Podcasts about Isma

Las vicisitudes del reinado de Mohamed V.Muhammed V de Granada (Granada, 4 de enero de 1339-ibid., 16 de enero de 1391) fue el octavo soberano nazarí de Granada entre 1354 y 1359, hasta que fue derrocado por los partidarios de su hermano Ismaíl II y, tras permanecer exiliado en la capital del Sultanato benimerín en Fez, consiguió recuperar el trono en 1362, en un segundo gobierno fructífero de tres décadas hasta su fallecimiento en 1391.

Si todos los valencianos viven estos días en la euforia habitual tras la ‘Crida' que da comienzo a las Fallas, el cantante Isma Romero añade a esa alegría la publicación, este viernes, 27 de febrero, de su quinto disco, ‘Tira y Afloja'. Con más de 300 conciertos a sus espaldas, este LP confirma que el rock es un lenguaje universal y que sirve para hablar de amor, criticar el mundo digital o recordar a los fallecidos por la DANA.

Vendredi 4 juillet 2025Presque- Exposition&ÉditionJuliette Belleret - Commissariat et textesInauguration et lectures | Vernissage de l'exposition qui aura lieu sur les vitrines de la librairie et de l'Institut français Centre St Louis du 4 au 24 juilletAprès une première présentation au sein de la Galerie Valérie Eymeric et la Librairie l'œil cacodylate en résonance avec la Biennale de Lyon 2024, l'édition et l'exposition "Presque" sont réinterprétées au sein de la Librairie Stendhal et de l'Institut français - Centre Saint-Louis à Rome."C'est à l'endroit de l'attente, du retrait, de l'absence dans les gestes du toucher que les œuvres de cette exposition nous convient. La vidéo, la photographie, la sculpture, le dessin s'adressent ici à nos mains, mais de loin. Un ensemble de pièces et de pratiques qui chacune ouvre des brèches où penser les enjeux d'un contact tactile, sensible et immédiat aux objets, aux endroits, aux autres et à soi.Un écart où s'installe aussi le langage choisi pour l'exposition, un texte qui entre en résonance avec les œuvres présentées par échos multipliés, en empruntant les brèches qu'elles ouvrent sur nos gestes, entre nos doigts. Un livre ponctué, piqué de leurs images, de leur présence infiltrée jusque dans ses marges, dans l'espace laissé entre les mots et le papier."Avec la participation de : Ismaïl Bahri, Dylan Caruso, Anna Coulet, Nicolas Daubanes, Elsa Maillot, Pierre Von-Ow, Lise Wajeman

Savoir exactement ce qu'implique l'amour qu'on peut avoir pour des enfants qui ne sont pas les nôtres, ce n'est pas toujours simple. Quel est notre rôle et notre place en tant qu'adulte dans ces relations ? Avons-nous des devoirs envers ces enfants ? Ou est-ce qu'aimer les enfants des autres, c'est avoir tous les avantages sans les inconvénients ?Dans cet épisode, Sarah Gandillot interroge l'apparente simplicité de ces liens entre adultes et enfants qui ne sont pas reliés par la parentalité. Avec les témoignages de Rodolphe, Laurie, Hélène, Constantin, Béatrice, Justine, Louise, Nadieh, Ismaël, Assetou, Romane, Valérie et Michaël, et les analyses de Laélia Benoît, pédopsychiatre, chercheuse au Yale Child Study Center et autrice de l'essai Infantisme, ainsi que de Mathilde Bouychou, psychologue clinicienne spécialisée en parentalité, psychothérapeute et autrice du podcast Parentalité(s), Eduquer c'est comprendre. Faites des gosses est une production Louie Media. Les épisodes de la série Les Enfants des autres ont été écrits et tournés par Sarah Gandillot. Ils ont été montés par Idriss Riquet. La prise de son est du studio La Fugitive. La réalisation sonore et le mix sont de Jérôme Petit. La musique est de Jean Thévenin. Elsa Berthault est en charge de la production. Merci à France Parrainages pour leur soutien.Vous souhaitez soutenir la création et la diffusion des projets de Louie Media ? Vous pouvez le faire via le Club Louie. Vous pouvez aussi vous abonner à Louie+ sur Apple Podcasts pour écouter les épisodes sans publicités et nos séries en avant-première. Chaque participation est précieuse. Nous vous proposons un soutien sans engagement, annulable à tout moment, soit en une seule fois, soit de manière régulière. Au nom de toute l'équipe de Louie : MERCI !Suivez Faites des gosses sur Apple Podcasts, Spotify, Deezer.Suivez Louie Media sur Instagram, Facebook, et YouTube. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Aujourd'hui, Emmanuel de Villiers, entrepreneur, Abel Boyi, éducateur, et Sandrine Pégand, avocate, débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Il y a parfois, dans une vie d'adulte, un enfant qui prend une place particulière : une nièce, un filleul, l'enfant d'un·e ami·e, celui qu'on a gardé un été. On peut aussi repenser avec tendresse à des figures marquantes de notre enfance : un·e ami·e de nos parents, un·e professeur·e inspirant·e, un·e voisin·e rassurant·e…Comment naissent ces relations si précieuses ? Que donnent-elles aux enfants, et à ceux qui les accompagnent ? Et qu'est-ce qui fait que le lien perdure dans le temps ? C'est ce que s'est demandé la journaliste Sarah Gandillot, pour penser une alternative joyeuse à la parentalité. Avec les témoignages de Solal, Rodolphe, Laurie, Hélène, Romane, Béatrice, Justine, Ismaël, Assetou, Valérie et Michaël, et les analyses de Laélia Benoît, pédopsychiatre, chercheuse au Yale Child Study Center et autrice de l'essai Infantisme, ainsi que de Mathilde Bouychou, psychologue clinicienne spécialisée en parentalité, psychothérapeute et autrice du podcast Parentalité(s), Eduquer c'est comprendre. Faites des gosses est une production Louie Media. Les épisodes de la série Les Enfants des autres ont été écrits et tournés par Sarah Gandillot. Ils ont été montés par Idriss Riquet. La prise de son est du studio La Fugitive. La réalisation sonore et le mix sont de Jérôme Petit. La musique est de Jean Thévenin. Elsa Berthault est en charge de la production. Merci à France Parrainages pour leur soutien !Vous souhaitez soutenir la création et la diffusion des projets de Louie Media ? Vous pouvez le faire via le Club Louie. Vous pouvez aussi vous abonner à Louie+ sur Apple Podcasts pour écouter les épisodes sans publicités et nos séries en avant-première. Chaque participation est précieuse. Nous vous proposons un soutien sans engagement, annulable à tout moment, soit en une seule fois, soit de manière régulière. Au nom de toute l'équipe de Louie : MERCI !Suivez Faites des gosses sur Apple Podcasts, Spotify, Deezer.Suivez Louie Media sur Instagram, Facebook, et YouTube. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dan Fudge returns as the EFL delivers once again!We break down Leicester's 6 point penalty and calamitous Championship form with Leicester Til I Die's Chris Forryan!Meanwhile Ian Herbert from the 4000 Holes podcast reflects on the disastrous Valérien Ismaël era!We talk all things Swindon Town and discuss the latest Ian Holloway rant with Joe Ross Williams from the Loathed Strangers podcast!And ahead of a top of the table League 1 clash between Lincoln City and Bolton Wanderers, we pit Gary Hutchinson of the Stacey West Podcast against Trotter Chatter's Ryan Latham... and discuss the proposed expansions to the play-offs! Hosted on Acast. See acast.com/privacy for more information.

On this week's episode of The Joy of Football, Martin Tyler and Neil Barnett take on some of the game's biggest current talking points, with a particular focus on form, trends, and how football is evolving in front of our eyes. The conversation begins with “We Need To Talk About”, as the guys dig into the modern Brazilian centre-forward. From Richarlison and Gabriel Jesus to João Pedro and Igor Jesus, the guys discuss why Brazil's production line of number nines, and who could get a shot at the World Cup. In Three of the Best, Martin and Neil each pick their standout players across generations. There's praise for emerging talents like Dango Ouattara and Mateus Mané, reflection on influential figures such as Steve Holland and Siniša Mihajlović, and appreciation for current players including Ismaïla Sarr and Angel Gomes. Martin then delivers another Letter From The Gantry, this week centred on hat-tricks (and a time when Martin saw 3 in one go) - what makes them special, how they feel from the commentary box, and why certain moments stay with you long after the final whistle. And the episode closes with Voice of Passion, where the discussion turns to whether changes in the game are really for the good of football. From Manchester City's disallowed goal to extended drinks breaks, Martin and Neil question where the balance lies between tradition, fairness, and entertainment. As ever, it's a thoughtful, experience-led look at football — past, present, and where it might be heading next. #ad Find out more about St James Place here! https://www.sjp.co.uk Join Neil Barnett (former Chelsea touch-liner announcer and football journalist) alongside the voice of the Premier League, Martin Tyler in celebrating the greatest addiction in the World!  Hosted by The Revive Lounge Ltd  UCsdye1hUxP4xhgBx9zvuSjg Subscribe to https://youtube.com/@TheReviveLounge?si=L5ddzrJrtSmErtJ5  Support the Pod https://patreon.com/TheJoysofFootballPodcast?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink Read us on  Substack https://martintylerandneilbarnett.substack.com/  Follow our Twitter https://x.com/TheJOF  Follow our Tik Tok https://www.tiktok.com/@joy_of_football_pod?is_from_webapp=1&sender_device=pc  Follow our Instagram https://https://www.instagram.com/joy_of_football_pod/  Contact us via: therevivelounge@gmail.com  Music by Arron Clague - https://www.instagram.com/arronclague?igsh=aHg1bjQ3OHpmaXIz  Intro Sequence by Wellong Sadewo (wells.illustration): https://www.instagram.com/wells.illustration/  For incredible football artwork, check out: https://linktr.ee/marclobodaart  A massive thank you to our Patreon Supporters:  Nick Parmenter  Hillary Abbott  Daniel Butigan  Tommy Mck  Katie Watson  Benjamin Fairclough  Nathan A Learn more about your ad choices. Visit podcastchoices.com/adchoices

Savoir exactement ce qu'implique l'amour qu'on peut avoir pour des enfants qui ne sont pas les nôtres, ce n'est pas toujours simple. Quel est notre rôle et notre place en tant qu'adulte dans ces relations ? Avons-nous des devoirs envers ces enfants ? Ou est-ce qu'aimer les enfants des autres, c'est avoir tous les avantages sans les inconvénients ?Dans cet épisode, Sarah Gandillot interroge l'apparente simplicité de ces liens entre adultes et enfants qui ne sont pas reliés par la parentalité. Avec les témoignages de Rodolphe, Laurie, Hélène, Constantin, Béatrice, Justine, Louise, Nadieh, Ismaël, Assetou, Romane, Valérie et Michaël, et les analyses de Laélia Benoît, pédopsychiatre, chercheuse au Yale Child Study Center et autrice de l'essai Infantisme, ainsi que de Mathilde Bouychou, psychologue clinicienne spécialisée en parentalité, psychothérapeute et autrice du podcast Parentalité(s), Eduquer c'est comprendre. Faites des gosses est une production Louie Media. Les épisodes de la série Les Enfants des autres ont été écrits et tournés par Sarah Gandillot. Ils ont été montés par Idriss Riquet. La prise de son est du studio La Fugitive. La réalisation sonore et le mix sont de Jérôme Petit. La musique est de Jean Thévenin. Elsa Berthault est en charge de la production. Merci à France Parrainages pour leur soutien.Vous souhaitez soutenir la création et la diffusion des projets de Louie Media ? Vous pouvez le faire via le Club Louie. Vous pouvez aussi vous abonner à Louie+ sur Apple Podcasts pour écouter les épisodes sans publicités et nos séries en avant-première. Chaque participation est précieuse. Nous vous proposons un soutien sans engagement, annulable à tout moment, soit en une seule fois, soit de manière régulière. Au nom de toute l'équipe de Louie : MERCI !Suivez Faites des gosses sur Apple Podcasts, Spotify, Deezer.Suivez Louie Media sur Instagram, Facebook, et YouTube. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The wait is finally over! Palace have snapped their 12-match winless streak in the most satisfying way possible-a gritty 1-0 victory over Brighton at the Amex. In a match where defensive discipline met clinical execution, Ismaïla Sarr proved to be the thorn in the Seagulls' side once again, hammering home the winner after a brilliant setup from debutant Evann Guessand. We're diving into a tactical masterclass that saw the Eagles survive a late Brighton onslaught and climb above their rivals into 13th place.Support this show http://supporter.acast.com/holmesdaleradio. Hosted on Acast. See acast.com/privacy for more information.

The wait is over! Palace have finally snapped their 12-match winless streak in the most satisfying way possible-a 1-0 victory over Brighton at the Amex. In a match where grit met clinical execution, Ismaïla Sarr proved to be the thorn in the Seagulls' side once again, hammering home the winner on the hour mark after a brilliant setup from debutant Evann Guessand. We're breaking down a tactical masterclass that saw the Eagles survive a Brighton onslaught and climb above their rivals into 13th place.Support this show http://supporter.acast.com/holmesdaleradio. Hosted on Acast. See acast.com/privacy for more information.

Aaron Paul, Jobi McAnuff & Darrell Clarke discuss the top stories from the EFL. Darrell reveals his involvement in helping his old player Davis Keillor-Dunn move from Barnsley to Wrexham. What about Coventry letting their 10-point lead slip? Managerial departures at Blackburn and Watford. And the guys have their say on the Ian Holloway rant. Plus, send us your EFL ‘hard man' suggestions on WhatsApp to 08000 289 369.01:20 Deadline Day is all about the pizzas! 04:25 Darrell involved in the Davis Keillor-Dunn deal 06:40 Other transfer highlights 10:50 Coventry's 10-point lead wiped out 16:10 Hull & Boro among the chasers 19:10 Blackburn sack Valérien Ismaël 29:00 Javi Gracia leaves Watford 34:20 Ian Holloway's rant reflections 41:00 72PLUS 72MINUS5 Live / BBC Sounds commentaries: Wed 2000 Man City v Newcastle in EFL Cup, Sat 1500 Arsenal v Sunderland, Sat 1500 Bournemouth v Aston Villa on Sports Extra, Sat 1730 Newcastle v Brentford, Sun 1400 Brighton v Crystal Palace, Sun 1630 Liverpool v Man City.

Il y a parfois, dans une vie d'adulte, un enfant qui prend une place particulière : une nièce, un filleul, l'enfant d'un·e ami·e, celui qu'on a gardé un été. On peut aussi repenser avec tendresse à des figures marquantes de notre enfance : un·e ami·e de nos parents, un·e professeur·e inspirant·e, un·e voisin·e rassurant·e…Comment naissent ces relations si précieuses ? Que donnent-elles aux enfants, et à ceux qui les accompagnent ? Et qu'est-ce qui fait que le lien perdure dans le temps ? C'est ce que s'est demandé la journaliste Sarah Gandillot, pour penser une alternative joyeuse à la parentalité. Avec les témoignages de Solal, Rodolphe, Laurie, Hélène, Romane, Béatrice, Justine, Ismaël, Assetou, Valérie et Michaël, et les analyses de Laélia Benoît, pédopsychiatre, chercheuse au Yale Child Study Center et autrice de l'essai Infantisme, ainsi que de Mathilde Bouychou, psychologue clinicienne spécialisée en parentalité, psychothérapeute et autrice du podcast Parentalité(s), Eduquer c'est comprendre. Faites des gosses est une production Louie Media. Les épisodes de la série Les Enfants des autres ont été écrits et tournés par Sarah Gandillot. Ils ont été montés par Idriss Riquet. La prise de son est du studio La Fugitive. La réalisation sonore et le mix sont de Jérôme Petit. La musique est de Jean Thévenin. Elsa Berthault est en charge de la production. Merci à France Parrainages pour leur soutien !Vous souhaitez soutenir la création et la diffusion des projets de Louie Media ? Vous pouvez le faire via le Club Louie. Vous pouvez aussi vous abonner à Louie+ sur Apple Podcasts pour écouter les épisodes sans publicités et nos séries en avant-première. Chaque participation est précieuse. Nous vous proposons un soutien sans engagement, annulable à tout moment, soit en une seule fois, soit de manière régulière. Au nom de toute l'équipe de Louie : MERCI !Suivez Faites des gosses sur Apple Podcasts, Spotify, Deezer.Suivez Louie Media sur Instagram, Facebook, et YouTube. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La dernière journée du mercato d'hiver a été très agitée, notamment à Marseille, qui a enregistré les arrivées des milieux de terrain Himad Abdelli et Tochukwu Nnadi et s'est séparé de plusieurs éléments qui jouaient peu. Abdelli, âgé de 26 ans et international algérien, arrivait en fin de contrat avec le SCO Angers en juin prochain. Agé de 22 ans, le milieu de terrain nigérian Tochukwu Nnadi arrive du club belge de Zulte-Waregem. Le club marseillais avait déjà recruté le milieu de terrain néerlandais Quinten Timber et le milieu offensif anglais Ethan Nwaneri, prêté par Arsenal. Mais Marseille a surtout été actif lundi dans le sens des départs. L'OM a ainsi prêté le milieu de terrain Angel Gomes à Wolverhampton, et transféré au club italien de Sassuolo le latéral gauche suisse Ulisses Garcia et le jeune milieu de terrain Darryl Bakola. Sassuolo a également levé l'option d'achat qui était attachée au prêt d'un autre joueur de l'OM, le milieu de terrain canadien Ismaël Koné. Enfin, l'international danois Matt O'Riley retourné à Brighton, le club qui l'avait prêté à l'OM. Débrief de ce mercato avec Hugo Amelin et Cédric Chasseur autour de Philippe Sanfourche.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Forest would have been hoping to get the win to draw level on points with our beleaguered visitors, and things started well when Morgan Gibbs-White tucked home after five minutes. As is so often the case, we should have got another one, and literally paid the penalty when Neco Williams handled on the line and was dismissed, with Ismaíla Sarr scoring the resulting spot kick. However, in the second half, the ten man team showed no let up with a magnificent battling performance to repel Palace, and still managed to break with numbers, but both teams had to settle for a point in the end. Rich and Baz report on the game, the tactics, the substitutions, and yes, the referee. Subscribe to 1865: The ORIGINAL Nottingham Forest Podcast via your podcast provider, and please leave a review, as it helps other Forest supporters find our content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 1865: The Nottingham Forest Podcast is part of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sports Social Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and partnered with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FanHub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Come on you Reds! Learn more about your ad choices. Visit podcastchoices.com/adchoices

De Yusuf I a Mohamed V.Yusuf I fue el séptimo sultán del Reino Nazarí de Granada, y su llegada al trono se produce tras las muertes, de su padre Isma;'il I y la de su hermano Muhammad IV, sin haber cumplido aún los dieciséis años, quedando bajo la tutela familiar de su abuela, Fátima y la política bajo su primer ministro Ridwan.

L'information est tombée tard dans la nuit de mercredi à jeudi mais elle a été immédiatement rapportée et commentée par la presse en ligne. « Les sanctions de la CAF, la Confédération africaine de football, sont tombées… », constate Le Soleil à Dakar. Sanctions après la finale houleuse de la CAN 2025 entre le Maroc et le Sénégal. « La CAF frappe fort », s'exclame DakarActu. « Finale Maroc-Sénégal : pluie de sanctions », lance Seneplus. « Avec plus de 600 000 dollars d'amende et une suspension de cinq matches pour le sélectionneur Pape Thiaw, la CAF a sévèrement sanctionné la Fédération sénégalaise pour les débordements survenus lors du match. La Fédération Royale Marocaine de Football et ses joueurs n'ont pas été épargnés, pointe encore Seneplus. Le défenseur Achraf Hakimi a été suspendu pour deux matches officiels. Son coéquipier Ismaël Saibari a reçu une suspension plus lourde de trois matches, assortie d'une amende de 100 000 dollars. Et puis surtout, relève encore le site sénégalais, « le jury disciplinaire de la CAF a statué sur la réclamation déposée par la Fédération marocaine concernant de supposées violations des règlements par la partie sénégalaise. Cette plainte, qui invoquait les articles 82 et 84 du règlement de la compétition (et qui pouvait conduire à l'invalidation du titre pour les Sénégalais), cette plainte a été officiellement rejetée ». Les Lions de la Teranga restent donc bien champions d'Afrique. Incompréhension et colère… La presse marocaine fulmine… « Ce verdict était très attendu, pointe le site Le 360. Il était censé refermer l'un des épisodes les plus sombres de l'histoire récente de la compétition. Mais au lieu d'apaiser, cette décision soulève déjà une vague d'incompréhension, s'indigne le site marocain, tant elle apparaît déséquilibrée dans la lecture des responsabilités (…) : indulgence manifeste envers les principaux acteurs du chaos côté sénégalais, rigueur extrême à l'encontre du Maroc, pays hôte ». Et « une question centrale demeure, s'agace encore Le 360 : où est passée la qualification juridique du retrait de l'équipe sénégalaise et de l'interruption du match ? La décision de la CAF évite soigneusement de trancher sur le point le plus grave : à savoir, le refus de reprendre le jeu, pourtant au cœur du débat et explicitement encadré par les règlements de la compétition. Aucune mention claire d'un abandon, aucune application directe des articles les plus lourds du règlement. Le fond du problème est contourné ». Et Le 360 de conclure : « ces décisions vont certainement alimenter le malaise. Car une finale de CAN interrompue, des joueurs quittant la pelouse, des tribunes envahies et un match suspendu sous les yeux du président de la Fifa constituent un précédent majeur. Et ce précédent n'est pas traité à la hauteur de sa gravité ». « La CAF rend un verdict injuste et incompréhensible », renchérit Mediaş 24. « Les sanctions prononcées à l'encontre de la partie sénégalaise sont dérisoires au regard des faits. Celles contre le Maroc sont disproportionnées et infondées. C'est comme si le jury, soumis ou pas à des pressions, avait voulu équilibrer entre les deux parties ». Exemple, souligne Medias 24 : « L'entraîneur sénégalais Pape Diaw paiera une amende de 100 000 dollars pour avoir appelé ses joueurs à quitter le terrain. Et même punition pour Ismail Saibari qui n'a fait que jeter une serviette sur le gardien sénégalais ». Autre bras de fer… Enfin, autre différend, autre polémique : le duel entre Madrid et Rabat pour savoir qui accueillera la finale du Mondial 2030. Le ton monte entre le Maroc et l'Espagne, co-organisateurs du tournoi. « Si ce Mondial se déroulera entre le Maroc, le Portugal et l'Espagne, une seule nation accueillera la finale, relève Afrik.com ». Et « le gouvernement espagnol a déjà pris position : pour le président du Conseil supérieur des sports, la finale se tiendra "bien sûr" en Espagne ». De plus, « Rafael Louzán, le président de la Fédération espagnole, a pointé du doigt les incidents de la CAN pour convaincre la Fifa d'écarter le Maroc de l'organisation de la finale de la Coupe du monde ». Une finale que le Maroc veut absolument accueillir dans le gigantesque stade Hassan II de Benslimane, près de Casablanca, actuellement en construction. Bref, la partie de bras de fer ne fait que commencer…

L'information est tombée tard dans la nuit de mercredi à jeudi mais elle a été immédiatement rapportée et commentée par la presse en ligne. « Les sanctions de la CAF, la Confédération africaine de football, sont tombées… », constate Le Soleil à Dakar. Sanctions après la finale houleuse de la CAN 2025 entre le Maroc et le Sénégal. « La CAF frappe fort », s'exclame DakarActu. « Finale Maroc-Sénégal : pluie de sanctions », lance Seneplus. « Avec plus de 600 000 dollars d'amende et une suspension de cinq matches pour le sélectionneur Pape Thiaw, la CAF a sévèrement sanctionné la Fédération sénégalaise pour les débordements survenus lors du match. La Fédération Royale Marocaine de Football et ses joueurs n'ont pas été épargnés, pointe encore Seneplus. Le défenseur Achraf Hakimi a été suspendu pour deux matches officiels. Son coéquipier Ismaël Saibari a reçu une suspension plus lourde de trois matches, assortie d'une amende de 100 000 dollars. Et puis surtout, relève encore le site sénégalais, « le jury disciplinaire de la CAF a statué sur la réclamation déposée par la Fédération marocaine concernant de supposées violations des règlements par la partie sénégalaise. Cette plainte, qui invoquait les articles 82 et 84 du règlement de la compétition (et qui pouvait conduire à l'invalidation du titre pour les Sénégalais), cette plainte a été officiellement rejetée ». Les Lions de la Teranga restent donc bien champions d'Afrique. Incompréhension et colère… La presse marocaine fulmine… « Ce verdict était très attendu, pointe le site Le 360. Il était censé refermer l'un des épisodes les plus sombres de l'histoire récente de la compétition. Mais au lieu d'apaiser, cette décision soulève déjà une vague d'incompréhension, s'indigne le site marocain, tant elle apparaît déséquilibrée dans la lecture des responsabilités (…) : indulgence manifeste envers les principaux acteurs du chaos côté sénégalais, rigueur extrême à l'encontre du Maroc, pays hôte ». Et « une question centrale demeure, s'agace encore Le 360 : où est passée la qualification juridique du retrait de l'équipe sénégalaise et de l'interruption du match ? La décision de la CAF évite soigneusement de trancher sur le point le plus grave : à savoir, le refus de reprendre le jeu, pourtant au cœur du débat et explicitement encadré par les règlements de la compétition. Aucune mention claire d'un abandon, aucune application directe des articles les plus lourds du règlement. Le fond du problème est contourné ». Et Le 360 de conclure : « ces décisions vont certainement alimenter le malaise. Car une finale de CAN interrompue, des joueurs quittant la pelouse, des tribunes envahies et un match suspendu sous les yeux du président de la Fifa constituent un précédent majeur. Et ce précédent n'est pas traité à la hauteur de sa gravité ». « La CAF rend un verdict injuste et incompréhensible », renchérit Mediaş 24. « Les sanctions prononcées à l'encontre de la partie sénégalaise sont dérisoires au regard des faits. Celles contre le Maroc sont disproportionnées et infondées. C'est comme si le jury, soumis ou pas à des pressions, avait voulu équilibrer entre les deux parties ». Exemple, souligne Medias 24 : « L'entraîneur sénégalais Pape Diaw paiera une amende de 100 000 dollars pour avoir appelé ses joueurs à quitter le terrain. Et même punition pour Ismail Saibari qui n'a fait que jeter une serviette sur le gardien sénégalais ». Autre bras de fer… Enfin, autre différend, autre polémique : le duel entre Madrid et Rabat pour savoir qui accueillera la finale du Mondial 2030. Le ton monte entre le Maroc et l'Espagne, co-organisateurs du tournoi. « Si ce Mondial se déroulera entre le Maroc, le Portugal et l'Espagne, une seule nation accueillera la finale, relève Afrik.com ». Et « le gouvernement espagnol a déjà pris position : pour le président du Conseil supérieur des sports, la finale se tiendra "bien sûr" en Espagne ». De plus, « Rafael Louzán, le président de la Fédération espagnole, a pointé du doigt les incidents de la CAN pour convaincre la Fifa d'écarter le Maroc de l'organisation de la finale de la Coupe du monde ». Une finale que le Maroc veut absolument accueillir dans le gigantesque stade Hassan II de Benslimane, près de Casablanca, actuellement en construction. Bref, la partie de bras de fer ne fait que commencer…

Če vemo, da vsaj zahodni svet že od industrijske revolucije v veliki meri obvladuje kapitalizem, ni nenavadno, da obstaja vrsta poizkusov, kako to stanje človeka ubesediti tudi v literaturi. Večina pisateljev se pri tem oprime bolj tradicionalnih pristopov in se ukvarja s tem, kako se z močjo kapitala sooča ta ali oni literarni junak iz različnih socialnih okolij. Redkeje pa smo priča delom, v katerih literarni junak na nek način postane kar kapital sam. Enega od najbolj nedavnih podvigov te vrste prinaša roman Hiper, ki ga je napisal kurdski pisatelj Agri Ismail in je pred kratkim izšel v zbirki Izhodi pri založbi Sophia. In če ob omembi kurdskega pisatelja pomislite na boje ljudstva, ki ni nikoli dobilo lastne države ali njihove revolucionarne ideje o nekapitalističnem družbenem sistemu, naj že takoj povemo, da roman pisatelja, ki je odraščal v Londonu, ni zgodba o kurdskem vprašanju ali sanjah o spremembi sveta, ampak prej priča o cinizmu izseljenske generacije, ki je opustila boje idealističnih staršev in vseobsegajočemu kapitalu - tako v svojih življenjih kot v romanu - prepustila glavno vlogo. O Hiperju smo za tokratno Sobotno branje govorili z urednikom in prevajalcem dela Markom Bauerjem, ki je za začetek povedal nekaj o avtorju. Oddajo je pripravila Alja Zore.

Het affiche tussen ADO Den Haag en SC Cambuur, de nummer een en twee, werd op voorhand gezien als dé kraker van de tweede seizoenshelft. En het moet gezegd: de ploegen stelden niet teleur. Met oud-speler en cultheld René van Rijswijk blikt LC-journalist Jonathan Ploeg terug op de 1-2 overwinning, waarmee Cambuur de titelstrijd een stuk spannender maakte. Belangrijker: promotie kan de club haast niet meer ontgaan. Toch? Besproken worden onder meer de prestaties van Thijs Jansen, Ismaël Baouf, Jort van der Sande en Tony Rölke. En wie was eigenlijk de man van de wedstrijd? Ook de tactische keuzes komen aan bod, net als een aantal luisteraarsvragen. * Vragen voor in de podcast? Mail naar: jonathan.ploeg@lc.nl * SC Cambuur op de voet volgen? Abonneer je hier op onze nieuwsbriefSee omnystudio.com/listener for privacy information.

Lutte contre la corruption ou acharnement contre l'ancien pouvoir ? Au Sénégal, deux ex-ministres de Macky Sall, Ismaïla Madior Fall et Aïssatou Sophie Gladima  seront jugés par la haute Cour de justice. L'un pour tentative de corruption et l'autre pour complicité d'escroquerie sur les deniers publics. Nous lançons le débat. Standard : +33 9 693 693 70 Mail : appels.actu@rfi.fr Facebook : Appels sur l'actualité - RFI Twitter : @appelsactu

Chaque année, on se souhaite la même chose : “Bonne année, et surtout la santé !”On le dit automatiquement, sans toujours mesurer ce que ça veut vraiment dire.Quand j'ai reçu Ismaël Emelien dans PAUSE, cette phrase a pris une autre dimension. Parce que lui a passé des années au cœur du pouvoir, à conseiller le Président Emmanuel Macron. Et qu'un jour, il a décidé de tout quitter pour se consacrer à une seule chose : notre santé.Pas la santé quand il est déjà trop tard. Mais celle que l'on construit avant. Celle qu'on néglige quand tout va bien. Celle qu'on sacrifie parfois au nom de la performance, de la réussite, de la vitesse.Ce qui m'a marqué dans cet épisode, ce n'est pas seulement les coulisses de l'Élysée, même si elles sont fascinantes. C'est ce virage radical.Ce moment où Ismaël s'est demandé : “À quoi sert le pouvoir, si on ne s'en sert pas pour mieux vivre ?”Avec Zoī, il parle de prévention, de données, de longévité. Mais surtout, il parle de responsabilité. Individuelle. Collective. Et de cette idée simple, mais vertigineuse : et si notre plus grande richesse, c'était le temps passé en bonne santé ?En ce début d'année, cet épisode résonne plus fort que jamais. Parce qu'il ne parle pas de résolutions. Il parle de priorités.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Episode kali ini adalah episode kompilasi bahasan tuntas dari Kitab Bulughul Maram karya Ibnu Hajar Al-‘Asqalani, Kitab Shalat yang dipandu oleh Ustadz Muhammad Abduh Tuasikal, M.Sc.Ini adalah bahasan ringkas yang bersumber dari Syarh para ulama terutama dari Minhah Al-‘Allam fii Syarh Bulugh Al-Maram karya Syekh ‘Abdullah Al-Fauzan, Fath Dzi Al-Jalali wa Al-Ikram bi Syarh Bulugh Al-Maram karya Syekh Muhammad bin Shalih Al-‘Utsaimin, dan Subul As-Salam Al-Muwshilah ila Bulugh Al-Maram karya Muhammad bin Isma'il Al-Amir Ash-Shan'ani.Silakan catat faedah berharga dari pembahasan ini dan amalkan ilmu yang telah didapat. Semoga bermanfaat :)

Rediffusion. Que sont devenus Jacques, Pierrette Méchinaud et leur deux fils Eric et Bruno disparus dans la nuit du 24 au 25 décembre 1972 près de Cognac ? Cette question reste depuis cinquante ans sans réponse. L'affaire Méchinaud est un mystère sans corps, sans indice, sans aucune piste. Dans le dernier épisode, Caroline Nogueras reçoit Ismaël Karroum, rédacteur en chef adjoint de la Charente Libre, pour parler de ce cold case à la française. 50 ans après, où en est-on ? Suicide, meurtres, fuite à l'étranger. Le mystère de la disparition des Méchinaud reste entier. Depuis 1973, les recherches ont mobilisé des centaines d'hommes, des moyens financiers et humains considérables. Sans aucun résultat. Jacques, Pierrette, Eric et Bruno Méchinaud ont disparu sans laisser une trace derrière eux. Comme s'ils s'étaient volatilisés. Et pourtant, en 2020, l'enquête repart. Ismaël Karroum, rédacteur en chef adjoint de la Charente Libre est l'invité de Caroline Nogueras. Connaitra-t-on enfin la vérité ? Un podcast Bababam Originals Ecriture : Virginie Guedj Voix : Caroline Nogueras Learn more about your ad choices. Visit megaphone.fm/adchoices

Rediffusion. Que sont devenus Jacques, Pierrette Méchinaud et leur deux fils Eric et Bruno disparus dans la nuit du 24 au 25 décembre 1972 près de Cognac ? Cette question reste depuis cinquante ans sans réponse. L'affaire Méchinaud est un mystère sans corps, sans indice, sans aucune piste. Dans le dernier épisode, Caroline Nogueras reçoit Ismaël Karroum, rédacteur en chef adjoint de la Charente Libre, pour parler de ce cold case à la française. Va-t-on un jour retrouver les corps ? Jacques, Pierrette, Bruno et Eric Méchinaud ont été vus pour la dernière fois le 25 décembre 1972. Depuis, les enquêteurs n'ont rien trouvé. Ils n'ont aucune piste, aucun début d'indice. À Boutiers, la famille disparue n'est jamais tombée dans l'oubli. Ce fait divers s'est inscrit dans la mémoire locale comme une légende. Les habitants espèrent sans trop y croire un dénouement. Sauf qu'en 2011, l'affaire rebondit. Un podcast Bababam Originals Ecriture : Virginie Guedj Voix : Caroline Nogueras Learn more about your ad choices. Visit megaphone.fm/adchoices

Rediffusion. Que sont devenus Jacques, Pierrette Méchinaud et leur deux fils Eric et Bruno disparus dans la nuit du 24 au 25 décembre 1972 près de Cognac ? Cette question reste depuis cinquante ans sans réponse. L'affaire Méchinaud est un mystère sans corps, sans indice, sans aucune piste. Dans le dernier épisode, Caroline Nogueras reçoit Ismaël Karroum, rédacteur en chef adjoint de la Charente Libre, pour parler de ce cold case à la française. Un couple au bord de la rupture En décembre 1972, quand la famille Méchinaud disparaît, Maurice Blanchon est l'amant de Pierrette depuis près de deux ans. C'est lui qui s'inquiète en premier et qui donne l'alerte auprès des proches de la famille. Maurice Blanchon a rencontré Pierrette quand elle a emménagé dans la maison en face de celle de ses parents. Les deux bâtisses sont séparées par un grand jardin. Un simple grillage délimite l'espace de chacun. Jacques Méchinaud avait-il découvert le pot aux roses ? Un podcast Bababam Originals Ecriture : Virginie Guedj Voix : Caroline Nogueras Learn more about your ad choices. Visit megaphone.fm/adchoices

Rediffusion. Que sont devenus Jacques, Pierrette Méchinaud et leur deux fils Eric et Bruno disparus dans la nuit du 24 au 25 décembre 1972 près de Cognac ? Cette question reste depuis cinquante ans sans réponse. L'affaire Méchinaud est un mystère sans corps, sans indice, sans aucune piste. Dans le dernier épisode, Caroline Nogueras reçoit Ismaël Karroum, rédacteur en chef adjoint de la Charente Libre, pour parler de ce cold case à la française. Une disparition mystérieuse le soir de Noël L'histoire débute le 25 décembre 1972, à Boutiers-Saint-Trojan, petite commune à l'ouest de la Charente. Au petit matin, Boutiers se réveille. Tout semble normal. Sauf peut-être la maison des Méchinaud. Ce jour-là, comme les suivants, les volets verts resteront fermés. Désespérément fermés. Jacques, Pierrette Méchinaud et leurs deux fils sont absents. Les voisins pensent qu'ils sont partis en vacances. Et puis, les jours passent... Un podcast Bababam Originals Ecriture : Virginie Guedj Voix : Caroline Nogueras Learn more about your ad choices. Visit megaphone.fm/adchoices

Redécouvrez bientôt l'affaire sur les disparus de Nöel… Que sont devenus Jacques, Pierrette Méchinaud et leur deux fils Eric et Bruno disparus dans la nuit du 24 au 25 décembre 1972 près de Cognac ? Cette question reste depuis cinquante ans sans réponse. L'affaire Méchinaud est un mystère sans corps, sans indice, sans aucune piste. Dans le dernier épisode, Caroline Nogueras reçoit Ismaël Karroum, rédacteur en chef adjoint de la Charente Libre, pour parler de ce cold case à la française. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:59:19 - Ismail Sentissi "Toto Es Presente" - par : Nicolas Pommaret - « Todo es presente » du pianiste et compositeur Ismaïl Sentissi, est un manifeste d'urgence douce. D'une sensualité folle, il s'agit de la promesse d'une musique encore possible comme « Healing Force of the Universe ». Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Discuté depuis 2021, le projet danois de location de places de prison au Kosovo pour y envoyer des criminels condamnés, originaires de pays non membres de l'Union européenne, prend petit à petit forme. Contre 200 millions d'euros, l'un des pays les plus riches d'Europe veut envoyer 300 prisonniers vers l'un des plus pauvres. Le Danemark, qui avait soutenu l'intervention de l'Otan en 1999 et l'indépendance du Kosovo, voit dans ce projet une coopération gagnant-gagnant. Mais sur place, le sujet divise. Surtout que ce genre de projets se multiplient dans des pays des Balkans, toujours tenus à la porte de l'UE. De notre correspondant à Gjilan dans le sud du Kosovo, La route goudronnée s'arrête à quelques dizaines de mètres des miradors. Perchée sur une colline sans arbres, juste au-dessus d'un village et de sa mosquée, la prison de Gjilan surplombe la deuxième ville du Kosovo. Une fois passé les portiques et les grilles de sécurité, le bruit des clés des gardiens résonne dans des couloirs particulièrement propres. Selon l'accord ratifié en 2024 à une large majorité par le Parlement, les prisonniers kosovars qui font aujourd'hui les 100 pas dans la prison de Gjilan devraient laisser la place à des détenus condamnés par la justice danoise, à 2 000 kilomètres du Kosovo. À lire aussiDanemark: premier accord pour envoyer 300 détenus dans une prison du Kosovo « C'est un mauvais accord » « Ces transferts de prisonniers ne concerneront pas les personnes condamnées pour extrémisme, extrémisme religieux ou terrorisme. Ce seront principalement des personnes condamnées à des peines de 5 à 10 ans de prison et originaires de pays tiers. On espère que cette collaboration sera un succès et un modèle pour d'autres pays », précise Ismaïl Dibrani, directeur général du système pénitentiaire du Kosovo. Les premiers détenus en provenance de Copenhague ne sont annoncés que pour avril 2027. Mais déjà, de nombreux pays comme la France ou la Belgique auraient demandé à pouvoir eux aussi louer des places de prison au Kosovo. À quelques kilomètres de la prison, le projet danois n'anime pas vraiment les conversations du centre piéton de Gjilan. Zarife Asllani en veut au gouvernement kosovar d'avoir signé un tel accord. Pour cette psychologue sociale de 38 ans, « c'est un mauvais accord. Nous ne sommes pas contre ces prisonniers. Mais ces 200 millions d'euros, cela aurait été mieux de les investir autrement au Kosovo ». À lire aussiEnvoyer ses détenus dans des prisons étrangères: une idée en vogue en Scandinavie Un geste de reconnaissance envers les États-Unis Comme plusieurs pays membres de l'Otan, le Danemark a soutenu l'indépendance et la construction du nouvel État kosovar. Les autorités de Pristina présentent cet accord comme un moyen de rembourser une dette historique et de conforter ses soutiens diplomatiques. Originaire de Gjilan, l'activiste Donika Emini dénonce une dérive honteuse. « Ces accords transforment les Balkans en dépotoir des pays riches, qui font ici ce qu'ils ne peuvent pas faire chez eux. C'est vraiment très problématique et hypocrite. Par exemple, dans le cas du Danemark, qui est un pays qui est toujours au sommet des classements internationaux pour son respect des droits humains. » À la demande de Washington, le Premier ministre kosovar, Albin Kurti, a également accepté d'accueillir 50 ressortissants latino-américains expulsés des États-Unis. Un geste de reconnaissance éternelle envers le principal soutien du Kosovo, mais qui n'a pour l'instant pas dépassé l'effet d'annonce.

Aujourd'hui, Abel Boyi, éducateur, Bruno Poncet, cheminot, et Sandrine Pégand, avocate, débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Join us on The Wednesday Week as we sit down with a Blackburn Rovers fan to break down Valérien Ismaël's start to life at Ewood Park, Rovers' recent form, and what to expect ahead of their clash with Sheffield Wednesday. We dive into the highs, the lows, tactical talking points, standout players, and where this match could be won or lost.Whether you're a Wednesdayite, a Rovers supporter, or just a Championship obsessive, this episode is packed with insight, fan perspective, and match-day chat you won't want to miss.Don't forget to like, subscribe, and join the conversation in the comments! Hosted on Acast. See acast.com/privacy for more information.

Turkey Derby in the rear view and the Snowball Derby dead ahead this coming weekend we talk both of those events, Cowboys are the best team in football, and we're joined by the 2024 winner of the ISMA race at Lee USA Speedway, supermodified and sprint car competitor Tyler Shullick. Support the show

La foi est le point de départ de cette assistance, et la droiture en est le sommet. Le Cheikh demande à Dieu de le protéger des obstacles et des malheurs de la vie, de le préserver de la perdition, et de le faire sortir indemne des épreuves, suivant l'exemple des Prophètes éprouvés avant lui.Il distingue deux formes de protection : • ‘Isma : préservation avant que le mal n'arrive. • Nadjâ : secours au moment du danger.Ensuite, il énumère de nombreux fléaux (maladie, humiliation, tristesse, feu, pauvreté, etc.) dont il demande à être préservé, non par peur, mais pour affirmer son besoin de Dieu et sa totale dépendance à Lui. Enfin, le Cheikh prie pour obtenir un cœur humble, une science utile, un repentir sincère, une autorité juste et une épouse pieuse, montrant ainsi l'attitude parfaite du serviteur envers son Seigneur : humilité, confiance et attachement constant à la voie prophétique.

Dans cette édition :Des jeunes comme Manon et Ismaël se sont engagés dans l'armée après les attentats de 2015 pour protéger les Français, et ont été déployés en opérations à l'étranger.La suspension de la réforme des retraites souhaitée par le Parti Socialiste va coûter plusieurs milliards d'euros aux finances publiques, suscitant les critiques du MEDEF.Une explosion de colis piégé dans une agence Allianz à Montluçon est actuellement sous surveillance du parquet national antiterroriste, qui examine la piste de l'ultra-gauche.Deux propriétaires victimes de squats depuis près de trois ans dans un immeuble d'Aubagne voient leurs biens se dégrader et peinent à récupérer leurs appartements.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Depuis plus de 17 ans, une famille installée en Moselle, se bat pour obtenir une réponse simple à une question qui l'est tout autant: de quoi est mort au printemps 2006 leur fils, frère et oncle Ismaël Abdelkader, 26 ans à l'époque des faits ? Une disparition, un corps, des témoins directs du drame, des scénarios possibles, crime ou accident. La résolution de l'affaire semblait à portée de main. Sauf que dans cette histoire, rien ne va être entrepris pour savoir qui a fait quoi.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From winning the Coupe de France with Rennes to a thrilling FA Cup triumph at Crystal Palace, Ismaïla Sarr's journey is a rollercoaster of explosive pace and big-moment goals. This episode dives into the Senegalese forward's career, analyzing his standout performances—including that famous hat-trick against Liverpool—and his tactical evolution at Selhurst Park under a new system. Discover why Sarr is now one of the Premier League's most dangerous wingers, his impressive set-piece record, and what his resurgence means for the Eagles' future.Ismaïla Sarr, Crystal Palace, Premier League, FA Cup , Senegal football.

durée : 00:03:24 - Sous les radars - par : Sébastien LAUGENIE - Ce soir dans sous les radars : les fondateurs de Ben & Jerry's qui se sont fâchés avec la maison mère, des arbitres turques trop parieurs et à Djibouti où Ismaël Omar Guelleh peut briller un sixième mandat malgré son âge. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:24 - Sous les radars - par : Sébastien LAUGENIE - Ce soir dans sous les radars : les fondateurs de Ben & Jerry's qui se sont fâchés avec la maison mère, des arbitres turques trop parieurs et à Djibouti où Ismaël Omar Guelleh peut briller un sixième mandat malgré son âge. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What does it mean to truly use your voice—to tell stories, bring words to life, and inspire others even when life throws challenge's your way? My guest this week, Amber Ba'th, embodies that Unstoppable spirit. Amber is a professional voice actor, a Bible narrator for the Dwell app, and a functional nutritionist who turned a life-changing diagnosis into a deeper calling. Amber opens up about performing on stage, finding her place in the booth, and learning resilience after being diagnosed with transverse myelitis. Her story reminds us that creativity and courage don't fade—they evolve. I think you'll be moved by her honesty, her strength, and her Unstoppable commitment to sharing her voice with the world.   Highlights:   00:10 – Hear how early curiosity in theater grew into a lifelong love for performance. 03:21 – Learn how family roots in the arts shaped a career in acting and voice. 07:21 – Discover why live theater creates a unique audience experience you can't get in film. 14:03 – See how studying Theater Arts Administration opened doors beyond the stage. 17:24 – Find out what moving to LA taught her about auditions, hustle, and opportunity. 25:37 – Get the real entry point into voiceover and why COVID pushed her to record at home. 27:26 – Understand the scope and process of narrating the entire CSB Bible for the Dwell app. 32:07 – Learn how leaning into “villain” characters can expand your VO range. 35:06 – Take why acting classes matter for believable, persuasive voiceover reads. 38:05 – Hear her journey with transverse myelitis and how she reframed ability. 43:47 – See how diet changes and self-advocacy supported healing and daily function. 54:14 – Learn practical nutrition tips VO pros use to protect tone and clarity.   About the Guest:   Hi, I'm Amber Ba'th—pronounced By-ee-th! I'm a Philadelphia native with roots in Los Angeles and Washington, D.C. I earned my BFA in Theatre Arts Administration from the legendary Howard University, and from the very beginning, storytelling and performance have been a huge part of my life. Whether through stage, screen, or sound, I believe creative expression has the ability to inspire, uplift, and connect people. That belief and my faith in Christ, has guided every step of my journey in the entertainment industry.   With over 20 years of experience in theater and film, I've worn many hats—actor, voice actor, producer, company manager, and coach. My early days at Philadelphia's Freedom Theatre gave me the foundation to work on national tours and major productions, such as The Fabric of a Man (national stage and film), and the national tour of If This Hat Could Talk under Tony Award-winning director George Faison. I've also stepped in front of the camera, appearing in Ice Cube's Friday After Next and national print campaigns for McDonald's that landed me in Essence, O Magazine, and Woman's World.   Voice acting has become one of my deepest passions. I've had the privilege of lending my voice to projects for Delorean, Holler Studios, Amazon, Make Originals, and most notably, narrating the greatest story ever told for the Dwell Bible App; just to name a few. I'm known for being versatile—able to bring warmth, humor, authority, and charisma into every read. Whether a character needs to feel animated, compassionate, bold, or simply relatable, I approach every project with creative precision and care.   I've been fortunate to learn from incredible mentors like Nick Omana, Art Evans, Queen Noveen, Linda Bearman, Al Woodley, Joyce Castellanos, JD Lawrence, and Rolonda Watts, and to collaborate with talent across every corner of this industry. I'm always growing, always listening, and always grateful. My goal is not only to entertain but also to reflect God's grace through my work. Faith is my anchor—it's the reason I'm able to keep showing up in this ever-changing field with joy and purpose.   Outside of my career, I'm a mother of two, and I live with a “different ability” that has only strengthened my walk and testimony. I believe that what God has for me is for me, and I want other artists to feel empowered to claim that same truth for themselves. As someone in the faith, You are royalty—act like it, speak like it, know it. I'm here to tell stories, give voice to vision, and ultimately to help others feel seen, heard, and deeply valued in this industry.   Ways to connect with Amber:   LinkedIn- https://www.linkedin.com/in/iamamberbath/   IG- https://www.instagram.com/iamamberbath/   YouTube- YouTube.com/@iamamberbath   Website- www.iamamberbath.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hello everyone. Wherever you happen to be, I am Michael Hingson, and this is unstoppable mindset. We are really excited that you're here with us today. And we have a fascinating guest who was referred to us by another fascinating guest who is coming on unstoppable mindset, and we'll get to all that, I am sure. But Amber bath is how she pronounces her last name by eth. I'm saying that right. I assume that is correct. Oh, good. Never want to get it too wrong, you know. Anyway, Amber is a voice actor and does a lot of different things. And we learned about Amber from someone who we were referred to by Walden Hughes, that reps in yesterday USA, and Walden has been on unstoppable mindset a couple of times. Amber, do you know Walden? I know I don't. Well, then we can spread all sorts of rumors and you'll believe everyone, right, absolutely. Anyway. So anyway, what Linda Berryman, you know, so that works. Anyway, I want to welcome you to unstoppable mindset. It's really a joy and a pleasure to have you, and thank you for being here.   Amber Ba'th ** 02:42 Thank you for having me. This is such an exciting moment. Well,   Michael Hingson ** 02:46 I'm anxious to learn all about voice acting and some of those things. But why don't we start by maybe you telling us a little bit about kind of the early Amber growing up and all that sort of stuff. Well, always a good place to start. You know, a   Amber Ba'th ** 03:02 long time ago   Michael Hingson ** 03:03 in a galaxy, far, far away, yes,   Amber Ba'th ** 03:07 oh my gosh. Well, I I'm a suburbian girl here. I'm from the suburbs, actually Philadelphia. I was actually born in DC, raised in Philly, went back to DC, then moved all the way across country to La La Land. Is that where you are now, I'm not. I'm actually back in DC.   Michael Hingson ** 03:33 Go figure. Right now I'm, I'm really curious to hear the history of all these moves. But anyway, so you were raised in Philadelphia. Did you ever meet Rocky Balboa? Just checking,   Amber Ba'th ** 03:45 no, just ran the steps. You did run the steps. I did run the steps. Yeah, actually got a heat stroke. But I did. I was, I was young at the time, and it was super hot. And you know, it's like, yeah, you know, I'm gonna run the steps. Ran the steps, and just shouldn't have   Michael Hingson ** 04:04 done that, not in the middle of the day. No, when did he run them? It was in the morning, wasn't it?   Amber Ba'th ** 04:11 Yeah, he always ran in the morning. So no, I was this was in the heat of the day.   Michael Hingson ** 04:16 So huh, we all have our growth issues that we have to deal with so so you but you were raised in Philadelphia, and you went to school there and so on, and what kind of were your interests and so on, growing up   Amber Ba'th ** 04:32 theater, I was really, I mean, I come from A family who has always been in the spotlight. I had two aunts who actually had a touring show titled The sisters, the Stuart sisters. And, you know, I've always been wanting either to dance, to sing, to act. That was just. Just my thing.   Michael Hingson ** 05:02 So they you came by, it pretty honestly. Then exactly anything else. They were actors in the show.   Amber Ba'th ** 05:10 They were, yeah, one was a singer and one was an actress.   Michael Hingson ** 05:12 Yes, oh, cool, yeah. Well, and what was the show about?   Amber Ba'th ** 05:18 Actually, it was about Harriet Tubman, Sojourner, Sojourner, truth. And it was it they actually toured different toward the country and talked about the Underground Railroad and and and how they were able to escape and free other, other slaves.   Michael Hingson ** 05:42 Now that show isn't whether it's your parents or not, but that show is not on now. It's not running.   Amber Ba'th ** 05:50 This was a stage play. This was many, many years   Michael Hingson ** 05:52 ago, right, right, yeah, but they but no one has continued. I would think it would be a very valuable thing to keep around you.   Amber Ba'th ** 05:59 Would think it would be that, you know, the traditional way, but we kind of moved in different directions, you know. So   Michael Hingson ** 06:06 everything closes eventually. The fantastics eventually closed, and that was on for the longest time, yeah? Well, even cats was on for a long time. Oh, yeah. I, I think, although I don't know, but the producers, I think, has closed,   Amber Ba'th ** 06:22 yeah. And I really wanted to see that. I saw the film, but I wanted to see the stage play.   Michael Hingson ** 06:28 Oh, the stage play was much better than the film, I'm sure. You know, I don't know what it is about Matthew Broderick, but he just doesn't sound natural in films. But we went to see it. It was in August of 2001 and we were living in New Jersey, and I was in New York, because that's where we had our offices, on the 78th floor of Tower One of the World Trade Center. And on a Tuesday in 2001 in August, I went over to the theater where the producers was, and I figured, I'll see if I can get tickets. Because my wife, Karen, who was now she's my late wife. She and I were married for 40 years, and then she passed away. But anyway, we I decided that we would try to see it, and I went over to the theater, and I said, so I want to see if I can get two tickets to the producers. And I knew that the media had said all the news media said, you can't get a ticket before March of 2002 and I said, well, but the deal is that my wife is in a wheelchair. Can we by any chance get a matinee to to go see it? And the guy said, I'm sorry, there's just nothing until at least no December. And I said, Well, okay, is there any chance of any other time other than the weekend, or anything that we could get? And he said, Well, just wait a minute. And he goes away, and he comes back and he goes, What are you doing Saturday night? I went, I guess I'll go see the producers, right? And we did. We got to see the original cast, of course, Matthew Broderick, Nathan Lane and Katie Huffman, who played Ulla. And was so wonderful to see that show. We had seen Matthew Broderick and Sarah Jessica Parker in How to Succeed in Business Without Really Trying. And then we saw Nathan Lane, and A Funny Thing Happened on the Way to the Forum. So we had seen them all perform before, but that was so fun to see.   Amber Ba'th ** 08:27 That's awesome, yeah, yeah.   Michael Hingson ** 08:29 And I think that the film wasn't nearly as good as the play, but   Amber Ba'th ** 08:34 I'm sure it wasn't. So my theater is so dear to me. I I don't know, it's something about the willingness, suspension of disbelief, of breaking out of reality and just, you know, getting away from it all, and just sitting and enjoying yourself, laughing at just sometimes it can be nonsensical. Sometimes it can be sort of reality, you know, whatever, whatever genre you like, and it's nothing like being in the audience when you're when you're having when you're in there as live theater. So it's always a great opportunity to go and see a show, if you are able.   Michael Hingson ** 09:18 Why is it so much more fun, and so many people feel as you do about that, as opposed to going to a movie,   Amber Ba'th ** 09:29 it's, it's a it's a cultural thing for me, and it's immersing yourself in the culture of theater, seeing the different nuances. There's sometimes there's interaction, like, they'll break the fourth wall. Sometimes in that, in every show, is not the same. That's the great thing about theater, because you could go to a show on a Monday and then you go back to see it on a Friday, and it's like, totally different. Yeah, you.   Michael Hingson ** 10:00 It was 93 or 94 whenever they had the big baseball strike. And I went to see Damn Yankees, which has always been one of my favorite movies, because I've always been a ray Walston fan anyway, but went to see it, and during the the and I don't remember who was, who was in it, but at one point, Mr. Applegate, the devil, said, we've got to do something to to disrupt this whole baseball thing and get Joe Hardy back in line with what we want. He said, I got it. Let's organize a baseball strike right there in the middle of the theater. I mean, you know that that had to be ad libbed and just done, but it was so funny to see.   Amber Ba'th ** 10:44 Yeah, you never know what you're gonna get. You know, it's always exciting to see. And   Michael Hingson ** 10:49 I think that the reason that I like theater over over movies is, in part, you're hearing a lot more. Even though there's still audio and electronics, you're still hearing the PA system. You're not hearing the PA system as much. You're really hearing voices exactly you're hearing and seeing so many things. We did go to see Damn Yankees again a few years later, we had moved to New Jersey by that time, and Jerry Lewis was playing Mr. Applegate. Wow. It was the only time he ever did anything on Broadway and and did such a wonderful job. It was incredible, really.   Amber Ba'th ** 11:26 You know, it's the last show that I actually saw. Was Daniel at the sight and sound Oh and oh my goodness, I'm gonna go back. I'm gonna go see Noah. But I was literally sitting on the floor at the end aisle, and when the animals came out, I could actually reach out and touch them if I wanted to. But it was just so beautifully done. It was so amazing. It I can't, I can't even there are words that can't describe the the acting, the set, set design, the sound, everything about that show was amazing.   Michael Hingson ** 12:12 We went to see the Lion King. Karen's brother got us tickets. He was a certified ski guide in France, and he was coming back for the summer with his family, and got all of us tickets. So we went to see Lion King. It was a matinee on a Wednesday, and we got into the theater and the show started. And I knew kind of how it started, with the music and so on, but there's still nothing like hearing it live. But we it live. But we, we, we were listening. And then at one point, of course, the hyenas come in, and they meet with scar but in the play, in the in the musical, they come in from the back of the theater, down the stairs, and Karen, of course, being in a wheelchair, sitting in her chair on the aisle, and the hyenas are growling and they're coming by, and one of them gets right up next to her and goes, you've never seen a lady in a wheelchair jump out of her chair. Oh, it was so funny, but we were talking about it later, and she said, It wasn't long before you got completely used to all these animals, these puppets, and you didn't think of them as anything but the actual animals, wow, which, you know, you you you get in a theater, which you don't get the same in the movies at all. But it was, it was a lot of fun. We actually did get to go backstage afterward and meet some of the actors, and I actually got a chance to look at one of the animals, which was kind of fun.   Amber Ba'th ** 13:47 That's awesome, you know, I'm sorry. The other thing is that when you are in live theater, there's an intermission, and you get to actually mix and mingle with other people, other theater goers. So that's always another thing. I mean, you know, going to the movies. Yeah, you see other people walking back and forth, but they're, you know, rushing for their seat, going to the restroom, getting, you know, and going to the concessions. But there are moments where they're either taking pictures. Sometimes the cast members may come out during intermission, take pictures, and it's more of an interaction with everybody.   Michael Hingson ** 14:24 We went to see God spell once in San Diego, and what we didn't know was there was a guy out there who was coming up to people and wanting to clean their windshields and so on. And what we didn't know until later was that was the actor who played John. He was in character. He was being a servant. It was, it was great. That was so clever. That's awesome. So what did you do for college? Well, I went, as if we don't know,   Amber Ba'th ** 14:55 and I know, right? I went to Howard University. Yeah, and I majored in theater arts administration, uh huh, yeah. So it's the funny thing about that was I always, you know, was in the theater, and my mother told me, I am not paying for you to be an actor. I'm like, Well, I don't know anything else. And this particular year, when I came in, they had just started the theater arts administration program, and I said, Well, I can't do acting. I don't know anything else. This is it. And I really didn't know what that entailed until I got in and I said, Hmm, let's see I get to know the behind the scenes aspects. I can also be a producer to director. I could, you know, basically tell people what to do. That is for me,   Michael Hingson ** 15:50 there you go. So you so you got your degree in that. How come your mother wouldn't pay for you to be an actor?   Amber Ba'th ** 15:59 Because, I mean, back then it was just like, you know, that's something that that's not a real job, no. And even though she did it, they think like that, you know, that's not a real job. You know, it'll never amount to anything. You won't you get, you won't get where you want to be, you know. So I said, you know, I don't know anything else but, but this so, you know, so thank God that that was something that was there when I did come in there.   Michael Hingson ** 16:27 Well, so you, you got your degree in theater arts, production, administration, administration, and so you, you learned how to tell everybody what to do, which sounds a good thing to do, right? And so then what happened after college?   Amber Ba'th ** 16:47 Well, after college, I was I had always been one of those types that said, Oh no, I just got out of college, and maybe two days later I don't have a job, and I'm always worried about that, but I had someone, a classmate, say, You know what, I think you'd be a good fit for this. And what is she talking about? And I don't know if you recall HBO taxicab confessions, uh huh. Okay, so they actually came to DC, and, you know, they chose me. I was chosen to be their production assistant, and I was in the follow vehicle with the cab, you know, all that kind of stuff. And it was like, Okay, this is a lot. This is a lot. They never aired it because a little too risque. But, I mean, they could air it now, but, you know, and they asked me to come to LA, you know, as, and that was a funny thing, because when, before then, I said, oh gosh, I'll never go to LA. It's like Sodom and Gomorrah. And so I wound up going to LA they said, you know, I'll give you, you know, get you a round trip ticket, you know, you can either stay, you can go back, you know, giving me that option. And I took it. I took it, and it was the best thing that I've   Michael Hingson ** 18:14 ever done. What did you do when you got out here?   Amber Ba'th ** 18:17 When I got out there? I, of course, I was working with them for a little bit, and then I decided, You know what, I want to be an actress. This is what this is. I'm here. I am in Hollywood.   Michael Hingson ** 18:29 Mom, not withstanding.   Amber Ba'th ** 18:33 I said, Oh my gosh. And of course, what did I do? I got whatever most actors got was a waitress, a way a serving job, you know, just something enough that I could act flexible enough that I could actually go on auditions and things like that. And I did. I went on auditions. I met a lot of different celebrities. I was in McDonald's had their quote, unquote, adult happy meal that I actually was the poster girl for. I was like, Oh my goodness. And I was in magazines, you know, things like that. And then one day, a friend of mine who graduated with me in theater arts administration, she was actually doing a production, a touring play as the company manager, which is like a tour manager. And she she got another invite to be the company manager on TD Jason's TD Jakes show, and she really wanted to take that so the producer said, Well, you're gonna have to find a replacement. So she called me up and I started working on a show with David Talbert called the fabric of a man who had starred Shamar Moore, and we toured for. Oh, wow. This is interesting, because I didn't really think about this until I started talking. We toured until let's see 910 and I remember because something happened in Houston, Texas, and we had to refund money to all of the audience members, and we're leaving. And what I would do after each show is make sure that the hotel was was taken care of, everything was taken care of. And we went home. Everyone went to their destinations, and we went home. And that morning, I called the hotel, and he told me that different people were still there, and I'm and I just didn't understand why, you know, at the time, because it was really early in the morning in LA and so I'm calling, and I'm like, Well, what's happening? He said, You don't know what's going on. And I said, No. He said, planes are going down everywhere. And I'm like, What are you talking about? I turned on the TV, and that's when I saw the second plane going into the tower. And I just Oh my gosh, this is kind of bringing back some stuff, because I am a woman of faith, and I actually prior to us leaving for seven days, prior to us going to to to Houston. I kept having these dreams about a plane going down in a field, you know, but it would be continuous things. And then the next night, there were planes. There were planes. Looks like two planes colliding. Then there was, I saw people falling out of the sky, and I was like that, this is not making any sense. I didn't know anything. I mean, I was, I didn't know what was going on. And I just kept dreaming these dreams. This is what's happening. Then when we when we were leaving Houston, I had a dream prior to us leaving of the exact shape, color of this plane that went down in the field. And we were, I was at the airport, and I'm looking, and I'm like, okay, that's not the plane that I saw. And so I get on the I get on the plane, and as I'm about to settle in, about to, you know, leave Houston, go to LA, there's a man dressed in Arab garb with, you know, something on his head. And I don't know why I said this, but I just said, I hope he doesn't want to jack the plane. And I went to sleep, and i The dream that I had was that I really saw who was falling out of the sky, but they had on business suits. So when I called the hotel and he told me this, it, it just took over me. You know, I was in shambles. I was like, What? What did I just dream? What happened? Something is not right. I didn't know what was wrong with me at the time. I thought there was something actually wrong with me. Like, why am I dreaming this? What is happening? So that was just something that you happened to ask me the question, and that brought it back. And then I'm thinking about you, you know, so,   Michael Hingson ** 23:44 ah, you know, so many people, many people that I've talked to who didn't at first know what was happening, and they they either turn on their TV, or they were at an airport or something, and they saw the second plane hit the towers and they thought it was a movie. And I've heard so many people say that then, of course, they realized that it wasn't a movie. But you know, a lot of people just thought it was a movie at first, because nobody could imagine it. And you know, that is true. How who would have thought that somebody would deliberately crash airplanes like that into the towers and into the Pentagon? And, of course, now the the one falling out of the sky was that flight 93 in Pennsylvania, Yes, uh huh. And eventually, when you saw the plane, or whatever that was, the plane that you dreamed about, exactly, yeah, uh huh, and that's not surprising. Yeah, there are so many stories of of different things that people experienced that day. We didn't know anything about what was going on until actually we got out of the. Towers, and both towers had collapsed, and my wife was the first one who told us that aircraft had been hijacked and so on. And of course, people say to me all the time, well, of course, you didn't know because you couldn't see it. Excuse me, the last time I checked as I tell people Superman and X ray vision are fiction, and the reality is the airplane hit about 18 floors above us on the other side of the building, no one knew all the way down the stairs, the hundreds of people that I interacted with going down the stairs didn't know what happened. We figured, we figured an airplane hit the building because we were smelling burning jet fuel fumes as we were going down the stairs. So we figured an airplane hit the building. But we had no details. We had no information. Blindness. Didn't have anything to do with it at all. But yeah, it's, it's just one of those things. Well, so you were in, you were still in the business of telling people what to do, which was really good. And how did you eventually, then get into voice acting?   Amber Ba'th ** 26:04 Well, I had always first, it's funny because you people who get into voice acting, oh, I really want to get into voice acting, and they think it's just this one thing that was me. I i always like to do voices. I like to play around with different things. My favorite is the villain. I don't know what it is, but I like to play the villain. But what happened was,   Michael Hingson ** 26:30 you and Cruella de Vil, okay,   Amber Ba'th ** 26:34 it was actually covid. You know, it was. The thing was that I literally was a preschool teacher at the time. And, you know, because after I left, I left LA, I got married and I had kids, and, you know, that kind of thing. So I was back in DC, and so, you know, after that, I covid happened, and I don't want to say it forced me, but it forced me. Nudged me, you know? And I said, you know, this would be great, because different things were happening. Where I was meeting people on on an on an app called clubhouse, and I said, Oh, this is cool. And I've always loved audio dramas too. So I actually about a $40 mic. I bought an eye rig, and I just hooked it up, and I just started talking. And I was in some acting workshops, some improv workshops. I was cast in an audio drama on clubhouse, you know? So it was, I was like, Oh, this is fun, you know, I like talking to myself anyway, so why not? So I created space in my walk in closet, and there you have it.   Michael Hingson ** 28:00 And the rest, as they say, is history. That's right. So what kind of roles have you had, and what kinds of voices and so on, have you created and done?   Amber Ba'th ** 28:11 Well, I I actually, I did the Bible, you know. And whenever I tell the person I narrated the Bible, they're like, the whole Bible, yeah, the whole Bible, technically, that would be 66 books that I narrate, yeah, you know. But yeah, I did the whole Bible for a Bible app, the CSB version for the dwell app, and it was just amazing, because just a little story behind that, I was someone wanted me to narrate their book, and they said that, you know, we want you to narrate it, but we don't want to use your name. We want you to. We want to, we want to use your voice, but we want the narrow, the author to be the narrator. Is this like a ghost Narrator or something, really, that's a   Michael Hingson ** 29:10 little strange, you know? And, oh, we'll give you this   Amber Ba'th ** 29:13 amount of money. Like, okay? And then I actually was praying about it. And, you know, the Lord spoke to me, and he said, I gave you that voice. So I had to decline. And then someone else came to me to narrate a book, and they were taking forever. Oh, it's not ready yet. It's ready. It's not ready yet. And I said, look, okay, I can't do this. I had auditioned for the Bible. And normally it takes, it's like a 2448 hour turnaround time to really know if you if this is for you. Yeah, and I didn't hear anything for about maybe three weeks. And I was like, I guess they found their person. And. I get an email saying that we got good news. You just booked the CSV version. I think I dropped whatever I had in my hand and fell before and, you know, it was just, it was just amazing. So, you know, because what I what happened was I read the Bible every day, and this particular and I read it in a year. So this particular year, I decided to listen to it, and, you know? And I said, You know what, Lord, it would be cool if I could narrate this. And then I had this audition, and I was blessed to read the Bible, and I did it in less than a year.   Michael Hingson ** 30:41 Wow, yeah, it's clearly, you know, it's a long thing. Do you know who Carl Omari is? No. Carl Omari, well, he's probably most known for having recreated the Twilight Zone radio broadcasts. So he, years ago, he took all the Twilight Zone episodes. He got permission from Rod Serling estate, and he created radio broadcasts of them, but he also did the Living Bible, and he got people like Michael York to to be involved in other actors and so on. So I know having, and I own a copy, and I didn't even know about Carl doing it at the time, but it's 98 hours long. It's a long it's a big one.   Amber Ba'th ** 31:22 It's a long one. It is long. But, yeah, that was exciting. Also, I recently just narrated a book called heaven, not by Patricia Robinson, and it's very Orwellian. I should say, you know, I, as I was renarrating it, I'm like, this stuff is happening now. And she wrote it years ago. And I'm talking about, as my children would say, in the 1900s you know. So it was, it was amazing. It was amazing to do that and and I love it, but I do love animated characters. So one of the characters that I never actually thought that I was someone to do impersonations. You know, it's like I got my own voice. You don't need to do anybody else voice. But I was in a workshop for with a good friend, Chris Woodsworth, and he's over in the UK. And he said, Well, what do you like to do? And I said, I like villains. So he thought of a villain, and I never would have thought about Isma from the Emperor's New Groove, and when I was researching, when I was going over the lines, I had to stop myself, because it scared me, because I said, Wait a minute, I really sound like her.   Michael Hingson ** 32:56 All right, really creepy. We need to hear you sound like a villain.   Amber Ba'th ** 33:00 Oh, my goodness, Isma. Okay, so Isma is Cronk. Why did I think that you got this one simple thing? It's like you're a dude, a really, really big stupid monkey named Cronk. And do you want to know something else? I never licked your spinach puffs, never Oh, oh, gosh, oh, goodness. And then, you know, I love, it's the last the laugh that a villain does. I did that, you know, I, I did one. It's called a micro animation called house in the Outlands, and I played a character named sathagawa. And it was one of those, you know, one of those. It was so cool. You know,   Michael Hingson ** 33:49 I've, I've always been impressed with listening to voices and so on, and voice acting, to a large degree, one of the things that I that really made me appreciate a lot of it was, of course, James Earl Jones playing Darth Vader on Star Wars. And then I had the opportunity, while I was in New York once, to go see James Earl Jones and Christopher Plummer in Othello. What an amazing performance, because at the end, when Othello falls on his sword, you know, you know what's going to happen. People have read the play. It's not like Othello is a secret, right, right? The whole crowd just went when he did that. I mean, they were so drawn in by the power of both of their voices and the acting, which is, I've just always loved the fact that people can do that.   Amber Ba'th ** 34:48 Yeah, it's it's amazing. Sometimes I listen to myself and I'm like, That's me.   Michael Hingson ** 34:56 Well, your prejudice. So I. But still, it's just amazing how people can can do so much with with voice collecting old radio shows, as I do, it's really fascinating to to hear all the old shows and the different things that that people do, and the way they can sound so natural doing so many different kinds of voices and so on. And I think we've lost that art, to a degree, at least for a lot of people who try to go off and recreate radio shows, it sounds forced. And we've we've not been able to really train people, although I think one of the things that the radio enthusiast of Puget Sound wants to do is to actually start providing some acting classes to teach people how to use their voices in really doing radio shows, right.   Amber Ba'th ** 35:54 Yeah, yeah, you're so right. I mean, when I was I was actually a a moderator and assistant to a improv workshop coach. I always told students it is so imperative to take acting classes. I mean, I know with voiceovers, it's a lot of it's commercial and things like that, but you have to understand that when you are conveying a message, you know, I don't care how great your voice sounds, if the listener cannot feel, you cannot really get into what you're saying. Or even, let's just say it's a commercial for food. If they can't say, Okay, I gotta go and get some food. Now, you know, then you didn't do your job, right? You know? And I tried to let I said, Listen, it's not just people, you know. They will say, Oh, I'm selling burgers. No, you're not. You're not selling burgers. You know, it's people are hungry. You know, you're telling people this is what they should do because you're hungry, it's mouth watering, yeah, you know, describe what you're eating, and you have to do it in such a way, in such in such a short amount of time, that it just leaves people salivating, you know? And that's, that's what they want, that's what sells the food, the product, or or whatever, whatever it is that you are sharing. So I really tell students, please take acting classes. Yeah, you have to see it, envision it. Sometimes you got to get up and, you know, move around. Sometimes when you're doing auditions, or when you're actually doing a session or performances, you know, and nobody can see you.   Michael Hingson ** 37:50 And it's about the voice. I know that the again, reps the radio enthusiast at Puget Sound does a number of radio recreations. I participated in a couple, but one of the things that I do, and a few of the actors who have been around for a long time, Margaret O'Brien and Beverly Washburn and other people like that, before they will undertake one of the parts that they're they're asked to do in recreating a radio show, they go back and listen to the original show because they want to get into the character.   You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Send us a textDating after 50? It's a whole new adventure! In this lively episode of Ageless Glamour Girls Night Out: a (LIVE) Podcast, fabulous women 50+ share what it's really like navigating today's dating scene - from apps and meet-ups to red flags and second chances. You'll hear from women who've lived it - including a widow rediscovering love, confident divorcees, and even an 81-year-old queen proving that age is just a number. Together, they open up about connection, confidence, and joy in every season of life.In This Episode: • What's different (and better!) about dating after 50 • Apps vs. real-world meetups - pros & cons • Protecting your heart and your peace • Why many women 50+ are choosing independenceSo grab your favorite drink and join us for a fun, flirty, and refreshingly honest night out - AGG style!Guests:Carol Williams, a widow, is passionate about living fully - from globetrotting and teaching Zumba to playing pickleball and enjoying the theater. After a 40-year career at Blue Cross Blue Shield Chicago, she retired to North Carolina, where she continues to embrace health, wellness, and fashion while challenging age-related stereotypes as a C3 Leader with the Chicago Conservation Department. IG: @flippingfabulouslyIsma Richards Founder of Fab at Fifty Plus, Isma inspires women over 50 to live with purpose and joy. Originally from Saint Vincent and the Grenadines, she draws on her UN background and her own journey of healing and self-discovery to help women transform their midlife mindset. IG: @fabatfiftyplus https://www.fabatfiftyplus.com/Dr. Karen Slonski From North Myrtle Beach, SC, Dr. Slonski brings humor and wisdom to the realities of dating through the decades. Divorced since 2000, she's experienced it all - from old-school meetups to matchmaking and dating apps - and shares what love and connection look like at every age. IG: @karenslonski  /  Book: https://shellberight.net/Denice Rhodes is the visionary CEO and Founder of Caregivers Safe Space, a nonprofit dedicated to supporting and uplifting those who care for others. Denice is also a certified holistic health coach and is the co-founder of Roots + Fire Water, an herbal tea company blending natural ingredients to nurture mind, body, and spirit. Denise, a widow, is slowly getting back into the dating scene. IG: @caregivers_and_wellness  https://www.caregiverssafespace.org/ Support the show buymeacoffee.com/agelessglamourgirls www.linkedin.com/in/marqueetacurtishaynes www.agelessglamourgirls.com https://www.shopltk.com/explore/AgelessGlamourGirls https://www.youtube.com/@agelessglamourgirls Instagram @agelessglamourgirls Facebook: https://www.facebook.com/agelessglamourgirls Private (AGG) FB Group: The Ageless Café: https://www.facebook.com/groups/theagelesscafe TikTok: @agelessglamourgirls Podcast Producers: Purple Tulip Media, LLC and WEG Media Group, LLC