Podcasts about il barbiere

Welcome to Season 04 Episode 4.13 - the "Triple Play" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Dr. Robert Strauss, Artistic Director of the Buffalo Gay Men's Chorus; Mr. Paul Preston aka "The Movie Guy,"; and Ms. Briana Kelly and Ms. Ava Sargente from the Fredonia Dance Ensemble, Dept. of Theatre and Dance. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from Domus Fare and 2 tickets to any Arts in the Afternoon event! Entries must be received by Friday May 9th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 01:56 - Dr. Robert Strauss/Live at the Met Preview 19:55 - Mr. Paul Preston "The Movie Guy"/Cinema Series Preview 37:06 - Arts Calendar 41:00 - Ms. Briana Kelly & Ms. Ava Sargente/Fredonia Dance Ensemble Media "Boogie Woogie Bugle Boy"; performed by the Andrew Sisters; Don Raye and Hughie Prince, composers; Decca Records, January 1941 "Largo al factotum della citte", from the opera Il Barbiere de Siviglia, Gioachino Rossini, composer; Caesare Sterbini, libretto; from the 2011-12 Metropolitan Opera season; Peter Mattei, baritone "Give Your Love"' from the soundtrack of the motion picture The Ballad of Wallis Island; written by Tom Basden, performed by Tom Basden and Cary Mulligan, March 2025 Overture to Le Nozze de Figaro; Wolfgang Amadeus Mozart, composer; performed by the Frankfurt Radio Symphony Orchestra, Tarmo Peltokowski, conductor; August 2023 music from A Choreographic Offering by José Limon; J.S. Bach, composer (The Musical Offering, 1737) Artist Links Dr Robert Strauss - Buffalo Gay Men's Chorus Paul Preston - The Movie Guy Briana Blair Kelly Box Office at SUNY Fredonia Lake Shore Center for the Arts (Agnes of God) Main Street Studios Ticket Website (Little Women) WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!   Saturday, May 17th at 7:30pm at Lafayette Presbyterian Church at 875 Elmwood Avenue Buffalo 14222 Sunday, May 18th at 3pm at University Presbyterian Church at 3330 Main Street Buffalo 14214   Tickets available presale at tickets.thebgmc.org or at the door.   The Buffalo Gay Men's Chorus, a chorus for tenors and basses, welcomes the Nickel City Treble Makers, a chorus for sopranos and altos, to the family.  This new group will perform on the concert, LOUDER THAN WORDS, which features the choruses singing separately and together songs about the LGBTQ+ community, living and loving your authentic self, and how to advocate for yourself and for those you love.     For more information, visit thebgmc.org      

Australiano di nascita e italiano di adozione, Daniel Smith è nella sua nativa Sydney per dirigere il Barbiere di Siviglia di Gioachino Rossini all'Opera House.

Fluent Fiction - Italian: Mystery Beneath the Chandelier: Lorenzo's Theatrical Quest Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-01-07-23-34-02-it Story Transcript:It: La Fenice è come un gioiello.En: La Fenice is like a jewel.It: Le luci dei suoi lampadari brillano come stelle, e dietro le quinte si respira un'aria di eccitazione e caos.En: The lights of its chandeliers shine like stars, and backstage, you can feel an air of excitement and chaos.It: È inverno e il gelo veneziano avvolge la città.En: It's winter, and the Venetian chill envelops the city.It: Ma dentro il teatro, il calore e l'atmosfera aspettano l'Epifania, una festa speciale per tutti.En: But inside the theater, warmth and atmosphere await l'Epifania, a special celebration for everyone.It: Lorenzo osserva il trambusto con curiosità.En: Lorenzo observes the commotion with curiosity.It: Gli occhi di un detective in un giovane appassionato di teatro.En: The eyes of a detective in a young theater enthusiast.It: Ha sentito voci su un artefatto nascosto, un oggetto portafortuna dei tempi antichi.En: He has heard rumors of a hidden artifact, a good luck charm from ancient times.It: Ora deve trovarlo.En: Now he must find it.It: Sa di aver bisogno di aiuto per scovare questo tesoro tra i costumi.En: He knows he needs help to uncover this treasure among the costumes.It: Alessia prepara i vestiti, il suo mondo è fatto di tessuti e colori.En: Alessia prepares the clothes; her world is made of fabrics and colors.It: Quando Lorenzo si avvicina, gli spiega il suo piano.En: When Lorenzo approaches, he explains his plan to her.It: Alessia sorride e accetta.En: Alessia smiles and agrees.It: Giovanni, il macchinista, è più difficile da convincere, ma quando sente parlare del mistero, non può resistere.En: Giovanni, the stagehand, is more difficult to convince, but when he hears about the mystery, he cannot resist.It: I tre iniziano la ricerca.En: The three begin their search.It: I corridoi dietro il palco sono un labirinto.En: The corridors behind the stage are a labyrinth.It: Il rumore degli attori e dei musicisti riempie l'aria.En: The noise of actors and musicians fills the air.It: Si muovono furtivi tra le arie del Barbiere di Siviglia e le voci degli assistenti.En: They move stealthily between the arias of Il Barbiere di Siviglia and the voices of the assistants.It: "Proviamo il vecchio armadio," suggerisce Alessia.En: "Let's try the old wardrobe," suggests Alessia.It: È grande, nascosto dietro una tenda.En: It is large, hidden behind a curtain.It: Giovanni sposta alcuni bauli pesanti per fare spazio.En: Giovanni moves some heavy trunks to make space.It: Lorenzo apre le vecchie ante di legno.En: Lorenzo opens the old wooden doors.It: Dietro le giacche colorate e i mantelli, trova un piccolo scomparto.En: Behind the colorful jackets and cloaks, he finds a small compartment.It: Una chiave si gira con un lieve scatto.En: A key turns with a slight click.It: Ecco l'artefatto: una piccola maschera dorata.En: Here is the artifact: a small golden mask.It: Lorenzo la tiene con delicatezza.En: Lorenzo holds it gently.It: Sa che deve rimetterla al suo posto.En: He knows he must return it to its place.It: La porta al direttore del teatro, che lo ringrazia con un sorriso e un cenno solenne.En: He takes it to the theater director, who thanks him with a smile and a solemn nod.It: La Fenice risplende nelle luci della sera mentre l'opera inizia.En: La Fenice glows in the evening lights as the opera begins.It: Lorenzo ha risolto il mistero.En: Lorenzo has solved the mystery.It: Ora guarda il palco, orgoglioso.En: Now he watches the stage, proud.It: Ha scoperto una nuova parte di sé e sa che ci saranno altri enigmi da affrontare.En: He has discovered a new part of himself and knows there will be other enigmas to face.It: Dall'alto, la maschera dorata osserva la scena e Lorenzo sa che sarà fortunata anche la prossima volta.En: From above, the golden mask watches the scene, and Lorenzo knows it will be lucky next time too.It: La vita è un palcoscenico, e lui è pronto per il prossimo atto.En: Life is a stage, and he is ready for the next act. Vocabulary Words:the jewel: il gioiellothe chandelier: il lampadariobackstage: dietro le quintethe chill: il gelothe atmosphere: l'atmosferathe celebration: la festathe commotion: il trambustothe curiosity: la curiositàthe detective: il detectivethe rumor: la vocethe artifact: l'artefattothe charm: l'oggetto portafortunathe times: i tempithe treasure: il tesorothe costumes: i costumithe stagehand: il macchinistathe labyrinth: il labirintothe noise: il rumorestealthily: furtivithe opera: l'operathe corridor: il corridoiothe assistant: l'assistentethe wardrobe: l'armadiothe curtain: la tendathe trunk: il baulethe cloak: il mantellothe compartment: lo scompartothe key: la chiavethe director: il direttorethe nod: il cenno

1816, de Italiaanse componist Giaochino Rossini schrijft zijn komische opera Il barbiere di Siviglia, over een barbier uit Sevilla. Die barbier moet de graaf Almaviva helpen bij zijn aanzoek aan een knappe vrouw. En Figaro bewees ook Rossini een dienst, want de opera werd een instant hit. De beroemde aria, Largo al factotum, is een huzarenstukje voor elke bariton en behoort nog steeds tot de bekendste aria's aller tijden. Moeilijke woorden: opera buffa, cavatina. Uitvoering: Sherill Milnes.

Die Uraufführung am 20. Februar 1816 in Rom wurde ein Reinfall. Das Publikum war von dem Stück überfordert und eine Intrige seiner Gegner sorgte für einen Skandal. Heute ist der „Barbier von Sevilla“ die bekannteste und populärste Oper des Komponisten. Der komische Zweiakter basiert auf einer Komödie des französischen Dichters Beaumarchais und ist eines der meistgespielten Stücke des Musiktheaters. Blind verkostet von Christine Lemke-Matwey, Kai Luehrs-Kaiser und Andreas Göbel. Moderiert von Christian Detig.

Parlem d'Òpera 565: "Anem a descobrir (XXXV): Il barbiere di Siviglia (Paisiello)"

Women of Substance with Dr. Scarlett Horton⁣ Episode 71 - Dr. Scarlett Horton interviews Jennifer Larmore __________⁣ Jennifer Larmore is an American mezzo-soprano, a Grammy winner with over 100 recordings to her name, a Chevalier of the French government, Richard Tucker winner, Hall of Famer and an author! Add straight actress to the list with her appearance in a new Netflix series entitled *King the Land.* She has a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart’s La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and London Covent Garden. She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as DVDs of “Countess Geschwitz” in Lulu, Jennifer Larmore in Performance for VAI, Il Barbiere di Siviglia (Netherlands Opera), L’Italiana in Algeri (Opera de Paris), La Belle Hélène (Hamburg State Opera), Orlando Furioso (Opera de Paris) and Jenufa (Deutsche Oper Berlin). She has recorded three charming books on tape for Atlantic Crossing Records with stories by Kim Maerkl entitled Mozart’s Magical Night with Hélène Grimaud and the Bavarian State Orchestra, Puccini’s Enchanted Journey with story by Kim Maerkl, and The King’s Daughter with story and music for flute and string orchestra by Kim Maerkl with the flute player Natalie Schwaabe. With the pianist Antoine Palloc, she has made many International recital tours, including appearances in Amsterdam, Paris, Madrid, Hong Kong, Seoul, Tokyo, Vietnam, Vienna, London, San Juan, Prague, Melbourne, Brussels, Berlin, Rio de Janeiro, Lisbon, Sao Paolo, Athens and Copenhagen, as well as all the major American venues. Symphonic repertoire has played a large role in this mezzo’s career with the works of Mahler, Schoenberg, Mozart, de Falla, Debussy, Berlioz and Barber featuring prominently. Miss Larmore has enjoyed great collaborations with world orchestras under the direction of Muti, Lopez-Cobos, Bernstein, Runnicles, Sinopoli, Masur, von Dochnanyi, Jacobs, Mackerras, Nelson, Spinosi, Abbado, Barenboim, Bonynge, Maazel, Osawa and Guidarini. Jennifer’s repertoire has expanded to include roles such as “Marie” in Berg’s masterpiece Wozzeck, which she sang to great success at the Grand Théâtre de Genève. Berg is now a specialty of Miss Larmore, with her having sung “Countess Geschwitz” in Berg’s Lulu at Covent Garden in the Christof Loy production with Antony Pappano, then again in Madrid. At Paris Opera Bastille she sang in the Willy Decker production and she reprised the role yet again in a new production of William Kentridge with Lothar Zagrosek conducting for the Nederlandse Opera, and at the Rome Opera. She has also become well known for “Kostelnička Buryjovka” in Janacek’s Jenůfa which she performed with Donald Runnicles at Berlin Deutsche Oper. The DVD of this production was nominated for a Grammy. She reprised her “Kostelnička” in this same production for the New National Theater in Tokyo. ”Lady Macbeth” in Verdi’s opera Macbeth is a role she debuted in a striking new production of Christof Loy at the Grand Théâtre de Genève, then in the Bob Wilson production in Bologna and Reggio Emilia. Her first “Eboli” was in the French version of Don Carlos at the Caramoor Music Festival in New York, with Will Crutchfield conducting, and she sang “Jocasta” in Stravinsky’s Oedipus Rex at the Bard Festival. Adding to her growing list of new repertoire, Miss Larmore debuted the role of ”Mère Marie” in Les dialogues des carmélites at the Caramoor Festival, New York. She went back to her roots with “Ottavia” in Monteverdi’s l’Incoronazione di Poppea at the Theater an der Wien in October 2015 and returned there in December 2016 for her debut in the role of “Elvira” in Mozart’s Don Giovanni. Debuts for more new roles came in 2017 with the title role of La Belle Hélène at Hamburg State Opera, and then “Anna 1” in Kurt Weill’s The Seven Deadly Sins for the Atlanta Opera. In 2018 she debuted the role of “La Dama” in Hindemith’s Cardillac for the Maggio Musicale in Firenze, “Fidalma” In Il Matrimonio Segreto for Opera Köln, and “Marcellina” In Le Nozze di Figaro in Tokyo. Engagements in 2019 included concerts in Grenoble, Olten and Magève with OpusFive, “Marcellina” in Paris at the Théâtre des Champs-Elysées, and she returned to Opera Köln in the title role of a new production in her on-going collaboration with Doucet/Barbe of La Grand Duchesse de Gérolstein. 2020 was an interesting year, but also because she debuted “Herodias” in Salome for the Atlanta Opera before going into lockdown. Continuing with their collaboration, in 2021, Jennifer sang ”Genevieve” in their new production of Pelleas et Melisande in Parma. Miss Larmore, in collaboration with the double bass player Davide Vittone, created an ensemble called Jennifer Larmore and OpusFive. This a string quintet offering programs that are entertaining and varied with Songs and Arias, Cabaret/Operetta and Movies and Broadway. They have given concerts in Seville, Pamplona, Valencia, Las Palmas, Venice, Amiens, Olten, Aix en Provence, Dublin, and Paris. At the Magève Festival in August, 2018 they presented a World Premiere work by composer Scott Eyerly, called Creatures Great and Small on the theme of animals. In July of 2022, Jennifer and OpusFive performed at the Liestal Stimmen zu Gast Festival in a program entitled America! Throughout her career Jennifer Larmore has garnered awards and recognition. In 1994 Jennifer won the prestigious Richard Tucker Award. In 1996 she sang the Olympic Hymn at the Closing Ceremonies of the Olympics in Atlanta. In 2002, “Madame” Larmore was awarded the Chevalier des arts et des lettres from the French government in recognition of her contributions to the world of music. In 2010 she was inducted into the Georgia Music Hall of Fame in her home state of Georgia. In addition, to her many activities, travels, performances and causes, author Jennifer Larmore is working on books that will bring a wider public to the love of opera. Her book “Una Voce” explores the world and psychology of the performer. Miss Larmore is widely known for teaching and giving master classes and in 2018, she went to New York’s Manhattan School of Music, Santiago, Chile, Luxembourg, Atlanta, and to the new Teatro Nuovo at Suny Purchase College, New York. She began the New Year 2019 with master classes for the Atlanta Opera and Kennesaw State University in Kennesaw, GA. In March, 2019 Miss Larmore gave master classes and workshops at the École Normale and for the Philippe Jaroussky Academy in Paris. In 2020 she gave classes at the École Normale, Atlanta Opera, Kennesaw State University, Luxembourg, and on ZOOM for the Kiefersfelden Master Classes and Utah Valley University. In 2022 classes were in Malta, Tirol, Lausanne, Sion, Martina Franca and Valencia! In 2023 she began the year with a master class at the Eva Lind Akademie in Achenkirch, Austria! Miss Larmore lives in Paris with her husband and little Opera dog Buffy. “Train up a child in the way he should go [and in keeping with his individual gift or bent]...” Proverbs 22:6a (AMPC) In this episode, Scarlett and David interview Jennifer about how her love for the arts was nurtured and encouraged at a very young age, which opened doors for her gift in great places. Your faith will be inspired as you watch. __________ https://JenniferLarmore.info https://ScarlettHorton.com __________ TO SUPPORT THIS PODCAST: https://gvly.org/s/NNHT.5REoBw OR TEXT Proverbs31 to 844-544-7171

Women of Substance with Dr. Scarlett Horton⁣ Episode 71 - Dr. Scarlett Horton interviews Jennifer Larmore __________⁣ Jennifer Larmore is an American mezzo-soprano, a Grammy winner with over 100 recordings to her name, a Chevalier of the French government, Richard Tucker winner, Hall of Famer and an author! Add straight actress to the list with her appearance in a new Netflix series entitled *King the Land.* She has a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart’s La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and London Covent Garden. She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as DVDs of “Countess Geschwitz” in Lulu, Jennifer Larmore in Performance for VAI, Il Barbiere di Siviglia (Netherlands Opera), L’Italiana in Algeri (Opera de Paris), La Belle Hélène (Hamburg State Opera), Orlando Furioso (Opera de Paris) and Jenufa (Deutsche Oper Berlin). She has recorded three charming books on tape for Atlantic Crossing Records with stories by Kim Maerkl entitled Mozart’s Magical Night with Hélène Grimaud and the Bavarian State Orchestra, Puccini’s Enchanted Journey with story by Kim Maerkl, and The King’s Daughter with story and music for flute and string orchestra by Kim Maerkl with the flute player Natalie Schwaabe. With the pianist Antoine Palloc, she has made many International recital tours, including appearances in Amsterdam, Paris, Madrid, Hong Kong, Seoul, Tokyo, Vietnam, Vienna, London, San Juan, Prague, Melbourne, Brussels, Berlin, Rio de Janeiro, Lisbon, Sao Paolo, Athens and Copenhagen, as well as all the major American venues. Symphonic repertoire has played a large role in this mezzo’s career with the works of Mahler, Schoenberg, Mozart, de Falla, Debussy, Berlioz and Barber featuring prominently. Miss Larmore has enjoyed great collaborations with world orchestras under the direction of Muti, Lopez-Cobos, Bernstein, Runnicles, Sinopoli, Masur, von Dochnanyi, Jacobs, Mackerras, Nelson, Spinosi, Abbado, Barenboim, Bonynge, Maazel, Osawa and Guidarini. Jennifer’s repertoire has expanded to include roles such as “Marie” in Berg’s masterpiece Wozzeck, which she sang to great success at the Grand Théâtre de Genève. Berg is now a specialty of Miss Larmore, with her having sung “Countess Geschwitz” in Berg’s Lulu at Covent Garden in the Christof Loy production with Antony Pappano, then again in Madrid. At Paris Opera Bastille she sang in the Willy Decker production and she reprised the role yet again in a new production of William Kentridge with Lothar Zagrosek conducting for the Nederlandse Opera, and at the Rome Opera. She has also become well known for “Kostelnička Buryjovka” in Janacek’s Jenůfa which she performed with Donald Runnicles at Berlin Deutsche Oper. The DVD of this production was nominated for a Grammy. She reprised her “Kostelnička” in this same production for the New National Theater in Tokyo. ”Lady Macbeth” in Verdi’s opera Macbeth is a role she debuted in a striking new production of Christof Loy at the Grand Théâtre de Genève, then in the Bob Wilson production in Bologna and Reggio Emilia. Her first “Eboli” was in the French version of Don Carlos at the Caramoor Music Festival in New York, with Will Crutchfield conducting, and she sang “Jocasta” in Stravinsky’s Oedipus Rex at the Bard Festival. Adding to her growing list of new repertoire, Miss Larmore debuted the role of ”Mère Marie” in Les dialogues des carmélites at the Caramoor Festival, New York. She went back to her roots with “Ottavia” in Monteverdi’s l’Incoronazione di Poppea at the Theater an der Wien in October 2015 and returned there in December 2016 for her debut in the role of “Elvira” in Mozart’s Don Giovanni. Debuts for more new roles came in 2017 with the title role of La Belle Hélène at Hamburg State Opera, and then “Anna 1” in Kurt Weill’s The Seven Deadly Sins for the Atlanta Opera. In 2018 she debuted the role of “La Dama” in Hindemith’s Cardillac for the Maggio Musicale in Firenze, “Fidalma” In Il Matrimonio Segreto for Opera Köln, and “Marcellina” In Le Nozze di Figaro in Tokyo. Engagements in 2019 included concerts in Grenoble, Olten and Magève with OpusFive, “Marcellina” in Paris at the Théâtre des Champs-Elysées, and she returned to Opera Köln in the title role of a new production in her on-going collaboration with Doucet/Barbe of La Grand Duchesse de Gérolstein. 2020 was an interesting year, but also because she debuted “Herodias” in Salome for the Atlanta Opera before going into lockdown. Continuing with their collaboration, in 2021, Jennifer sang ”Genevieve” in their new production of Pelleas et Melisande in Parma. Miss Larmore, in collaboration with the double bass player Davide Vittone, created an ensemble called Jennifer Larmore and OpusFive. This a string quintet offering programs that are entertaining and varied with Songs and Arias, Cabaret/Operetta and Movies and Broadway. They have given concerts in Seville, Pamplona, Valencia, Las Palmas, Venice, Amiens, Olten, Aix en Provence, Dublin, and Paris. At the Magève Festival in August, 2018 they presented a World Premiere work by composer Scott Eyerly, called Creatures Great and Small on the theme of animals. In July of 2022, Jennifer and OpusFive performed at the Liestal Stimmen zu Gast Festival in a program entitled America! Throughout her career Jennifer Larmore has garnered awards and recognition. In 1994 Jennifer won the prestigious Richard Tucker Award. In 1996 she sang the Olympic Hymn at the Closing Ceremonies of the Olympics in Atlanta. In 2002, “Madame” Larmore was awarded the Chevalier des arts et des lettres from the French government in recognition of her contributions to the world of music. In 2010 she was inducted into the Georgia Music Hall of Fame in her home state of Georgia. In addition, to her many activities, travels, performances and causes, author Jennifer Larmore is working on books that will bring a wider public to the love of opera. Her book “Una Voce” explores the world and psychology of the performer. Miss Larmore is widely known for teaching and giving master classes and in 2018, she went to New York’s Manhattan School of Music, Santiago, Chile, Luxembourg, Atlanta, and to the new Teatro Nuovo at Suny Purchase College, New York. She began the New Year 2019 with master classes for the Atlanta Opera and Kennesaw State University in Kennesaw, GA. In March, 2019 Miss Larmore gave master classes and workshops at the École Normale and for the Philippe Jaroussky Academy in Paris. In 2020 she gave classes at the École Normale, Atlanta Opera, Kennesaw State University, Luxembourg, and on ZOOM for the Kiefersfelden Master Classes and Utah Valley University. In 2022 classes were in Malta, Tirol, Lausanne, Sion, Martina Franca and Valencia! In 2023 she began the year with a master class at the Eva Lind Akademie in Achenkirch, Austria! Miss Larmore lives in Paris with her husband and little Opera dog Buffy. “Train up a child in the way he should go [and in keeping with his individual gift or bent]...” Proverbs 22:6a (AMPC) In this episode, Scarlett and David interview Jennifer about how her love for the arts was nurtured and encouraged at a very young age, which opened doors for her gift in great places. Your faith will be inspired as you watch. __________ https://JenniferLarmore.info https://ScarlettHorton.com __________ TO SUPPORT THIS PODCAST: https://gvly.org/s/NNHT.5REoBw OR TEXT Proverbs31 to 844-544-7171

Do you know that Gioachino Antonio Rossini was born on the leap day (Feb 29) in 1792? - 閏日（うるうび）2月29日生まれの作曲家ジョアキーノ・ロッシーニ。大武さんが選んだのは、伯爵役によるロマンチックで軽快なアリア「空は微笑み」です。

A cura di Paolo PellegriniG. Rossini “Il Barbiere di Siviglia”Rosina, Fiorenza CossottoLindoro, Renzo CasellatoFigaro, Sesto BruscantiniBartolo, Carlo BadioliBasilio, Nicolaj GhiaurovBerta, Stefania MalagùOrchestra del Teatro alla Scala di MilanoNino Sanzogno, direttoreMosca, 17.9.1964   

Nicht nur das Jahr, auch viele Musikstücke haben einen prononcierten Anfang. Die Ouvertüre. Ursprünglich war die Ouvertüre in der Oper angesiedelt. Als Einladung, endlich Platz zu nehmen und schon mal einen Höreindruck von der kommenden Geschichte zu nehmen. Unser Beispiel in der Diskothek: Gioacchino Rossinis hinreissende Ouvertüre zu «Il Barbiere di Siviglia». Von dieser Opernouvertüre hat sie sich zur Konzertouvertüre emanzipiert. Also zum eigenständigen Stück, wie es zum Beispiel Felix Mendelssohns Ouvertüre «Die Hebriden» ist. Schottland, das Meer, romantische Sehnsucht. Und als drittes, fast ein Muss zum Jahresbeginn: Johann Strauss, die Ouvertüre zu seiner hintergründigen Operette «Die Fledermaus». Es diskutieren die Musikwissenschaftlerin Martina Wohlthat und der Dirigent Jan Schultsz.

Maria Callas va cantar un repertori ampl

Cantante, actor, dramaturgo, promotor cultural, maestro de canto, místico, excéntrico, y activista nudist4, lo facilita autodenominándose una V3dette.Dentro del ámbito operístico ha logrado sobresalir gracias a una presencia escénica brillante, consecuencia de haberse graduado como actor; posee además estudios de danza clásica y pantomima, y amplia experiencia en montajes teatrales para el Instituto Nacional de Bellas Artes. Como ejecutante de música de concierto, su repertorio abunda en la música barroca, piezas Mozartianas y de Lied alemán.Se ha presentado en los escenarios más relevantes del rubro cultural, incluidos el Auditorio Nacional, el Palacio de Bellas Artes y la Sala Nezahualcóyotl de la UNAM, así como distintos teatros y salas de concierto de diversos estados de la república.En ópera debuta en el estreno en México de la ópera El Niño y la Noche del compositor francés Franck Villard, en el papel de Evarist. Ha interpretado roles bufos como Don Magnifico, en La Cenerentola, y Don Bartolo de Il Barbiere di Siviglia, ambas de Gioachino Rossini. Asimismo, en octubre de 2020 estrenó para la Offenbach Operetta Studio la versión cinematográfica de Gianni Schicchi, de Giacomo Puccini, en el rol protagónico, y con quienes sigue trabajando en su formato cinematográfico de operas como II Tabarro de Gaetano Donizetti y Los Siete Pecados Capitales, de Kurt Weill.Desde el inicio de su carrera demostró especial interés en la música tradicional mexicana resaltando los sones, boleros y canciones de protesta, teniendo participaciones eventuales en centros culturales.A partir del 2017 y junto con el maestro Óscar Aguilar conformó múltiples programas de concierto entre los que destacan el Stand Up-Concierto La Chavela... Bien Vargas, un homenaje a la cantante Chavela Vargas en el centenario de su natalicio (con la creación de dicho espectáculo, Alexander Soto celebró diez años de trayectoria artística), el espectáculo Soy lo Prohibido, una recopilación de boleros, y Mi Primera Vez, concierto dedicado a los géneros ranchero, tango y paso doble. Como intérprete de música tradicional resalta su capacidad de transmitir al espectador gracias su calidad interpretativa.Enlaces a su trabajo:https://youtu.be/_ItSYF_kPIYhttps://youtu.be/zXeO6OTto3ghttps://youtube.com/playlist...https://vm.tiktok.com/ZMY6fk9ya/https://vm.tiktok.com/ZMY6fr4mj/ALEXANDER SOTO “Toda una Vdette” conversa con “Neuronautas y el Doc” acerca de su trabajo y trayectoria laboralPara contactarlo:Facebook, Instagram, YouTube, TikTok @AlexanderSotoOficialTwitter @AlexanderSotoOF¡Dale play!#cantante #musica #opera #teatro #actor #dramaturgo #cultura #canto #mistico #activista #vedette #filosofia #inba #concierto #auditorionacional #bellasartes #fonca #solistas #recitaldemúsica #espectaculo #musicacoral #contemporâneo #musicapopular #cabaret #comediamusical #musicales #tradicionalmexicana #sones #boleros #romance #protestante #rancheros #tango #gestióncultural #cultura #docência #tecnicavocal #holístico #OperaComoMedioEspiritual #ConversandoConUribaMeloso #UrbinaMeloso #albur #alburfino #tepito #musico #mexico #cdmx #podacst

Messa in voce di Gaetano Marino C'era una volta un barbiere che faceva la barba alla povera gente. Scorticava le facce con un vecchio rasoio e vi trinciava braciole di carne di quando in quando. E se gli avventori si lamentavano, egli, che era di umore allegro, rispondeva: "Per un soldino, vi faccio la barba e una braciola; e brontolate? Una braciola costa di più." Gli avventori ridevano e andavano via contenti, col viso impiastricciato di ragnateli, per stagnare il sangue.

Il Barbiere di Seviglia Sinfonia, G. Rossini Vien Leonora, La Favorita, G. Donizetti Di Provenza Il Mar il Suol, La Traviata, G. Verdi Manon Lescaut, Atto III Intermezzo, G. Puccini A Tanto Amor, La Favorita, G. Donizetti Vanne, la Tua Meta Gia Vedo, Otello, G. Verdi I Pagliacci Intermezzo, R. Leoncavallo In Braccio Alli Dovizie, I Vespri Siciliani, G. Verdi Per Me Giunto e Il di Supremo, Don Carlo, G. Verdi

Il secondo ed ultimo atto del Barbiere più famoso del mondo è qui.Una girandola pazza e meravigliosa, con una considerazione personale.Libretti, foto, video, playlist e consigli tutti nella newsletter gratuita che trovi qui sotto. Iscriviti!LA NEWSLETTER DI OPERA POP- Link diretto all'iscrizione: https://foolsteatranti.voxmail.it/user/register - Vuoi scrivere direttamente a me? Ecco la mia mail: luigi@fools.itFB: https://www.facebook.com/casafoolsIG: https://www.instagram.com/casafools/?hl=itVuoi seguirmi sui social?FB Luigi OrfeoIG orfeofoolsDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/opera-pop-lirica-raccontata-ad-arte--4745524/support.

Finale del primo atto e un racconto:"Come andò il debutto del Barbiere?" Una schifezza, tra rivalità, novità e sangue dal naso.Libretti, foto, video, playlist e consigli tutti nella newsletter gratuita che trovi qui sotto. Iscriviti!LA NEWSLETTER DI OPERA POP- Link diretto all'iscrizione: https://foolsteatranti.voxmail.it/user/register - Vuoi scrivere direttamente a me? Ecco la mia mail: luigi@fools.itFB: https://www.facebook.com/casafoolsIG: https://www.instagram.com/casafools/?hl=itVuoi seguirmi sui social?FB Luigi OrfeoIG orfeofoolsDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/opera-pop-lirica-raccontata-ad-arte--4745524/support.

Ma non dovamo andare a vedere Il Flauto magico?Eh si ma sono successe delle cose.Qui la storia dell'opera buffa più rappresentata al mondo. Allegra e funambolica, adatta a chi non sa niente niente di lirica e vuole provare a farsi prendere.Libretti, foto, video, playlist e consigli tutti nella newsletter gratuita che trovi qui sotto. Iscriviti!LA NEWSLETTER DI OPERA POP- Link diretto all'iscrizione: https://foolsteatranti.voxmail.it/user/register - Vuoi scrivere direttamente a me? Ecco la mia mail: luigi@fools.itFB: https://www.facebook.com/casafoolsIG: https://www.instagram.com/casafools/?hl=itVuoi seguirmi sui social?FB Luigi OrfeoIG orfeofoolsDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/opera-pop-lirica-raccontata-ad-arte--4745524/support.

Gr

C'era una volta un barbiere che faceva la barba alla povera gente. Scorticava le facce con un vecchio rasoio e vi trinciava braciole di carne di quando in quando. E se gli avventori si lamentavano, egli, che era di umore allegro, rispondeva: "Per un soldino, vi faccio la barba e una braciola; e brontolate? Una braciola costa di più." Gli avventori ridevano e andavano via contenti, col viso impiastricciato di ragnateli, per stagnare il sangue. Continue reading

C'era una volta un barbiere che faceva la barba alla povera gente. Scorticava le facce con un vecchio rasoio e vi trinciava braciole di carne di quando in quando. E se gli avventori si lamentavano, egli, che era di umore allegro, rispondeva: "Per un soldino, vi faccio la barba e una braciola; e brontolate? Una braciola costa di più." Gli avventori ridevano e andavano via contenti, col viso impiastricciato di ragnateli, per stagnare il sangue. Continue reading

C'era una volta un barbiere che faceva la barba alla povera gente. Scorticava le facce con un vecchio rasoio e vi trinciava braciole di carne di quando in quando. E se gli avventori si lamentavano, egli, che era di umore allegro, rispondeva: "Per un soldino, vi faccio la barba e una braciola; e brontolate? Una braciola costa di più." Gli avventori ridevano e andavano via contenti, col viso impiastricciato di ragnateli, per stagnare il sangue. Continue reading

Opera Now Magazine in their article, “Written in the Stars” profiled Hilary Ginther in May 2016 as one of ten young American singers intent on taking the opera world by storm, calling attention to her “substantial and richly colored instrument”. This was followed by her Philadelphia Orchestra debut in Bernstein's MASS under the baton of Yannick Nézet-Séguin, which was recorded by Deutsche Grammophon and released in March 2018, in commemoration of the composer's centenary. Most recent engagements include Olga in Eugene Onegin for Opera Omaha, Rosina in Il Barbiere di Siviglia for Opera on the James, Adalgisa in Norma for Musica Viva Hong Kong, and Beethoven's Ninth Symphony in Santa Fe. My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Hilary Ginther.

Alex D'Alessandro in questa puntata di Opera Coast to Coast propone Il Barbiere di Siviglia di Gioacchino Rossini

This week on The Sound Kitchen, you'll hear a replay of a show aired on 9 November 2019, featuring musical favourites from RFI English journalists Alison Hird, Jan van der Made, and Christina Okello. Just click on the “Audio” button above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Send me your music requests! I'll make programs of your favorite music when I can't be in the kitchen to cook up something new for you … write to me at thesoundkitchen@rfi.fr This week's quiz: The Sound Kitchen is taking a short break. The quiz will be back next week, 6 August. Here's the music you heard on this week's program: “Feelin' Good” by Anthony Newley and Leslie Bricusse, sung by Nina Simone; “Coyote”, written by and sung by Joni Mitchell; "Rondo" from the Pathetique piano sonata no 8 in c minor, op 13 by Ludwig van Beethoven, performed by pianist Alfred Brendel; “My Favorite Things” from the musical The Sound of Music by Richard Rodgers and Oscar Hammerstein, sung by Julie Andrews; "Buona sera, mio signore" from Il Barbiere di Siviglia by Giacomo Rossini.  

personaggi e interpretiRosina, Maria CallasFigaro, Tito GobbiConte d'Almaviva, Luigi AlvaBasilio, Nicola Rossi-LemeniBartolo, Melchiorre LuiseBerta, Anna Maria CanaliFiorello, Pierluigi Latinucciun ufficiale, Giuseppe NessiOrchestra e Coro del Teatro alla Scala di MilanoCarlo Maria Giulini, direttoreMilano, 16 febbraio 1956

커튼콜 122회에서는 덴마크 왕립 오페라극장 270여년 역사상 첫 동양인 종신단원, 베이스 고경일씨를 만납니다.'세계에서 가장 비싼 오페라극장'으로 꼽히는 덴마크 왕립 오페라극장은 정상의 예술가들이 활동하는 유럽 메이저 오페라 극장 중 하나인데요, 고경일 씨는 2017년 첫 동양인 솔리스트로 입단하고, 2019년에는 종신단원이 되면서 덴마크 여왕이 '보스'인 이 극장 대표가수로 인정받았습니다. 서울시향과 모차르트 레퀴엠 협연을 위해 오랜만에 한국을 찾아온 그를 커튼콜에서 만났습니다. 2002년 프랑스 유학으로 시작된 그의 유럽 생활은 우여곡절이 많았습니다. 독일에서 한창 주목받기 시작할 때 왼쪽 귀의 청력을 잃어 음악을 포기할 뻔하기도 했고, 외국인에 대한 차별과 편견 어린 시선도 겪었지만, 포기할 줄 모르는 성실함으로 지난 20년간 유럽 각지에서 활동해 왔습니다. 고경일 씨의 파란만장 인생극장, 그가 부른 대표 오페라 아리아들과 함께 들어봅니다. ♬C. Gounod - 금송아지의 노래 ♬W. A. Mozart - 카탈로그의 노래 ♬R. Wagner - 마르케 왕의 독백 ♬G. Rossini - 험담은 미풍처럼 진행: SBS 이병희 아나운서, 김수현 기자 l 출연: 고경일 베이스ART19 개인정보 정책 및 캘리포니아주의 개인정보 통지는 https://art19.com/privacy & https://art19.com/privacy#do-not-sell-my-info 에서 확인하실 수 있습니다.

A cura di Paolo PellegriniIntroduzione Valerio LopanePersonaggi e InterpretiRosina, Giulietta SimionatoBerta, Rina CavallariIl Conte d'Almaviva, Alvinio MiscianoFigaro, Ettore BastianiniDottor Bartolo, Fernando CorenaDon Basilio, Cesare SiepiFiorello, Arturo La PortaCoro e Orchestra del Maggio Musicale FiorentinoAlberto Erede, direttore

G. Rossini Il Barbiere di Siviglia

prince in the booth

Paulo Szot is an award winning Baritone who has starred in operas & musical theatre productions around the world! Paulo won the Tony, Drama Desk, Outer Critic's Circle & Theater World Awards for his Broadway debut in Lincoln Center's revival of South Pacific, co-starring Tony Award Winner Kelli O'Hara. Currently, Paulo is back on Broadway in the Tony Award Winning revival of Chicago The Musical through November 21 as slick lawyer "Billy Flynn." Paulo is also celebrating his 10-Year Anniversary of performing at Feinstein's/54 Below with a week of concerts. An Enchanted Evening or Una Noche Encantada will play Feinstein's/54 Below November 24-27. Click here for tickets! Connect with Paulo: Website Facebook Twitter Instagram Connect with Feinstein's 54 Below: Website Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Adam Rothenberg Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Paulo: Paulo Szot was born in São Paulo & raised in Ribeirão Pires, Brazil. Paulo studied at the Jagiellonian University in Poland, the country from which his parents had emigrated following World War II. He began singing professionally in 1989 with the Polish National Song & Dance Company Slask. In 1997 he made his operatic debut as Figaro in Il Barbiere di Siviglia in a production of the Theatro Municipal de São Paulo, directed by Enzo Dara & conducted by Luiz Fernando Malheiro. He has gone on to appear with most major opera companies throughout the world in Europe, the United States, Australia & Brazil. Paulo made his Broadway debut in the revival of South Pacific at Lincoln Center Theatre, directed by Bartlett Sher. He won the Tony Award, Drama Desk, Outer Critic's Circle & Theater World Awards for his portrayal, becoming one of a few actors to receive such honors on a Broadway debut. Paulo appeared in a solo concert in the Allen Room at Jazz at Lincoln Center & several times at New York City's prestigious Café Carlyle & Feinstein's/54 Below for a series of critically acclaimed solo performances. He appeared with the New York Philharmonic alongside Liza Minnelli conducted by Marvin Hamlisch & made his Carnegie Hall debut with the New York Pops Orchestra in a program of Lerner & Loewe with Kelli O'Hara. To his native Brazil, Paulo has performed with any of the major orchestras & opera companies including Osesp, TMSP, TMRJ, Teatro São Pedro, Teatro Amazonas, Filarmônica MG, OPES, OMB, OSB, Palácio das Artes, among others. Also, in São Paulo he starred as Henry Higgins in the 2016 revival of My Fair Lady at the Teatro Santander, directed by Jorge Takla. With more than 70 opera productions in his résumé since 1997, Paulo had his Metropolitan Opera debut in 2010 as Kovalyov in The Nose by Dimitri Shostakovich, conducted by Valery Gergiev and directed by William Kentridge. He returned to the Met for the six following seasons as Escamillo in Carmen (2011), Lescaut in Manon (2012), Kovalyov in The Nose (2013), Dr. Falke in Die Fledermaus (2013/14), The Captain in John Adams' The Death of Klinghoffer (2014), Dr. Falke in Die Fledermaus (2015/16). In 2019 Paulo starred in Opera Australia's Evita as Juan Peron in Melbourne opposite Tina Arena as Evita; the Opera di Roma as Count Danilo in Lehar's Merry Widow; appeared with OSESP, in Brazil and returned to the Metropolitan Opera House. Learn more about your ad choices. Visit megaphone.fm/adchoices

A chiudere temporaneamente i battenti dopo i controlli della polizia locale di Vicenza è stato un negozio in viale Torino, aperto da qualche mese senza alcuna autorizzazione da parte dell'ufficio commercio del Comune. Il proprietario, un 63enne in affari in città, nonostante due sanzioni da 167 euro ciascuna aveva continuato a ricevere la clientela.

durée : 00:14:35 - Baritenor - Rossini : Il Barbiere di Seviglia - Michael Spyres

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts new music segment called VIVA! Opera for SBS Japanese. - ソプラノ歌手・大武彩子さんのコーナー。今回は陽気な「自己紹介」のアリアを紹介します。

The beauty and high musicianship of operatic ensembles. Today we hear from Carmen, Rigoletto and Il Barbiere di Seviglia. Enjoy!

A cura di Paolo PellegriniBORIS CHRISTOFF recitalG. Verdidal Simon Boccanegra, Il Lacerato spirtoG. Puccinida Boheme, Vecchia zimarraG. Verdida Ernani, Infelice o tu credeviM. Mussorgski Hopak G. Rossini da Il Barbiere di Siviglia, La calunnia è un venticelloW. A. Mozart da Il ratto dal Serraglio, Wer ein LiebchenG. Verdi da Don Carlo, Ella giammai m'amòM. Mussorgski da Boris Godunov, Morte di Boris

Il Ministero della Difesa russo ha pubblicato un video con delle note composizioni musicali, eseguite per l'occasione dal Complesso Accademico di Canto e Ballo dell'Esercito Sovietico "A.V. Aleksandrov", conosciuto anche come il "Coro dell'Armata Rossa". Nella sequenza filmata, realizzata durante le tournée dell'orchestra, è possibile riconoscere alcune delle composizioni più celebri di grandi autori italiani quali Giuseppe Verdi e di Gioacchino Rossini. Сapolavori della musica italiana eseguiti dal complesso A. V. Alexandrov: 1️⃣ "Va, pensiero", dall'opera "Nabucco" di Giuseppe Verdi. Direttore prof. Igor Raevsky. 2️⃣ Cavatina di Figaro, dall'opera "Il Barbiere di Siviglia" di Gioacchino Rossini (arrangiamento d'Igor Raevsky). Solista Maxim Maklakov, direttore prof. Igor Raevsky. 3️⃣ "Parafrasi italiana" (arrangiamento di Vladimir Brodsky). Solisti: Vadim Ananiev, Boris Diakov e Vladislav Golikov. Direttore prof. Igor Raevsky.

True Love. Deceptive Schemes. Creepy Guardians.

Bio: Actor, Director of Movement, Theatre Director, Movement Consultant. Toby Sedgwick worked with Danny Boyle on the London 2012 Olympics as Director of Movement and Choreographer for the Green and Pleasant Land and the Industrial Revolution. He won the 2008 Olivier Award as Director of Movement and Horse Choreographer for War Horse and played Ted Narracottin the original production. He trained at the Jacques Lecoq School in Paris, where he founded The Moving Picture Mime Show, which established itself as one of the innovators of physical theatre throughout the world. Toby’s work as Director of Movement has been seen worldwide: A Dog’s Heart for De Nederlandse Opera, La Scala, Lyon Opera and English National Opera, Tintin (Barbican Theatre), The 39 Steps (West End, Broadway, Japan, Russia, Korea, Australia and Europe), War Horse productions in New York, Toronto, Berlin, a UK and a North American Tour. He created the movement for Danny Boyle’s Frankenstein at the National Theatre in 2012. Toby has worked with many other major companies including the Royal Shakespeare Company, The Young Vic, Chichester Festival Theatre, Bristol Old Vic and the Manchester Royal Exchange where he worked with Pete Postlethwaite on The Tempest. He was director of movement for A Christmas Carol starring Jim Broadbent in the West End and Il Barbiere di Siviglia at Glyndebourne in 2016 - also an adaptation of Ingmar Bergman's film Fanny & Alexander, at The Old Vic Theatre London in 2018. As an actor he has frequently co-devised work with Theatre de Complicite, (most recently appearing in The Master and Margarita), played Harpo Marx in Animal Crackers, appeared in The Play What I Wrote for a UK tour, Vacuums a film by Stomp, and Laissez Passer for Bertrand Tavernier. As a Director he worked with Ockham’s Razor on The Mill at the Royal Opera House and The Three Musketeers for Mime Theatre Project. He co-directed Macbed at the National Theatre with Ken Campbell and The Hudsucker Proxy with Simon Dormandy at the Nuffield Southampton and Liverpool Playhouse in 2015. Alongside his specialist teaching of both clown and mask work, Toby’s enormous experience is much valued by actors interpreting character through movement. Recently Tom Burke in Comoran Strike, Daniel Radcliffe and Guillaume Delauney in Victor Frankenstein and a clown workshop with Michelle Williams. Movement direction on other films include: 28 Days Later and Sunshine for Danny Boyle, Nanny McPhee and The Big Bang for Susannah White and Victor Frankenstein for Paul McGuigan. Toby was director of movement and choreography on Stan and Ollie, a feature film starring Steve Coogan and John C. Reilly - directed by Jon S. Baird. He also played the role of 'Theatre Manager'. The world premiere was on the closing night gala of the BFI London Film Festival and it was released in the U.K. and Ireland on January 11th 2019. As Director of Movement and Horse Choreography for War Horse in October 2019 Toby choreographed a new fight sequence for the horse puppets, Joey and Topthorn, for the French television production Le Grand Echiquierin Paris. At the end of 2019 Toby appeared in The Last Planet directed by Terrence Malick and in January 2020 taught physical theatre and co-directed Peter and the Starcatcher for three months at The University of California (Davis). Toby is currently compiling details for his forthcoming one man show Bernard Knowes and is creating short films on Instagram directed by Clare Park to order to test run his character and offer some humour in these difficult times. https://www.tobysedgwick.net ——————————————————————————— Host: Jamie Neale @jamienealejn Discussing with Toby his rituals of reflection and understanding his own habitual patterns both in personal and work life. We ask questions about how to come more aware of ones self and also the world around him. How do we become 360 with yourself? —- you can also find us on @360_yourself

Catherine and Jonathan delve into the fascinating process of how she builds a world around the production that feeds directly into the creation of the costume narrative. They also examine Catherine’s longstanding working relationship with Angels and in particular how the combined resources of the stock hire and manufacturing departments facilitate her practise.Her current biog. includes productions as followsBroadway: Moulin Rouge, Mrs. Doubtfire, My Fair Lady (Tony Award, Drama Desk Awards, Outer Critics Circle Award), War Paint (Drama Desk Award, Outer Critics Circle Award, Tony nomination), Oslo, Fiddler on the Roof, The King & I (Tony Award, Olivier Award, Outer Critics Circle Award), Gigi (Drama Desk Award), Golden Boy (Tony nomination), The Big Knife, Enemy of the People, How to Succeed in Business Without Really Trying (Tony nomination), Born Yesterday, (Tony nomination), Women on the Verge of a Nervous Breakdown, The Royal Family (Tony Award), South Pacific (Tony Award), The Coast of Utopia (Tony Award), The Light in the Piazza (Tony Award), Edward Albee’s Seascape (Tony nomination), Awake and Sing! (Tony Award), Joe Turner’s Come and Gone (Outer Critics Circle nomination), Blood & Gifts, Oleanna, Cry-Baby, Mauritius, Doubt, Little Women, Dinner at Eight (Tony nomination, Outer Critics Circle and Drama Desk nominations), Twelfth Night (Tony nomination, Drama Desk nomination), Ivanov, Triumph of Love (Drama Desk nomination), The Sound of Music, The Red Shoes among others. Opera: Rigoletto, Berlin State Opera; Le Grand Macabre, Elbphilharmonie Hamburg; Porgy & Bess, Otello, L’Elisir d’Amour, Le Compte d’Ory, Les Contes d’Hoffman, Doctor Atomic, Il Barbiere di Siviglia, The 125th Anniversary Gala (The Metropolitan Opera); Porgy & Bess, Two Boys, Carmen (ENO); Roméo et Juliette ( Metropolitan Opera, Salzburger Festspiele, La Scala); Des Ring des Nibelungen (Washington National Opera, San Francisco Opera); South Pacific (Sydney Opera House). Off-Broadway: BAM/Old Vic’s The Bridge Project 2009, 2010, 2011 (Richard III, The Cherry Orchard, The Winter’s Tale, As You Like It, The Tempest). Television: 2014 The Sound of Music, Live NBC; 2015 Peter Pan Live NBC. 2012 Olivier Award nomination, 2003 and 2004 Henry Hewes Award for Outstanding Costume Design, 2004 Lucille Lortel Award, 2004 Ovation Award, 1997 and 2005 Obie Award for Sustained Achievement. In 2016, Catherine was inducted into The Theatre Hall of Fame and received the Irene Sharaff Lifetime Achievement Award. Other: 1999 Fête des Vignerons, Vevey, Switzerland. Catherine is a graduate of the Yale School of Drama.www.angelsbehindtheseams.com  

EP 55 | Il Barbiere Di JM, Sentirsi Soli E Le Prime Cose Da Fare Quando Ci Si Trasferisce by Linda Okachi, Jean-Marcel Latta

Il Barbiere di Siviglia di G. Rossini e le sue 'Rosine'

C'era una volta un barbiere che faceva la barba alla povera gente. Scorticava le facce con un vecchio rasoio e vi trinciava braciole di carne di quando in quando. E se gli avventori si lamentavano, egli, che era di umore allegro, rispondeva: — Per un soldino, vi faccio la barba e una braciola; e brontolate? Una braciola costa di più. Gli avventori ridevano e andavano via contenti, col viso impiastricciato di ragnateli, per stagnare il sangue. Quando non aveva da fare, prendeva la chitarra e sedeva davanti la bottega, strimpellando e cantando: “Chi la vuol cruda, chi la vuol cotta E c'è chi vuole la Reginotta. Chi la vuol cotta, chi la vuol cruda; Ma io vorrei…” E si fermava. Gli domandavano: — Che vorresti? — Niente, niente, lo so io! Continue reading

C'era una volta un barbiere che faceva la barba alla povera gente. Scorticava le facce con un vecchio rasoio e vi trinciava braciole di carne di quando in quando. E se gli avventori si lamentavano, egli, che era di umore allegro, rispondeva: — Per un soldino, vi faccio la barba e una braciola; e brontolate? Una braciola costa di più. Gli avventori ridevano e andavano via contenti, col viso impiastricciato di ragnateli, per stagnare il sangue. Quando non aveva da fare, prendeva la chitarra e sedeva davanti la bottega, strimpellando e cantando: “Chi la vuol cruda, chi la vuol cotta E c'è chi vuole la Reginotta. Chi la vuol cotta, chi la vuol cruda; Ma io vorrei…” E si fermava. Gli domandavano: — Che vorresti? — Niente, niente, lo so io! Continue reading

Canadian tenor Josh Lovell is a perspective young vocalist, well known in Ottawa, Chicago and now Vienna, where his professional journey continues. Stanford Olsen. Previously, he was a student of Benjamin Butterfield at the University of Victoria. Josh Lovel is a winner at the 52nd Annual International Vocal Competition, Dallas Opera competition and was a 2017 semi-finalist with the Metropolitan Opera National Council Auditions. His repertoire consists of such roles as Trojan in Idomeneo, Odoardo in Ariodante, Le Doyen de la Faculté in Cendrillon, The Emperor Altoum in Turandot, Orpheo in Orphée et Eurydice, Count Almaviva in Il Barbiere di Siviglia, Don Ottavio in Don Giovanni, etc. Musicologist Ona Jarmalavičiūtė has conducted an interview with a singer on such topics as antique mythology, the impact of the opera to the society and the struggles with funding.

A soloist since childhood, Joel Allison debut was at the age of twelve, as the treble soloist in Howard Shore’s Lord of the Rings Symphony. Today this promising Canadian vocalist of the new generation has been praised for the beautiful, rich, ringing tone of his bass-baritone voice. J. Allison is working as a recitalist, soloing with all of the prominent Canadian orchestras and as an opera singer, with a repertoire of such roles as “Basilio” in Il Barbiere di Siviglia; “Prince Gremin” in Eugene Onegin; “Antonio” in Le Nozze di Figaro and “Dancairo” in Carmen. He was praised for his operatic repertoire performance as having “a beautiful instrument precise in its intonation and articulation, serene and aristocratic”. Musicologist Ona Jarmalavičiūtė had conducted an interview with Joel Allison about his career path, daily rituals and the situation of opera in his home country Canada.