Podcasts about Isma

La foi est le point de départ de cette assistance, et la droiture en est le sommet. Le Cheikh demande à Dieu de le protéger des obstacles et des malheurs de la vie, de le préserver de la perdition, et de le faire sortir indemne des épreuves, suivant l'exemple des Prophètes éprouvés avant lui.Il distingue deux formes de protection : • ‘Isma : préservation avant que le mal n'arrive. • Nadjâ : secours au moment du danger.Ensuite, il énumère de nombreux fléaux (maladie, humiliation, tristesse, feu, pauvreté, etc.) dont il demande à être préservé, non par peur, mais pour affirmer son besoin de Dieu et sa totale dépendance à Lui. Enfin, le Cheikh prie pour obtenir un cœur humble, une science utile, un repentir sincère, une autorité juste et une épouse pieuse, montrant ainsi l'attitude parfaite du serviteur envers son Seigneur : humilité, confiance et attachement constant à la voie prophétique.

Dans cette édition :Des jeunes comme Manon et Ismaël se sont engagés dans l'armée après les attentats de 2015 pour protéger les Français, et ont été déployés en opérations à l'étranger.La suspension de la réforme des retraites souhaitée par le Parti Socialiste va coûter plusieurs milliards d'euros aux finances publiques, suscitant les critiques du MEDEF.Une explosion de colis piégé dans une agence Allianz à Montluçon est actuellement sous surveillance du parquet national antiterroriste, qui examine la piste de l'ultra-gauche.Deux propriétaires victimes de squats depuis près de trois ans dans un immeuble d'Aubagne voient leurs biens se dégrader et peinent à récupérer leurs appartements.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :Des jeunes comme Manon et Ismaël se sont engagés dans l'armée après les attentats de 2015 pour protéger les Français, et ont été déployés en opérations à l'étranger.La suspension de la réforme des retraites souhaitée par le Parti Socialiste va coûter plusieurs milliards d'euros aux finances publiques, suscitant les critiques du MEDEF.Une explosion de colis piégé dans une agence Allianz à Montluçon est actuellement sous surveillance du parquet national antiterroriste, qui examine la piste de l'ultra-gauche.Deux propriétaires victimes de squats depuis près de trois ans dans un immeuble d'Aubagne voient leurs biens se dégrader et peinent à récupérer leurs appartements.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

De PVV begon haar afgelopen verkiezingscampagne met een discriminerend beeld: links een jonge blonde vrouw en rechts een norse, gerimpelde vrouw met hoofddoek, met de tekst "Aan U de keuze op 29/10". Het bericht zorgde voor meer dan 2500 meldingen van discriminatie. Ook bij andere politieke partijen is het steeds normaler om Nederlandse moslims te ondermijnen en verdacht te maken. Terwijl er veel discriminatie tegen moslims is geweest gedurende de verkiezingscampagne(en daarvoor) is er aan de andere kant weinig aandacht voor dit probleem binnen de politiek, zoals contcreet beleid om het te bestrijden. Hoe hebben Nederlandse moslims zelf de afgelopen verkiezingsperiode ervaren en hoe doorbreken we die normalisering van moslim-discriminatie? Te gast: Ismaïl Sarti, bestuurslid bij het Collectief Jonge Moslims

Marie Cyril Eddy Boissézon, plus connu comme Eddy Boissézon, né le 28 mars 1952, s'est éteint ce 1er novembre 2025, jour de la Toussaint. Homme d'État respecté et figure politique marquante, il a été vice-président de la République de Maurice de 2019 à 2024. Ancien membre du Mouvement Militant Mauricien (MMM), il avait rejoint en 2014 le Muvman Liberater (ML) dirigé par Ivan Collendavelloo. Lorsque Pravind Jugnauth succède à son père Sir Anerood Jugnauth comme Premier ministre, Eddy Boissézon est nommé ministre de la Fonction publique et des Réformes administratives, poste qu'il occupe jusqu'au 12 novembre 2019. Par la suite, le 2 décembre 2019, il est élu vice-président de la République par l'Assemblée nationale et investi le même jour. À l'annonce de son décès, ses anciens camarades de parti ont tenu à lui rendre hommage. « Un homme humble qui s'en est allé », confie Ismaël Rawoo, ancien leader adjoint du ML. Toolsiraj Benydin affirme qu'Eddy Boissézon l'a énormément aidé dans sa carrière politique. « J'ai perdu un grand frère », confie-t-il. Ivan Collendavelloo, leader du Muvman Liberater, profondément ému, se souvient encore d'Eddt Boissézon comme un ami d'enfance. « Il était un homme sincère », dit-il.

Depuis plus de 17 ans, une famille installée en Moselle, se bat pour obtenir une réponse simple à une question qui l'est tout autant: de quoi est mort au printemps 2006 leur fils, frère et oncle Ismaël Abdelkader, 26 ans à l'époque des faits ? Une disparition, un corps, des témoins directs du drame, des scénarios possibles, crime ou accident. La résolution de l'affaire semblait à portée de main. Sauf que dans cette histoire, rien ne va être entrepris pour savoir qui a fait quoi.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From winning the Coupe de France with Rennes to a thrilling FA Cup triumph at Crystal Palace, Ismaïla Sarr's journey is a rollercoaster of explosive pace and big-moment goals. This episode dives into the Senegalese forward's career, analyzing his standout performances—including that famous hat-trick against Liverpool—and his tactical evolution at Selhurst Park under a new system. Discover why Sarr is now one of the Premier League's most dangerous wingers, his impressive set-piece record, and what his resurgence means for the Eagles' future.Ismaïla Sarr, Crystal Palace, Premier League, FA Cup , Senegal football.

Depuis plus de 17 ans, une famille installée en Moselle, se bat pour obtenir une réponse simple à une question qui l'est tout autant: de quoi est mort au printemps 2006 leur fils, frère et oncle Ismaël Abdelkader, 26 ans à l'époque des faits ? Une disparition, un corps, des témoins directs du drame, des scénarios possibles, crime ou accident. La résolution de l'affaire semblait à portée de main. Sauf que dans cette histoire, rien ne va être entrepris pour savoir qui a fait quoi.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:03:24 - Sous les radars - par : Sébastien LAUGENIE - Ce soir dans sous les radars : les fondateurs de Ben & Jerry's qui se sont fâchés avec la maison mère, des arbitres turques trop parieurs et à Djibouti où Ismaël Omar Guelleh peut briller un sixième mandat malgré son âge. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:24 - Sous les radars - par : Sébastien LAUGENIE - Ce soir dans sous les radars : les fondateurs de Ben & Jerry's qui se sont fâchés avec la maison mère, des arbitres turques trop parieurs et à Djibouti où Ismaël Omar Guelleh peut briller un sixième mandat malgré son âge. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:24 - Sous les radars - par : Sébastien LAUGENIE - Ce soir dans sous les radars : les fondateurs de Ben & Jerry's qui se sont fâchés avec la maison mère, des arbitres turques trop parieurs et à Djibouti où Ismaël Omar Guelleh peut briller un sixième mandat malgré son âge. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Du 17 septembre au 14 décembre 2025, la Galerie du 19M présente "Trouver son monde", une exposition collective qui invite chacun à se lancer dans une quête à la fois intime et collective, aux côtés de dix-sept créateurs de la scène française et des Maisons d'art résidentes du 19M. Conçu comme un parcours riche et immersif, ce projet explore le dialogue entre mémoire et transmission, gestes ancestraux et approches audacieuses, ouvrant de nouveaux territoires de création où arts visuels et artisanat d'art se rencontrent. Dans cet épisode, des membres du comité éditorial et des artistes de l'exposition partagent les coulisses de collaborations inédites. Comment un geste transmis devient-il source d'inspiration ? Comment une technique se réinvente-t-elle au contact d'un univers créatif singulier ? Et comment construire un dialogue vivant entre héritage et modernité ? Un podcast produit par Géraldine Sarratia et réalisé par Guillaume Girault dans le cadre de l'exposition Trouver son monde à la Galerie du 19M, du 17 septembre au 14 décembre 2025. Avec : Anne Bourrassé, Nina Jayasuria, Regina Weber, Emeline Amétis, Rakajoo, Ismaël Bazri et Éléa-Jeanne Schmitter.

Was het onnodig? Knullig? Eén ding is zeker: SC Cambuur weet na elf wedstrijden weer wat verliezen is. En dat biedt in de nieuwste aflevering van ‘t Hertenkamp, voldoende stof tot praten. Met René van Rijswijk gaat het onder meer over de verdedigende zwaktes, de (gewijzigde?) pikorde in de punt van de aanval, de Denzell Dumfries van Harkema, rising star Ismaël Baouf én de controverse over de beslissingen van de scheidsrechter. ­ * Vragen voor in de podcast? Mail naar: jonathan.ploeg@lc.nl * SC Cambuur op de voet volgen? Abonneer je hier op onze nieuwsbriefSee omnystudio.com/listener for privacy information.

What does it mean to truly use your voice—to tell stories, bring words to life, and inspire others even when life throws challenge's your way? My guest this week, Amber Ba'th, embodies that Unstoppable spirit. Amber is a professional voice actor, a Bible narrator for the Dwell app, and a functional nutritionist who turned a life-changing diagnosis into a deeper calling. Amber opens up about performing on stage, finding her place in the booth, and learning resilience after being diagnosed with transverse myelitis. Her story reminds us that creativity and courage don't fade—they evolve. I think you'll be moved by her honesty, her strength, and her Unstoppable commitment to sharing her voice with the world.   Highlights:   00:10 – Hear how early curiosity in theater grew into a lifelong love for performance. 03:21 – Learn how family roots in the arts shaped a career in acting and voice. 07:21 – Discover why live theater creates a unique audience experience you can't get in film. 14:03 – See how studying Theater Arts Administration opened doors beyond the stage. 17:24 – Find out what moving to LA taught her about auditions, hustle, and opportunity. 25:37 – Get the real entry point into voiceover and why COVID pushed her to record at home. 27:26 – Understand the scope and process of narrating the entire CSB Bible for the Dwell app. 32:07 – Learn how leaning into “villain” characters can expand your VO range. 35:06 – Take why acting classes matter for believable, persuasive voiceover reads. 38:05 – Hear her journey with transverse myelitis and how she reframed ability. 43:47 – See how diet changes and self-advocacy supported healing and daily function. 54:14 – Learn practical nutrition tips VO pros use to protect tone and clarity.   About the Guest:   Hi, I'm Amber Ba'th—pronounced By-ee-th! I'm a Philadelphia native with roots in Los Angeles and Washington, D.C. I earned my BFA in Theatre Arts Administration from the legendary Howard University, and from the very beginning, storytelling and performance have been a huge part of my life. Whether through stage, screen, or sound, I believe creative expression has the ability to inspire, uplift, and connect people. That belief and my faith in Christ, has guided every step of my journey in the entertainment industry.   With over 20 years of experience in theater and film, I've worn many hats—actor, voice actor, producer, company manager, and coach. My early days at Philadelphia's Freedom Theatre gave me the foundation to work on national tours and major productions, such as The Fabric of a Man (national stage and film), and the national tour of If This Hat Could Talk under Tony Award-winning director George Faison. I've also stepped in front of the camera, appearing in Ice Cube's Friday After Next and national print campaigns for McDonald's that landed me in Essence, O Magazine, and Woman's World.   Voice acting has become one of my deepest passions. I've had the privilege of lending my voice to projects for Delorean, Holler Studios, Amazon, Make Originals, and most notably, narrating the greatest story ever told for the Dwell Bible App; just to name a few. I'm known for being versatile—able to bring warmth, humor, authority, and charisma into every read. Whether a character needs to feel animated, compassionate, bold, or simply relatable, I approach every project with creative precision and care.   I've been fortunate to learn from incredible mentors like Nick Omana, Art Evans, Queen Noveen, Linda Bearman, Al Woodley, Joyce Castellanos, JD Lawrence, and Rolonda Watts, and to collaborate with talent across every corner of this industry. I'm always growing, always listening, and always grateful. My goal is not only to entertain but also to reflect God's grace through my work. Faith is my anchor—it's the reason I'm able to keep showing up in this ever-changing field with joy and purpose.   Outside of my career, I'm a mother of two, and I live with a “different ability” that has only strengthened my walk and testimony. I believe that what God has for me is for me, and I want other artists to feel empowered to claim that same truth for themselves. As someone in the faith, You are royalty—act like it, speak like it, know it. I'm here to tell stories, give voice to vision, and ultimately to help others feel seen, heard, and deeply valued in this industry.   Ways to connect with Amber:   LinkedIn- https://www.linkedin.com/in/iamamberbath/   IG- https://www.instagram.com/iamamberbath/   YouTube- YouTube.com/@iamamberbath   Website- www.iamamberbath.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hello everyone. Wherever you happen to be, I am Michael Hingson, and this is unstoppable mindset. We are really excited that you're here with us today. And we have a fascinating guest who was referred to us by another fascinating guest who is coming on unstoppable mindset, and we'll get to all that, I am sure. But Amber bath is how she pronounces her last name by eth. I'm saying that right. I assume that is correct. Oh, good. Never want to get it too wrong, you know. Anyway, Amber is a voice actor and does a lot of different things. And we learned about Amber from someone who we were referred to by Walden Hughes, that reps in yesterday USA, and Walden has been on unstoppable mindset a couple of times. Amber, do you know Walden? I know I don't. Well, then we can spread all sorts of rumors and you'll believe everyone, right, absolutely. Anyway. So anyway, what Linda Berryman, you know, so that works. Anyway, I want to welcome you to unstoppable mindset. It's really a joy and a pleasure to have you, and thank you for being here.   Amber Ba'th ** 02:42 Thank you for having me. This is such an exciting moment. Well,   Michael Hingson ** 02:46 I'm anxious to learn all about voice acting and some of those things. But why don't we start by maybe you telling us a little bit about kind of the early Amber growing up and all that sort of stuff. Well, always a good place to start. You know, a   Amber Ba'th ** 03:02 long time ago   Michael Hingson ** 03:03 in a galaxy, far, far away, yes,   Amber Ba'th ** 03:07 oh my gosh. Well, I I'm a suburbian girl here. I'm from the suburbs, actually Philadelphia. I was actually born in DC, raised in Philly, went back to DC, then moved all the way across country to La La Land. Is that where you are now, I'm not. I'm actually back in DC.   Michael Hingson ** 03:33 Go figure. Right now I'm, I'm really curious to hear the history of all these moves. But anyway, so you were raised in Philadelphia. Did you ever meet Rocky Balboa? Just checking,   Amber Ba'th ** 03:45 no, just ran the steps. You did run the steps. I did run the steps. Yeah, actually got a heat stroke. But I did. I was, I was young at the time, and it was super hot. And you know, it's like, yeah, you know, I'm gonna run the steps. Ran the steps, and just shouldn't have   Michael Hingson ** 04:04 done that, not in the middle of the day. No, when did he run them? It was in the morning, wasn't it?   Amber Ba'th ** 04:11 Yeah, he always ran in the morning. So no, I was this was in the heat of the day.   Michael Hingson ** 04:16 So huh, we all have our growth issues that we have to deal with so so you but you were raised in Philadelphia, and you went to school there and so on, and what kind of were your interests and so on, growing up   Amber Ba'th ** 04:32 theater, I was really, I mean, I come from A family who has always been in the spotlight. I had two aunts who actually had a touring show titled The sisters, the Stuart sisters. And, you know, I've always been wanting either to dance, to sing, to act. That was just. Just my thing.   Michael Hingson ** 05:02 So they you came by, it pretty honestly. Then exactly anything else. They were actors in the show.   Amber Ba'th ** 05:10 They were, yeah, one was a singer and one was an actress.   Michael Hingson ** 05:12 Yes, oh, cool, yeah. Well, and what was the show about?   Amber Ba'th ** 05:18 Actually, it was about Harriet Tubman, Sojourner, Sojourner, truth. And it was it they actually toured different toward the country and talked about the Underground Railroad and and and how they were able to escape and free other, other slaves.   Michael Hingson ** 05:42 Now that show isn't whether it's your parents or not, but that show is not on now. It's not running.   Amber Ba'th ** 05:50 This was a stage play. This was many, many years   Michael Hingson ** 05:52 ago, right, right, yeah, but they but no one has continued. I would think it would be a very valuable thing to keep around you.   Amber Ba'th ** 05:59 Would think it would be that, you know, the traditional way, but we kind of moved in different directions, you know. So   Michael Hingson ** 06:06 everything closes eventually. The fantastics eventually closed, and that was on for the longest time, yeah? Well, even cats was on for a long time. Oh, yeah. I, I think, although I don't know, but the producers, I think, has closed,   Amber Ba'th ** 06:22 yeah. And I really wanted to see that. I saw the film, but I wanted to see the stage play.   Michael Hingson ** 06:28 Oh, the stage play was much better than the film, I'm sure. You know, I don't know what it is about Matthew Broderick, but he just doesn't sound natural in films. But we went to see it. It was in August of 2001 and we were living in New Jersey, and I was in New York, because that's where we had our offices, on the 78th floor of Tower One of the World Trade Center. And on a Tuesday in 2001 in August, I went over to the theater where the producers was, and I figured, I'll see if I can get tickets. Because my wife, Karen, who was now she's my late wife. She and I were married for 40 years, and then she passed away. But anyway, we I decided that we would try to see it, and I went over to the theater, and I said, so I want to see if I can get two tickets to the producers. And I knew that the media had said all the news media said, you can't get a ticket before March of 2002 and I said, well, but the deal is that my wife is in a wheelchair. Can we by any chance get a matinee to to go see it? And the guy said, I'm sorry, there's just nothing until at least no December. And I said, Well, okay, is there any chance of any other time other than the weekend, or anything that we could get? And he said, Well, just wait a minute. And he goes away, and he comes back and he goes, What are you doing Saturday night? I went, I guess I'll go see the producers, right? And we did. We got to see the original cast, of course, Matthew Broderick, Nathan Lane and Katie Huffman, who played Ulla. And was so wonderful to see that show. We had seen Matthew Broderick and Sarah Jessica Parker in How to Succeed in Business Without Really Trying. And then we saw Nathan Lane, and A Funny Thing Happened on the Way to the Forum. So we had seen them all perform before, but that was so fun to see.   Amber Ba'th ** 08:27 That's awesome, yeah, yeah.   Michael Hingson ** 08:29 And I think that the film wasn't nearly as good as the play, but   Amber Ba'th ** 08:34 I'm sure it wasn't. So my theater is so dear to me. I I don't know, it's something about the willingness, suspension of disbelief, of breaking out of reality and just, you know, getting away from it all, and just sitting and enjoying yourself, laughing at just sometimes it can be nonsensical. Sometimes it can be sort of reality, you know, whatever, whatever genre you like, and it's nothing like being in the audience when you're when you're having when you're in there as live theater. So it's always a great opportunity to go and see a show, if you are able.   Michael Hingson ** 09:18 Why is it so much more fun, and so many people feel as you do about that, as opposed to going to a movie,   Amber Ba'th ** 09:29 it's, it's a it's a cultural thing for me, and it's immersing yourself in the culture of theater, seeing the different nuances. There's sometimes there's interaction, like, they'll break the fourth wall. Sometimes in that, in every show, is not the same. That's the great thing about theater, because you could go to a show on a Monday and then you go back to see it on a Friday, and it's like, totally different. Yeah, you.   Michael Hingson ** 10:00 It was 93 or 94 whenever they had the big baseball strike. And I went to see Damn Yankees, which has always been one of my favorite movies, because I've always been a ray Walston fan anyway, but went to see it, and during the the and I don't remember who was, who was in it, but at one point, Mr. Applegate, the devil, said, we've got to do something to to disrupt this whole baseball thing and get Joe Hardy back in line with what we want. He said, I got it. Let's organize a baseball strike right there in the middle of the theater. I mean, you know that that had to be ad libbed and just done, but it was so funny to see.   Amber Ba'th ** 10:44 Yeah, you never know what you're gonna get. You know, it's always exciting to see. And   Michael Hingson ** 10:49 I think that the reason that I like theater over over movies is, in part, you're hearing a lot more. Even though there's still audio and electronics, you're still hearing the PA system. You're not hearing the PA system as much. You're really hearing voices exactly you're hearing and seeing so many things. We did go to see Damn Yankees again a few years later, we had moved to New Jersey by that time, and Jerry Lewis was playing Mr. Applegate. Wow. It was the only time he ever did anything on Broadway and and did such a wonderful job. It was incredible, really.   Amber Ba'th ** 11:26 You know, it's the last show that I actually saw. Was Daniel at the sight and sound Oh and oh my goodness, I'm gonna go back. I'm gonna go see Noah. But I was literally sitting on the floor at the end aisle, and when the animals came out, I could actually reach out and touch them if I wanted to. But it was just so beautifully done. It was so amazing. It I can't, I can't even there are words that can't describe the the acting, the set, set design, the sound, everything about that show was amazing.   Michael Hingson ** 12:12 We went to see the Lion King. Karen's brother got us tickets. He was a certified ski guide in France, and he was coming back for the summer with his family, and got all of us tickets. So we went to see Lion King. It was a matinee on a Wednesday, and we got into the theater and the show started. And I knew kind of how it started, with the music and so on, but there's still nothing like hearing it live. But we it live. But we, we, we were listening. And then at one point, of course, the hyenas come in, and they meet with scar but in the play, in the in the musical, they come in from the back of the theater, down the stairs, and Karen, of course, being in a wheelchair, sitting in her chair on the aisle, and the hyenas are growling and they're coming by, and one of them gets right up next to her and goes, you've never seen a lady in a wheelchair jump out of her chair. Oh, it was so funny, but we were talking about it later, and she said, It wasn't long before you got completely used to all these animals, these puppets, and you didn't think of them as anything but the actual animals, wow, which, you know, you you you get in a theater, which you don't get the same in the movies at all. But it was, it was a lot of fun. We actually did get to go backstage afterward and meet some of the actors, and I actually got a chance to look at one of the animals, which was kind of fun.   Amber Ba'th ** 13:47 That's awesome, you know, I'm sorry. The other thing is that when you are in live theater, there's an intermission, and you get to actually mix and mingle with other people, other theater goers. So that's always another thing. I mean, you know, going to the movies. Yeah, you see other people walking back and forth, but they're, you know, rushing for their seat, going to the restroom, getting, you know, and going to the concessions. But there are moments where they're either taking pictures. Sometimes the cast members may come out during intermission, take pictures, and it's more of an interaction with everybody.   Michael Hingson ** 14:24 We went to see God spell once in San Diego, and what we didn't know was there was a guy out there who was coming up to people and wanting to clean their windshields and so on. And what we didn't know until later was that was the actor who played John. He was in character. He was being a servant. It was, it was great. That was so clever. That's awesome. So what did you do for college? Well, I went, as if we don't know,   Amber Ba'th ** 14:55 and I know, right? I went to Howard University. Yeah, and I majored in theater arts administration, uh huh, yeah. So it's the funny thing about that was I always, you know, was in the theater, and my mother told me, I am not paying for you to be an actor. I'm like, Well, I don't know anything else. And this particular year, when I came in, they had just started the theater arts administration program, and I said, Well, I can't do acting. I don't know anything else. This is it. And I really didn't know what that entailed until I got in and I said, Hmm, let's see I get to know the behind the scenes aspects. I can also be a producer to director. I could, you know, basically tell people what to do. That is for me,   Michael Hingson ** 15:50 there you go. So you so you got your degree in that. How come your mother wouldn't pay for you to be an actor?   Amber Ba'th ** 15:59 Because, I mean, back then it was just like, you know, that's something that that's not a real job, no. And even though she did it, they think like that, you know, that's not a real job. You know, it'll never amount to anything. You won't you get, you won't get where you want to be, you know. So I said, you know, I don't know anything else but, but this so, you know, so thank God that that was something that was there when I did come in there.   Michael Hingson ** 16:27 Well, so you, you got your degree in theater arts, production, administration, administration, and so you, you learned how to tell everybody what to do, which sounds a good thing to do, right? And so then what happened after college?   Amber Ba'th ** 16:47 Well, after college, I was I had always been one of those types that said, Oh no, I just got out of college, and maybe two days later I don't have a job, and I'm always worried about that, but I had someone, a classmate, say, You know what, I think you'd be a good fit for this. And what is she talking about? And I don't know if you recall HBO taxicab confessions, uh huh. Okay, so they actually came to DC, and, you know, they chose me. I was chosen to be their production assistant, and I was in the follow vehicle with the cab, you know, all that kind of stuff. And it was like, Okay, this is a lot. This is a lot. They never aired it because a little too risque. But, I mean, they could air it now, but, you know, and they asked me to come to LA, you know, as, and that was a funny thing, because when, before then, I said, oh gosh, I'll never go to LA. It's like Sodom and Gomorrah. And so I wound up going to LA they said, you know, I'll give you, you know, get you a round trip ticket, you know, you can either stay, you can go back, you know, giving me that option. And I took it. I took it, and it was the best thing that I've   Michael Hingson ** 18:14 ever done. What did you do when you got out here?   Amber Ba'th ** 18:17 When I got out there? I, of course, I was working with them for a little bit, and then I decided, You know what, I want to be an actress. This is what this is. I'm here. I am in Hollywood.   Michael Hingson ** 18:29 Mom, not withstanding.   Amber Ba'th ** 18:33 I said, Oh my gosh. And of course, what did I do? I got whatever most actors got was a waitress, a way a serving job, you know, just something enough that I could act flexible enough that I could actually go on auditions and things like that. And I did. I went on auditions. I met a lot of different celebrities. I was in McDonald's had their quote, unquote, adult happy meal that I actually was the poster girl for. I was like, Oh my goodness. And I was in magazines, you know, things like that. And then one day, a friend of mine who graduated with me in theater arts administration, she was actually doing a production, a touring play as the company manager, which is like a tour manager. And she she got another invite to be the company manager on TD Jason's TD Jakes show, and she really wanted to take that so the producer said, Well, you're gonna have to find a replacement. So she called me up and I started working on a show with David Talbert called the fabric of a man who had starred Shamar Moore, and we toured for. Oh, wow. This is interesting, because I didn't really think about this until I started talking. We toured until let's see 910 and I remember because something happened in Houston, Texas, and we had to refund money to all of the audience members, and we're leaving. And what I would do after each show is make sure that the hotel was was taken care of, everything was taken care of. And we went home. Everyone went to their destinations, and we went home. And that morning, I called the hotel, and he told me that different people were still there, and I'm and I just didn't understand why, you know, at the time, because it was really early in the morning in LA and so I'm calling, and I'm like, Well, what's happening? He said, You don't know what's going on. And I said, No. He said, planes are going down everywhere. And I'm like, What are you talking about? I turned on the TV, and that's when I saw the second plane going into the tower. And I just Oh my gosh, this is kind of bringing back some stuff, because I am a woman of faith, and I actually prior to us leaving for seven days, prior to us going to to to Houston. I kept having these dreams about a plane going down in a field, you know, but it would be continuous things. And then the next night, there were planes. There were planes. Looks like two planes colliding. Then there was, I saw people falling out of the sky, and I was like that, this is not making any sense. I didn't know anything. I mean, I was, I didn't know what was going on. And I just kept dreaming these dreams. This is what's happening. Then when we when we were leaving Houston, I had a dream prior to us leaving of the exact shape, color of this plane that went down in the field. And we were, I was at the airport, and I'm looking, and I'm like, okay, that's not the plane that I saw. And so I get on the I get on the plane, and as I'm about to settle in, about to, you know, leave Houston, go to LA, there's a man dressed in Arab garb with, you know, something on his head. And I don't know why I said this, but I just said, I hope he doesn't want to jack the plane. And I went to sleep, and i The dream that I had was that I really saw who was falling out of the sky, but they had on business suits. So when I called the hotel and he told me this, it, it just took over me. You know, I was in shambles. I was like, What? What did I just dream? What happened? Something is not right. I didn't know what was wrong with me at the time. I thought there was something actually wrong with me. Like, why am I dreaming this? What is happening? So that was just something that you happened to ask me the question, and that brought it back. And then I'm thinking about you, you know, so,   Michael Hingson ** 23:44 ah, you know, so many people, many people that I've talked to who didn't at first know what was happening, and they they either turn on their TV, or they were at an airport or something, and they saw the second plane hit the towers and they thought it was a movie. And I've heard so many people say that then, of course, they realized that it wasn't a movie. But you know, a lot of people just thought it was a movie at first, because nobody could imagine it. And you know, that is true. How who would have thought that somebody would deliberately crash airplanes like that into the towers and into the Pentagon? And, of course, now the the one falling out of the sky was that flight 93 in Pennsylvania, Yes, uh huh. And eventually, when you saw the plane, or whatever that was, the plane that you dreamed about, exactly, yeah, uh huh, and that's not surprising. Yeah, there are so many stories of of different things that people experienced that day. We didn't know anything about what was going on until actually we got out of the. Towers, and both towers had collapsed, and my wife was the first one who told us that aircraft had been hijacked and so on. And of course, people say to me all the time, well, of course, you didn't know because you couldn't see it. Excuse me, the last time I checked as I tell people Superman and X ray vision are fiction, and the reality is the airplane hit about 18 floors above us on the other side of the building, no one knew all the way down the stairs, the hundreds of people that I interacted with going down the stairs didn't know what happened. We figured, we figured an airplane hit the building because we were smelling burning jet fuel fumes as we were going down the stairs. So we figured an airplane hit the building. But we had no details. We had no information. Blindness. Didn't have anything to do with it at all. But yeah, it's, it's just one of those things. Well, so you were in, you were still in the business of telling people what to do, which was really good. And how did you eventually, then get into voice acting?   Amber Ba'th ** 26:04 Well, I had always first, it's funny because you people who get into voice acting, oh, I really want to get into voice acting, and they think it's just this one thing that was me. I i always like to do voices. I like to play around with different things. My favorite is the villain. I don't know what it is, but I like to play the villain. But what happened was,   Michael Hingson ** 26:30 you and Cruella de Vil, okay,   Amber Ba'th ** 26:34 it was actually covid. You know, it was. The thing was that I literally was a preschool teacher at the time. And, you know, because after I left, I left LA, I got married and I had kids, and, you know, that kind of thing. So I was back in DC, and so, you know, after that, I covid happened, and I don't want to say it forced me, but it forced me. Nudged me, you know? And I said, you know, this would be great, because different things were happening. Where I was meeting people on on an on an app called clubhouse, and I said, Oh, this is cool. And I've always loved audio dramas too. So I actually about a $40 mic. I bought an eye rig, and I just hooked it up, and I just started talking. And I was in some acting workshops, some improv workshops. I was cast in an audio drama on clubhouse, you know? So it was, I was like, Oh, this is fun, you know, I like talking to myself anyway, so why not? So I created space in my walk in closet, and there you have it.   Michael Hingson ** 28:00 And the rest, as they say, is history. That's right. So what kind of roles have you had, and what kinds of voices and so on, have you created and done?   Amber Ba'th ** 28:11 Well, I I actually, I did the Bible, you know. And whenever I tell the person I narrated the Bible, they're like, the whole Bible, yeah, the whole Bible, technically, that would be 66 books that I narrate, yeah, you know. But yeah, I did the whole Bible for a Bible app, the CSB version for the dwell app, and it was just amazing, because just a little story behind that, I was someone wanted me to narrate their book, and they said that, you know, we want you to narrate it, but we don't want to use your name. We want you to. We want to, we want to use your voice, but we want the narrow, the author to be the narrator. Is this like a ghost Narrator or something, really, that's a   Michael Hingson ** 29:10 little strange, you know? And, oh, we'll give you this   Amber Ba'th ** 29:13 amount of money. Like, okay? And then I actually was praying about it. And, you know, the Lord spoke to me, and he said, I gave you that voice. So I had to decline. And then someone else came to me to narrate a book, and they were taking forever. Oh, it's not ready yet. It's ready. It's not ready yet. And I said, look, okay, I can't do this. I had auditioned for the Bible. And normally it takes, it's like a 2448 hour turnaround time to really know if you if this is for you. Yeah, and I didn't hear anything for about maybe three weeks. And I was like, I guess they found their person. And. I get an email saying that we got good news. You just booked the CSV version. I think I dropped whatever I had in my hand and fell before and, you know, it was just, it was just amazing. So, you know, because what I what happened was I read the Bible every day, and this particular and I read it in a year. So this particular year, I decided to listen to it, and, you know? And I said, You know what, Lord, it would be cool if I could narrate this. And then I had this audition, and I was blessed to read the Bible, and I did it in less than a year.   Michael Hingson ** 30:41 Wow, yeah, it's clearly, you know, it's a long thing. Do you know who Carl Omari is? No. Carl Omari, well, he's probably most known for having recreated the Twilight Zone radio broadcasts. So he, years ago, he took all the Twilight Zone episodes. He got permission from Rod Serling estate, and he created radio broadcasts of them, but he also did the Living Bible, and he got people like Michael York to to be involved in other actors and so on. So I know having, and I own a copy, and I didn't even know about Carl doing it at the time, but it's 98 hours long. It's a long it's a big one.   Amber Ba'th ** 31:22 It's a long one. It is long. But, yeah, that was exciting. Also, I recently just narrated a book called heaven, not by Patricia Robinson, and it's very Orwellian. I should say, you know, I, as I was renarrating it, I'm like, this stuff is happening now. And she wrote it years ago. And I'm talking about, as my children would say, in the 1900s you know. So it was, it was amazing. It was amazing to do that and and I love it, but I do love animated characters. So one of the characters that I never actually thought that I was someone to do impersonations. You know, it's like I got my own voice. You don't need to do anybody else voice. But I was in a workshop for with a good friend, Chris Woodsworth, and he's over in the UK. And he said, Well, what do you like to do? And I said, I like villains. So he thought of a villain, and I never would have thought about Isma from the Emperor's New Groove, and when I was researching, when I was going over the lines, I had to stop myself, because it scared me, because I said, Wait a minute, I really sound like her.   Michael Hingson ** 32:56 All right, really creepy. We need to hear you sound like a villain.   Amber Ba'th ** 33:00 Oh, my goodness, Isma. Okay, so Isma is Cronk. Why did I think that you got this one simple thing? It's like you're a dude, a really, really big stupid monkey named Cronk. And do you want to know something else? I never licked your spinach puffs, never Oh, oh, gosh, oh, goodness. And then, you know, I love, it's the last the laugh that a villain does. I did that, you know, I, I did one. It's called a micro animation called house in the Outlands, and I played a character named sathagawa. And it was one of those, you know, one of those. It was so cool. You know,   Michael Hingson ** 33:49 I've, I've always been impressed with listening to voices and so on, and voice acting, to a large degree, one of the things that I that really made me appreciate a lot of it was, of course, James Earl Jones playing Darth Vader on Star Wars. And then I had the opportunity, while I was in New York once, to go see James Earl Jones and Christopher Plummer in Othello. What an amazing performance, because at the end, when Othello falls on his sword, you know, you know what's going to happen. People have read the play. It's not like Othello is a secret, right, right? The whole crowd just went when he did that. I mean, they were so drawn in by the power of both of their voices and the acting, which is, I've just always loved the fact that people can do that.   Amber Ba'th ** 34:48 Yeah, it's it's amazing. Sometimes I listen to myself and I'm like, That's me.   Michael Hingson ** 34:56 Well, your prejudice. So I. But still, it's just amazing how people can can do so much with with voice collecting old radio shows, as I do, it's really fascinating to to hear all the old shows and the different things that that people do, and the way they can sound so natural doing so many different kinds of voices and so on. And I think we've lost that art, to a degree, at least for a lot of people who try to go off and recreate radio shows, it sounds forced. And we've we've not been able to really train people, although I think one of the things that the radio enthusiast of Puget Sound wants to do is to actually start providing some acting classes to teach people how to use their voices in really doing radio shows, right.   Amber Ba'th ** 35:54 Yeah, yeah, you're so right. I mean, when I was I was actually a a moderator and assistant to a improv workshop coach. I always told students it is so imperative to take acting classes. I mean, I know with voiceovers, it's a lot of it's commercial and things like that, but you have to understand that when you are conveying a message, you know, I don't care how great your voice sounds, if the listener cannot feel, you cannot really get into what you're saying. Or even, let's just say it's a commercial for food. If they can't say, Okay, I gotta go and get some food. Now, you know, then you didn't do your job, right? You know? And I tried to let I said, Listen, it's not just people, you know. They will say, Oh, I'm selling burgers. No, you're not. You're not selling burgers. You know, it's people are hungry. You know, you're telling people this is what they should do because you're hungry, it's mouth watering, yeah, you know, describe what you're eating, and you have to do it in such a way, in such in such a short amount of time, that it just leaves people salivating, you know? And that's, that's what they want, that's what sells the food, the product, or or whatever, whatever it is that you are sharing. So I really tell students, please take acting classes. Yeah, you have to see it, envision it. Sometimes you got to get up and, you know, move around. Sometimes when you're doing auditions, or when you're actually doing a session or performances, you know, and nobody can see you.   Michael Hingson ** 37:50 And it's about the voice. I know that the again, reps the radio enthusiast at Puget Sound does a number of radio recreations. I participated in a couple, but one of the things that I do, and a few of the actors who have been around for a long time, Margaret O'Brien and Beverly Washburn and other people like that, before they will undertake one of the parts that they're they're asked to do in recreating a radio show, they go back and listen to the original show because they want to get into the character.   You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

durée : 00:14:10 - Le Disque classique du jour du jeudi 23 octobre 2025 - À première vue, Mel Bonis et Ravel n'ont pas grand-chose en commun, si ce n'est l'époque à laquelle ils ont vécu. Clémence de Forceville nous démontre qu'avec Ravel et Mel Bonis, ce sont deux génies qui cohabitent. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:10 - Le Disque classique du jour du jeudi 23 octobre 2025 - À première vue, Mel Bonis et Ravel n'ont pas grand-chose en commun, si ce n'est l'époque à laquelle ils ont vécu. Clémence de Forceville nous démontre qu'avec Ravel et Mel Bonis, ce sont deux génies qui cohabitent. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

L'intelligence artificielle (IA) ne se contente pas de bousculer les technologies. Pour beaucoup d'États africains, cette technologie devrait redessiner le futur du continent africain. L'IA pourrait permettre de répondre efficacement à certains des maux les plus pressants, en compensant les lacunes des systèmes éducatifs et de santé, en améliorant les rendements agricoles ou en facilitant l'accès aux services financiers pour une population encore largement exclue du système bancaire. Pour autant, plusieurs questions demeurent, le continent peut-il prendre part à la révolution en cours, tout en partant avec un certain temps de retard ? L'IA peut-elle devenir un facteur de développement pour l'Afrique ou, au contraire, représente-t-elle un obstacle à son indépendance économique ?  Cette émission est une rediffusion du 11 septembre 2025. Avec : • Thomas Melonio, chef économiste, directeur exécutif de l'Innovation, de la stratégie et de la recherche, Agence française de développement (AFD) • Paulin Melatagia Yonta, enseignant-chercheur en Informatique à l'Université de Yaoundé 1 • Ismaïla Seck, ingénieur et docteur en informatique. Enseignant chercheur en Intelligence artificielle à Dakar American University of Science & Technology et entrepreneur. En fin d'émission, la chronique IA débat, de Thibault Matha, un nouveau rendez-vous bimensuel chez 8 milliards de voisins. Alors que l'intelligence artificielle devient omniprésente dans notre quotidien et que son utilisation se démocratise, Thibault Matha interrogera les outils, et analysera la pertinence de leurs réponses. Aujourd'hui, Thibault tâchera de comprendre comment l'IA peut nous aider à bien nous organiser ?   Programmation musicale :  ► No.1 - Tyla Ft. Tems ► Katam - Diamond Platnumz.

Isma y nuestro invitado especial, el ilustrador y artista independiente Arturo Alamilla, rinden homenaje a Drew Struzan, el maestro detrás de algunos de los pósters de cine más icónicos y memorables jamás creados

L'intelligence artificielle (IA) ne se contente pas de bousculer les technologies. Pour beaucoup d'États africains, cette technologie devrait redessiner le futur du continent africain. L'IA pourrait permettre de répondre efficacement à certains des maux les plus pressants, en compensant les lacunes des systèmes éducatifs et de santé, en améliorant les rendements agricoles ou en facilitant l'accès aux services financiers pour une population encore largement exclue du système bancaire. Pour autant, plusieurs questions demeurent, le continent peut-il prendre part à la révolution en cours, tout en partant avec un certain temps de retard ? L'IA peut-elle devenir un facteur de développement pour l'Afrique ou, au contraire, représente-t-elle un obstacle à son indépendance économique ?  Cette émission est une rediffusion du 11 septembre 2025. Avec : • Thomas Melonio, chef économiste, directeur exécutif de l'Innovation, de la stratégie et de la recherche, Agence française de développement (AFD) • Paulin Melatagia Yonta, enseignant-chercheur en Informatique à l'Université de Yaoundé 1 • Ismaïla Seck, ingénieur et docteur en informatique. Enseignant chercheur en Intelligence artificielle à Dakar American University of Science & Technology et entrepreneur. En fin d'émission, la chronique IA débat, de Thibault Matha, un nouveau rendez-vous bimensuel chez 8 milliards de voisins. Alors que l'intelligence artificielle devient omniprésente dans notre quotidien et que son utilisation se démocratise, Thibault Matha interrogera les outils, et analysera la pertinence de leurs réponses. Aujourd'hui, Thibault tâchera de comprendre comment l'IA peut nous aider à bien nous organiser ?   Programmation musicale :  ► No.1 - Tyla Ft. Tems ► Katam - Diamond Platnumz.

Tegen Almere City werd door een doelpunt van Iwan Henstra andermaal duidelijk dat de jeugdopleiding van SC Cambuur zijn vruchten afwerpt. Tijd voor een gesprek met hoofd jeugdopleiding Fedrik Houtstra. Want hoe gaan Houtstra en zijn collega's eigenlijk te werk? Wat zorgt er nou voor dat er zoveel spelers uit de jeugdopleiding, nota bene overwegend afkomstig uit eigen provincie, de aansluiting vinden bij het eerste van Cambuur? En wie is de volgende parel die de club gaat verlaten? Verder gaat het over het gelijkspel tegen Almere City, waardoor de Leeuwarders de koppositie verspeelden. Vanzelfsprekend gaat het ook over Ismaël Baouf, die zich met Marokko Onder 20 tot wereldkampioen kroonde. En er worden weer de nodige vragen van luisteraars behandeld. ­ * Vragen voor in de podcast? Mail naar: jonathan.ploeg@lc.nl * SC Cambuur op de voet volgen? Abonneer je hier op onze nieuwsbriefSee omnystudio.com/listener for privacy information.

Send us a textDating after 50? It's a whole new adventure! In this lively episode of Ageless Glamour Girls Night Out: a (LIVE) Podcast, fabulous women 50+ share what it's really like navigating today's dating scene - from apps and meet-ups to red flags and second chances. You'll hear from women who've lived it - including a widow rediscovering love, confident divorcees, and even an 81-year-old queen proving that age is just a number. Together, they open up about connection, confidence, and joy in every season of life.In This Episode: • What's different (and better!) about dating after 50 • Apps vs. real-world meetups - pros & cons • Protecting your heart and your peace • Why many women 50+ are choosing independenceSo grab your favorite drink and join us for a fun, flirty, and refreshingly honest night out - AGG style!Guests:Carol Williams, a widow, is passionate about living fully - from globetrotting and teaching Zumba to playing pickleball and enjoying the theater. After a 40-year career at Blue Cross Blue Shield Chicago, she retired to North Carolina, where she continues to embrace health, wellness, and fashion while challenging age-related stereotypes as a C3 Leader with the Chicago Conservation Department. IG: @flippingfabulouslyIsma Richards Founder of Fab at Fifty Plus, Isma inspires women over 50 to live with purpose and joy. Originally from Saint Vincent and the Grenadines, she draws on her UN background and her own journey of healing and self-discovery to help women transform their midlife mindset. IG: @fabatfiftyplus https://www.fabatfiftyplus.com/Dr. Karen Slonski From North Myrtle Beach, SC, Dr. Slonski brings humor and wisdom to the realities of dating through the decades. Divorced since 2000, she's experienced it all - from old-school meetups to matchmaking and dating apps - and shares what love and connection look like at every age. IG: @karenslonski  /  Book: https://shellberight.net/Denice Rhodes is the visionary CEO and Founder of Caregivers Safe Space, a nonprofit dedicated to supporting and uplifting those who care for others. Denice is also a certified holistic health coach and is the co-founder of Roots + Fire Water, an herbal tea company blending natural ingredients to nurture mind, body, and spirit. Denise, a widow, is slowly getting back into the dating scene. IG: @caregivers_and_wellness  https://www.caregiverssafespace.org/ Support the show buymeacoffee.com/agelessglamourgirls www.linkedin.com/in/marqueetacurtishaynes www.agelessglamourgirls.com https://www.shopltk.com/explore/AgelessGlamourGirls https://www.youtube.com/@agelessglamourgirls Instagram @agelessglamourgirls Facebook: https://www.facebook.com/agelessglamourgirls Private (AGG) FB Group: The Ageless Café: https://www.facebook.com/groups/theagelesscafe TikTok: @agelessglamourgirls Podcast Producers: Purple Tulip Media, LLC and WEG Media Group, LLC

Isma y nuestro invitado especial, el ilustrador y diseñador gráfico César Cervantes, se sumergen en el mundo digital para hablar de todo lo relacionado con 'Tron: Ares'... It's TRONin' Time!!!

In early 2025, massive funding cuts from USAID sent shockwaves through the global development sector, leaving many to wonder what would come next. The money was gone, but the problems remained. In this follow-up conversation, Dimagi Managing Directors Gillian Javetski and Ismaïla Diene rejoin the podcast to discuss the aftermath and the unexpected "diamonds" created from the pressure. They share how the crisis forced a pivot from large, custom-built projects to a new model centered on radical simplicity, focus, and affordability. This candid discussion explores the divergence happening among digital public goods, the necessity of sustainable business models, and why the most important question is no longer "what new feature can we build?" but "can we make the existing value radically cheaper?". Discover how this shift led Dimagi to a bold new offering: a national-scale community health information system (eCHIS) for just $5,000 a month—a fraction of the historical cost.Related Resources:What's New in CommCare Webinar recordingThe Next Generation Electronic Community Health Information System (eCHIS) DeckCommCare Provider programBig Enough. Simple Enough. Cheap Enough by Kevin Starr in the Stanford Social Innovation ReviewSign up to our newsletter⁠, and stay informed of Dimagi's workWe are on social media - follow us for the latest from Dimagi: ⁠LinkedIn⁠, ⁠Twitter⁠, ⁠Facebook⁠⁠⁠, ⁠Youtube⁠⁠⁠⁠If you enjoy this show, please leave us a 5-Star Review and share your favorite episodes with friends. Hosts: ⁠Jonathan Jackson⁠ and ⁠Amie Vaccaro

Isma y nuestra invitada, actriz, cantante, compositora, modelo, cosplayer, quizmaster, gamer, y fangirl profesional, Denisse Bon, platican sobre 'KPop Demon Hunters' en "Fortnite" y las voces cantantes de HUNTR/X (Ejae, Audrey Nuna, y Rei Ami) en "The Tonight Show Starring Jimmy Fallon"

Jamal J. Elias' new book After Rumi: The Mevlevis & Their World (Harvard UP, 2025) takes us on a historical journey through the development of the Mevlevi community after Jalaluddin Rumi's passing in 1273. He frames the Mevlevis as an “emotional community” that is anchored in affective engagements with Rumi and his Masnavi. The book is organized around three major historical moments, the first is centered around Ulu ‘Arif Chelebi, Rumi's grandson, the second after the Ottoman conquest of Constantinople in 1453, and the final chapters focus on the career of Isma‘il Anqaravi (d. 1631). Through close readings of biographies and various manuscripts, Elias paints a rich and complex metahistory of significant intellectual, metaphysical, political, social, and cultural factors that have defined the Mevlevi community. For instance, aspects such as charismatic leadership and the role of the Masnavi remain vital and also shifting factors for the Mevlevi community, as we see in the commentaries on the Masnavi written by Anqaravi. Throughout the book we learn how notions of orthodoxy and heterodoxy are unstable categories, especially in relation to antinomian tendencies, the place of women in the Mevlevi communities, and the shifting significance and use of Persian in literary productions. This book will be of interest to those who read and write on Sufism, Anatolian, Ottoman, and Turkish history and Rumi and the Mevlevis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jamal J. Elias' new book After Rumi: The Mevlevis & Their World (Harvard UP, 2025) takes us on a historical journey through the development of the Mevlevi community after Jalaluddin Rumi's passing in 1273. He frames the Mevlevis as an “emotional community” that is anchored in affective engagements with Rumi and his Masnavi. The book is organized around three major historical moments, the first is centered around Ulu ‘Arif Chelebi, Rumi's grandson, the second after the Ottoman conquest of Constantinople in 1453, and the final chapters focus on the career of Isma‘il Anqaravi (d. 1631). Through close readings of biographies and various manuscripts, Elias paints a rich and complex metahistory of significant intellectual, metaphysical, political, social, and cultural factors that have defined the Mevlevi community. For instance, aspects such as charismatic leadership and the role of the Masnavi remain vital and also shifting factors for the Mevlevi community, as we see in the commentaries on the Masnavi written by Anqaravi. Throughout the book we learn how notions of orthodoxy and heterodoxy are unstable categories, especially in relation to antinomian tendencies, the place of women in the Mevlevi communities, and the shifting significance and use of Persian in literary productions. This book will be of interest to those who read and write on Sufism, Anatolian, Ottoman, and Turkish history and Rumi and the Mevlevis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Jamal J. Elias' new book After Rumi: The Mevlevis & Their World (Harvard UP, 2025) takes us on a historical journey through the development of the Mevlevi community after Jalaluddin Rumi's passing in 1273. He frames the Mevlevis as an “emotional community” that is anchored in affective engagements with Rumi and his Masnavi. The book is organized around three major historical moments, the first is centered around Ulu ‘Arif Chelebi, Rumi's grandson, the second after the Ottoman conquest of Constantinople in 1453, and the final chapters focus on the career of Isma‘il Anqaravi (d. 1631). Through close readings of biographies and various manuscripts, Elias paints a rich and complex metahistory of significant intellectual, metaphysical, political, social, and cultural factors that have defined the Mevlevi community. For instance, aspects such as charismatic leadership and the role of the Masnavi remain vital and also shifting factors for the Mevlevi community, as we see in the commentaries on the Masnavi written by Anqaravi. Throughout the book we learn how notions of orthodoxy and heterodoxy are unstable categories, especially in relation to antinomian tendencies, the place of women in the Mevlevi communities, and the shifting significance and use of Persian in literary productions. This book will be of interest to those who read and write on Sufism, Anatolian, Ottoman, and Turkish history and Rumi and the Mevlevis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Jamal J. Elias' new book After Rumi: The Mevlevis & Their World (Harvard UP, 2025) takes us on a historical journey through the development of the Mevlevi community after Jalaluddin Rumi's passing in 1273. He frames the Mevlevis as an “emotional community” that is anchored in affective engagements with Rumi and his Masnavi. The book is organized around three major historical moments, the first is centered around Ulu ‘Arif Chelebi, Rumi's grandson, the second after the Ottoman conquest of Constantinople in 1453, and the final chapters focus on the career of Isma‘il Anqaravi (d. 1631). Through close readings of biographies and various manuscripts, Elias paints a rich and complex metahistory of significant intellectual, metaphysical, political, social, and cultural factors that have defined the Mevlevi community. For instance, aspects such as charismatic leadership and the role of the Masnavi remain vital and also shifting factors for the Mevlevi community, as we see in the commentaries on the Masnavi written by Anqaravi. Throughout the book we learn how notions of orthodoxy and heterodoxy are unstable categories, especially in relation to antinomian tendencies, the place of women in the Mevlevi communities, and the shifting significance and use of Persian in literary productions. This book will be of interest to those who read and write on Sufism, Anatolian, Ottoman, and Turkish history and Rumi and the Mevlevis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Ben, Alex and Brendan are back on the pod this week to break down Jesse Marsch's latest Canadian men's national team roster, with the group called up for October friendlies potentially being a preview of what things could look like at the FIFA World Cup 2026. After discussing the national team roster, they examine the Whitecaps' win over Vancouver FC in the Canadian Championship final and Thomas Müller's 35th career trophy. The show wraps with talk on Ismaël Koné's form, as well as a check-in on a rather disappointing week for Canadians in the UEFA Champions League. Follow more content from Canadian Soccer Daily on canadiansoccerdaily.com as well as on every social platform. Hosted on Acast. See acast.com/privacy for more information.

Isma y nuestro invitado, ilustrador y artista independiente, Enian Vázquez, platican sobre el tráiler de 'The Mandalorian and Grogu'

Isma y nuestro invitado, ilustrador y artista independiente, Enian Vázquez, platican sobre el tráiler de 'The Mandalorian and Grogu'

Isma y nuestra invitada, educadora, artista marcial, y fundadora de Chocolate Cosmos Games, Miriam Bautista, platican todo sobre 'Batman Azteca: Choque de Imperios'

¿Realmente existe el crimen perfecto?, la historia de D.B. Cooper podría responder a esta pregunta, un robo perfecto a miles de metros de altura y un misterio que aún sigue sin resolverse. Junto a Isma te contamos ésta gran historia.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rendez-vous avec le rappeur Chaax, à l'occasion de la sortie de la réédition de son album Béton rouge prévu pour le 10 octobre 2025. Retour sur sa jeunesse au Sénégal, sa double culture, sa signature en artiste dans le label 92.i de Booba et ses aspirations. Dans cet épisode, Ismaël Lo, El-Hadji Diouf et Mademoiselle Lou offrent les vidéos surprises ainsi que Aimeric alias Krow le billet d'humeur

Who are the Druze? In this video, we explore the history, culture, and beliefs of the Druze people — a small but influential religious community mainly found in Lebanon, Syria and Jordan.Find me and my music here:https://linktr.ee/filipholmSupport Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://paypal.me/talkreligiondonateSources/Recommended Reading:Betts, Robert Brenton (2009). "The Druze". Yale University Press.Daftary, Farhad (2007). "The Isma'ilis: Their history and doctrines". Cambridge University Press.Firro, Kais M. (2011). "The Druze Faith: Origin, Development and Interpretation". Arabica 58 (2011) 76-99. Brill.Hirschberg, H.Z. (1981). "The Druzes". In "Religion in the Middle East: Three Religions in Concord and conflict (ed. Arberry, A.J. & Beckingham, C.F.), vol 2. Cambridge University Press.Hitti, Philip K. (2007). "The Origins of the Druze People and Religion: With Extracts from their Sacred Writings." Saqi Books. Hodgson, Marshall G.S. (1962). "Al-Darazi and Hamza in the Origins of the Druze Religion". Journal of the American Oriental Society, Vol 82, No. 1.Walker, Paul E. (2010). "Caliph of Cairo: Al-Hakim bi-Amr Allah, 996-1021". The American University in Cairo Press. Hosted on Acast. See acast.com/privacy for more information.

La campagne pour les législatives et municipales au Gabon a débuté ce lundi. Le scrutin aura lieu le 27 septembre prochain. Ces élections sont présentées comme cruciales par le parti au pouvoir. Les précisions de notre correspondant à Libreville, Ismaël Obiang Nze

¡Esta semana estamos celebrando el Aniversario 16 del webcómic "Nerdmigos" y el Aniversario 4 del podcast "Nerdmigos"!

L'intelligence artificielle (IA) ne se contente pas de bousculer les technologies. Pour beaucoup d'États africains, cette technologie devrait redessiner le futur du continent africain. L'IA pourrait permettre de répondre efficacement à certains des maux les plus pressants, en compensant les lacunes des systèmes éducatifs et de santé, en améliorant les rendements agricoles ou en facilitant l'accès aux services financiers pour une population encore largement exclue du système bancaire. Pour autant, plusieurs questions demeurent, le continent peut-il prendre part à la révolution en cours, tout en partant avec un certain temps de retard ? L'IA peut-elle devenir un facteur de développement pour l'Afrique ou, au contraire, représente-t-elle un obstacle à son indépendance économique ?  Avec : • Thomas Melonio, chef économiste, directeur exécutif de l'Innovation, de la stratégie et de la recherche, Agence française de développement (AFD) • Paulin Melatagia Yonta, enseignant-chercheur en Informatique à l'Université de Yaoundé 1 • Ismaïla Seck, ingénieur et docteur en informatique. Enseignant chercheur en Intelligence artificielle à Dakar American University of Science & Technology et entrepreneur. En fin d'émission, la chronique IA débat, de Thibault Matha, un nouveau rendez-vous bimensuel chez 8 milliards de voisins. Alors que l'intelligence artificielle devient omniprésente dans notre quotidien et que son utilisation se démocratise, Thibault Matha interrogera les outils, et analysera la pertinence de leurs réponses. Aujourd'hui, Thibault tâchera de comprendre comment l'IA peut nous aider à bien nous organiser ?   Programmation musicale :  ► No.1 - Tyla Ft. Tems ► Katam - Diamond Platnumz.

L'intelligence artificielle (IA) ne se contente pas de bousculer les technologies. Pour beaucoup d'États africains, cette technologie devrait redessiner le futur du continent africain. L'IA pourrait permettre de répondre efficacement à certains des maux les plus pressants, en compensant les lacunes des systèmes éducatifs et de santé, en améliorant les rendements agricoles ou en facilitant l'accès aux services financiers pour une population encore largement exclue du système bancaire. Pour autant, plusieurs questions demeurent, le continent peut-il prendre part à la révolution en cours, tout en partant avec un certain temps de retard ? L'IA peut-elle devenir un facteur de développement pour l'Afrique ou, au contraire, représente-t-elle un obstacle à son indépendance économique ?  Avec : • Thomas Melonio, chef économiste, directeur exécutif de l'Innovation, de la stratégie et de la recherche, Agence française de développement (AFD) • Paulin Melatagia Yonta, enseignant-chercheur en Informatique à l'Université de Yaoundé 1 • Ismaïla Seck, ingénieur et docteur en informatique. Enseignant chercheur en Intelligence artificielle à Dakar American University of Science & Technology et entrepreneur. En fin d'émission, la chronique IA débat, de Thibault Matha, un nouveau rendez-vous bimensuel chez 8 milliards de voisins. Alors que l'intelligence artificielle devient omniprésente dans notre quotidien et que son utilisation se démocratise, Thibault Matha interrogera les outils, et analysera la pertinence de leurs réponses. Aujourd'hui, Thibault tâchera de comprendre comment l'IA peut nous aider à bien nous organiser ?   Programmation musicale :  ► No.1 - Tyla Ft. Tems ► Katam - Diamond Platnumz.

Isma y nuestra invitada, artista independiente, Issa Palafox, platican todo sobre la Temporada 2 de "Wednesday"

Isma y nuestro invitado, creador de cómics de Sadhaka Studio, cineasta y crítico de cine, Manuel Ríos Sarabia, platican sobre 'Star Wars: Starfighter'

Dan Bardell and AVFC Statto take a look at all the stats ahead of Sunday night's game. Will Villa be Ismaïla Sarr's playground again? Get your Rotterdam 82' t-shirt: https://foundersdesign.co.uk/collections Head to  @1992PL  to watch Dan's new Premier League show with Jonathan Wilson. Sponsored by: Match Bingo (1874.io/matchbingo) ______________ Interested in sponsoring 1874: The Aston Villa Channel? Email us at studio@1874.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Isma y nuestro invitado, ilustrador y diseñador gráfico, César Cervantes, platican sobre el comienzo de la Temporada 2 de "Peacemaker" de James Gunn

Dans le Maroc alaouite, le jeune prince Moulay Ismail est l'un des hommes clés du royaume. Son frère Moulay Rachid a fait de lui le gouverneur de la ville de Fès, un poste stratégique."Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Antoine de Meaux.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy Lebourg, assistées de Marine Boudalier Montage : Johanna Lalonde Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Moulay Ismaïl, sultan du Maroc au XVIIe siècle, incarne un souverain impitoyable et visionnaire, déterminé à affirmer sa domination. Fondateur de la dynastie alaouite, il mène un règne de fer, marqué par une centralisation du pouvoir et la construction d'une armée redoutée. Son autorité s'étend sur tout le royaume, mais c'est sa politique de terreur et de contrôle qui forge sa légende. À la fois conquérant et bâtisseur, Moulay Ismaïl laisse une empreinte durable sur l'histoire du Maroc, où sa quête de pouvoir absolu et ses méthodes autoritaires le rendent aussi craint et respecté."Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Antoine de Meaux.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy Lebourg, assistées de Marine Boudalier Montage : Johanna Lalonde Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Le 16 février 1699, à 8h30, Abdallah Benaicha, envoyé du puissant sultan Moulay Ismail, arrive aux pieds de l'escalier des ambassadeurs du château de Versailles, aujourd'hui disparu. Il a rendez-vous avec le roi Louis XIV pour une audience extraordinaire. "Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Antoine de Meaux.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy Lebourg, assistées de Marine Boudalier Montage : Johanna Lalonde Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.