Podcasts about homeric

The Summer of Jason continues our long journey as we're joined by Homeric teacher and scholar Bijani Mizell! Bijani has taught The Odyssey for over 10 years to high school kids, so she was a lock to help us tackle Christopher Nolan's magnum opus take.She covers (in language you can understand!) the history of the poem, how Nolan relates to the translators who have come before him, and digs deep into the themes of the story. Join us for this very special episode.Chapters Introduction (00:00:00) Hatch News (00:06:26) The Odyssey Roundtable (00:14:06) Your Letters (01:30:13) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

In this episode the boys share their experiences watching the new Odyssey film in 70mm and debate the impact of director choices on storytelling. In this episode, we explore the rich themes of Greek mythology, the storytelling techniques of Nolan, and the cultural debates surrounding historical accuracy and representation in film. We also dive into the symbolism of the Trojan horse, the portrayal of gods, and the impact of art on society. In this episode, we explore the intricacies of storytelling, film techniques, and the impact of casting choices through a lively discussion on movies, including Homeric epics and modern cinema. We also delve into rankings of Nolan's films and favorite superhero movies.

Folks, it's flabbergasting that we haven't covered an historical epic until now! So in light of the release of Christopher Nolan's The Odyssey, we choose to either prep your palette for that new cinematic adaptation of Homer's epic poem or provide you with a possibly better rendition of screen poetry with a previous Homeric adaptation of Iliad. One that made its debut over twenty years ago in bright form with a classic ensemble cast. It's 2004's Troy! Covering the Director's Cut of the film, come join the gang as they ride off into Ancient Greece to discover souls older than they are and with some arguably better drip! Should you listeners choose to return to an era of bright epics such as this one or join the zeitgeist of praise for Nolan's new feature? We review, you decide! This is going to be great, peeps! Also, if you saw The Odyssey in theaters, what'd all of you think?? Worthy of your time, or might an older cinematic epic be more delectable? Email us at thesearcherspodcast@gmail.com.

This week, Hanna speaks to Himesh Patel and John Leguizamo about their roles in the movie of the summer, Christopher Nolan's THE ODYSSEY (08:00), while we review his take on the Homeric epic (21:51) alongside Sébastien Vaniček's all-out Deadite horror EVIL DEAD BURN (53:08). Plus, in our HOT TAKE (01:09:33), we talk full spoilers so we can go even deeper into Nolan's vision for THE ODYSSEY. Our WAIT JUST A MINUTE (01: 05: 30) picks are READY OR NOT 2: HERE I COME and X-MEN ‘97. If you would like to donate directly towards humanitarian aid in Gaza, please visit: ⁠MAP⁠Buy Hanna's The Unofficial Buffy the Vampire Slayer Quiz Book hereBuy Clarisse's Wes Anderson: A Retrospective ⁠here⁠⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram.Don't forget to subscribe, rate and review the podcast - it makes a difference! The Fade To Black Podcast is part of the Stripped Media Network.CLARISSE: ⁠ ⁠@clarisseloughrey⁠⁠HANNA:⁠ ⁠@hannainesflint⁠⁠Music by ⁠The Last Skeptik⁠. Jingles by Hanna Flint

Hey everyone, this is a Zero episode of an upcoming project David Heath and DB Spitzer are working on. It is an exploration of the sources of Warhammer 40,000, and their sources. Check out this link to buy DB's Books[link] Season 23 bonus episodes 1-25 1 The Imperium of Man Dune, Foundation, Roman Empire in space, religious dystopias Edward Gibbon, imperial decline literature, medieval Christendom, future-history fiction 2 Space Marines Starship Troopers, action-movie super soldiers, power armor, comic-book warriors Heinlein military SF, crusading orders, Spartan myth, warrior monks, fascist hero imagery 3 Astra Militarum / Imperial Guard World War movies, Starship Troopers, British war comics, doomed infantry stories H. G. Wells future-war fiction, Kipling, trench literature, boys' military papers, pulp battlefield fiction 4 Adeptus Mechanicus Metropolis, cyberpunk machine cults, mad scientists, techno-priests Gernsback invention fiction, H. G. Wells, Frankenstein, lost-technology stories, mad-science pulp 5 Adepta Sororitas / Ecclesiarchy Hammer horror, warrior nuns, Joan of Arc cinema, witchfinder movies Gothic novels, martyr stories, saint legends, witch-trial pamphlets, religious melodrama 6 The Inquisition The X-Files, witchfinder films, secret-police thrillers, occult detectives M. R. James-style scholars, Blackwood, Machen, witch-hunter tracts, secret-society fiction 7 Rogue Traders Star Trek, Flash Gordon, space pirates, merchant princes Planetary romance, Edgar Rice Burroughs, Leigh Brackett, C. L. Moore, colonial adventure fiction 8 Adeptus Custodes Golden demigod bodyguards, imperial palace guards, mythic super-soldiers Achilles, Gilgamesh, sacred kingship, Praetorian Guards, immortal companions of god-kings 9 Adeptus Titanicus Pacific Rim, Gundam, giant robot anime, kaiju movies, walking battleships, cathedral mecha Wells' Martian tripods, “The Land Ironclads,” dreadnoughts, siege engines, bronze giants, golems, sacred statues, war-gods 10 The Horus Heresy Star Wars, fallen Jedi, dark lords, civil-war space opera, tragic chosen ones Milton's Paradise Lost, Lucifer's rebellion, Cain and Abel, Arthur and Mordred, Roman civil wars, succession crises 11 Chaos Space Marines Fallen angels, heavy metal villains, corrupted super-soldiers, black knights, rebel legions Milton's Paradise Lost, Moorcock's Chaos, Byronic rebels, cursed champions, Satanic romance, Gothic villains, revenge tragedy 12 Chaos Daemons Hellraiser, Event Horizon, occult horror, possession films, nightmare dimensions Medieval demonology, grimoires, witch-trial literature, Arthur Machen, Algernon Blackwood, occult pulp, weird menace fiction 13 World Eaters / Khorne Conan, gladiator films, berserker metal, chainsaw action horror, grindhouse revenge Robert E. Howard, sword-and-sorcery pulp, berserker sagas, blood cults, Homeric rage, arena spectacle, revenge tragedy 14 Death Guard / Nurgle Zombie plague films, body horror, gross-out comedy, infection horror, fungal rot, swamp monsters Poe's “The Masque of the Red Death,” plague literature, danse macabre, memento mori, corpse folklore, leper saints 15 Thousand Sons / Tzeentch Wizard cults, cursed books, Egyptian sorcerers, cosmic chessmasters, forbidden libraries H. P. Lovecraft, Clark Ashton Smith, E. R. Eddison, mummy fiction, forbidden-book stories, Decadent occultism, Renaissance magic 16 Emperor's Children / Slaanesh Glam rock horror, decadent villains, body modification nightmares, cursed artists, aristocratic monsters Oscar Wilde's The Picture of Dorian Gray, Huysmans, fin-de-siècle decadence, Gothic aristocrats, cursed art, aestheticism 17 Chaos / Imperial Knights Haunted mecha, cursed noble machines, demonic war engines, Gundam, BattleTech, Pacific Rim Gothic castles, cursed armor, haunted inheritance, family-doom melodrama, chivalric romance, sins of the fathers 18 Orks Mad Max, fantasy orcs, biker gangs, football hooligans, British comic violence, slapstick war movies William Hope Hodgson's “The Voice in the Night,” fungus horror, Matango, invasive-species stories, goblins, comic grotesques 19 Tyranids Alien, Aliens, The Thing, bug-war movies, swarm horror, hive minds, biological weapons John W. Campbell's “Who Goes There?”, H. G. Wells' Martians, insect-hive fiction, invasion literature, cosmic naturalism 20 Genestealer Cults Invasion of the Body Snatchers, Alien, cult horror, red-scare paranoia films, sleeper cells Hidden-bloodline stories, secret cult pulp, infiltration fiction, changeling folklore, cuckoo-child fears, apocalyptic sects 21 Necrons The Terminator, killer robots, metal skeletons, space undead, immortal android kings Karel Čapek's R.U.R., robot rebellion, automaton fiction, artificial labor nightmares, mummy pulp, Egyptomania, tomb curses 22 Aeldari / Drukhari Tolkien elves, dying space aristocrats, psychic aliens, dark elves, vampire cities, cruel fairy courts Lord Dunsany, Jack Vance's Dying Earth, fairy otherworlds, decadent elder-race fiction, Atlantis, Gothic aristocrats 23 Night Lords Batman turned inside out, The Crow, slasher films, serial-killer thrillers, torture horror, vigilante movies Conrad's Heart of Darkness, Gothic villains, penny dreadfuls, Jack the Ripper panic, Grand Guignol, Dracula, public punishment 24 T'au Empire / Leagues of Votann Clean anime mecha empire, sleek battlesuits, utopian coalitions, space dwarves, hard-SF miners Utopian SF, technocracy fiction, Cold War futures, missionary empire, company towns, mining-company frontier stories, labor colonies 25 REDACTED Spy thrillers, Mission: Impossible, Tinker Tailor Soldier Spy, The Manchurian Candidate, The Prisoner, The Testament of Dr. Mabuse John Buchan, Joseph Conrad, G. K. Chesterton, Erskine Childers, E. Phillips Oppenheim, Norbert Jacques, invasion-scare fiction, fifth-column paranoia

Hey everyone, this is a Zero episode of an upcoming project David Heath and DB Spitzer are working on. It is an exploration of the sources of Warhammer 40,000, and their sources. Check out this link to buy DB's Books[link] Season 23 bonus episodes 1-25 1 The Imperium of Man Dune, Foundation, Roman Empire in space, religious dystopias Edward Gibbon, imperial decline literature, medieval Christendom, future-history fiction 2 Space Marines Starship Troopers, action-movie super soldiers, power armor, comic-book warriors Heinlein military SF, crusading orders, Spartan myth, warrior monks, fascist hero imagery 3 Astra Militarum / Imperial Guard World War movies, Starship Troopers, British war comics, doomed infantry stories H. G. Wells future-war fiction, Kipling, trench literature, boys' military papers, pulp battlefield fiction 4 Adeptus Mechanicus Metropolis, cyberpunk machine cults, mad scientists, techno-priests Gernsback invention fiction, H. G. Wells, Frankenstein, lost-technology stories, mad-science pulp 5 Adepta Sororitas / Ecclesiarchy Hammer horror, warrior nuns, Joan of Arc cinema, witchfinder movies Gothic novels, martyr stories, saint legends, witch-trial pamphlets, religious melodrama 6 The Inquisition The X-Files, witchfinder films, secret-police thrillers, occult detectives M. R. James-style scholars, Blackwood, Machen, witch-hunter tracts, secret-society fiction 7 Rogue Traders Star Trek, Flash Gordon, space pirates, merchant princes Planetary romance, Edgar Rice Burroughs, Leigh Brackett, C. L. Moore, colonial adventure fiction 8 Adeptus Custodes Golden demigod bodyguards, imperial palace guards, mythic super-soldiers Achilles, Gilgamesh, sacred kingship, Praetorian Guards, immortal companions of god-kings 9 Adeptus Titanicus Pacific Rim, Gundam, giant robot anime, kaiju movies, walking battleships, cathedral mecha Wells' Martian tripods, “The Land Ironclads,” dreadnoughts, siege engines, bronze giants, golems, sacred statues, war-gods 10 The Horus Heresy Star Wars, fallen Jedi, dark lords, civil-war space opera, tragic chosen ones Milton's Paradise Lost, Lucifer's rebellion, Cain and Abel, Arthur and Mordred, Roman civil wars, succession crises 11 Chaos Space Marines Fallen angels, heavy metal villains, corrupted super-soldiers, black knights, rebel legions Milton's Paradise Lost, Moorcock's Chaos, Byronic rebels, cursed champions, Satanic romance, Gothic villains, revenge tragedy 12 Chaos Daemons Hellraiser, Event Horizon, occult horror, possession films, nightmare dimensions Medieval demonology, grimoires, witch-trial literature, Arthur Machen, Algernon Blackwood, occult pulp, weird menace fiction 13 World Eaters / Khorne Conan, gladiator films, berserker metal, chainsaw action horror, grindhouse revenge Robert E. Howard, sword-and-sorcery pulp, berserker sagas, blood cults, Homeric rage, arena spectacle, revenge tragedy 14 Death Guard / Nurgle Zombie plague films, body horror, gross-out comedy, infection horror, fungal rot, swamp monsters Poe's “The Masque of the Red Death,” plague literature, danse macabre, memento mori, corpse folklore, leper saints 15 Thousand Sons / Tzeentch Wizard cults, cursed books, Egyptian sorcerers, cosmic chessmasters, forbidden libraries H. P. Lovecraft, Clark Ashton Smith, E. R. Eddison, mummy fiction, forbidden-book stories, Decadent occultism, Renaissance magic 16 Emperor's Children / Slaanesh Glam rock horror, decadent villains, body modification nightmares, cursed artists, aristocratic monsters Oscar Wilde's The Picture of Dorian Gray, Huysmans, fin-de-siècle decadence, Gothic aristocrats, cursed art, aestheticism 17 Chaos / Imperial Knights Haunted mecha, cursed noble machines, demonic war engines, Gundam, BattleTech, Pacific Rim Gothic castles, cursed armor, haunted inheritance, family-doom melodrama, chivalric romance, sins of the fathers 18 Orks Mad Max, fantasy orcs, biker gangs, football hooligans, British comic violence, slapstick war movies William Hope Hodgson's “The Voice in the Night,” fungus horror, Matango, invasive-species stories, goblins, comic grotesques 19 Tyranids Alien, Aliens, The Thing, bug-war movies, swarm horror, hive minds, biological weapons John W. Campbell's “Who Goes There?”, H. G. Wells' Martians, insect-hive fiction, invasion literature, cosmic naturalism 20 Genestealer Cults Invasion of the Body Snatchers, Alien, cult horror, red-scare paranoia films, sleeper cells Hidden-bloodline stories, secret cult pulp, infiltration fiction, changeling folklore, cuckoo-child fears, apocalyptic sects 21 Necrons The Terminator, killer robots, metal skeletons, space undead, immortal android kings Karel Čapek's R.U.R., robot rebellion, automaton fiction, artificial labor nightmares, mummy pulp, Egyptomania, tomb curses 22 Aeldari / Drukhari Tolkien elves, dying space aristocrats, psychic aliens, dark elves, vampire cities, cruel fairy courts Lord Dunsany, Jack Vance's Dying Earth, fairy otherworlds, decadent elder-race fiction, Atlantis, Gothic aristocrats 23 Night Lords Batman turned inside out, The Crow, slasher films, serial-killer thrillers, torture horror, vigilante movies Conrad's Heart of Darkness, Gothic villains, penny dreadfuls, Jack the Ripper panic, Grand Guignol, Dracula, public punishment 24 T'au Empire / Leagues of Votann Clean anime mecha empire, sleek battlesuits, utopian coalitions, space dwarves, hard-SF miners Utopian SF, technocracy fiction, Cold War futures, missionary empire, company towns, mining-company frontier stories, labor colonies 25 REDACTED Spy thrillers, Mission: Impossible, Tinker Tailor Soldier Spy, The Manchurian Candidate, The Prisoner, The Testament of Dr. Mabuse John Buchan, Joseph Conrad, G. K. Chesterton, Erskine Childers, E. Phillips Oppenheim, Norbert Jacques, invasion-scare fiction, fifth-column paranoia

Christopher Nolan's film The Odyssey is part of a long line of film adaptations, but Homer's epic poem has quietly shaped another medium: role-playing games. The structure of The Odyssey is practically a blueprint for tabletop and video game RPGs from the ‘boss fights' with fantasy creatures to the way Odysseus levels up through the tale. Professor Roger Travis explains how ancient bards engaged in a similar type of immersive storytelling as game masters today. Laura Jenkinson-Brown argues that Odysseus's choices are like a dialogue tree in a choose-your-own-adventure book. That's why she wrote one called “You Are Odysseus. Plus, John Haygood and Jonathan Drake tell me how they've created tabletop role-playing games that tap into Greek myths and reward players for embracing the values of the Homeric world. To support the show, you can donate on Patreon where you get access to the ad-free version and our companion show Between Imaginary Worlds.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hello!Welcome back to another archaeogastronomical adventure!I couldn't help myself but having Odyssey as my inspiration for this week's episode!As you probably have heard Christopher Nolan has his epic film Odyssey in official release this Friday 17th of July 2026 so I thought what better way to dive into the ancient Homeric epic poem than exploring their foods, cooking, dishes and the meaning of xenia, hospitality, kindness to strangers and welcoming others into ones house?We will also dive into the real Bronze Age Greece and the archaeological discoveries there. What do these tell about feasting, communal eating and the food of the people in the Helladic world, three thousand years ago?Enjoy!The recommendations for this week are:Did Roman Britain Ever End?Nicholas J. Higham writes about the long death of Roman Britainhttps://www.unseenhistories.com/did-roman-britain-ever-end-nicholas-j-higham/Alexandra Sills:https://www.waterstones.com/book/gladiators-in-the-greek-world/alexandra-sills//9781036130480Welsh Smokery and shop:https://welshsmokery.co.uk/about-us/our-story/Love and wineThom & The Delicious LegacySupport the podcast on Ko-Fi and Patreon for ad-free episodes!https://ko-fi.com/thedeliciouslegacypodcasthttps://www.patreon.com/c/thedeliciouslegacySupport this show http://supporter.acast.com/the-delicious-legacy. Hosted on Acast. See acast.com/privacy for more information.

Welcome to stop number two on the guys' journey from Iolcus to Colchis (and back!). With preliminaries covered, this week Dave and Jeff drfit through Book 1 of Apollonius' Argonautica and continue to puzzle over Jason's milquetoast administrative style. Is this meant to be reflective of an Athenian democratic ideal, as though Homeric arete has hit a sunset clause? And what is up with Heracles? Gone is the baudy, brawling, wine-binging, lion-wrestler. In his place we get deference, restrained statemanship, a level head, and...coach seating?  But we know you all are eager to get out to sea, so first stop Lemnos where we learn that while it's always good to pack extra Speed Stick, you don't always need it. And, tune in for the drawing of our free Hackett title, a copy of the Berg & Parker translation of Plautus and Terence: Five Comedies. 

Today on Ascend: The Great Books Podcast, we are discussing Books 20 & 21 with Mr. Thomas Lackey and Dr. Frank Grabowski. NEW ARTICLE: Why Should Christians Read Homer?Check out our COLLECTION OF WRITTEN GUIDES.In this episode of Ascend: The Great Books Podcast, Deacon Harrison Garlick and guests Dr. Frank Grabowski and Thomas Lackey dive into Books 20 and 21 of Homer's Odyssey, where the stage is set for the long-awaited slaughter of the suitors. The portents multiply: Theoclymenus's terrifying vision of the palace drenched in blood and gore, Athena's divine orchestration, and Penelope's masterful test with Odysseus's legendary bow. Amid feasts for Apollo, disloyal servants, and growing frenzy, Odysseus the beggar masters his patience while Telemachus comes fully into his own—echoing the father-son reunion and the maturation arc that began in Book 2.The conversation has rich insights on Homeric anthropology, the thumos (spirited), xenia's sacred bonds, ritual symbolism, and the limits of repentance under divine justice. Listeners will relish the similes, prophecies ignored at peril, subtle Christological resonances, and the masterful dramatic pause Homer builds before the violence erupts in Book 22. Whether you're tracking Odysseus's cunning, Telemachus's growth, or the poem's deeper moral and theological layers, this episode delivers fresh appreciation for why the Odyssey endures. Don't miss it—especially with Dr. Patrick Deneen joining soon to connect the epic to our own age. Subscribe, grab the written guide, and join the journey on Patreon, YouTube, or thegreatbookspodcast.com.Keywords: Odyssey Book 20 summary, Odyssey Book 21 analysis, Homer Odyssey Books 20 and 21, Penelope bow test, Odysseus bow contest, Theoclymenus prophecy vision, slaughter of the suitors setup, Odysseus beggar disguise, Telemachus maturation, xenia guest friendship Odyssey, divine justice in Homer, Homeric thumos anthropology, Apollo feast day Odyssey, Greek classics podcast, Great Books discussion Odyssey, Odysseus revenge portents, Penelope cunning test, Homer similes Book 20, ritual symbolism Odyssey, Christological parallels Odyssey, Ascend Great Books Podcast.

The Homeric Question and Epic Tradition. Guest: Professor Emily Wilson. The identity of Homer remains a subject of intense scholarly debate, as the Iliad emerged from a long oral tradition that existed before the return of literacy to Greece in the 8th century BCE. For centuries, performing poets developed stories of heroes like Achilles and Agamemnon, using dactylic hexameter to aid memory and performance. The Iliad is a monumental written poem that takes a sophisticated approach to these familiar tales, often subverting expectations. Interestingly, it omits many "famous hits" like the Trojan Horse, the judgment of Paris, and the actual fall of Troy. Instead, it focuses on a mere month and a half of the ten-year war, centering on internal Greek conflict rather than just a battle against Trojans. Wilson notes that while she translates the work into iambic pentameter to capture its drive, the poem itself possesses the narrative complexity of a modern novel, utilizing techniques like shifting perspectives and narrator omniscience. She also mentions lost epic poems like the Cypria, which provided more backstory on Zeus's plan to reduce the human population through war. 2

Here be dragons. Topics in this episode include why “Wandering Rocks” is the least Homeric episode of Ulysses, why the name “Wandering Rocks” isn't quite right, how Jason escaped the Wandering Rocks, how Leopold Bloom is a mightier hero than Odysseus, correspondences for “Wandering Rocks,” the “blind mechanism” of the Wandering Rocks, clockspeed, how to escape the labyrinth, Joyce's favorite board game, whether or not Joyce would have been a David Bowie fan, traps in “Wandering Rocks,” blood and currency, the precision of “Wandering Rocks,” and re-creating “Wandering Rocks” as street theater. Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast.   On the Blog: Ulysses & The Odyssey - Wandering Rocks Blooms & Barnacles Social Media: Facebook | BlueSky | Instagram Subscribe to Blooms & Barnacles: Apple Podcasts | Spotify | YouTube  

After an unexpectedly long odyssey that delayed the Watchcast's scheduled arrival, we're finally back to our movie watching ways, and launching into our month of Coen Brothers comedies, starting with the duo's southern-fried take on one of the great Homeric works in O Brother, Where Art Thou?!CHAPTERS:(00:00:00) - The Nextlander Watchcast Episode 174: O Brother, Where Art Thou? (2000)(00:01:04) - Intro(00:02:53) - It took us longer than we expected to get back, but we're finally here. Now, on a totally unrelated subject, let's talk about The Odyssey.(00:09:17) - The music, and some chatter about our main cast.(00:16:46) - Some last production notes.(00:23:32) - What was our familiarity with this one prior to this watch?(00:27:01) - Break!(00:30:01) - The blind seer's prophecy, and a night on the farm.(00:40:41) - A genuine geographical oddity, and the dreamiest Baptism you ever did see.(00:43:43) - Meeting Tommy at the Crossroads, and singin' into a can.(00:54:19) - Money talk around the campfire, and the introduction of Babyface.(01:04:55) - The sirens, a toad, and Big Dan.(01:13:17) - Homer Stokes, the Wharvey gals, and the pater familias.(01:21:59) - Reuniting with Pete, and rescuing Tommy from the klan.(01:30:11) - Everything converges at the music hall.(01:37:34) - Babyface's fate, and one last challenge to overcome.(01:44:41) - The McGills reunited.(01:46:10) - Final thoughts.(01:49:45) - Next week's movie: The Hudsucker Proxy!(01:51:57) - Outro.

Released in 1978 and directed by John Landis, National Lampoon's Animal House follows the anarchic members of Delta House fraternity at Faber College as they wage war against pompous Dean Wormer (John Vernon) and the rival Omega House. Written by Harold Ramis, Douglas Kenney, and Chris Miller, and starring John Belushi as the legendary John "Bluto" Blutarsky, the film became one of the highest-grossing comedies of its era and helped launch the modern R-rated comedy.Jeff Nelligan's satirical new book When the Germans Bombed Pearl Harbor: Animal House in Western Intellectual Thought subjects the film to mock-scholarly analysis, taking its title from Bluto's historically garbled motivational speech. Casting Animal House as a Homeric odyssey and a meditation on society's moral impulse, Nelligan lampoons academic pretension while celebrating a comedy that has embedded itself permanently in American culture. Nelligan is a Washington, D.C. public affairs executive, Army veteran, and author of several previous books on parenting and political life. Mike talks with him about the film's enduring legacy and the making of the book.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Released in 1978 and directed by John Landis, National Lampoon's Animal House follows the anarchic members of Delta House fraternity at Faber College as they wage war against pompous Dean Wormer (John Vernon) and the rival Omega House. Written by Harold Ramis, Douglas Kenney, and Chris Miller, and starring John Belushi as the legendary John "Bluto" Blutarsky, the film became one of the highest-grossing comedies of its era and helped launch the modern R-rated comedy.Jeff Nelligan's satirical new book When the Germans Bombed Pearl Harbor: Animal House in Western Intellectual Thought subjects the film to mock-scholarly analysis, taking its title from Bluto's historically garbled motivational speech. Casting Animal House as a Homeric odyssey and a meditation on society's moral impulse, Nelligan lampoons academic pretension while celebrating a comedy that has embedded itself permanently in American culture. Nelligan is a Washington, D.C. public affairs executive, Army veteran, and author of several previous books on parenting and political life. Mike talks with him about the film's enduring legacy and the making of the book.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

John has been watching the trailer for the 2026 film 'The Odyssey', starring Matt Damon as Odysseus, and something does not sit right. The Trojan War is usually dated to the thirteenth or twelfth century BC, a period associated with Mycenaean or Achaean warfare and distinctive equipment, such as boar-tusk and horned helmets. This is the world shown in archaeological reconstructions and classic works such as Peter Connolly's The Ancient Greece of Odysseus. Yet in film and illustration, the warriors of Homer's epics are almost always dressed in the armour of much later centuries. Corinthian and Chalcidian helmets recur frequently, even though these types do not appear until hundreds of years after the traditional date of the Trojan War. The Odyssey trailer continues this trend, showing both Corinthian and open-faced Chalcidian helmets among Odysseus' men. So how did this confusion of periods become so entrenched in modern depictions of Homeric warfare? Why do artists and filmmakers consistently reach for the armour of Classical Greece rather than the material culture of the Late Bronze Age? Murray unpacks how this visual tradition developed and why it has proved so hard to shift.   Join us on Patreon patreon.com/ancientwarfarepodcast  

In Marcus Tullius Cicero's Tusculan Disputations, he cites a story of Pythagoras, the man who created the term, "philosopher". His description of the philosopher is as one who comes into life not as a competitor, not in the pursuit of money or fame - but merely as a spectator, who observes and inquires into the nature of things. According to Pythagoras, this way of life is the best, by far; Cicero wholeheartedly embraces this way of understanding philosophy, as part of his consolatory project in which philosophy is seen as part and parcel with virtue. For Cicero, the worth of philosophy is that it delivers us from life's suffering. We will explore the background of Cicero's Tusculan Disputations, the Pythagorean doctrine of metempsychosis, and the Homeric convention of presenting the gods themselves as spectators. This analysis will bring us back to Nietzsche's Birth of Tragedy, as well as some of the comments he makes in his later career about the theatric element of Greek culture, and the philosopher as a spectator, who "stands aside" from the world rather than acting within it. By the end of the episode, we will pose the question of whether or not Cicero's Stoic philosophy actually constitutes a life as spectating, or whether Cicero is just another actor on the philosophical stage.

This show has been flagged as Clean by the host. This is a further look at the stories of the First Doctor, portrayed by William Hartnell, during the 1960s. The First Doctor, Part 4 Galaxy 4 This science fiction story is focused on the idea of not judging a book by its cover. The Tardis lands on a deserted, dying planet. They see a funny looking robot that Vicki calls a “Chumbley”. Then another one appears, and they investigate, but are rescued by three beautiful women who tell them they were in great danger, and take the three travelers back to their ship, where they meet the leader, Maaga, another beautiful woman. But somehow these women are odd and cold. They tell of how they met another ship from a evil race, the Rill, and that in a space battle the ships damaged each other and landed on this planet. Then later the travelers meet the Rill, who initially refuse to reveal their appearance because it would frighten the humans. Turns out they were very alien in appearance, but not at all evil, and it was the beautiful women who were evil. Mission to the Unknown This short little story takes place on the planet Kembel, and agents from Earth realize that the Daleks are here, and up to no good. This is really a prequel to The Daleks' Master Plan, and is notable as the only Doctor Who story in which none of the regular cast appears. The reason is that this is an extra episode slot given to the Doctor Who team late in the day, and the regular cast were already given vacation time off. So it is best to take this as Episode 0 of The Dalek's Master Plan, not as a stand-alone story. The original story has been lost, like so many episodes of early Doctor Who, but a very nice version was done by the University of Central Lancashire, and you can view it on YouTube. It is introduced by Edward de Souza, who played Marc Cory in the original, and is worth a look. They really did a good job. The Myth Makers This is another “historical” story, though instead of verified history it is historical legends at play here, in the form of the Seige of Troy by the Greeks. So you have all of the Homeric cast here: Achilles, Priam, Hector, Odysseus. The Doctor is taken for a God by Achilles, though Odysseus has his doubts. Vicki is captured by the Trojans and taken to Troy, calls herself Cressida, and is taken for a Goddess. Steven goes to Troy to try and free her, but is seen as a Greek, and so Vicki is now suspect. She falls in love with a son of Priam named Troilus, and you think something might happen here, particularly if you are familiar with play of Shakespeare called Troilus and Cressida. This story only has faint echoes of the play, preserving that Cressida is Greek and Troilus is Trojan. In this case it is Cressida staying with Troilus, so instead going back to the Tardis Vicki is now out. One more companion gone. This marked the departure of Verity Lambert as producer, and she was replaced by John Wiles. Wiles tried to implement changes, such as making the show a bit darker, but ran into opposition from both Hartnell and BBC Management, and resigned after producing four stories ( The Myth Makers through The Ark). And the popularity of other SF shows on television made a move to more SF and less history desirable. And as for Hartnell's opposition, it is notable that he had become quite identified with the role of The Doctor and was very proprietorial with it. This would come to pose problems later as his health declined. The Daleks' Master Plan This story arc takes twelve episodes, or thirteen if you add Mission to the Unknown, as you indeed should. The reason for such a long story arc is that Sir Huw Wheldon, the Director-General of the BBC at that time wanted a “monster length” Dalek story because his mother was a big Dalek fan. And this story has a lot going for it. The length means that you can do more character development. The story starts out with Steven recovering from a sword-thrust during the fall of Troy, and being attended by Katarina, a Trojan maiden, who is now in the Tardis. They arrive on the planet Kembel, and meet with Space Special Security agent Bret Vyon, played by Nicholas Courtney, who in a few years would become the beloved Brigadier Lethbridge-Stewart. Vyon tries to force the Doctor to take him to Earth so he can warn the planet, but the Doctor recognizes the Daleks and wants to find out more about their plans. And this brings us to one the most evil villains in Doctor Who, Mavic Chen. You see, the Daleks have assembled a group of villainous aliens to join together in conquering the Earth, and Mavic Chen is part of the group. He is also the idolized Guardian of the Solar System. So he is a traitor! Katarina, the Trojan maiden, sacrifices herself to save the others from a convict they meet on a prison planet. Another wonderful character is Sara Kingdom (played by Peggy Marsh), head of Space Special Security, who has been told by Mavic Chen that Vyon and the others are traitors, and who kills Vyon, who is in fact her brother! But they manage to convince her that Chen is the real traitor, and she joins them. In the middle of this story arc Christmas happened, and this resulted in the most absurd episode ever of Doctor Who, called The Feast of Steven, capped by the Doctor breaking the fourth wall. The episode is now among the missing. but you can find reconstructions on YouTube if you want to see the absurdity of it. And there is a re-appearance of The Meddling Monk. This is a sprawling story, but overall worth a look. Mavic Chen, played by Kevin Stoney, is delightfully evil, and Stoney would return to play another villain in the Troughton story The Invasion. and it is interesting to see Nicholas Courtney before he got the role he would always be identified with. Doctor Who would not do anything this large again until _The Flux_ in 2021, and frankly this story makes more sense. The Massacre of St. Bartholomew's Eve You will often see this as simply The Massacre, which is fine since there is no other story with a similar title. And after that massive science fiction story, another historical story. This involves the true story of Protestants in France being massacred by the Catholics, and the main feature worth calling our here is that William Hartnell plays two roles in this story. He is the Doctor, of course, but also the Abbott of Amboise, a leader among the Catholics looking to rid France of the Protestants. This idea of playing two parts became even more nicely done by Patrick Troughton later in Enemy of the World. In any case, this leads to confusion by Steven who thinks the Abbott is actually the Doctor. In the story a servant girl named Anna Chaplette is rescued, and this opens up the interesting possibility that she is the ancestor of Dodo (i.e. Dorothea) Chaplet, a companion who appears at the end. She witnesses a car crash, and barges into the Tardis thinking she can call the police. While the novelty of Hartnell playing two parts may stand out on first look, this story is really a showcase for Peter Purves, in his role of Steven Taylor. Because Hartnell is not on screen very much, Purves really has to carry the plot, and does so admirably. Hartnell was on vacation when the second episode was filmed, and so didn't appear at all. And his health problems were beginning cause problems which contributed to this situation. He was having a lot of trouble with remembering his lines, which is a real problem for an actor. He was not that old by current standards, as he was 58 when this story was produced, and as I am 73 as I write this, 58 seems more like late youth to me. The Ark The Tardis materializes on a spaceship in the far future. It is carrying the future of the human race to a new planet, Refusis 2, because the Earth is falling into the sun. But it also has an odd race called the Monoids, who have one eye. They are an alien race who came to Earth when their own planet was dying, and now they serve the humans. Unfortunately, the Tardis crew carries germs for which humans and Monoids on the Ark have no immunity, and sickness breaks out. One faction wants to kill the Doctor and his companions, but instead the Doctor finds a cure for the disease, and they leave on the Tardis. Then the Tardis materializes back on the Ark, but they discover that hundreds of years have passed. The Monoids have rebelled and taken over, and now the humans serve them. As the old saying has it, be kind to those you meet on the way up, for you will meet them again on the way down. Links: https://en.wikipedia.org/wiki/Galaxy_4 https://en.wikipedia.org/wiki/Mission_to_the_Unknown https://www.youtube.com/watch?v=NW8yk-m5Ig8 https://en.wikipedia.org/wiki/The_Myth_Makers https://en.wikipedia.org/wiki/Troilus_and_Cressida https://guide.doctorwhonews.net/person.php?name=JohnWiles https://en.wikipedia.org/wiki/The_Daleks%27_Master_Plan https://www.imdb.com/title/tt0785302/ https://tardis.fandom.com/wiki/The_Flux https://en.wikipedia.org/wiki/The_Massacre_(Doctor_Who) https://en.wikipedia.org/wiki/The_Ark_(Doctor_Who) https://www.palain.com/science-fiction/intro-to-doctor-who/the-first-doctor-part-4/ Provide feedback on this episode.

Episode 201‘Troilus and Cressida', is a challenging piece by pretty much everybody's estimation. Although it is no surprise that Shakespeare looked to the Homeric tales for his next inspiration which part of that story he chose to dramatize perhaps is and what he chose to do with it has perplexed commentators ever since. Ambiguous is the word most often used, but ultimately opinions range through ‘failure' to ‘misunderstood' to ‘modernistic', and just about everything else in-between. The early print history and dating of the playThe confusion caused by the two quarto versions and the First Folio versionThe source material for the playA brief synopsis of the play‘Troilus and Cressida' as a ‘problem play'The PrologueThe play as an ensemble pieceThe ignoble nature of the characters in the playCassandra as the voice of truthTroilus and his view of CressidaIs there a parallel with Romeo and Juliet?The portrayal of Achilles and HectorUlysses and the ‘great chain of being' argumentWas the play written for the Inns of Court?Pandarus and the bitter ending to the play explainedThe critical reception of the playThe performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

In this episode, I'm joined again by Dr. Chrysovalantis Kyriacou where we discuss the ακριτικά τραγούδια i.e., the Acritic Songs! These are heroic ballads from the borderlands that emerged between the 9th and 11th centuries, highlighting semi- mythological figures like the legendary Digenis Akritas. Passed down through performances at festivals and weddings -- often created and performed by or for rural peasants -- these songs provide rare insight into the lives, struggles, and values of marginalized medieval communities. Their transmission reflects both elite and popular storytelling styles, often mixing Homeric, Christian, and local themes. In Cyprus, these songs were adapted into the local dialect. They also included unique Cypriot experiences, like in The Song of Antzoules, which reflects Cypriot responses to events in Anemourion in Anatolia and subsequent Frankish rule. In Cyprus, the legend of Digenis is imprinted on the land itself, from his handprint on the Pentadaktylos to the rocks of Petra tou Romiou, once believed to have been hurled at Saracen ships by Digenis himself! P.S. In this episode I learn that Vikings (VARANGIANS) may have been stationed in Cyprus!

HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 500 AD ALEXANDRIA

Poet and Storyteller Jay Leeming reads and comments on book one of Homer's Odyssey. Note: Unusually for this podcast this is not a storytelling performance but a reading, for those who wish to dive a little deeper into the Homeric version of this story which has inspired my own.  www.JayLeeming.com

THE AENEID'S PLOT AND HOMERIC INFLUENCES Colleagues Scott McGill and Susanna Wright. McGill and Wright summarize the plot, from Troy's destruction to the war in Italy. They analyze Virgil's dialogue with Homer, noting how the poem's opening words invoke both the Iliad's warfare and the Odyssey's wanderings. They also highlight the terrifying, visual nature of Virgil's depiction of the underworld. NUMBER 11

The Author Events Series presents The Aeneid: Translating the Classics with Emily Wilson, Scott McGill, and Susannah Wright Crafted during the reign of Augustus Caesar at the outset of the Roman Empire, Virgil's Aeneid is a tale of thrilling adventure, extreme adversity, doomed romance, fateful battles, and profound loss. Through its stirring account of human struggle, meddling gods, and conflicting destinies, the poem brings to life the triumphs and trials that led to one of the most powerful societies the world has ever known. Unlike its Homeric predecessors, which arose from a long oral tradition, the Aeneid was composed by a singular poetic genius, and it has ever since been celebrated as one of the greatest literary achievements of antiquity. This exciting new edition of the Aeneid, the first collaborative translation of the poem in English, is rendered in unrhymed iambic pentameter, the English meter that corresponds best, in its history and cultural standing, to Virgil's dactylic hexameter. Scott McGill and Susannah Wright achieve an ideal middle ground between readability and elevation, engaging modern readers with fresh, contemporary language in a heart-pounding, propulsive rhythm, while also preserving the epic dignity of the original. The result is a brisk, eminently approachable translation that captures Virgil's sensitive balance between celebrating the Roman Empire and dramatizing its human costs, for victors and vanquished alike. This Aeneid is a poem in English every bit as complex, inviting, and affecting as the Latin original. With a rich and informative introduction from Emily Wilson, maps drawn especially for this volume, a pronunciation glossary, genealogies, extensive notes, and helpful summaries of each book, this gorgeous edition of Rome's founding poem will capture the imaginations and stir the souls of a new generation of readers. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia. Scott McGill is Deedee McMurtry Professor in Humanities at Rice University. He lives in Houston, Texas. Susannah Wright is an assistant professor of classical studies and Roman history at Rice University. She lives in Houston, Texas. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 10/14/2025)

The Homeric Question and Narrative Choices: Colleague Emily Wilson addresses the "Homeric Question," describing the transition from oral tradition to written text around the 8th century BCE, discussing how the Iliad subverts audience expectations by omitting famous events like the Trojan Horse, focusing instead on a brief period of intense conflict and internal Greek strife. 1200 AD ILLIAD

Epic poetry, notably the Iliad and the Odyssey, stands as one of the most enduring legacies of ancient Greece. Although the impact of these epics on Western civilization is widely recognized, their origins remain the subject of heated debate. Were they composed in a single era or over the course of centuries? Were they crafted by one or by many poets? Do they reflect historical reality? These and other important questions are answered in this book. Michael Cosmopoulos, in The World of Homer: Archaeology, Social Memory, and the Emergence of Epic Greek Poetry (Cambridge UP, 2025), reconstructs the world of the Homeric poems and explores the interplay between poetry, social memory, and material culture. By integrating key insights from archaeology, philology, anthropology, and oral tradition, he offers a nuanced perspective of the emergence and early development of Greek epic. His wide-canvas approach enables readers to appreciate the complexity of the Homeric world and gain a deeper understanding of the intricate factors that shaped these magnificent poems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Epic poetry, notably the Iliad and the Odyssey, stands as one of the most enduring legacies of ancient Greece. Although the impact of these epics on Western civilization is widely recognized, their origins remain the subject of heated debate. Were they composed in a single era or over the course of centuries? Were they crafted by one or by many poets? Do they reflect historical reality? These and other important questions are answered in this book. Michael Cosmopoulos, in The World of Homer: Archaeology, Social Memory, and the Emergence of Epic Greek Poetry (Cambridge UP, 2025), reconstructs the world of the Homeric poems and explores the interplay between poetry, social memory, and material culture. By integrating key insights from archaeology, philology, anthropology, and oral tradition, he offers a nuanced perspective of the emergence and early development of Greek epic. His wide-canvas approach enables readers to appreciate the complexity of the Homeric world and gain a deeper understanding of the intricate factors that shaped these magnificent poems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Epic poetry, notably the Iliad and the Odyssey, stands as one of the most enduring legacies of ancient Greece. Although the impact of these epics on Western civilization is widely recognized, their origins remain the subject of heated debate. Were they composed in a single era or over the course of centuries? Were they crafted by one or by many poets? Do they reflect historical reality? These and other important questions are answered in this book. Michael Cosmopoulos, in The World of Homer: Archaeology, Social Memory, and the Emergence of Epic Greek Poetry (Cambridge UP, 2025), reconstructs the world of the Homeric poems and explores the interplay between poetry, social memory, and material culture. By integrating key insights from archaeology, philology, anthropology, and oral tradition, he offers a nuanced perspective of the emergence and early development of Greek epic. His wide-canvas approach enables readers to appreciate the complexity of the Homeric world and gain a deeper understanding of the intricate factors that shaped these magnificent poems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Epic poetry, notably the Iliad and the Odyssey, stands as one of the most enduring legacies of ancient Greece. Although the impact of these epics on Western civilization is widely recognized, their origins remain the subject of heated debate. Were they composed in a single era or over the course of centuries? Were they crafted by one or by many poets? Do they reflect historical reality? These and other important questions are answered in this book. Michael Cosmopoulos, in The World of Homer: Archaeology, Social Memory, and the Emergence of Epic Greek Poetry (Cambridge UP, 2025), reconstructs the world of the Homeric poems and explores the interplay between poetry, social memory, and material culture. By integrating key insights from archaeology, philology, anthropology, and oral tradition, he offers a nuanced perspective of the emergence and early development of Greek epic. His wide-canvas approach enables readers to appreciate the complexity of the Homeric world and gain a deeper understanding of the intricate factors that shaped these magnificent poems. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWe tend to think of the Athenians as philosophers, architects, and mathematicians. But their highest devotion was rather to sports and to music. These priorities are evident from their system of education, in which young Greek men were trained to compete in the Olympics as well as to sing and dance in the chorus. They were jocks. Think of the tragic playwright Aeschylus, who despite his literary accomplishments was remembered in his epitaph merely as a warrior at the Battle of Marathon. A man's man. So when Socrates and the sophists came around, the defenders of old-style musical and athletic education scoffed at the sickly, ugly, and weak men that philosophical and rhetorical training produced: in other words, a bunch of nerds. In this episode, Jonathan and Ryan discuss what the comic Athenian poet Aristophanes called ἡ ἀρχαία παιδεία, i.e. that old-time education of Athens.Henri-Irénée Marrou's A History of Education in Antiquity: https://bookshop.org/a/25626/9780299088149NH episode on Homeric education: https://newhumanists.buzzsprout.com/1791279/episodes/17406673-how-to-raise-an-achilles-episode-xciThucydides' The Peloponnesian War: https://bookshop.org/a/25626/9780684827902Aristophanes' Clouds: https://amzn.to/46GYaeKCato's De agri cultura: https://penelope.uchicago.edu/Thayer/L/Roman/Texts/Cato/De_Agricultura/A*.htmlPete Hegseth's and David Goodwin's Battle for the American Mind: https://amzn.to/4gHQEoxJacob Burckhardt's Civilization of the Renaissance in Italy: https://bookshop.org/a/25626/9781617206047New Humanists episode on Alcuin and Charlemagne: https://newhumanists.buzzsprout.com/1791279/episodes/15992673-the-barren-contemplative-life-episode-lxxviiiHerodotus' Histories: https://bookshop.org/a/25626/9781400031146New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

There's so much info to share about Canopus that it needed a second episode!In this episode, we take a look at some of the myths and deities associated with Canopus as well as earlier finds that have provided us with important details about the city.According to myth, the city began a the site where a Homeric hero met a gruesome end. It grew to become the main trade hub connecting Mediterranean routes to the Nile, a sacred city of several deities, and an internationally famous center of healing.Under the Ptolemies, Canopus became the site of the Mysteries of Osiris, blending Greek and Egyptian rituals of death and rebirth in order to gain sacred knowledge. We'll explore all we know about this mysterious annual ritual and others that were held here.TranscriptsFor transcripts of this episode head over to: https://archpodnet.com/tpm/23LinksSee photos related to episode topics on InstagramLoving the macabre lore? Treat your host to a coffee!Info on Canopus and Other Underwater Archaeology Projects in Alexandria from Lead Archaeologist Franck GoddioAncient recipes for cyprinum, a perfume made from henna grown at CanopusText of Canopus DecreeText of Nicander's TheriacaWorks CitedAbdel-Rahman, R. 2018. Recent Underwater Excavations at Thonis-Heracleion and Canopus. Annales Du Service Des Antiquités de l'Égypte (ASAE) 92:233–258.Buraselis, K., M. Stefanou, and D. J. Thompson. 2013. The Ptolemies, the Sea and the Nile. Cambridge University Press, Cambridge.Egypt Museum. Canopus & Heracleion: Sunkencities.Fraser, P. M. 1972. Ptolemaic Alexandria. Oxford University Press, Oxford.Goddio, F., and A. Masson-Berghoff. 2016. Sunken Cities: Egypt's Lost Worlds. Thames & Hudson / British Museum, London.Goddio, Franck. Projects: Sunken Civilizations: Canopus.Lavan, L., and M. Mulryan (editors). 2011. The Archaeology of Late Antique Paganism. Brill, Leiden.MacDonald, W. L., and J. A. Pinto. 1995. Hadrian's Villa and Its Legacy. Yale University Press, New Haven.Marriner, N., C. Morhange, and C. Flaux. 2017. Geoarchaeology of the Canopic Region: A Reconstruction of the Holocene Palaeo-Landscapes. Méditerranée 128:51–64.PAThs-ERC. East Canopus: Sacri Lapides Aegypti.Sidebotham, S. E. 2011. Berenike and the Ancient Maritime Spice Route. University of California Press, Berkeley.Sidebotham, S. E. 2019. Ports of the Red Sea and the Nile Delta: Trade and Cultural Exchange. In The Cambridge Companion to the Roman Economy, edited by W. Scheidel. Cambridge University Press, Cambridge.ArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN ShopAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What hath Athens to do with Jerusalem, Corinth with Philadelphia, or Ephesus with Ft. Lauderdale? Perennial questions these, no doubt, and it doesn't take a Tertullian to ask or answer them. Charles Sumner, Nathaniel "Crimson Digit" Hawthorne, James Fenimore Cooper, or Charles Francis Adams will do. Join the guys this week for the penultimate look at Carl Richard's taut, thrilling, barn-burner, as we peel back the layers on the relationship between Christianity and Classical culture at the apogee of the latter's popularity in those British castoffs, the former colonies. Does pagan morality dovetail nicely with the Christian faith, or is it sharply at odds? What of the antithesis between Christ's "love your enemies and pray for those who hate you", and the Homeric honor code of strict vengeance? Is this conflict real or imagined? And, just how much nudity is acceptable in statuary and painting, whether a Venus di Urbino, or George Washington, who, says Hawthorne, had so much gravitas that he was born clothed? All this and more, plus the usual servings of bad puns (not all Dave's, as it turns out). Don't miss this!

In 2017, Emily Wilson became the first woman to translate Homer's The Odyssey into English – more than three millennia after the epic's inception. In the second installment of our Back to School series, Wilson talks with NPR's Lauren Frayer about how she approached aspects of her translation, including social hierarchies and Homeric epithets.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week, Jeff and Dave wrap up the third installment in their brief series on Plato's Apology. So what exactly is Socrates' daimon? Is it like conscience, sometimes accusing, sometimes excusing? Is it similar to what the apostle Paul describes in Romans 2.14-15? If so, how come Socrates' inner voice never motivates him toward action, but only seeks to drive him away from something? And, is Socrates really being honest when he says he is no threat to traditional Athenian religion, seeing how his definition of the divine is anything but Homeric, but rather consists in a newly strict ethical conception, wherein the gods must -- gasp -- behave at least as well as their worshippers? And finally, what's Dave got against Shawshank? Is there any way to redeem this episode? O Chalupa, just tune in to find out!

In this episode of the Ascend the Great Books podcast, Deacon Harrison Garlick and guests delve into the complexities of Plato's Euthyphro, exploring themes of piety, morality, and the divine - including the famous "Euthyphro Dilemma." The podcast welcomes back Dr. Joey Spencer, who serves as a tutor of theology, an archivist, and an expert in angels and demons.Check out thegreatbookspodcast.com for our reading schedule and more!Check out our collection of written guides on the great books!Check our Part I of the Plato's Euthyphro if you missed it!From the guide:What is the Euthyphro Dilemma?The Euthyphro Dilemma, introduced at 9(d), is the dialogue's most famous section, where Socrates asks: “Is the pious being loved by the gods because it is pious? Or is it pious because it is being loved by the gods?” It is a question of causality. The first part or “horn” of the dilemma asks whether the pious is something objective loved by the gods, i.e., “is the pious being loved by the gods because it is pious?” The second horn of the dilemma asks whether the pious whatever the gods will, i.e., “or is it pious because it is being loved by the gods?” The two horns are mutually exclusive and present contrary philosophical views: objective versus subjective; or realism versus voluntarism. The Euthyphro dilemma is not reducible to issue of piety but represents a rhetoric template Socrates will have recourse to time and time again to determine whether the definition of a thing is something objective that is discovered or something subjective that is made. For example, the Euthyphro dilemma is often rewritten concerning the good: “Is the good being loved by the gods because it is good? Or is it good because it is being loved by the gods?” It is often written in a monotheistic manner as well: “Is the good being loved by God because it is good? Or is it good because it is being loved by God?”. The Euthyphro dilemma used here ferrets out the nature of piety and the divine, but it represents a greater dilemma that is foundational to human thought: realism versus voluntarism. To wit, is truth discovered or is it made?What observations may be made about the first horn of the dilemma?The first horn posits that piety is an objective reality, an independent Idea or Form, and is loved by the gods because of its intrinsic nature. As Deacon explains, piety is good and just in se, and thus the gods love it. The first horn presents a metaphysical reality in which concepts, like piety, have a true, objective universal definition. It represents Plato's Ideas. Moreover, as Deacon notes, the first horn makes a comment about the divine as well—as the gods do not create piety but rather adhere to it. Like in Antigone, the gods are adhering to law or standard of goodness. Piety's essence is not contingent on divine approval but is a standard to which the gods conform, as Thomas suggests, pointing to “a universal that stands outside them.” This is significant because it challenges the traditional Homeric view where the divine wills define morality, instead positing that the gods recognize piety's goodness, as seen in Euthyphro's earlier intuition that Zeus is “the most just” god, implying a standard of justice above the gods, as Dr. Grabowski notes.Dr. Spencer comments that the Homeric tradition shows that the gods do not agree or otherwise adhere...

7/8. Professor Emily Wilson's translation of The Iliad powerfully conveys the vivid and often gory reality of Bronze Age combat. The poem meticulously details how men died, showing the brutality of warfare. A crucial aspect of Homeric battle culture, as highlighted by Wilson, is the understanding that once a warrior is dead, their body and armor must be protected and treated honorably. The desecration of corpses, like Achilles dragging Hector's body, is a profound act of humiliation, intended to further punish the enemy beyond death. 1599 ARMS FOR ACHILLES

4/8. Professor Emily Wilson's translation of The Iliad underscores the powerful, ancient tradition of women's lament, prominently featured in the poem's conclusion. Women like Helen, Hecuba, and Andromache are depicted not only weaving but primarily grieving for the dead and for their own bleak, often enslaved futures. Helen, uniquely, weaves the sufferings of the war and offers commentary on the Greeks, while Hecuba embodies both infinite grief and rage, a rare expression for women in Homeric society. 12TH BCE HITTITE BULL

Sub to the Patreon to support the show and access the entire 2nd part of PPM's subtextual analysis of Eddington as soon as it drops: patreon.com/ParaPowerMappingIn which we decode Eddington's subtextual conspiracy themes, endeavoring to argue that the new Ari Aster is perhaps the first major, theatrically released film to have accurately encapsulated the essence of the technocratic AmerIsraeli Years of Lead—in accordance with my personal timeline of the ongoing deep political era that would place its inception around Covid time—and the Silicon Valley capitalist elite's embrace of strategy of tension in the cybernetic service of of updating America's Total Info Awareness 2.0 operating system and the installation of their long planned predictive policing panopticon.We discuss: why the appearance of the globo "Antifa PMCs" isn't actually crypto-MAGA chicanery (seeing as they are Gladio operators); Joaquin Phoenix's turn as Sheriff Joe Cross, a Gen X, mumblecore, adoptive son of Sheriff Joe Arpaio type; Eddington as Nashville esque ensemble comedy cum Coen Brothers Covid Wester with the accompanying masking/social distancing standoffs; diagnosing the alienation and social media siloing of the wokespeak & QAnon brain rot of that hot 2020 summer; the role of calibrated algorithmic control; Sheriff Cross's Israeli Civil Guard pin in the OG script; the unfortunate executive production of Len Blavatnik, the Zio·nist billionaire "philanthropist" tied to Brett Ratner, Weinstein, the Bronfmans, etc, mulling whether he might have vetoed the inclusion of that visual gag on Sheriff Joe's regalia vest; the Solidgoldmagikarp Proposed Hyperscale Data Center project, the underlying Pynchon-esque real estate development and land and water use conspiracy; the schizophrenic drifter character Lodge, who opens the film, and his Homeric oracle qualities, spiritually warning against the onset of the Age of AI-quarius; Mike the One Armed Man from Twin Peaks comparisons; Pynchonian Lodge puns; Chekhov's Cough; Louise Cross, Sheriff Cross's wife, the one other farsighted character, and her haldol prescription, evoking Twin Peaks again; a demonic Mark Zuckerberg hinted at as one of the shadowy backers of the Solidgoldmagikarp Data Center in the earlier draft; Gov. Grisham making it into the film by way of an honorary watch and Covid headlines; the David Dees vibe of the cell towers in the opening sequence and various 5G diatribes; Aster lurking on Twitter; an earlier version of the second scene in which Sheriff Cross wrestles with Officer Butterfly Jimenez over who gets to investigate the self-immolation death of a paraplegic conspiracy Youtuber named Mitchell and the Native school uniforms discovered in his accessible van (evoking Missing Indigenous Children); the film's abiding interest in the neocultures that have cropped up around QAnon & pedo-hunters; borderlands and issues of jurisdiction between the Sevilla Co. Sheriff and the Santa Lupe Pueblo Tribal Officers; Cesar Chavez & Dolores Huerta's (a New Mexican) Hispanic borderlands community union LUPE aka La Union de Pueblo Entero aka The Union of the Whole People; Santa Lupe Pueblo = SLP = Speech Language Pathologist?; the neighboring, colonized tribal peoples, at their slight remove from Eddington and Treatlerite American society moreover, being the observers best prepared to pathologize the alienation and atomization and societal decay taking hold in the town over Covid; in regards Speech Language Pathologists, the ever-present theme of miscommunication and the deterioration of consensus reality caused by social media echo chamber-induced myopia, as well as the specter of LLMs or Large Language Models; "Solidgoldmagikarp" alluding to AI & ChatGPT tokens that cause anomalous or erratic behavior...FULL LINER NOTES ON THE PATREONMusic:| Matt Akers - "Necessary Rhythms" https://matthewakers.bandcamp.com/album/tough-to-kill | | Matt Akers - "Night Drive II (Detroit at 2 AM" |

In this bonus episode, Dr. Christian Körner takes us into the world of Iron Age Cyprus and its city-kingdoms, exploring the foundation myths that shaped their identities. With legendary figures like Pygmalion, who fashioned a statue that came to life; Myrrha, the tragic mother of Adonis; and Teucer, the exiled half-brother of Ajax who is said to have founded Salamis. Other examples include Acamas, son of Theseus, who was linked to the founding of Soli; Agapenor, the Arcadian king who settled in Paphos after the Trojan War; and Kinyras, the mythical king of Cyprus associated with Aphrodite's cult and with musical and priestly traditions that echo Greek heroic ideals. Körner explains how these myths should be seen as intentional histories, crafted to serve political, cultural, or even propagandistic purposes at the time they were written down. While many stories link Cypriot origins to Athenian or Homeric heroes, others, like those of Amathus and Paphos, emphasize local roots. He also highlights how these myths often aimed to explain place names, assert legitimacy, or reinforce alliances—effectively serving as ancient “branding campaigns” for the cities, reinforcing cultural ties while also asserting the island's unique local identity.

“In a famous episode, he says his name is Nobody, which in a way is obviously a lie,” says writer, scholar, and translator Daniel Mendelsohn in this episode of The World in Time. “But in another way is sort of true because he has become a nobody, right? And another way to describe the sort of narrative arc of The Odyssey is: he has to go from being a nobody and reclaim his identity and be a somebody again. So, the question of the nature of identity—you know, he's been changed by twenty years of aging, by trauma, by terrible suffering, and yet when he gets home, he has to ‘prove,' quote-unquote, that he is the same person who left. And that, I think, raises one of the most fascinating questions of the epic—and this speaks to something we know about from our own lives—which is: is there a part of you that remains the same despite the changes that we undergo in life? And that's the sort of paradox, I think, that's at the center of the poem. Everybody changes in twenty years, and yet you feel the same in many ways. The Odyssey delves into these very profound questions.” This week's episode of The World in Time is the first in a series of episodes about The Sea (Summer 2013). Donovan Hohn speaks with Daniel Mendelsohn about his new translation of The Odyssey, traveling back to antiquity in search of the origins of the Homeric epic. Then, in archival audio from 2013, editorial board member Aidan Flax-Clark interviews Lewis H. Lapham about his childhood reading of Moby-Dick, about Lapham's greenhorn voyages, and about a doomed shipwreck hunt in the early 1960s that Lapham wrote about for The Saturday Evening Post.

On this episode of Grease the Wheels, Uncle Jimmy is back in the OG Rock and Roll Garage after a Homeric odyssey to get to New York from Texas. As a result, Erik the Producer is in studio to talk about some of the digital tools that we have been working on to help make your lives easier, and make you more money! We are talking Video MPI Training, a fully flushed out K-Plan with some help from our friends in academia, ASE Test Prep, and so much more! We also talk about the brands that we work for, the state of the business in general, the massive shifts in the market because of tariff fears, training, and the blistering rate at which some of the EV's we work on and sell eat tires. We also do a short dive on some of the digital witchcraft that started it all, and how reverse engineering how people are looking for cars has completely changed how sales departments function. Bottom line, we listened to the techs who understand it best, and built the solutions that will actually fix some of the major problems in the industry. Also, Uncle Jimmy hasn't found anyone who dislikes the Slate EV Pickup Truck!  

Telepylos and Homer's Odyssey In Homer's Odyssey, Telepylos is described as the city of the Laestrygonians, a race of giants who ambush Odysseus and his crew. The vivid depiction includes towering cliffs, a narrow harbor entrance, and dramatic landscapes, suggesting a location of strategic maritime importance. Traditionally dismissed as myth, these detailed descriptions raise the question: could Telepylos have been a real place, its memory preserved through oral storytelling? By analyzing Homeric texts alongside physical data from the region between Malta and Sicily, this study investigates the plausibility of identifying Telepylos as a submerged site.Spanning approximately 80 square kilometers, the site lies at a depth of 250 meters between Sicily and Malta and features striking geometric formations. A central mound, comparable in scale to the Great Pyramid of Giza, and an encircling canal—529 meters wide and 50 meters deep—underscore the engineering sophistication of this ancient settlement. These features suggest a city of immense scale and importance, potentially serving as a waypoint for ancient mariners. Through a recalibration of sea-level models using datasets from EMODnet and GEBCO, this study proposes that the Mediterranean basin, isolated from the Atlantic during the Last Glacial Maximum (LGM), experienced a localized sea-level drop to approximately -250 meters, exposing vast landscapes suitable for human settlement. This stable plateau, lasting nearly 3,000 years, likely provided the conditions for Telepylos and similar civilizations to thrive before a gradual sea-level rise submerged the city by 8,600 BC. Unlike Atlantis, Telepylos's submersion was not sudden but marked by centuries of encroachment as nature slowly reclaimed the city. The findings challenge conventional paradigms about LGM sea levels and ancient Mediterranean civilizations.André Chaisson is a seasoned civil engineering designer with over 25 years of CAD experience, including five years as a senior designer shaping large-scale infrastructure projects. With a knack for crafting plans and maps—honed through work on urban designs, municipal systems, and bathymetric surveys—he built a career grounded in pragmatism. Yet beneath the surface, a lifelong fascination with the mysteries of the past, from Atlantis to the Great Pyramids, simmered quietly. Self-taught with years of college education, including naval architecture, he's now channeling his skills into a bold new chapter. Already, he's uncovered the lost city of Telepylos, a discovery he's determined to bring to the world's attention. With sights set on revealing Atlantis next, André is on a mission to rewrite the history of humankind. Humble yet driven, he aims to spark a renaissance in archaeology, blending meticulous expertise with an adventurer's heart to inspire future exploration.https://grahamhancock.com/author/andre-chaisson/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Welcome back to The Literary Life podcast and our series on J. K. Rowling's Harry Potter: Book 1. After sharing some thoughts on detective fiction as it relates to Rowling, our hosts Angelina Stanford and Thomas Banks discuss chapters 8-12. Some of the ideas they share are the following: Homeric echos and classical allusions in this book, the identity quest, the significance of characters' names, the four houses and the bestiary, the three parts of the soul, the Christian influence on Rowling's stories. Angelina also seeks to teach something about symbolism and structure of literature and art as seen through the Harry Potter books.  Visit HouseofHumaneLetters.com for updates on classes with Angelina, Thomas, and other members of their teaching team. To view the full show notes for this episode including book links, quotes and today's poem, please visit https://theliterary.life/281. 

On this episode of The Jon Gordon Podcast, I sit down with Rafi Kohan, author, cultural observer, and the mind behind Trash Talk: The Only Book About Destroying Your Rivals That Isn't Total Garbage.   What started as a casual Zoom between new friends quickly turned into a lively deep dive into the world of competitive banter, all captured here in real time. Together, Rafi and I explore the fascinating, untold science and history of trash talk. He breaks down why trash talk is more than just gamesmanship on the field, it's a fundamental part of human behavior, threaded through ancient stories from the Bible to the Homeric poems, and alive in everything from politics to playgrounds. We get into how trash talk manipulates attention, anxiety, motivation, and even performance, and why some of the world's greatest athletes and public figures use it to their advantage.   Rafi shares wild stories, including some next-level antics from a soccer goalie who turned mental distraction into an art form, reveals why even the most positive folks can't resist a little friendly ribbing (looking at you, Ken Blanchard), and reflects on how the lessons of trash talking stretch far beyond sports, touching on politics, performance, resilience, and even moral character. We also riff on modern-day masters of the craft (think Muhammad Ali to Donald Trump) and the fine line between competition that lifts us up versus rivalry that tears us down. If you've ever wondered why we talk smack, how to handle it when it happens, or what it really says about us, you'll find insight and plenty of laughs in this episode.   Whether you're a serious competitor, a sports fan, or someone who's just curious about why people do what they do, this conversation brings fresh perspective, energy, and practical takeaways on embracing pressure, building grit, and becoming the kind of rival that makes everyone better. And yes, there's a little trash talk between us too. If you want to rethink the way you handle challenges, on the court, at work, or in life, this episode is for you.   Rafi Kohan is an award-winning sports journalist and dynamic keynote speaker. He is the author, most recently, of Trash Talk: The Only Book About Destroying Your Rivals That Isn't Total Garbage, which explores the phenomenon of verbal gamesmanship in sports, and everywhere, and what it reveals about our ability to perform under pressure.    About Rafi,   Kohan's first book, The Arena, is a wide-ranging examination of the modern American sports stadium and was a finalist for the 2018 PEN/ESPN Award for Literary Sports Writing. Previously, Kohan has served as deputy editor at the New York Observer and as executive editorial director for the Atlantic's creative marketing studio. His writing has appeared in numerous publications, including GQ, the New York Times, Men's Journal, Rolling Stone, and the Wall Street Journal, among many others, and his thought leadership on the surprising benefits of trash talk has been featured on Fast Company, Scientific American, NPR's Science Friday, BBC's Unexpected Elements, and Re:Thinking with Adam Grant.   Here's a few additional resources for you… Follow me on Instagram: @JonGordon11 Order my new book 'The 7 Commitments of a Great Team' today! Every week, I send out a free Positive Tip newsletter via email. It's advice for your life, work and team. You can sign up now here and catch up on past newsletters. Join me for my Day of Development! You'll learn proven strategies to develop confidence, improve your leadership and build a connected and committed team. You'll leave with an action plan to supercharge your growth and results. It's time to Create your Positive Advantage. Get details and sign up here. Do you feel called to do more? Would you like to impact more people as a leader, writer, speaker, coach and trainer? Get Jon Gordon Certified if you want to be mentored by me and my team to teach my proven frameworks principles, and programs for businesses, sports, education, healthcare!

Dr. Joel Christensen, a professor of Classics at Brandeis University, joins Lexie to discuss how his childhood in rural Maine and frequent library visits led to a passion for classics, finding parallels between Homeric themes and modern narratives, and re-analyzed Joseph Campbell's 'Hero of a Thousand Faces,' critiquing its limitations while highlighting its impact on modern storytelling. So tuck in your togas and hop aboard Trireme Transit for this week's exciting odyssey! Don't forget to follow us on Twitter, Facebook & Instagram or visit our website www.theozymandiasproject.com! Originally recorded December 2, 2024.Learn more about Dr. Christensen: https://scholarworks.brandeis.edu/esploro/profile/joel_christensen/overview Follow him on Bluesky (ft. Hermes): https://bsky.app/profile/sentantiq.bsky.socialFollow him on Twitter: https://x.com/sentantiq Sign up for his substack: https://joelchristensen.substack.com/ Support us on Patreon: https://www.patreon.com/TheOzymandiasProject Custom music by Brent Arehart of Arehart Sounds and edited by Dan Maday.  Hosted on Acast. See acast.com/privacy for more information.

Nikita: Leaving Russia. The psychedelic lineage. Humanity is a trip, not a species ... 16 years ago, Boris took such a good nap after visiting a sacred Ancient Greek site that he still thinks about it ... In The Dark Places of Wisdom: mystical practices at the root of Western civilization ... What makes us feel we belong: identity & community ... Humanity as a planetary force ... What makes us feel we belong: values & norms ... What makes us feel we belong: direct experience ... Psychedelics & meditation in service of planetary identity ... “To be” comes from the word "to grow", "am" & "is" from "to breath" ... Rationalists ... How Socrates got himself killed ... What makes us feel we belong: awareness of inter-dependence ... Gaia, humanity, and AI are 3 generations of planetary forces ... Zizians. There's something to be said about dogma ... “DMT, death, and nanobots are the same thing, somehow” ... Humanity is still being born ... Ideas are alive ... JFK's "my fellow Americans" address, in which he casts the country as a peer to the citizen ... VR brings us back into the body ... The human experience is an image that arises from the play of ideas and matter ... Agency found in choosing one's metaphors ... Ta-Nehisi Coates's The Message ... Homeric rhapsodes ... Conversation as distributed thinking ...

A Ruminant of Homeric length about the distress of the liberal world order will be released tomorrow, but the fallout from the meeting between Ukrainian President Volodymyr Zelensky and U.S. President Donald Trump today necessitated a rapid emergency rant. Enjoy your bonus episode and the sunsetting of American honor. The Remnant is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including Jonah's G-File newsletter, regular livestreams, and other members-only content—click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's Hermes Historia Michaela tells Liv the Homeric origins of her favourite messed up ancient family... For future episodes of Hermes Historia (aside from a few one offs we might release now and then!) subscribe to the podcast's Patreon. The Oracle Edition features AD-FREE episodes, Hermes Historia, and so much more! patreon.com/mythsbaby CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Brethlein, J. 2010. “From ‘Imperishable Glory’ to History: The Iliad and the Trojan War.” In Epic and History, edited by D. Konstans and K. A. Raaflaub, 122-144. Malden: Wiley-Blackwell. A Dictionary of Greek and Roman Biography and Mythology by William Smith. Homer the Preclassic by Gregory Nagy Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See omnystudio.com/listener for privacy information.

I wanted to like this movie. Really, I did. I tried to like it. But modern realism is just totally unsuited to the Homeric epics and like, also...maybe to telling a coherent story at all? Ralph Feinnes and Juliette Binoche are both terrific actors, but The Return failed for me at every level and here's why. Plus: read more at The New Jerusalem.  Register for Spring courses at The Ancient Language Institute: https://ancientlanguage.com/youngheretics/ Join in the Rejoice Evermore Advent Calendar: https://rejoiceevermore.substack.com/p/coming-soon-light-of-the-world-the Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM

In 18th century America, this book was second in popularity only to the Bible.It was a favorite of many thinkers and leaders throughout history, including Emerson, Napoleon, Machiavelli, Nietzsche, and even President Truman.Yet, you probably haven't read it.It's Plutarch's Parallel Lives.If you're not familiar with Plutarch's Lives, you're in for a treat, as today's episode offers a great intro. My guest, Alex Petkas, found that even though he's a former classicist and professor, Plutarch's Lives is still a tough read, which is why he started a podcast, The Cost of Glory, to make it more accessible to people. He does the same thing on today's episode, sharing the background on Plutarch's set of biographies and its major themes. Alex explains why Plutarch thought that biography was a powerful way to transmit morals and how the Homeric virtue he had in mind differed from that of just having good, upstanding character. Alex then gives us a taste of Plutarch as we discuss the lives of two obscure Greek and Roman figures. We end our conversation with how to get started studying Plutarch yourself.Resources Related to the PodcastCost of Glory websiteAlex's resource on how to read Plutarch's Lives, with links to the mentioned Penguin editionsAlex's recommended episodes of the Cost of Glory podcast:Pompey I: Kid ButcherCrassus I: Richest Man in RomeAoM Article: An Intro to EnvyAoM Article: Envy, Ressentiment, and the Inversion of ValuesAoM Podcast #949: Unpacking The Emotion No One Likes to Talk AboutSullaEumenesSertoriusBlood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West by Hampton Sides + AoM podcast episode about the bookConnect with Alex PetkasAlex on LinkedInAlex on XAlex on IG