Podcasts about l elisir

On this episode of Opera Apéro, I talk to my friend Lex (she/her) about L'elisir d'amore by Gaetano Donizetti. Unlike an earlier Donizetti opera episode (looking at you, Lucia), this opera is the 18th century version of a comforting romcom flick. It's the story of a rural worker longing for the love of a farm-owner with her head in a book, the magical potions he buys from a traveling medicineman to win her over. Lex is the founder of the Modality Group, a sex tech consulting company, and brought all her industry expertise to the show. We discuss the similarities between love elixirs, aphrodisiacs and sex products; claims and words used by sex toy companies, holistic health, and learn how to identify trustworthy sex tech companies. Let me know what you thought on social media: on Instagram @opera.apero and on Twitter @OperaApero. To learn more about Lex and Modality, check out their work at modalitygroup.co If you like this show, please consider supporting me through Buy Me a Coffee.   Chapters Act 1  - 6:17 Act 2  - 20:20 Discussion - 32:08

Another one from my archives. This was such a fun production and one of my favorite roles. This is from the last couple of scenes of the first act. Enjoy! Get my book "MASTER YOUR VOICE: My Personal Approach To More Skill & Depth In Singing - Beyond Perfect Technique": https://amzn.to/2TyjXP1 Get the audiobook: https://www.masteryourvoice.tv/book Check out my YouTube channel: https://www.youtube.com/freyacaseymusic Join my free Facebook group "Master Your Voice": https://www.facebook.com/groups/masteryourvoice Listen to my music on Spotify: https://open.spotify.com/artist/5vklGnfenj1QAGUB3zDgDA

1. Mason Bates - The (R)evolution of Steve Jobs: Scene 7, That Can Also Be a Ticking Clockhttps://spoti.fi/3nEI1OG2. Pamela Z - Badagadahttps://youtu.be/9_d6UFZZ8ck?t=2433. Errollyn Wallen - Gun Gun Gunhttps://spoti.fi/3kHe4Mb4. Judah Adashi - Risehttps://youtu.be/s2NCPiX3A1MYou can listen to these before or after the episode, or you can pause our podcast and go listen to each piece as we introduce them. Panelists:Bass Robert Ellsworth Feng is acclaimed for having a “commanding darkness and thickness to his tone,” and is a born collaborator who performs with artists of all mediums. Robert is the recipient of the George Woodhead Prize in Voice and the Peabody Career Development Award and placed second in the NY Classical Music Society International Voice Competition. Performance highlights include Don Giovanni (Il Commendatore) with Kor Productions, The Mikado (Ko-Ko) with Hawaii Opera Theatre, Tobias Picker’s Emmeline (Pastor Avery) with Manhattan School of Music, and more. Robert has premiered new works including Tony Small’s Qadar and Nick Peros’ Lamentation of Ruin. During quarantine, Robert performed in Social Distance Opera's production of Street Scene as Henry Davis, with Seagle Music Colony, and was a featured artist for Tony Small's Virtual Masterclass series for the Boys & Girls Club of Greater Washington. Robert received his Bachelors at Peabody, his Masters at Manhattan School of Music, and is an alumni of Seagle Music Colony. Robert is also a proud member of the Hawaii Opera Theatre Mae Z. Orvis Opera Studio.Taylor-Alexis DuPont is a young and engaging Mezzo-Soprano from Orlando, Florida. Since graduating with her Masters in Voice from the Peabody Conservatory while studying with Denyce Graves, Taylor-Alexis has performed with the Metropolitan Opera, the Ising International Young Artist Festival in Beijing and Suzhou, China, the Glimmerglass Festival, Prototype Festival, Sarasota Opera, St. Petersburg Opera, Opera Orlando, First Coast Opera, Christman Opera and City Lyric Opera. Performance highlights include Cendrillion (Prince Charmant), Così fan tutte (Dorabella), Ruslan and Ludmilla (Prince Ratmir), The Snow Maiden (Lel) and Pinocchio (Pinocchio). Earlier this year Taylor-Alexis performed as an ensemble member and soloist cover in the Metropolitan Opera’s wildly successful production of Porgy and Bess and made her debut with Heartbeat Opera in a new work titled Lady M. Taylor-Alexis is currently working with the Florentine Opera as a Baumgartner studio artist for the 2020-2021 season.Praised for her “vocal control and exquisite refinement,” soprano Teresa Ferrara is dedicated to music’s power to transcend social divides and inspire people of all ages and backgrounds. She has performed as a solo vocalist at the Kennedy Center and her chorus work has allowed her to perform often with the National Symphony Orchestra. She has earned many awards for her singing, including the George Woodhead Prize in Voice from the Peabody Conservatory, the Award for Excellence in the Arts from the National Society of Arts and Letters, and The Washington Post Music and Dance Scholarship Award. Ms. Ferrara has performed repeatedly with Maryland Lyric Opera, Baltimore Musicales, and the IN Series. Notable opera credits include Mozart’s Le Nozze di Figaro (Countess Almaviva) and Così fan tutte (Despina), as well as Donizetti’s L’Elisir d’Amore (Giannetta), Massenet's Chérubin (L'Ensoleillad), and Viva V.E.R.D.I. - The Promised End, (Soprano). A graduate of the Master of Music program at Peabody, she plans to continue to pursue musical endeavors that stretch the norms of classical music and seek to educate and serve the community.

Written in haste in a six-week period, L'elisir d'amore was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a romanza that has a considerable performance history in the concert hall. Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Support us on Patreon https://www.patreon.com/user?u=4186107 staff@classicalmusicdiscoveries.com

Catherine and Jonathan delve into the fascinating process of how she builds a world around the production that feeds directly into the creation of the costume narrative. They also examine Catherine’s longstanding working relationship with Angels and in particular how the combined resources of the stock hire and manufacturing departments facilitate her practise.Her current biog. includes productions as followsBroadway: Moulin Rouge, Mrs. Doubtfire, My Fair Lady (Tony Award, Drama Desk Awards, Outer Critics Circle Award), War Paint (Drama Desk Award, Outer Critics Circle Award, Tony nomination), Oslo, Fiddler on the Roof, The King & I (Tony Award, Olivier Award, Outer Critics Circle Award), Gigi (Drama Desk Award), Golden Boy (Tony nomination), The Big Knife, Enemy of the People, How to Succeed in Business Without Really Trying (Tony nomination), Born Yesterday, (Tony nomination), Women on the Verge of a Nervous Breakdown, The Royal Family (Tony Award), South Pacific (Tony Award), The Coast of Utopia (Tony Award), The Light in the Piazza (Tony Award), Edward Albee’s Seascape (Tony nomination), Awake and Sing! (Tony Award), Joe Turner’s Come and Gone (Outer Critics Circle nomination), Blood & Gifts, Oleanna, Cry-Baby, Mauritius, Doubt, Little Women, Dinner at Eight (Tony nomination, Outer Critics Circle and Drama Desk nominations), Twelfth Night (Tony nomination, Drama Desk nomination), Ivanov, Triumph of Love (Drama Desk nomination), The Sound of Music, The Red Shoes among others. Opera: Rigoletto, Berlin State Opera; Le Grand Macabre, Elbphilharmonie Hamburg; Porgy & Bess, Otello, L’Elisir d’Amour, Le Compte d’Ory, Les Contes d’Hoffman, Doctor Atomic, Il Barbiere di Siviglia, The 125th Anniversary Gala (The Metropolitan Opera); Porgy & Bess, Two Boys, Carmen (ENO); Roméo et Juliette ( Metropolitan Opera, Salzburger Festspiele, La Scala); Des Ring des Nibelungen (Washington National Opera, San Francisco Opera); South Pacific (Sydney Opera House). Off-Broadway: BAM/Old Vic’s The Bridge Project 2009, 2010, 2011 (Richard III, The Cherry Orchard, The Winter’s Tale, As You Like It, The Tempest). Television: 2014 The Sound of Music, Live NBC; 2015 Peter Pan Live NBC. 2012 Olivier Award nomination, 2003 and 2004 Henry Hewes Award for Outstanding Costume Design, 2004 Lucille Lortel Award, 2004 Ovation Award, 1997 and 2005 Obie Award for Sustained Achievement. In 2016, Catherine was inducted into The Theatre Hall of Fame and received the Irene Sharaff Lifetime Achievement Award. Other: 1999 Fête des Vignerons, Vevey, Switzerland. Catherine is a graduate of the Yale School of Drama.www.angelsbehindtheseams.com  

Today, in the first of two consecutive episodes. I pay tribute to the great Mirella Freni, who died on February 7 and who would have celebrated her 85th birthday on February 27th. Celebrated for the freshness of her timbre, her musical integrity and commitment, her vocal prowess and longevity, and her expressivity, Freni sang a repertoire which covered a wide range of styles and languages. Today’s selections, from over the course of her entire career, feature her exclusively in duet, and include selections from Gianni Schicchi, I Puritani, L’Elisir d’amore, Le nozze di Figaro, La Bohème, Otello, Manon Lescaut, Don Carlo, Le due illustri rivali, Don Giovanni, and La Traviata with Alfredo Kraus, Nicolai Gedda, Gundula Janowitz, Franco Corelli, Luciano Pavarotti, Peter Dvorsky, Luis Lima, Renata Scotto, and her husband Nicolai Ghiaurov. Three selections from a rare 1977 LP of Puccini and Verdi duets with the superlative (and notorious!) Italian tenor Franco form the centerpiece of this loving tribute. Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com

Andrés Amorós dedica un programa dedicado a esta ópera bufa dividida en dos actos con música de Gaetano Donizetti.

“L'Elisir d'amore. Una fabbrica di idee”: l'amore di Nemorino e di Adina nel fantastico scenario del Teatro sociale di Bergamo.

Host Don Marsh talked with three singers in Winter Opera St. Louis' final production of the season, "L’Elisir d’Amore."

This episode of Opera for Everyone features Luciano Pavarotti as Nemorino and Kathleen Battle as Adina in a 1990 Metropolitan Opera production of Gaetano Donizetti's L'Elisir D'Amore conducted by James Levine. This "Opera Buffa" - comedic opera - premiered in 1832 at Teatro Cannobiana, in Milan. The opera in two acts with a libretto by Felice Romani, is set in a small village in the Italian countryside. The story focuses on a romance between the beautiful young Adina, and Nemorino a shy and insecure man who works on her land. L'Elisir D'Amore is considered to represent the best of the bel canto tradition that reigned in Italian opera in the early 19th century The show-stopping tenor aria “Una furtiva lagrima” in Act II is a favorite aria for many opera lovers.

Sarah Lenton recommends a recording of Donizetti's opera L'elisir d'amore

durée : 01:59:15 - Génération jeunes interprètes du samedi 06 janvier 2018 - par : Gaëlle Le Gallic - **[Victor Julien-Laferrière](https://www.victorjulienlaferriere.com/), violoncelle** Premier Prix au Concours Musical International Reine Elisabeth de Belgique 2017**[ Jonas Vitaud](https://www.jonas-vitaud.fr/), piano** **[Leonardo Pierdomenico](https://leonardopierdomenico.com/), piano** {% image 74e7f055-7b86-48fe-909c-2afca4adace6 %} **[Faustine de Monès](https://faustinedemones.com/), soprano** Prix du Duo au Concours International d'interprétation de la Mélodie française de Toulouse 2017 **[Paul Montag](http://www.paulmontag.com/), piano** {% image 54c42869-f793-4630-bc66-6605e5a531f2 %} ## Programme musical **Muzio Clementi** _Sonate en fa dièse mineur op. 25 n° 5 I. Più tosto allegro con espressione II. Lento e patetico III. Presto_ Leonardo Pierdomenico **Franz Liszt** _Scherzo et Marche_ Leonardo Pierdomenico **Frédéric Chopin** _Ballade n° 4 en fa mineur op. 52_ Leonardo Pierdomenico **Francis Poulenc** _Fiançailles pour rire_ (Poèmes de Louise de Vilmorin) _I. La Dame d’André II. Dans l’herbe III. Il vole IV. Mon cadavre est doux comme un gant V. Violon VI. Fleurs_ Faustine de Monès et Paul Montag **Franz Schubert** _Suleika I D. 720 Auf dem See D. 543_ Faustine de Monès et Paul Montag **Gaetano Donizetti** _Prendi per me sei libero (L’Elisir d’amore, Acte II, air d’Adina)_ Faustine de Monès et Paul Montag **Serge Rachmaninov** _Sonate pour violoncelle et piano en sol mineur op. 19 I. Lento – Allegro moderato – Moderato II. Allegro scherzando III. Andante IV. Allegro mosso – Moderato – Vivace_ Victor Julien-Laferrière et Jonas Vitaud **Anton Dvorak** _Klid (Calme des bois) op. 68 n° 5_ (extrait, transcrit pour violoncelle et piano, du cycle pour piano à quatre mains _De la forêt de Bohême op. 68_) Victor Julien-Laferrière et Jonas Vitaud ## Agenda **[Jeunes Talents](https://www.jeunes-talents.org/) : demandez le programme du mois de janvier ! Avec notamment Dmitry Sin, le Trio Métral, le Trio Ayonis, le Duo Eclypse, Lillian Gordis...** **[Monsieur de Pourceaugnac](http://www.arts-florissants.com/programmation/monsieur-de-pourceaugnac.html) de Molière et Lully, en tournée en France et en Europe Les Arts Florissants, sous la direction (en alternance) de Paolo Zanzu A partir du 9 janvier** **[Le Centre de musique de chambre de Paris](http://www.centredemusiquedechambre.paris/) à la Salle Cortot Avec les Dichterliebe de Schumann, par Florian Hille et Tanguy de Williencourt Guillaume Bellom et Ismaël Margain, et bien des surprises... Du 11 au 27 janvier** **Le Ban des Arts de Gadagne propose [Les Musicales de l'Orangerie](http://lebandesartscdg.wixsite.com/leban-2) : 2ème saison En partenariat avec Génération jeunes interprètes 7 concerts d'octobre 2017 à avril 2018 Dimanche 14 janvier - 16 h : Louis Rodde, violoncelle, et Gwendal Giguelay, piano OEuvres de Beethoven, Mendelssohn, Prokofiev, Bartok Domaine de Blanche Fleur, 84470 Châteauneuf de Gadagne** ## Réseaux sociaux [La page facebook du Fan club de Génération jeunes interprètes](https://fr-fr.facebook.com/generationjeunesinterpretes/) - réalisé par : Philippe Petit

The second of this summer’s Met Live in HD Encore presentation will be of Donizetti’s "L’Elisir d’Amore," with an exceptional cast starring Anna Netrebko as Adina, Matthew Polenzani as Nemorino, Mariusz Kwiecień as Belcore, and Ambrogio Maestri as the clever Dulcamara. In preparation for the broadcast, the Met Opera Guild’s Kyle Homewood joins Naomi Barrettara in a casual conversation discussing things they love about the opera and musical moments to listen for in one of the most popular operatic comedies of the last two centuries.

"El Estudio Verde y Oro" a través de @XEQradio presenta a Xavier Cortes, bajo la conducción de Rodrigo de la Cadena y Eugenio López. Tenor mexicano, que ha participado en algunos de los los teatros más prestigiosos de los Estados Unidos, incluyendo la Ópera Nacional de Washington (Edgardo en Lucia di Lammermoor), New York City Opera (Duque de Mantua en Rigoletto), Ópera de Los Angeles (Lucia di Lammermoor, Nicholas y Alexandra con Plácido Domingo) y Palm Beach Opera (Arturo en I Puritani). Recientemente en Europa, ha protagonizado en una nueva producción de Lucrezia Borgia (Gennaro) en Alemania y La Traviata en Belgica. Xavier Cortes, intrepre de títulos como L'elisir d'amore, Lucrezia Borgia, La fille du Regiment, La Favorita, I Puritani, también en su repertorio operístico incluye La Bohème y Rosenkavalier de Strauss. Es ganador del concurso internacional de la Fundación Puccini de Licia Albanese en Nueva York y también le fue otorgada la beca SIVAM (Sociedad Internacional de Valores Artisticos Mexicanos) además de una beca asignada personalmente por el maestro Plácido Domingo. Actualmente alterna entre los teatros de Alemania, Belgica, y Mexico. En Febrero, 2014, Xavier Cortes hace su debut en el Konzerthaus de Berlin con el papel de Carlo de la opera I Masnadieri. Página web oficial: www.xcortes.com

Conductor Enrique Mazzola and Director Annabel Arden talk to James Whitbourn about their production of Donizetti's L'elisir d'amore at the Glyndebourne Festival 2011. Recorded on location at Glyndebourne summer 2011.

Inleiding La Juive door Paul Korenhof.