Podcasts about Errollyn Wallen

Front Row looks at how culture has changed in the first 25 years of this century, starting with Music. Samira is joined by Radio 4's Add to Playlist hosts Jeffrey Boakye and Anna Phoebe, music journalist Kitty Empire and former Spotify exec Will Page. They discuss how transformations in technology have impacted what we listen to and what music is being written, and what genres of music have come to the forefront in the last 25 years. Pete Waterman, one of the judges on the original Pop Idol, talks about the explosion of TV music competitions. And the Master of the Kings Music, composer Errollyn Wallen, explores how classical music has changed and evolved. Presenter: Samira Ahmed Producer: Corinna Jones

Belize-born British composer Errollyn Wallen, recently announced as Master of the King's Music, and composer and silent film music specialist Neil Brand, join Anna Phoebe and Jeffrey Boakye to round off the current series.From the first winner of the Eurovision Song contest to a Marvin Gaye masterpiece, via warring brothers, Add to Playlist wraps up before returning for a new series in November.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Refrain by Lys Assia The Honeysuckle and the Bee by Stanley Holloway Champagne Supernova by Oasis Sunny Afternoon by The Kinks Ain't No Mountain High Enough by Marvin Gaye & Tammi Terrell Other music in this episode:1st Movement of Concerto Grosso by Errollyn Wallen Trenulețul (Eurovision 2022) by Zdob și Zdub All in Your Head by New Jack & Lys Assia Flight of the Bumblebee by Nikolai Rimsky-Korsakov Disco Inferno by The Trammps

The Paris Paralympic Games begin tomorrow. Nuala is joined by Paralympian turned broadcaster Rachael Latham to talk us through the women we should be looking out for over the next 12 days.Composer and singer-songwriter Errollyn Wallen joins Nuala after being appointed the new Master of the King's Music. The position has existed since the 17th century and is awarded to musicians who have added to the musical life of the nation, but Wallen is only the second woman to hold the post. Her work is some of the most performed among living composers, and includes 22 operas. The play Shifters follows former children friends Des and Dre, they are first loves whose relationship twists and turns over a decade. Currently on at the Duke of York's Theatre, is the third play in the West End to be written by a black British woman. The writer Benedict Lombe joins Nuala, along with Heather Agyepong who plays Des.

Errollyn Wallen is one of the world's most performed living composers. Her work, which includes 22 operas, orchestral, chamber and vocal works, was played at the opening ceremony of the Paralympic Games in 2012 and at Queen Elizabeth II's Golden and Diamond Jubilees. She was the first black woman to have a piece featured in the BBC Proms and the first woman to receive an Ivor Novello award for Classical Music for her body of work.Errollyn was born in Belize in Central America and was brought up in North London. The passion for music came early to her - as a baby she sang in her cot - and later she enjoyed free music lessons at her local primary school. She fell in love with the piano at five and went on to have formal lessons four years later.She studied music and dance at Goldsmith's, University of London and took a Master's in composition at King's College London. After working as a session musician, Errollyn formed her own band Ensemble X whose motto is “we don't break down barriers in music…we don't see any”. In 1990 she composed a tribute to Nelson Mandela to mark his release from prison. In 2020 she was awarded a CBE for services to music in The Queen's New Year's Honours. Errollyn lives and works in a lighthouse at Strathy Point in the north of Scotland.DISC ONE: Beethoven, Symphony No. 7 in A Major, Op. 92, 4th Movement: Allegro Con Brio. Composed by Ludwig van Beethoven and performed by André Previn (piano) with the London Symphony Orchestra DISC TWO: Bewitched, Bothered and Bewildered - Ella Fitzgerald DISC THREE: L'Oiseau de Feu (The Firebird) (1910 Ballet Score) ('Fairy-tale Ballet In Two Tableaux For Orchestra') Introduction. Composed by Igor Stravinsky and performed by Bergen Philharmonic, conducted by Andrew Litton DISC FOUR: I Am Sitting In a Room - Alvin Lucier DISC FIVE: Bach, Concerto for 2 Violins in D Minor BWV 1043 (II movement) Composed by Johann Sebastian Bach and performed by Isaac Stern and Itzhak Perlman (violin) with the New York Philharmonic, conducted by Zubin Mehta DISC SIX: Signed, Sealed, Delivered (I'm Yours) - Stevie Wonder DISC SEVEN: What's Up Doc? - Errollyn Wallen DISC EIGHT: Peter Grimes, Op. 33, Act III, Scene 7: Mister Swallow! Mister Swallow! (Mrs Sedley) Composed by Benjamin Britten and performed by Bergen Philharmonic Orchestra, Catherine Wyn-Rogers and Susan Bickley (Mezzo-soprano), Neal Davies (bass-baritone), Barnaby Rea (bass) and conducted by Edward Gardner BOOK CHOICE: A collection of Bach sheet music LUXURY ITEM: Wigmore Hall CASTAWAY'S FAVOURITE: Bach, Concerto for 2 Violins in D Minor BWV 1043 (II movement) Composed by Johann Sebastian Bach and performed by Isaac Stern and Itzhak Perlman (violin) with the New York Philharmonic, conducted by Zubin Mehta Presenter Lauren Laverne Producer Paula McGinley

Concert pianist Rebeca Omordia, has just released her second African Pianism album, volume 2, which was just named Editor's Choice in the Gramophone Magazine,  and it is a fascinating and beautiful kaleidoscope of piano works from West Africa, North Africa, South Africa and East Africa. Rebeca spoke to me about her extensive research about these composers, varied styles, and the different traditional music traditions which are often at the heart of this music.  We talked about  her experiences growing up in Romania with a Romanian mother and a Nigerian father. Now based in London, Rebeca spoke to me about The African Concert Series at Wigmore Hall, and  many of her collaborations,  including with Errollyn Wallen whose  Piano Concerto,  written for Rebeca Omordia, is featured in this podcast along with excerpts from several of the works on the African Pianism album, volume 2.     Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the platforms, and I've also linked the transcript to my website https://www.leahroseman.com/episodes/rebeca-omordia-african-pianism Rebeca Omordia website and recordings: https://www.rebecaomordia.com/recordings Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ Timestamps (00:00) Intro (02:50) African Pianism, Akin Euba (05:41) Wakar Duru: Study in African Pianism number 1 by Akin Euba (10:30) childhood in Romania, deportation and return (20:50) Florence Price (22:40) excerpt from Fantaisie Nègre by Price (24:46)  encouraging women composers in Africa, Rebeca's identity in Africa (27:11) Salim Dada Algerian composer (31:14) excerpt from Soirée au Hogarr by Salim Dada (33:05) about Salim Dad's Crépuscule sur la baie d'Alger, with an excerpt (35:36) African Concert Series  (38:13) different ways you can help this podcast continue (39:06) Delius Prize, duo with Julian Lloyd Weber, book about John Ireland (42:50) duo with South African bass soloist Leon Bosch (46:36) about Errollyn Wallen's Piano Concerto (50:12) last movement of Errollyn Wallen's Piano Concerto (52:55) family legacy in music, Nigerian grandfather (57:03) experience of nerves, performing from memory (01:01:12) Ethiopian composer Girma Yifrashewa (01:03:43) excerpt from Elilta - Cry of Joy by Girma Yifrashewa (01:05:21) next projects, Omo Bello (01:07:51) childhood music exposure in Romania (01:09:41) advice about self-care photo of Rebeca Omordia: Fourchiefs Media

The American tenor Nicholas Phan has just released an album of protest songs, many from the 1960s by legendary singer-songwriters like Bob Dylan, Joni Mitchell, Pete Seeger and Malvina Reynolds. It also contains a new work by Errollyn Wallen. ‘A Change in Gonna Come', featuring Palaver Strings, and a couple of guest appearances by Farayi Malek, is just out from Azica. James Jolly talked recently to Nicholas Phan about the album, and also about another song project that he's currently in the studio working on …

MTA 2024 CONFERENCE SPECIALIn Episode 100, Patrick reports from the 2024 MTA Conference, held in Queen Anne's School, Caversham.Composer Errollyn Wallen OBE discusses her approach to composition, in a Fireside chat with Patrick, recorded live at the conference (33:53), and former MTA President Simon Toyne reflects on what has changed in Music Education since his first interview in Episode 1, in 2020 (11:38). Plus, from the Trade Fair, Patrick meets Music Leaders UK (01:06), The London College of Music Examinations (21:37), and The Ear Academy (25:35), and speaks to teachers Sully Ososanya (06:50) and Joanna King (31:23) about their first MTA conference.Presented and produced by Patrick Johns.https://www.musicleadersuk.comhttps://lcme.uwl.ac.ukhttps://www.ear-academy.comhttps://www.errollynwallen.com#CanDoMusic #GetPlaying #SaveOurSubjects© Music Teachers' Association www.musicteachers.org

Composer Errollyn Wallen speaks to Hattie Butterworth about her new book, out now on Faber, mapping her trajectory as an artist, extensive recordings and philosophy on life. Errollyn Wallen: Becoming a Composer Check out Deutsche Grammophon STAGE+ Music clips used: Cello Concerto from 'Photography' on NMC horseplay: lively from 'The Girl in My Alphabet' on Avie Records daedalus from 'Errollyn' on Avie Records Dervish for Cello and Piano from 'The Girl in My Alphabet' on Avie Records Peace on Earth from 'Peace on Earth EP' on the Kings College Cambridge label   

The award-winning composer Errollyn Wallen offers an insight into what it's like to write a piece of music. In her memoir, Becoming a Composer, she also looks back on how a girl born in Belize and brought up in Tottenham found herself at home in the world of classical music. Handel was gradually losing his sight in 1751 as he finished what was his last dramatic oratorio Jephtha. The harpsichordist Laurence Cummings conducts a new performance of this biblical tale of faith and sacrifice, at the Royal Opera House (8–24 November; on BBC Radio 3 on 27 January). He explains how Handel's work has been reinterpreted for today's audience. Jazz musicians are celebrated for their re-interpretation of classics and improvisation. As the London Jazz festival is in full swing (10-19 November, and on BBC Radio 3), the celebrated jazz singer Emma Smith talks about what happens when the notes on the page are transformed into a performance. Producer: Katy Hickman

Presenter Sara Mohr-Pietsch explores the musical legacy of the Windrush generation, as part of the BBC's coverage of the 75th anniversary of HMT Empire Windrush's arrival at Tilbury Docks on 22nd June 1948. The composer Shirley J. Thompson joins Sara to discuss a new piano version of her one-singer opera with film, Women of the Windrush, and we hear specially recorded excerpts from the work by soprano Nadine Benjamin and pianist Caroline Jaya-Ratnam. The composers Errollyn Wallen and Des Oliver talk, too, about their own family connections and musical influences, and we hear the story of Belizean folk singer Nadia Cattouse as told by her son, Level 42 keyboardist Mike Lindup. The French-Canadian conductor Nicole Paiement, Founder and Artistic Director of Opera Parallèle in San Francisco, speaks to Sara from her home over-looking the bay while preparing to give the UK premiere of Joby Talbot and Gene Scheer's opera Everest - a work which tells the harrowing story of climbers caught in a blizzard in 1996 - in what will be a semi-staged version with the BBC Symphony Orchestra. Plus the conductor, composer and arranger Nigel Brooks discusses his life in music, from his first job during a Proms performance of music by Vaughan Williams with the BBC Singers in 1950, to his own group the Nigel Brooks Singers, and what drives him to continue writing music - including an orchestral piece inspired by that first Proms appearance - at the age of 96.

Errollyn Wallen is one of Britain's most acclaimed and widely performed contemporary composers. Born in Belize and brought up in north London, she was first ever woman to win a Ivor Novello Award for a body of work, and the first ever black woman to have a composition played at the BBC Proms. Errollyn has written 22 operas, as well as orchestral, chamber and choral works which are performed around the world. She was commissioned to write pieces to commemorate the Queen's Golden and Diamond jubilees, and for the opening of the 2012 London Paralympic Games. She lives and works in a lighthouse in the far north of Scotland. Errollyn tells John Wilson how, after to moving to London from Belize with her parents at a young age, she was brought up by an aunt and uncle in Tottenham. An early love of ballet led her to discover the music of Chopin, and she started to learn the piano at home. She describes the huge influence of Bach on her compositions, but also how her work is influenced by a wide range of music, from avant garde composers to jazz and funk. Producer: Edwina Pitman

Phil Selway, Hannah Peel, Valentina Magaletti, and Errollyn Wallen discuss how to progress from a blank page to a room full of musicians, navigating barriers to development, and balancing the various demands of being a musician. Phil Selway grew up in Oxfordshire and met his Radiohead bandmates at school. They formed the band in 1985 and released their debut album Pablo Honey in 1993. They've released nine studio albums to date. Phil's debut solo album, Familial, came out in 2010, and he recently released his third solo album Strange Dance. Hannah Peel is a Mercury Prize and Emmy-nominated composer, musician, artist and broadcaster. Her music is primarily electronic and often includes classical scoring and sound design, with references to the links between science, nature and music. As well as solo releases, she has also composed soundtracks and collaborated with artists such as Paul Weller, John Foxx and Phil Selway. Valentina Magaletti is a drummer, composer and multi-instrumentalist, with an inventive approach to drums and percussion. She moves effortlessly between the seemingly disparate worlds of alternative and mainstream music. She's played with artists such as Jandek, Mica Levi, Sampha, Kamasi Washington, and Nicolas Jaar. Errollyn Wallen is a multi award-winning Belize-born British composer and performer. Her output includes 22 operas and a large catalogue of orchestral, chamber, and vocal works. She composed for the opening ceremony of the 2012 Paralympic Games and for the climate change conference COP26. In 2020, she was awarded a CBE for services to music.

James Newby's new album, 'Fallen to Dust', for BIS explores English song, and particularly English on the theme of death. Joined by the pianist Joseph Middleton, he offers cycles by Sir Arthur Somerville and Gerald Finzi, as well as songs spanning a century, including contemporary settings by Jonathan Dove and Errollyn Wallen. A former BBC New Generation Artist, a recipient of a 2022 Borletti-Buitoni Trust Award, a Rising Star for the Orchestra of the Age of Enlightenment and an ECHO Rising Star, Newby's career has taken off impressively. James Jolly met up with him earlier this week to talk about the new album. Gramophone Podcasts are given in association with Wigmore Hall. 

Composer Errollyn Wallen has had teachers tell her that classical music is ‘not her sort of music' and has had to deal with being underestimated her whole life. Now she is one of the United Kingdom's leading composers. Find out more in the latest episode of the 'Rhapsody in Black' podcast.

How could we possibly top the perfection that is a masterpiece like Purcell's Dido & Aeneas?In this seventh episode, composer Errollyn Wallen presents her opera Dido's Ghost, a sequel to Henry Purcell's (1659-1695) semi-opera Dido and Æneas. At a time when the Baroque and the performing arts were flourishing in England, Purcell's work offered his contemporaries a delightful spectacle that continues to inspire artists and musicians today. Prepare to be immersed in the world of this incredible baroque opera and the tumultuous story of these two lovers, taken straight from Virgil's Aeneid.To go further >CREDITSguest Errollyn Wallen, composerinterview & editing Andrew Burnproduction REMAcredits music Platée, Act 1, Orage - Jean-Philippe Rameauperformed by Les Talens Lyriques, dir. Christophe RoussetCamera Lucida 2014All rights reserved - Courtesy of Les Talens Lyriquesdesign Doretta Rinaldioriginal drawings Vincent Flückigercover score Folio, When on my sick bed I languish Z.144, 1678 (British Library, Add MS 30930)musicWayward sisters, you that fright…, The Witches' Dance, Thy hand, Belinda, darkness shades me With drooping wings ye Cupids come - Henry PurcellPerformed by Le Concert Spirituel, Hervé NiquetDido and Aeneas, Glossa 2001Dido's Ghost - Errollyn Wallenperformed by Dunedin ConsortLive recording Courtesy of the Barbican, 2021

Errollyn Wallen, the Belize born British composer, tells Antonia Quirke about the inspiration behind Lady Super Spy Adventurer, which is receiving its world premiere at the proms this year. And she invites her to the place where the piece was composed, a remote lighthouse on the Scottish coast. Errollyn made history when she became the first Black woman to have a work performed at the Proms. She tells Antonia about breaking down barriers, and how living in a lighthouse has influenced her music, and who exactly is Lady Super Spy Adventurer.

Composer Errollyn Wallen has had teachers tell her that classical music is ‘not her sort of music' and has had to deal with being underestimated her whole life. Now she is one of the United Kingdom's leading composers. Find out more in the latest episode of the 'Rhapsody in Black' podcast.

Errollyn Wallen on how classical music fused with local tradition across the Commonwealth

Errollyn Wallen on how classical music fused with local tradition across the Commonwealth

This week, University of Arkansas music professor Lia Uribe highlights the music of composers Orlando “Maraca” Valle and Errollyn Wallen, and performers Rafael Mendez Rubel and Artina McCain, all bringing new additions to the classical music repertoire.

It's not often that we have the opportunity to welcome a living composer into our midst, but that's indeed the case as Emmy-nominated composer Kareem Roustom joins us to talk about his clarinet concerto Adrift on the Wine-dark Sea. Inspired by Homer's classic epic The Odyssey and Melissa Fleming's A Hope More Powerful Than The Sea (a harrowing story from the Syrian Refugee Crisis), Kareem's concerto is a meditation on the nature of survival and hope in the face of despair. Local concert-goers have a chance to hear it live from the Toledo Symphony and "intensely soulful" (NY Times) clarinetist Kinan Azmeh, in a program which also features Nikolai Rimsky-Korsakov's Scheherazade and another modern work, Errollyn Wallen's Mighty River - which is based in part on the hymn tune New Britain (familiar as the melody of Amazing Grace).

The Unthank sisters, writers Lucy Holland and Oyinkan Braithwaite and historian and feminist activist Sally Alexander join Shahidha Bari for a conversation about what it means to be a sister on International Women's Day 2022. You could make a family from recent novels depicting sisterhood from Oyinkan Braithwaite's My Sister the Serial Killer, to Daisy Johnson's Sisters and Brit Bennett's The Vanishing Half but literary sisterhood goes back via Jane Austen and the Brontës to Chekhov, King Lear's daughters, Cinderella and Greek myths about the seven sisters who formed the Pleiades, or Antigone and Ismene. And if you're looking at feminist history the idea of the sisterhood has been a cornerstone of political action. Is it right that sisters will have a particular bond and sound if they perform music together? All of this and more in tonight's Free Thinking conversation. The Unthank sisters will be on tour with their latest album Sorrows Away visiting a range of venues from Norwich, Poole, Northampton, Middlesborough, Belfast, Edinburgh, Dublin and a range of places in between starting on March 13th in Lincoln Lucy Holland has written Sistersong set in Anglo-Saxon Britannia. She also presents Breaking the Glass Slipper, a podcast celebrating women in genre. You can hear a reading of Oyinkan's novel My Sister the Serial Killer by Weruche Opia on BBC Sounds https://www.bbc.co.uk/sounds/series/p08q6q19 Sally Alexander, Professor Emerita at Goldsmiths, is founding editor of the History Workshop Journal and is working on a history of psycho-analysis. Producer: Kevin Core You might also be interested in the most recent episode of Radio 3's Words and Music on Sisters, with its curated playlist of readings and music of all kinds ranging from Wordsworth, Jane Austen, Brit Bennet and Arifa Akbar to Fanny Mendelssohn, Errollyn Wallen, Hildegard of Bingen and the Labeque Sisters performing Ravel. And tomorrow's programme explores new research into women's history. And there's a playlist on the Free Thinking programme website called Women in the World https://www.bbc.co.uk/programmes/p084ttwp

Laidoje pristatomos keturios įvairių stilių autorės: iš Jamaikos kilusi Eleanor Alberga (g. 1949), iš Belizo atvažiavusi Errollyn Wallen (g. 1958), anglė Tansy Davies (g. 1973) ir armėnų kilmės Cevanne Horrocks-Hopayian (g. 1986).Laidos autoriai Mindaugas Urbaitis ir Šarūnas Nakas

Donald Macleod chats to composer Errollyn Wallen about her life and work Belize-born British composer Errollyn Wallen has been called a “renaissance woman of contemporary music”. She's a remarkably versatile and prolific composer, pianist and songwriter and one of our most in-demand musical voices today. She was the first black woman to have a piece performed at the Proms in 1998 and her music opened the 2012 Paralympic games. She's even been performed in space, aboard NASA's STS115 mission. Wallen writes in a kaleidoscopic range of styles; her music constantly crosses and re-crosses musical boundaries and it brims over with a sense of adventure and delight. This week, Donald Macleod gets to know Errollyn as she dials into his studio from her Scottish lighthouse where she retreats to concentrate on her work. Music Featured: I Wouldn't Normally Say It's a Quarter to Nine Percussion Concerto (2nd movement – excerpt) Louis' Loops Photography NNENNA My Granny Sarah Woogie Boogie Dervish Concerto Grosso Horseplay (1st and 2nd movements) In Our Lifetime TIGER Lines It all depends on you (excerpt) The Girl in My Alphabet Three Ships (IV – Some Trouble) Red (Homage to Rodrigo) Greenwich Variations What's Up Doc? Daedalus Five Postcards About Here Tree Of Crumpling Rocks Are you worried about the rising cost of funerals? (i. beehive; iv. guru) Peace on Earth Jerusalem, our clouded hills gun gun gun Mighty River Cello Concerto (excerpt) See That I am God Presented by Donald Macleod Produced by Amelia Parker for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Errollyn Wallen https://www.bbc.co.uk/programmes/m00131m7 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

In This Episode, we speak with Award-Winning composer Errollyn Wallen about being an explorer when creating, Errollyn recently bought a lighthouse to write from so we discuss how space and environments can really affect the creative process,  we discuss her brave reworking on "Jerusalem" for the BBC's last night of the proms,  as well as what it's like collaborating with an astronaut and having your work played in space.  

It's not often that we have the opportunity to welcome a living composer into our midst, but that's indeed the case as Emmy-nominated composer Kareem Roustom joins us to talk about his clarinet concerto Adrift on the Wine-dark Sea. Inspired by Homer's classic epic The Odyssey and Melissa Fleming's A Hope More Powerful Than The Sea (a harrowing story from the Syrian Refugee Crisis), Kareem's concerto is a meditation on the nature of survival and hope in the face of despair. Local concert-goers have a chance to hear it live from the Toledo Symphony and "intensely soulful" (NY Times) clarinetist Kinan Azmeh, in a program which also features Nikolai Rimsky-Korsakov's Scheherazade and another modern work, Errollyn Wallen's Mighty River - which is based in part on the hymn tune New Britain (familiar as the melody of Amazing Grace).

Errollyn Wallen challenges the legacy of John Powell – a once-celebrated composer

Clive Anderson and Athena Kugblenu are joined by Emma Kennedy, Kate Humble, Errollyn Wallen and Katy Wix for an eclectic mix of conversation, music and comedy. With music from Billie Marten and Evans McRae.

Anita Rani talks to the Chilean author Isabel Allende, also to the Norwegian Prime Minister Erna Solberg. To mark International Women's Day we have music with Madeleine Mitchell & Errollyn Wallen and we look at the future of workwear post lockdown. Will power suits and formal wear be a thing of the past after a year of lounging in comfies? Emma Jacobs from the Financial Times considers our appetite for zoom casual clothing and what we can expect when we all return to the office in the coming months. Presenter: Anita Rani Producer: Lisa Jenkinson Studio Engineer: John Boland

The year 2020 was challenging for the entire world. We were not only facing the largest pandemic in a century, but here in America we were also continuing the fight toward true equality. And this is certainly true in the musical world as it is in so many fields. For too long, many incredibly gifted composers have not had their powerful voices heard and represented enough in the vast canon of orchestral literature. In this week’s episode Mike, Stephanie, and Jason share with you our list of 10 composers of color whose music you should know. We hope that you will find their work as compelling, beautiful, and rich as we do. This week on Beethoven Walks into a Bar. https://www.youtube.com/playlist?list=PLT2CuvHMNPENKozokIzxLIPBWmVRdfMZv (Celebrating Composers of Color – YouTube Playlist) https://open.spotify.com/playlist/3Cn9pTm5upic8JxtxO5WjO?si=Z-UGGwM2R1S3FhNQlz6tyg (Celebrating Composers of Color – Spotify Playlist) ·      https://michaelabels.com/ (Michael Abels) ·      http://www.terenceblanchard.com/ (Terence Blanchard) ·      https://www.vcolemanmusic.com/ (Valerie Coleman) ·      https://www.glfcam.com/people/gabriela (Gabriela Lena Frank) ·      https://hannahkendall.co.uk/ (Hannah Kendall) ·      http://www.rayfieldallied.com/artists/daniel-kidane (Daniel Kidane) ·      https://www.jessiemontgomery.com/ (Jessie Montgomery) ·      https://www.npr.org/artists/686766837/florence-price (Florence Price) ·      http://www.errollynwallen.com/music?page=music&id=collaborators (Errollyn Wallen) ·      https://www.shelleywashington.com/ (Shelley Washington)

Composers Errollyn Wallen, Richard Ayres and Hannah Catherine Jones join Susanna Eastburn MBE and Des Oliver to share their music and thoughts exploring the gift of making music with and for other people.   We listen to music written for billions of listeners and music written for a community orchestra, the gift it is to write music and the gift it is to rehearse it. Join our CEO Susanna Eastburn MBE and composer Des Oliver for a unique insight into composing.  This podcast was produced by Michael Umney (Resonance FM) and mixed by Chris Bartholomew, with our theme tune composed by Rob Bentall. Our recommendation at the end is for Hannah Catherine Jones' PhD research which is published by NTS Radio - tune in to Part 1 and Part 2 for an exploration of decolonisation through sound.  In this episode, you listen to the following music and sounds:  Richard Ayres  - No.42 (In The Alps), performed and released Nederlands Blazers Ensemble in 2010 and released on their own label - No. 50 (The Garden), performed by ASKO | Schönberg with Joshua Bloom (bass) and Martha Colburn (video artist); broadcast on NTR / NPO 4 (2018)  Errollyn Wallen  - Spirit in Motion (2012), commissioned for the opening ceremony of the London 2012 Paralympic Games, performed by Denise Leigh and the LSO  - Cello Concerto (2008), performed by Matthew Sharp and Ensemble X, from the album Photography by NMC records  Rose Dagul - Part 2: The All Around from Ode To The Old Kent Hellraisers (2014), composed by Rose Dagul and performed by Peckham Chamber Orchestra Hannah Catherine Jones  - Owed to Diaspora(s) (2019), displayed as an audio-visual installation at Sydney Biennale 2020 and available on The Wire Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast. 

Jess Gillam talks to singer, cellist and composer Ayanna Witter-Johnson about the music they love including Errollyn Wallen, Jill Scott, Barber, and Berio. Playlist: Errollyn Wallen - Concerto Grosso: 1st mvt (Tai Murray, Isata Kanneh-Mason, Chi-Chi Nwanoku, Chineke!, Anthony Parnther) Caroline Shaw - And the Swallow (The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood) The Abyssinians - Declaration of Rights Samuel Barber - Adagio for strings (New York Philharmonic, Leonard Bernstein) Lucio Berio - Sinfonia: iii. In ruhig fliessender Bewegung (London Voices, Gothenburg Symphony Orchestra, Peter Eotvos) Dmitri Shostakovich - Symphony No. 10: 2nd mvt (Liverpool Philharmonic, Vasily Petrenko) Jill Scott - Slowly, Surely

Editorial assistant Freya Parr meets virtually with composer Errollyn Wallen. They discuss how lockdown effects a composer and what music Errollyn counld not live without.Website: classical-music.com/podcasts See acast.com/privacy for privacy and opt-out information.

Introducing a brand new season of BBC Music Magazine’s Music to my Ears podcast. Over the coming weeks, we’ll be joined by a raft of famous faces from the classical music world and beyond, including comedian Deborah Frances-White, former Guardian editor-in-chief Alan Rusbridger, composer Errollyn Wallen, poet Wendy Cope and conductor Vasily Petrenko. Join us for a new episode every Wednesday and subscribe now to stay updated. See acast.com/privacy for privacy and opt-out information.

1. Mason Bates - The (R)evolution of Steve Jobs: Scene 7, That Can Also Be a Ticking Clockhttps://spoti.fi/3nEI1OG2. Pamela Z - Badagadahttps://youtu.be/9_d6UFZZ8ck?t=2433. Errollyn Wallen - Gun Gun Gunhttps://spoti.fi/3kHe4Mb4. Judah Adashi - Risehttps://youtu.be/s2NCPiX3A1MYou can listen to these before or after the episode, or you can pause our podcast and go listen to each piece as we introduce them. Panelists:Bass Robert Ellsworth Feng is acclaimed for having a “commanding darkness and thickness to his tone,” and is a born collaborator who performs with artists of all mediums. Robert is the recipient of the George Woodhead Prize in Voice and the Peabody Career Development Award and placed second in the NY Classical Music Society International Voice Competition. Performance highlights include Don Giovanni (Il Commendatore) with Kor Productions, The Mikado (Ko-Ko) with Hawaii Opera Theatre, Tobias Picker’s Emmeline (Pastor Avery) with Manhattan School of Music, and more. Robert has premiered new works including Tony Small’s Qadar and Nick Peros’ Lamentation of Ruin. During quarantine, Robert performed in Social Distance Opera's production of Street Scene as Henry Davis, with Seagle Music Colony, and was a featured artist for Tony Small's Virtual Masterclass series for the Boys & Girls Club of Greater Washington. Robert received his Bachelors at Peabody, his Masters at Manhattan School of Music, and is an alumni of Seagle Music Colony. Robert is also a proud member of the Hawaii Opera Theatre Mae Z. Orvis Opera Studio.Taylor-Alexis DuPont is a young and engaging Mezzo-Soprano from Orlando, Florida. Since graduating with her Masters in Voice from the Peabody Conservatory while studying with Denyce Graves, Taylor-Alexis has performed with the Metropolitan Opera, the Ising International Young Artist Festival in Beijing and Suzhou, China, the Glimmerglass Festival, Prototype Festival, Sarasota Opera, St. Petersburg Opera, Opera Orlando, First Coast Opera, Christman Opera and City Lyric Opera. Performance highlights include Cendrillion (Prince Charmant), Così fan tutte (Dorabella), Ruslan and Ludmilla (Prince Ratmir), The Snow Maiden (Lel) and Pinocchio (Pinocchio). Earlier this year Taylor-Alexis performed as an ensemble member and soloist cover in the Metropolitan Opera’s wildly successful production of Porgy and Bess and made her debut with Heartbeat Opera in a new work titled Lady M. Taylor-Alexis is currently working with the Florentine Opera as a Baumgartner studio artist for the 2020-2021 season.Praised for her “vocal control and exquisite refinement,” soprano Teresa Ferrara is dedicated to music’s power to transcend social divides and inspire people of all ages and backgrounds. She has performed as a solo vocalist at the Kennedy Center and her chorus work has allowed her to perform often with the National Symphony Orchestra. She has earned many awards for her singing, including the George Woodhead Prize in Voice from the Peabody Conservatory, the Award for Excellence in the Arts from the National Society of Arts and Letters, and The Washington Post Music and Dance Scholarship Award. Ms. Ferrara has performed repeatedly with Maryland Lyric Opera, Baltimore Musicales, and the IN Series. Notable opera credits include Mozart’s Le Nozze di Figaro (Countess Almaviva) and Così fan tutte (Despina), as well as Donizetti’s L’Elisir d’Amore (Giannetta), Massenet's Chérubin (L'Ensoleillad), and Viva V.E.R.D.I. - The Promised End, (Soprano). A graduate of the Master of Music program at Peabody, she plans to continue to pursue musical endeavors that stretch the norms of classical music and seek to educate and serve the community.

1. Jonathan Bailey Holland - Halcyon Sunhttps://open.spotify.com/track/0gNqRo5CX9g9lehiRN7HbX2. Julius Eastman - Prelude to The Holy Presence of Joan D’Archttps://youtu.be/uD2X0CwLxXI3. Jasmine Barnes - Sometimes I Cryhttps://www.jasminebarnescomposer.com/recordingsYou can listen to these before or after the episode, or you can pause our podcast and go listen to each piece as we introduce them. Panelists:A native of Columbus, OH, Tirzah Washington started singing at a very early age. Tirzah received her Bachelor’s of Music in Vocal Performance and Pedagogy from Oakwood University in 2014. While in college, she enjoyed singing with the Aeolians, the premier traveling choir of Oakwood University. Tirzah was able to sing in many different countries with the choir including Wales, England, and Russia. Tirzah was able to continue training to be an opera singer and voice teacher at Peabody Institute, the School of Music for Johns Hopkins University. Tirzah received her Master of Music in Vocal Performance and Pedagogy from Peabody Institute in 2016. Tirzah loves to perform and has had the opportunity to sing on several stages in the Columbus area. One of her most recent achievements was receiving the Theatre Roundtable Award for Excellence in a Lead Role in a Musical for her performance as Celie in The Color Purple. She has been able to perform in many musicals including The Color Purple (Celie), Dreamgirls (Effie Understudy), Hair (Dionne), The Rocky Horror Show (Magenta), and Saturday Night Fever (Candy). Tirzah believes that music in any form has the power to change the world. She is excited to share her talents in any setting.Baritone Rahzé Cheatham is a performer with a strong foundation in music, theatre art, and dance applications. This 2020-21 season, they appeared on the digital stage in the world premiere of Mallory, a chamber opera by Baltimore-based composer Nathaniel Wolfgang Parks, adapted for the brand new PoCo Podcast of the Podcast Opera Company. Later, Rahzé returns in the premiere another chamber opera, Our Final Thoughts on Arthur S. Hellerman, by James Warner Duquette. Previously, Rahzé joined Marin Alsop’s production of Leonard Bernstein’s ​MASS​ as a blues soloist and a member of the Street Singer ensemble. Further, they were featured as Hannah before in Laura Kaminsky’s chamber opera, ​As One​, opening at the newly redesigned Motorhouse in Baltimore, MD and closing on the John F. Kennedy Center Millennium Stage in Washington, DC. Rahzé currently holds a Bachelor of Music in Vocal Performance and a Music Theory from the Peabody Conservatory of the Johns Hopkins University.Soprano, Carly M. Henderson holds a Bachelors of Music from Peabody Conservatory, under the direction of William Sharp. At Peabody, Carly premiered the role of Louisa in Now We Are Met by Andrew Posner; covered the role of Rose Maurrant in Kurt Weill’s Street Scene; performed as a Sprite in Massenet’s Cendrillion; in the chorus of Mozart’s Die Entführung aus dem Serail; and in the chorus of Poulenc’s Dialogues of the Carmelites. In the 2017-2018 season, she performed as Actor 2/Girl 3 in Courtney Kalbacker’s production of Errollyn Wallen’s Anon, including on the Millennium Stage at the Kennedy Center.More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.

British composer Errollyn Wallen has been putting the finishing touches to her new arrangement of the Hubert Parry hymn Jerusalem, to be performed as part of a very different Last Night of the Proms. After a public row about whether to drop the traditional favourites that make up the concert's programme, the Proms announced new versions for a smaller, socially-distanced orchestra with no choir. Errollyn joins Samira to discuss the work of arranging well-loved music, her relationship with Jerusalem, and the Proms. As Eastenders returns to our screens, after an unprecedented 3 month hiatus, we speak to the show’s Executive Producer Jon Sen to find out how they’ve been filming with social distancing and how coronavirus has affected the storylines we’ll be seeing on screen. Ryan Gilbey reviews new Netflix psychological horror film I’m Thinking of Ending Things, based on Iain Reid’s book and adapted into a screenplay by director Charlie Kaufman. As Katy Perry makes headlines for her new album Smile and the birth of her first child, Scarlett Russell, Entertainment Editor of The Sunday Times Style, pays tribute to the pop sensation. Producer: Simon Richardson Studio manager: Nigel Dix Main image above: Errollyn Wallen Image credit: Azzurra Primavera

For the final episode of the season a host of musical big wigs – from Stephen Hough to Steven Isserlis, Errollyn Wallen to Tom Service – phone in to give the boys recommendations for summer reading. Sam also waxes lyrical on the panharmonium, a precursor to the modern synthesiser for which Beethoven wrote his Wellingtons Sieg, whilst Tim speaks to New York-based author Annik LaFarge about her upcoming book, Chasing Chopin: A Musical Journey Across Three Centuries, Four Countries, and a Half-Dozen Revolutions.Pre-order Chasing Chopin from Hive: www.hive.co.uk/Product/Annik-LaFarge/Chasing-Chopin--A-Musical-Journey-Across-Three-Centuries-/24876098Chasing Chopin's companion site has links to the music she covers as well as a bunch of other resources: www.whychopin.comMusic Credits: ‘Tim and Sam's Podcast' written and performed by Harry Sever Beethoven's 'Wellingtons Sieg' performed by the Stuttgart Symphony under Hermann ScherchenFollow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Roger Wright, CEO of Britten Pears Arts and former Director of the BBC Proms, talks to Alex about classical music by living composers. Roger and Alex discuss music by Charlotte Bray, Benedict Mason and Errollyn Wallen.

Hilary Mantel's novel The Mirror and The Light is published tomorrow. In the Front Row readers' panel, three of our listeners - Deborah Stuart, Sasha Simic, and Laura Helen Back - gather to discuss the first two novels in the Cromwell trilogy, Wolf Hall and Bring Up The Bodies, and to express their hopes and fears for the final instalment. Shay D, a UK hip hop artist, is curating a national tour of women-only artists, to redress the balance of the male-dominated world. She joins Stig along with journalist J’na Jefferson from New York to talk about how women are cutting through the hip hop and rap world. How does isolation or solitude breed creativity? As the likelihood of self-isolation increases with the coronavirus situation, what can we learn from artists about the creative properties of solitude, loneliness and even boredom? We discuss with composer and musician Errollyn Wallen, who composes from a remote lighthouse in Scotland, and poet and author Andrew Greig, who divides his time living in Edinburgh and the Orkney Islands. Presenter Stig Abell Producer Jerome Weatherald

A special series of podcasts commissioned by the lovely people at Spitalfields Music celebrating the 2020 Festival. Edited highlights from the @SpitsMusic Festival Launch 2020 including CEO Sarah Gee, and composers Errollyn Wallen and Edmund Finnis. Plus, exclusive live performances from the Dunedin Consort. 

Chris Gunness speaks to one of the country's most exciting composers, Errollyn Wallen, who has worked with women affected by conflict and with people with disabilities. 

The Guilty Feminist Presented by Deborah Frances-White and Jayde Adams Episode 170: Women in Music with special guests Jamie Barton and Errollyn Wallen Recorded 14 September 2019 at the BBC Proms. Released 7 October 2019 The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book https://www.intelligencesquared.com/events/the-power-of-womens-voices-with-yvette-cooper-and-daisy-goodwin More about Jayde Adams https://twitter.com/jaydeadams https://ilovejaydeadams.com/the-ballad-of-kylie-jenners-old-face More about Jamie Barton https://twitter.com/jbartonmezzo http://www.jamiebartonmezzo.com https://wigmore-hall.org.uk/whats-on/select-seats/jamie-barton-kathleen-kelly-201911301930 https://www.youtube.com/watch?v=sDtyJyidhlc https://www.bbc.co.uk/sounds/play/m0008h24 More about Errollyn Wallen https://twitter.com/ErrollynWallen http://www.errollynwallen.com https://www.bbc.co.uk/programmes/m0007k0n https://www.youtube.com/watch?v=Gk4ZOM8EX4I For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Guilty Feminist jewellery is now available https://www.road-from-damascus.co.uk The Negotiations special episode of the podcast is now available to purchase. http://guiltyfeminist.com/product/include-yourself-podcast/ Come to a live recording! Monday 21 October, Kings Place in London. Tickets on sale now. Tuesday 5 November, Manchester podcast festival. Tickets on sale now. Wednesday 6 November, Dublin podcast festival. Tickets on sale now. Tuesday 3 December, Secret Policeman’s Ball in Manchester. Tickets on sale now. Monday 9 December, Kings Place in London. Tickets on sale now. Saturday 4 January, Gramercy Theater New York. Tickets on sale now. Leave us a review and rate us on Apple Podcasts!

In this episode, I’m speaking with London-based guitarist and composer Laura Snowden.Hailed a ‘string sensation’ by BBC Music Magazine, British-French guitarist and composer Laura Snowden is acclaimed for her ‘poise and intensity’ (Guardian) and playing of ‘extraordinary depth’ (Strings, Classical Music Magazine). The first guitarist to graduate from the Yehudi Menuhin School, made possible by the Rolling Stones, she was invited by guitarist Julian Bream to premiere his latest commissions at Wigmore Hall in 2015 and 2017. Laura’s international appearances have since built rapidly, with festival debuts across Europe, China and the US, as well as concerto debuts with Norrköping Symphony Orchestra and Münchener Kammerorchester, and a recording of Lisa Streich’s guitar concerto Augenlider with the Deutsches Symphonie Orchester.Described by Classical Guitar Magazine as ‘linking guitar’s past, present and future’, Laura’s eclectic musical output has ranged from producing arrangements for Noah and the Whale frontman Charlie Fink to giving dozens of world premieres by composers including Julian Anderson, Errollyn Wallen and Olli Mustonen. She has also collaborated closely with her folk band Tir Eolas, appearing with them at Shakespeare’s Globe at the invitation of guitarist John Williams. As a composer, Laura’s music has been performed at Royal Albert Hall, Wigmore Hall and Sadlers Wells, commissioned by the Park Lane Group, Birmingham Symphony Hall and International Guitar Foundation, and broadcast on BBC Radio 3, BBC Radio Scotland and Hong Kong Radio 4.Laura currently teaches at the Yehudi Menuhin School and has given classes alongside performances at venues including the Royal College of Music, the Royal Welsh College of Music and Drama, Birmingham Conservatoire, Brussels Conservatoire, Uppsala International Guitar Festival, Altamira Hong Kong International Guitar Symposium, the Volterra Project in Italy and the Guitar and Lute Festival in Sweden.Laura’s principal teachers were Julian Bream, Richard Wright (Royal College of Music and Yehudi Menuhin School) and Gary Ryan (Royal College of Music).Laura and I cover a lot of topics. We talk about her history, working with Bream, composing, teaching, we get into the topic of expression and interpreting music, how she handles challenging things like self-doubt and those pesky existential questions like “what am I doing?”, and so much more. We had a great time over these two different interviews and I hope you enjoy. Featured clip from her composition titled Light Perpetuum, which was commissioned by VIDA Guitar Quartet, performed by them and saxophonist Amy Green, and appears on their latest album Bachianas.https://www.vidagq.com/http://www.laurasnowden.co.uk/

Tim talks to Errollyn Wallen about her BBC Proms commission, Beethoven gets his own back on the Brexit party and Sam reviews John Luther Adams' new disc ‘Become Desert'. Music Credits: Gustav Mahler, Symphony No. 1, Mov. 3 performed by the Vienna Philharmonic under Leonard Bernstein. ‘Oil in my Lamp' performed by Timmy Fisher, Nick Clegg, David Cameron and Gordon Brown. Beethoven, Symphony No. 9 Mov. 4 performed by Quatuor Avena. Theme tune from Love Island performed by Timmy Fisher. Ludwig van Beethoven, Symphony No. 9, Mov. 4 performed the NBC Symphony Orchestra under Toscanini. Johannes Brahms, Symphony No. 1 in C minor, Mov. 4 performed by Musopen Symphony. W. A. Mozart, Divertimento in D, K. 136, performed by The Statutory Instruments. John Luther Adams, ‘Become Desert' performed by the Seattle Symphony under Ludovic Morlo for Cantaloupe Music. Jean Sibelius, Symphony No. 5, Mov. 3 performed by Timmy Fisher. Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/ Tim's interview with Phelim McDermott:https://bachtrack.com/interview-phelim-mcdermott-manchester-international-festival-tao-of-glass-2019

Episode 2 of Surface Tension turns the spotlight on Faultline from 2007. Presenter Sanjoy Roy recollects his memories of the piece, the style, aesthetic and evocative atmosphere. The anxiety, the coolness and the swagger of what it meant to be young, British and Asian at that time. A shift in cultural climate after the 2005 bombings - when young Asian men became suspicious in society. He speaks to Shobana Jeyasingh about the triggers that shaped the piece; the 2005 London bombings, subsequent raids and the hysterical unease that was pervasive in every day life. All of which contributed to the look and feel of Faultline. Shobana talks about the various creative collaborations that all knitted together in the final piece; the film which acted as the prologue, the initial introduction of the dancers, characters and music - in particular the voice of Patricia Rozario. Plus the direct influence of Gautam Malkani’s book Londonstani, published in 2006, which had a profound effect on the movement generation phase of Faultline. We talk to author Gautam Malkani about his own experience of growing up in London, the culture adopted by Asian rude-boy gangs. He talks about the hyper masculinity, language, posing and posturing that characterised his book and reads some excerpts. We hear Gautam’s reaction on hearing that his book had inspired a dance piece and how Shobana was able to encapsulate the essence and themes in a very direct choreography of raw aggression. We speak to Robin Rimbaud (Scanner) who composed the score for Faultline. Shobana wanted him to create a soundscape that produced a dark, charged and intense atmosphere; a sonic picture of London in 2007 using electronic music. Composer Errollyn Wallen joins the conversation to talk about how she collaborated and shaped the music to compliment Robin’s soundscape. In the final section we interview artist and filmmaker Pete Gomes who produced the visuals and the approach he agreed on with Shobana. Series Producer, Melissa FitzGerald @Melissafitzg   Shobana Jeyasingh @SJeyasinghDance Born in Chennai, India, she currently lives and works in London. Her acclaimed, highly individual work has been seen in all kinds of venues, including theatres, outdoor and indoor sites and on film. Her work taps into both the intellectual and physical power of dance, and is rooted in her particular vision of culture and society. Shobana’s work is often enriched by specially commissioned music composed by an array of contemporary composers — from Michael Nyman to beat-boxer Shlomo. Her eclectic band of creative collaborators have included filmmakers, mathematicians, digital designers, writers, animators, as well as lighting and set designers. Gautam Malkani @GautamMalkani Robin Rimbaud (Scanner) @robinrimbaud Errollyn Wallen @ErrollynWallen  Pete Gomes @gomespete Sanjoy Roy @sanj0yr0y Sanjoy Roy (London, UK) has been writing on dance for the Guardian since 2002, and has contributed to many other publications including the New York Times, New Statesman, Dance Gazette and Dancing Times, and is London correspondent for Dance International magazine. He is currently also the editor of Springback Magazine, a Europe-wide online dance journal launched in 2018. First writing about Shobana in 1997, he has since written reviews and articles on her work, as well as interviews, programme notes and education materials for her company.

Episode #8: Numbers The theme for this latest episode is Numbers. Music is, of course, one of the creative arts, capable of expressing and rousing all kinds of emotions. And yet composers and songwriters have long been fascinated too by the interplay of music and numbers. Many of them also crank up the left side of their brains, using numbers and patterns and formulae as structural devices, time signatures and rhythmical hooks. So on this podcast episode we’ll hear from pianist Lars Vogt on why his favorite number is 32.Thorben Dittes tells us about plans to celebrate the 60th birthday of Royal Northern Sinfonia. We’ll get a school report from Errollyn Wallen who has written more than a dozen operas. We’ll ask Maximo Park singer and songwriter Paul Smith what it’s like to perform on a small river boat in front of 20,000 people And we’ll find out from Paul Hartnoll of electronic music pioneers Orbital why his favourite mode of transport is two feet. So join us for half an hour as we do the maths and crunch some numbers. Backstage is a regular podcast where we go behind the scenes for exclusive interviews and insights from leading and emerging artists who’ll be taking to the stage at Sage Gateshead, and discover some of the activities that take place, and the communities that meet there.

A digital edition of Saturday Review presented by Antonia Quirke. Crown Heights is a new on-demand film based on an episode of NPR's This American Life, telling the true story of Trinidadian teenager Colin Warner's twenty year wrongful incarceration. The Miniaturists takes a long-running short play night and turns it into a podcast with five new short plays from up and coming British playwrights. The reviewers explore the world's greatest and strangest museums, galleries and monuments with Google Cultural Institute. The story of a refugee's journey across the sea is rendered in an interactive graphic novel format in Nam Le & Matt Huynh's The Boat. Antonia's guests are Inua Ellams, Andy Riley and Errollyn Wallen. The producer is Caitlin Benedict.

Picks from the week including Leif Ove Andsnes, Errollyn Wallen, Adrian Brendel, Joanna MacGregor and David Harsent.

Rob's composer-guest today is Errollyn Wallen.

The second in our lecture series for Hilary Term 2015, given in the JCR at Mansfield College by Errollyn Wallen, MBE -- Singer, composer, and musician.

The second in our lecture series for Hilary Term 2015, given in the JCR at Mansfield College by Errollyn Wallen, MBE -- Singer, composer, and musician.

Sara Mohr-Pietsch visits Trinity Laban Conservatoire of Music and Dance at the Old Royal Naval College in Greenwich, where the composer Errollyn Wallen chooses to do much of her writing. Errollyn tells Sara how she loves working in the non-descript teaching rooms and imagines the ghosts of the building's naval history.

Versatile singer, pianist and composer Errollyn Wallen is creating a unique body of work and making an international name for herself along the way. We talk with her and play as much of her music as we possibly can. Hosted by Seth Boustead Produced by Jesse McQuarters Wallen: Dervish Dominic Harlan, p.; Matthew Sharp, vc. Wallen: “Beehive” and “White Christine” from Are You Worried About the Rising Cost of Funerals? Patricia Rozario, s.; David le Page, v.; Kirsty Staines, v.; David Aspin, vla.; Joseph Spooner, vc. Wallen: “Dark and Mysterious” fr. Horseplay Continuum Ensemble/Hedlem Wallen: Daedalus (excerpt) Wallen, voc. & piano Wallen: Daedalus Brodsky Quartet; Wallen, voc. Wallen: In Our Lifetime Mike Henry, baritone Wallen: My Feet May Take a Little While Wallen, voc. & piano

Libby Purves meets film-maker Claire Belhassine, photojournalist Paul Conroy, entrepreneur Douglas Villiers and composer Errollyn Wallen. Claire Belhassine is a British/Tunisian filmmaker whose documentary film, Papa Hedi tells the story of her grandfather Hedi Jouini, whom she discovered was the Frank Sinatra of the Arab world. When he died in 1990 he was considered to be one of the significant Arabic composers of the 20th century. Papa Hedi is being shown as part of the 2013 London Shubbak Festival. Paul Conroy is a former soldier turned photojournalist who was with war correspondent Marie Colvin when she was killed in Syria in 2012. He survived five terrifying days with serious wounds sustained during the shelling, and his eventual escape was via a tunnel under the city. His book Under the Wire - Marie Colvin's Final Assignment is published by Quercus. Douglas Villiers is an entrepreneur, property developer, artist, adventurer and film producer. One of his first ventures was to open the first disco in London back in 1959 - La Discotheque - and one of the first legal casinos. His book, It's Only Rock 'n' Roll - My Unconventional Life is published by Book Guild Publishing. Errollyn Wallen MBE is a composer and musician who recently won the Ivor Novello Award for Classical Music. She has written eleven operas including The Silent Twins about the love-hate relationship of black twin girls and last year composed two pieces for the Paralympic opening ceremony. She is performing at the Wapping Hydraulic Power Station and her work is also currently featured in an installation there entitled Memory, Reflection and the Passing of Time. Producer: Annette Wells.