent many happy summers until that last, fateful year. Soon after arriving, Anne is asked to serve as sick-room nurse to Lady Celia, who forbade her nephew to marry Anne's sister years before. Pushing aside resentments, Anne moves into Painswick Court, a shadowy old house rumored to be haunted. Also in residence are Lady Celia's spinster daughter, her handsome adult nephews, and a secretive new lady's maid.  Two local doctors visit regularly as well, one of whom admires Anne while concealing secrets of his own. As an escalating series of mishaps befalls her patient, Anne realizes someone is trying to kill the woman. But who? When Anne finds herself a suspect and her determination to avoid romance challenged, can she discover the real killer—and protect her heart—before it's too late? KyLee: Somehow the title did not prepare me for the secrets to include a murder plot. Anne has medical knowledge at her disposal. Why has she set her heart on remaining single? A heroine committed to the single life Julie: Women in that time period, in general, their main goal was to marry and marry well. There were not a lot of options for women. Anne has gotten a taste of helping others and having a greater purpose than marriage. She thinks that because she has a sister who married in an arranged marriage and is unhappy. That’s been her example. Her young stepmother is trying to marry Anne off to completely inappropriate men. Men who are strangers, far too old, and not at all suitable. Men who want a wife and do not appreciate Anne's qualities. She’s determined that marriage is not for her. In that time period, many marriages were more like business arrangements. She does not want to marry for those reasons. She does not want to give up helping others and using the knowledge she has. The men interested in her would expect her to give that up to be their wife. KyLee: She found something she loves. Being pulled away from that would be heartbreaking. Julie: In a different world, she would have loved to be a doctor, a physician, a surgeon. She is smart enough and capable enough, but that was not an option for women. This is as close as she can get. The men in Anne's orbit KyLee: There seem to be several gentlemen of interest. Two nephews of Lady Celia, and a young doctor who admires Anne. Could you sketch a quick portrait of each? Julie: Anne and her sisters spent summers in Painswick because her grandparents lived there. She knows the two grown nephews from her younger days. One is very handsome and charming, and untrustworthy. Jude Dalby is the man her sister fell in love with years ago. His aunt said no, you are not going to marry this surgeon's daughter with very little money. So Anne has resentment toward him. The other nephew is a former military man. They were friends. He takes a shine to her and vice versa, but it is more of a friendship. There are actually two doctors in the story. Both doctors have secrets. The one who takes an interest in Anne has other stuff going on, so he cannot be forthcoming right away. Anne has to review her plan for her life. Sometimes God has other plans. She has to reevaluate if there is a way for her to have both marriage and purpose. KyLee: Which is the happily ever after we hope for. Julie: When you read a Julie Klassen book, you are going to have a happily ever after. It’s pretty much guaranteed. Gothic atmosphere, real legends, and place-based history KyLee: Did this book uncover any new historical tidbits, or give you an opportunity to weave in detail you had not shared before? Julie: There is poison involved, so I had to research those things. I love that the setting, Painswick, has real history I could weave in. The house I based it on is a real place with gothic legends surrounding it for generations. King Charles I stayed there, and people report seeing his ghost around the house and the adjacent churchyard. I am not that interested in ghosts except the Holy Spirit, but it is a well-known legend, and he really did stay in the house. The old house had jail cells in the basement because it used to be used as a courthouse. Prisoners were sent there. I love when I can take something real and weave it into the novel. I think it makes the world more believable and more real for readers. KyLee: Especially when there is somewhere they can go. If you can’t go to England, you can use street view and at least have an idea of what it looks like. Julie: Painswick has a beautiful church and a churchyard that is famous. It has 99 yew trees, and there is legend around it. If they plant another to make it 100, one of the other ones will die, and they will have to cut it down. I did not know yew has lore around it. It is a symbol for eternal life. It is also used for poison. I love to weave in that symbolism. You can Google it and see beautiful pictures. KyLee: I did not know yew wood was poisonous either. That will be handy if it is part of the murder plot. What's next for Julie Klassen KyLee: What is next for your writing, looking forward to 2026? Julie: I turned in my draft for the 2026 novel. Most of my books have been standalone. Whispers at Painswick Court is a standalone, and the 2026 book is also a standalone. It’s not a murder mystery, per se, but it’s a romantic story set on the coast of North Cornwall. It has gothic elements, bumps in the night, rumors, smugglers, those kinds of good things. It’s more of a romance with those gothic elements. It’s set to come out in December of 2026. The title is The Widow of Woodlark Cottage. It’s about a woman who rents Woodlark Cottage on this estate. There are a couple of men with different agendas and a lot of other things going on. Connect with Julie: Newsletter, Pinterest, Amazon, Facebook, Twitter, Goodreads, and Instagram. Bookworm review: The Lost Girl of Astor Street by Stephanie Morrill In “The Lost Girl of Astor Street,” Stephanie Morrill combines a gusty heroine, chronic illness representation, a swoony detective, feuding mafia families, and raw emotion into a gripping YA mystery that'll keep readers guessing till the very end. Fans of first-person narratives will fall for Piper Sail's vibrant voice that practically zings off the page. Determined and devoted, Piper is a compelling character sure to win readers' hearts as they're immersed in her dualistic world of Chicago amid the Roaring Twenties. If you love to hunt for clues with gumshoes and amateur sleuths, join the search for The Lost Girl of Astor Street! Read more about Stephanie at her website. (www.stephaniemorrill.com) ~ Angela Bell, author of A Lady's Guide to Marvels and Misadventure If you enjoyed this episode, we hope you'll subscribe for more on your favorite listening platform, and join our newsletter (see the sidebar). Don't forget to share it with a fellow historical fiction reader! And if you really enjoyed this episode and would like to support, you can always buy us a coffee.

1 - Dance of the Robins - Sibyl Sanderson Fagan – 19212 - A Prisoner for Life - Jules Allen "The Singing Cowboy" – 19283 - My Hidden Treasure - Henry Burr – 19144 - Tunnel Through - Les Gotcher with Jack Carter and the Black Mountain Boys – 19525 - I'll Fly to Hawaii - Gus Edwards Orchestra - 19266 - Fly Away to Ioway - Muzzy Marcellino with Ted Fio Rito and his Orchestra – 19337 - Robins and Roses - Bing Crosby with Victor Young and his Orchestra - 19368 - Straighten up and Fly Right - Tiny Bradshaw and his Orchestra – 19449 - The Song Birds Are Singing of You - James McCool - 190510 - Birds of the Forest (Cornet and Trombone Duet) - Bohumir Kryl and Leroy Haines – 190311 - Tecoloro (Pajaro Que Nunca Vuela) - Estellas del Ritmo – 194812 - Vogel als Prophet -The Prophet Bird Op.82 No.7 Schumann - Moiseiwitsch, Benno (piano) – 194113 - Pennies From Heaven – Edward Malloy with Harry Roy and his Orchestra - 193514 - Can't We Be Friends - Scrappy Lambert with Red Nichols and his Five Pennies – 192915 - Mbube - Solomon Linda's Original Evening Birds - 193916 - When the Red, Red, Robin Comes Bob, Bob, Bobbin' Along - Al Jolson with Carl Fenton's Orchestra – 1926

Become a supporter of this podcast: https://www.spreaker.com/podcast/your-daily-portion-with-l-david-harris--2912188/support.About Your Daily PortionYour Daily Portion with L. David Harris is a Bible-centered teaching ministry committed to helping people engage Scripture daily with clarity and purpose. This program is a service of Your Daily Portion Ministries, Inc., and is made possible through the faithful support of listeners and viewers.If this teaching blesses you, consider supporting the work so it can continue reaching others around the world through radio, podcasts, and digital platforms.Support the ministry:

When you give the devil an inch, he becomes ruler in your life." — Elizabeth Davenport Join Pastor Jack King for a special live session featuring Randy and Elizabeth Davenport, the founders of Red Life Ministries. Based out of Kansas City, Missouri, this husband-and-wife team has dedicated their lives to traveling and ministering to those incarcerated in jails and prisons. In this conversation, Elizabeth shares her raw and powerful testimony of how Jesus set her free from a "junkie habit" that began at age twelve. Randy discusses his own journey of returning to the Lord after years of drifting and how he reinvented himself as a singer-songwriter to reach the "captive audience" behind bars. The episode features live studio performances of Randy's original songs, including "Prisoner's Praise" and "Follow You," which combine blues, rock, and country influences to deliver the Gospel message. Main Points of the Discussion: -- The transition from church laypeople to full-time prison ministers and the "boot camp" experience of preaching in noisy cell blocks. -- Elizabeth's miraculous transformation from a life of drug addiction to a powerful voice for Christ. -- Randy's story of backsliding and finding his way back to God's "reset button" in 1981. -- The concept of the "Inside Church" and how Red Life Ministries focuses on both "fishing" for the lost and "feeding" the believers within the prison walls. -- The role of creative arts and music in ministry, specifically using the guitar and harmonica to connect with inmates who share a love for southern rock and blues. Scriptures for Further Study -- John 10:10 (The thief comes to steal, kill, and destroy; Christ comes to give life). -- Psalm 107:14 (He brought them out of darkness and the shadow of death, and broke their chains in pieces). -- Matthew 4:19 (I will make you fishers of men). -- Matthew 25:36 (I was in prison and you visited me). Find more information about Red Life Ministries with Randy and Elizabeth Davenport here: http://www.redlifeministries.org/ This is episode 1255. ******* This is the radio program with the music removed. By the way, I have written a new book, and you can find it here: https://www.amazon.com/Dreams-Visions-Stories-Faith-Pastor/dp/161493536X

In this episode of Explaining History, Nick explores how different nations remember the Second World War, focusing on the stark contrast between American triumphalism and European melancholy.Drawing on Keith Lowe's brilliant book Prisoners of History, we delve into the cultural psychology behind monuments like the Iwo Jima Memorial. Why does America view its soldiers as "freedom warriors" and saints, while Europe often builds monuments to victims? We unpack the concept of "The Greatest Generation" and ask whether this mythology obscures the darker realities of the Pacific War.Nick also reflects on the "secular religion" of remembrance in Britain, the politicization of the poppy, and how the far-right has co-opted the memory of the war for modern nativist agendas. From the Blitz to Pearl Harbor, this episode examines how nations tell stories about themselves through stone and bronze.Plus: Stay tuned for updates on our upcoming live masterclasses for history students in early 2026!Key Topics:The Cult of Remembrance: How the poppy became politicized in 21st-century Britain.American Mythology: Why the US views WWII through a lens of heroism rather than trauma.Iwo Jima: The story behind the iconic photograph and the monument that immortalizes it.Monuments as Identity: How statues shape national narratives of victimhood and victory.Books Mentioned:Prisoners of History by Keith LoweThe Second World War by Antony Beevor (referenced contextually)Explaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.

TVC 719.2: Part 2 of a conversation that began a few weeks ago with author, essayist, novelist, and TV historian Mitchell Hadley (The Electronic Mirror, ItsAboutTV.com). Mitchell's latest book, Darkness in Primetime: How Classic-Era TV Foresaw Modern Society's Descent into Hell, is a series of essays that shows how certain episodes of such classic series as The Twilight Zone, The Outer Limits, Star Trek, and The Prisoner—all of which were originally written and broadcast in either the 1950s or 1960s—not only envisioned a society of 24/7 surveillance, thought control, disinformation, persecution, and loss of freedom, but portrayed those realities in ways that are disturbingly similar to the world that we currently occupy. Topics this segment include a look at The Brotherhood of the Bell (CBS, 1970), a made-for-TV movie starring Glenn Ford (adapted for television by David Karp, based on his novel The Brotherhood of Velvet, about a secret society that is bent on world domination) that is also a variation of the classic tale of Faust; and "Susan B. Anthony, I Love You," an episode of Petticoat Junction from February 1970 that, whether by design or not, has a storyline that is reminiscent of Lysistrata, the classic Greek play by Aristophanes.

On this week's Haven't Scene It, Tim & Tommy get their sorting hats on with guest Connor Dowling to discuss Harry Potter and the Prisoner of Azkaban! This is Tommy's first time watching the film.Is this the best Harry Potter movie? Why does Tommy hate this franchise? And why aren't modern DVD menus as good as they were back in the day? All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

This week, for Christmas, a heart-warming festive treat full of joy, goodwill and Peter Sellers at his cuddliest. ONLY JOKING.Actually, it's Carol for Another Christmas, Rod Serling's bleak, angry, Cold War reworking of A Christmas Carol . Conceived as the opening salvo in a run of UN-friendly TV specials, the film is a full-throated warning against isolationism, nuclear brinkmanship and the idea that minding your own business ever ends well. Xerox paid for it, ABC aired it ad-free on 28 December 1964, viewers and critics were divided about it, and it then disappeared for nearly 50 years.Directed by Joseph L. Mankiewicz (Cleopatra) in his only television outing, the film stars Sterling Hayden as Daniel Grudge, a wealthy American industrialist who hates foreign aid, diplomacy and the United Nations in equal measure. On Christmas Eve he clashes with his liberal nephew Fred (Ben Gazzara) and is hauled through a series of visions featuring war dead, nuclear devastation and, most memorably, Peter Sellers as “Imperial Me” – a cowboy-Santa demagogue preaching radical individualism. It was Sellers' first screen appearance after his near-fatal heart attack earlier that year.Also featuring Eva Marie Saint, Robert Shaw, Steve Lawrence, Pat Hingle, Britt Ekland and music by Henry Mancini, the film is verbose, didactic and relentlessly grim – and all the more fascinating for it.Joining Tyler is Tilt Araiza (The Sitcom Club / Jaffa Cakes for Proust), drawing parallels with Planet of the Apes, The Prisoner and unpacking Serling and the social and political climate just one year after after the assassination of JFK... looking at how things came together to produce this Christmas curio.

Merry Christmas! In between looking at houses to rent and packing up the Granger house in Oklahoma City, Nick and John put together this yuletide conversation about perhaps the most neglected of Rowling's influences, Dodie Smith's I Capture the Castle. John was a reluctant reader, but, while listening to the audio book, reading the Gutenberg.com file on his computer, and digging the codex out of his packed boxes of books, the author of Harry Potter's Bookshelf was totally won over to Nick's enthusiasm for Castle.In fact, John now argues that, even if Rowling didn't read it until she was writing Goblet of Fire as some have claimed, I Capture the Castle may be the best single book to understand what it is that Rowling-Galbraith attempts to do in her fiction. Just as Dodie Smith has her characters explain overtly and the story itself delivers covertly, When Rowling writes a story, like Smith it is inevitably one that is a marriage of Bronte and Austen, wonderfully accessible and engaging, but with important touches in the ‘Enigmatist' style of Joyce and Nabokov, full of puzzles and twists in the fashion of God's creative work (from the Estecean logos within every man [John 1:9] continuous with the Logos) rather than a portrait of creation per se. Can you say ‘non liturgical Sacred Art'?And if you accept, per Nick's cogent argument, that Rowling read Castle many times as a young wannabe writer? Then this book becomes a touchstone of both Lake and Shed readings of Rowling's work — and Smith one of the the most important influences on The Presence.Merry Christmas, again, to all our faithful readers and listeners! Thank you for your prayers and notes of support and encouragement to John and for making 2025 a benchmark year at Hogwarts Professor. And just you wait for the exciting surprises we have in hand for 2026!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.The Twelve Questions and ‘Links Down Below' Referred to in Nick and John's I Capture the Castle Conversation:Question 1. So, Nick, we spoke during our Aurora Leigh recording about your long term project to read all the books that Rowling has admitted to have read (link down below!), first question why? and secondly how is that going?Rowling's Admitted Literary InfluencesWhat I want is a single internet page reference, frankly, of ‘Rowling's Admitted Literary Influences' or ‘Confessed Favorites' or just ‘Books I have Read and Liked' for my thesis writing so I needn't do an information dump that will add fifty-plus citations to my Works Cited pages and do nothing for the argument I'm making.Here, then, is my best attempt at a collection, one in alphabetical order by last name of author cited, with a link to at least one source or interview in which Rowling is quoted as liking that writer. It is not meant as anything like a comprehensive gathering of Rowling's comments about any author; the Austen entry alone would be longer than the whole list should be if I went that route. Each author gets one, maybe two notes just to justify their entry on the list.‘A Rowling Reading of Aurora Leigh' Nick Jeffery Talking about ‘A Rowling Reading of Aurora Leigh' Question 2. ... which has led me to three works that she has read from the point of view of writers starting out, and growing in their craft. Which leads us to this series of three chats covering Aurora Leigh by Elizabeth Barrett Browning, I Capture the Castle by Dodie Smith and the Little Women series by Louisa May Alcott. I read Castle during the summer. Amid all the disruptions at Granger Towers, have you managed to read it yet? How did you find it?Capturing Dodie Smith's I Capture the Castle: Elizabeth Baird-Hardy (October 2011)Certain elements of the story will certainly resonate with those of us who have been to Hogwarts a fair few times: a castle with an odd combination of ancient and modern elements, but no electricity; eccentric family members who are all loved despite their individual oddities (including Topaz's resemblance to Fleur Delacour); travel by train; a character named Rose who may have been one of the reasons Rowling chose the name for Ron and Hermione's daughter; descriptions of food that make even somewhat questionable British cuisine sound tasty; and inanimate objects that have their own personalities (the old dress frame, which Rose and Cassandra call Miss Blossom, is voiced by Cassandra and sounds much like the talking mirror in Harry's room at the Leaky Caldron).But far more than some similar pieces, I Capture the Castle lends something less tangible to Rowling's writing. The novel has a tone that, like the Hogwarts adventures, seamlessly winds together the comic and the crushing in a way that is reflective of life, particularly life as we see it when we are younger. Cassandra's voice is, indeed, engaging, and readers will no doubt see how the narrative voice of Harry's story has some of the same features.A J. K. Rowling Reading of I Capture the Castle: Nick Jeffery (December 2025)Parallels abound for Potter fans. The Mortmain's eccentric household mirrors the Weasleys' chaotic warmth: loved despite quirks, from Topaz's nude communing with nature (evoking a less veiled Fleur Delacour) to Mortmain's intellectual withdrawal. Food descriptions—meagre yet tantalising—prefigure Hogwarts feasts, turning humble meals into sensory delights. Inanimate objects gain voice: the family dress-frame “Miss Blossom” offers advice, akin to the chatty mirrors or portraits in Rowling's world. Even names resonate—Rose Mortmain perhaps inspiring Ron and Hermione's daughter—and train journeys punctuate the plot.The Blocked Writer: James Mortmain, a father who spent his fame early and now reads detective novels in an irritable stupor, mirrors the “faded glory” or “lost genius” archetypes seen in Rowling's secondary characters, such as Xenophilius Lovegood and Jasper Chiswell.The Bohemian Stepmother: Topaz, who strides through the countryside in only wellington boots, shares the whimsical, slightly unhinged energy of a character like Luna Lovegood or Fleur Delacour.Material Yearning: The desperate desire of Cassandra's sister, Rose, to marry into wealth reflects the very real, non-magical pressures of class and poverty that Rowling weaves into Harry Potter, Casual Vacancy, Strike and The Ickabog.Leda Strike parallels: Leda Fox-Cotton the bohemian London photographer, adopts Stephen, the working-class orphan, and saves him from both unrequited love and the responsibility that comes with the Mortmain family.Question 3. [story of finishing the book last night by candle light in my electricity free castle] So, in short Nick, I thought it astonishing! I didn't read your piece until I'd finished reading Capture, of course, but I see there is some dispute about when Rowling first read it and its consequent influence on her as a writer. Can you bring us up to speed on the subject and where you land on this controversy?* She First Read It on her Prisoner of Azkaban Tour of United States?tom saysOctober 21, 2011 at 4:00 amIf I recall correctly, Rowling did not encounter this book until 1999 (between PoA & Goblet) when, on a book tour, a fan gave her a copy. This is pertinent to any speculation about how ‘Castle' might have influenced the Potter series.* Rowling Website: “Books I Read and Re-Read as a Child”Question 4. Which, when you consider the other books on that virtual bookshelf -- works by Colette, Austen, Shakespeare, Goudge, Nesbit, and Sewell's Black Beauty, something of a ‘Rowling's Favorite Books and Authors as a Young Reader' collection, I think we have to assume she is saying, “I read this book as a child or adolescent and loved it.” Taking that as our jumping off place, John, and having read my piece, do you wish you had read it before writing Harry Potter's Bookshelf?Harry Potter's Bookshelf: The Great Books behind the Hogwarts Adventures John Granger 2009Literary Allusion in Harry Potter Beatrice Groves 2017Question 5. So, yes, I certainly do think it belongs -- with Aurora Leigh and Little Women -- on the ‘Rowling Reader Essential Reading List.' The part I thought most interesting in your piece was, of course, the Shed elements I missed. Rowling famously said that she loved Jo Marsh in Little Women because, in addition to the shared name and the character being a wannabe writer, she was plain, a characteristic with which the young, plain Jane Rowling easily identified. What correspondences do you think Little Jo would have found between her life and Cassandra Mortmain's?* Nick Jeffery's Kanreki discussion of Rowling's House on Edge of Estate with Two Children, Bad Dad ‘Golden Thread' (Lethal White)Question 6. Have I missed any, John?* Rockefeller Chapel, University of ChicagoQuestion 7. Forgive me for thinking, Nick, that Cassandra's time in church taking in the silence there with all her senses may be the biggest take-away for the young Rowling; if the Church of England left their chapel doors open in the 70s as churches I grew up in did in the US, it's hard to imagine Jo the Reader not running next door to see what she felt there after reading that passage. (Chapter 13, conversation with vicar, pp 234-238). The correspondence with Beatrice Groves' favorite scene in the Strike novels was fairly plain, no? What other scenes and characters do you see in Rowling's work that echo those in Castle?* Chapter 13, I Capture the Castle: Cassandra's Conversation with the Vicar and time in the Chapel vis a vis Strike in the Chapel after Charlotte's Death* Beatrice Groves on Running Grave's Chapel Scene: ‘Strike's Church Going'Question 8. I'm guessing, John, you found some I have overlooked?Question 9. The Mortmain, Colly, and Cotton cryptonyms as well as Topaz and Cassandra, the embedded text complete with intratextuual references (Simon on psycho-analysis), the angelic servant-orphan living under the stairs (or Dobby's lair!) an orphan with a secret power he cannot see in himself, the great Transformation spell the children cast on their father, an experiment in psychomachia a la the Shrieking Shack or Chamber of Secrets, the hand-kiss we see at story's end from Smith, love delayed but expressed (Silkworm finish?), the haunting sense of the supernatural everywhere especially in the invocation that Rose makes to the gargoyle and Cassandra's Midsummer Night's Eve ritual with Simon, the parallels abound. Ghosts!* Please note that John gave “cotton” a different idiomatic meaning than it has; the correct meaning is at least as interesting given the Cotton family's remarkable fondness for all of the Mortmains!* Kanreki ‘Embedded Text' Golden Thread discussion 1: Crimes of Grindelwald* Kanreki ‘Embedded Text' Golden Thread discussion 2: Golden Thread Survey, Part II* Rose makes an elevated Faustian prayer to a Gargoyle Devil: Chapter IV, pp 43-46* Cassandra and Simon celebrate Midsummer Night's Eve: Chapter XII, pp 199-224Let's talk about the intersection of Lake and Shed, though, the shared space of Rowling's bibliography, works that shaped her core beliefs and act as springs in her Lake of inspiration and which give her many, even most of the tools of intentional artistry she deploys in the Shed. What did you make of the Bronte-Austen challenge that Rose makes explicitly in the story to her sister, the writer and avid reader?“How I wish I lived in a Jane Austen novel.” [said Rose]I said I'd rather be in a Charlotte Bronte.“Which would be nicest—Jane with a touch of Charlotte, or Charlotte with a touch of Jane?”This is the kind of discussion I like very much but I wanted to get on with my journal, so I just said: “Fifty percent each way would be perfect,” and started to write determinedly.Question 10. So, I'm deferring to both Elizabeth Barrett Browning and J. K Rowling. Elizabeth Barrett Browning valued intense emotion, social commentary, and a grand scope in literature, which led her to favour the passionate depth of the Brontës over the more restrained, ironical style of Jane Austen. Rowling about her two dogs: “Emma? She's a bundle of love and joy. Her sister, Bronte, is a bundle of opinions, stubbornness and hard boundaries.”Set in the 30s, written in the early 40s, but it seems astonishingly modern. Because her father is a writer, a literary novelist of the modern school, do you think there are other more contemporary novelists Dodie Smith was engaging than Austen and Bronte?Question 11. Mortmain is definitely Joyce, then, though Proust gets the call-out, and perhaps the most important possible take-away Rowling the attentive young reader would have made would have been Smith's embedded admiration for Joyce the “Enigmatist” she puts in Simon's mouth at story's end (Chapter XVI, pp 336-337) and her implicit criticism of literary novels and correction of that failing. Rowling's re-invention of the Schoolboy novel with its hidden alchemical, chiastic, soul-in-crisis-allegories and embedded Christian symbolism can all be seen as her brilliant interpretation of Simon's explanation of art to Cassandra and her dedication to writing a book like I Capture the Castle.* Reference to James Joyce by Simon Cotton, Chapter IX, p 139:* The Simon and Cassandra conversation about her father's novels, call it ‘The Writer as Enigmatist imitating God in His Work:' Chapter XVI, pp 331-334* On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtSacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”I want to close this off with our sharing our favorite scene or conversation in Castle with the hope that our Serious Reader audience will read Capture and share their favorites. You go first, Nick.* Cassandra and Rose Mortmain, country hicks in the Big City of London: Chapter VI, pp 76-77Question 12. And yours, John?* Cassandra Mortmain ‘Moat Swimming' with Neil Cotton, Chapter X, 170-174* Cassandra seeing her dead mother (think Harry before the Mirror of Erised at Christmas time?): Chapter XV, pp 306-308Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Is your dental practice running you, or are you running it?Too many dentists silently suffer under the weight of stress, burnout, and the painful feeling that despite all their training, they're stuck. In this raw, real episode of Jumpstart with Jeff, Dr. Jeff Buske shares how he went from being a frustrated, overworked associate on the brink of leaving dentistry to building a life and practice marked by true freedom, production, and purpose.Dr. Buske, founder of Limitless Dentists, takes us back to 2004, a moment when he almost walked away from it all. With elite training in full-mouth rehab, esthetics, and implantology, he still couldn't find the patient flow or fulfillment he craved. A chance meeting with Bruce Baird changed everything, introducing him to three foundational pillars: people, processes, and systems. But even as he became a high-producing dentist with multiple practices, Jeff discovered something deeper, he wasn't free.This episode dives into how Dr. Buske broke the chains of stress, addiction, and disconnection to embrace a new identity and a powerful framework: the Limitless Method. He outlines the necessary identity shifts that take you from prisoner to producer, and ultimately, to a life of freedom, connection, and impact.What you'll learn in this episode:The hidden pain many dentists face behind the scenesWhy clinical training alone isn't enough for successThe moment that sparked a radical life and career transformationHow to apply the Triangle of Transformation for real resultsWhat freedom actually looks like, and how to build it“Even though I was producing and owning practices… I still wasn't free. The practices owned me.”If this episode hit home, share it with a fellow dentist or journal what “freedom” looks like for you. Want to go deeper? Subscribe and apply for the Limitless 90-Day Intensive at www.limitlessdentistacademy.com.To connect with Dr. Buske follow the links below - LinkedInInstagramFacebookLimitless Dentist AcademyJoin Dental Syndicate HERE

If you want a practical next step to bring clarity to your dating life and relationships, start here: https://py.pl/3PRNtGKdI5hIf you're a Christian who loves God but feels confused, tired, or stuck in your dating life, this episode is for you.In this best-of compilation, you're going to gain clarity on the beliefs, habits, and spiritual shortcuts that quietly keep Christian singles frustrated—and learn how to step into 2026 with confidence, peace, and direction.In this episode, you'll learn how to:- Stop over-spiritualizing dating decisions that require action- Discern when God is leading you to wait—and when He's inviting you to move- Process the loneliness of singleness without shame or spiritual guilt- Break the cycle of dating emotionally unavailable or time-wasting people- Protect your heart without closing yourself off- Understand God's role in choosing a spouse without fear or pressure- Build character and clarity now so marriage doesn't crush you later- Prepare for marriage intimacy with healthy, biblical expectationsIf you've ever wondered:- “Did I miss my chance?”- “Why does waiting feel harder for me than everyone else?”- “Am I being too spiritual—or not spiritual enough?”- “Is waiting until marriage actually worth it?”You're not behind—and you're not broken.This episode will help you reset your dating mindset, release pressure, and move forward with wisdom instead of anxiety.CHAPTERS:0:00 – The Dating Mindsets That Keep You Stuck0:07 – How to Involve God Without Avoiding Action3:07 – Why Waiting for Marriage Feels Emotionally Harder Than Anything Else5:17 – What to Do When You're Faithful but Still Single7:30 – How to Validate Your Desire for Marriage Without Shame9:50 – Understanding the “Prisoner of Hope” Feeling10:21 – How to Stay Hopeful When Waiting Hurts12:30 – Why Faithfulness Can Feel Overlooked14:14 – How to Stop Fearing That You Missed Your Chance17:36 – How to Date from Discernment, Not Desperation20:00 – Why Lowering Standards Creates More Confusion22:22 – How God Uses Waiting to Build Character for Marriage24:33 – How to Steward Singleness Without Wasting It27:20 – Learning to Trust God Without Full Understanding30:14 – Why God Doesn't Always Explain the Timing32:06 – Releasing the Lie That You're Forgotten33:40 – Why You Keep Attracting Emotionally Unavailable People36:45 – How Location, Presentation, and Expectations Shape Who You Attract41:00 – Why Not Understanding God's Direction Can Be a Gift41:49 – How to Release Fear Around Waiting Until Marriage42:42 – What to Expect from Sex in a Godly Marriage45:02 – How Sexual Mindsets Impact Emotional Safety49:00 – How to Remove Pressure from the Wedding Night53:00 – Building Trust and Intimacy Step-by-Step59:12 – What to Do When Sex Isn't Instantly “Great”1:02:36 – Healing Mental and Emotional Blocks1:09:42 – How Patience Builds Long-Term Intimacy1:12:35 – Giving Yourself Permission to Enjoy Sex God's Way1:16:19 – Why Unity Matters More Than Performance1:17:00 – How to Think Clearly About God's Role in Choosing a Spouse1:22:12 – How to Read the Bible Without Dating Fear1:28:54 – Why Community Matters More Than Certainty1:36:13 – How Free Will and God's Will Work Together1:40:11 – How to Stop Overspiritualizing Dating Decisions1:41:32 – How to Enter 2026 with Clarity and Peace

For incarcerated people and their families, the holidays are the most painful time of year. In this episode of Rattling the Bars, host Mansa Musa and TRNN Editor-in-Chief Maximillian Alvarez speak frankly about what it's like to be locked up during the holidays, why inmate suicides, violence, and depression spike this time of year, and about the life-saving and society-improving steps we can take this holiday season to help prisoners maintain contact with the outside world.C/W: Discussion of suicide and depression Producer / Videographer / Post-Production: Cameron GranadinoBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

The developer of 30 Acres, Sean Granite, was once a titan of the construction industry. Now he's a prisoner in Glenn's jeep as it hurtles across the mangled roadways of the estate. The kidnapping wasn't planned, and Holly, Iseult and Glenn have to figure out what to do next. Their 30 Acres Says No manifesto, issued in response to the repossession order on their homes, has gone viral.RTÉ's Prime Time are planning a live broadcast from Holly's home. Pat Granite launches a search operation for her missing husband, unaware that some of those participating know exactly where Sean is. Alistair Crowe offers advice to Pat, as he attempts to assert an interest in the Granite Empire. Glenn's DIY approach to medical treatment brings unforeseen side-effects, as does the appearance of a clearly drunk Iseult on live television.CastBarbara Bergin, (Iseult)Shane Casey (Glenn)John Colleary (Sean)Philippa Dunne (Pat)Barry Murphy (Alistair)Stefanie Preissner (Holly)Colm Tobin (Colm)Aidan O'Donovan (TV Presenter/Priest)Produced by Kevin Brew for Drama On One with Kevin Reynolds and Gorretti Slavin. Produced by Liam O'Brien for Documentary On One with Tim Desmond, Ronan Kelly, Nicoline Greer and Shauna McGreevy. Sound Design by Damian Chennells. This episode also featured the RTÉ Concert Orchestra with Director/Leader Mia Cooper. Audio product support by Nigel Wheatley and Áine McManus. Design by Niamh McKeown. Publishing weekly.See omnystudio.com/listener for privacy information.

In this episode, we explore the different uses of concentration camps during the second world war in both Axis and Allied nations.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms!

You probably don't need reminding how much of a mess our prisons are at the moment - run-down, overcrowded and sometimes with a revolving door for prisoners who reoffend. One of the charities supported by this year's Times and Sunday Times Christmas appeal is Switchback, who've had great success at helping ex-offenders to ‘go straight' when they leave prison.For more information on this year's Christmas Appeal and to donate, visit https://times.ctdonate.org/ This podcast was brought to you thanks to the support of readers of The Times and The Sunday Times. Subscribe today: http://thetimes.com/thestoryGuests: Hamza - Former prisoner helped by SwitchbackDaisy Eastlake, reporter, The Times. Host: Luke Jones.Producer: Shabnam Grewal.Read more: Switchback is a lifeline for young prisonersAfter jail, yoga helped me realise I was not in danger any more Photo: Getty Images. Get in touch: thestory@thetimes.comThis podcast was brought to you thanks to subscribers of The Times and The Sunday Times. To enjoy unlimited digital access to all our journalism subscribe here. Hosted on Acast. See acast.com/privacy for more information.

Send us a textCalifornia employment law is changing again in 2026—and employers need to prepare now. In this episode of The Employee Handbook, attorneys Arta Wildeboer and Ryan Ellis break down the most significant new California labor laws taking effect January 1, 2026.Topics covered in this episode:Wage & Hour UpdatesCalifornia minimum wage increasing to $16.90/hour (with higher rates in San Francisco and San Jose)New minimum exempt salary threshold: $70,304 annuallyComputer professional exemption: $122,573.13/yearLicensed physician minimum: $107.17/hourSB 261 penalties for unpaid wage judgments—up to 3x the judgment amountRemote Work Expense ReimbursementLabor Code 2802 updates requiring employers to reimburse remote employees for internet, phone, and electricity costsWhat counts as "reasonable" reimbursement and class action risksStay-or-Pay Provisions BannedCalifornia's new prohibition on training repayment agreements and stay-or-pay contract clausesWorkplace Violence Prevention Program (SB 553)Required incident logging and documentationPenalties up to $25,000 per violation ($158,000 for willful violations)PAGA exposure and how violations multiplyReal examples: Slack threats, customer confrontations, domestic disputes at workAnnual audit and training requirementsEspinoza v. Target case discussionWhether you're a California employer, HR professional, or business owner, this episode provides practical guidance on compliance with California's evolving employment regulations.

The Long, Cold Dark, part 4:  Prisoners of Hope

Voici l'essentiel sur le nouveau livre de Nicolas Sarkozy, Le Journal d'un prisonnier. Here is the essential information about Nicolas Sarkozy's new book, Le Journal d'un prisonnier (The Diary of a Prisoner).Ce bouquin qui raconte son tout récent séjour en prison est devenu un phénomène d'édition quasi instantané. This book, which recounts his very recent stay in prison, has become an almost instantaneous publishing phenomenon.Les chiffres de vente sont juste incroyables. The sales figures are simply incredible.On parle de près de 100 000 exemplaires vendus en même pas une semaine. We are talking about nearly 100,000 copies sold in less than a week.Ça l'a propulsé directement au numéro 1 des ventes et son éditeur Fayard qualifie ce succès de phénoménal. That propelled it straight to number 1 in sales, and his publisher Fayard describes this success as phenomenal.Le livre, c'est le récit de ses 3 semaines de détention à la prison de la Santé à Paris. The book is the account of his 3 weeks of detention at La Santé prison in Paris.Petit rappel, il a été incarcéré suite à sa condamnation dans ce qu'on appelle l'affaire libyenne. A small reminder, he was incarcerated following his conviction in what is called the Libyan affair.Le timing est parfaitement millimétré. The timing is perfectly measured.L'ouvrage est sorti le 10 décembre, soit à peine 1 mois après sa libération. The book was released on December 10th, barely a month after his release.Et Nicolas Sarkozy lui-même soutient les ventes avec une grosse campagne de dédicaces un peu partout en France. And Nicolas Sarkozy himself supports sales with a big book signing campaign all over France. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Jubilee Year is drawing to a close and Christmas is drawing near. This week on “Inside the Vatican,” host Colleen Dulle and veteran Vatican correspondent Gerard O'Connell cover several important arts events the Vatican has hosted in the lead-up to Christmas, including the “Concert for the Poor” featuring Michael Bublé, the Ratzinger Prize concert with conductor Riccardo Muti and a live performance about St. Peter by filmmaker Roberto Benigni. In the second part of the show, Colleen and Gerry cover the final major event of the Jubilee of Hope: the jubilee for prisoners and those who work in prisons. The hosts highlight some of the key points from Pope Leo's powerful jubilee homily. Finally, Gerry and Colleen review some of the week's Vatican headlines, including Pope Leo's comments on his visit to the Blue Mosque, his message of condolence to the victims of the Bondi Beach shooting and the appointment of Bishop Ronald Hicks, as the new archbishop of New York. Links from the show: Pope Leo asks Michael Bublé to give his best for the poor at Vatican Christmas concert Pope Leo attends Vatican Christmas concert for the poor featuring Catholic singer Michael Bublé Full text: Pope Leo's homily on the Sunday of the Jubilee of Prisoners Executions nearly doubled in 2025. But the Jubilee Year saw other good news for death penalty abolition. Pope Leo explains why he appeared not to pray at the Blue Mosque in Turkey Pope Leo condemns ‘antisemitic violence,' ‘terrorist massacre' in Sydney Pope Leo picks Chicago-born Ronald Hicks to follow Dolan in New York Support Inside the Vatican by subscribing to America Magazine! Learn more about your ad choices. Visit megaphone.fm/adchoices

Since 2012, USCIRF has recommended Tajikistan for designation as a Country of Particular Concern for the government's egregious, ongoing, and systematic violations of freedom of religion or belief (FoRB). Among the particularly severe violations of religious freedom occurring in the country, the Tajik government regularly detains and imprisons individuals for their peaceful religious activities based on arbitrary “extremism” charges. FoRB victims largely include independent Muslims who deviate from the state's preferred interpretation of Hanafi Sunni Islam. Other FoRB victims have included Ismaili Shi'a Muslims. Recently, Muzzafar Davlatmirov, a prominent Pamiri Ismaili Shi'a Muslim cleric who was imprisoned in 2022, died in custody while serving his sentence. On this episode of the USCIRF Spotlight Podcast, Vice Chair Asif Mahmood speaks with Bakh Safarov, founder of Central Asia Consulting, about FoRB Victims in Tajikistan, including the situation of Pamiri Ismaili Shi'a Muslims.  

A High Court judge has ordered the Department of Corrections boss to obey the law or face contempt of court proceedings if he fails to make sure prisoners aren't let out of their cells for an hour everyday to exercise. Justice Jason McHerron found some inmates in Auckland Prison weren't allowed the minimum time required under law, and is holding the Corrections chief executive Jeremy Lightfoot personally accountable. Finn Blackwell has more.  

The boss of Corrections has repeatedly broken the law by denying prisoners their basic right to an hour of exercise outside their cells every day, according to High Court ruling. It ordered chief executive, Jeremy Lightfoot to comply or risk being in contempt of court which could result in a fine or jail. Auckland prison inmates complained they've frequently been denied their daily hour of exercise, while Corrections argued staff shortages, safety constraints and a lack of facilities prevented exercise unlocks. Correction's Commissioner of Custodial Services, Leigh Marsh spoke to Lisa Owen.

Well, friends, we have reached our final episode of 2025 and the final installment of the Prisoners of Time comic book adventure! This time we have a fairly flimsy 9th Doctor story that really only seems there to reveal who our villain is. Then we join Ten and Martha in Los Angeles and places John has actually been! And instead of learning if the Frogmen the 11th Doctor is dealing with are the same ones from the Loveland, Ohio sightings, we start down an increasingly bonkers adventure in the last two stories! It's a wild ride and we are here for it!! Also, thanks for listening to us in 2025. We're excited to pull our makeshift TARDIS out of mothballs in early 2026 to jump forward to when Disney surely will air The War Between the Land and the Sea so we can review it for you in January!

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 The War Between the Land and the Sea is a British science fiction television miniseries created by Russell T Davies for BBC One and Disney+ as part of the Doctor Who franchise. Starring Russell Tovey, Gugu Mbatha-Raw, Jemma Redgrave and Colin McFarlane, the series features UNIT in their attempt to prevent a global war caused by the return of the Sea Devils, now called "Homo Aqua". The War Between the Land and the Sea was filmed from August to December 2024. It consists of five episodes and premiered on BBC One on 7 December 2025, and is scheduled to premiere on Disney+ in 2026. Premise UNIT must take action to prevent a global war once an ancient species, the Homo aqua, comes out from the sea, revealing itself to humanity.[1] Cast Russell Tovey as Barclay Pierre-Dupont, a low-level member of UNIT, a transportation arranger, who is unexpectedly appointed as Ambassador by Salt Gugu Mbatha-Raw as Salt, the Ambassador of the Sea Devils Jemma Redgrave as Kate Lethbridge-Stewart, the commander-in-chief of UNIT Colin McFarlane as General Austin Pierce, a high-ranking American UNIT officer Alexander Devrient as Colonel Christofer Ibrahim, a senior UNIT officer, part of Kate's personal staff Ruth Madeley as Shirley Anne Bingham, UNIT's fifty-sixth scientific advisor, part of Kate's personal staff Adrian Lukis as Jonathan Hynes, a politician initially appointed as humanity's ambassador Vincent Franklin as Harry Shaw, the Prime Minister of the United Kingdom Francesca Corney as Sergeant Hana Chakri, a UNIT soldier assigned to protect Barclay Mei Mac as Min Tso Waleed Hammad as Colonel Tariq Hashim, a UNIT field officer Hannah Donaldson as Captain Louise Mackie, a UNIT company officer Ann Akinjirin as Barbara Pierre-Dupont, Barclay's estranged spouse[2] Cat Gannon as Kirby Pierre-Dupont, Barclay and Barbara's teenage child[3] William Gaminara as Ted Campbell, an ambassador selected to represent his nation Episodes No. Episode [2] Directed by [4] Written by [5] Original release date [6] UK viewers (millions) 1 "Homo Aqua" Dylan Holmes Williams Russell T Davies 7 December 2025 TBD 2 "Plastic Apocalypse" Dylan Holmes Williams Pete McTighe 7 December 2025 TBD 3 "The Deep" Dylan Holmes Williams Pete McTighe 14 December 2025 TBD 4 "The Witch of the Waterfall" Dylan Holmes Williams Pete McTighe 14 December 2025 TBD 5 "The End of the War" Dylan Holmes Williams Russell T Davies 21 December 2025 TBD Production Development In July 2024, Deadline Hollywood reported a new Doctor Who spin-off titled The War Between the Land and the Sea was set to begin filming in September.[7] Russell T Davies confirmed later that month at San Diego Comic Con that production would begin in August.[8] Produced by Bad Wolf and BBC Studios, Davies is an executive producer along with Pete McTighe, Joel Collins, Julie Gardner, and Jane Tranter.[4][9] Edoardo Ferretti took on the role of television producer with pre-production underway by July 2024.[10] Casting Russell Tovey and Gugu Mbatha-Raw lead the series with Jemma Redgrave and Alexander Devrient reprising their roles from Doctor Who as Kate Lethbridge-Stewart and Colonel Ibrahim, respectively.[1][11] Tovey and Mbatha-Raw previously played Alonso Frame and Tish Jones in Doctor Who.[12] Ruth Madeley also returns from Doctor Who, playing Shirley Anne Bingham. Colin McFarlane reprises his role as General Austin Pierce, a character first introduced and last seen fifteen years prior in the third series of Torchwood, another Doctor Who spin-off.[13] Adrian Lukis, Patrick Baladi, Vincent Franklin, Francesca Corney and Mei Mac were announced as additional cast members in October 2024.[14] Writing The five-part series was written by Davies and Pete McTighe.[15] Davies is the current showrunner of Doctor Who while McTighe also previously wrote for the parent series.[16] The two split writing duties across the programme, with Davies writing the premiere and finale episodes, McTighe writing the second and third episodes, and the two co-writing episode four together.[5] The first read-through for all five episodes occurred on 19 August 2024.[10] The series sees the return of the Sea Devils.[1] Filming Some filming took place internationally, including on Mallorca.[17] All episodes were produced in one block, compared to the two to three blocks that would usually be used for five episodes.[5] Location shooting began on 29 August 2024 in Barry and Atlantic Wharf, both in south Wales. Filming continued into September in various locations across Wales, including at the Welsh Government Building, City Arms pub, Hodge House, and Merthyr Mawr. In October, the series was spotted filming at Cardiff City Hall and National Museum Cardiff. November filming occurred at Town Bridge in Newport, Wales.[17] Filming concluded on 10 December 2024.[18] Music On 30 May 2025, it was announced that Lorne Balfe had been hired as the show's composer.[19] A soundtrack album of Lorne Balfe's score was released digitally 5 December 2025. The first track from the album, "Barclay's Theme", was released as a digital single 28 November 2025 and a cover of "'Heroes'" by Alison Goldfrapp and Balfe was released as a single 12 December 2025 by Goldfrapp's label A.G. Records.[20] A CD edition will be released 30 January 2026.[21] The War Between the Land and the Sea Soundtrack album by Lorne Balfe Released 5 December 2025 (digital) 30 January 2026 (CD) Genre Soundtrack Length 51:19 Label Silva Screen Singles from The War Between the Land and the Sea "Barclay's Theme" Released: 28 November 2025 "'Heroes'" Released: 12 December 2025 All tracks are written by Lorne Balfe, except where noted. No. Title Length 1. "Barclay's Theme" 3:30 2. "Aqua" 4:31 3. "The Mistake" 2:20 4. "Mission Launch" 3:40 5. "Into the Unknown" 2:43 6. "All over the World" 2:31 7. "Negotiations" 1:23 8. "Welcome our Guests" 4:21 9. "Weight of the World" 1:30 10. "Descending" 2:24 11. "Aqua Den" 2:51 12. "Prisoner of War" 3:04 13. "Lawless" 2:27 14. "Calling for Her" 2:45 15. "Survivor" 3:06 16. "Terrified of You" 2:52 17. "'Heroes'" (David Bowie, Brian Eno, performed by Alison Goldfrapp & Balfe) 5:21 Total length: 51:19

UnHerd's Freddie Sayers speaks with Steve Gallant, a convicted murderer who served 16 years in prison and became known as a hero during the 2019 London Bridge terror attack, where he famously helped subdue the attacker, Usman Khan, with a narwhal tusk on his first-ever day release.Gallant recounts the dramatic events of that day, which led to a royal pardon and an early release, but the conversation delves deeper into the complex reality of rehabilitation and the growing threat of organised Islamist terror networks—or "the Brotherhood"—who are gaining authority and converting other inmates within the UK's high-security prisons. Gallant offers an urgent warning on the failures of the system to challenge radical ideology and reflects on the difficult question of whether true change is possible for long-term prisoners. Hosted on Acast. See acast.com/privacy for more information.

What happens when you feel chained by circumstances? Pastor Skip shows how God can turn every restriction into an opportunity to share His truth.

The Prisoner, Patrick McGoohan, The Prisoner as a model for world government, Robert Maxwell, PROMIS, Propaganda Due (P2), world government as directed by intelligence services, PROMIS as a means of ensuring compliance, the stark differences between The Prisoner's perception of world government and conspiracy theories, scientific espionage, advanced technology as the foundation of world government, moon-landing conspiracy theories, 2001, the connection between 2001 & The Prisoner, AI, mind control, augmented/virtual reality, Freemasonry, the "Mystic Tie" of the British Establishment, the Masonic allusions in The Prisoner, how McGoohan's Catholicism influenced his perception of Masonry, Masonic references in McGoohan's other work, the Gnostic themes of The Prisoner, Demiurge, Orphism, memory and remembering one's true self, The Prisoner as a precursor to Gnostic cinema, the influence of The Prisoner, the conspiracy theories that shaped The Prisoner, how the Irish struggle influenced McGoohan, the use of secret societies in IrelandMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Hosted on Acast. See acast.com/privacy for more information.

It's that time of year again: our 6th annual Christmas Episode! We've roasted bad holiday tunes, thrown epic Christmas parties with rock legends, and even had a blue Christmas diving into the blues. But this year, we're sneaking around the holiday playlist like a couple of grinches with a twist. We're talking about those classic "Christmas" songs that get blasted every December... but if you listen closely to the lyrics, they never once say the word "Christmas." No Santa, no manger, no ho-ho-ho – just snow, sleigh bells, fireplaces, and winter wonderlands that somehow became holiday staples anyway.Episode Playlist Check out our ⁠episode playlist here⁠. Get In Touch Check us out⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Connect with Skip Heitzig, what happens when you feel chained by circumstances? Pastor Skip shows how God can turn every restriction into an opportunity to share His truth. To support this ministry financially, visit: https://www.oneplace.com/donate/104/29?v=20251111

Catholic and human rights advocate Jimmy Lai has been found guilty of violating China's national security laws. Meanwhile, a bishop in Sydney speaks out after a mass shooting at Bondi Beach, Australia. And, Pope Leo marks the final major celebration of the Holy Year with the Jubilee of Prisoners.

Zechariah 9:9-17 Rejoice greatly, O daughter of Zion!     Shout aloud, O daughter of Jerusalem! Behold, your king is coming to you;     righteous and having salvation is he, humble and mounted on a donkey,     on a colt, the foal of a donkey. 10 I will cut off the chariot from Ephraim     and the war horse from Jerusalem; and the battle bow shall be cut off,     and he shall speak peace to the nations; his rule shall be from sea to sea,     and from the River to the ends of the earth. 11 As for you also, because of the blood of my covenant with you,     I will set your prisoners free from the waterless pit. 12 Return to your stronghold, O prisoners of hope;     today I declare that I will restore to you double. 13 For I have bent Judah as my bow;     I have made Ephraim its arrow. I will stir up your sons, O Zion,     against your sons, O Greece,     and wield you like a warrior's sword. 14 Then the Lord will appear over them,     and his arrow will go forth like lightning; the Lord God will sound the trumpet     and will march forth in the whirlwinds of the south. 15 The Lord of hosts will protect them,     and they shall devour, and tread down the sling stones, and they shall drink and roar as if drunk with wine,     and be full like a bowl,     drenched like the corners of the altar. 16 On that day the Lord their God will save them,     as the flock of his people; for like the jewels of a crown     they shall shine on his land. 17 For how great is his goodness, and how great his beauty!     Grain shall make the young men flourish,     and new wine the young women.   Key Words: Rejoice, King, Salvation, Rule, Covenant, Prisoners, Hope, Jewels Keystone Verses: Because of the blood of My covenant with you, I will set your prisoners free. (Zechariah 9:11) Download Bulletin

Belarus has freed 123 prisoners, including prominent opposition activist Maria Kolesnikova and Nobel Peace Prize winner Ales Bialiatski, after the US agreed to lift sanctions on the country. Also on the programme, Cambodia has shut its border crossings with Thailand, as fighting continues despite US President Donald Trump earlier saying they had agreed to a ceasefire; and, how the British novelist Charles Dickens is being celebrated this Christmas in a small Dutch town.(Belarus released over 100 political prisoners form prison, Vilnius, Lithuania - 13 Dec 2025. VALDA KALNINA/EPA/Shutterstock)

Today, on Crime & Entertainment, we have Matt Cox. Matt the man behind the super successful podcast Inside True Crime once spent 13 years in federal prison after being convicted of mortgage fraud. Matt breaks down what Thanksgiving Meals are like Inside prison walls. This hilarious episode even has returning guest Pete Rausini pop in for a min. Happy Thanksgiving to all the Crime & Entertainment Family

The forgotten story of the Irishman forced to work on Japan's Railway of Death which inspired the film The Bridge over the River Kwai.In 1942 Britain suffered one of its worst defeats when Singapore fell to the Japanese Army. Tens of thousands were taken prisoner including the Dubliner Don Kennedy. This began a brutal ordeal. Don was forced to help build what became known as Japan's Railway of Death through the jungles of South East Asia.In this episode Don's son Fergus tells the remarkable story of how his father became involved in constructing the notorious River Kwai railway. Fergus shares how his father endured starvation, disease and brutality in the jungles of South East Asia.Fergus has published Don's story in his recent book From Ballybunion to the Kwai. You can get your copy here https://www.gillbooks.ie/history/history/ballybunion-to-the-river-kwaiSound by Kate Dunlea. Support the show at www.patreon.com/irishpodcast Hosted on Acast. See acast.com/privacy for more information.

Mike Durant is a retired U.S. Army Chief Warrant Officer 4 and Master Black Hawk pilot with the 160th Special Operations Aviation Regiment (Night Stalkers). Inspired by his father, a First Sergeant in the Army National Guard, and a family friend's helicopter flight, Durant enlisted in 1979. After studying Spanish at the Defense Language Institute and serving as a voice intercept operator in Panama, he graduated from flight school at Fort Rucker, Alabama, becoming a Warrant Officer in 1983. He flew over 150 medical evacuation missions in South Korea with the 377th Medical Evacuation Company and later served as an instructor pilot with the 101st Aviation Battalion. Joining the elite 160th SOAR in 1988, Durant flew in Operations Prime Chance, Just Cause, Desert Storm, and Restore Hope. During the 1993 Battle of Mogadishu (Operation Gothic Serpent), his MH-60 Black Hawk was shot down, leaving him severely injured and held captive by Somali militia for 11 days. Despite doctors' doubts, he recovered, ran the 1995 Marine Corps Marathon, and returned to duty, retiring in 2001. Mike's awards include: Distinguished Service Medal, Distinguished Flying Cross (second award), Bronze Star w/ Valor device, Purple Heart, Meritorious Service Medal, Air Medal w/ Valor device (third award), Army Commendation Medal (fourth award), Joint Service Achievement Medal, Army Achievement Medal, Prisoner of War Medal, Army Good Conduct Medal, National Defense Service Medal, Armed Forces Expeditionary Medal with Bronze Arrowhead Device (second award), Southwest Asia Service Medal w/ Bronze Service Star, Army Service Ribbon, Overseas Service Ribbon (2nd Award), United Nations Medal, United Nations Medal-Operations in Somalia, Kuwait Liberation Medal-Government of Saudi Arabia, Kuwait Liberation Medal-Government of Kuwait, Master Aviator Badge, and Air Assault Badge. In 2008, Durant founded Pinnacle Solutions in Huntsville, Alabama, a defense contracting firm specializing in military training simulators and veteran employment. He co-authored In the Company of Heroes, focusing on survival and leadership. He also led veterans' efforts for George W. Bush's 2004 and John McCain's 2008 presidential campaigns. He ran in the 2022 Republican primary for Alabama U.S. Senate. Married to Lisa, raising a blended family with six children, Durant enjoys mountain climbing, skiing, hockey, watersports, and running. Shawn Ryan Show Sponsors: Receive 30% off your first subscription order. Go to https://armra.com/SRS or enter SRS to get 30% off your first subscription order. Right now, you can try Aura free for 14 days when you visit http://aura.com/SRS Our listeners get 10% off at https://BetterHelp.com/SRS. Head to http://DRINKAG1.com/SRS you'll get the welcome kit, a Morning Person hat, a bottle of Vitamin D3+K2, and a AG1 Flavor Sampler for free. Mike Durant Links: LI - https://www.linkedin.com/in/mike-durant-14a0157 Book - https://a.co/d/9OB6ujI SOWF - https://specialops.org/sowf-home-mobile Learn more about your ad choices. Visit podcastchoices.com/adchoices