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2 episodes with Street scene
3 episodes with Street scene
2 episodes with Street scene
2 episodes with Street scene
2 episodes with Street scene
2 episodes with Street scene
2 episodes with Street scene
2 episodes with Street scene
2 episodes with Street scene
We went deep for our second King Vidor Special Subject episode, looking at four films from the 1930s: Street Scene (1931), adapted by Elmer Rice from his famous stage play about working-class New Yorkers; the little-known Cynara (1932), starring Ronald Colman as a kindly upper-middle-class man who stumbles into adultery and the abyss; Our Daily Bread (1934), Vidor's eccentric, self-produced response to the Great Depression; and Stella Dallas, one of the great woman's pictures, centered on one of Barbara Stanwyck's greatest performances. Class, gender, transformation of consciousness, and how they're served by melodrama story structures all come in for examination as we find links with the films of other auteurs, from Ozu to Lynch. And in Fear and Moviegoing in Toronto, we take a quick look at monster movie tropes and James Cameron's masochistic feminism in The Terminator. All this and more feedback on our Lilli Palmer series! Time Codes: 0h 00m 30s: More general musings on Vidor 0h 05m 49s: STREET SCENE (1931) [dir. King Vidor] 0h 26m 44s: CYNARA (1932) [dir. King Vidor] 0h 45m 32s: OUR DAILY BREAD (1934) [dir. King Vidor] 1h 00m 46s: STELLA DALLAS (1937) [dir. King Vidor] 1h 39m 13s: Fear and Moviegoing in Toronto: James Cameron's The Terminator (1984) 1h 45m 23s: Listener Communiqués +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Pre-Loved Podcast is a weekly vintage fashion interview show, with guests you'll want to go thrifting with! For more Pre-Loved Podcast, subscribe to our Patreon! On today's show, we're chatting with Maggie Lanham, a Louisville-based vintage seller, stylist, and writer and the owner of the shop Really Good Vintage. Maggie loves 90s fashion – she loves Armani, the carefree world of 90s J. Crew, and she loves pulling together her favorite chic and curated vintage finds into her newsletter – Really Good Vintage. Now, after spending the last five years in New York, Maggie's settled back in her home state of Kentucky to put her vintage experience to use as she opens the Really Good Vintage brick and mortar store this summer! This is a really fun one – let's dive right into it! DISCUSSED IN THE EPISODE: [4:42] Maggie loved to go antique mall with her grandma growing up. [6:10] She got her first vintage shop job in college, and that kicked it all off! [14:23] The journey from selling casually on Etsy, to Really Good Vintage. [21:25] Starting Really Good Vintage, the newsletter [26:48] Opening her first brick-and-mortar! [30:42] Maggie's specialty is 90s minimalism [37:30] Where to find style inspiration, and how to apply it EPISODE MENTIONS: @reallygoodvintage Really Good Vintage Maggie's Substack newsletter Street Scene in Lexington, KY @annazgray Anna Gray on Pre-Loved Podcast Seven Wonders Collective Seven Wonders on Pre-Loved Podcast @simplicitycity @watchingnewyork The Gem app @holaaida AIDA Studio LET'S CONNECT:
The Apocalypse Players — a Call of Cthulhu actual play podcast
In which our investigators start as they mean to go on: by mixing their drinks. Absinthe, crème de menthe, champagne, cheap table wine…what could possibly go wrong? A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly. Scene 1: The Absinthe Drinker, Manet Scene 2: Street Scene in Paris, Felix Vallotton Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore – Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised. For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return. Special thanks to Julie Abbe for the use of her music in this scenario. Visit www.julieabbe.com to hear more! Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS? The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ https://incompetech.com/music/royalty-free/music.html Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1 Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain) Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Additional sound from Epidemic Sound and Zapsplat.com
Send us a Text Message.Grammy winner, Eric Johnson, and Experience Hendrix Tour producer, John McDermott, share their stories about their love of Hendrix's tunes and the upcoming Experience Hendrix Tour. In his interview with Johnson and McDermott, The Trout, learns about how the Experience Hendrix began and the inside story of all the tour comes together. For the first time in five years, The Experience Hendrix Tour, the critically acclaimed multi-artist celebration of Jimi Hendrix's musical genius, returns to the concert trail with a slate of concert dates that offer the musical excellence of numerous topflight artists in celebration of the life and legacy of Jimi Hendrix. While there was a one-off event date in Austin, TX in 2022, the last full-fledged (pre-pandemic) EH tour took place in 2019. The concept for the Experience Hendrix Tour dates back more than 25 years; what started as a single concert at San Diego's Street Scene in 2001 and 2002 expanded by 2004 into a full-fledged national tour. This year's outing marks the 20th anniversary of the Experience Hendrix Tour. This year's tour bring the music of Jimi Hendrix to audiences in the Pacific Northwest, California, Nevada, Arizona New Mexico and eastward through Texas, Louisiana, Oklahoma, Tennessee concluding in Georgia and Florida. Most fittingly, the tour kicks off on September 19 in Seattle, Jimi Hendrix's hometown, at the Paramount Theater.https://www.experiencehendrixtour.com/Support the Show.Thanks for listening for more information or to listen to other podcasts or watch YouTube videos click on this link >https://thetroutshow.com/
Hosted by Fast Lane Jane Thurmond and Design Muse Theresa Contreras SEMA President and CEO Mike Spagnola sits in to share his story from the OBS truck days in the ‘90s at Trader's Trucks to Street Scene. There he and Theresa collaborated on many trucks and SEMA builds. Initially joining SEMA managing the SEMA Garage helping companies he became the President of SEMA. Mike helps usher in a new era for the SEMA Show and also protects our hobby and industry. His family's love for racing Nissan/Datsun cars runs deep. Follow SEMA at @SEMAshow, on www.sema.org and follow Mike Spagnola @spagssr. Produced by Auto Revolution Auto Revolution produces automotive TV Shows, Podcasts, Promotional Videos, and more. Watch at www.autorevolution.tv and follow @autorevolution Recorded at Autotopia LA The premier automobile storage & concierge facility in Los Angeles. Collector car storage. Vintage car storage. Luxury car storage. Exotic car storage. Visit Autotopia LA at www.autotopiala.com Baja Forged Timeless design. Race inspired. BAJA proven! We love looking good driving on and off road. Baja Forged offers products to be capable when we need them. So we built Baja Forged. Visit Baja Forged at www.bajaforged.com ENVZN For more information on the 2018 GMC Denali Duramax truck Giveaway, visit www.envznsupplyco.com
Hosted by Fast Lane Jane Thurmond and Design Muse Theresa Contreras SEMA President and CEO Mike Spagnola sits in to share his story from the OBS truck days in the ‘90s at Trader's Trucks to Street Scene. There he and Theresa collaborated on many trucks and SEMA builds. Initially joining SEMA managing the SEMA Garage helping companies he became the President of SEMA. Mike helps usher in a new era for the SEMA Show and also protects our hobby and industry. His family's love for racing Nissan/Datsun cars runs deep. Follow SEMA at @SEMAshow, on www.sema.org and follow Mike Spagnola @spagssr. https://youtu.be/1Gfh3Kd2gS4 Produced by Auto Revolution Auto Revolution produces automotive TV Shows, Podcasts, Promotional Videos, and more. Watch at www.autorevolution.tv and follow @autorevolution Recorded at Autotopia LA The premier automobile storage & concierge facility in Los Angeles. Collector car storage. Vintage car storage. Luxury car storage. Exotic car storage. Visit Autotopia LA at www.autotopiala.com Baja Forged Timeless design. Race inspired. BAJA proven! We love looking good driving on and off road. Baja Forged offers products to be capable when we need them. So we built Baja Forged. Visit Baja Forged at www.bajaforged.com ENVZN For more information on the 2018 GMC Denali Duramax truck Giveaway, visit www.envznsupplyco.com
Uncover the untold story behind Generation Landmine as Chris Akin dives deep into an exclusive interview with frontman Anthony White. From the band's explosive new release "Ruling the Street Scene" to the dynamics of solo versus collaborative songwriting, this episode delves into the music industry's shift towards cover bands and the challenges of being an original artist. Gain insights into the band's formation, tour experiences, and much more. Don't miss this candid conversation on CHRIS AKIN PRESENTS! #GenerationLandmine #ChrisAkinInterview #RulingTheStreetScene #OriginalMusic #MusicIndustryInsights #BandLife #SongwritingJourney #TourStories #ArtistTalks #MusicCulture #RockScene #ExclusiveInterview #NewReleaseVibes **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode! Watch LIVE every Monday at 8pm Eastern at www.chrisakin.net, CMStv.net, Rumble or X. Facebook: www.facebook.com/chrisakinpresents Instagram: www.instagram.com/chrisakinpresents Twitter: www.twitter.com/realchrisakin Youtube: https://www.youtube.com/@chrisakinpresents?sub_confirmation=1 --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message
durée : 00:59:01 - Cabaret 42e rue : Les Académies d'opéras se mettent à la comédie musicale - par : Laurent Valière - Ai programme : « Les Fantasticks » de Tom Jones et Harvey Schmidt par Studio Opera de l'Opéra National du Rhin et « Street Scene » de Kurt Weill par l'Académie de l'Opéra de Paris. - réalisé par : Olivier Guérin
The founder & Operator of Street Scene car show stops by and drops cray news about the show.. --- Send in a voice message: https://podcasters.spotify.com/pod/show/tug-h1ll/message
MOVIE REACTIONS! First Time Watching! ABSOLUTELY HILARIOUS ROM-COM! The Proposal Full Movie Reaction: https://www.patreon.com/thereelrejects The Proposal Reaction, Recap, Commentary, & Movie Review for the romantic comedy gem starring Ryan Reynolds (Deadpool 3), Sandra Bullock, Betty White (The Golden Girls), Craig T. Nelson, Mary Steenburgen, & Malin Akerman. John & Tara Erickson watch and react to the best scens / funniest movie clips such as the End Scene Marry Me, Street Scene, Immigration Scene, Kevin The Dog, Dancing Scene, Funny The Proposal Scene, & MORE. #TheProposal #RyanReynolds #SandraBullock #firsttimewatching #moviereaction #firsttimewatchingmoviereaction #trynottolaugh #comedy #deadpool #deadpool3 #funny #funnyvideo #funnyclips #hilarious #christmas Follow *Tara Erickson* on Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ twitter: https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG On INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Une des rares peintures de Vincent Van Gogh encore dans des mains privées, “Scène de rue à Montmartre” a été vendue pour plus de 13 millions d'euros.Traduction:One of the few paintings by Vincent Van Gogh still in private hands, "Street Scene in Montmartre", has been sold for over 13 million euros. Hosted on Acast. See acast.com/privacy for more information.
Une des rares peintures de Vincent Van Gogh encore dans des mains privées, “Scène de rue à Montmartre” a été vendue pour plus de 13 millions d'euros. Traduction: One of the few paintings by Vincent Van Gogh still in private hands, "Street Scene in Montmartre", has been sold for over 13 million euros. Learn more about your ad choices. Visit megaphone.fm/adchoices
Une des rares peintures de Vincent Van Gogh encore dans des mains privées, “Scène de rue à Montmartre” a été vendue pour plus de 13 millions d'euros.Traduction:One of the few paintings by Vincent Van Gogh still in private hands, "Street Scene in Montmartre", has been sold for over 13 million euros. Hosted on Acast. See acast.com/privacy for more information.
Une des rares peintures de Vincent Van Gogh encore dans des mains privées, “Scène de rue à Montmartre” a été vendue pour plus de 13 millions d'euros. Traduction: One of the few paintings by Vincent Van Gogh still in private hands, "Street Scene in Montmartre", has been sold for over 13 million euros. Learn more about your ad choices. Visit megaphone.fm/adchoices
We're doing opera, and this time Colden picked something that was pretty straight forward. But is there more symbolism in this production than needed?Colden's Website: www.coldenlamb.comColden's Instagram: @coldenlambPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Cats Don't Dance!
Here we go again, again! Derek pops back on the pod to give a second chance to the sequel of Mamma Mia! (which was his choice) and...well...it's not good. But the two managed to talk for over an hour about it, so yay?Derek's Instagram: @dspeeds23Podcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Street Scene!
SRT NEON, FORD RS, BROKEN ???? MAJOR CARSHOW STREET SCENE 315 A HUGE IMPORT CAR SHOW ! IS IT THE FINAL? DOES ROLLO WIN THE SUBARU CLASS? CAN YOU COMPARE CARLISE IMPORT NATIONALS TO STREET SCENE.. K SWAPS, TEACHING THE DAUGHTER ABOUT THE CARS ORIGINS HOW THE CARS ARE PROGRESSING IN THIS SHOW COMPARED TO OTHERS.... ARE WE THE NEW BIG LOTS CREW BMW M240I G42, M4 S55, SUBARU STI
A scene which definitely evokes summer and sunnier climes, Conor Tallon chats to Michael Waldron. Hosted on Acast. See acast.com/privacy for more information.
Following the SEMA episode we have Kovin's car show! Wait didn't he already have one on this podcast? Oh yeah, this is his second one! Congrats! Come hear about all the different awesome cars that came to the show, also featuring special guest Duane Hayes!
Street scene rants and raved cars --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This weekend, Bowling Green State University's Opera Theatre and Department of Theatre and Film are staging Kurt Weill's opera Street Scene. Director Nicholas Wuehrmann and pianist/vocal director Kevin Bylsma join us for a preview, with members of the cast performing in the WGTE studios: soprano Kate Pomrenke, tenor Mark Tenorio, and baritone Ben Ganger.
This week on No Script, Jackson and Jacob go back nearly 100 years to discuss a script with massive theatrical daring. Elmer Rice's Street Scene is packed with people and stories, Rice's attempt to capture the pulsing heartbeat of a New York City street. Listen in as J&J admire the craftsmanship, abundance, and bravery of the play! ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue. https://www.patreon.com/noscriptpodcast ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at: Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week.
SFX#digi, #digital, #soundscapes, #SFX, #FX, #loops, #free #downloads, #free_share, #loops #tiktok #sound #soundeffects #specialeffects #free #logicpro #taleteller #taletellerclub #soundrecordings #ASMR #recordings #studio #creators #creatortools #soundtracks #postedit #freedownloads #audio #audiotools #audiorecording #podcaster #podcasttools #gamedesigners #musicians #filmmakers #juicysounds #free-lessons #digital-music-school #digi-mus #ads #advertising #voiceover #vocals
… The post My Los Angeles 96: Street Scene, Little Tokyo via Instagram [Photography] appeared first on My Word with Douglas E. Welch.
“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org
This week's episode is one we'll never forget! Greg Rhoton, Armstrong Neighborhood Channel Producer & Creator of Telly Award Winning shows (Street Scene, Counterpoint- A Musician's Tale), joins the show to co-host this episode. Greg was able to connect us with Youngstown's own JD Eicher. JD is a phenomenal musician and creative genius in the music industry.We learn all about JD's start in the music industry, at the age of 23, and where his career has taken him over the years. We talk about how the pandemic wiped out the entertainment/music industry and forced him to get super creative. JD created his own Patreon subscription page which has hundreds of hours of content that can only be seen by subscribing. JD also shares two songs off his newest album, Majesto Sessions. We first take a listen to Kamikaze and finish the episode with Back To Me. Both can be found on JD's Spotify Page: https://open.spotify.com/artist/410MPX0LjYx4PFgIJsBbPT?si=YGYu25aDS1K0WiIrBqz7vQBefore we end the episode, JD talks about his experience working with award-winning American Novelist, Nicolas Sparks. This story is one for the ages and helped give JD the idea of writing his own novel. He recently released The Lights Along Majesto which is a companion book to JD's newest album Majesto Sessions. We greatly appreciate JD spending an hour with us for this episode!Please check out JD Eicher by visiting:Website: https://jdeicher.com/Patreon: https://www.patreon.com/jdeicherInstagram: https://www.instagram.com/jdeicher/YouTube: https://www.youtube.com/user/jdeicherFacebook: https://www.facebook.com/jdeichermusicSpotify: https://open.spotify.com/artist/410MPX0LjYx4PFgIJsBbPT*All tour dates and concerts can be found on JD's website
We're super excited this week as we welcome back the creators of Armstrong Street Scene, Rick Gurrera and Greg Rhoton! We had them on last year as they launched their new podcast "Armstrong Street Scene Power Hour". We kick off the show talking about 2021 as it was the return of car shows and the annual Street Scene Car & Custom Bike Show. Hear all about where the guys went last year and when this year's event will be!Greg gave us a rundown of the car shows they'll be attending and filming for television. Make sure to mark them down and get your car on the show!The guys also talk about their #1 fan of Street Scene. Hear all about this amazing fan and their recent experience getting to meet him in person. We close the show talking about winter car tips to remember during the cold & snowy weather we've been having.For more information about Armstrong Street Scene: https://www.facebook.com/street.scene.315To watch current and past episodes, check out the Armstrong Neighborhood Channel YouTube Page: https://www.youtube.com/channel/UC9RYxQboNKlrlwbyDKFWe7Q?view_as=subscriberCheck out all Armstrong Street Scene Power Hour podcast episodes on all streaming platforms along with their official site: https://armstrongstreetscenepowerhour.buzzsprout.com/
In this episode, Randy and Tyler discuss the 1929 Pulitzer Prizewinning Play, Street Scene by Elmer Rice.From Stageagent.com: The claustrophobic reality of living in a six-story walk-up in the Lower East Side of Manhattan is the focus of Elmer Rice's Street Scene. With the neighbors all knowing everyone's business, and constantly passing judgement on everyone's behavior, it is easy to see how this melting pot can quickly become dangerous.On two scorching hot days in June 1929, the pot finally boils over for Frank Maurrant. The rumors about his wife having an affair have become too loud and too persistent for him to ignore. How many times does he have to lay down the law in his own home before it is followed? To make matters worse, that guy keeps turning up and talking to his wife in full view of everyone. ******* IN OUR NEXT EPISODE *******Join us as we discuss the 2007 winner of the Pulitzer Prize for Drama, Rabbit Hole by David Lindsay-Abaire.From Stageagent.com: Becca and Howie Corbett have a picture perfect family life in the suburbs of New York until a random, tragic accident takes the life of their four-year old son. Soon after, Becca's younger, irresponsible sister, Izzy, announces that she is pregnant: there will now be a new child in the family. As Becca and Howie grow apart, Becca's mother, Nat, badgers Becca about her grieving process, and Jason, the young driver who killed their son, continually shows up to ask forgiveness, the group is on a bumpy road to healing with no road map in sight. Rabbit Hole delves into the complexity of a family navigating deep grief, and learning what it means to live a fruitful life when things fall apart.DeScriptedFacebook: https://www.facebook.com/DeScriptedPodTwitter: @DeScriptedPod - www.twitter.com/DeScriptedPodInstagram: @DeScriptedPod - www.instagram.com/DeScriptedPod
Synopsis On this day in 1947, Pierre Monteux led the San Francisco Symphony in the premiere performance of the Second Symphony by American composer Roger Sessions. Prior to this work, Sessions had written in a more broadly accessible style, but this new symphony proved more dissonant and challenging. At the time, Sessions cautiously stated: “Tonality is complex and even problematical nowadays.” For their part, the San Francisco audiences found the new work both complex AND problematical. There was hardly any applause. Musical America's critic wrote that Sessions (quote): “seemed to express the epitome of all that is worst in the life and thinking of today.” Ouch! Today, the Sessions Second doesn't sound ALL that challenging, but performances of this or any of his symphonies remain rare events. While Sessions' symphony was being panned in San Francisco, a new stage work by the expatriate German composer Kurt Weill opened to rave reviews in New York. Kurt Weill's “Street Scene” opened on Broadway on this same date in 1947. “[It's] the best contemporary musical production to grace any American stage,” enthused the “Musical America” critics. “We cannot imagine that an audience from any walk of life would not enjoy it. It has everything.” Music Played in Today's Program Roger Sessions (1896-1985) — Symphony No. 2 (San Francisco Symphony; Herbert Blomstedt, cond.) London 443 376 Kurt Weill (1900-1950) — Act 1 Intro, from Street Scene (Scottish Opera Orchestra; John Mauceri, cond.) London 433 371
Note: This episode contains explicit language.In this episode, Randy and Tyler discuss the 2008 Pulitzer Prizewinning Play, August: Osage County, by Tracy LettsSynopsis from StageAgent.com: August: Osage County centers around the Weston family, brought together after their patriarch, world-class poet and alcoholic Beverly Weston, disappears. The matriarch, Violet, depressed and addicted to pain pills and “truth-telling,” is joined by her three daughters and their problematic lovers, who harbor their own deep secrets, her sister Mattie Fae and her family, well-trained in the Weston family art of cruelty, and finally, the observer of the chaos, the young Cheyenne housekeeper Johnna, who was hired by Beverly just before his disappearance. Holed up in the large family estate in Osage County, Oklahoma, tensions heat up and boil over in the ruthless August heat. Bursting with humor, vivacity, and intelligence, August: Osage County is both dense and funny, vicious and compassionate, enormous and unstoppable.Photos of Penobscot Theatre Company's production of August: Osage County: https://www.facebook.com/penobscotthea trecompany/posts/10153305557141202This episode uses these sounds from freesound.org: "Cartoony Clangs (hit with spade)_2.wav" by Timbre licensed under CCBYNC 3.0******* IN OUR NEXT EPISODE *******Join us as we discuss the 1929 winner of the Pulitzer Prize for Drama, Street Scene by Elmer L. Rice.From Stageagent.com: The claustrophobic reality of living in a six-story walk-up in the Lower East Side of Manhattan is the focus of Elmer Rice's Street Scene. With the neighbors all knowing everyone's business, and constantly passing judgement on everyone's behavior, it is easy to see how this melting pot can quickly become dangerous.On two scorching hot days in June 1929, the pot finally boils over for Frank Maurrant. The rumors about his wife having an affair have become too loud and too persistent for him to ignore. How many times does he have to lay down the law in his own home before it is followed? To make matters worse, that guy keeps turning up and talking to his wife in full view of everyone. It's enough to turn anyone to drinking. When he returns home to find the curtains drawn mid-morning, he knows exactly what is going on. In a fit of fury and emotion, Frank carries out his threat and kills them both.Street Scene is a huge piece with themes of immigration, racism, domestic violence, sexual assault, murder, social status, youth culture, and poverty, which won the Pulitzer prize for Drama in 1929.DeScriptedFacebook: https://www.facebook.com/DeScriptedPodTwitter: @DeScriptedPod - www.twitter.com/DeScriptedPodInstagram: @DeScriptedPod - www.instagram.com/DeScriptedPod
Emma Kate is a British performer. Actress, singer and dancer she performs mainly on stage in theater and opera but also in cinema.Recently Emma Kate was spotted on stage at The Monte Carlo Opera House in Kurt Weill's Street Scene. At the Grand Palais and at the Théâtre du Châtelet for her portrayal of Lina Lamont in Singing In The Rain, or in the role of Anytime Annie in 42nd Street. She also played the role of La Fée Des Lilas in French in Peau d'âne at the Théâtre Marigny, re-orchestrated by Michel Legrand produced by Jean-Luc Choplin (Cast Album / Sony France) and Jenny Diver in The Beggars Opera by Robert Carsen & William Christie, Les Arts Florrisant, Theater Bouffes Du Nord and OPUS ARTE / FRA Prod Cinema.Emma Kate Nelson began her career at a young age in the West End, London in Aspects of Love at the Prince of Wales Theater, she will be found later on many stages in London: Royal Opera House, Covent Garden (The World's Greatest Show, The Enchanted Pig), Aldwych Theater (Stephen Ward), Southwark Playhouse (Victor Victoria), Young Vic Theater (Street Scene), Union Theater (The Pajama Game), Jermyn Street Theater (Jean de Florette), Open Air Theater in Regent's Park (The Music Man, The Boyfriend, Lady Be Good, (A Midsummer Night's Dream), The Gatehouse Theater (Call Me Madam), Chichester Theater (42nd Street), at the Swan Theater in High Wycombe (Me and My Girl) but also on tour with White Christmas and That's Entertainment.Outside the UK, she performed the role of Princess Adelaide (The Enchanted Pig) at the New Victory Theater in New York, Soloist at The Eldorado Showroom in Reno, Nevada, the lead role in the Australian tour of Putting on the Ritz, as well as several roles in Starlight Express in Germany. On tour again with Street Scene (Toulon Opera, Gran Teatre del Liceu Barcelona, Theater an der Wien Vienne, Oper Koln and Opera De Monte Carlo).
2021 Picasso Audio Guide - 08 Street Scene by Art Gallery of Ontario
Rodney Vubya (West End cast of Cinderella) co-hosts The West End Frame Show!Andrew & Rodney discuss Wicked's 15th Anniversary (Apollo Victoria Theatre), Witness for the Prosecution (County Hall) & Six's reopening (Vaudeville Theatre) as well as the latest news about The Wiz, Gypsy, The Prince of Egypt and lots more!Prior to the pandemic, Rodney was on tour playing Dick McGann in Street Scene for Opera North. His credits also include: Evita (Regent's Park Open Air Theatre), Tina (Aldwych Theatre), understudy General in The Book of Mormon (Prince of Wales Theatre), Prince Richard in Snow White and the Seven Dwarfs (Hoxton Hall) and Branom/Marty in A Clockwork Orange (Norway tour).Rodney is currently appearing in the world premiere production of Andrew Lloyd Webber's musical Cinderella at the Gillian Lynne Theatre. He's understudying the role of Prince Charming, and recently made his debut in the role.Cinderella is currently booking at the Gillian Lynne Theatre until Sunday 29th May 2022. Follow Rodney on Instagram: @rodneyvubyaHosted by Andrew Tomlins @Andrew_Tomlins Thanks for listening! Email: andrew@westendframe.co.uk Visit www.westendframe.co.uk to stay up-to-date with our podcasting adventures.
Producer Samuel Goldwyn wanted to populate his film of Elmer Rice's play Street Scene with a mix of actors from the hit Broadway production and Hollywood. To play the lead Rose, Goldwyn had Nancy Carroll in mind. Signed to Paramount, the studio's managing director Bud Schulberg, would not give Carroll up for the film, instead suggesting Sylvia Sidney for the part. Sidney, also Schulberg's mistress, nonetheless turned out to be inspired casting for the role and anchors the ensemble with her mix of innocence and grit. Along with this 1931 gem, Dan and Vicky delve into some recently seen, including In The Heights, Unhinged, Summer of Soul, Army of the Dead, In Fabric and Memories of Murder. Check out Hot Date 131 and visit our website at hotdatepod.com!
OBS Talk is brought to you by these OBSponsors - Title Sponsor - www.lmctruck.com - When you need OBS Parts, think LMC Truck. http://www.baer.com - Baer is your OBS truck Specialist. www.us-mags.com - Rad wheels for Rad Trucks. www.belltech.com - The most trusted source in lowering your truck! www.dakotadigital.com - Yep - they make gauges for our trucks. www.airliftperformance.com - When you are thinking about Air Management - Think Air Lift! www.azproperformance.com - Have you heard about their new REACT OBS spindle? Yep! From Traders, Street Scene to SEMA - Mark Oja sits down with Mike Spagnola on this "Legend Series" episode of OBS Trucks.
Texte:Une des rares peintures de Vincent Van Gogh encore dans des mains privées, “Scène de rue à Montmartre” a été vendue pour plus de 13 millions d'euros jeudi.Traduction:One of the few paintings by Vincent Van Gogh still in private hands, "Street Scene in Montmartre", was sold for over 13 million euros Thursday
Greg Rhoton & Rick Guerra, Co-Hosts of Armstrong Street Scene Power Hour Podcast, join the show to talk about their brand new podcast. Greg & Rick have been working together on the Armstrong Neighborhood Channel Show "Street Scene" for over 12 years. Learn about the history of the television show and how it launched the podcast spinoff.Greg & Rick have also created a Street Scene Custom Car and Bike Show that is held each year in the Boardman, OH area. This year's show will be held on July 25th, 2021 at Austintown Park. Bring out your car, bike or just come enjoy a great show and support the American Heart Association. For more information on Street Scene:Facebook Page: https://www.facebook.com/streetscene2008To watch current and past episodes on YouTube:https://www.youtube.com/c/ArmstrongNeighborhoodChannel/featured*Search "Street Scene"*To listen to Street Scene Power Hour:https://www.buzzsprout.com/1644811
What can I say about Thom Michael Mulligan? Well – a lot!! Thom’s mother was a stage actress, and brought him to an audition – he got the part in a play called “Street Scene.” When he was ten he discovered hockey. Beside the usual biography (below), Thom is an avid hockey player and coach (coaching is on hold for the moment), During this podcast, we cover all subjects, ranging from toilet paper hoarding during quarantine, working during COVID, how he and a friend founded the New Hope Film Festival, and how hosting the LANFA Awards in 2019 opened doors. We talk about several films, including Callous, which is available on Amazon, Sweet Taste of Souls, a psycho-thriller and Nighthunter, a film he just finished. He has co-written many productions, including The Witching Hour. He also gives sound advice to anyone who wants to get into acting, whether it’s a hobby or as a profession. His biography (from IMDb) reads as follows: Thom Michael Mulligan is an American actor and producer known for his extensive acting work on the stage and in the film world. He is also a multi award winning producer of the feature film "Callous, which garnered "Best Feature" film awards at numerous film festivals throughout the country. Originally from NYC, he has worked in off Broadway productions, television, feature and short films. He is president of Rolling Action Entertainment. Thom is also a co-founder and the Executive Director of Submissions for the New Hope Film Festival. Besides acting, Thom also writes and has had some one act plays produced and wrote the full length play" Just Dirty Laundry" which received critical acclaim! Thom has also been involved in working with various charity groups. --- Support this podcast: https://anchor.fm/michelemarotta/support
My guest today is Actor and Singer Rodney Vubya! Originally from Uganda, Rodney’s path to the stage is one I can relate to. Rodney initially started a degree in Classics at Leeds University. While studying, he immersed himself in the Stage and Musical Society in his second semester and from there he caught the bug! Rodney took a huge gamble and decided to pursue Musical Theatre at Mountview Academy of Theatre Arts. Since graduating, his hard work and determination has landed him some incredible productions; from Book of Mormon, Tina: The Tina Turner Musical, Evita and most recently Street Scene with Opera North, UK Tour! Rodney talks openly about his experiences and how he’s worked on his acting & work principles to further his career...So, like any story we have to start at the beginning...Support the show (https://www.patreon.com/brewingactors)
Teri Hansen is an actress, singer and writer. Her film and TV credits include Into the Water, Street Scene, FBI: Most Wanted, The Blacklist, Law & Order: SVU, and Orange is the New Black. On stage, she’s performed in An American in Paris, The Sound Of Music, Camelot (opposite Robert Goulet), The Music Man, Boys From Syracuse, and Show Boat, as well as in concert as a soloist with Marvin Hamlisch, the Boston Pops, the National Symphony, and multiple operatic roles throughout North America and Europe.Her writing credits include Into the Water (screenplay) and CHÉRI (music & book, adaptation of Colette’s CHÉRI). Teri also holds an honorary PdD (doctor of fine arts) from Central Michigan University. Teri's website: TeriDaleHansen.comTeri on Facebook: TeriDHansenInto the Water on FacebookIndieGogo for Into the Water
Episodio 24 en el que entrevistamos a Poti Martín, uno de los diseñadores de sonido más importantes de este país y el autentico referente cuando se trata de teatros musicales. Cuando ves su portfolio te das cuenta que cuando decimos que ese un referente no es ninguna tontería. The Sound of Music, BackBeat, Legally Blonde, North by Northwest, The Last Confession, As You Like It, The Railway Children, Evita, Jesus Christ Superstar, Sunset Boulevard, Street Scene... Además de Mamma Mia donde ha girado mas de una veintena de veces en Europa. Ha trabajado desde Los Angeles a Pekin y nos explica como se trabaja en los países por los que ha pasado. Este es el primer episodio que traemos a un diseñador de sonido y Poti nos explica como es esta profesión y también reivindica la necesidad de reconocimiento que requiere la misma. También hablamos de la importancia de la marca personal como marca comercial, que en el caso de los freelance es algo que se mezcla irremediablemente y Poti esa parte la explota a través de su página web www.potimartinsounddesign.com No te pierdas este episodio gracias a Avify.net, la comunidad online que reúne a empresas y técnicos de la industria Audiovisual que ahora lanza su plataforma de formación: formacion.avify.net, una nueva herramienta para potenciar el talento de los profesionales de nuestra industria.
1. Mason Bates - The (R)evolution of Steve Jobs: Scene 7, That Can Also Be a Ticking Clockhttps://spoti.fi/3nEI1OG2. Pamela Z - Badagadahttps://youtu.be/9_d6UFZZ8ck?t=2433. Errollyn Wallen - Gun Gun Gunhttps://spoti.fi/3kHe4Mb4. Judah Adashi - Risehttps://youtu.be/s2NCPiX3A1MYou can listen to these before or after the episode, or you can pause our podcast and go listen to each piece as we introduce them. Panelists:Bass Robert Ellsworth Feng is acclaimed for having a “commanding darkness and thickness to his tone,” and is a born collaborator who performs with artists of all mediums. Robert is the recipient of the George Woodhead Prize in Voice and the Peabody Career Development Award and placed second in the NY Classical Music Society International Voice Competition. Performance highlights include Don Giovanni (Il Commendatore) with Kor Productions, The Mikado (Ko-Ko) with Hawaii Opera Theatre, Tobias Picker’s Emmeline (Pastor Avery) with Manhattan School of Music, and more. Robert has premiered new works including Tony Small’s Qadar and Nick Peros’ Lamentation of Ruin. During quarantine, Robert performed in Social Distance Opera's production of Street Scene as Henry Davis, with Seagle Music Colony, and was a featured artist for Tony Small's Virtual Masterclass series for the Boys & Girls Club of Greater Washington. Robert received his Bachelors at Peabody, his Masters at Manhattan School of Music, and is an alumni of Seagle Music Colony. Robert is also a proud member of the Hawaii Opera Theatre Mae Z. Orvis Opera Studio.Taylor-Alexis DuPont is a young and engaging Mezzo-Soprano from Orlando, Florida. Since graduating with her Masters in Voice from the Peabody Conservatory while studying with Denyce Graves, Taylor-Alexis has performed with the Metropolitan Opera, the Ising International Young Artist Festival in Beijing and Suzhou, China, the Glimmerglass Festival, Prototype Festival, Sarasota Opera, St. Petersburg Opera, Opera Orlando, First Coast Opera, Christman Opera and City Lyric Opera. Performance highlights include Cendrillion (Prince Charmant), Così fan tutte (Dorabella), Ruslan and Ludmilla (Prince Ratmir), The Snow Maiden (Lel) and Pinocchio (Pinocchio). Earlier this year Taylor-Alexis performed as an ensemble member and soloist cover in the Metropolitan Opera’s wildly successful production of Porgy and Bess and made her debut with Heartbeat Opera in a new work titled Lady M. Taylor-Alexis is currently working with the Florentine Opera as a Baumgartner studio artist for the 2020-2021 season.Praised for her “vocal control and exquisite refinement,” soprano Teresa Ferrara is dedicated to music’s power to transcend social divides and inspire people of all ages and backgrounds. She has performed as a solo vocalist at the Kennedy Center and her chorus work has allowed her to perform often with the National Symphony Orchestra. She has earned many awards for her singing, including the George Woodhead Prize in Voice from the Peabody Conservatory, the Award for Excellence in the Arts from the National Society of Arts and Letters, and The Washington Post Music and Dance Scholarship Award. Ms. Ferrara has performed repeatedly with Maryland Lyric Opera, Baltimore Musicales, and the IN Series. Notable opera credits include Mozart’s Le Nozze di Figaro (Countess Almaviva) and Così fan tutte (Despina), as well as Donizetti’s L’Elisir d’Amore (Giannetta), Massenet's Chérubin (L'Ensoleillad), and Viva V.E.R.D.I. - The Promised End, (Soprano). A graduate of the Master of Music program at Peabody, she plans to continue to pursue musical endeavors that stretch the norms of classical music and seek to educate and serve the community.
The American Dream. An affair gone terribly wrong. Housewives spilling tea. Musical excerpts provided by Selena Diaz, (@selenadays) Spencer Ruwe (@spencerrruwe) and Mikaela Pace (@mik.pace).
Today I am talking to Dana Lynne Varga. Dana is on the faculty of the Longy School of Music of Bard College in Boston, Massachusetts. In addition Dana is a career coach, founder and artistic director of the Boston-based opera company, MassOpera, as well as the founder and CEO of the Empowered Musician, a company which does just that—empowering musicians through guidance both artistically as well as in business and career development. In our chat Dana speaks frankly about the problems in academia and the music industry as well as the possibilities of negotiating a correlating career with a career in music.Dr. Dana Lynne Varga is the Founder and CEO of The Empowered Musician, Founder and Co-Artistic Director of MassOpera, and an accomplished classical singer, voice teacher and career coach.In addition to maintaining a full private voice studio for over 15 years, highlights of Dana's teaching career have included seven years on the voice and opera faculty at the BU Tanglewood Institute, two years on the full-time voice faculty at University of Massachusetts, Amherst, and two years on the voice faculty at the New England Conservatory Prep school. She is currently on the voice faculty at the Longy School of Music of Bard College in Cambridge, Massachusetts.Dana regularly performs a wide variety of repertoire on opera and concert stages. Recently she made her Carnegie Hall debut as the soprano soloist in Haydn's Lord Nelson Mass with Mid-America Productions. Dana's 2019 appearance as Pallas Athene in Gluck's rarely heard Paride ed Elena with Odyssey Opera garnered critical acclaim. Other recent notable engagements include Beethoven's Missa Solemnis with The Cantata Singers, Beethoven's Ninth Symphony with the Wellesley Symphony and Mozart's Great Mass in C Minor with Coro Allegro. Favorite operatic roles performed include Musetta in La bohème, Fiordiligi in Cosi fan tutte, Anna Maurrant in Street Scene, Rosalinda in Die Fledermaus, Micaëla in Carmen, Hanna Glawari in The Merry Widow, and the title role in Alcina.Dana won the Second Place American Prize for Art Song and Oratorio in 2019 and was the Winner of the professional division of the national Classical Singer Competition in 2016. She holds the Doctor of Musical Arts (DMA) degree in Vocal Performance from Boston University, the Master of Music in Vocal Performance from the New England Conservatory, and a Bachelor of Music in Vocal Performance from University of Massachusetts, Amherst.Websites and Social Media:www.theempoweredmusician.comwww.danavarga.comwww.massopera.orgInstagram: @danalynnevarga and @theempoweredmusician
1. Jonathan Bailey Holland - Halcyon Sunhttps://open.spotify.com/track/0gNqRo5CX9g9lehiRN7HbX2. Julius Eastman - Prelude to The Holy Presence of Joan D’Archttps://youtu.be/uD2X0CwLxXI3. Jasmine Barnes - Sometimes I Cryhttps://www.jasminebarnescomposer.com/recordingsYou can listen to these before or after the episode, or you can pause our podcast and go listen to each piece as we introduce them. Panelists:A native of Columbus, OH, Tirzah Washington started singing at a very early age. Tirzah received her Bachelor’s of Music in Vocal Performance and Pedagogy from Oakwood University in 2014. While in college, she enjoyed singing with the Aeolians, the premier traveling choir of Oakwood University. Tirzah was able to sing in many different countries with the choir including Wales, England, and Russia. Tirzah was able to continue training to be an opera singer and voice teacher at Peabody Institute, the School of Music for Johns Hopkins University. Tirzah received her Master of Music in Vocal Performance and Pedagogy from Peabody Institute in 2016. Tirzah loves to perform and has had the opportunity to sing on several stages in the Columbus area. One of her most recent achievements was receiving the Theatre Roundtable Award for Excellence in a Lead Role in a Musical for her performance as Celie in The Color Purple. She has been able to perform in many musicals including The Color Purple (Celie), Dreamgirls (Effie Understudy), Hair (Dionne), The Rocky Horror Show (Magenta), and Saturday Night Fever (Candy). Tirzah believes that music in any form has the power to change the world. She is excited to share her talents in any setting.Baritone Rahzé Cheatham is a performer with a strong foundation in music, theatre art, and dance applications. This 2020-21 season, they appeared on the digital stage in the world premiere of Mallory, a chamber opera by Baltimore-based composer Nathaniel Wolfgang Parks, adapted for the brand new PoCo Podcast of the Podcast Opera Company. Later, Rahzé returns in the premiere another chamber opera, Our Final Thoughts on Arthur S. Hellerman, by James Warner Duquette. Previously, Rahzé joined Marin Alsop’s production of Leonard Bernstein’s MASS as a blues soloist and a member of the Street Singer ensemble. Further, they were featured as Hannah before in Laura Kaminsky’s chamber opera, As One, opening at the newly redesigned Motorhouse in Baltimore, MD and closing on the John F. Kennedy Center Millennium Stage in Washington, DC. Rahzé currently holds a Bachelor of Music in Vocal Performance and a Music Theory from the Peabody Conservatory of the Johns Hopkins University.Soprano, Carly M. Henderson holds a Bachelors of Music from Peabody Conservatory, under the direction of William Sharp. At Peabody, Carly premiered the role of Louisa in Now We Are Met by Andrew Posner; covered the role of Rose Maurrant in Kurt Weill’s Street Scene; performed as a Sprite in Massenet’s Cendrillion; in the chorus of Mozart’s Die Entführung aus dem Serail; and in the chorus of Poulenc’s Dialogues of the Carmelites. In the 2017-2018 season, she performed as Actor 2/Girl 3 in Courtney Kalbacker’s production of Errollyn Wallen’s Anon, including on the Millennium Stage at the Kennedy Center.More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.
Today’s topic is operetta and opera on Broadway. From the early days of the Great White Way, a large amount of the musical theatre repertoire was actually operetta. I begin with a discussion of the composers of such operettas (Victor Herbert, Rudolf Friml, and Sigmund Romberg, with a significant nod to Jerome Kern as well) and the singers who appeared in those works. Then I present an array of works adapted from the classical repertoire (primarily Wright and Forrest’s Song of Norway and Kismet), followed by examples of that curious hybrid, Broadway opera, including Gian Carlo Menotti’s The Medium and The Consul; Marc Blitzstein’s Regina; Frank Loesser’s The Most Happy Fella; Kurt Weill and Langston Hughes’s Street Scene; and Leonard Bernstein’s Candide. A wide range of singers is included, some celebrated (Lotte Lenya, Patricia Neway, Barbara Cook, Marta Eggerth, Lawrence Tibbett), some less so (Helena Scott, Lee Venora, Fritzi Scheff, Robert Rounseville), the careers of some of whom stretch back to the beginning of the century, but all singers which straddled the fence between musicals, operetta, and opera. But rest assured: this is no dry history lesson: it’s a fast-paced romp through a fun and fascinating topic! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available!
Bill, Chris, and Larry share recent pickups before revisiting the collecting week's news including MAFEX, Hot Toys, NECA, ThreeZero, and more. The spotlight this week is on the new G.I. Joe Classified Series. Check out Bill's video review of the MAFEX TDKR Batman on the DorkLair YouTube channel. "Master of the Hunt" will help collectors keep track of bargains, releases, restocks, and buy-nows. Don't forget to pick up your DorkLair t-shirt, available on TeePublic. Follow the DorkLair Instagram for daily photos, news and deals. In the news: MAFEX TDKR Blue w/ Robin Hot Toys Ahsoka Hot Toys 501st Clone (reg and deluxe) ThreeZero Game of Thrones 1/6 Tormund Mythic Legions Shadow Equaddron NECA TMNT Movie Accessory Pack and cartoon Street Scene 1 week preorder NECA TMNT Cartoon Street Scene NECA The Boys figures coming, Homelander and Starlight SHF Dr. Strange Variant Come hang out with the DorkLair hosts and listeners in the RetroZap Discord server, and get up-to-the-minute action figure news and drama-free collecting chat. figure Email the show at podcast@dorklair.com with chat topics and news you'd like the hosts to discuss. And head over to the DorkLair YouTube channel for more action figure reviews. Other Links DorkLair logo created by Mike Uziel @MikeUziel. DorkLair theme music is by Luke Schreiber aka LukeSells.
This week it's a slice of life as I read "West End Street Scene," recounting a drive through part of my home town on an oddly warm December morning. Hey, I'd love to hear what you think of the podcast, whether it's a specific poem or the format, or whatever's on your mind! Leave a review or a comment in your podcast app, or catch me on Twitter @Lefthandrob. After listening to the podcast (or while listening), visit one of these sites and donate for the cause, because All Black Lives Matter and my fellow white (and cis) people we need to get in the game: Donate to Black Lives Matter Donate to the Souther Poverty Law Center Donate to the Equal Justice Initiative Transgender Law Center The poems will continue to flow, but so must the Justice.
Hello! I'm Eléonore Duizabo and I'm a little baguette baked and raised in Paris! I'm a musical theatre actress who trained in France and in London. I studied classical music at the Conservatoire in Paris. I performed on tour and then in The Sound of Music and Street Scene at the Théâtre du Châtelet and completely fell in love with musical theatre! I was super determined to go study musical theatre in London. So whilst I was completing a degree in Theatre at the Sorbonne, I joined the International College of Musical Theatre in 2016. And in 2019, I graduated from the Royal Central School of Speech and Drama with a Masters in Music Theatre! After graduating, I got to shoot a couple of short films, perform in a new musical, Past Midnight, and even gave my voice to a tomato for a Youtube series (true story!) I am also the creator of Baguette on Broadway (@baguetteonbroad), a musical theatre blog with news, portraits, an encyclopedia of musicals and an English to French dictionary of musical theatre terms! Thanks for having me Christiana! Connect with Eléonore on Instagram & Twitter under @nonobaguette and make sure to follow her Musical Theatre blog Baguette on Broadway on Instagram & Twitter under @baguetteonbroad
Josh, John, and Chris discuss and love on Elmer Rice's Street Scene.
Every week on The Arts House Assistant Curator Dr Michael Waldron from the Crawford Art Gallery takes a journey through a currently exhibiting work in the company of Arts House presenter Conor Tallon.French artist Francis Tailleux (1913-1981) relocates us to the Dieppe seafront on the Côte d'Albâtre – Normandy's beautiful Alabaster Coast – in A Street Scene (1936). Flags flutter on the sea breeze, as walkers make their way along the Boulevard de Verdun. Look closely and you'll spot a girl playing ‘hoop and stick', while a smartly dressed staff member emerges from a nearby hotel. Following the strong diagonal of the boulevard, the Hôtel Royal stands further in the background, a building which still exists today. Fun fact: this leisurely scene was completed in the same year as the Accords de Matignon, the French labour agreement that established the 40-hour workweek and two weeks paid vacation. See acast.com/privacy for privacy and opt-out information.
Jon and Randy talk about the headlines this week including Supra getting a 4 cylinder version and Elon musk claiming ICE car values will plummet. Jon gets asked to help people move with the new truck and doesn't even get offered food for his time. An integra gets stolen and destroyed in a police chase. Finally, we discuss the opportunity to ask the expert car buyer, Jon, questions for next week. Also, don't miss our track event, Apex Therapy, on 3/21. Tickets are available at https://www.eventbrite.com/e/apex-therapy-tickets-90974365777
Violinist Nicola Benedetti leads an international career as a violinist but she is also one of the world’s leading advocates for high quality music education and the transformational effect music can have on all young people. She talks to presenter Sara Mohr-Pietsch about her Foundation and her passion to inspire and enrich the lives of children across the UK. And in Beethoven’s 250th anniversary year, the Belcea Quartet marks a quarter century of its own by performing all of the composer’s string quartets at Wigmore Hall. Corina, Krzysztof, Axel and Antoine take time out from their rehearsals at London’s iconic venue, and speak to Sara backstage about the intensity of ensemble life and their lived experience as four individual musicians. Belinda Sykes is the founder of London-based ensemble Joglaresa and is living with terminal cancer. She talks to Sara about her determination to continue performing onstage and her love for making music with her fellow band members. And as Opera North’s new production of Kurt Weill’s Street Scene opens this weekend in Leeds, Sara visits the final rehearsals at the city’s Grand Theatre and meets the cast and creative team including leading Weill exponent, conductor James Holmes. He explains why the composer remains relevant to modern audiences. Producer Marie-Claire Doris
Presenters Olivia Peacock and Toby Foster discuss alcoholism and social media addiction. Sam, from Street Scene, and recovering alcoholic "Julie", discuss stigma, drinking culture and all things in-between. We also speak to Instagram influencer Roxanne Cooper- Costello to discuss the dark and light side of social media and the pressure influencers face. Plus, student Clare talks about the eating disorder she suffered with after constantly comparing herself to unattainable instagram models.
Descending upon the stunning waterfront of downtown San Diego – “where the city meets the sea” – on November 22, 23, and 24, 2019 is THE WONDERFRONT FESTIVAL, a highly-anticipated 7+ stage, 70+ band, 3-day music, culinary, and arts festival. Channeling the heyday of Street Scene, the event is the brainchild of seasoned industry veterans, Paul Thornton of Tag Presents, and Ernie Hahn current GM and partner at Pechanga Arena. On the Cantore + YEW! podcast, Hahn says "at the end of the day, this is a festival put on by San Diegans for San Diego first. We want to create the best festival in the world that San Diegans love that involves all the genres and represents the makeup of what San Diego is. We’ve locked down the best festival site in the world and plan to deliver an incredible music festival experience unlike any other.”
Descending upon the stunning waterfront of downtown San Diego – “where the city meets the sea” – on November 22, 23, and 24, 2019 is THE WONDERFRONT FESTIVAL, a highly-anticipated 7+ stage, 70+ band, 3-day music, culinary, and arts festival. Channeling the heyday of Street Scene, the event is the brainchild of seasoned industry veterans, Paul Thornton of Tag Presents, and Ernie Hahn current GM and partner at Pechanga Arena. On the Cantore + YEW! podcast, Hahn says "at the end of the day, this is a festival put on by San Diegans for San Diego first. We want to create the best festival in the world that San Diegans love that involves all the genres and represents the makeup of what San Diego is. We've locked down the best festival site in the world and plan to deliver an incredible music festival experience unlike any other.”See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.
A look at the work of popular anonymous performance street artist Crispin. Written and Read by Thaddeus Ellenburg Produced by Thaddeus Ellenburg, Will Scovill Intro and Outro by Nicole Calasich Artwork by Adrienne Lobl.
Last weekend, Virginia Opera kicked off its 2018-2019 season with Kurt Weill’s Street Scene. Street Scene narrates 24 hours of family life in front of a tenement in 1940s New York City, encompassing themes like domestic violence, immigration, and wealth inequality that could have been torn from 2018 headlines.
Dwight Davis talks with Virginia Opera conductor Adam Turner about Weill’s “Street Scene”
"Street Scene"
Solo: A Star Wars Story isn't going so well, Morgan Freeman may not be the lovable old earring-wearer you thought he was and Tom and Dave discuss the musical sensation that has just hit home release, The Greatest Showman. Also: Revenge, The Iron Giant, Seven Beauties, Le Trou, Street Scene.
Nos adentramos en el universo único del compositor alemán Kurt Weill, estrenada en 1946, con todo el sabor del musical de Broadway y una fuerte carga de denuncia social. Un montón de pequeñas historias que juntas hacen una sola. Comedia musical, jazz americano y tradición europea operística.Nos encontramos en el Lower East Side neoyorkino en pleno Manhattan. En la escalera, los vecinos pasan todo tipo de penurias para poder salir adelante en un verano de calor asfixiante.El profesor y musicólogo Pablo L. Rodríguez nos habla de la música de Weill, muy inspirada en el compositor Busoni y en esa idea de mantener siempre el contacto con el público a través de "canciones" simples y directas. Charlamos con el tenor Joel Prieto, sobre le personaje de Sam y el proceso de creación de acento propio, los movimientos corporales y técnica vocal. Y además invitamos al periodista Javier del Pino fan de esta ópera y de la música de Kur Weill.
We are introduced to a small boy buying supper in town.
Car Chase Funk 4...Driving action funk, a mix inspired by retro TV & movie car chases. Ideal for staying cool while burning rubber away from dirty cops, or that bank job getaway, or just that edge of the seat race on Mario Kart! Clunk,click,every trip! Have fun ;)1 It's All Right Now The New Mastersounds2 Pru Urebu The Rias Orchestra3 Unwind Yourself Marva Whitney4 The Bamboos Theme The Bamboos5 Papa's Got A Brand New Bag James Brown6 Pure New Mastersounds & Sam Bell7 Get Carter Roy Budd8 King Of The Rodeo Bamboos & Megan Washington9 Music Makes You Move Funkhouse Express10 Waterbad Part II L.T.G. Exchange11 Pass The Hatchet Roger & The Gypsies12 You Got It All New Mastersounds13 Kudu Eddie Henderson14 Got A Thing For You Baby Mr. Percolator15 Street Scene Leon Mitchison16 Juggah Buggah Weldon Irvine17 I'm Gonna Miss You Girl Ellis & Cephas18 Dolemite Scott Henderson#CarChaseFunk #Funk #Jazz #Soul #Groove #JazzFunk #JazzFusion #Funky #OldSchool #Jazzamatazz
This weekend, Bowling Green State University's Opera Theatre and Department of Theatre and Film are staging Kurt Weill's opera Street Scene. Director Nicholas Wuehrmann and pianist/vocal director Kevin Bylsma join us for a preview, with members of the cast performing in the WGTE studios: soprano Kate Pomrenke, tenor Mark Tenorio, and baritone Ben Ganger.
Sermon delivered by UTUUC member Christine Steyer on July 3, 2016. Soprano Christine Steyer was a recent winner of six national awards, including The American Prize in Art Song and The Johnny Mercer Award. Christine received critical acclaim for her operatic portrayals of the Marschallin from Der Rosenkavalier, the title role in Madama Butterfly and Violetta in La Traviata. She has performed roles with Lyric Opera of Chicago in Street Scene, Sweeney Todd, Cunning Little Vixen and Manon Lescaut. Her recent concert engagements include the Poulenc Gloria, the Brahms Requiem and Carmina Burana, Beethoven’s 9th, Rossini’s Petite Mass and Mendelssohn’s Cantata 42. A frequent recitalist, Christine sang concerts of Russian and American music with pianist Philip Morehead. Christine Steyer is the artistic director of Bellissima Opera and is currently heading The Transcendence Triptych project – an operatic celebration of individuals who transcended the racial divide. Christine's sermon is preceded by a reading given by Sybil Madison-Boyd and a reflection by Rich Pokorny. Maureen Kwiat Meshenberg tells about the final of the 3 operas in the Transcendence Triptych which is one created by students. Paul Geiger presents additional information about The Transcendence Triptych project. The theme for July is how to take a path of growth. To read about our theme-based ministry, please visit http://www.unitytemple.org/faith-development/soul-connections on our website.
On this episode of Going for Broadway, Eryn is joined with Ms. Teri Hansen. From Opera to Broadway, Teri Hansen has received International recognition for her crossover abilities as a singing actress. Miss Hansen began her career “Rose” in the film version of Kurt Weill’s Street Scene. She has sung leading roles with the Houston Grand Opera, Theatre in Pfalsbau, Glimmerglass Opera, Theatre des Westens, and many more.
Renegade Nation Meet Yogi and O'Mega new to Renegade Nation Yogi and O'Mega
Curator Marjorie Searl discusses Jacob Lawrence's painting Summer Street Scene in Harlem.
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