Podcasts about Oleanna

Marti Gobel is a nationally recognized actor, director and teaching artist. Upon graduating from UW-Whitewater in 2008 with a degree in Performance Theatre and Philosophy (with an emphasis in Religious Studies), Ms. Gobel began a rich career in both theatre and television and film. Her need to add to the tapestry of the mid-west professional theatre scene led to the founding of the now defunct UPROOTED theatre. As Producing Artistic Director (from 2009-2015)  worked tirelessly to diversify the arts through her efforts. Ms. Gobel is a current member of both Actors Equity Association and SAG-AFTRA.Selected Stage Credits include: Milwaukee Shakespeare (Henry IV, part 2), Milwaukee Chamber Theatre (Well, Around The World In 80 Days, Broken and Entered, Fires In the Mirror) Renaissance Theaterworks' (NEAT: Milwaukee, Sheboygan and South Africa, The Persians, Crumbs From the Table of Joy, The Violet Hour, Still, Sex With Strangers, The Roommate, Witch and a reading of Tanya Saracho's El Nogular and Gwendolyn Rice's The Griots), First Stage Children's Theatre (The Neverendingstory and readings of Jackie and Me, The Promised Land), The Milwaukee Repertory Theater (Clybourne Park, A Christmas Carol:2012-2014, Yankee Tavern, Trouble In Mind), Forward Theater (In The Next Room, Mr. Burns, Skeleton Crew, Mom, How Did You Meet The Beatles) and UPROOTED theatre (Beauty's Daughter: Milwaukee, Chicago and Memphis, A Streetcar Named Desire, Yellowman, Crumbs From the Table of Joy, *Pink Champagne, Jack and Jill, Hoo Doo Love, Oleanna, I Have Before Me A Remarkable Document Given To Me By A Young Lady From Rwanda, The Philadelphia Story, *Man From Madisonville, The Sunset Limited, Suddenly Last Summer), Next Act Theatre (Perfect Mendacity, No Child, Twilight: Los Angles, The Taming, The Christians), and Theatre Lila (No Child). Marti plays an ongoing role as the Civil Rights suffragist, Ida B. Wells for the Kenosha Civil War Museum in Kenosha, Wisconsin, and is often featured in local and regional commercials and voice-overs. She appeared in the short film, Spare Change, as well as the web-series Gettin' Grown; both directed by the award-winning film director Aaron Greer and Faith Flix's Come Follow Me, Mary, Mother of Jesus and the feature film Game Day produced by Chicago Studio City. National television credits include NBC's Chicago PD in addition to several regional commercials.University Productions include: Airness (Hendrix College), Wine In the Wilderness, Crumbs From the Table of Joy, The Light (Marquette University), Trojan Women (UW-Milwaukee).Marti has served as a lead teacher at First Stage Theatre Academy in Milwaukee as well as a lead teacher and program designer for UPROOTED theatre's education department. Past adjunct professor assignments at Marquette University, UW-Milwaukee and Carthage College. She is a JF Kennedy Center trained Teaching Artist who worked closely with Master Educator, Randy Barron for 6 months developing her residency which is now offered through The Young Auditorium and The Overture Center. She currently serves as Artistc Consultant for Black Arts MKE. Ms. Gobel will serve for a third term as a KCACTF adjudicator for Region III.Ms. Gobel is a Jeff Nominated Director for her work on Is God Is with A Red Orchid Theatre and the recipient of 2024 Black Excellence Award for Outstanding Director.She currently serves as Producing Artistic Director and Education Coordinator for OnWord Theatre in San Diego, CA. *Indicates World Premiere'sWebsite: OnWord TheatreInstagram: Instagram (@OnWordTheatre)Facebook: OnWord Theatre | San Diego CABox Office Email: info@OnWordTheatre.comWant a video experience? Check out our YouTube channel! We're now uploading video episodes!This episode:https://youtu.be/XJnZnBJVkKwGeneral channel:http://www.youtube.com/@intheartscene

Laages, Michael www.deutschlandfunk.de, Kultur heute

For the eleventh month of 1994, we looked at the intricacies of professor and student relationships!Carol (Debra Eisenstadt) has come to her professor John (William H. Macy) to fiscuss a failing grade. What follows is a cat and mouse game between two people who have motives that contradict their own moralities. They know there should be boundaries but don't express them. Will their plans be able to culminate in a copacetic conclusion, or will their utopian ideals fail? In an adaptation of his own hit play, it's David Mamet's….Oleanna!

Oleanna: David Mamet drámája a Centrál Színházban

Send us a textIn a decades spanning career, Lia Williams has established herself as one of the most prominent actresses working today. At the start of her career, Lia was already working with the likes of David Hare, Alan Ayckbourn and Harold Pinter, with whom she would go on to share a long working relationship and friendship. On screen, some of her many highlights have included playing Wallis Simpson in The Crown and more recently Paula Vennels in Mr Bates vs The Post Office. In recent years, we've also seen her prove herself to be a terrific director, finding herself at the helm on various short films and later also directing highly acclaimed productions of Ashes to Ashes and Doubt: A Parable. Some of Lia's upcoming projects include a new TV adaptation of The Day of the Jackal and also reprising her role in the highly acclaimed BBC drama: The Capture. In this exclusive interview to mark 100 episodes of our podcast series, Lia Williams sits down to look back over her illustrious career. We hear her talk about her early career, finding her way through challenging roles like Kyra in Skylight, acting opposite Michael Gambon as well as playing Carol in Oleanna opposite David Suchet. We also get to hear her talk about her experiences of alternating roles with Juliet Stevenson and Kristin Scott-Thomas on the highly acclaimed productions of Mary Stuart and Old Times. Over the course of our conversation, Lia tells us about how the acting profession has changed during her career and talks us through her transition into becoming a well-respected director as well. In this very candid conversation, Lia reflects on the various roles that she's played and takes some time to also discuss her relationship with son and fellow actor: Joshua James, with whom she starred with in The Vortex last year. It's a fascinating insight into one of our greatest leading ladies and we look forward to seeing how her career continues to evolve in the future.Support the show

Nacida en Londres y radicada en la Ciudad de México, Irene estudió actuación en el Centro de Formación Actoral y realizó un posgrado en Teatro Clásico en la London Academy of Music and Dramatic Arts y la Desmond Jones School of Mime and Physical Theatre. En teatro, ha obtenido un gran reconocimiento por su trabajo en El Buen Canario, dirigida por John Malkovich, Salomé, Oleanna, La Obra Que Sale Mal, y Humedad. También protagonizó Hamlet y colaboró ​​con el artista contemporáneo Haegue Yang en la pieza de performance The Malady of Death, que se desarrolló en un cenote de Yucatán. En cine, Irene recibió el Premio Ariel a Mejor Actriz por sus papeles en Quemar las Naves y Bajo la Sal. Ha protagonizado películas como El Atentado, Miss Bala, y Tercera Llamada. Su actuación en Las Oscuras Primaveras le valió otra nominación a Mejor Actriz. También formó parte de la comedia Cuando los Hijos Regresan, Opus Zero junto a Willem Dafoe, y la próxima a estrenarse Dante y Soledad. Su trabajo en televisión incluye dos temporadas de Monarca para Netflix, producida por Salma Hayek y Lemon Studios, Los Enviados, creada por Juan José Campanella para Paramount Plus, y Belascoarán para Netflix. Este mes, Irene cerró una exitosa corrida como Emce en el musical Cabaret en la Ciudad de México y su próximo proyecto televisivo es la serie Las viudas de los jueves.Síguenos en redes:http://instagram.com/cableatierrapodhttp://facebook.com/cableatierrapodcasthttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.

Naian González Norvind es una multi-premiada actriz de cine, teatro y televisión, así como escritora, guionista, ¡y poeta! Protagonizó “Nuevo Orden,” drama distópico del director Michel Franco. La película se estrenó en el Festival Internacional de Cine de Venecia en 2020 y ganó el León de Plata. Naian también interpretó a Ariela en “Leona”, una joven judía de la Ciudad de México dividida entre la expectativa de su familia y su amor por un hombre no-judío. Co-escrita por González Norvind y el director Isaac Cherem, “Leona” estuvo en competencia en el Festival Internacional de Cine de Morelia en 2018 y Naian ganó el premio a Mejor Actriz. En 2012 ganó Mejor Actriz en el Festival de Cine de Guanajuato por su papel de María en la cinta “Todo Mundo Tiene A Alguien Menos Yo.” Sus proyectos de cine y televisión incluyen “Gotham”, “Sexo, Pudor y Lágrimas, 20 Años Después”, “South Mountain” y el piloto de HBO “The Devil You Know”, creado por Jenji Kohan y dirigido por Gus Van Sant. En 2022 protagonizó la serie “Amsterdam” de HBO dirigida por Gustavo Taretto y en 2023 salió de personaje recurrente en “Invasion” de Apple TV. En teatro ha agraciado los escenarios más prestigiosos de Estados Unidos como Lincoln Center, Public Theater, Berkeley Rep y The Old Globe con obras nuevas de Richard Nelson, Greg Pierce, y Sarah Ruhl. En México trabajó con Diego del Río co-protagonizando “Blue Room” de David Hare y en 2022 interpretó a Ofelia en Hamlet para el teatro Milan de la Ciudad de México. En Octubre de 2023 debutó como directora de teatro con “Oleanna” de David Mamet, para el Foro Lucerna. Durante la pandemia crea POETRY BAR y de todo eso y más platicamos en Cable a Tierra.Síguenos en Instagramhttp://instagram.com/cableatierrapodhttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.

Years from now, people will sing lusty songs of praise, and recall fondly where they were, when they heard this crossword's happy music, it was that tough. Blake Slonecker made solvers work for just about every answer, and your cohosts found it a major slog (fun slog, but still ... a slog). We have all the deets inside, as well as the winner of this week's JAMCOTWA (Jean And Mike Crossword Of The Week Award)™️, so for all that and more, have a listen, and please, leave us a 5 star review wherever you happen to be streaming this podcast from.Show note imagery: OLEANNA, which apparently is a thingContact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Today, I'm honored to announce my interview with Tony winning director Doug Hughes. Tune in to hear some of the stories of his legendary career, including the simple mantra that dictates what kind of work he wants to direct, a very important review he received early in his career, creating tension in DOUBT, what he loves about directing Shaw plays, the anxiety of the rehearsal process for OLEANNA, why he prefers intimate rehearsal spaces, transferring FROZEN to Broadway, the unique talent of Cherry Jones, what appealed to him about directing Ayad Akhtar's JUNK, why ELLING couldn't succeed on Broadway, the opportunities Lynne Meadow gave him, and so much more. You won't want to miss this conversation with one of Broadway's best directors.

Judith Hoddinott has made considerable impact as an educator and a theatre designer across all disciplines. Training at the University of New England and the National Institute of Dramatic Arts, her design work has been seen complementing a myriad of stages with companies as diverse as the Sydney Theatre Company, GFO, CDP, Jacobsen Entertainment, Playbox, Opera Australia, Performing Lines, Theatre of the Deaf, New Moon, Hunter Valley, STC, Marian Street, & Ensemble theatre companies, and the Flying Fruit Fly Circus.Judith has taught Theatre Design at East Sydney Technical College, University of Western Sydney, University of Technology, Sydney and NIDA. She currently teaches at Newtown High School of the Performing Arts.Theatrical fare that has soared with costume and/or set designs by Judith include Phedre, Away, Oleanna, Antony and Cleopatra, A Delicate Balance, The Merchant of Venice, Gary's House, After Dinner, The Killing of Sister George, A Hard God, Macbeth, Sight Unseen, Emerald City, Death of a Salesman, The Sunshine Boys, Wit, I Ought to Be In Pictures, Aunty and Me, I'm Not Rappaport, The Heartbreak Kid, and Arms and the Man. Musical Theatre includes Guys and Dolls, A Chair in the Landscape, Shout!, Footloose, Il Trovatore, A Broad With Two Men, Working, Only Heaven Knows, The Man from Mukinupin and South Pacific.Judith offers abundant knowledge on the processes of design, and teaching, in this illuminating episode of the STAGES podcast.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Brian and Shelly share their favorite discoveries of 2023 including I'm Dreaming Over A White Doomsday, Weird and Myra Breckinridge

V Ljubljani poteka osrednji jesenski knjigotrški dogodek, Slovenski knjižni sejem, in v naslednjih minutah bodo v ospredju knjige: tri novosti izpod prstov Dušana Merca, Borisa Kolarja in Blaža Kutina. Na drugem koncu Slovenije nocoj pripravljajo premiero drame Oleanna, ene od največkrat uprizarjanih iger sodobnega ameriškega dramatika in režiserja Davida Mameta. Mojstrovina, kot jo napovedujejo v novogoriškem Narodnem gledališču, še iz časov pred »jaz tudi« gibanjem raziskuje odnos med študenti in profesorji, definicijo spolnega nadlegovanja, destruktivnost napačne komunikacije in pretirane politične korektnosti. Režiser in igralec v glavni vlogi je Radoš Bolčina.

Chris talks with Marjie Scott, the Empress of Theatre (no – wait – she's the Chair of Visual and Performing Arts) at Sul Ross State University. They discuss the upcoming production of David Mamet's Oleanna and the department's upcoming projects for the Spring and Summer, as well as a recent Hispanic Heritage Symposium and the ever-popular Alpine Historic Ghost Tour! Tickets and schedules at bit.ly/sulross-theatre

Mnohí si kladú otázku – Kam sa stratil? Pri tom tu stále je, len zmenil charakter svojho pôsobenia. Po reportážach pre TV Orava a predpovediach počasia sa naozaj na nejaký čas stiahol. Divadelný fajnšmeker však dávnejšie odhalil že Juraj Mokrý je naozaj skvelým dramatickým činoherným umelcom. Do štúdia L plus S neprišiel úplne ani ako hosť, ale aj ako spoluúčinkujúci. Na tých istých doskách totiž stvárňuje postavu vysokoškolského profesora v svetoznámom titule Oleanna. No a že asi 10 rokov nerobil nejaký väčší rozhovor sa ukázalo aj v tom, ako sa k nám prišiel vyrozprávať.

Leith Taylor is an experienced theatre practitioner having worked across a range of fields as an actor, director, producer, writer and drama educator. As an actor Leith worked extensively over two decades in film, television and radio as well as appearing in more than sixty theatre productions nationally and internationally. In Perth she is well remembered for her numerous appearances in leading roles at the Playhouse and Hole in the Wall theatres. After being awarded a Fellowship, she transitioned to directing and founded her own company, Theatre West, with a focus on shows by or about women. She subsequently directed numerous productions, some under the banner of her own company but also in collaboration with or for other theatre companies including Black Swan, W.A. and Perth Theatre Companies, deckchair and Melbourne's HIT Productions. Some of her productions toured nationally or were part of Arts Festival programming and include Oleanna, One Small Step, Woman in Mind, Speaking in Tongues, The Season at Sarsaparilla, Sixteen Words for Water and Blood Moon. Leith has long been involved with professional drama training having lectured and directed at numerous performing arts institutions in Australia and overseas including the Drama Studio (U.S. and U.K.), LaSalle College of the Arts (Singapore) and a long association with the West Australian Academy of Performing Arts. Early training in journalism enhanced her work as a dramaturg and scriptwriter, while her psychology qualifications resulted in work as a drama therapist with groups and individuals in this specialist field. She was able to bring these different perspectives to her doctoral research which focused on the role of emotions in actor training programmes, signalling the necessity for significant procedural changes in drama schools and in the profession. Leith is a graduate of the University of Western Australia, California State University L.A., the Drama Studio London and WAAPA @ ECU where she completed her PhD. She has won several awards for acting and directing and been a member of numerous boards and consultative panels including the Australia Council for the Arts, Perth International Arts Festival, Healthway Foundation and the W.A. Department for Culture and the Arts. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Ron and Clive discuss a controversial David Mamet adaptation and other witch hunts. MMW theme by Mike Powell Musical beak: Oleano by The Fall Musical outro: The Witch by The Sonics

Oh this podcast I am joined by the cast of the play Oleanna. We will hear from Penny Mackenzie the director of the play, and Ellie Pinkerton and Bryan Mackenzie who stars in this two-person gripping tale about privilege, power and consent by award-winning playwright David Mamet. See omnystudio.com/listener for privacy information.

Dzisiaj trochę o emigracji, ale nie tej najnowszej. Cofnę się do XIX wieku. Był to czas wielkich przemian, rewolucja przemysłowa na nowo definiowała społeczeństwa europejskie. Gospodarki poszczególnych krajów rozwijały się w różnym tempie. W wielu krajach panowała bieda i głód. Jak dodamy do tego konflikty polityczne to otrzymamy kontynent którego mieszkańcy rozglądali się masowo za nowym miejscem do życia niosącym nadzieję na lepszą przyszłość. No i znajdowali, najczęściej była to Ameryka Północna, choć nie tylko. W poszukiwaniu szczęścia przez Atlantyk ruszyły miliony Europejczyków. Najbardziej nam znanym eksodusem jest ucieczka za chlebem Irlandczyków. Niewykluczone, że największy odsetek ludności opuścił w tym czasie właśnie Irlandię. W latach 1801 – 1921 szmaragdową wyspę opuściło blisko 8 mln mieszkańców, to liczba równa populacji Irlandii w latach 40 XIX wieku. Irlandczycy to najbardziej rozśpiewany naród europejski więc o ich emigracji powstało mnóstwo piosenek. Ale nie tylko Irlandczycy w Ameryce szukali szczęścia. I nie tylko Irlandczycy pisali o tym piosenki. Norwegia, dziś zamożny kraj, światowa elita, produkt krajowy brutto na głowę mieszkańca jeden z najwyższych na świecie. Ale dwieście lat temu? Zacofanie, bieda i głód. I jak w całej Europie wielu Norwegów poszukiwało okazji do lepszego życia na emigracji. Pierwsza zorganizowana wyprawa emigrantów wyruszyła w 1825, ze Stavanger do Nowego Jorku na slupie Restauration. Emigracja przyśpieszyła w 2 połowie XIX wieku do tego stopnia, że do roku 1925 wyemigrowało do Ameryki ponad 800 tys. Norwegów. Szacuje się, że było to 1/3 ówczesnej populacji. Porażające prawda? Jedną z ciekawszych postaci norweskich związanych z emigracją był XIX wieczny genialny skrzypek Ole Bull Wg. Roberta Schummana Bull w swojej wirtuozerii dorównywał Paganiniemu. Skrzypek po kilku wizytach w Ameryce, zakochał się w nowym świecie. Wymyślił sobie, że urządzi dla rodaków raj na ziemi. W 1852 roku zakupił w Pensylwanii ponad 11 tys. akrów ziemi i założył kolonię, którą nazwał Nowa Norwegia. Bull szeroko reklamował nową kolonię jako wymarzone miejsce na rozpoczęcie nowego życia. W kolonii powstały cztery osady: New Bergen, New Norway, Valhalla i najbardziej znana Oleanna. W Nowej Norwegii osiedliło się około pół tysiąca osadników. Niestety już po pierwszym roku okazało się, że ziemia jest nieprzyjazna dla przybyszów. Ole Bull znudził się zarządzaniem kolonią i wrócił do koncertowania a kolonia popadła w ruinę. Wydarzenia były oczywiście szeroko komentowane w ojczyźnie. W 1853 roku norweski wydawca gazet Ditmar Meidell ułożył do melodii piosenki „Rio Janeiro” zabawny tekst ośmieszający marzenia o krainie mlekiem i miodem płynącej. Opublikował go 5 marca 1853 roku w satyrycznym magazynie „Krydserer” i tak powstała „Oleanna”. Wersja pierwotna ma aż 22 zwrotki. W połowie XX wieku 6 zwrotek Oleanny na angielski przełożył Pete Seeger. Opublikował tekst w folkowym magazynie „Sing Out” i nagrał swoją wersję na dwóch płytach dla wytwórni Folkway Records. Tak skoczna, frywolna, satyryczna piosenka potomków wikingów wypłynęła na szerokie wody muzyki folkowej. Piosnka skoczna, no właśnie, ale do czasu. Do czasu aż o Oleannie nie przypomnieli sobie Wikingowie. A dokładniej wikingowie z mojego ulubionego zespołu grającego folk morski: Storm Weather Shanty Choir z niewielkiego miasta Stord w Norwegii. Mało tam słońca, ponuro. Panowie durową tonację zamienili więc na molową i w 2012 roku nagrali na płytę A Drop of Nelson's Blood wersję bynajmniej nie skoczną, dołującą jak noc polarna. Ale za to jakże piękną. Posłuchajcie. Storm Weather Shanty Choir I Oleanna Sail Ho Audycja zawiera utwór: "Oleanna " w wykonaniu Storm Weather Shanty Choir słowa: Ditmar Meidell, muzyka: trad. „Rio Janeiro”. @jarasaseasongi znajdziesz na Facebooku i YouTube

With special guest Emily Minnick! Other films discussed: Zabriske Point (1970), Oleanna (1994), I Heart Huckabees (2004), and Pain & Gain (2013) Next week's film: Joe Swanberg's Hannah Takes the Stairs (2007) and a dive into the mumblecore movement --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

La pièce Oleanna sera présentée au Centre des arts Juliette Lassonde de Saint-Hyacinthe le samedi 27 novembre à 20h. L'acteur et metteur en scène de la pièce, Raymond Cloutier, s'est entretenu avec notre journaliste Marianne Bessette concernant les sujets qu'aborderont les acteurs. L'actrice Catherine De Léan (qu'on a pu voir incarner le personnage de Véronique Lenoir dans District 31) partagera la scène avec Raymond Cloutier. Le billets sont en vente ici : centredesarts.caSee omnystudio.com/listener for privacy information.

O wie Once Upon a Time in China II (HK 1992) & Oleanna (USA 1994) Michael findest du bei Twitter unter @DasABCdesFilms und bei Letterboxd. Patrick treibt sich ebenfalls bei Letterboxd herum. Seinen Podcast Bahnhofskino findest du unter @bahnhofskino. Patricks Buch Columbo, Columbo ist ab sofort unter www.Bahnhofskino.com und in jedem gut sortierten Buchhandel sowie online erhältlich. Musik: "Bad Ideas (distressed)" and "Dark Hallway (distressed)" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

O wie Once Upon a Time in China II (HK 1992) & Oleanna (USA 1994) Michael findest du bei Twitter unter @DasABCdesFilms und bei Letterboxd. Patrick treibt sich ebenfalls bei Letterboxd herum. Seinen Podcast Bahnhofskino findest du unter @bahnhofskino. Patricks Buch Columbo, Columbo ist ab sofort unter www.Bahnhofskino.com und in jedem gut sortierten Buchhandel sowie online erhältlich. Musik: "Bad Ideas (distressed)" and "Dark Hallway (distressed)" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

What an honor to spend some time in conversation with legendary costume designer, Jane Greenwood! Jane and Hal spoke about how she approaches the same show twice, the ethos for design she imparts on her students, and how American theatre has changed over her nearly sixty years in the industry. Jane Greenwood has been designing on Broadway for more than fifty years. Originally from Liverpool, England, Ms. Greenwood was educated at the Central School of Arts and Crafts in London. She began her career at the Oxford Playhouse. She has designed for theater, opera, dance, film and television, including 130 productions for Broadway since The Ballad of The Sad Café in 1963. Recent Broadway credits include Long Day’s Journey into Night, Bright Star, Act One, You Can’t Take It With You, and A View From The Bridge. Her Off-Broadway credits include Belle Epoque, A Man of No Importance, Burn This, House/Garden, Vita and Virginia andThe Lisbon Traviata. Films include Arthur, Glengarry Glen Ross, Oleanna and the cult classic Can’t Stop the Music. She has designed over a dozen productions at the American Shakespeare Festival Theater in Stratford, CT, The Public Theater, and Shakespeare in the Park. Ms. Greenwood has also done extensive work at the Metropolitan Opera, Center Theatre Group, The Guthrie Theater, the Shakespeare Theatre Company, Playwrights Horizons, The Dallas Opera, the Lyric Opera of Chicago and the Opera Theatre of St. Louis. Her awards include 21 Tony nominations (winning for Little Foxes), a Special Tony Award for Lifetime Achievement in the Theatre, the Irene Sharaff Lifetime Achievement Award, the Maharam/Henry Hewes Design Award for Tartuffe and Sylvia, the Lucille Lortel Award for Sylvia and Old Money, and the Helen Hayes Lifetime Achievement Award. Ms. Greenwood was inducted into the American Theater Hall of Fame in 2003. She has also served as a Professor of Design at Yale School of Drama since 1976. Jane’s next design for Broadway, a revival of Neil Simon’s Plaza Suite, is due to open early 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this extravagently exciting episode, we take a butcher's at some choice cuts of David Mamet's work. Find out what we make of House of Games, Glengarry Glen Ross, Oleanna, Heist, Spartan, and Redbelt by tuning in!

Episode 023: Footnotes Volume 2 Host: Douglas Schatz Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Footnotes Volume 2 is a selection of facts and observations culled from the library of information that we've compiled to accompany each of the plays in the past ten episodes. These include fascinating bits of trivia as well as more extended exploration of specific aspects of the plays. A smorgasbord of dramatic intelligence befitting of the best kind of Footnote. The plays we cover in this episode include: Death of a Salesman, Rockets and Blue Lights, The Father, Oleanna, The Duchess of Malfi, Copenhagen, The Welkin, Who's Afraid of Virginia Woolf, The Glass Menagerie, and Shook.

We get another Wesley Crusher-centric episode with the acting ensign taking the test to enter the Starfleet Academy while the bridge crew and Picard have to deal with an investigation of their own. Get it? They are BOTH coming of age! Lots of strong co-stars in this episode including the playwright Robert Schenkkan playing Lt. Cmdr. Remmick, and everyone loves to yell at him, especially Riker. (Remmick gets his comeuppance later in Conspiracy.) Kate hosts and wants to fight that Oleanna hussy for loving up on Wesley, Jimmie found himself in the Zaldan, Erik isn't ready to hear Worf's adages, and Greg talks with Edna & Fiona for another Kid Trek and they do a great job pitching Star Trek Acid Party.   Host: Kate Jaeger (@jaegerlicious on Twitter and IG) Panel: Erik Gratton (@erikfallsdown on Twitter & IG), Greg Tito (@gregtito on Twitter, @greg_tito on IG), and Jimmie G (@thejimmieg on IG & Twitter) Audio Editor: Krista Curry (@kristafromglee on Twitter, krista.curry on IG) Logo artwork: @mojojojo_97 on Twitter, mojo97.com Theme music: Ryan Marth   Next up is a very special episode "Heart of Glory" s1e19 hosted by Erik Gratton!

Blush.    On this episode we are joined by Debra Eisenstadt . Debra Eisenstadt is an American writer, director, producer, and editor. She began her career as an actress, most notably starring in the theater and film versions of David Mamet's Oleanna. She wrote, produced, directed, shot and edited the feature film Daydream Believer; winner of The Independent Spirit Award "Someone To Watch" and The Grand Jury Prize at The Slamdance Film Festival. Similarly, she wrote, produced, directed & edited the award-winning films The Limbo Room (with Melissa Leo, Peter Dinklage) and Before The Sun Explodes, which premiered in competition at SXSW (2016). Eisenstadt has written and directed for Nickelodeon, works as a script doctor, a teacher and is a long time collaborator with her husband, filmmaker Brett Morgen. She executive produced Morgen's acclaimed and award-winning documentaries, Kurt Cobain; Montage Of Heck and Jane. Please support the Mark and Me Podcast here https://www.patreon.com/Markandme

It was such a treat to sit down with Jeffrey Finn, the Vice President of Theater Producing and Programming at the John F. Kennedy Center for the Performing Arts. As the curator, commissioner, producer and presenter of all aspects of the theater for the "Cadillac" of institutions, he opened a Pandora's box of questions sharing his keen insight on how he communicates with this subscribers and what he's done to adapt their programming during an uncertain time. You'll see why I'm such a fan of Jeffrey, and the iconic Kennedy Center, when you listen in! Jeffrey is an award-winning Broadway producer and a five-time Tony Award nominee. At the Kennedy Center Jeffrey created and produces the Broadway Center Stage series with a mission to showcase popular musicals produced exclusively for DC audiences with stars and the talent direct from Broadway. He is a lecturer on strategic fundraising, investor relations, and developing new works for the stage. Jeffrey received the 2013 Robert Whitehead Award for Outstanding Achievement in commercial theatre producing. Current and upcoming productions on Broadway include Ain’t Too Proud - The Life and Times of The Temptations, Company, and Plaza Suite. His Broadway credits include the recent revival of Sunday in the Park with George starring Jake Gyllenhaal; Hughie; An Act of God starring Jim Parsons and (subsequently) Sean Hayes; The Elephant Man starring Bradley Cooper; The Realistic Joneses; I’ll Eat You Last starring Bette Midler; Dead Accounts; Seminar starring Alan Rickman; Scandalous; American Idiot; A View From The Bridge; Oleanna; Blithe Spirit starring Angela Lansbury; and On Golden Pond starring James Earl Jones. London: The Elephant Man starring Bradley Cooper. National Tour highlights include The Music Of Andrew Lloyd Webber; The Who’s Tommy; Leader Of The Pack; Tell Me On A Sunday; Company; Chess; and numerous Broadway Songbooks concert tours. Follow Jeffrey on Twitter @JeffreyFinn and keep up with the Kennedy Center @KenCen. For all things Broadway Biz, visit our Instagram @BroadwayBizPodcast or our website broadwaybizpodcast.com. Have a question for Hal or a topic you'd like him to explore? Send Hal an email at broadwaybiz@halluftig.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Billy and Dagny are joined by actress Caroline Dubberly as she discusses why David Mamet shouldn't be cancelled. Well, maybe a little bit, but not all the way cancelled. We talk about Glengarry Glen Ross, Oleanna, Revenge of the Space Pandas, and also The Sopranos, Michaela Coel and I May Destroy You, and The West Wing. Divisive! Controversial! Hot Takes! This episode has it all. Email us a PoptimistPod@gmail.com Hosts: Billy McCartney and Dagny McCartney Guest: Caroline Dubberly Logo Art: Nina Howard Music: Someone Your Own Size by RW Smith.

Clarke Wolfe is an actress, an entertainment host, and a producer originally from Atlanta, Georgia. She was last seen in the horror comedy "Satanic Panic" with Rebecca Romijn and Jerry O'Connell. This Christmas, Clarke stars opposite genre icon Barbara Crampton in the segment "A Christmas Miracle" featured in the holiday horror anthology "Deathcember."Clarke began her theatre career as a small child and hasn't stopped since, having appeared on stages in New York, Los Angeles, and Atlanta. She most recently produced and co-starred in SLASHED! The Musical, an original horror-comedy musical, that had its world premiere at the Hollywood Fringe Festival. After quickly selling out its initial run, SLASHED! was nominated for Best Musical and the Encore! Producer's Award.In addition to stage credits that include leading roles in classics like "Barefoot In The Park", "Oleanna," and "Macbeth," Clarke has been seen on screens big and small, leading short films "Where Are You?," "The Drawing," and the upcoming satirical comedy "Poltergays!". She is currently a student at Lesly Kahn and Company.A popular correspondent for DC Comics, IMDb, Nerdist, Syfy, and many more, Clarke Wolfe has become one of the most prominent female voices within the geek culture space. Most recently for over 400 episodes, Clarke was a regular cast member on the DC Universe chat show "DC Daily."A well-known figure in the horror community, Clarke was the creator, showrunner, and host of "Collider Nightmares," a video discussion show for Complex Media that welcomed guests including Academy Award winners Guillermo del Toro, Geena Davis, and Gore Verbinski. Her thoughts and analysis on the controversial genre have been read by millions online and she has brought her love of horror, sci-fi, and fantasy to events around the world including San Diego Comic Con, SXSW, Paley Fest, New York Comic Con, and LA Comic Con.Clarke Wolfe's pop culture knowledge has been lauded throughout the digital space. A fan of entertainment across the board, Clarke has interviewed and shared the stage with many world-renowned cultural icons and in 2015, she was named Editor-In-Chief of the beloved brand Amy Poehler's Smart Girls for the Legendary Digital Network.She has also made a name for herself in the online trivia world. In 2016 Clarke was voted "Rookie of the Year" of Skybound Entertainment's eSports trivia league the Movie Trivia Schmoedown. Just a short time later, she and Rachel Cushing would team up and become two-time champions known to fans around the world as "The Shirewolves."Clarke currently splits her time between Atlanta, GA and Los Angeles, CA. Her hobbies include golf, karaoke, and wine tasting. She also enjoys reading and is a member of two book clubs - one focusing on horror literature and one focusing on comics.

Episode 016: Oleanna by David Mamet Host: Douglas Schatz Guest: Lucy Bailey Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. David Mamet's play Oleanna about the abuse of patriarchal power caused intense controversy and divided audiences when it was first produced in 1992. It is being revived this year at the Theatre Royal Bath. How will we see the sensitive issues it raises differently nearly 30 years on in the light of the #MeToo movement? The acclaimed director of this new production, Lucy Bailey, joins me to explore this explosive work.

Í Víðsjá í dag verður meðal annars haldið í heimsókn í Listasafn Reykjanesbæjar og rætt við nýjan safnstjóra safnsins, Helgu Þórsdóttur, sem tók við rekstri þess fyrr á árinu. Þar er nú uppi sýningin Áfallalandslag en á henni eiga verk Ósk Vilhjálmsdóttir, Halldór Ásgeirsson, Rannveig Jónsdóttir og Gjörningaklúbburinn. Listasafnið hefur nýverið stækkað nokkuð þegar annar salur var tekinn undir samtímamyndlist þar á bæ. Hugað verður að listaverki eftir Ragnar Kjartansson í kirkju einni í Mílanó. Leiklistargagnrýni: Snæbjörn Brynjarsson segir hlustendum skoðun sína á leikritinu Oleanna eftir David Mamet sem er fyrsta frumsýning Borgarleikhússins á nýju starfsári. Þjóðminjasafnið verður einnig heimsótt í þættinum en þar er sýningin Saga úr jörðu nú uppi. Hrönn Konráðsdóttir fornleifafræðingur segir fá sýningunni sem að rekur sögu fornleifarannsókna á Hofsstöðum í Mývatnssveit. Fjallað um bók vikunnar sem er endurtekin - Farenheit 451eftir Ray Bradbury. Þórdís Bachmann segir frá bókinni (endurtekið)

Í Víðsjá í dag verður meðal annars haldið í heimsókn í Listasafn Reykjanesbæjar og rætt við nýjan safnstjóra safnsins, Helgu Þórsdóttur, sem tók við rekstri þess fyrr á árinu. Þar er nú uppi sýningin Áfallalandslag en á henni eiga verk Ósk Vilhjálmsdóttir, Halldór Ásgeirsson, Rannveig Jónsdóttir og Gjörningaklúbburinn. Listasafnið hefur nýverið stækkað nokkuð þegar annar salur var tekinn undir samtímamyndlist þar á bæ. Hugað verður að listaverki eftir Ragnar Kjartansson í kirkju einni í Mílanó. Leiklistargagnrýni: Snæbjörn Brynjarsson segir hlustendum skoðun sína á leikritinu Oleanna eftir David Mamet sem er fyrsta frumsýning Borgarleikhússins á nýju starfsári. Þjóðminjasafnið verður einnig heimsótt í þættinum en þar er sýningin Saga úr jörðu nú uppi. Hrönn Konráðsdóttir fornleifafræðingur segir fá sýningunni sem að rekur sögu fornleifarannsókna á Hofsstöðum í Mývatnssveit. Fjallað um bók vikunnar sem er endurtekin - Farenheit 451eftir Ray Bradbury. Þórdís Bachmann segir frá bókinni (endurtekið)

Leikritið Oleanna, eftir David Mamet, verður frumsýnt á Nýja sviðinu í Borgarleikhúsinu á föstudaginn. Við fórum á rennsli á sýningunni og töluðum svo við leikarana tvo, Völu Kristínu Eiríksdóttur og Hilmi Snæ Guðnason og leikstjórann Gunnar Gunnsteinsson. Verkið fjallar um samskipti kennara og nemanda, kynjamál, völd og valdajafnvægi, eða kannski frekar valdaójafnvægi. Samskipti þeirra ganga ekki vandræðalaust fyrir sig, vægast sagt. Leikritið er skrifað árið 1992 og var sýnt í Þjóðleikhúsinu árið 1995 og það er ekki hægt að segja annað en að það eigi ennþá afskaplega vel við. Heimur ostanna eru skemmtileg smáþáttaröð í umsjá ostaáhugafólksins Svavars Halldórssonar og Eirnýar Sigurðardóttur. Þar leiða þau hlustendur um undraveröld ostanna. Í þessum fyrsta þætti fara þau Svavar og Eirný yfir upphaf ostagerðar, söguna og mismunandi aðferðir. Móngólskar hersveitir, gómsæt gerjun, skyr, osta-sæla og ávanabindandi eiginleikar er meðal þess sem þau drepa á í þessum fyrsta þætti. Lesandi vikunnar í þetta sinn var Sveinn H. Guðmarsson, fjölmiðlafulltrúi í utanríkisráðuneytinu. Við fengum að vita hvaða bækur eru á náttborðinu hjá honum, hvað hann hefur verið að lesa undanfarið og hvaða bækur og höfundar hafa haft áhrif á hann í gegnum tíðina. Umsjón: GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

Leikritið Oleanna, eftir David Mamet, verður frumsýnt á Nýja sviðinu í Borgarleikhúsinu á föstudaginn. Við fórum á rennsli á sýningunni og töluðum svo við leikarana tvo, Völu Kristínu Eiríksdóttur og Hilmi Snæ Guðnason og leikstjórann Gunnar Gunnsteinsson. Verkið fjallar um samskipti kennara og nemanda, kynjamál, völd og valdajafnvægi, eða kannski frekar valdaójafnvægi. Samskipti þeirra ganga ekki vandræðalaust fyrir sig, vægast sagt. Leikritið er skrifað árið 1992 og var sýnt í Þjóðleikhúsinu árið 1995 og það er ekki hægt að segja annað en að það eigi ennþá afskaplega vel við. Heimur ostanna eru skemmtileg smáþáttaröð í umsjá ostaáhugafólksins Svavars Halldórssonar og Eirnýar Sigurðardóttur. Þar leiða þau hlustendur um undraveröld ostanna. Í þessum fyrsta þætti fara þau Svavar og Eirný yfir upphaf ostagerðar, söguna og mismunandi aðferðir. Móngólskar hersveitir, gómsæt gerjun, skyr, osta-sæla og ávanabindandi eiginleikar er meðal þess sem þau drepa á í þessum fyrsta þætti. Lesandi vikunnar í þetta sinn var Sveinn H. Guðmarsson, fjölmiðlafulltrúi í utanríkisráðuneytinu. Við fengum að vita hvaða bækur eru á náttborðinu hjá honum, hvað hann hefur verið að lesa undanfarið og hvaða bækur og höfundar hafa haft áhrif á hann í gegnum tíðina. Umsjón: GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 94, I join actor, entertainment host, producer, podcaster and movie nerd, Clarke Wolfe. Clarke and I have a sprawling conversation through pop culture, experiencing COVID-19 in different US states and go long on the fact that denial does not mean something didn't happen. ------------------ About Clarke Wolfe ------------------ Clarke Wolfe is an actress, an entertainment host, and a producer originally from Atlanta, Georgia. She was last seen in the horror-comedy SATANIC PANIC with Rebecca Romijn and Jerry O'Connell. This Christmas, Clarke stars opposite genre icon, Barbara Crampton, in the segment "A Christmas Miracle" featured in the holiday horror anthology DEATHCEMBER. Clarke began her theatre career as a small child and hasn't stopped since, having appeared on stages in New York, Los Angeles, and Atlanta. She most recently produced and co-starred in SLASHED! The Musical, an original horror-comedy musical, that had its world premiere at the Hollywood Fringe Festival. After quickly selling out its initial run, SLASHED! was nominated for Best Musical and the Encore! Producer's Award. In addition to stage credits that include leading roles in classics like BAREFOOT IN THE PARK, OLEANNA, and MACBETH, Clarke has been seen on screens big and small, leading short films WHERE ARE YOU?, THE DRAWING, and the upcoming satirical comedy POLTERGAYS!. She is currently a student at Lesly Kahn and Company. A popular correspondent for DC Comics, IMDb, Nerdist, Syfy, and many more, Clarke Wolfe has become one of the most prominent female voices within the geek culture space. Most recently for over 400 episodes, Clarke was a regular cast member on the DC Universe chat show DC DAILY. A well-known figure in the horror community, Clarke was the creator, showrunner, and host of COLLIDER NIGHTMARES, a video discussion show for Complex Media that welcomed guests including Academy Award winners Guillermo del Toro, Geena Davis, and Gore Verbinski. Her thoughts and analysis on the controversial genre have been read by millions online, and she has brought her love of horror, sci-fi, and fantasy to events around the world including San Diego Comic-Con, SXSW, Paley Fest, New York Comic Con, and LA Comic-Con. Clarke Wolfe's pop culture knowledge has been lauded throughout the digital space. A fan of entertainment across the board, Clarke has interviewed and shared the stage with many world-renowned cultural icons, and in 2015, she was named Editor-In-Chief of the beloved brand Amy Poehler's Smart Girls for the Legendary Digital Network. She has also made a name for herself in the online trivia world. In 2016 Clarke was voted "Rookie of the Year" of Skybound Entertainment's eSports trivia league the Movie Trivia Schmoedown. Just a short time later, she and Rachel Cushing would team up and become two-time champions known to fans around the world as "The Shirewolves." Clarke currently splits her time between Atlanta, GA and Los Angeles, CA. Her hobbies include golf, karaoke, and wine tasting. She also enjoys reading and is a member of two book clubs — one focusing on horror literature and one focusing on comics. *Twitter:* *@clarkewolfe* ( https://twitter.com/clarkewolfe ) *Website:* https://www.clarkewolfe.com/ Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations Advertising Inquiries: https://redcircle.com/brands

Catherine and Jonathan delve into the fascinating process of how she builds a world around the production that feeds directly into the creation of the costume narrative. They also examine Catherine’s longstanding working relationship with Angels and in particular how the combined resources of the stock hire and manufacturing departments facilitate her practise.Her current biog. includes productions as followsBroadway: Moulin Rouge, Mrs. Doubtfire, My Fair Lady (Tony Award, Drama Desk Awards, Outer Critics Circle Award), War Paint (Drama Desk Award, Outer Critics Circle Award, Tony nomination), Oslo, Fiddler on the Roof, The King & I (Tony Award, Olivier Award, Outer Critics Circle Award), Gigi (Drama Desk Award), Golden Boy (Tony nomination), The Big Knife, Enemy of the People, How to Succeed in Business Without Really Trying (Tony nomination), Born Yesterday, (Tony nomination), Women on the Verge of a Nervous Breakdown, The Royal Family (Tony Award), South Pacific (Tony Award), The Coast of Utopia (Tony Award), The Light in the Piazza (Tony Award), Edward Albee’s Seascape (Tony nomination), Awake and Sing! (Tony Award), Joe Turner’s Come and Gone (Outer Critics Circle nomination), Blood & Gifts, Oleanna, Cry-Baby, Mauritius, Doubt, Little Women, Dinner at Eight (Tony nomination, Outer Critics Circle and Drama Desk nominations), Twelfth Night (Tony nomination, Drama Desk nomination), Ivanov, Triumph of Love (Drama Desk nomination), The Sound of Music, The Red Shoes among others. Opera: Rigoletto, Berlin State Opera; Le Grand Macabre, Elbphilharmonie Hamburg; Porgy & Bess, Otello, L’Elisir d’Amour, Le Compte d’Ory, Les Contes d’Hoffman, Doctor Atomic, Il Barbiere di Siviglia, The 125th Anniversary Gala (The Metropolitan Opera); Porgy & Bess, Two Boys, Carmen (ENO); Roméo et Juliette ( Metropolitan Opera, Salzburger Festspiele, La Scala); Des Ring des Nibelungen (Washington National Opera, San Francisco Opera); South Pacific (Sydney Opera House). Off-Broadway: BAM/Old Vic’s The Bridge Project 2009, 2010, 2011 (Richard III, The Cherry Orchard, The Winter’s Tale, As You Like It, The Tempest). Television: 2014 The Sound of Music, Live NBC; 2015 Peter Pan Live NBC. 2012 Olivier Award nomination, 2003 and 2004 Henry Hewes Award for Outstanding Costume Design, 2004 Lucille Lortel Award, 2004 Ovation Award, 1997 and 2005 Obie Award for Sustained Achievement. In 2016, Catherine was inducted into The Theatre Hall of Fame and received the Irene Sharaff Lifetime Achievement Award. Other: 1999 Fête des Vignerons, Vevey, Switzerland. Catherine is a graduate of the Yale School of Drama.www.angelsbehindtheseams.com  

Alan Campbell grew up in Homestead, Florida the son of a third generation farming family, and attended Tulane University and the University of Miami, graduating with a BA in business. Alan shares a daughter, Riley, with former wife, actress Lauren Kennedy. On Broadway: Alan recently played the role of Sam Carmichael in Broadway's hit musical, Mamma Mia!. He received a 1995 Tony Award nomination for Best Actor in a Musical for his performance as Joe Gillis in Sunset Boulevard opposite Glenn Close, Betty Buckley, and Elaine Paige. He also received the Drama-Logue Award for his performance in Sunset Boulevard's American Premiere in Los Angeles. Alan starred in Susan Stroman's 2000 Tony Award winning musical, Contact at Lincoln Center. Off-Broadway: Chris Durang's Adrift In Macao, Lanford Wilson's Book Of Days at the Signature Theater and in the regional premiere of Book Of Days at the Repertory Theatre of St. Louis and Hartford Stage. He also starred Off-Broadway in AVOW, by Bill C. Davis. Other theatrical credits include David Mamet's, Race, Death and The Maiden, 12 Angry Men, Noel Coward's Hay Fever at San Diego's Old Globe, Oleanna, Beauty and the Beast, Johnny Guitar, the Kennedy Center's revival of Bell's Are Ringing, Of Thee I Sing at Chicago's Symphony Space, the Ford's Theatre production of On Shiloh Hill, Boogie Woogie Rumble of a Dream Deferred at the Urban Arts Corps in New York, Breakfast at Tiffany's at the St Louis MUNY and productions of I Love My Wife and Larry Shue's The Nerd. Feature films include Weekend Warriors; Bump in the Night; Tom, Dick and Harry, and Universal's A Simple Wish with Martin Short and Kathleen Turner. On television, he co-starred for 5 seasons with Bill Conrad and Joe Penny on CBS's Jake and the Fatman. He also co-starred with John Ritter as surfer "E.Z. Taylor", on ABC's Three's a Crowd, "Evan Grant" on NBC's Another World, "Dr. Ellis Marshall" on All My Children, Contact - "Live From Lincoln Center" on PBS, and in Red Flag, a CBS Movie of the Week. Alan has guest starred on numerous television shows including, Law and Order, Homicide: Life on the Streets, Facts of Life, Throb, Matlock and award winning Web Series, Submissions Only and Then We Got Help. His recordings include Sunset Boulevard, Adrift In Macao, "ABC" A Tribute to Adler, Bock and Coleman and The Best of Andrew Lloyd Webber on Polygram. Alan is an originating member of the Broadway Tenors with Brent Barrett and Brian d'Arcy James. He has sung at the White House and performed for three U.S Presidents. Alan is a Founding Director of Theatre Raleigh/Hot Summer Nights in Raleigh North Carolina and a founding member of H.O.L.A. (Heart of Los Angeles) Youth Theatre, providing an artistic outlet and guidance to inner-city children. www.alancampbell.net Follow @balancampbell --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support

The cast and director of Oleanna join the podcast to talk about the new show at Tacoma Arts Live. The play reinvestigates a script from thirty years ago that tells the story of sexual harassment...

Tony Award-winning Broadway producer, writer, and artrepreneur, Ken Davenport, stopped by this week to talk with me about what it takes to consistently create hit musical theatre, his passion for storytelling, and lessons on today's business of Broadway. “I'm on a mission to help 5000 shows get produced by 2025.” – Ken Davenport Over his storied career Mr. Davenport has had multiple Tony Award wins and nominations for his productions including 2018's Best Revival of a Musical for Once on This Island. His lengthy list of credits also includes The Play That Goes Wrong, Groundhog Day (Tony nomination), Awakening (Tony nomination), Macbeth starring Alan Cumming, Godspell, Kinky Boots (Broadway – Tony Award, National Tour, Toronto and West End), The Visit (Tony nomination), Mothers and Sons (Tony nomination), The Bridges of Madison County, Chinglish, Oleanna starring Bill Pullman and Julia Stiles, and Will Ferrell’s You’re Welcome America, to name only a few. Ken is a co-founder of TEDxBroadway whose productions have been produced internationally in over 25 countries and his one-of-a-kind production and marketing savvy have been featured in the New York Times, MSNBC, Fox News, BBC and even Jay Leno's "Tonight Show" monologue. His blog and podcast about the business of Broadway – TheProducersPerspective.com – have also been featured in Vanity Fair, New York Magazine, and The Gothamist and he's written several books including How to Succeed in the Arts . . . or in Anything, and How to Write a Script in 30 Days. NOTE: This episode is marked explicit because we say a word that means "poop" a few times, as my daughter pointed out. Please help us learn more about you by completing this short 7-question survey This episode of The Writer Files is brought to you by the team at Author Accelerator. Author Accelerator book coaches give writers feedback, accountability, and support while you write, so you can get that your idea out of your head and onto the page. If you’re a fan of The Writer Files, please click subscribe to automatically see new interviews. In this file Ken Davenport and I discussed: Why theatre is the original storytelling medium Secrets behind the intensely collaborative, NASCAR-like process to making a hit How creating a musical is like getting 17 people to recreate the Mona Lisa The power of deadlines and the greatest challenge of capturing an audience's attention Why ideas are worth nothing without a sh*tty first draft And advice and free resources for writers who want to break into Broadway Show Notes: Author Accelerator TheProducersPerspective.com 30 Day Script Challenge Davenport Theatrical Ken Davenport on Instagram Ken Davenport on Facebook Ken Davenport on Twitter Kelton Reid on Twitter

Mike and John revisit the week in 1994 that gave us Double Dragon, Floundering, Kenneth Branagh's Mary Shelley's Frankenstein, Oleanna, and the Kevin Costner award-bait vehicle The War.

Mike and John revisit the week in 1994 that gave us Double Dragon, Floundering, Kenneth Branagh's Mary Shelley's Frankenstein, Oleanna, and the Kevin Costner award-bait vehicle The War.

KeShaun and Sam interview KeShaun's co-star of Oleanna, Kziana. Sam discusses his weekend trip to Chi-Town and that Deep Dish doesn't compare to a real New York slice. 

KeShaun and Jayleen sit down to discuss Kanye West's sex rule for working on his new gospel album. They also talk about Always products removing the female symbol. KeShaun gives a quick description of his play, Oleanna. Finally, Happy 22nd Birthday, Jayleen!

Join Mark and Mahalia as they interview cast members Guy Hooper and Karen Ireson for their upcoming production of Tasmanian Theatre Company's Oleanna.Oleanna by David Mamet7th - 16th Novemer 2019Pop Up Theatre #12Coogan's Theatre79 Collins Street, HobartTickets available from: www.tastheatre.com/oleanna www.theatrepod.com.au@theatrepodfacebook.com/theatrepodinstagram.com/theatrepod

John P Kelly, Director.

John P Kelly, Director.

Writer-director-producer-Debra Eisenstadt talks about her journey as a naive young actress being cast as a lead in David Mamet's film "Oleanna" to an award winning indie filmmaker (debuting her latest film "Imaginary Order" in LA this weekend). Bill and Debra also talk about their collaboration on the film "Before the Sun Explodes" (Amazon Prime) which was filmed partially at the Laugh Factory and based partially on Bill's life. --- Support this podcast: https://anchor.fm/the-after-laugh/support

Writer-director-producer-Debra Eisenstadt talks about her journey as a naive young actress being cast as a lead in David Mamet's film "Oleanna" to an award winning indie filmmaker (debuting her latest film "Imaginary Order" in LA this weekend). Bill and Debra also talk about their collaboration on the film "Before the Sun Explodes" (Amazon Prime) which was filmed partially at the Laugh Factory and based partially on Bill's life.

Edição de 21 de Fevereiro 2019

On today’s podcast, Johnnie Hobbs Jr. and Jessica Johnson stop by to talk about David Mamet’s “Oleanna”. We discuss a challenging piece as society continues to talk about privilege and power, sexual assault and rape. No talkbacks for this piece. Deb Marcucci’s direction places this production in new light. Stay Tuned.

HoSH minisode 1 - Deflector Oleanna Cray In Humans of Spasming Hill, interesting folk from around town join our reporters in the studio to chat about their lives. Today, a death-defying Deflector from the Thudball arena talks about surviving the game. Tales from Spasming Hill is written and produced by Sam Baran. Credits Vermillion Bandersnatch: Ang Collins Oleanna Cray: Emma Moss

Monos de la nación: de lunes a viernes entre 9 y 11 de la mañana, nos dirigimos a ustedes junto a Natalia Valdebenito y su especial mirada sobre lo que pasa, suena y se escucha en nuestro país. Risas, noticias y canciones son acompañadas de agudos panelistas que estás siempre listos para analizar la realidad. Raffaela Di Girólamo es la encargada de la terapia grupal que agendamos cada lunes de nuestra existencia. Los martes, Hassemo trae el horóscopo que no definirá tu destino, pero si te hará reír de buena gana. Los miércoles tenemos el panel feminista a cargo de Alejandra Matus y el Baño de Mujeres, donde conversamos con las protagonistas de las ideas que nos interesan. Los jueves se desata la locura con Curro Guerrero, MaríaFernanditadelSol (a.k.a. Pancito con Sueño) y el Moroch para terminar la semana con las mejores entrevistas del “vial”.

Monos de la nación: de lunes a viernes entre 9 y 11 de la mañana, nos dirigimos a ustedes junto a Natalia Valdebenito y su especial mirada sobre lo que pasa, suena y se escucha en nuestro país. Risas, noticias y canciones son acompañadas de agudos panelistas que estás siempre listos para analizar la realidad. Raffaela Di Girólamo es la encargada de la terapia grupal que agendamos cada lunes de nuestra existencia. Los martes, Hassemo trae el horóscopo que no definirá tu destino, pero si te hará reír de buena gana. Los miércoles tenemos el panel feminista a cargo de Alejandra Matus y el Baño de Mujeres, donde conversamos con las protagonistas de las ideas que nos interesan. Los jueves se desata la locura con Curro Guerrero, MaríaFernanditadelSol (a.k.a. Pancito con Sueño) y el Moroch para terminar la semana con las mejores entrevistas del “vial”.

Episode 59: Sic Transit Vir (Season 3, Episode 12)Synopsis: In which Vir meets his bride-to-be and we learn more about what he has been doing in his spare time. http://www.midwinter.com/lurk/countries/master/guide/056.htmlhttps://www.imdb.com/title/tt0517689/?ref_=tt_ep_prCentauri minister Damian London: https://www.imdb.com/name/nm0518686/?ref_=tt_cl_t13The Monty Python Oscar Wilde sketch: https://www.youtube.com/watch?v=UxXW6tfl2Y0Carmen Thomas https://www.imdb.com/name/nm0858593/?ref_=tt_cl_t12Jesus Salvador Trevino: https://www.imdb.com/name/nm0872442/?ref_=tt_ov_drBrimstone, starring John Glover and his hair: https://en.wikipedia.org/wiki/Brimstone_(TV_series)David Mamet's Oleanna: https://en.wikipedia.org/wiki/Oleanna_(film)

La consommation énergivore de la climatisation : Chronique de Valérie Borde - La pièce Oleanna de David Mamet, avec Raymond Cloutier et Gwendoline Côté - Le programme de recensement Aadhaar en Inde : Correspondance de Frédérick Lavoie - Plateau Tous les goûts sont dans la nature ; Gastronomie avec Lesley Chesterman : Canicule et empoisonnement alimentaire - Nature avec Pierre Gingras : Hommage à la botaniste Gisèle Lamoureux - Étude scientifique avec Renaud Manuguerra-Gagné : Des ciseaux contre l'autisme - Santé et psychologie avec Marie-Ève Cotton : Trouble de personnalité narcissique - Étude scientifique avec Renaud Manuguerra-Gagné : La déshumanisation - La plongée en apnée : Discussion avec Joanie Huberdeau et François Leduc

La consommation énergivore de la climatisation : Chronique de Valérie Borde - La pièce Oleanna de David Mamet, avec Raymond Cloutier et Gwendoline Côté - Le programme de recensement Aadhaar en Inde : Correspondance de Frédérick Lavoie - Plateau Tous les goûts sont dans la nature ; Gastronomie avec Lesley Chesterman : Canicule et empoisonnement alimentaire - Nature avec Pierre Gingras : Hommage à la botaniste Gisèle Lamoureux - Étude scientifique avec Renaud Manuguerra-Gagné : Des ciseaux contre l'autisme - Santé et psychologie avec Marie-Ève Cotton : Trouble de personnalité narcissique - Étude scientifique avec Renaud Manuguerra-Gagné : La déshumanisation - La plongée en apnée : Discussion avec Joanie Huberdeau et François Leduc

Ken Davenport is an Award-Winning producer of over a dozen Broadway shows, including: Deaf West Theatre's Spring Awakening, The Visit, Mothers and Sons, Speed the Plow, Godspell, The Bridges of Madison County, Allegiance, Chinglish, Oleanna, Macbeth, Will Ferrell's You're Welcome America, Once on This Island, and Kinky Boots, for which he won the Tony.The post Ken Davenport, Playwright-Broadway Producer – Episode #4 Encore appeared first on Storybeat with Steve Cuden.

On today’s episode, co-producer Rush Perez are talking about Game of Thrones season 7, episode 4. This is Bed Stuy Vocal Fry, a sister pod to Bri Books, focusing on the shows Rush and I can't stop talking about. Thanks for listening! Subscribe on iTunes and SoundCloud. @bsvocalfry on Twitter.   1:15 - The episode looks at 4 locations throughout kingdom, starting with King’s Landing. 1:30 – When we look at King’s Landing, we’ve Game of Thrones Cersei talking to a banker from Braavos. They’re the Sallie Mae of Game of Thrones. They always get their money. They’re the student loan debtors at Game of Thrones. 1:55 – The crown owes a lot to Iron Bank. One of the things Cersei gets to is that she’s holding on tooth and nail to the power she does possess. When she’s talking in King’s Landing to Iron Bank, she says the debt will be paid within a fortnight. She intends to pay by robbing the Tyrell's, the house she destroyed. It seems like the deal is sealed. 2:45 what’s up in Winterfell? Some new kids on the block in the ‘fell, aka that’s where they live. 3:00 – There’s constant reunions in Winterfell. Last episode we saw bran come back to Winterfell after not being there since season 2, when Theon took over. 3:30 – Bran last episode had a reunion with Sansa. Now it’s Arya’s turn! The scene starts with Arya on the horse, overlooking the home she hasn’t been to in six seasons. The last time she was there her entire family was still alive. Now her mom, dad, oldest brother, younger brother all dead. 4:00 – Arya reconnects with Sansa then Bran. It felt truly like the circle is complete they’re all back together, and so different. The scene of Arya wheeling bran as Sansa walks nearby, you realize how much life has happened to these kids. As much has changed in their short lives in the show. You get the sense things at Winterfell are closer to being better, not fixed. But everyone’s favorite creepy uncle LIttlefinger is lurking! 4:55 – Did you catch Bran saying “Chaos is a ladder?” it’s like, Littelfinger is SHOOK. When he realizes that Brans out of nowhere reciting this. 5:15 Littelfinger strikes me as a character who doesn’t’ buy into magic, White Walkers. He’s into palace intrigue, what he can manipulate. I think it’s the first time LIttlefinger realizes he’s up against something out of his control that he can’t outsmart. 5:45 – Bran was creeping out everyone. I think it’s because he’s become the 3-eyed-raven, he’s not Bran anymore. He’s something else, but still has bran’s memories. 6:00 – he’s the collective memory of the universe. He says that to Myra, in what may be the most cold-blooded scene in the series. I’m like, UGH! I was so happy the season bran was beyond the wall. Because I was like good, you’re a sour boy with a bad attitude. Like, we get it, but still! UGH! You could’ve been like, thank you…no one wanted to wheel and carry you around. It just shows you, he’s the 3-eyed-raven. I thought that he’d be like an apprentice. But now he IS the memory. 7:12 – it was accelerated because the original 3-eyed was killed. Whose fault? Bran’s! 7:25 – Cersei’s in King’s landing, the Winterfell kids have returned and they’re worse for the wear. Now in Dragonstone 7:30 – you have Khaleesi and Jon Snow. Daenerys is up against a wall.     7:55 it’s because she started the season with a strong hand. She had the Greyjoy siblings with their navy. He had the Sand Snakes. She had the Tyrells/ Highgarden, the richest house in the kingdom. She had all that, and in the course of three episodes she lost all her allies. She still has dragons and an army, but no longer any Westerosi allies. 8:40 the closes she has to an ally is Jon, who is only there to dig and go. He’s not trying to be anyone’s king of anyone’s kingdoms. He’s’ like, these White Walkers are in route, we should make haste. 9:00 Daenerys discovers a mine of dragon glass under Dragonstone. That scene felt cop-out-y, like “a world of everything we need.” Yeah, you’d think this is perfect, but what’s gonna go wrong? Everything as to this point. 9:30 it’s too convenient. He spent 2 episodes trying to convince Daenerys, then he shows her pictures in the cave and she’s like I believe you. Seemed too quick for a turnaround. But the plot has to move forward. Clock is ticking. 10:00 Daenerys decides Jon can start mining and she says she’ll fight for the north, only if Jon bends the knee. 10:25 – After Dany and Jon have discovery in cave and romantic tense sexual tension…it’s creepy…but Targaryen’s wed brother and sisters for centuries…. 10:50 – after the cave discovery, Daenerys finds out from Tyrion that their plan to take Casterly Rock has failed, and the unsullied fleet has been burned by Euron Greyjoy. She finds out Yara has been taken captive, and she’s like screw y’all I Game of Thrones these dragons. I’ll go ride on them and figure things out. But her council try and talk her out of attacking king’s landing by appealing to her better nature, saying if you do this you’re just like your father who did the same. 11:45 – we forgot, there’s a return of a character—Theon and what remains of the Greyjoy fleet. 12:05 – Theon comes up on the beach, looking for Daenerys’ help to find his sister. But she’s’ gone, and he has an awkward reunion with Jon snow, which is awkward AF because Theon took Winterfell. 12:30 – Theon asks Jon where Daenerys is. Where is she? 12:45 – we circle back on the rose road, and It’s Jamie, Bron and the Tarley's, who were bannermen. Having come back from their victory in Highgarden. 13:00 – the Tyrrells were the richest family in the kingdom, and had the most fertile lands. They were the family that supplied the army and kingdom. 13:30 – an important point—Randall Tarly comes up to Jaime, says we Game of Thrones gold through city gates. What’s on the road is the food. That’s important to know because they hear something. 14:00 I think the noise is the sound of a thousand butterflies. AKA a Dothrak horde that they’re using as a plot device. They come out of NOWEHRE at the drop of a hat. 14:22 – how far is Highgarden from Dragonstone? Have they been riding horses for 2 weeks and no one knew?? Those are a ton of Dothrak. A ton of logistic questions about this show and episode. 15:06 – as you see the Dothrak horde—which is scary—you see the Lannister army is shook. And then…we hear a screech. And see two gigantic black wings come out. 15:30 – the look on Jamie’s face is the look you have when you look at your bank account and it’s low, and you see you haven’t paid your student loan payment this month. It’s like, this is gonna get much worse. Jamie looks like debt. 15:55 – hell breaks loose! There are flame everywhere! 16:00 – flames everywhere. On all surfaces—as soon as those fires come out of the dragon’s mouth, it lays waste to all the booty Cersei was literally banking on. They make a BBQ. This is a cookout now. 16:30 – a disturbing and interesting effect was, you saw people turn into ash. And it would like, be swept away into dust. 16:45 – on epis like this of Game of Thrones, I want to talk to prop masters! The horse trainer union! The guys doing pyrotechnics in the sky, it’s just so…you have to realize they’re creating a world! It’s giving me "Battle of the Bastards" vibes. 17:45 – my dragon sound effects! Jamie was shook. 17:53 –Bron runs to a caravan, and he gets the crossbow that Quiberon shows Cersei that he thinks could kill a dragon. He shoots and Daenerys dodges. 18:25 – Bron’s trying to hit Daenerys with crossbow. She realizes it, and goes straight towards Bron. She’s not zigging or zagging. 18:45 – she’s on her Rickon Stark game. Maybe they’re all related! When arrows come their way, they run towards them! 19:00 – he goes down but not all the way down. For a second, I’m like is this how she’s gonna die?? She gets off the dragon, tries to get arrow out of his shoulder, and then we see Jamie. And he sees the dragon down, and he sees Daenerys. all the while, Tyrion is on the sidelines watching it. Jamie is running towards Daenerys. Dany turns around, the dragon turns around and breathes a jet of fire. Bron grabs Jamie, pulls him into the river, and episode ends with Jamie drowning in the water as the screen goes to black. 20:20 – It’s insane. It was the craziest most intense episode I’ve watched in a long time. 20:30 – we haven’t seen a battle in a long time. We’ve seen a few sword-to-sword clashes, but otherwise lots of mutilations and surprise killings. But you’re seeing, this is what war looks like. As Tyrion surveys, he zeroes in on a horse on fire. It shows you war. We haven’t seen a badass war in so long. This one was so good! It gave us more dragon! 21:40 – we haven’t seen this much dragon action ever probably. 21:50 – we’ve seen it in Mereen when she was rescued and the episode where she takes out Slaver’s Bay and unleashes the dragons. But nothing like this. This was like, it was only one. 22:15 – wild predictions for episode 5? It’ll be near the end of first half of last season. 22:40 – I think that you’re gonna see Daenerys getting more assertive with Tyrion and with Varys, because they were the two telling her to be more cautious and to play it their way. She’s seeing none of Tyrion’s plans worked. It was kind of on him. The only play she did on her own worked pretty well and took out most of the Lannister army what does Cersei have? Gold but no food. What happens with Theon? 23:30 – I have an idea, Theon gets to king’s landing, either kills Euron or sacrifices himself for Yara. I think he’s dead before end of the season. 23:50 – as you were talking, I was thinking he hasn’t had his “ultimate sacrifice” redemption yet. 24:00 – I think what’s coming is as showdown of the Lannister kids. Once Cersei finds out Tyrion is why Jamie’s dead captured or injured…. whoa. when she finds out the role that he’s had in whatever happens to Jamie, Cersei’s gonna come after Tyrion. 24:55 – and Jamie just found out it wasn’t Tyrion that killed Joffrey, it was Oleanna. 25:10 – FMK segment! Rush’s picks: Yara (MARRY), Lady Oleanna (FUCK), Myranda (KILL). Brionna’s picks: Ned Stark (FUCK), Jamie (MARRY), The Mountain (pre-zombification (KILL) Thanks for listening! Subscribe on iTunes and SoundCloud. @bsvocalfry on Twitter.        

Malini chats with guest, Tom Viertel, 6 time Tony Award winning Broadway Producer, about the growing and changing landscape of Broadway and Off-Broadway and how he has time to mentor upcoming producers!   Shows include: Hairspray, The Producers, A Little Night Music, The Encounter, Gypsy, Angels in America, Young Frankenstein, The Norman Conquests, Sweeney Todd, Company, Little Shop of Horrors, The Weir, The Sound of Music, Smokey Joe’s Café, Oleanna, Love Letters, Driving Miss Daisy, Frankie and Johnny in the Clair de Lune, Penn and Teller and many others

Ken Davenport is a Broadway producer whose credits include Deaf West Theatre's Spring Awakening (Tony nomination), Allegiance, Kinky Boots (Broadway - Tony Award, National Tour, Toronto and West End), The Visit (Tony nomination), It's Only a Play, Mothers and Sons (Tony nomination), The Bridges of Madison County, Macbeth starring Alan Cumming, Godspell, Chinglish, Oleanna starring Bill Pullman and Julia Stiles, Speed-the-Plow, Will Ferrell's You're Welcome America (Tony nomination), Blithe Spirit starring Angela Lansbury (Broadway, West End and National Tour), and 13, as well as Daddy Long Legs, That Bachelorette Show, Altar Boyz, My First Time, The Awesome 80s Prom, and Miss Abigail's Guide to Dating, Mating, & Marriage Off-Broadway. Ken is also the Executive Producer of North America for Andrew Llyod Weber's Really Useful Group. He produced the award-winning These Magnificent Miles: On the Long Road with Red Wanting Blue, a documentary on one of the top unsigned rock bands in the country, and The Bunny Hole, an award-winning TV pilot that has appeared in the LA Indie Film Festival, the Orlando Film Festival and more. The Bunny Hole web series is a comedy in the style of Reno 911 about a struggling brothel in Pahrump, Nevada.

Ken Davenport is a Broadway producer whose credits include Deaf West Theatre's Spring Awakening (Tony nomination), Allegiance, Kinky Boots (Broadway - Tony Award, National Tour, Toronto and West End), The Visit (Tony nomination), It's Only a Play, Mothers and Sons (Tony nomination), The Bridges of Madison County, Macbeth starring Alan Cumming, Godspell, Chinglish, Oleanna starring Bill Pullman and Julia Stiles, Speed-the-Plow, Will Ferrell's You're Welcome America (Tony nomination), Blithe Spirit starring Angela Lansbury (Broadway, West End and National Tour), and 13, as well as Daddy Long Legs, That Bachelorette Show, Altar Boyz, My First Time, The Awesome 80s Prom, and Miss Abigail's Guide to Dating, Mating, & Marriage Off-Broadway. Ken is also the Executive Producer of North America for Andrew Llyod Weber's Really Useful Group. He produced the award-winning These Magnificent Miles: On the Long Road with Red Wanting Blue, a documentary on one of the top unsigned rock bands in the country, and The Bunny Hole, an award-winning TV pilot that has appeared in the LA Indie Film Festival, the Orlando Film Festival and more. The Bunny Hole web series is a comedy in the style of Reno 911 about a struggling brothel in Pahrump, Nevada.

Ken Davenport is an Award-Winning producer of Kinky Boots, for which he won the Tony. He's also produced Once on This Island, Deaf West Theatre's Spring Awakening, Speed the Plow, Godspell, The Bridges of Madison County, Allegiance, Chinglish, Oleanna, Macbeth, and Will Ferrell's You're Welcome America.The post Ken Davenport, Playwright-Broadway Producer – Episode #4 appeared first on Storybeat with Steve Cuden.

Ole Bulls eventyrvilla på Lysøen utenfor Bergen er målet for MUSEUM i dag.Her døde Ole Bull i 1880 etter å ha vært en av verdens store superstjerner. Fullsatte konserter over hele verden- han spilte blant annet for Abraham Lincoln i Det hvite hus,- og han var en stor inspirator for den nasjonalromantiske "vekkelsen" i Norge på slutten av 1800-tallet. Han inspirerte samtidens store navn, som Welhaven, Wergeland, Ibsen, Bjørnson og Vinje. Med enorme inntekter fra fullsatte konserter i USA og Europa satte Ole Bull i gang store prosjekter som det første norske teater i Bergen, et musikkakademi i Christiania og han introduserte folkemusikken som inspirasjon for Edvard Grieg. – Mange av hans storslåtte planer vaklet og falt sammen etter hvert, men Ole Bull så på seg selv som en frihetskjemper, sier avdelingsleder Berit Høgheim ved Museet Lysøen "Sæterjentens søndag" og "Oleanna" i Amerika, det er hva de fleste forbinder med Ole Bull. – Men han var en av de mest betydningsfulle personer i hele den norske kulturhistorien, sier Arve Tellefsen, som forteller om sitt eget møte med Ole Bulls musikk. Programmet sendt første gang i oktober 2010. Programleder Øyvind Arntsen og Jan Henrik Ihlebæk.

This weeks play – Oleanna by David Mamet. First produced 1992 (stage), 1994 (film) starring William H. Macy & Rebecca Pidgeon. Oleanna was controversial on release and remains so, as it deals with issues of sexual harassment and rape. Mamet’s interest in these themes arose out of the media circus surrounding the nomination of American … Continue reading Oleanna – Episode 1 – Reading Plays →

Controversial as always, Don and Tyler butt heads over the shutdown of a production of

Facebook: https://www.facebook.com/director.marc.nadal Web del cortometraje: http://www.marcnadal.com/ciudadanos-cortometraje “Ciudadanos” cortometraje escrito y dirigido por Marc Nadal. Protagonizado por Núria Molina, Àlex Casanovas, Maria Molins, Manel Barceló, Marc Aguilar Sebastián y Sandra Olivé. Sonido y fotografías de rodaje por Sandra Barrachina. Año: 2014. Drama. EL REPARTO: Núria Molina, trás recibir el premio mejor actriz por "April and June" y "La piel y el alma" interpreta a Noe en “Ciudadanos”. Compagina el cine y el teatro desde el 2006. Àlex Casanovas obtuvo en 1992 el Premio Mejor Actor concedido por la Generalitat de Catalunya por su papel en la película “Manila”. En 2013 fue nominado en los premios Gaudi a Millor Protagonista Masculí por Fènix 11*23. María Molins ha protagonizado peliculas como “A la deriva” de Ventura Pons y más recientemente “Hijo de Cain” de Jesús Monllaó Plana donde comparte cartel con José Coronado. Maria ha obtenido varias nominaciones en su trayectoria y el Premio Gaudí mejor actriz protagonista por “El bosque” dirigida por Oscar Aibar. Manel Barceló es actor, guionista y director conocido por su interpretación en peliculas como “Forasters” de Ventura Pons, “Salvador (Puig Antich)”, “El payaso y el Führer” y “El coronel Macià”. También ha destacado por series de televisión como “Alatriste”, “Gavilanes”, “Gran Nord”, “El cor de la ciutat”, “23-F: El día más difícil del Rey”, “Acusados”, “Sitges”, “Anima” y “59 segons”. Marc Aguilar Sebastián con un futuro prometedor con tan sólo 12 años ha protagonizado diversos cortometrajes, ha actuado en películas como “Barcelona 92″ y “Capa Negra”, y en obras de teatro como “L’hort dels cirerers”, “Oleanna” y “Un conte de Nadal”. Sandra Olivé, licenciada en el conservatorio superior de danza en Coreografía y Técnicas de interpretación por el instituto del Teatro de Barcelona, ha participado en programas de televisión para TVE, Antena 3 y TV3 además de protagonista en diversos dramáticos en teatro y en la web serie “Sara puede con todo” producida en el 2010. EL DIRECTOR: Marc Nadal (nacido en Barcelona en 1989) es director de cine y guionista español, recibe el premio Mejor Director en el festival “Festival de cine" de Sant Vicenç de Castellet. Participa en festivales y muestras internacionales con cortometrajes como "Ante la araña", "Marionetas", "La rosa congelada", "La piel y el alma" y "El espejo humano".

 Entertainment Industry Insights Podcast Episode 3:  Ken Davenport    In this episode of Entertainment Industry Insights, I speak with Broadway Producer  Ken Davenport. Ken Davenport is a Broadway producer whose credits include Macbeth, Kinky Boots, Godspell, Chinglish, Oleanna starring Bill Pullman and Julia Stiles, Speed-the-Plow, Will Ferrell's You're Welcome America, Blithe Spirit starring Angela Lansbury, […] - - - - - - - - - - - - - - - - - - - - - - - - - - - - The post Entertainment Industry Insights Podcast: Ken Davenport originally appeared on Entertainment Law Offices of Gordon P. Firemark. Entertainment Law Offices of Gordon P. Firemark - Los Angeles Entertainment Lawyers - Theatre, Film, TV & New Media

Bob Wilcox and Gerry Kowarsky review (1) A STEADY RAIN, by Keith Huff, at the Repertory Theatre of St. Louis, (2) DOUBT: A PARABLE, by John Patrick Shanley, at Kirkwood Theatre Guild, (3) OLEANNA, by David Mamet, at HotCity Theatre, (4) BATTLEDRUM, by Doug Cooney & Lee Ahlin, at Metro Theater Co., (5) AVENUE Q, by Robert Lopez, Jeff Marx, & Jeff Whitty,at [insert name here] theatre company, (6) BLACK COFFEE, by Agatha Christie, at Clayton Community Theatre, and (7) AN EVENING OF MYSTERIES, by Richard LaViolette, at First Run Theatre.

In this video we go backstage with Alistair McGowan and Clare Foster, on the set of Lakeside Arts' production of David Mamet's controversial 'Oleanna'.

Sæterjentens søndag og Oleanna i Amerika, det er hva de fleste forbinder med Ole Bull. – Men han var en av de mest betydningsfulle personer i hele den norske kulturhistorien, sier Arve Tellefsen. På 1800-tallet inspirerte Ole Bull den nasjonalromantiske ”vekkelsen”, og var et forbilde for Welhaven, Wergeland, Ibsen, Bjørnson og Vinje. Med enorme inntekter fra fullsatte konserter i USA og Europa satte Ole Bull i gang store prosjekter som det første norske teater i Bergen, et musikkakademi i Christiania og han introduserte folkemusikken som inspirasjon for Grieg. – Mange av hans storslåtte planer vaklet og falt sammen etter hvert, men Ole Bull så på seg selv som en frihetskjemper, sier avdelingsleder Berit Høgheim ved Museet Lysøen. I MUSEUM tar hun oss med rundt i Ole Bulls eventyrvilla på Lysøen, hvor han også døde i 1880. I sitt andre ekteskap giftet Ole Bull seg med den 20 år gamle Sarah Chapman Thorpe, en senatordatter fra Wisconsin. De fikk ett barn, datteren Olea. Hun fortsatte å bruke Lysøen som sommersted, og hennes datter Sylvea Bull Curtis ga hele eiendommen med alle bygninger til Fortidsminneforeningen, Bergen og Hordaland avdeling i 1973. All musikken i programmet er hentet fra CD'en "Ole Bull - en norsk pioner" fra 2005, med Arve Tellefsen og Trondheim symfoniorkester.

I 1842 ville den verdensberømte konsertfiolinisten og frihetskjemperen Ole Bull skape "et nytt og fritt Norge" for emigranter til USA. Han kjøpte et stort landområde i Pennsylvania, for der var slaveriet avskaffet. I dette ekstramaterialet fra MUSEUMs program 6.mars forteller avdelingsleder Berit Høgheim om hvilke planer Ole Bull hadde og ikke minst hvordan det ser ut i dag i "Ole Bull State Park". Området benyttes til tur, vcamping og friluftsliv med stedsnavn som Valhalla, new Bergen og Lysø Creek. På sistnevnte sted hadde Ole Bull planlagt å bygge et eventyrslott i flere etasjer, men slik ble det aldri. SAelv om han betalte de første nyrydderne som kom dit, ble aldri planene fullført.

Author Ethan Mordden discusses his book “Ziegfeld: The Man Who Invented Show Business.” Also, actors Bill Pullman and Julia Stiles on their interpretation of “Oleanna,” David Mamet's incendiary play about sexual politics and abuse.

Stage and screen star Bill Pullman, currently on Broadway in David Mamet's Oleanna joins Robin Milling for Let's Do Lunch! at City Winery in New York.