Podcasts about Jack Vance

Intro - Phil and Metz talk about The Day the Earth Blew Up Content (8:18) - Discussion of Part 2 of Chapter 19 of In Green's Jungles, by Gene Wolfe. This Month's Read-Along - Suldrun's Garden, by Jack Vance. Check out more at alzabosoup.com.

Intro - Metz and Phil discuss the virtues of soup and salad. Content (9:32) - Discussion of Part 1 of Chapter 19 of In Green's Jungles, by Gene Wolfe. This Month's Read-Along - Suldrun's Garden, by Jack Vance. Check out more at alzabosoup.com.

The Abyss always comes back! In this week's episode the gang gathered together to discuss Katherine Silva's Undead Folk. Before diving into some grief, they chat up Expedition 33, Thunderbolts, Sinners, Daniel Barnett's Nightmareland Chronicles, Pilgrim: A Medieval Horror by Mitchell Luthi, Josh Rountree's Death Aesthetic, Tales of the Dying Earth by Jack Vance, You, and Withernot. Now join us by the fire and listen in!

Intro - Phil and Metz announce the stories we'll be reading between In Green's Jungles and Return to the Whorl. Content (5:49) - Discussion of Chapter 18 of In Green's Jungles, by Gene Wolfe. This Month's Read-Along - Suldrun's Garden, by Jack Vance. Check out more at alzabosoup.com.

New guest co-host, author, gamer and podcaster Adrian Tchaikovsky joins me in Derry and Toms to look at Jack Vance's The Dying Earth and discuss Vance's particular approach, his influence on Moorcock, and that mordant lyricism that defined numerous elements of the fantasy genre. Check out Adrian's podcast with Emma Newman, Starship Alexandria - latest episode is on KJ Bishop's The Etched City. For more Lionel Fanthorpe, see here (and thanks to Ben Haggar for the link).

Intro - Phil and Metz introduce the read-along of the month, Suldrun's Garden Content (12:02) - Discussion of Part 2 of Chapter 17 of In Green's Jungles, by Gene Wolfe. This Month's Read-Along - Suldrun's Garden, by Jack Vance. Check out more at alzabosoup.com.

Your favorite idiots are all back (the characters, not the players!). Rejoin Fnurple, Briny Tim, K'Vanne, and Rudder as they make their haphazard way through the scabrous, lowlife, picaresque world of Jack Vance's Dying Earth.Jenn, Scott, Spencer and Archie will be your players tonight.The first episode will be free to all and then following episodes will be Patreon only - so if you want to hear more, remember to back us at the Grizzled Patron level

Immerse yourself in captivating science fiction short stories, delivered daily! Explore futuristic worlds, time travel, alien encounters, and mind-bending adventures. Perfect for sci-fi lovers looking for a quick and engaging listen each day.

In this week's episode, we continue our discuss about how seeking prestige can be dangerous for writers, specifically in the form of traditional publishing and the New York Times Bestseller list. This coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 in the Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store: DRAGONSHIELD50 The coupon code is valid through March 21, 2025. So if you need a new audiobook for spring, we've got you covered! TRANSCRIPT 00:00:00   Hello, everyone. Welcome to Episode 241 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 28th, 2025. Today we are continuing our discussion of how to escape the trap of prestige for writers, specifically traditional publishing and The New York Times Bestseller List. Before we get to our main topic, we will do Coupon of the Week, an update on my current writing and audiobook projects, and then Question of the Week.   This week's coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book Two in the Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store. That coupon code is DRAGONSHIELD50. As always, I'll include the coupon code and the link to the store in the show notes. This coupon code is valid through March 21st, 2025. So if you need a new audiobook as we start to head into the spring months, we have got you covered. Now an update on my current writing projects. I'm pleased to report I am done with the rough draft of Ghost in the Assembly. I came in at 106,000 words, so it'll definitely be over a hundred thousand words when it's done. I'm about 20% of the way through the first round of edits, so I am confident in saying that if all goes well and nothing unexpected happens, I am on track to have it out in March. I am also 10,000 words into Shield of Battle, which will be the fifth of six books in the Shield War series and I'm hoping to have that out in April, if all goes well.   In audiobook news, recording for both Cloak of Dragonfire and Orc-Hoard is done. I'm just waiting for them to get through the processing on the various stores so they're available. There is also an audiobook edition of Half Elven Thief Omnibus One and Cloak Mage Omnibus Three that hopefully should be coming in March. More news with that to come.   00:01:55 Question of the Week   Now let's move on to Question of the Week. Question of the Week is intended to inspire interesting discussions of enjoyable topics. This week's question: what is your favorite subgenre of fantasy, high fantasy, epic fantasy, sword and sorcery, historical fantasy, urban fantasy, LitRPG, cultivation, or something else? No wrong answers, obviously.   Cindy says: Epic fantasy or those with a good history for that world. The Ghost Series are fantastic at this.   Thanks, Cindy.   Justin says: I enjoy all those sub-genres, if they are done well. In times past I would've said comic fantasy, but that is because Terry Pratchett at his best was just that good.   Mary says: High fantasy.   Surabhi says: I'd honestly read anything fantasy that's written well and has characters I'm attached to, given that it's not too gritty. Bonus points if there's humor! Also, I love your books so much and they're the perfect blend of fantasy, adventure, and characters. Your books were what really got me into Sword and Sorcery.   Thanks, Surabhi.     Matthew says: See, that's difficult. I love my sabers, both light and metal. I would say urban fantasy crosses the boundary the most. If it's a captivating story, it will be read.   John F says: I can't choose one- Lord of the Rings or LWW, The Inheritance Cycle, The Dresden Files, Caina, Ridmark, or Nadia. I think what draws me is great characters who grow. The setting/genre is just the device. That's why I keep coming back to your books. You create great characters.   Thanks, John F.   John K says: I think I'm partial to historical fantasy. I enjoy all genres, but when I think of my favorites, they tend to be derivations of historical settings. Think Guy Gavriel Kay or Miles Cameron. That said, I was weaned on Robert E. Howard, Fritz Lieber, Michael Moorcock, Karl Edward Wagner, Jack Vance, so a strong sword and sorcery second place.   Juana says: High fantasy. Belgariad, Tolkien, dragons, et cetera.   Jonathan says: Sword and sorcery in space! Prehistoric sword and sorcery, sword and sorcery always.   Quint: says Sword and sorcery!   Michael says: Sword and sorcery.   For myself, I think I would agree with our last couple of commenters and it would be sword and sorcery. My ideal fantasy novel has a barbarian hero wandering from corrupt city state to corrupt city state messing up the business of some evil wizards. I'm also very fond of what's called generic fantasy (if a fighter, a dwarf, an elf, and a wizard are going into a dungeon and fighting some orcs, I'm happy).   00:04:18 Main Topic of the Week: Escaping the Prestige Trap, Part 2   Now onto our main topic for the week, Escaping the Prestige Trap, Part 2, and we'll focus on traditional publishing and the New York Times Bestseller List this week. As we talked about last week, much of the idea of success, especially in the United States, is based on hitting certain milestones in a specific order. In the writing world, these measures of success have until fairly recently been getting an MFA, finding an agent, getting traditionally published, and hitting The New York Times Bestseller List. Last week we talked about the risks of an MFA and an agent. This week, we are going to talk about two more of those writing markers of prestige, getting traditionally published and having a book land on The New York Times Bestseller List. Why are they no longer as important? What should you devote your energy and focus to instead?   So let's start with looking at getting traditionally published. Most writers have dreamed of seeing their book for sale and traditional publishing for a long time has been the only route to this path. Until about 15 years ago, traditional publishing was the way that a majority of authors made their living. Now that big name authors like Hugh Howie, Andy Weir, and Colleen Hoover have had success starting as self-published authors (or in the case of authors Sarah J. Maas and Ali Hazelwood, fan fiction authors) and then are getting traditional publishing deals made for them for their self-published works. It's proof that self-publishing is no longer a sign that the author isn't good enough to be published traditionally. Previous to the rise of the Kindle, that was a common belief that if you were self-published, it was because you were not good enough to get traditionally published. That was sort of this pernicious belief that traditional publishing was a meritocracy, when in fact it tended to be based on who you knew. But that was all 15 years ago and now we are well into the age of self-publishing. Why do authors still want to be traditionally published when in my frank opinion, self-publishing is the better path? Well, I think there are three main reasons for that.   One of the main reasons is that the authors say they want to be traditionally published is to have someone else handle the marketing and the advertising. They don't realize how meager marketing budgets and staffing support are, especially for unknown authors. Many traditionally published authors are handling large portions of their own marketing and hiring publicists out of their own pocket because publishers are spending much less on marketing. The new reality is that traditional publishers aren't going to do much for you as a debut author unless you are already a public figure.   Even traditionally published authors are not exempt from having to do their own marketing now. James Patterson set up an entire company himself to handle his marketing. Though, to be fair to James Patterson, his background was in advertising before he came into publishing, so he wasn't exactly a neophyte in the field, but you see more and more traditionally published authors who you think would be successful just discontented with the system and starting to dabble in self-publishing or looking at alternative publishers like Aethon Books and different arrangements of publishing because the traditional system is just so bad for writers. The second main reason authors want to be traditionally published is that they want to avoid the financial burden of publishing. This is an outdated way of thinking. The barrier to publishing these days is not so much financial as it is knowledge. In fact, I published a book entirely using free open source software in 2017 just to prove that it could be done. It was Silent Order: Eclipse Hand, the fourth book in my science fiction series. I wrote it on Ubuntu using Libre Office and I edited it in Libre Office and I did the formatting on Ubuntu and I did the cover in the GIMP, which is a free and open source image editing program. This was all using free software and I didn't have to pay for the program. Obviously I had to pay for the computer I was using and the Internet connection, but in the modern era, having an internet connection is in many ways almost a requirement, so that's the cost you would be paying anyway.   The idea that you must spend tens of thousands of dollars in formatting, editing, cover, and marketing comes from scammy self-publishing services. Self-publishing, much like traditional publishing, has more than its fair share of scams or from people who aren't willing to take the time to learn these skills and just want to cut someone a check to solve the problem. There are many low cost and effective ways to learn these skills and resources designed specifically for authors. People like Joanna Penn have free videos online explaining how to do this, and as I've said, a lot of the software you can use to self-publish is either free or low cost, and you can get some very good programs like Atticus or Vellum or Jutoh for formatting eBooks for very low cost.   The third reason that writers want to be traditionally published is that many believe they will get paid more this way, which is, unless you are in the top 1% of traditionally published authors, very wrong. Every so often, there's a study bemoaning the fact that most publishers will only sell about $600 worth of any individual book, and that is true of a large percentage of traditionally published books. Traditional publishers typically pay a lump sum called advance, and then royalties based on sales. An average advance is about the same as two or three months of salary from an office job and so not a reflection of the amount of time it typically takes most authors to finish a book. Most books do not earn out their advance, which means the advance is likely to be the only money the author receives for the book. Even well-known traditionally published authors are not earning enough to support themselves as full-time authors. So as you can see, all three of these reasons are putting a lot of faith in traditional publishers, faith that seems increasingly unnecessary or downright misplaced. I think it is very healthy to get rid of the idea that good writing comes from traditional publishers and that the prestige of being traditionally published is the only way you'll be accepted as a writer or be able to earn a living as a full-time writer. I strongly recommend that people stop thinking that marketing is beneath you as an author or too difficult to learn. Whether you are indie or tradpub, you are producing a product that you want to sell, thus you are a businessperson. The idea that only indie authors have to sell their work is outdated. The sooner you accept this reality, the more options you will have. Self-publishing and indie publishing are admittedly more work. However, the benefits are significant. Here are five benefits of self-publishing versus traditional publishing.   The first advantage of self-publishing is you have complete creative control. You decide what the content of your book will be; you decide what the cover will be. If you don't want to make the covers yourself or you don't want to learn how to do that, you can very affordably hire someone to do it for you and they will make the cover exactly to your specifications. You also have more freedom to experiment with cross-genre books. As I've mentioned before, publishers really aren't a fan of cross genre books until they make a ton of money, like the new romantasy trend.   Traditional publishing is very trend driven and cautious. Back in the 2000s before I gave up on traditional publishing and discovered self-publishing, I would submit to agents a lot. Agents all had these guidelines for fantasy saying that they didn't want to see stories with elves and orcs and dwarves and other traditional fantasy creatures because they thought that was passe. Well, when I started self-publishing, I thought I'm going to write a traditional fantasy series with elves and orcs and dwarves and other traditional fantasy creatures just because I can and Frostborn has been my bestselling series of all time in the time I've been self-publishing, so you can see the advantages of having creative control.   The second advantage is you can control the marketing. Tradpub authors often sign a contract that they'll get their social media and website content approved by the publisher before posting. They may even be given boilerplate or pre-written things to post. In self-publishing, you have real time data to help you make decisions and adjust ads and overall strategy on the fly to maximize revenue. For example, if one of your books is selling strangely well on Google Play, it's time to adjust BookBub ads to focus on that platform instead of Amazon.   You can also easily change your cover, your blurb, and so forth after release. I've changed covers of some of my books many times trying to optimize them for increased sales and that is nearly impossible to do with traditional publishing. And in fact, Brandon Sanderson gave a recent interview where he talked about how the original cover of his Mistborn book was so unrelated to the content of the book that it almost sunk the book and hence his career.   You also have the ability to run ad campaigns as you see fit, not just an initial launch like tradpub does. For example, in February 2025, I've been heavily advertising my Demonsouled series even though I finished writing that series back in 2013, but I've been able to increase sales and derive a significant profit from those ads.   A third big advantage is that you get a far greater share of the profits. Most of the stores, if you price an ebook between $2.99 (prices are USD) and $9.99, you will get 70% of the sale price, which means if you sell an ebook for $4.99, you're probably going to get about $3.50 per sale (depending on currency fluctuations and so forth). That is vastly more than you would get from any publishing contract.   You also don't have to worry about the publisher trying to cheat you out of royalties. We talked about an agency stealing money last episode. Every platform you publish your book on, whether Amazon, Barnes and Noble, Kobo, Google Play, Smashwords and Apple will give you a monthly spreadsheet of your sales and then you can look at it for yourself, see exactly how many books you sold and exactly how much money you're going to get. I have only very rarely seen traditional publishing royalty statements that are as clear and have as much data in them as a spreadsheet from Google Play or Amazon. A fourth advantage is you don't have to worry about publishers abandoning you mid-series. In traditional publishing, there is what's called the Publishing Death Spiral where let's say an author is contracted to write a series of five books. The author writes the first book and it sells well. Then the author publishes the second book and it doesn't sell quite as well, but the publisher is annoyed enough by the decrease in sales that they drop the writer entirely and don't finish the series. This happens quite a bit in the traditional publishing world, and you don't have to worry about that in indie publishing because you can just publish as often as you want. If you're not happy with the sales of the first few books in the series, you can change the covers, try ad campaigns, and other strategies.   Finally, you can publish as often as you want and when you want. In traditional publishing, there is often a rule of thumb that an author should only publish one book a year under their name. Considering that last year I published 10 books under my name, that seems somewhat ridiculous, but that's a function of the fact that traditional publishing has only so much capacity and the pieces of the machine involved there are slow and not very responsive. Whereas with self-publishing, you have much more freedom and everything involved with it is much more responsive. There's no artificial deadlines, so you can take as long as you want to prepare it and if the book is ready, you don't have to wait a year to put it out because it would mess up the publisher's schedule.   So what to do instead of chasing traditional publishing? Learn about self-publishing, especially about scams and bad deals related to it. Publish your own works by a platform such as KDP, Barnes and Noble Press, Kobo Writing Life, Apple Books, Google Play, Smashwords, and possibly your own Payhip and/or Shopify store.   Conquer your fear of marketing and advertising. Even traditionally published authors are shouldering more of this work and paying out of their own pocket to hire someone to do it, and if you are paying your own marketing costs, you might as well self-publish and keep a greater share of the profits. The second half of our main topic, another potential risk of prestige, is getting on The New York Times Bestseller List. I should note that I suppose someone could accuse me of sour grapes here saying, oh, Jonathan Moeller, you've never been on The New York Times Bestseller List. You must just be bitter about it. That is not true. I do not want to be on The New York Times Bestseller List. What I would like to be is a number one Amazon bestseller. Admittedly though, that's unlikely, but a number one Amazon bestseller would make a lot more money than a number one New York Times Bestseller List, though because of the way it works, if you are a number one Amazon bestseller, you might be a New York Times Bestseller, but you might not. Let's get into that now.   Many writers have the dream of seeing their name on the New York Times Bestseller List. One self-help guru wrote about “manifesting” this milestone for herself by writing out the words “My book is number one on The New York Times Bestseller List” every day until it happened. Such is the mystique of this milestone that many authors crave it as a necessity. However, this list has seen challenges to its prestige in recent years. The one thing that shocks most people when they dig into the topic is that the list is not an objective list based on the raw number of books sold. The list is “editorial content” and The New York Times can exclude, include, or rank the books on the list however they choose.   What it does not capture is perennial sellers or classics. For example, the Bible and the Quran are obviously some of the bestselling books of all time, but you won't see editions of the Bible or the Quran on the New York Times Bestseller List. Textbooks and classroom materials, I guarantee there are some textbooks that are standards in their field that would be on the bestseller list every year, but they're not because The New York Times doesn't track them. Ebooks available only from a single vendor such as Kindle Unlimited books, ebook sales from not reporting vendors such as Shopify or Payhip. Reference Works including test prep guides (because I guarantee when test season comes around the ACT and SAT prep guides or the GRE prep guides sell a lot of copies) and coloring books or puzzle books.  It would be quite a blow to the authors on the list to realize that if these excluded works were included on the list, they would in all likelihood be consistently below To Kill a Mockingbird, SAT prep books, citation manuals, Bibles/other religious works, and coloring books about The Eras Tour.   Publishers, political figures, religious groups, and anyone with enough money can buy their way into the rank by purchasing their books in enormous quantities. In fact, it's widely acknowledged in the United States that this is essentially a legal form of bribery and a bit of money laundering too, where a publisher will give a truly enormous advance to a public figure or politician that they like, and that advance will essentially be a payment to that public figure in the totally legal form of an enormous book advance that isn't going to pay out. Because this is happening with such frequency, The New York Times gave into the pressure to acknowledge titles suspected of this strategy with a special mark next to it on the list. However, these books remain on the list and can still be called a New York Times Bestseller.   Since the list is not an objective marker of sales and certainly not some guarantee of quality, why focus on making it there? I think trying to get your book on The New York Times Bestseller List would be an enormous waste of time, since the list is fundamentally an artificial construction that doesn't reflect sales reality very well.   So what can you do instead? Focus on raw sales numbers and revenue, not lists. Even Amazon's bestseller category lists have a certain amount of non-quantitative factors. In the indie author community, there's a saying called Bank not Rank, which means you should focus on how much revenue your books are actually generating instead of whatever sales rank they are on whatever platform. I think that's a wiser approach to focus your efforts.   You can use lists like those from Publishers Weekly instead if you're interested in what's selling or trends in the industry, although that too can be manipulated and these use only a fairly small subset of data that favors retail booksellers, but it's still more objective in measuring than The New York Times.   I suppose in the end, you should try and focus on ebook and writing activities that'll bring you actual revenue or satisfaction rather than chasing the hollow prestige of things like traditional publishing, agents, MFAs, and The New York Times Bestseller List.   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Feuilleton " Dans la bibliothèque de l'oncle Mich' " de Michel Dufranne. Épisode 11 : Jack Vance – « Les Chroniques de Durdane », un grand nom de la SF américaine, membre du Hall of Fame. Sur la planète Durdane existe un ensemble de communautés disparates, le Shant, sur lequel règne l'Anome, aussi surnommé l'Homme Sans Visage. Dans cette région, chaque femme, chaque homme se voit équipé à la fin de l'adolescence d'un torque explosif que l'Anome peut faire détoner à tout moment. La terreur qu'inspire ce juge et bourreau a maintenu une paix relative pendant des décennies. Mais au prix d'injustices flagrantes. Ainsi, la mère d'Etzwane est-elle réduite en quasi-esclavage par les hommes de son clan. Le jeune garçon part donc à la recherche de l'Homme Sans Visage afin de faire libérer sa mère. Il ignore que sa quête l'entraînera plus loin qu'il ne l'avait imaginé. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

On Thursday the 7th of October, 2010, the Hermetic Hour, hosted by Poke Runyon, will present a lively review of magical fiction and films. We will go from "The Saragossa Manuscript"(1841) through Dion Fortune's "Moon Magic", Somerset Maugham's "The Magician" (novel and film), Chambers "The King in Yellow", Lovecraft's dream cycle, Merritt's lost worlds (that influenced Shaver), Jack Williamson's "Darker than You Think" (Jack Parson's favorite), Clark Ashton Smith dream-maker extraordinary, his imitator Jack Vance (from which we got Dungeons & Dragons), "Valis" by Philip K. Dick -- just to name a few. Then the films: Orson Welles' "Black Magic" on Cagliostro, Jean Cocteau's "Orpheus", Merrian Cooper's "She", "Simon King of the Witches," "What Dreams May Come," "Crowley," and Jodorowsky's "The Holy Mountain." A smorgasbord of mind-benders. Tune in and feast on it!  

Chaque année, le festival Les Intergalactiques met à l'honneur une maison d'édition de littératures de l'imaginaire, avec des auteur·ice·s invité·e·s, une sélection de fonds sur le salon du livre et une table-ronde qui lui est tout spécialement consacrée. Un an après la sémillante Dystoteam qui illustra le récit de sa création d'une savante métaphore impliquant L'Agence tout risque et un lance-patates, place à l'équipe du Bélial' à qui la barre est donc mise assez haut côté anecdotes savoureuses… Maison indépendante créée en 1996, les éditions du Bélial' se consacrent aux littératures de l'imaginaire, c'est-à-dire la science-fiction, la fantasy et le fantastique, avec une affection notable pour la première. Elle s'est largement imposée depuis dans le paysage de la science-fiction en France : notamment pour réédditer les œuvres de Poul Anderson, Jack Vance ou Greg Egan ; pour avoir fait découvrir au public non-anglophone des auteur·ice·s comme Ada Palmer, Ken Liu ou Rich Larson, pour publier aussi des nombreux·ses auteur·ices en français, notamment dans la collection de novellas Une heure lumière ou dans la revue Bifrost, qui compile chaque mois dossier, articles et nouvelles inédites. En compagnie des éditeurs Olivier Girard et Erwann Perchoc, du scientifique et directeur de la collection Parallaxe Roland Lehoucq , et des autrices Claire North et Audrey Pleynet, nous présenterons l'histoire du Bélial', les temps forts et les différentes collections qui composent la maison d'édition. Avec Claire North, Roland Lehoucq, Audrey Pleynet, Erwann PerchocAnimation : Patrick CockpitTraduction : Keri Connor Table ronde dans le cadre de la 12e édition du festival Les Intergalactiques "Du Pain et des Jeux" le samedi 20 avril 2024.

Intro - Metz talks about his daughter's latest obsession. Content (7:55) - Discussion of part 3 of The Dragon Masters by Jack Vance This Week's Play - Othello, by William Shakespeare Check out more at alzabosoup.com.

Intro - We announce our 2025 book club plans for patron read-alongs. Content (5:13) - Discussion of part 2 of The Dragon Masters by Jack Vance This Week's Play - The Puritan, or the Widow of Watling Street, by Anonymous Check out more at alzabosoup.com.

Intro - Metz asks Phil about his favorite Dinosaur toylines Content (8:06) - Discussion of part 1 of The Dragon Masters by Jack Vance This Week's Play - The Merchant of Venice, by William Shakespeare. Check out more at alzabosoup.com.

We're taking a break from the interview series for another free form discussion episode. Today's topic is Magic, and its implementations across the RPG hobby. We start with the great progenitor that is Jack Vance, and follow the threads from there. Give us a listen, then stop by our Discord to share your thoughts in the episode thread! Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Palladium Fantasy RPG 1st Edition Commemorative hardcover Palladium Fantasy RPG 1st Edition, Digital Palladium Fantasy RPG 2nd Edition, Digital Rifts RPG 1st Edition, Digital Rifts RPG Ultimate Edition, Digital A Cloak of Blades, by Isaac Sher Credits: Hosts: NPC and Just Jacob Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Episode Length (We support chapters!): 41:03 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/0e5cd9db-fd2b-4cde-a45c-9e85005f34b6 This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.

Chroniqueu.r.se.s : Macalys, Samuel Ziterman, Farfa, Eric NieudanMontage : Lam Son Grand retour d'une tradition de Radio Rôliste : les chroniques de jeu, sans lien particulier entre elles. Comme ça, grâce à l'enthousiasme de nos chroniqueuses et de nos chroniqueurs, vous pouvez venir pour la chronique d'un gros jeu à licence, et repartir avec l'envie de tester un petit jeu indépendant. Ou venir pour la seule chronique en français d'un jeu alternatif perché et rester pour entendre parler du meilleur rétroclone de Donjons & Dragons. Jeux au menu Reimagined Un jeu léger pour jouer à deux des fanfictions, de Katarzyna Kuckzyńska publié en Français chez Pattern Recog Editions. A partir de 2'14 » La version française sur DrivethruRPG ou sur itch.ioUne chronique écrite sur C'est pas du JdRUne chronique vidéo chez Suck my Dice Dolmenwood Un jeu de Gavin Norman publié par Exalted Funeral. Un OSR basé sur le folklore britannique. Très dense, pour des campagnes longues, mais qu'il est possible de mener à la volée. Uniquement en Anglais. A partir de 22'18 » Le Kickstarter.Pauliina Hannuniemi (illustratrice sur Dolmenwood).Necrotic Gnome.Exalted Funeral.La bande originale crée pour Dolmenwood.Un petit kickstart.Blog autour de Dolmenwood (bestiaire, factions), en ce moment il explore et crée autour des factions. Tales of Xadia Le jeu de rôle officiel de la série Prince des dragons chez Dire Wolf Digital. Motorisé par le système Cortex, donc axé sur les personnages. Uniquement en anglais. A partir de 47'56 » Le site officiel Break!! RPG Un jeu de Reynaldo Madriñan, illustré et mis en page par Grey Wizard (Carlo Tartaglia), qui permet d'émuler animés et JRPG. Uniquement en anglais. A partir de 1h16'50 » Le site officiel Les coups de coeurs A partir de 1h51'23 » character.ai un site où une IA incarne un personnage, pour du JdR soloÉversion un roman d'Alastair Reynolds, 2023, Le Bélial.Monsterhearts v2 FR, voir RR#140La Station d'Araminta un roman de Jack Vance

Chroniqueu.r.se.s : Macalys, Samuel Ziterman, Farfa, Eric NieudanMontage : Lam Son Grand retour d'une tradition de Radio Rôliste : les chroniques de jeu, sans lien particulier entre elles. Comme ça, grâce à l'enthousiasme de nos chroniqueuses et de nos chroniqueurs, vous pouvez venir pour la chronique d'un gros jeu à licence, et repartir avec l'envie de tester un petit jeu indépendant. Ou venir pour la seule chronique en français d'un jeu alternatif perché et rester pour entendre parler du meilleur rétroclone de Donjons & Dragons. Jeux au menu Reimagined Un jeu léger pour jouer à deux des fanfictions, de Katarzyna Kuckzyńska publié en Français chez Pattern Recog Editions. A partir de 2'14” La version française sur DrivethruRPG ou sur itch.ioUne chronique écrite sur C'est pas du JdRUne chronique vidéo chez Suck my Dice Dolmenwood Un jeu de Gavin Norman publié par Exalted Funeral. Un OSR basé sur le folklore britannique. Très dense, pour des campagnes longues, mais qu'il est possible de mener à la volée. Uniquement en Anglais. A partir de 22'18” Le Kickstarter.Pauliina Hannuniemi (illustratrice sur Dolmenwood).Necrotic Gnome.Exalted Funeral.La bande originale crée pour Dolmenwood.Un petit kickstart.Blog autour de Dolmenwood (bestiaire, factions), en ce moment il explore et crée autour des factions. Tales of Xadia Le jeu de rôle officiel de la série Prince des dragons chez Dire Wolf Digital. Motorisé par le système Cortex, donc axé sur les personnages. Uniquement en anglais. A partir de 47'56” Le site officiel Break!! RPG Un jeu de Reynaldo Madriñan, illustré et mis en page par Grey Wizard (Carlo Tartaglia), qui permet d'émuler animés et JRPG. Uniquement en anglais. A partir de 1h16'50” Le site officiel Les coups de coeurs A partir de 1h51'23” character.ai un site où une IA incarne un personnage, pour du JdR soloÉversion un roman d'Alastair Reynolds, 2023, Le Bélial.Monsterhearts v2 FR, voir RR#140La Station d'Araminta un roman de Jack Vance

In the sea of content today, customers are overwhelmed with information and while this content might be reaching them, it's not necessarily effectively resonating and activating them to change behaviors. Join IPG Health's Julie Pilon and Jack Vance as they discuss how the network is leveraging the industry's most advanced data stack for healthcare with AI to fuel renowned creative output for clients globally. This includes EPIC, IPG Health's End-to-End Platform for Insights and Creativity, engineered to build living personas, living journeys and living content, which drive behavior change at speed and at scale. Check us out at: mmm-online.com   Follow us:  YouTube: @MMM-online TikTok: @MMMnews Instagram: @MMMnewsonline Twitter/X: @MMMnews LinkedIn: MM+M   To read more of the most timely, balanced and original reporting in medical marketing, subscribe here.

All the Grahams desired was a home they could call their own ... but what did the home want? Old Rambling House by Frank Herbert, that's next on The Lost Sci-Fi Podcast.Thanks for all you do to help promote our podcast. In the last few days, thanks to you, more people have listened than ever before. We have our highest ranking ever in Canada, Great Britain, Saudi Arabia, Turkey, The Philippines and the United States. Thank you!Another 5 star review on Apple Podcasts! August100 says, “Terrific Dose of Sci Fi, I have been reading this old pulp sci fi for decades. It is a refreshing treat to hear it read by such a skilled storyteller. The more I listen, the more it grows on me. Keep it up. Please.” August100 we will keep it up and we thank you for your wonderful review. Today's author wrote one of the best selling science fiction books of all time, Dune. Frank Herbert was born in Tacoma, Washington in 1920. His lied about his age to get the first of many newspaper jobs in 1939. Herbert loved photography, buying his first camera at the age of ten. In 1942, during World War II, he was a photographer in the U.S. Navy's Seabees. He served for six months but suffered a head injury and was given a medical discharge.Frank Herbert said he had been reading science fiction for about ten years, before he began writing sci-fi, and said some of his favorite authors were H. G. Wells, Robert A. Heinlein, Poul Anderson and Jack Vance.His first science fiction story Looking for Something, was published in the April 1952 issue of Startling Stories. He began researching Dune in 1959 and the novel was published six years later. But, did you know the world was first exposed to the Dune World in a December 1963 issue of Analog science fiction magazine. It was featured on the cover. That 1963 issue contained Part One of Thee Parts of Dune World.Dune was then rejected by almost twenty book publishers, and in his rejection letter one editor wrote, "I might be making the mistake of the decade, but…”Sterling Lanier of the Chilton Book Company, the company most often associated with automobile repair manuals, was exposed to Dune World in Analog and offered Herbert a $7,500 advance plus future royalties for the rights to publish Dune. Obviously Dune was a success, winning the Nebula Award for best novel in 1965 and sharing the Hugo Award in 1966 with Call Me Conrad by Roger Zelazny. However, Dune, was not an immediate bestseller, and following its publication he went back to writing for newspapers. He didn't become a full-time author until 1972.In addition to his numerous novels Herbert wrote about 30 short stories, six of them are in the public domain. Let's turn to page 89 in the April 1958 issue of Galaxy Science Fiction Magazine, for, Old Rambling House by Frank Herbert…Next on The Lost Sci-Fi Podcast, He walked alone in the dawn and the dusk, and no one knew his name. But the day he perished, and the way he perished–a world will never forget! Mimic by Donald A. Wollheim.☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsV❤️ ❤️ Thanks to All Our Listeners Who Bought Us a Coffee$200 Someone$75 James Van Maanenberg$50 Anonymous Listener$25 Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Chrystene, Richard Hoffman, Anonymous Listener Hosted on Acast. See acast.com/privacy for more information.

I've always been s huge fan of Jack Vance and especially the Dying Earth series, second only to Lyonesse in my humble etc. And amazingly we could have been neighbors - his old house (where his son still lives) is a 3-minute walk from my house in Oakland, so when Goodman Games (no relation) kickstarted DCC Dying Earth I was all over it like white on rice. My lovely friends agreed to submit themselves to a quick playthrough of a Dying Earth funnel and here are the results. So join me in the scabrous lowlife picaresque world of Jack Vance's Dying Earth as Jenn, Scott, Spencer and Archie try to make it to the end with at least once character still breathing. The first episode will be free to all and then following episodes will be Patreon only - so if you want to here more back us at the Grizzled Patron level --- Send in a voice message: https://podcasters.spotify.com/pod/show/andy-goodman9/message

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

https://www.solgoodmedia.com - Check out our Streaming Service for our full collection; hundreds of audiobooks, thousands of short stories, sounds for sleep/relaxation, and original podcasts - all ad-free!!

Intro - Metz asks Phil about Panera's Charged Lemonade Content (6:00) - Discussion of Big Planet by Jack Vance This Week's Play - Doctor Faustus, by Christopher Marlowe Check out more at alzabosoup.com.

https://www.solgood.org - Check out our Streaming Service for our full collection of audiobooks, podcasts, short stories, & 10 hour sounds for sleep and relaxation at our websiteThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5139836/advertisement

The guys spend some time chatting about D&D's future with the massive changes just around the corner. Also is the Jack Vance magic system dead and GDM Christopher changes his mind.

They were in a boat all alone on a foggy night in the middle of the Pacific ocean. But they weren't alone. A strange voice cries out in the darkness, in search of food, but he is unwilling to be seen. The Voice in the Night by William Hope Hodgson, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode. Support the show - https://www.buymeacoffee.com/scottsV Merch - https://lostscifi.creator-spring.com/ Sign up for our newsletter https://dashboard.mailerlite.com/forms/266431/102592606683269000/share Thank you for your great comments on Spotify! Commenting on A Practical Man's Guide by Jack Vance kimspostbox had this to say, “I really enjoyed this Jack Vance story. I give it a 5-star review for the narration and sharing the history of the author. It brings in interesting material. Great stuff. Kim A. UK” Thanks Kim! TJ Carroll says, “The Hanging Stranger comes together like a wonderful combination of Invasion of the Body Snatchers and Stephen King's The Fog. It ends on a deliciously macabre note absent of all hope. 10/10.” Thank you, TJ!! Your reviews and comments on Apple Podcasts, Spotify and YouTube encourage others to listen to us, so thank you! English author William Hope Hodgson was born in 1877 in the hamlet of Blackmore End in Essex, the son of the Reverend Samuel Hodgson, a priest, and Lissie Sarah Brown. Hodgson was a runaway at the age of 13 in an attempt to be a sailor. He was returned to his family but managed to convince his father to allow him to be apprenticed as a cabin boy. In 1902, Hodgson appeared on stage with handcuffs and other restraining devices supplied by the Blackburn police department and applied the restraints to Harry Houdini, who had previously escaped from the Blackburn jail. Hodgson was interested in physical fitness and wrote several articles on the subject but found it difficult to make a living. Inspired by authors Edgar Allan Poe, H. G. Wells, and Jules Verne, Hodgson turned his attention to fiction. Hodgson's first short story was "The Goddess of Death" in 1904. Today's story was published three years later.From the November 1907 issue of The Blue Book Magazine turn to page 136 for The Voice in the Night by William Hope Hodgson… Tomorrow on The Lost Sci-Fi Podcast, we go back to 1907, A sordid tale of jealousy and murder. He suspected his wife was having an affair and unleashed a plan to discover the truth. Would the truth destroy his family and lead him down the path to insanity? The Moonlit Road by Ambrose Bierce. That's tomorrow on The Lost Sci-Fi Podcast. Hosted on Acast. See acast.com/privacy for more information.

Clark Ashton Smith (1893–1961) was an American writer and artist known for his unique contributions to literature and art. - Born on January 13, 1893, in Long Valley, California, Smith came from a family of English and New England heritage.- He spent most of his life in Auburn, California, where he lived in a cabin built by his parents, Fanny and Timeus Smith.- Due to psychological disorders, Smith's formal education was limited, and he was taught at home after attending eight years of grammar school.- Smith was an insatiable reader with an extraordinary eidetic memory, and he read voraciously, including works by Edgar Allan Poe, Hans Christian Andersen, and others.- He even read the entire 11th edition of the Encyclopædia Britannica twice.- Smith's early literary efforts included fairy tales and imitations of the Arabian Nights, which he began writing at the age of 11.- He sold several tales to "The Black Cat," a magazine specializing in unusual stories, at the age of 17.- Smith's poetic talents blossomed, leading to acclaimed volumes like "The Star-Treader and Other Poems" and "Odes and Sonnets."- He was mentored by San Francisco poet George Sterling and gained international acclaim for his poetry.**Weird Fiction Phase: 1926–1935**- Smith transitioned to weird fiction during this period, possibly influenced by H.P. Lovecraft.- He created a plethora of imaginative creatures and wrote stories set in various fictional lands like Averoigne, Hyperborea, and Zothique.**Sculpture Period: 1935–1961**- Smith's interest in fiction waned, and he turned to sculpture, primarily using soft rock materials like soapstone.**Notable Literary Friendships:**- Smith was a part of the Lovecraft circle and had a lasting literary friendship with H.P. Lovecraft.- He corresponded with fellow writers like Robert E. Howard and E. Hoffmann Price.**Legacy and Unique Contributions:**- Clark Ashton Smith's work is celebrated for its rich vocabulary, cosmic perspective, and sardonic humor.- His weird fiction has been compared to the Dying Earth sequence of Jack Vance.- Smith's writing style aimed to captivate readers by using a variety of stylistic resources, akin to incantations.**Later Life and Marriage:**- In 1954, at the age of 61, Smith married Carol(yn) Jones Dorman, a woman with experience in Hollywood and radio public relations.- They lived in Pacific Grove, California, and Smith continued sculpting during this period.**Passing and Legacy:**- In 1961, Smith passed away quietly in his sleep at the age of 68.- His ashes were buried near his childhood home, and plaques recognizing his contributions have been erected in Auburn, California.Clark Ashton Smith's life was marked by a fascinating blend of artistic pursuits, from poetry and weird fiction to sculpture. His imaginative worlds and unique style continue to captivate readers and stand as a testament to his enduring legacy in the realms of literature and art.New Patreon RequestBuzzsprout - Let's get your podcast launched! Start for FREESupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback

Cugel the Clever

Intro - Phil explains his experience of learning French throuhg Jack Vance. Content (12:10) - Discussion of Chapter 12 of An Evil Guest, by Gene Wolfe. Check out more at alzabosoup.com.

On this episode, Hunter and Ryan read and review Black Sword Hack: Ultimate Chaos Edition from Kobayashi and The Merry Mushmen, a rules-lite tabletop roleplaying game inspired by old school dark fantasy and David Black's The Black Hack! "Black Sword Hack is a rules-lite tabletop roleplaying game for two to six players and one gamesmaster. It evolves from the old-school renaissance play style (sometimes known as adventure gaming), using straightforward rules that are easy to modify, expand on, or ignore. It will let you run dark fantasy epics inspired by the works of old masters of the fantasy and science-fiction genre, including Michael Moorcock, Fritz Leiber, Karl Edward Wagner, Jack Vance, Robert E Howard, and many more."

Brad Kerr joins us to discuss Jack Vance's "Cugel's Saga", virtual tabletops, Brom, pompous vocabulary, whimsical characters, world-class worldbuilding, being nickel-and-dimed by the boss, moving from one grift to the next, interesting mounts, making monsters more mysterious, D&D 4E, being your own boss, and much more!

Ralph Banks editor of Popular Crafts Monthly, was a short stocky man with a round pink face, a crisp crew cut, an intensely energetic manner. When a letter from the Smithsonian Institute came across his desk it caught his attention, A Practical Man's Guide by Jack Vance, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.Thanks to K Vomer for another 5-star rating and review on Apple Podcasts, “Very enjoyable! Lots of vintage sci-fi stories! Love the narrator's voice. Also­ – he gives a little snippet about the history of the writer or what magazine it came from. It's fun to hear what people have imagined for the future and what life on other planets would be like. Double thumbs up!” Thanks K Vomer! Your reviews and ratings are always appreciated.John Holbrook Vance, better known as Jack Vance, was born and raised in California. Vance struggled to make ends meet as a young man and worked a number of jobs to survive, a bell-hop, in a cannery, and on a gold dredge, before entering the University of California, Berkeley where he studied mining engineering, physics, journalism and English. He worked for a while as an electrician in the naval shipyards at Pearl Harbor, Hawaii. He left that job about a month before the attack on Pearl Harbor on December 7th, 1941.He started writing science fiction in the 1940s and his first published story was “The World-Thinker” in Thrilling Wonder Stories in the summer of 1945. He would go on to write about 50 short stories in the 40s, 50s and 60s and numerous novels.One of his best-known titles, “The Dying Earth”, began as a collection of short stories in 1950 and eventually expanded to become a whole series of books set in a far-off future. He won numerous awards: among them three Hugo awards, a Nebula and a World Fantasy award for lifetime achievement. In 1997 he was made a Grand Master of sci-fi, by the ScienceFiction Writers of America.A 2009 profile in the New York Times Magazine described Vance as "one of American literature's most distinctive and undervalued voices."Our story written by the highly acclaimed author is featured in the second edition of Space Science Fiction Magazine, Volume 1 Number 2 in August 1957. And there would be no more Space Science Fiction Magazine. Two issues and that's it. If you're interested, you can pick up a copy of the August 57 Space Science Fiction Magazine on Ebay for $35.Turn to page 102 for A Practical Man's Guide by Jack VanceNext week on The Lost Sci-Fi Podcast, Wives always try to cure husbands of bad habits, even on lonely asteroids! The Addicts by William Morrison.That's next week onThe Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.

Intro - Phil asks Metz about testifying before the state legislature. Content (8:20) - Part 2 of Jack Vance's The Moon Moth  Check out more at alzabosoup.com.

Intro - Metz asks Phil about his favorite masks. Content (9:32) - Part 1 of Jack Vance's The Moon Moth.  Check out more at alzabosoup.com.

The remarkable thing about Atummyc Afterbath Dusting Powder was that it gave you that lovely, radiant, atomic look—just the way the advertisements said it would. In fact, it also gave you a little something more!Breeder Reaction by Winston Marks, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.We received more emails and comments last week than ever before and you overwhelmingly said longer episodes would be a good thing. So, in a few weeks look for either a Ray Bradbury not so short story or a Philip K. Dick story. Send us an email, scott@lostscifi.com or leave a comment and tell us which vintage sci-fi author you prefer.Thanks to you our podcast is now #4 in Poland for Science Fiction Podcasts. Thanks to our listeners in Warsaw and Gdansk and all of Poland.We received our first email from Zambia recently, “I found your channel a couple of months ago on YouTube and I love how you narrate and listen to you almost every morning. I have a hard time finding Jack Vance books maybe you could narrate some of his work. Please and thank you. Namukale” Well, Namukale, your request is my command, you will hear Jack Vance in two weeks.Winston Marks returns to The Lost Sci-Fi Podcast today for his 4th appearance and just 3 weeks after “The Water Eater”'.Today's story can be found in the April 1954 “If Worlds of Science Fiction” magazine. The very first story in the magazine is Philip K. Dick's “The Golden Man” which you will hear in a future episode.Turn with me to page 29, Breeder Reaction by Winston MarksNext week on The Lost Sci-Fi Podcast, Fear and misfortune stalk the strange byways of a lonely planet. A Walk in the Dark by Arthur C. Clarke.That's next week on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.

It's Quentin Tarantino in space. Join the conversation on the Atoz forum. Support the network and gain access to over fifty bonus episodes by becoming a patron on Patreon. Want more science fiction in your life? Check out The Gene Wolfe Literary Podcast. Love Neil Gaiman? Join us on Hanging Out With the Dream King: A Neil Gaiman Podcast. Lovecraft? Poe? Check out Elder Sign: A Weird Fiction Podcast. Trekker? Join us on Lower Decks: A Star Trek Podcast. Want to know more about the Middle Ages? Subscribe to Agnus: The Late Antique, Medieval, and Byzantine Podcast.

Homer was a shy Faderfield bachelor; his visitor was a beautiful Pleiades girl. At any rate she was a girl, and Homer had a problem—A Matter of Ethics by Russ Winterbotham, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.Thanks to Mur Dam for his 5 star review a few days ago on Apple Podcasts Great Britain, “Killer sci fi. Eagerly awaiting each new episode. Every one is a gem.” Thanks Mur Dam. We thank all of you for your reviews, ratings and comments. Send us an email and let us know how we're doing or make a request for a vintage sci-fi story or author that you want to hear on the podcast. We are considering some longer stories on the podcast and we'd like your feedback please. If we added some vintage sci-fi that is an hour and a half up to almost two hours long would you listen? Please send us an email and let us know scott@lostscifi.com or leave a comment.We've got requests to fulfill coming soon. We will hear from Arthur C. Clarke in 2 weeks and Jack Vance a week after that, both by request.We've heard from today's author, Russ Winterbotham before, you may remember “Three Spacemen Left To Die!” from last year. That story was paired with “Wanderlust” by Alan E. Nourse.We'll find our story in the April 1955 “Imagination Stories of Science and Fantasy” magazine. Turn to page 78. Her mission on Earth was scientific; yet Homer saw her curves as a social crisis!A Matter of Ethics by Russ Wintherbotham.Next week on The Lost Sci-Fi Podcast, The remarkable thing about Atummyc Afterbath Dusting Powder was that it gave you that lovely, radiant, atomic look—just the way the advertisements said it would. In fact, it also gave you a little something more!Breeder Reaction by Winston MarksThat's next week on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.

Patreon backer Andy brings you this special episode all about the strange creatures of Jack Vance's classic fantasy series! If you're enjoying the show, why not consider supporting it on Patreon? You'll get access to lots of new bonus content, including my other podcast, Patron Deities! Thanks to Ray Otus for our thumbnail image. The intro music is a clip from "Solve the Damn Mystery" by Jesse Spillane, used under a Creative Commons Attribution License.

Earth maintained an important garrison on Asteroid Y-3. Now suddenly it was imperiled with a biological impossibility—men becoming plants! Piper in the woods written by Philip K. Dick… that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.Piper in the Woods is the 10th Philip K. Dick story here on The Lost Sci-Fi Podcast. While it won't be the last story by Philip K. Dick, in the coming weeks were going to bring you stories by several authors who haven't been heard from so far on The Lost Sci-Fi Podcast, H. G. Wells, Arthur C. Clarke, Jack Vance and Ross Rocklynne to name a few.Special thanks to Lifeonmarz via Apple Podcasts Canada on February 16th 2023. Lifeonmarz gave us a 5 star rating and a glorious review.  “Scott Millers readings of these science fiction stories by well known and not so well know authors is fantastic. So glad I found this podcast.”Thank you Lifeonmarz. Your ratings and reviews, comments and compliments encourage others to listen to The Lost Sci-Fi Podcast, so if you think we deserve it please rate, review, and share our podcast. As always, your emails matter to us, scott@lostscifi.comWe've got a rare treat for you today, from the inside cover of Imagination Stories of Science and Fantasy in February 1953, just over 70 years ago, Philip K. Dick in his own words… “Once, when I was very young, I came across a magazine directly below the comic books called STIRRING SCIENCE STORIES. I bought it, finally, and carried it home, reading it along the way. Here were ideas, vital and imaginative. Men moving across the universe, down into sub-atomic particles, into time; there was no limit. One society, one given environment was transcended. It was Faustian; it carried a person up and beyond.I was twelve years old, then. But I saw in it the same thing I see now: a medium in which the full play of human imagination can operate, ordered, of course, by reason and consistent development. Over the years science fiction has grown, matured toward greater social awareness and responsibility.I became interested in writing science fiction when I saw it emerge from the ray gun stage into studies of man in various types and complexities of society.I enjoy writing science fiction; it is essentially communication between myself, and others as interested as I in knowing where present forces are taking us. My wife and my cat Magnificat are a little worried about my preoccupation with science fiction. Like most science fiction readers, I have files and stacks of magazines, boxes of notes and data, parts of unfinished stories, a huge desk full of related material in various stages. The neighbors say I seem to “read and write a lot”. But I think we will see our devotion pay off. We may yet live to be present when the public libraries begin to carry the science fiction magazines, and someday, perhaps, even the school libraries.” Philip K. Dick in his own words.Let's turn to page 88 for Piper In The Woods…Next week on The Lost Sci-Fi Podcast, Whether the story of Gottfried Plattner is to be credited or not, is a pretty question in the value of evidence. On the one hand, we have seven witnesses—to be perfectly exact, we have six and a half pairs of eyes, and one undeniable fact; and on the other we have—what is it?—prejudice, common sense, the inertia of opinion. The Plattner Story by H. G. Wells...That's next week on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode. 

Yochai Gal joins us to discuss Philip K. Dick's "Do Androids Dream of Electric Sheep?", Ursula K. LeGuin, Cairn's influences, Book of the New Sun, the Blade Runner movie, androids and empathy, what makes a belief system valid, Philip K. Dick's less approachable works, sex as a survival strategy, current concerns about AI, cyberpunk LARPs, Jack Vance, and much more!

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Intro - We announce the short stories we will cover after Kai Ashante Wilson's "A Taste of Honey," including "The Repairer of Reputations" by Robert Chambers, "Snuffles" by R.A. Lafferty, and "The Moon Moth" by Jack Vance. Content (6:54) - Discussion of Part 2 of My Defense and Afterward of Exodus From the Long Sun, by Gene Wolfe.  Check out more at alzabosoup.com.

Dimension X was an NBC radio program broadcast mostly on an unsponsored, sustaining basis from April 8, 1950, to September 29, 1951. The first 13 episodes were broadcast live, and the remainder were pre recorded. Fred Wiehe and Edward King were the directors, and Norman Rose was heard as both announcer and narrator, opening the show with: "Adventures in time and space... told [or transcribed] in future tense..." For two months, beginning on July 7, 1950, the series was sponsored by Wheaties. Overview: Preceded by Mutual's 2000 Plus (1950–52), Dimension X was not the first adult science fiction series on radio, but the acquisition of previously published stories immediately gave it a strong standing with the science fiction community, as did the choice of established writers within the genre: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert A. Heinlein, Murray Leinster, H. Beam Piper, Frank M. Robinson, Clifford D. Simak, William Tenn, Jack Vance, Kurt Vonnegut, Jack Williamson and Donald A. Wollheim. Ernest Kinoy and George Lefferts adapted most of the stories and also provided original scripts. In Science Fiction Television (2004), M. Keith Booker wrote: It was not until the 1950s that science fiction radio really hit its stride, even as science fiction was beginning to appear on television as well. Radio programs such as Mutual's 2000 Plus and NBC's Dimension X were anthology series that offered a variety of exciting tales of future technology, with a special focus on space exploration (including alien invasion), though both series also often reflected contemporary anxieties about the dangers of technology. The series opened with "The Outer Limit," Ernest Kinoy's adaptation of Graham Doar's short story from The Saturday Evening Post (December 24, 1949) about alien contact. A week later (April 15, 1950), the program presented Jack Williamson's most famous story, "With Folded Hands," first published in the July 1947 issue of Astounding Science Fiction. With a five-month hiatus from January 1951 to June 1951, the series spanned 17 months. All 50 episodes of the series survived and can be heard today. Later, NBC's X Minus One (1955–58) utilized many of the same actors and scripts.

Of course, you all know Tariq and Rod could rave about the best space books ever, but TWiT's own Jason Snell of SixColors.com just had to chime in, and what a group rant we had! The best of space nonfiction and fiction is coming your way. Hosts: Rod Pyle and Tariq Malik Guest: Jason Snell Download or subscribe to this show at https://twit.tv/shows/this-week-in-space. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: bitwarden.com/twit GO.ACILEARNING.COM/TWIT

Dimension X was an NBC radio program broadcast mostly on an unsponsored, sustaining basis from April 8, 1950, to September 29, 1951. The first 13 episodes were broadcast live, and the remainder were pre recorded. Fred Wiehe and Edward King were the directors, and Norman Rose was heard as both announcer and narrator, opening the show with: "Adventures in time and space... told [or transcribed] in future tense..." For two months, beginning on July 7, 1950, the series was sponsored by Wheaties. Overview: Preceded by Mutual's 2000 Plus (1950–52), Dimension X was not the first adult science fiction series on radio, but the acquisition of previously published stories immediately gave it a strong standing with the science fiction community, as did the choice of established writers within the genre: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert A. Heinlein, Murray Leinster, H. Beam Piper, Frank M. Robinson, Clifford D. Simak, William Tenn, Jack Vance, Kurt Vonnegut, Jack Williamson and Donald A. Wollheim. Ernest Kinoy and George Lefferts adapted most of the stories and also provided original scripts. In Science Fiction Television (2004), M. Keith Booker wrote: It was not until the 1950s that science fiction radio really hit its stride, even as science fiction was beginning to appear on television as well. Radio programs such as Mutual's 2000 Plus and NBC's Dimension X were anthology series that offered a variety of exciting tales of future technology, with a special focus on space exploration (including alien invasion), though both series also often reflected contemporary anxieties about the dangers of technology. The series opened with "The Outer Limit," Ernest Kinoy's adaptation of Graham Doar's short story from The Saturday Evening Post (December 24, 1949) about alien contact. A week later (April 15, 1950), the program presented Jack Williamson's most famous story, "With Folded Hands," first published in the July 1947 issue of Astounding Science Fiction. With a five-month hiatus from January 1951 to June 1951, the series spanned 17 months. All 50 episodes of the series survived and can be heard today. Later, NBC's X Minus One (1955–58) utilized many of the same actors and scripts.

Of course, you all know Tariq and Rod could rave about the best space books ever, but TWiT's own Jason Snell of SixColors.com just had to chime in, and what a group rant we had! The best of space nonfiction and fiction is coming your way. Hosts: Rod Pyle and Tariq Malik Guest: Jason Snell Download or subscribe to this show at https://twit.tv/shows/this-week-in-space. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: bitwarden.com/twit GO.ACILEARNING.COM/TWIT

Dimension X was an NBC radio program broadcast mostly on an unsponsored, sustaining basis from April 8, 1950, to September 29, 1951. The first 13 episodes were broadcast live, and the remainder were pre recorded. Fred Wiehe and Edward King were the directors, and Norman Rose was heard as both announcer and narrator, opening the show with: "Adventures in time and space... told [or transcribed] in future tense..." For two months, beginning on July 7, 1950, the series was sponsored by Wheaties. Overview: Preceded by Mutual's 2000 Plus (1950–52), Dimension X was not the first adult science fiction series on radio, but the acquisition of previously published stories immediately gave it a strong standing with the science fiction community, as did the choice of established writers within the genre: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert A. Heinlein, Murray Leinster, H. Beam Piper, Frank M. Robinson, Clifford D. Simak, William Tenn, Jack Vance, Kurt Vonnegut, Jack Williamson and Donald A. Wollheim. Ernest Kinoy and George Lefferts adapted most of the stories and also provided original scripts. In Science Fiction Television (2004), M. Keith Booker wrote: It was not until the 1950s that science fiction radio really hit its stride, even as science fiction was beginning to appear on television as well. Radio programs such as Mutual's 2000 Plus and NBC's Dimension X were anthology series that offered a variety of exciting tales of future technology, with a special focus on space exploration (including alien invasion), though both series also often reflected contemporary anxieties about the dangers of technology. The series opened with "The Outer Limit," Ernest Kinoy's adaptation of Graham Doar's short story from The Saturday Evening Post (December 24, 1949) about alien contact. A week later (April 15, 1950), the program presented Jack Williamson's most famous story, "With Folded Hands," first published in the July 1947 issue of Astounding Science Fiction. With a five-month hiatus from January 1951 to June 1951, the series spanned 17 months. All 50 episodes of the series survived and can be heard today. Later, NBC's X Minus One (1955–58) utilized many of the same actors and scripts.

Dimension X was an NBC radio program broadcast mostly on an unsponsored, sustaining basis from April 8, 1950, to September 29, 1951. The first 13 episodes were broadcast live, and the remainder were pre recorded. Fred Wiehe and Edward King were the directors, and Norman Rose was heard as both announcer and narrator, opening the show with: "Adventures in time and space... told [or transcribed] in future tense..." For two months, beginning on July 7, 1950, the series was sponsored by Wheaties. Overview: Preceded by Mutual's 2000 Plus (1950–52), Dimension X was not the first adult science fiction series on radio, but the acquisition of previously published stories immediately gave it a strong standing with the science fiction community, as did the choice of established writers within the genre: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert A. Heinlein, Murray Leinster, H. Beam Piper, Frank M. Robinson, Clifford D. Simak, William Tenn, Jack Vance, Kurt Vonnegut, Jack Williamson and Donald A. Wollheim. Ernest Kinoy and George Lefferts adapted most of the stories and also provided original scripts. In Science Fiction Television (2004), M. Keith Booker wrote: It was not until the 1950s that science fiction radio really hit its stride, even as science fiction was beginning to appear on television as well. Radio programs such as Mutual's 2000 Plus and NBC's Dimension X were anthology series that offered a variety of exciting tales of future technology, with a special focus on space exploration (including alien invasion), though both series also often reflected contemporary anxieties about the dangers of technology. The series opened with "The Outer Limit," Ernest Kinoy's adaptation of Graham Doar's short story from The Saturday Evening Post (December 24, 1949) about alien contact. A week later (April 15, 1950), the program presented Jack Williamson's most famous story, "With Folded Hands," first published in the July 1947 issue of Astounding Science Fiction. With a five-month hiatus from January 1951 to June 1951, the series spanned 17 months. All 50 episodes of the series survived and can be heard today. Later, NBC's X Minus One (1955–58) utilized many of the same actors and scripts.

On Today's Trivia Podcast Episode Time for 20 new questions on this trivia podcast! Sphinx, Russian Blue and Scottish Fold are all breeds of which animal? Which river flows through Paris? Jean de Brunhoff was a French writer and illustrator that is best known for creating what children's book character? What current television series villain is inspired by the name of fantasy author Jack Vance? English painter George Stubbs is best known for his paintings of which kind of animals? In Welsh, “eirin gwlanog” (ay-reen glan-og) – literally translated as woolly plums - is the term for which fruit? Who was the last known soldier to surrender following world war 2? A nuclear reaction where the nucleus of an atom splits into smaller parts is known as nuclear what? In Soccer or Football World Cup, Which is the only host country to be eliminated in the first round of the tournament? In what 1997 Nicolas Cage action movie do a bunch of prisoners hijack a transport aircraft? What is the term for illegally hunting or catching game or fish? Which auto making company was sold to Chrysler in 1928? If you liked this episode, check out our last trivia episode! Music Hot Swing, Fast Talkin, Bass Walker, Dances and Dames by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Don't forget to follow us on social media for more trivia: Patreon - patreon.com/quizbang - Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support! Website - quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question! Facebook - @quizbangpodcast - we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Instagram - Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Twitter - @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia - stay for the trivia. Ko-Fi - ko-fi.com/quizbangpod - Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!