Podcasts about Clark Ashton Smith

There is a house in Auburn, California, with a tragic history and a new tenant. Jean Averaud has come from New Orleans with money, with books, with a beautiful mute woman who watches him with eyes full of something between devotion and dread. He has come with a theory about evil — not the Devil, not sin, not the ordinary darkness of human nature, but evil as a cosmic force, a radiation from a black sun somewhere in the depths of space.And he has come with a purpose. In the old Larcom house, with its history of sorrow and disaster, he has found exactly the conditions he needs. His neighbour, a novelist, finds himself drawn into Averaud's orbit. Clark Ashton Smith's The Devotee of Evil is a quiet story. It does not rush. It thinks. And what it thinks about has been troubling philosophers and theologians for two thousand years. The Devotee of Evil was first published in Smith's self-produced chapbook The Double Shadow and Other Fantasies in 1933, after failing to find a commercial publisher. It reappeared in Stirring Science Stories in February 1941. Clark Ashton Smith (1893–1961) was a California poet, painter, sculptor and writer of weird fiction, one of the central figures of the Weird Tales circle alongside H.P. Lovecraft and Robert E. Howard, with whom he maintained a long correspondence.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute*

Hechiceros, monstruos y bosques primigenios. Abadías, templos y castillos en ruinas, el Ciclo de Averoigne representa una de las más emblemáticas y paradójicamente desconocidas facetas de la obra de Clark Ashton Smith, que publicó buena parte de su obra en la mítica revista Weird Tales donde dejó una huella imborrable entre los renovadores de la literatura fantástica del siglo XX. Esta noche estrenamos su relato "La Bestia de Averoigne" invocado desde la antología de la Editorial Valdemar, "Cuentos de Averoigne" con la traducción de Marta Lila Murillo y la inestimable colaboración de Toliol, librero del mal en Gigamesh. Pueden hacerse con estos tomos primigenios aquí: https://www.valdemar.com/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com

Hechiceros, monstruos y bosques primigenios. Abadías, templos y castillos en ruinas, el Ciclo de Averoigne representa una de las más emblemáticas y paradójicamente desconocidas facetas de la obra de Clark Ashton Smith, que publicó buena parte de su obra en la mítica revista Weird Tales donde dejó una huella imborrable entre los renovadores de la literatura fantástica del siglo XX. Esta noche estrenamos su relato "La Bestia de Averoigne" invocado desde la antología de la Editorial Valdemar, "Cuentos de Averoigne" con la traducción de Marta Lila Murillo y la inestimable colaboración de Toliol, librero del mal en Gigamesh. Pueden hacerse con estos tomos primigenios aquí: https://www.valdemar.com/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Hechiceros, monstruos y bosques primigenios. Abadías, templos y castillos en ruinas, el Ciclo de Averoigne representa una de las más emblemáticas y paradójicamente desconocidas facetas de la obra de Clark Ashton Smith, que publicó buena parte de su obra en la mítica revista Weird Tales donde dejó una huella imborrable entre los renovadores de la literatura fantástica del siglo XX. Esta noche estrenamos su relato "La Bestia de Averoigne" invocado desde la antología de la Editorial Valdemar, "Cuentos de Averoigne" con la traducción de Marta Lila Murillo y la inestimable colaboración de Toliol, librero del mal en Gigamesh. Pueden hacerse con estos tomos primigenios aquí: https://www.valdemar.com/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com

A king loses his crown and his bald spot is exposed! Join us as we chart his quest to regain his royalty in The Voyage of King Euvoran by Clark Ashton Smith!

On the last surviving star, a civilization that has mastered time, matter, and life itself faces a slow extinction they cannot stop. When a newly created mind claims victory over the unstoppable force consuming the universe, one decision will determine whether anything at all remains. The Red Brain by Donald Wandrei. That's next on The Lost Sci-Fi Podcast.Author Donald Wandrei makes his debut on the podcast today. Born in 1908 in St. Paul, Minnesota, he built a reputation as a science fiction writer, poet, and editor—and, like many writers of his era, he shared a strong connection with H. P. Lovecraft.As a teenager, Wandrei hitchhiked from Minnesota to Rhode Island to meet Lovecraft in person. That journey led to his involvement in the Lovecraft Circle, alongside writers such as Frank Belknap Long and Clark Ashton Smith.Wandrei also played a crucial role behind the scenes. Without his intervention, The Call of Cthulhu might never have appeared in Weird Tales. He wrote directly to the magazine's publisher, making it clear that if Lovecraft's work wasn't accepted, the author would take his stories elsewhere.In late 1937, after H. P. Lovecraft's death, Donald Wandrei and August Derleth tried to publish a memorial collection of his best weird fiction. When major publishers passed, they created their own company—Arkham House—to release Lovecraft's work in hardcover.The name comes from Lovecraft's fictional city of Arkham, Massachusetts.Donald Wandrei went on to write nearly 100 science fiction short stories, and he was just 16 when he wrote the one you're about to hear—his first to be published, in Weird Tales magazine in October 1927 on page 531, The Red Brain by Donald Wandrei…Next on The Lost Sci-Fi Podcast, Humanity finally reaches Mars expecting discovery, only to stumble into a revelation that quietly rewrites Earth's entire history. What begins as triumph turns into a cosmic joke with unsettling implications no one is prepared to accept. Mimsy's Joke by Millard Grimes.

La fiancée du prince nomade Yadar est enlevée par des brigands. Ce dernier va se lancer à la poursuite des kidnappeurs à travers tout le Continent de Zothique, jusqu'à une île esseulée à l'aura maléfique, domicile de trois Nécromants.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Un análisis de Cita en Averoigne de Clark Ashton Smith, uno de los relatos más inquietantes del ciclo de Averoigne, donde lo cotidiano se transforma en una trampa sobrenatural. En este programa nos adentramos en Cita en Averoigne, uno de los relatos más perturbadores de Clark Ashton Smith, maestro del horror atmosférico y creador de uno de los territorios ficticios más fascinantes de la literatura fantástica. #Averoigne #ClarkAshtonSmith #HorrorCosmico #LiteraturaDeTerror ☄️ Y si este programa te ha gustado: comenta, dale a me gusta, compártelo. Ayúdanos a llegar a más gente ☄️ APÓYANOS EN: ☄ Patreon: https://www.patreon.com/vuelodelcometa ☄ iVoox: https://www.ivoox.com/support/1049191 ☄ YouTube: https://www.youtube.com/@vuelodelcometa TELEGRAM: ☄ Telegram (canal de difusión): https://t.me/canalvuelodelcometa ☄ Telegram (chat grupal): https://t.me/vuelodelcometacomunidad REDES SOCIALES: ☄ Instagram: https://www.instagram.com/vuelodelcometa ☄ Twitter: https://twitter.com/Vuelodelcometa ☄ Bluesky: https://bsky.app/profile/vuelodelcometa.bsky.social ☄ Threads: https://www.threads.com/@vuelodelcometa ☄ Facebook: https://www.facebook.com/Vuelodelcometa WEB: ☄ Web: alvaroaparicio.net Y si quieres contactar con nosotros para una promoción, no dudes en ponerte en contacto a través de: vuelodelcometapodcast@gmail.com Si quieres apoyar este y otros proyectos relacionados, puedes acudir a https://www.patreon.com/vuelodelcometa o a través del sistema de mecenazgo en iVoox. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Send us Fan MailJoin us for what is widely regarded as Smith's finest tale, The Dark Eidolon. We talk infernal spectacles, noisy neighbours, spectral equines, revenge, film adaptations and SFX.Reader: Simon Frazier NashFavourite words: Simoom, diddered, bezom, guernon, odalisque, capricoles, haliotis, involutate.Download MP3      Innsmouth Literary Festival    Mothership Campaign       The Art of SkinnerMockman Books   Pulp Covers   Dante's  InfernoSupport the showContact us at innsmouthbookclub@outlook.comNight Shade Books PatreonInnsmouth Literary FestivalInnsmouth Book Club            Facebook         YoutubeBlueSky                      Tim Mendees                   Innsmouth GoldDragon's Teeth Gaming Channel Graveheart DesignsMonster in my Bed podcast

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   From the Probabilities Archive: E. Hoffman Price, Fantasy & Science Fiction Pulp Writer E. Hoffman Price (1898-1988), fantasy and science fiction author who published in various pulp magazines from the 1920s into the 1950s, in conversation with Probabiliaties hosts Richard Wolinsky, Richard A. Lupoff and Lawrence Davidson, recorded in early 1979 at Price's home in Redwood City, California. E. Hoffman Price, who was born 1898 and died shortly before his 90th birthday in 1988, wrote fantasy and science fiction stories for the pulp magazines of the first half of the twentieth century, along with some non-fiction. Mostly forgotten today, though several of his stories are available in small press editions, his claim to fame is a single collaboration with the great horror writer H.P. Lovecraft, titled “Through the Gates of the Silver Key,” a sequel to Lovecraft's story, “The Silver Key.” A contributor to Weird Tales, he was also friends with two other writers from the magazine, Seabury Quinn and Clark Ashton Smith, as well as with the longtime editor of Weird Tales, Farnsworth Wright. He also knew Otis Adelbert Kline, famous in his day for writing imitations of Edgar Rice Burroughs. In the interview, Price talks about his writing career, his friendships with H.P. Lovecraft, horror writer Seabury Quinn, adventure writer Otis Adelbert Kline, and horror master Clark Ashton Smith. The Probabilities radio show first went on the air on KPFA in 1977. Within a year, my co-host Lawrence Davidson was on the trail for old pulp writers and editors, egged on by science fiction and fantasy author Richard A. Lupoff, who officially joined the show a couple of years later. This interview, following on the heels of interviews with pulp science fiction author Stanton A. Coblentz and editor Charles Hornig, was conducted at Price's house in Redwood City, California, most likely in the spring of 1979. Accompanying Dick, Lawrence and myself were Dick's wife Pat Lupoff and science fiction fanzine editor Jim Purviance. Over two hours were recorded on multiple tapes, and parts of the transcription can be found in the book Space Ships Ray Guns Martian Octopods: Interviews with Science Fiction Legends. The interview was digitized and then remastered using AI technology first, and then edited for clarity and coherence. Some outtakes exist which I can forward by email via richard@kpfa.org. The unpublished memoir Price discusses in the interview, Book of the Dead: Friends of Yesteryear, Fictioneers and Others was eventually published posthumously, in 2001. The interview opens with a question by Richard A. Lupoff. Several collections of stories by E. Hoffman Price were published in 2017 by Wildside Press, and are available both digitally and in print. The interview was digitized, remastered and edited in March 2026. This interview was first heard in a very truncated version in 1979 and has not been aired until now. The complete 68-minute interview can be heard here.   Rob Nillson: Award-Winning Independent Film-maker Rob Nillson is a Bay Area based maverick filmmaker. The winner of the Camera d'Or at Cannes in 1979 for Northern Lights and the Grand Prize at Sundance for Heat and Sunlight in 1988, he continues to make independently distributed films. A documentary about the life and work of Rob Nillson, titled The Way Things Seem to Be, introduced by Rob Nillson and the documentary's director, Zahn Petrov, gets its world premiere at the Christopher Smith San Rafael Film Center this coming sunday, March 29th at 12 noon, and for more information you can go to cafilm.org. This interview was part of a larger interview about the life and work of filmmaker David Schickele.     Review of “Assassins” at Oakland Theatre Project through April 5, 2026.e     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  ||: Girls :||: Chance :||: Music :||. through April 19, Strand Theatre. Hamnet, adapted by Lolita Chakrabarti, April 22 – May 24.  Awesome Theatre Company. See website for information. BATS Improv Improvised theatre. See website for schedule. BATS Bayfront Theatre, Fort Mason Center, San Francisco. Berkeley Playhouse. Once, February 20 – March 29.  Berkeley Rep. All My Sons by Arthur Miller, Feb. 20 – March 29, Roda Theatre. The Monsters by Ngozi Anyanwu, March 27 – May 3, Peets Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: MJ The Musical, March 24 – April 5, Orpheum. Hadestown, April 21 -26,  Orpheum.  Hells Kitchen, May 6 – 24, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. note: BroadwaySF is now ATG Tickets. Broadway San Jose:  Beetlejuice, March 31 – April 5. Les Miserables, April 29 – May 3. Back to the Future, June 2 – 7. The Sound of Music, July 21-26, Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works After Happy by Patricia Milton, Feb. 28 – March 29. Cinnabar Theatre. The Christians by Lucas Hnath, April 10-26, The Secret Garden, June 12 – 28. Club Fugazi. Dear San Francisco, ongoing. Closed Monday and Tuesday. Contra Costa Civic Theatre A Chorus Line, June 6 – 21, 2026. See website for other events and concerts. Golden Thread  Festival of Palestinian Art, April 9-19, Potrero Stage..See website for details and specifics. Hillbarn Theatre: The Play That Goes Wrong by Henry Lewis, Jonathan Sayer & Henry Shields, April 23 – May 17. Lorraine Hansberry Theatre. 2026 season: Sistahfriend by Phaedra Tillery-Boughton, Magic Theatre, May 15-17; African Stew by Dr. Lisa B. Thompson, Sept. 10-27. Magic Theatre; Soulful Christmas, December, Magic Theatre. Los Altos Stage Company. The Cherry Orchard by Anton Chekhov, adapted by Tom Stoppard, April 16 – May 10. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Macbeth, translated and adapted by Migdalia Cruz. Extended through April 12. Marin Shakespeare Company: La Comedia of Errors, April 17 – May 10, As You Like It, June 19 – July 19, Julius Caesar, August 14 – Setpember 13, See website for schedule. Marin Theatre:  60th Anniversary Gala, April 19. Pictures from Home by Sharr White, May 7-31. Masquers Playhouse, Point Richmond. The Gods of Comedy by Ken Ludwig, April 24 – May 17. Mission Cultural Center for Latino Arts Closed. SF Chronicle gift article. New Conservatory Theatre Center (NCTC)  Gods and Monsters based on the novel by Christopher Bram, written and adapted by Tom Mullen, March 6 – April 5. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Assassins, March 29 – April 5. The House of Bernarda Alba by by Federico Garcia Lorca, adapted by Chay Yew, May 22 – June 7. The Fre by Taylor Mac, June 18-28. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Anon(ymous) an adaptation of the Odyssey, by Naomi Iizuka, April 18 – May 3, God of Carnage by Yazmina Reza, June 12 – 28. See website for staged readings and other events. Playful People Productions. See website for classes and upcoming events. . Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Mean Girls The Musical. May 1 – 30. Urinetown, July 31 – August 29. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Flex by Candrice Jones. March 26 – May 7.. SFBATCO.  See website for streaming and in- theater shows. San Francisco Shakespeare Festival. Shakespeare on Tour: Julius Caesar, through May. See website for more information. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  The Goat, or Who Is Sylvia by Edward Albee, March 21 – April 19. South Bay Musical Theatre:  On The Twentieth Century, April 19-20. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Primary Trust by Eboni Booth, March 4 – 29, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar.Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. League of Livestream Theatre: See website for streaming plays. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . y. The post Bookwaves/Artwaves – March 26, 2026: Pulp Magazine Author E. Hoffman Price (1898-1988) appeared first on KPFA.

This episode we return to the Red Planet for some rollicking old school sci-fi horror courtesy of Clark Ashton Smith. NOCTURNAL TRANSMISSIONS is proud to present:  'THE DWELLER IN THE GULF' ---   NOCTURNAL TRANSMISSIONS is a fortnightly podcast featuring inspired performances of short horror stories, both old and new, by voice artist Kristin Holland.   ⁠⁠⁠⁠⁠⁠⁠https://www.nocturnaltransmissions.com.au⁠⁠⁠⁠⁠⁠⁠   You can support us (and access lots of exclusive content) by becoming a patron at Patreon.com: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/nocturnaltransmissions⁠⁠⁠⁠⁠⁠⁠ ___ NOCTURNAL TRANSMISSIONS is proud to be a part of the SpectreVision Radio podcast network. SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. spectrevisionradio.com linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

E. Hoffman Price (1898-1988), fantasy and science fiction author who published in various pulp magazines from the 1920s into the 1950s, in conversation with Probabiliaties hosts Richard Wolinsky, Richard A. Lupoff and Lawrence Davidson, recorded in early 1979 at Price's home in Redwood City, California. E. Hoffman Price, who was born 1898 and died shortly before his 90th birthday in 1988, wrote fantasy and science fiction stories for the pulp magazines of the first half of the twentieth century, along with some non-fiction. Mostly forgotten today, though several of his stories are available in small press editions, his claim to fame is a single collaboration with the great horror writer H.P. Lovecraft, titled “Through the Gates of the Silver Key,” a sequel to Lovecraft's story, “The Silver Key.” A contributor to Weird Tales, he was also friends with two other writers from the magazine, Seabury Quinn and Clark Ashton Smith, as well as with the longtime editor of Weird Tales, Farnsworth Wright. He also knew Otis Adelbert Kline, famous in his day for writing imitations of Edgar Rice Burroughs. In the interview, Price talks about his writing career, his friendships with H.P. Lovecraft, horror writer Seabury Queen, adventure writer Otis Adelbert Kline, and horror master Clark Ashton Smith, as well as colorful tales of whore houses and the publishing industry that existed a century ago. The Probabilities radio show first went on the air on KPFA in 1977. Within a year, my co-host Lawrence Davidson was on the trail for old pulp writers and editors, egged on by science fiction and fantasy author Richard A. Lupoff, who officially joined the show a couple of years later. This interview, following on the heels of interviews with pulp science fiction author Stanton A. Coblentz and editor Charles Hornig, was conducted at Price's house in Redwood City, California, most likely in the spring of 1979. Accompanying Dick, Lawrence and myself were Dick's wife Pat Lupoff and science fiction fanzine editor Jim Purviance. Over two hours were recorded on multiple tapes, and parts of the transcription can be found in the book Space Ships Ray Guns Martian Octopods: Interviews with Science Fiction Legends. The interview was digitized and then remastered using AI technology first, and then edited for clarity and coherence. Some outtakes exist which I can forward by email via richard@kpfa.org. The unpublished memoir Price discusses in the interview, Book of the Dead: Friends of Yesteryear, Fictioneers and Others was eventually published posthumously, in 2001. The interview opens with a question by Richard A. Lupoff. Several collections of stories by E. Hoffman Price were published in 2017 by Wildside Press, and are available both digitally and in print. The interview was digitized, remastered and edited in March 2026. This interview was first heard in a very truncated version in 1979 and has not been heard until now.   The post Probabilities Archive: E. Hoffman Price (1898-1988), Science Fiction & Fantasy Pulp Magazine Author appeared first on KPFA.

"Xeethra" is a Zothique Cycle story by Clark Ashton Smith, first published in the December 1934 edition of Weird Tales. "A strange tale about a goatherd who had been king in the olden days, and how he regained and lost again his kingship." Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textJoin us for a dark trip into Zothique with Smith's classic The Charnel God. We talk cover art, the parade of nudes, dromedaries, Xuthal and Charlton Heston.Reader: Heather MillerFavourite words: optamites, orotund, necrophagism, adytum, privity, unctuous, chafferer, huckster, noctabulisticDownload MP3Innsmouth Literary Festival    Grooving in Green     Mothership Campaign   Charlton Heston Put His Vest OnSupport the showContact us at innsmouthbookclub@outlook.comNight Shade Books PatreonInnsmouth Literary FestivalInnsmouth Book Club Facebook YoutubeBlueSky Tim Mendees Innsmouth GoldDragon's Teeth Gaming Channel Graveheart DesignsMonster in my Bed podcast

Would you like to immerse yourself in the world of weird fiction? The grimy weird is speculative fiction at its finest — a realm of horror, science fiction, and dark fantasy. Coming to you from SpectreVision Radio, is The HorrorBabble Podcast. We produce recordings of stories by the pioneers of the genre — H. P. Lovecraft, Clark Ashton Smith, and Robert E. Howard — while breathing new life into forgotten classics penned by lesser-known authors. With new recordings published twice weekly — Tuesdays and Fridays — you'll encounter Lovecraft's Cthulhu Mythos, from the Nameless City to the Colour Out of Space; Clark Ashton Smith's Zothique, where cosmic entities linger in a dying world; Robert E. Howard's legendary tales of Bran Mak Morn and Conan; and everything else weird fiction has to offer: baffling beasts and deadly bargains, haunted houses and polar terrors, caverns and crypts, dreams and nightmares, vampires and werewolves… the list goes on. If you have a taste for the macabre, you're certain to find something to satisfy your ghoulish appetite. Learn more about your ad choices. Visit megaphone.fm/adchoices

After learning about The Necronomicon in The Hound in our last show, we now have a tale from Clark Ashton Smith which introduces us to another infamous tome from the Cthulhu Mythos, alleged written by a dark wizard in ancient Hyperborea - The Book of Eibon!

"The Weaver in the Vault" is a Zothique Cycle story by Clark Ashton Smith, first published in the January 1934 edition of Weird Tales. "A story of the weird and ghastly-beautiful horror that came upon the searchers in the eery tombs of Chaon Gacca." Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textJoin us for a journey to the light beyond in CAS' unearthly The Secret of the Cairn.  We talk the High Sierras, the Law of Fives, Algol and Alderbaran, angels and mounds. Plus a delve into the mailbag.Reader: Simon Frazier Nash.Favourite words: intercalated, boskage, asphodels, phlox, stelliform, appanage, friable, mortised.Download MP3Concrete Cow      Bedford Tabeltop Expo       Heather MillerSupport the showContact us at innsmouthbookclub@outlook.comNight Shade Books PatreonInnsmouth Literary FestivalInnsmouth Book Club Facebook YoutubeBlueSky Tim Mendees Innsmouth GoldDragon's Teeth Gaming Channel Graveheart DesignsMonster in my Bed podcast

This companionship with the facecam is a side of me you usually don't see, or hear, because I'm usually reacting to these stories I read you - and this way, you can be part of that. The eyebrow raises, the word mixups, the grimacing...and though it becomes quite lo-fi, I feel safe and free to share this intimacy with you. We're safe here and you get nose boops for the mistakes ❤️ Tonight's Dark Devotion is The Garden of Adompha by Clark Ashton Smith — a story of love preserved beyond death, devotion that refuses to loosen its grip, and beauty that lingers where it should not. Adompha is not a story about hope. It is a story about fidelity taken to its final extreme.

"The Tomb-Spawn" is a Zothique Cycle story by Clark Ashton Smith, first published in the May 1934 edition of Weird Tales. "A tale of a star-spawned monstrosity, and the eldritch magic of a powerful king and wizard." Learn more about your ad choices. Visit megaphone.fm/adchoices

   "The Treader of the Dust" is a short story written by Clark Ashton Smith and first published in the August 1935 issue of Weird Tales.   Check out this link to buy DB's Books[link]  

   "The Treader of the Dust" is a short story written by Clark Ashton Smith and first published in the August 1935 issue of Weird Tales.   Check out this link to buy DB's Books[link]  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple  

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

"The Dweller in the Gulf", is a short story by American author  Clark Ashton Smith. It forms the second part of his Mars series. INSTAGRAM Facebook Apple

"The Dweller in the Gulf", is a short story by American author  Clark Ashton Smith. It forms the second part of his Mars series. INSTAGRAM Facebook Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

William Hope Hodgson's The Night Land (1912) is a staggering piece of early weird fiction — an immense, apocalyptic vision set millions of years in the future, after the sun has died. Humanity survives in the Last Redoubt, a titanic metal pyramid lit by internal power, surrounded by eternal darkness and monstrous forces that hunger for the light within. The protagonist, a telepathic man of that far-future world, senses the spirit of his long-dead love calling from another human fortress — the Lesser Redoubt — now besieged in the black wilderness. Driven by love and duty, he ventures into the Night Land: a desolate, monster-haunted plain where the Earth's surface is stalked by “Watchers,” “Silent Ones,” and colossal horrors that defy comprehension. It's equal parts cosmic horror, doomed romance, and proto-science-fantasy. Hodgson's prose is archaic, deliberately medieval in tone, which makes the book feel like an illuminated manuscript describing a dream of the end of time. Modern readers often find it dense, but it rewards endurance — this is an early ancestor of Lovecraft, Clark Ashton Smith, and dark science fiction from Dune to Dark Souls. Check out DB Spitzer's newest book, a love letter to cyberpunk and bartending. FInd us on... INSTAGRAM Facebook YouTube Apple

Deep in the haunted realm of Averoigne, something ancient and profane is stirring. A vanished sorcerer, a trail of stolen corpses, and a ruined fortress whisper a single, terrifying secret—one only the bravest dare uncover. When strange lights blaze above the crumbling battlements of Ylourgne and the dead themselves begin to wander, a lone seeker of forbidden truths must confront the darkness his former master left behind. In this season-ending descent into Gothic terror, Horror Hill host Erik Peabody guides listeners through Clark Ashton Smith's legendary tale of necromancy, dread, and the monstrous consequences of unchecked ambition. Expect infernal rituals, eerie revelations, and the creeping certainty that some horrors were never meant to be unearthed. Brace yourself. The shadows are gathering, the earth is trembling, and something colossal is waking. Welcome to the finale. To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/ChillingEntertainmentYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/HorrorHillPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/HorrorHillPodcast⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode is narrated by Josh Rubino and sound designed by Tal Minear. It's adapted from A Vintage from Atlantis by Clark Ashton Smith.Transcript here. Find us online:Patreon: ⁠https://www.patreon.com/redracula⁠Merch: ⁠https://store.dftba.com/collections/re-dracula⁠Website: ⁠www.ReDracula.live⁠Tumblr: ⁠https://www.tumblr.com/re-dracula⁠Bloody Disgusting Website: ⁠www.Bloody-Disgusting.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"A Rendezvous in Averoigne" is the second story in Clark Ashton Smith's Averoigne series, first published in the April-May 1931 edition of Weird Tales. "An unusual host was the Sieur du Malinbois—a strange story of the undead."

Welcome Cromrades to the final episode of our Clark Ashton Smith journey. We've loved our time with the poet of Auburn, CA and we hope you are all finding more to read from him. We send him off with a creepy, twisted, parasitic episode focused on "The Vaults of Yoh Vombis". Join us in the shadows won't you...?   Show Notes:  Story http://www.eldritchdark.com/writings/short-stories/231/the-vaults-of-yoh-vombis  Evaluation of CAS stories https://phuulishfellow.wordpress.com/2022/12/30/sifting-the-good-from-the-bad-a-quick-and-dirty-evaluation-of-clark-ashton-smith-stories/ One Things Joshua: Making impactful decisions in The Witcher 3 Luke: In the midst of a Nolan fest and finally watched The Prestige  Jonathan: Finding inner peace with The Question Also... Did you know there's an upcoming CAS Conference in Auburn, CA, in Jan? Check it out!    Questions? Comments? Curses? Call us at (859) 429-CROM! Did you know that we're on Facebook? We're posting photos on the Instagrams! Or, check us out on Apple Podcasts! (or your podcast player of choice!) Legal Mumbo-Jumbo Our episode is freely available on archive.org and is licensed under Creative Commons: By Attribution 3.0. http://creativecommons.org/licenses/by/3.0/ Themes by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Outro: 'Life on Mars' by David Bowie. Music obtained legally; we hope our discussion of this content makes you want to go out and purchase the work!   

Banished from civilization, a weary wanderer stumbles into the cursed desert of Yondo—a realm where nature itself seems possessed by madness. Beneath its crimson skies, he discovers that some horrors are far older—and far more aware—than man ever dreamed. The Abominations of Yondo by Clark Ashton Smith. That's next on The Lost Sci-Fi Podcast.If you've already taken the time to fill out our survey thank you, if you haven't yet would you please take a few minutes to tell us what you think. We value your opinion and your time. There is a link in the description and you will find a link to the survey at the top of the all new https://lostscifi.com.Survey - https://podcastsurvey.typeform.com/to/gNLcxQlkLet's go back in time 99 and a half years ago to the April 1926 issue of Overland Monthly to page 100, The Abominations of Yondo by Clark Ashton Smith…Next on The Lost Sci-Fi Podcast, Lancelot Biggs was an unpredictable quantity, but nobody aboard the Saturn thought he'd ever turn traitor! The Genius of Lancelot Biggs by Nelson S. Bond.Website - https://lostscifi.com/Survey - https://podcastsurvey.typeform.com/to/gNLcxQlkRise - http://bit.ly/45So7Yr☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsVDiscord - https://discord.gg/EXrY7UHT

ENTER THE RAFFLE FROM £2: https://raffall.com/398734/enter-raffle-to-win-the-books-that-built-horrorbabble-hosted-by-horrorbabble This Halloween, one winner will receive a rare trio of vintage Panther paperbacks, each showcasing the masters of Weird Tales horror fiction: Clark Ashton Smith's Out of Space and Time: Volume 1 (1974) H. P. Lovecraft's The Haunter of the Dark and Other Tales of Terror (1963) Robert E. Howard's Skull-Face Omnibus: Volume 1: Skull-Face and Others (1976) These are the very stories that helped shape the heart and soul of HorrorBabble. This is an opportunity to own physical relics of the weird fiction tradition, curated, complete, and haunted by decades of literary dread. If the winner wishes me to do so, I will sign the books. Original UK Panther editions International shipping included Enter from as little as £2