Podcasts about Pamela Z

Seth Parker Woods is a cellist who wholeheartedly embraces new compositions, artistic innovation and pushes the boundaries of classical music. Find out more in the 'Rhapsody in Black' podcast.

Adam Tendler is a New York-based pianist and author. A pioneer of DIY culture in concert music, in his early twenties Adam performed in all fifty states as part of a grassroots recital tour he called America 88x50, which became the subject of his memoir, 88x50. After his father's unexpected death in 2019, he used his inheritance to commission a group of composers including Laurie Anderson, Timo Andres, and Pamela Z to create new piano works exploring the idea of 'inheritance.' On July 17, 2024, Other Minds will present the Bay Area premiere of Tendler's Inheritances at the Brava Theater in San Francisco. In the interview, we talk about the origins of Inheritances, looking back at one's own past, and the unexpected turns the project has taken. Music: Morning Piece by Devonté Hynes, Outsider Song by Scott Wollschleger, Remember, I Created You by Laurie Anderson, Morning Piece by Devonté Hynes, Thank You So Much by Pamela Z; performed by Adam Tendler (New Amsterdam Records) Follow Adam on Facebook, Instagram and Twitter. adamtendler.com Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Trascendiendo Fronteras: Entrevistas Inspiradoras sobre Desarrollo Personal y Espiritual ¡Bienvenido a Trascendiendo Fronteras! En nuestro programa, exploramos las profundidades del desarrollo personal y espiritual a través de conversaciones reveladoras con personas de todas partes del mundo. Desde mi pequeño gran Uruguay hasta los rincones más remotos del Planeta, nos sumergimos en las historias y perspectivas de individuos que están transformando sus vidas y comunidades. Hoy nos acompaña Pamela Zímaro, Terapeuta Holística, Facilitadora en bio-reprogramación neuronal y guía de meditación, desde Neuquén, Argentina. ¿Cómo contactar a Pamela? Instagram: pame_zimaro Tel: +54 299 5864911 Únete a nosotros mientras nos embarcamos en un viaje de descubrimiento, explorando temas que van desde la meditación y el crecimiento personal hasta la conexión con lo divino y la búsqueda del propósito. Cada entrevista es una ventana a la sabiduría única de diferentes culturas y tradiciones, ofreciendo inspiración, reflexión y herramientas prácticas para nuestro propio viaje de autodescubrimiento. Suscríbete ahora para no perderte ninguna de nuestras fascinantes conversaciones y únete a la comunidad de Trascendiendo Fronteras mientras exploramos juntos los límites del crecimiento personal y espiritual. ¡Prepárate para ser inspirado y transformado! #karylight #pamelazimaro #bioreprogramación --- Send in a voice message: https://podcasters.spotify.com/pod/show/kary-light/message

V najnovšej epizóde Týždňa s .týždňom sa Eugen Korda rozpráva s kolegami o Donaldovi Trumpovi, aj o tom, prečo nie sú demokratické sily schopné spoločne reagovať na závažné zistenia polície. V aktuálnej epizóde Týždeň s .týždňom sa Eugen Korda rozpráva o udalostiach posledných dní s kolegami Martinom Mojžišom, Tomášom Zálešákom, Jurajom Petrovičom a Štefanom Hríbom. V najnovšom podcaste Týždeň s .týždňom si vypočujete aj: - čo nové na ukrajinskom fronte - čo znamenajú vyhlásenia Petra Szijjárta - prežijú Spojené štáty americké Donalda Trumpa - prečo nie sú demokratické sily schopné spoločne reagovať na závažné zistenia polície - prečo nás 21.augusta 1968 okupoval Sovietsky zväz - Pamela Záleská čelila nepodloženým obvineniam svojich kolegýň

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Dnes na Špecializovanom trestnom súde si vypočul bývalý šéf Finančnej správy František Imrecze verdikt. Sudkyňa Pamela Záleská rozhodla, že v rámci dohody o vine a treste dostane za korupciu úhrnný trojročný podmienečný trest odňatia slobody so skúšobnou dobou päť rokov. Rovnako historicky najvyšší peňažný trest uložený v Slovenskej republike 202-tisíc eur, v prípade jeho nezaplatenia trest vo výške troch rokov.    „Spokojný by som bol, keby sa to tu nedialo. Keby som sa v minulosti správal tak, aby som toto nemusel absolvovať,“ hovorí po súde Imrecze, ktorý chce podľa svojich vyjadrení odčiniť svoje kroky z minulosti. O výslednom verdikte sme sa v podcaste rozprávali s investigatívnou novinárkou Aktualít Laurou Kellöovou.   Prezidentka Zuzana Čaputová sa dnes stretla s dočasne povereným ministrom práce Milanom Krajniakom a expertmi, aby riešili tému chudoby a dopad zdražovania na občanov Slovenska. Počet ľudí, ktorí sú chudobou ohrození u nás totiž narástol.    „Počet ľudí, ktorí sú ohrození chudobou u nás narástol približne o 45-tisíc. A celkovo doň spadá už okolo vyše 600-tisíc občanov. Za minulý rok narástol prvýkrát narástol podiel chudobných vo všetkých krajoch na Slovensku,” uviedla po stretnutí. V druhej téme podcastu budete počuť aj dočasne povereného ministra práce Milana Krajniaka a Ľudmilu Ivančíkovú zo Štatistického úradu, ktorá priblíži pri akej skupiny ľudí sa zvyšuje miera rizika chudoby. No a Martin Šuster z Rady pre rozpočtovú zodpovednosť priblížil ako by mohlo vyzerať systematické riešenie.

Dnes na Špecializovanom trestnom súde si vypočul bývalý šéf Finančnej správy František Imrecze verdikt. Sudkyňa Pamela Záleská rozhodla, že v rámci dohody o vine a treste dostane za korupciu úhrnný trojročný podmienečný trest odňatia slobody so skúšobnou dobou päť rokov. Rovnako historicky najvyšší peňažný trest uložený v Slovenskej republike 202-tisíc eur, v prípade jeho nezaplatenia trest vo výške troch rokov.  „Spokojný by som bol, keby sa to tu nedialo. Keby som sa v minulosti správal tak, aby som toto nemusel absolvovať,“ hovorí po súde Imrecze, ktorý chce podľa svojich vyjadrení odčiniť svoje kroky z minulosti. O výslednom verdikte sme sa v podcaste rozprávali s investigatívnou novinárkou Aktualít Laurou Kellöovou. Prezidentka Zuzana Čaputová sa dnes stretla s dočasne povereným ministrom práce Milanom Krajniakom a expertmi, aby riešili tému chudoby a dopad zdražovania na občanov Slovenska. Počet ľudí, ktorí sú chudobou ohrození u nás totiž narástol.  „Počet ľudí, ktorí sú ohrození chudobou u nás narástol približne o 45-tisíc. A celkovo doň spadá už okolo vyše 600-tisíc občanov. Za minulý rok narástol prvýkrát narástol podiel chudobných vo všetkých krajoch na Slovensku,” uviedla po stretnutí. V druhej téme podcastu budete počuť aj dočasne povereného ministra práce Milana Krajniaka a Ľudmilu Ivančíkovú zo Štatistického úradu, ktorá priblíži pri akej skupiny ľudí sa zvyšuje miera rizika chudoby. No a Martin Šuster z Rady pre rozpočtovú zodpovednosť priblížil ako by mohlo vyzerať systematické riešenie. Podcast pripravili Adam Oleš a Denisa Hopková.

Buenas tardes a todos! en este episodio les comparto la Entrevista que hicimos a Ingrid Pamela Zúñiga, quien actualmente es Presidenta de la Red de Evaluación de Costa Rica y de manera paralela desempeña distintas actividades entorno a la Planificación y Evaluación en distintas Organizaciones, además que no deja de estudiar, aprender y compartir sus conocimientos. Pamela en su Linkedin se define como Profesional en Administración Pública. Evaluadora con 10 años de experiencia en sector público y privado. Apasionada por la planificación estratégica, investigación para el desarrollo y democratización del conocimiento para la transformación social. Durante esta estrevista hablamos sobre Marco Lógico, sobre sus Beneficios, sobre la Cultura de la Evaluación y sus usos, etc. Les dejo algunos insights que mencionó Pamela, las cuales me parecen muy valiosas: Uno de los Beneficios de Metodología de Marco Lógico (MML): Un lenguaje o idioma para que todos los involucrados hablen bajo los mismos términos. Debería existir la Humildad por parte de los Actores, para reconocer si el programa está o no dando los resultados esperados; esto se puede saber con la Evaluación de los Programas y Proyectos. Maestra Pichardo: La evaluación es Aprendizaje. Que los Resultados de la Evaluación se usen para la toma de desiciones. La evaluación no es solamente señalar que está mal, sino aprender y mejorar en los distintos procesos. Espero que este episodio sea de interés y utilidad. Recuerda que Sin Diagnóstico, No hay Marco Lógico. -Isaac --- Send in a voice message: https://anchor.fm/indicadores/message

An interview with Dr. Brian S. Graiser, Artist/Instructor of Music, Arkansas State University and President of Vibraphone Project, Inc., discussing the Winter Vibe Fest. The Winter Vibe Fest is a one-day festival which serves as the final chapter of a multi-year celebration of the one hundredth anniversary of the invention of the vibraphone, a uniquely American instrument first built in Indianapolis in 1921. The festival will take place all day on Saturday (12/10) at Schaeffer Auditorium, with daytime clinics and concerts from 9:00am-6:00pm and a gala evening concert at 7:30pm (evening concert tickets sold separately). The daytime sessions will feature clinics and panel discussions by visiting scholars and experts, on topics ranging from vibraphone history and playing techniques to discussions with some of the featured composers on the day's programming, plus a roundtable discussion about the hosting organization, The Vibraphone Project. The first daytime concert will be at 2:30 and will feature performances of the award-winning works from the Vibraphone Project's 2021 Call for Scores, featuring music by Gavin Goodrich, Brian Graiser, Bryan Jeffs, and Stephen Solook. The second daytime concert will take place at 5:00 and will feature Peruvian jazz vibraphonist Alonso Alejandro Acosta Flores and his quartet performing music from their latest project. The gala evening concert is a star-studded event packed with world premiere performances by Matthew Lau, Steph Davis, Abby Fisher, and the Bergamot String Quartet, including works by composers Robert Honstein and Pamela Z commissioned by The Vibraphone Project with grant assistance from New Music USA. The evening concert will also include the official announcement of the winners of the 2022 Vibraphone Project Legacy Awards, with video appearances and tributes from special guests. For more information, please visit https://www.thevibraphoneproject.org/wintervibefest.html, or visit https://kutztown.universitytickets.com/w/?cid=204 to purchase daytime passes and tickets to the evening concert. 

Usually the things that are the farthest out — that look the least like art to me — are the things that become the most important.   American painter Glenn Ligon is one of the most recognizable figures in the contemporary art scene. His distinctive, political work uses repetition and transformation to abstract the texts of 20th-century writers. In this episode, Ligon talks about childhood and what it means to have a parent who fiercely and playfully supports you. He also discusses the essential lesson that there's value in the things you do differently, and why he won't take an afternoon nap in his own studio.  References: Courtney Bryan Pamela Z  Samiya Bashir Thelma Golden Robert O'Meally Romare Beardon Toni Morrison Lorna Simpson Margaret Naumberg The Walden School Mike D - Beastie Boys Murders of Chaney, Goodman, and Schwerner Davóne Tines Chris Ofili  Henry Threadgill Frédéric Bruly Bouabré “How It Feels to Be Colored Me” Saidiya Hartman Fred Moten Jason Moran

Esta semana conoceremos trabajos realmente fascinantes a los que tendremos que volver en más ocasiones. Comenzaremos con el proyecto de Slon y continuaremos con Pamela Z, SineRider, Edouard Ferlet, TMUX y Om Unit. Escuchar audio

She's a composer-performer & media artist who creates works for voice, electronic processing, samples, & video.  She has composed scores for dance, film, & chamber ensembles. She was commissioned by the Kitchen in NYC to create a 3D music work for Morrow's True3D Soundcube in 2004. Morrow interviewed her 2021.

Host Austin Williams features a variety of pieces that incorporate spoken word in some way. Featuring music by Pamela Z, Tori & Ashley, Nina and Redacted Bell.

Repertório:01 – o rei menos o reino – Augusto de Campos 02 – cidade, city, cité – Augusto de Campos 03 – Pós-tudo – Augusto de Campos 04 - Quatre Couches - Badagada de Pamela Z, voice and electronics 05 - Brenda Hutchinson - Long tube Trio (fragmento) Produção, gravação, edição e locução: Marcelo BrissacMúsica “Drácula” usada no prefixo e sufixo, autoria de Marcelo Brissac e Livio Tragtenberg

In this essay, Dorian Wallace discusses the use of music as a source of emancipatory inspiration, revolutionary practice, and transformational communal healing. He addresses the interconnections between music therapy, political music, and liberation psychology as the first step toward deeper exploration and discourse. Dorian Wallace is a composer, pianist, music therapist, and educator renowned for his stylistic versatility, improvisational skill, relentless confrontation against unjust social struggles, and the exploration of the complex and nuanced philosophical nature of transformation. In addition to a successful solo career, he regularly collaborates with artists such as Bonita Oliver, John Sanborn, Paul Pinto, Pamela Z, Charlotte Mundy, Frank London, and Nicholas Finch. Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

Celebrating our 10th anniversary in 2022, The Next Festival of Emerging Artists provides young performers and composers (ages 20-30) with an immersion into 21st century music. Designed to cultivate the next generation of 360° artists, the Festival focuses on contemporary music, entrepreneurship, interdisciplinary collaboration, and developing artist citizens. At the forefront of supporting artists since the early days of the pandemic, the Next Festival has presented more than 75 free virtual workshops, talks and collaborations, creating a worldwide community of like-minded artists. The 2022 Festival returns to in-person activities for its 10th season. Friday, June 3, 2022 — 6 PM Chamber Music The Stissing Center 2950 Church Street Pine Plains, NY 12567 The Next Festival presents a program of chamber music curated and performed by the 2022 Next Fest Fellows. A great opportunity to see the artists of tomorrow in a beautiful and intimate setting. Tickets are pay as you wish DETAILS & TICKETS Saturday, June 4, 2022 — 6 PM The Next Festival of Emerging Artists' Orchestra featuring Pamela Z Music Mountain, Gordon Hall 225 Music Mountain Road Falls Village, CT 06031 Performance Fellows collaborate and perform alongside guest artist composer/vocalist Pamela Z, and perform world premieres by composer/violist Jessica Meyer, composer/hornist Jeff Scott (Imani Winds), composer/pianist Liliya Ugay and Peter Askim (The Next Festival's Artistic Director), plus a world premiere string orchestra arrangement of Carbon Song Cycle – music by Pamela Z and video by Christina McPhee. The Festival is a multi-week experience comprised of performances, individual lessons, coachings, workshops and masterclasses for 20 participating string players. With residencies and performances in Connecticut and New York, Fellows create their own programs of study, participate in workshops and recording sessions of new works, and explore multi-disciplinary collaboration and improvisation with composers, choreographers and dancers. Our 2022 Festival features renowned guest artists, masterclasses, workshops and in-person and virtual collaborations. String players collaborate and perform alongside Guest Artist composer/vocalist Pamela Z, and perform world premieres by composer/violist and Resident Entrepreneurial Artist Jessica Meyer, hornist Jeff Scott (Imani Winds, Oberlin Conservatory), composer/pianist Liliya Ugay and Peter Askim (The Next Festival's Artistic Director). Other activities include collaborative sessions led by dancer/choreographer Darshan Singh Bhuller, career workshops with Alecia Lawyer (ROCO, oboist), a composer workshop, mentorship with social media/marketing consultant Jamie Benson, and more!

Composer Nina Shekhar joins us to chat about her work exploring identity, vulnerability, love, and laughter in her work and her process for exploring such complex aspects of humanity in seemingly mundane experiences, such as the car horns on the streets of India. We talk about how she approaches the business side of a professional career in composition, and how her work as a flutist, saxophonist, and pianist has informed her comfort with a wide array of compositional styles. And we speak about how we can all be more mindful to empower and promote the agency of composers and performers from marginalized communities and avoid the risks of exploiting any individual's otherness. Nina Shekhar is a composer who explores the intersection of identity, vulnerability, love, and laughter to create bold and intensely personal works. Described as “tart and compelling” (New York Times), “vivid” (Washington Post), and “surprises and delights aplenty” (LA Times), her music has been commissioned and performed by leading artists including LA Philharmonic, Albany Symphony, Los Angeles Chamber Orchestra, New World Symphony, Civic Orchestra of Chicago, Eighth Blackbird, International Contemporary Ensemble, JACK Quartet, New York Youth Symphony, Alarm Will Sound, The Crossing, Chamber Music Society of Lincoln Center, ETHEL, violinist Jennifer Koh, saxophonist Timothy McAllister, Ensemble Échappé, Music from Copland House, soprano Tony Arnold, Third Angle New Music, The New York Virtuoso Singers, Left Coast Chamber Ensemble, Lyris Quartet, Ray-Kallay Duo, New Music Detroit, and Kaleidoscope Chamber Orchestra. Her work has been featured by Carnegie Hall, Metropolitan Museum of Art, Walt Disney Concert Hall (LA Phil's Noon to Midnight), Library of Congress, National Gallery of Art, National Sawdust, National Flute Association, North American Saxophone Alliance, I Care If You Listen, WNYC/New Sounds (New York), WFMT (Chicago), and KUSC and KPFK (Los Angeles) radio, ScoreFollower, and New Music Detroit's Strange Beautiful Music. Upcoming events include performances by the New York Philharmonic, LA Philharmonic (joined by soloists Nathalie Joachim and Pamela Z), Minnesota Orchestra, Seattle Symphony, and her Hollywood Bowl debut with the LA Philharmonic. Current projects include commissions for the Grand Rapids Symphony, 45th Parallel Universe Chamber Orchestra (sponsored by GLFCAM), and Youth Orchestra Los Angeles (YOLA) (sponsored by LA Phil and New Music USA). Nina is the recipient of the 2021 Rudolf Nissim Prize, two ASCAP Morton Gould Young Composer Awards (2015 and 2019), and the 2018 ASCAP Foundation Leonard Bernstein Award, funded by the Bernstein family. The transcript for this episode can be found here. For more information about Nina Shekhar, please visit her website, Facebook, and Instagram.

Col Self grew up as a child playing on the sites of the new age traveller community in the 1990s. After the passing of the criminal justice bill and the crackdown on the travelling community that came with it, it started to become clear to her what a unique moment in British history she had lived through. Now, as a resident artist at Somerset House Studios, her practice continues to probe the boundaries of private and public space, searching for liminal domains which exist outside the grasp of late stage capitalism. But are there any common spaces left in the UK where we are truly outside of private ownership? Col sits down with writer and activist Nick Hayes to talk about the power of trespass, the last of the commons and why he thinks the river could be the ultimate liminal space. Additional music in this episode is by Pamela Z, the Spore collective, Frances Young and 011668 - The Process  A new Somerset House Podcast series  We're used to experiencing the work of an artist in its final form - in the gallery, on the stage, or mixed on an album. But what has been the journey to get there? Somerset House is home to a community of over 100 artists and makers. (And by extension,  it is often the home for the artistic process too), with much of the work we present being conceived and made in the building, from start to finish.  This podcast goes behind the scenes on that process with the artists themselves. Each episode explores one big idea emerging from a work in progress and follows the thread, from the artists' initial inspiration, through the cross section of thinkers who helped them get there, to hear the form it might take next.  Producer: Alannah Chance Series Presenter: Laurent John Exec Producer: Eleanor Scott Theme music: Ka Baird Additional Sound Design: Harry Murdoch Mastered by: Nick Ryan Produced as part of the Creators-in-Residence Programme 2021 Supported by The Rothschild Foundation

Solénoïde (07.02.2022) - Offrez-vous un concentré inédit d'énergies créatives au féminin ! Durant les 55 minutes de ce programme, votre sens de l'orientation musicale sera bousculé par une escouade de magiciennes du son venues de différentes régions du globe. De l'avant-garde minimaliste au néoclassique illustratif, en passant par diverses partitions à caractères éthniques et contemporains, vous arpenterez des mondes imaginaires riches et fascinants.

Violinist and educator, Rachel Iba, explores the musical storytelling behind pieces by Angélica Negrón, Nathalie Joachim, Pamela Z, Allison Loggins-Hull and Nina Shekhar. This talk was given at the performance of Nathalie Joachim + Pamela Z at Walt Disney Concert Hall. Pieces discussed: Angélica NEGRÓN This Person Nathalie JOACHIM “Suite pou Dantan” from Fanm d'Ayiti Pamela Z The Schmetterling Allison LOGGINS-HULL The Pattern Pamela Z Silent H (world premiere, LA Phil commission with generous support from the Deborah Borda Women in the Arts Initiative) Nathalie JOACHIM In Between (world premiere, LA Phil commission) Nina SHEKHAR Dear Abby See this year's Upbeat Live schedule at: laphil.com/ubl. Join us in person for our 2021/22 season! Get tickets: laphil.com/calendar.

2021 is a wrap! Matt, Austin, Seth and Stephen choose some of our favorite album releases of the year including music by Pamela Z, Danielle Eva Schwob, Third Coast Percussion, Sergio and Clarice Assad and more!

The album is a breathtaking collection of globally inspired compositions and collaborations, with each composer sharing their own personal interpretations of folk music. Works include a title track by Vietnam War veteran J. Kimo Williams with a performance by electric violinist Tracy Silverman, Pamela Z's The Unraveling, What is the Word? by Christopher Theofanidis and Mark Wingate, new arrangements of a trio of Armenian folk songs by pioneering Armenian composer Komitas, and Eve Beglarian's We Will Sing One Song for duduk, string quartet, percussion, and track. The Pamela Z, Theofanidis and Wingate, and Beglarian pieces are part of Apollo's 20x2020 project, launched in 2014 with a mission to commission 20 new multicultural works before the end of the decade.With Malice Toward None Track List1. J. Kimo Williams — With Malice Toward None (2020) [13:23]Pamela Z — The Unraveling -- 20x2020 No. 16 (2019)     2. I. Joni [4:11]     3. II. Lord I'm One [3:45]   4. III. Travis [5:10]     5. IV. Microbus [4:45]   Pamela Z, voice and electronics Christopher Theofanidis & Mark Wingate — What is the Word? -- 20x2020 No. 11 (2017)     6. “What is the Word” (poem) [1:31]     7. I. Extroverted [2:06]     8. II. Edgy [0:43]     9. III. Mercurial [2:04]     10. IV. Noble [2:20]     11. V. Very Fast [1:42]     12. VI. Euphoric [3:00] Komitas/Aslamazyan (arr. Matthew J. Detrick/Apollo Chamber Players) — Themes of Armenian Folksongs (1915/2021)     13. Festive Song [1:23]     14. The Crane [2:42]     15. Echmiadzin Dance [2:14]   Joan DerHovsepian, guest viola16. Eve Beglarian — We Will Sing One Song -- 20x2020 No. 19 (2020) [17:54]   Arsen Petrosyan, duduk     Pejman Hadadi, percussion (tombak, kuzeh, dayereh, bam-dayereh, senj, kanjira)     Joan DerHovsepian, guest viola     Eve Beglarian, digital track Purchase the music (without talk) at:http://www.classicalsavings.com/store/p1394/With_Malice_Toward_None.htmlYour purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something.Tonight's broadcast features new Xordox (JG Thirlwell), Jos Smolders / Jim O'Rourke, Olivia C. Davies, Purple Crow / Scott Lawlor and Pamela Z.

Sara Sati nos visita en EPSA en el exilio para compartir generosamente con nosotros su weltanschauung, que vive intensamente a sus 21 años. Trans no binarie, bruja, artista, vegana, profeta, psiconauta y muchas cosas más, la implicación de Sara Sati con sus espiritualidades le obliga a presentarse al mundo de una manera que puede resultar incómoda y desconcertante en según qué ambientes. EPSA, como espacio de libertad que aspira a seguir asombrándose con el Mundo, le presta un micrófono para que pueda compartir sus vivencias con nosotros. Pamela Z ilustra musicalmente estos lugares, y nuestra querida Turiya reza una oración a Shiva la Destructora, para que destruya todos los males.

KIN - Laboratorio radiofonico e performativo presso Santarcangelo Festival 2050 Venerdì 17 luglio 2021 - 22:00 Bagni LUCIA a Santarcangelo Festival | Radio Papesse Ilaria Gadenz e Carola Haupt conducono una sessione di Bagni LUCIA in diretta da Santarcangelo Festival 2050. All'interno della trasmissione si è tenuta la performance "Pneuma" incentrata sul respiro a cura dei partecipanti al laboratorio KIN. Gli altri ascolti dell'episodio sono nell'ordine: Pamela Z, Maria Pecchioli, Alessandra Eremo, Giovanni Corona, Jasmina Metwaly, Janna Graham e Abraham Chavelas Radio Papesse - https://www.radiopapesse.org/ Lucia Festival - https://www.luciafestival.org/

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something.Tonight's broadcast features SAO PAULO UNDERGROUND / TUPPERWEAR, AUTOPSIA and PAMELA Z.

For some people, life seemed to come to a standstill during COVID. Not multimedia artist Pamela Z, she's "wading knee-deep in punishing deadlines." Hear about Pamela's impressive history with music and art, her adaptation to online performances, and her thoughts on the intensity of the past year. Find more of her work at pamelaz.com and hear her new album here.

Pamela Z smälter samman sin vackra röst med elegant elektronisk manipulation. Juliana Hodkinson förstärker tändstickor. Hon är filosofie doktor i tystnad i musik och ljudkonst. Pamela Z lever i San Francisco och komponerar stycken för röst, live-elektronik, samplade ljud och för gestikaktiverad MIDI-controllers. Hon är pionjär inom live digital looping, röstinstallationer och utvidgade vokala tekniker. Birgitta Tollan mötte Pamela Z första gången i studion i San Francisco redan 1996. Nu "möts" de digitalt genom Zoom. Pamela Z var på fint, årslångt stipendium i Rom när coronapandemin slog till. Efter sju månader, i mars 2020, var hon tvungen att resa hem till San Francisco. Hon fick sin Bachelor i musik redan 1978. Pamela Z har turnerat i USA, Europa och Japan och har komponerat för dans, film och kammarensembler som Kronoskvartetten och Eighth Blackbird. - Rösten är allas första instrument. Du är född med det och det är gratis. Och du är född med de olika tekniker som du kan använda, skrattar Pamela Z. Ett av hennes stycken heter And the Movement of the Tongue. Debutplattan från mitten av 2000-talet bär titeln A Delay Is Better. En recensent skrev: "En skicklig sammansmältning av hennes vackra röst med eleganta elektroniska manipulationer". Den brittiska tonsättaren Juliana Hodkinson, bosatt i Berlin sedan många år, erhöll 2015 det stora danska Carl Nielsen og Anne Marie Carl-Nielsens Legat. Juliana var den första pristagaren som inte är manlig tonsättare, och inte av dansk härkomst. Prissumman var då: 80 000 Euro. Ur motiveringen: "Juliana Hodkinsons kompositioner har en särskild ömtålig känslighet och känslighet för den konkreta världen." Några av hennes titlar är Lightness för förstärkta tändstickor och Why Linger You Trembling in your Shell?, där hon, förutom klassiska instrument som violin och slagverk, använder fjädrar, äggskal och bordtennisbollar. Stycket I Greet You a Thousand Times är komponerat för symfoniorkester och elektronik Juliana Hodkinson har tidigare bott och arbetat i Danmark under några år, då hon bland annat var ordförande för Dansk Kulturfond. Hon komponerar med instrument, objekt (bl a tändstickor), elektronik, text, röst, visuella medel och installationer. Hon har studerat musikvetenskap och filosofi vid King's College i Cambridge och japanska studier vid University of Sheffield. Juliana är Filosofie doktor i tystnad i musik och ljudkonst. Hon har undervisat i komposition och musik / media-estetik vid Köpenhamns Universitet, Technische Universität i Berlin, Högskolan för scen och musik i Göteborg och i Darmstadt. Nu är hon lektor i komposition vid Griegakademin i Bergen, Norge. Pamela Z och Juliana Hodkinson är inbördes olika och påverkade av olika länder/kulturer. De använder sig båda av instrument, objekt, live-elektronik, text, röst, visuella medel och installationer. Varför komponerar de musik? Hur komponerar de musik? Vad driver dem? Manus, regi och produktion: Birgitta Tollan. Låtlista: Lightness Juliana Hodkinson Ensemble Ictus In Tymes of Olde A Delay is Better Pamela Z Number 3 A Delay is Better Pamela Z Badagada, Suite for Solo Voice & Electronics Pamela Z Waving Not Drowning (a Guide to Elegance) Pamela Z And and And Pamela Z Amanda Gookin, cello, Ashley Hahn, röst Bone Music A Delay is Better Pamela Z I Greet You a Thousand Times Juliana Hodkinson Odense Symphony Orchestra in Carl Nielsen Hall, Odense, Denmark, conducted by Thomas Søndergaard Lightness Juliana Hodkinson Ensemble Ictus Can modify completely in this case. Not that it will make any difference Juliana Hodkinson Aart Strootman, gitarr, West Deutsche Rundfunks Symfoniorkester, Emilio Pomarico, dirigent Angel View Juliana Hodkinson Senatet Can modify completely in this case. Not that it will make any difference Juliana Hodkinson Aart Strootman, gitarr, West Deutsche Rundfunks Symfoniorkester, Emilio Pomarico, dirigent

Join us for Episode 4 of the Active Hope Podcast, featuring Marina Gorbis, the Executive Director of the Institute for the Future, poet Brenda Shaughnessy, and illustrator and animator Tim Fielder. Kamilah Forbes, Marc Bamuthi Joseph, and Paola Prestini of the Apollo Theater, the Kennedy Center, and National Sawdust engage in conversation surrounding futurism; how can we reimagine a collective future? How does futurism intersect with art and culture? What do we know about the future for sure, and what is there for us to create, together? Episode 4 Part 2 will be posted June 17, 2021. A special thank you to our guest, Marina Gorbis. Thank you to all artists featured in this part: Ash Koosha, Pamela Z, and Du Yun. The views and opinions expressed in this podcast do not necessarily reflect the opinions or position of the Kennedy Center. For more information on Active Hope, including a transcript of this episode, please visit https://www.kennedy-center.org/whats-on/special-programming/active-hope-podcast/

Episode 43 A Conversation with Pamela Z Music in the Time of Pandemic   Playlist TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Composed by Pamela Z; written by Geoff Sobelle; instrumentalists, Tom Dambly, Crystal Pascucci, Todd Reynolds; vocals, Pamela Z; voices sampled from Eric Sanderson, Alan Weisman, Robyn Orlin, Lisa McGinn, Stefanie Sobelle, Craig Dykers, Erick Gregory, Colleen Jennings-Roggensack, Jack Tchen, Adrienne Brown, Pamela Z, and Geoff Sobelle. Background music used during this episode (exceprts): Pamela Z, "Quatre Couches" in a solo concert as part of VoxLab Vårfest at Vega Scene in Oslo, Norway, on April 11, 2019. Pamela Z, electronics and voice processing using MAX MSP gesture-controlled MIDI instruments. Pamela Z, “Three Vertical Kilns (Carbon Song Cycle)” Live at BAM/PFA (April 12, 2013). Excerpt from the complete performance of Carbon Song Cycle, a work for chamber ensemble and expanded cinema by composer Pamela Z and video artist Christina McPhee. Ink: commissioned and presented by VOLTI (2021); artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music and video by Pamela Z. TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Pamela Z, “Badagada”from A Delay Is Better (2004 Starkland). Composed by, recorded by, performer, producer, liner notes, Pamela Z. Additional works and links for Pamela Z: Website for Pamela Z TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Ink: commissioned and presented by VOLTI (2021); artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music and video by Pamela Z. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.  

This week’s episode is a conversation with composer http://www.pamelaz.com (Pamela Z) about her new premiere with http://www.voltisf.org (Volti SF), titled Ink.  The composition unfolds in five sonically distinct movements that variously use standard notation, graphic elements, instructions, and rote transmission of sung and spoken vocal material.  We also catch up with Volti’s Artistic Director, http://voltisf.org/meet/staff/ (Bob Geary), to get his thoughts on the piece and its premiere. http://www.inunisonpodcast.com/episodes/s03e01#transcript (Episode transcript) Music excerpts “https://www.youtube.com/watch?v=hDewK_Evgyc (Ink)”, by http://www.pamelaz.com (Pamela Z) performed by http://www.voltisf.org (Volti) Episode references http://www.pamelaz.com (Pamela Z) http://www.voltisf.org (Volti SF) https://www.inunisonpodcast.com/store (In Unison Store) Theme Song: https://music.apple.com/us/album/mr-puffy/1457011536?i=1457011549 (Mr. Puffy) by Avi Bortnik, arr. by Paul Kim. Performed by http://www.dynamicjazz.dk/ (Dynamic)

The only thing that is almost as exciting as watching and listening to a multimedia performance by Pamela Z is to hear her talk about it which she does for almost an hour in a fascinating conversation with Frank J. Oteri that spans a wide range of topics including: creating and performing during the pandemic; her artistic beginnings as a singer-songwriter and how she transitioned into an experimental composer; a difficult encounter with TSA agents; dealing with constant changes in technology; and her obsession with old telephones. Read a complete transcript and see and hear some of Pamela Z's music on NewMusicBox: nmbx.newmusicusa.org/pamela-z-expan…-imaginations/

Dorian Wallace is a composer and professional piano player that was formerly a member of the New Jersey National Guard's 63rd Army Band. He grew up in a small town in Ohio and joined the Ohio National Guard for money to go to college. Before finishing, he realized that life would lead him to spontaneously move to New York City. Wallace has collaborated with artists such as Bonita Oliver, John Sanborn, Paul Pinto, Pamela Z, Charlotte Mundy, Frank London, and Nicholas Finch, to name a few. Additionally, Wallace is one of New York City's most in-demand dance accompanists, he has played for Martha Graham Dance Company, Doug Varone and Dancers, Juilliard, New York University, Columbia University, and many, many others. He also teaches Music for Dancers at the Martha Graham School and is a teaching artist for the Mark Morris Dance Accompaniment Training Program. Wallace received a BA in Music Therapy from Montclair State University, studying under Dr. Brian Abrams and Dr. Michael Viega. He currently resides in Harlem, NYC, with his partner Hajnal Pivnick and their daughter Ildikó.

Las prácticas sonoras van tomando cada vez mayor protagonismo en la escena actual del arte contemporáneo. Revisamos dos artistas que tienen distintas aproximaciones artísticas pero utilizan el mismo medio: arte sonoro. Brevemente platicamos de Pamela Z, artista que utiliza el sonido como performance; también de Susan Philipsz, quien realiza piezas de arte sonoro para el espacio público. Escríbenos a hola@artpodcastmx.com 

Devin speaks with John Clay Allen about musicians and composers who were pioneers in bridging electronic and acoustic sounds, especially around the symphony orchestra.  John Clay Allen is a composer, pianist, educator & explorer on the fringes where classical music meets electronic music. Originally from Ruidoso, New Mexico, his music is a synthesis of post-minimalist and spectralist styles, with an underlying predilection for the romantic. His music values the timbral and textural over the traditional note unit, and uses electronics to extend the realm of acoustic possibility. His body of work ranges from pieces for soloist and chamber ensembles to full orchestra, wind symphony, and opera, and his debut album Asnières (silent “s”) was released in 2020.  Clay’s compositions have been performed across the United States and internationally at festivals including SEAMUS, CICTeM in Buenos Aires, the Cortona Sessions in Italy, and the New York City Electroacoustic Music Festival. Recent commissions include works for the Boulder Symphony, Pendulum New Music’s Spark Award, sAge Brass, the Boulder Altitude Directive, and Ajax string quartet. Clay has been a fellow at New Music on the Point and the Charlotte New Music.  As a performer, Clay frequently appears as a conductor and collaborative pianist, and has performed across the United States. Passionate about education and outreach, Clay has taught lessons and classes in composition, piano, and music technology for nearly a decade and is a founding member of the Equinox New Music Collective, a nonprofit organization dedicated to bringing new music to new audiences. Clay holds degrees from West Texas A&M University, University of North Texas, and the University of Colorado Boulder where he received his doctorate in composition. Clay currently divides his time teaching at Metropolitan State University of Denver and the University of Colorado Boulder.  Thank you for joining us on One Symphony and thanks to John Clay Allen for sharing his music, knowledge, & expertise. Thank you to all the incredible performers and record labels that made this episode possible. Tchaikovsky’s 4th symphony was performed by the Oslo Philharmonic and Mariss Jansons. Respighi’s Pines of Rome was played by the Berlin Philharmonic conducted by Herbert Van Karajan. John Adams Transmigration of Souls was performed by the NY Philharmonic and Lorin Maazel on Nonesuch Records. Au Deuxième Etage by Elainie Lillios is from the album Miniatures Concrètes from the Empreintes Digitales label. Pamela Z’s Ethel Dreams of Temporal Distubances is performed by Ethel, Vijay Iyer & Pamela Z from the album Light Cantaloupe Music. Gérard Grisey’s Partiels from Les espaces acoustiques is played by the WDR Sinfonieorchester Köln, conducted by Stefan Asbury on Kairos Records. Warehouse Medicine from the B-Sides by Mason Bates is performed by San Francisco Symphony and Michael Tilson Thomas. The reminder of the tracks come from John Clay Allen’s Asnières, which you can find on all platforms, wherever you listen. You can check out John Clay Allen online at JohnClayAllen.com. You can always find more info at OneSymphony.org including a virtual tip jar if you’d like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Today, Robert Geary, founding Artistic Director of both http://voltisf.org/ (Volti SF) and the https://www.piedmontchoirs.org/ (Piedmont East Bay Children’s Choir), as well as Artistic Director for the http://www.sfchoral.org/site/ (San Francisco Choral Society), stops by the show for a virtual chat about how the diverse membership of his organizations have responded to COVID with a particular focus on producing visual media that goes beyond the virtual choir. We also discuss the advent of the new music scene in the bay area in the 70’s, and talk shop about some new and exciting composers.  Music Excerpts https://open.spotify.com/track/5XTt9kMdiUEF3rwsl2jbCd?si=_WH1I84hQ1CDCkci7mL03g (Klavierstuck V, Work No. 4), by Karlheinz Stockhausen https://open.spotify.com/track/2ZjWTT1Z8E8WhrhL3T0IhN?si=7y3n2nC0QwKf4pU5p1t4AQ (Canticum Sacrum), by Igor Stravinsky, performed by the http://sfsymphony.org (San Francisco Symphony) https://open.spotify.com/track/3QCfUr1mpOx3Y9QnvjMBTx?si=wJG-cgXFT5-MQzAskvA4HA (Sound from the Bench: (Ch)oral argument), by http://www.tedhearne.com/ (Ted Hearne) https://www.youtube.com/watch?v=xi72jlYNMkI&feature=youtu.be (it sounds like all my dreams), by https://www.annehege.com/ (Anne Hege) https://www.dclaymusic.com/singingpuzzles (Singing Puzzles), by https://www.dclaymusic.com/ (Danny Clay) https://www.youtube.com/watch?v=5OfLLFWt4Wk&feature=emb_logo (Ave Maria), Robert Parsons, arr. by http://www.joelchapmanmusic.com (Joel Chapman) https://www.youtube.com/watch?v=ebxvVJwGWek (Quatre Couches) from Suite for Voice and Electronics, by http://www.pamelaz.com/ (Pamela Z ) Theme Song: https://music.apple.com/us/album/mr-puffy/1457011536?i=1457011549 (Mr. Puffy) by Avi Bortnik, arr. by Paul Kim. Performed by http://www.dynamicjazz.dk/ (Dynamic)

Nesta edição:01 – Pierre-André Arcand - Lsé-tu - 4'20”;02 – Jaap Blonk - Mnemosyne - 3'05”;03 – Miroslav Raikowski – The Primary Principle - 3'09”;04 – Américo Rodrigues - Remando - 3'02”;05 – Alexandr Gornon – Ne-ve-primoi-ki-shkoj-tzara – 3'59”;06 – Pamela Z – 50 (for Charles Amirkhanian) – 2'04”;Total – 19'39”.Produção, gravação, edição e locução: Marcelo Brissac.Música “Drácula” usada no prefixo e sufixo, autoria de Marcelo Brissac e Livio Tragtenberg.

1. Mason Bates - The (R)evolution of Steve Jobs: Scene 7, That Can Also Be a Ticking Clockhttps://spoti.fi/3nEI1OG2. Pamela Z - Badagadahttps://youtu.be/9_d6UFZZ8ck?t=2433. Errollyn Wallen - Gun Gun Gunhttps://spoti.fi/3kHe4Mb4. Judah Adashi - Risehttps://youtu.be/s2NCPiX3A1MYou can listen to these before or after the episode, or you can pause our podcast and go listen to each piece as we introduce them. Panelists:Bass Robert Ellsworth Feng is acclaimed for having a “commanding darkness and thickness to his tone,” and is a born collaborator who performs with artists of all mediums. Robert is the recipient of the George Woodhead Prize in Voice and the Peabody Career Development Award and placed second in the NY Classical Music Society International Voice Competition. Performance highlights include Don Giovanni (Il Commendatore) with Kor Productions, The Mikado (Ko-Ko) with Hawaii Opera Theatre, Tobias Picker’s Emmeline (Pastor Avery) with Manhattan School of Music, and more. Robert has premiered new works including Tony Small’s Qadar and Nick Peros’ Lamentation of Ruin. During quarantine, Robert performed in Social Distance Opera's production of Street Scene as Henry Davis, with Seagle Music Colony, and was a featured artist for Tony Small's Virtual Masterclass series for the Boys & Girls Club of Greater Washington. Robert received his Bachelors at Peabody, his Masters at Manhattan School of Music, and is an alumni of Seagle Music Colony. Robert is also a proud member of the Hawaii Opera Theatre Mae Z. Orvis Opera Studio.Taylor-Alexis DuPont is a young and engaging Mezzo-Soprano from Orlando, Florida. Since graduating with her Masters in Voice from the Peabody Conservatory while studying with Denyce Graves, Taylor-Alexis has performed with the Metropolitan Opera, the Ising International Young Artist Festival in Beijing and Suzhou, China, the Glimmerglass Festival, Prototype Festival, Sarasota Opera, St. Petersburg Opera, Opera Orlando, First Coast Opera, Christman Opera and City Lyric Opera. Performance highlights include Cendrillion (Prince Charmant), Così fan tutte (Dorabella), Ruslan and Ludmilla (Prince Ratmir), The Snow Maiden (Lel) and Pinocchio (Pinocchio). Earlier this year Taylor-Alexis performed as an ensemble member and soloist cover in the Metropolitan Opera’s wildly successful production of Porgy and Bess and made her debut with Heartbeat Opera in a new work titled Lady M. Taylor-Alexis is currently working with the Florentine Opera as a Baumgartner studio artist for the 2020-2021 season.Praised for her “vocal control and exquisite refinement,” soprano Teresa Ferrara is dedicated to music’s power to transcend social divides and inspire people of all ages and backgrounds. She has performed as a solo vocalist at the Kennedy Center and her chorus work has allowed her to perform often with the National Symphony Orchestra. She has earned many awards for her singing, including the George Woodhead Prize in Voice from the Peabody Conservatory, the Award for Excellence in the Arts from the National Society of Arts and Letters, and The Washington Post Music and Dance Scholarship Award. Ms. Ferrara has performed repeatedly with Maryland Lyric Opera, Baltimore Musicales, and the IN Series. Notable opera credits include Mozart’s Le Nozze di Figaro (Countess Almaviva) and Così fan tutte (Despina), as well as Donizetti’s L’Elisir d’Amore (Giannetta), Massenet's Chérubin (L'Ensoleillad), and Viva V.E.R.D.I. - The Promised End, (Soprano). A graduate of the Master of Music program at Peabody, she plans to continue to pursue musical endeavors that stretch the norms of classical music and seek to educate and serve the community.

Pamela Z smälter samman sin vackra röst med elegant elektronisk manipulation. Juliana Hodkinson förstärker tändstickor. Hon är filosofie doktor i tystnad i musik och ljudkonst. Pamela Z lever i San Francisco och komponerar stycken för röst, live-elektronik, samplade ljud och för gestikaktiverad MIDI-controllers. Hon är pionjär inom live digital looping, röstinstallationer och utvidgade vokala tekniker. Birgitta Tollan mötte Pamela Z första gången i studion i San Francisco redan 1996. Nu "möts" de digitalt genom Zoom. Pamela Z var på fint, årslångt stipendium i Rom när coronapandemin slog till. Efter sju månader, i mars 2020, var hon tvungen att resa hem till San Francisco. Hon fick sin Bachelor i musik redan 1978. Pamela Z har turnerat i USA, Europa och Japan och har komponerat för dans, film och kammarensembler som Kronoskvartetten och Eighth Blackbird. - Rösten är allas första instrument. Du är född med det och det är gratis. Och du är född med de olika tekniker som du kan använda, skrattar Pamela Z. Ett av hennes stycken heter And the Movement of the Tongue. Debutplattan från mitten av 2000-talet bär titeln A Delay Is Better. En recensent skrev: "En skicklig sammansmältning av hennes vackra röst med eleganta elektroniska manipulationer". Den brittiska tonsättaren Juliana Hodkinson, bosatt i Berlin sedan många år, erhöll 2015 det stora danska Carl Nielsen og Anne Marie Carl-Nielsens Legat. Juliana var den första pristagaren som inte är manlig tonsättare, och inte av dansk härkomst. Prissumman var då: 80 000 Euro. Ur motiveringen: "Juliana Hodkinsons kompositioner har en särskild ömtålig känslighet och känslighet för den konkreta världen." Några av hennes titlar är Lightness för förstärkta tändstickor och Why Linger You Trembling in your Shell?, där hon, förutom klassiska instrument som violin och slagverk, använder fjädrar, äggskal och bordtennisbollar. Stycket I Greet You a Thousand Times är komponerat för symfoniorkester och elektronik Juliana Hodkinson har tidigare bott och arbetat i Danmark under några år, då hon bland annat var ordförande för Dansk Kulturfond. Hon komponerar med instrument, objekt (bl a tändstickor), elektronik, text, röst, visuella medel och installationer. Hon har studerat musikvetenskap och filosofi vid King's College i Cambridge och japanska studier vid University of Sheffield. Juliana är Filosofie doktor i tystnad i musik och ljudkonst. Hon har undervisat i komposition och musik / media-estetik vid Köpenhamns Universitet, Technische Universität i Berlin, Högskolan för scen och musik i Göteborg och i Darmstadt. Nu är hon lektor i komposition vid Griegakademin i Bergen, Norge. Pamela Z och Juliana Hodkinson är inbördes olika och påverkade av olika länder/kulturer. De använder sig båda av instrument, objekt, live-elektronik, text, röst, visuella medel och installationer. Varför komponerar de musik? Hur komponerar de musik? Vad driver dem? Manus, regi och produktion: Birgitta Tollan. Låtlista: Lightness Juliana Hodkinson Ensemble Ictus In Tymes of Olde A Delay is Better Pamela Z Number 3 A Delay is Better Pamela Z Badagada, Suite for Solo Voice & Electronics Pamela Z Waving Not Drowning (a Guide to Elegance) Pamela Z And and And Pamela Z Amanda Gookin, cello, Ashley Hahn, röst Bone Music A Delay is Better Pamela Z I Greet You a Thousand Times Juliana Hodkinson Odense Symphony Orchestra in Carl Nielsen Hall, Odense, Denmark, conducted by Thomas Søndergaard Lightness Juliana Hodkinson Ensemble Ictus Can modify completely in this case. Not that it will make any difference Juliana Hodkinson Aart Strootman, gitarr, West Deutsche Rundfunks Symfoniorkester, Emilio Pomarico, dirigent Angel View Juliana Hodkinson Senatet Can modify completely in this case. Not that it will make any difference Juliana Hodkinson Aart Strootman, gitarr, West Deutsche Rundfunks Symfoniorkester, Emilio Pomarico, dirigent

Pamela Z smälter samman sin vackra röst med elegant elektronisk manipulation. Juliana Hodkinson förstärker tändstickor. Hon är filosofie doktor i tystnad i musik och ljudkonst. Av Birgitta Tollan. Pamela Z lever i San Francisco och komponerar stycken för röst, live-elektronik, samplade ljud och för gestikaktiverad MIDI-controllers. Hon är pionjär inom live digital looping, röstinstallationer och utvidgade vokala tekniker. Birgitta Tollan mötte Pamela Z första gången i studion i San Francisco redan 1996. Nu "möts" de digitalt genom Zoom. Pamela Z var på fint, årslångt stipendium i Rom när coronapandemin slog till. Efter sju månader, i mars 2020, var hon tvungen att resa hem till San Francisco. Hon fick sin Bachelor i musik redan 1978. Pamela Z har turnerat i USA, Europa och Japan och har komponerat för dans, film och kammarensembler som Kronoskvartetten och Eighth Blackbird. - Rösten är allas första instrument. Du är född med det och det är gratis. Och du är född med de olika tekniker som du kan använda, skrattar Pamela Z. Ett av hennes stycken heter And the Movement of the Tongue. Debutplattan från mitten av 2000-talet bär titeln A Delay Is Better. En recensent skrev: "En skicklig sammansmältning av hennes vackra röst med eleganta elektroniska manipulationer". Den brittiska tonsättaren Juliana Hodkinson, bosatt i Berlin sedan många år, erhöll 2015 det stora danska Carl Nielsen og Anne Marie Carl-Nielsens Legat. Juliana var den första pristagaren som inte är manlig tonsättare, och inte av dansk härkomst. Prissumman var då: 80 000 Euro. Ur motiveringen: "Juliana Hodkinsons kompositioner har en särskild ömtålig känslighet och känslighet för den konkreta världen." Några av hennes titlar är Lightness för förstärkta tändstickor och Why Linger You Trembling in your Shell?, där hon, förutom klassiska instrument som violin och slagverk, använder fjädrar, äggskal och bordtennisbollar. Stycket I Greet You a Thousand Times är komponerat för symfoniorkester och elektronik Juliana Hodkinson har tidigare bott och arbetat i Danmark under några år, då hon bland annat var ordförande för Dansk Kulturfond. Hon komponerar med instrument, objekt (bl a tändstickor), elektronik, text, röst, visuella medel och installationer. Hon har studerat musikvetenskap och filosofi vid King's College i Cambridge och japanska studier vid University of Sheffield. Juliana är Filosofie doktor i tystnad i musik och ljudkonst. Hon har undervisat i komposition och musik / media-estetik vid Köpenhamns Universitet, Technische Universität i Berlin, Högskolan för scen och musik i Göteborg och i Darmstadt. Nu är hon lektor i komposition vid Griegakademin i Bergen, Norge. Pamela Z och Juliana Hodkinson är inbördes olika och påverkade av olika länder/kulturer. De använder sig båda av instrument, objekt, live-elektronik, text, röst, visuella medel och installationer. Varför komponerar de musik? Hur komponerar de musik? Vad driver dem? Manus, regi och produktion: Birgitta Tollan.

Apie Undine Smith-Moore (1904-1989), Pamela Z (*1956) ir Rosephanye Powell (*1962) kūrybą.

Diskusia Nadácie Zastavme korupciu a Denníka N o justícii.Debatovali: - Mária Kolíková (ministerka spravodlivosti) - Peter Kubina (poradca prezidentky pre oblasť práva) - Pamela Záleská (sudkyňa Špecializovaného trestného súdu) - Dušan Čimo (sudca Najvyššieho súdu) Moderovala Zuzana Petková, riaditeľka Nadácie Zastavme korupciu.

It's the fourth anniversary of The Portfolio Composer. And every anniversary I take a look back at the previous year's most popular episodes. These episodes are the most downloaded episodes of the previous year.   This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.dorico.com/tpc for a free 30-day trial version.     Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!     This episode is sponsored by nkoda, the home of digital sheet music. Try nkoda for free!   The Most Popular Episodes of 2019! Most Popular Episodes: #10–Ep 211-Danny Bensi & Saunder Juriaans on Letting Go of Ego #9–Ep 210-Gabriel Mann on Being Invested #8–Ep 212-Dale Trumbore on Staying Composed #7–Ep 205-James Adler on Marketing A Winter Triptych #6–Ep 215-Pamela Z on The Five Jobs of a Successful Artist #5–Ep 213-Sean Beeson on The Six P's of a Career #4–Ep 202-Adam Lastiwka on Scoring Travelers and Finding a Mentor #3–Ep 201-Philip Sheppard on Bach, Audiences, and the Olympics #2–Ep 207-Scott Lang on Realizing You're an Entrepreneur #1–Ep 206-Alex Harwood on Making Yourself Discoverable   Help composers find the podcast by giving The Portfolio Composer a review on iTunes!     This episode was edited by Studio184.

The post Musician Pamela Z appeared first on This Beautiful Shot is Not an Accident.

Pamela Z is a composer/performer and media artist who makes solo works combining a wide range of vocal techniques with electronic processing, samples, gesture activated MIDI controllers, and video. She has toured extensively throughout the US, Europe, and Japan. Her work has been presented at venues and exhibitions including Bang on a Can (NY), the Japan Interlink Festival, Other Minds (SF), the Venice Biennale, and the Dakar Biennale. She's created installations and has composed scores for dance, film, and chamber ensembles (including Kronos Quartet). Her awards include the Rome Prize, a Guggenheim Fellowship, the Doris Duke Artist Impact Award, the Robert Rauschenberg Foundation residency, the Herb Alpert Award, and an Ars Electronica honorable mention, and the NEA/Japan-US Fellowship. www.pamelaz.com

Pamela Z is a composer/performer and media artist who makes solo works combining a wide range of vocal techniques with electronic processing, samples, gesture activated MIDI controllers, and video. She has toured extensively throughout the US, Europe, and Japan. Her work has been presented at venues and exhibitions including Bang on a Can (NY), the Japan Interlink Festival, Other Minds (SF), the Venice Biennale, and the Dakar Biennale. She's created installations and has composed scores for dance, film, and chamber ensembles (including Kronos Quartet). Her awards include the Rome Prize, a Guggenheim Fellowship, the Doris Duke Artist Impact Award, the Robert Rauschenberg Foundation residency, the Herb Alpert Award, and an Ars Electronica honorable mention, and the NEA/Japan-US Fellowship. www.pamelaz.com

Pamela Z is a composer/performer and media artist who makes solo works combining a wide range of vocal techniques with electronic processing, samples, gesture activated MIDI controllers, and video. She has toured extensively throughout the US, Europe, and Japan. Her work has been presented at venues and exhibitions including Bang on a Can (NY), the Japan Interlink Festival, Other Minds (SF), the Venice Biennale, and the Dakar Biennale. She's created installations and has composed scores for dance, film, and chamber ensembles (including Kronos Quartet). Her awards include the Rome Prize, a Guggenheim Fellowship, the Doris Duke Artist Impact Award, the Robert Rauschenberg Foundation residency, the Herb Alpert Award, and an Ars Electronica honorable mention, and the NEA/Japan-US Fellowship.     This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.dorico.com/tpc for a free 30-day trial version. Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!   Composer, performer, and inventor Pamela Z shares her story and why every creative needs to master the five jobs of a successful artist.   Help composers find the podcast by giving The Portfolio Composer a review on iTunes!   This episode was edited by E.J. Sadler at Studio184.  

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay!? 1. Keith Josef Adkins rebroadcast, Apr. 17. He joins us to speak about his play on Dr. George Washington Carver: "Patron Saint of Plants." 2. Saabir Lockett: Special Projects Coordinator for EBASE, joins us to talk about the film "City Rising: The Informal Economy", screening at Grand Lake Theatre in Oakland, Monday, April 22, 7 p.m. It is a free event. 3. Flyaway Productions World Premiere of Jo Kreiter's The Wait Room, part 1 of The Decarceration Trilogy April 19-27, 2019. The site specific work honors women with incarcerated loved ones. We are joined in the studio with collaborators: Pamela Z, Composer and Sean Riley, Set Designer.     

www.resonantbodiesfestival.org/podcast/2018/pamela-z-show-notes

Pamela Z describes the creative life she had as a child, explains what a phonolog was, and relates some of the encounters she's had with both sexism and racism in her career.   

Rooted in the San Francisco avant-garde music scene, composer and performer  combines vocals, electronic processing, and multi-media performance into a hybrid, experimental medium of her own invention.

(May 19, 2012) Pamela Z uses pioneering live digital looping to combine experimental vocal techniques, operatic bel canto, found objects, text, and sampled sounds.

This Educator Guide corresponds with the "Pamela Z: Experimental Musician" video from KQED Spark.

Pamela Z uses technology to free her voice and body, creating songs that weave together voice and sampled sound.

We open the show with Dave Room and Jonathan Gramling speaking about "Take Back the Mic" kickoff at Ashkenaz Music and Dance Center, 1317 San Pablo Avenue(@ Gilman, in Berkeley, Thursday, May 20, 7:30 PM. Take Back the Mic is building the groundwork for the Bay Area eco-justice community to connect with mainstream media in a meaningful way. "Take Back the Mic Campaign" is a way to help communities tell their own stories and define themselves. Visit www.takebackthemic.com/ Duane Deterville is one of the artists participating in the exhibit, “Past Forward: African Spirituality in Contemporary Black Art,” through August 19, 2010 at the Sargent Johnson Gallery at the AAACC at 762 Fulton Street, in San Francisco. There is an artist talk, May 29, 2-4 PM at the AAACC. Both the talk and art exhibit are free. Duane is a visual artist, writer and scholar of visual culture. Our next guest is Marvin X, esteemed scholar, poet, playwright, teacher, is author of "Parables, Fables, Musings of Plato Negro," which has a debut reading/performance, Sat., May 15, 2 PM at the African American Museum and Library at Oakland (14th Street @ MLK Jr. Way). No where can one find a writer who produces work as quickly as El Muhajir (Marvin X). Amiri Baraka says of Al Muhajir, "Is Marvin X a Parable or Fable? I doubt Marvin X exists! I double doubt there is a Plato Negro!" The free event is also a benefit for Black Bird Press. Copies of Parable/Fable will be available for a $100 donation. Visit www.parablesandfablesofmarvinx.com Pamela Z,our final guest, is a composer/performer who makes solo works combining a wide range of vocal techniques with electronic processing, samples, and gesture activated MIDI controllers. She has toured extensively throughout the US, Europe, and Japan. Her new work, "Baggage Allowance" opens at Artaud Theater, now managed by Z-Space Studios, 450 Florida Street, San Francisco, CA, 94110 zspace@zspace.org , (415)626-0453. Also visit www.pamelaz.com

Pamela Z is a composer, performer, sound artist and vocalist who creates works primarily with and about the voice, using her voice, sampling technology and electronic processing to produce performance events and recordings of layered aural compositions. Spark caught up with Pamela Z creating and performing a layered, multi-media performance called "Voci" ("Voices"). Original air date: May 2003.