Podcast appearances and mentions of Gaetano Donizetti

durée : 00:59:25 - Le Book Club - par : Marie Richeux - Le danseur et chorégraphe Thierry Thieû Niang, en tournée pour plusieurs spectacles dont "Le voyage de la vénus noire" de Robin Coste Lewis, ou encore "Lucia di Lammermoor" de Gaetano Donizetti a accepté de nous faire découvrir son univers littéraire, composé d'auteurs qu'il a rencontrés. - réalisation : Françoise Le Floch - invités : Thierry Thieû Niang Chorégraphe et danseur

In deze uitzending klinkt de liefde als muziek in de oren, in vele facetten, bezongen in composities van: Edward Elgar, Franz Liszt, Gaetano Donizetti, Enrico Tosellli, Richard Rodgers, Modest Moussorgski, Leonard Bernstein, Rudolf Sieczynski, Frédéric Chopin en Joachim Rodrigo. Als tussenspel hoort u een Concerto voor 2 klavecimbels maar dan Symphonisch gebracht, van Johan Sebastian […]

If you're in the mood for romance, comedy, and music that'll be stuck in your head for days, this one's for you.Toledo Opera is bringing the feel-good favorite The Elixir of Love to the Valentine Theatre on February 13 and 15, 2026, and it's packed with charm, heart, and plenty of laughs.This classic comedy by Gaetano Donizetti follows a lovable underdog who's convinced the only way to win true love is with the help of a not-so-mystical “love potion.” Spoiler alert: things don't go exactly as planned , and that's where the fun really starts.Conducted by J. Ernest Green, this production blends gorgeous music with playful storytelling, making it a perfect pick whether you're an opera regular or just opera-curious.Grab a date, grab a friend, or just grab a seat — this is one night at the theater guaranteed to leave you smiling. Tickets: https://tolo-internet.choicecrm.net/dist/#/events

Enigmas de la Música nos invita a adentrarnos en una de las arias más conmovedoras y enigmáticas de la historia de la ópera: “Una Furtiva Lágrima”, la joya inmortal de Gaetano Donizetti, incluida en su célebre obra El elixir de amor. Pero… ¿y si esta melodía escondiera algo más que una simple historia de amor? En este episodio exploramos los misterios, simbolismos y secretos que rodean a esta aria legendaria: desde su carga emocional casi hipnótica hasta las curiosas circunstancias de su creación, pasando por interpretaciones que han llevado a cantantes y oyentes al límite de la emoción… y algo más. ¿Por qué “Una Furtiva Lágrima” sigue provocando lágrimas reales siglos después? ¿Qué tiene esta música que parece tocar algo profundo, casi invisible, en quien la escucha? ¿Casualidad… o magia musical? Prepárate para escuchar como nunca antes, para descubrir lo que se oculta entre las notas y para dejarte llevar por uno de los grandes enigmas de la música clásica. 🎼✨ Dale al play y déjate atrapar por el misterio. #UnaFurtivaLágrima #Donizetti #Opera #ClassicalMusic #EnigmasDeLaMusica #ItalianOpera #musicmystery https://www.edednex.es

Gaetano Donizetti - Messa di Gloria: GloriaSiri Karoline Thornhill, sopranoMarie-Sande Papenmeyer, alto Mark Adler, tenor Martin Berner, bass Simon Mayr Choir members of the Bavarian State Opera Chorus Concerto de Bassus Franz Hauk, conductorMore info about today's track: Naxos 8.573605Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 01:28:46 - Relax ! du lundi 29 décembre 2025 - par : Lionel Esparza - En cette fin d'année, quoi de mieux que de passer les fêtes en musique ? Alors en attendant de s'aventurer vers des bacchanales et autres carnavals dans les prochains jours, plongeons-nous tranquillement dans l'ambiance avec Claude Debussy, Gaetano Donizetti ou encore Dmitri Chostakovitch. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:46 - Relax ! du lundi 29 décembre 2025 - par : Lionel Esparza - En cette fin d'année, quoi de mieux que de passer les fêtes en musique ? Alors en attendant de s'aventurer vers des bacchanales et autres carnavals dans les prochains jours, plongeons-nous tranquillement dans l'ambiance avec Claude Debussy, Gaetano Donizetti ou encore Dmitri Chostakovitch. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Gaetano Donizetti - L'elisir D'amore: Una Furtiva LagrimaVincenzo La Scola, tenorHungarian State Opera Orchestra Pier Giorgio Morandi, conductorMore info about today's track: Naxos 8.554065Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 00:21:46 - Disques de légende du lundi 10 novembre 2025 - Pas le plus connu des chefs d'orchestres de son temps, Mario Rossi a pourtant marqué par ses interprétations du répertoire d'opéra italien, bien accompagné de son Orchestre symphonique de la RAI de Turin qu'il a dirigé de 1946 à 1969. Le voici dans l'un des chefs-d'œuvre de Donizetti, Don Pasquale. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:21:46 - Disques de légende du lundi 10 novembre 2025 - Pas le plus connu des chefs d'orchestres de son temps, Mario Rossi a pourtant marqué par ses interprétations du répertoire d'opéra italien, bien accompagné de son Orchestre symphonique de la RAI de Turin qu'il a dirigé de 1946 à 1969. Le voici dans l'un des chefs-d'œuvre de Donizetti, Don Pasquale. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Presenta fragmentos seleccionados de las óperas más emblemáticas y la magia de la lírica en cada melodía con la producción de Carolina Valdés y locución de Sergio Morales.  Miércoles a partir de las 12:00 hrs. en 95.1 FM y www.radioudec.cl

Oggi a Cult, il quotidiano culturale di Radio Popolare: Oliviero Ponte di Pino presenta Bookcity 2025; Elisa Amoruso ha diretto il fim "Amata", con Miriam Leone; a Palazzo Morando di Milano la mostra "Fata Morgana. Memorie dall'invisibile"; al Teatro alla Scala "La fille du regiment" di Gaetano Donizetti...

Auf ihre große Liebe verzichten – das verlangt die Familie. Aus politischem Kalkül soll Lucia einen Fremden heiraten. In Donizettis Oper endet das in einer blutigen Katastrophe in der Hochzeitsnacht ... Von Michael Lohse.

Gaetano Donizetti - MagnificatAndrea Lauren Brown, sopranoJohanna Krodel, alto Markus Schafer, tenor Daniel Ochoa, bass Simon Mayr Choir Concerto de Bassus Franz Hauk, conductorMore info about today's track: Naxos 8.573910Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Presenta fragmentos seleccionados de las óperas más emblemáticas y la magia de la lírica en cada melodía con la producción de Carolina Valdés y locución de Sergio Morales.  Miércoles a partir de las 12:00 hrs. en 95.1 FM y www.radioudec.cl

Gaetano Donizetti (1797-1848) – Quartetto per archi n. 7 in fa minore1.       Agitatissimo 2.       Adagio, ma non troppo 04:473.       Presto 08:304.       Marcia lugubre 12:43Giovane Quartetto ItalianoAlessandro Simoncini, ViolinoLuigi Mazza, ViolinoDemetrio Comuzzi, ViolaLuca Simoncini, Violoncello

A cura di Paolo PellegriniGaetano Donizetti “Lucia di Lammermoor”Lucia – Renata ScottoEdgardo – Giuseppe di StefanoEnrico – Ettore BastianiniRaimondo – Ivo VincoArturo – Franco RicciardiAlisa – Stefania Malagù Orchestra e coro del Teatro alla ScalaNino Sanzogno, direttore Presentazione    di  Francesco Bellotto

Presenta fragmentos seleccionados de las óperas más emblemáticas y la magia de la lírica en cada melodía con la producción de Carolina Valdés y locución de Sergio Morales.  Miércoles a partir de las 12:00 hrs. en 95.1 FM y www.radioudec.cl

Sie gehört zu den berühmtesten komischen Opern: "La fille du régiment" von Gaetano Donizetti. Am 22. Dezember feiert sie in einer Neuproduktion an der Bayerischen Staatsoper Premiere - mit Pretty Yende in der Titelrolle.

Avui sentirem: "Don Pasquale" (extractes). Gaetano Donizetti (1797-1848)

Avui sentirem: "La fille du r

Sara-Jayne Makwala King speaks to Professor Jeremy Silver who's conducting Opera UCT's world premiere of Gaetano Donizetti's "Dalinda". She's also joined by Nontobeko Bhengu who plays the role of Dalinda for half of the run, which is from 4 to 8 September.See omnystudio.com/listener for privacy information.

Al igual que Madama Butterfly de Puccini cierra el lunes esta temporada del Teatro Real, Joan Matabosch es el responsable de despedir "Buena música para gañanes y gañanas" en nuestro cierre de temporada. En esta ocasión, nos presenta un adelanto de la programación 2024/2025 del Teatro Real que se centrará sobre todo en el s. XVIII. Estos son algunos de los títulos que podremos disfrutar: 1) Adriana Lecouvreur de Francesco Cilea (del 23 de septiembre al 11 de octubre, en la semana de la ópera). 2) Maria Stuarda de Gaetano Donizetti (del 14 al 30 diciembre, siendo el estreno de esta producción)3) Eugene Oneguin de Chaikovski (del 22 enero al 18 febrero, en honor a Aleksandr Pushkin)4) Mitridate, re di Ponto de Mozart (del 23 de marzo al 9 de abril, compuesta cuando tenía 14 años) 5) Les Indias Galantes de Jean-Phillipe Rameau (del 28 mayo al 1 de junio, un híbrido entre la ópera y la danza)6) I Lombardi Alla Prima Crociata de Verdi (del 6 y el 9 de julio, se presentarán otros dos títulos suyos)Escuchar audio

DescriptionDonizetti: One of Opera's Brightest Stars in 60 Seconds. Take a minute to get the scoop!Fun FactGaetano Donizetti's first opera, "Il Pigmalione," was composed in 1816 when he was only 19 years old. This one-act opera, based on the myth of Pygmalion, showcases his early talent and promise as a composer. Though not as famous as his later works, "Il Pigmalione" is notable for its lyrical melodies and set the stage for Donizetti's prolific career in opera, including masterpieces like "Lucia di Lammermoor" and "L'elisir d'amore."__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

An unscrupulous king pressures a woman to marry him.  She resists, knowing her heart belongs to the man who truly loves her, the chief general in the king's army. Into this love-triangle, toss in a scheming underling of the king, a sympathetic maid of the woman, a devoted best friend of the general, and you have all the ingredients for a gripping story.  Enhance the whole tale with a magnificent score, and you have a delightful opera, and, in fact, the first fully successful opera by the most prolific composer of the Bel Canto style, Gaetano Donizetti.  Though Donizetti composed 70 operas, only a small number of those are regularly staged these days.  We invite you to meet Zoraida di Granata, and enjoy an early work from a beloved composer. Hosted by Pat and Janet

Elena Xanthoudakis is playing 'Lucia di Lammermoor' in the revival of Gaetano Donizetti's romantic tragedy from Melbourne Opera. The Greek-Australian soprano talks to SBS Greek

Friedrich, Uwe www.deutschlandfunkkultur.de, Fazit

College basketball is back at the top of sports' fans' minds. The annual March Madness tournament kicked off this week. Two Louisiana men's teams — McNeese State and Grambling State — will compete. LSU will participate in the women's tournament. Beyond what happens on the court, another question has dominated as of late: How much should college athletes be paid?  Jamira Mitchell is a Baton Rouge-based career and technical education teacher at University View Academy, a K-12 virtual school and host of the podcast the NIL Spot. It's a place for parents, student-athletes and coaches to understand the ins and outs of “Name, Image and Likeness” rights in high school and college sports. Mitchell joins Louisiana Considered for more.  And an effort to legalize some forms of gambling is underway in Louisiana's neighbor, Alabama. A plan has once again hit stiff opposition in the state's legislature. Joseph King, reporter with the Gulf States Newsroom, looks to neighboring states that have taken the leap, including Louisiana, to find out more. Marriage, madness and murder are in the mix as the New Orleans Opera Association closes its 81st season with Gaetano Donizetti's Lucia di Lammermoor. Katrina Galka, award-winning soprano, takes center stage as Lucia. She joins us to discuss her role and performance. ___ Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber; our contributing producers are Matt Bloom and Adam Vos; we receive production and technical support from Garrett Pittman and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at 12:00 and 7:00 p.m. It's available on Spotify, Google Play and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

A cura di Paolo PellegriniG. Donizetti “Lucia di Lammermoor”Lucia, Anna MoffoEdgardo, Carlo BergonziEnrico, Mario SereniRaimondo, Ezio FlagelloArturo, Pierre DuvalRCA Italiana Opera OrchestraGeorges Prêtre, direttore

SynopsisOn today's date in 1840, a new opera by Gaetano Donizetti debuted at the Opéra Comique in Paris. This was La Fille du Régiment, or The Daughter of the Regiment. Other operas by the popular Italian composer were already playing in Paris, and others were scheduled. Despite being tailor-made to Parisian tastes, The Daughter of the Regiment was not well received.Apparently, French composers, Berlioz among them, felt threatened by the Donizetti blitz. “Monsieur Donizetti seems to treat us like a conquered country,” Berlioz wrote. “It is a veritable invasion. One can no longer speak of the opera houses of Paris, but only of the opera houses of Donizetti!”Well, eventually, Donizetti did win over French hearts and minds. And it's ironic to note that 100 years after its 1840 premiere, Paris was indeed an occupied country. In 1940, German tanks rolled into Paris, and at the Metropolitan Opera in New York, patriotic French soprano Lily Pons used her starring role in a revival of Donizetti's The Daughter of the Regiment to express her solidarity with the French Resistance. She added a rousing version of La Marseillaise to the finale of Donizetti's score, which brought sympathetic American audiences to their feet.Music Played in Today's ProgramGaetano Donizetti (1797-1848): La Fille du Regiment, excerpt; Joan Sutherland, soprano; Covent Garden Orchestra; Richard Bonynge, cond. London 414 520Claude-Joseph Rouget de Lisle (1760-1836) (arr. Berlioz): La Marseillaise; Jessye Norman, soprano; Paris Orchestra; Semyon Bychkov, cond. Philips 422 922

A cura di Paolo PellegriniG. Donizetti: “Il Duca d'Alba”Il Duca d'Alba, Louis QuilicoSandoval, Wladimiro GanzarolliCarlos, Enzo TeiMarcello, Renato CioniDaniele, Franco VentrigliaAmelia, Ivana Tosiniun taverniere, Manfredi Ponz De LeonCoro del Teatro Verdi di TriesteOrchestra Filharmonica TriestinaThomas Schippers, direttore

durée : 00:25:17 - Donizetti, "L'Elixir d'amour" - par : Anne-Charlotte Rémond - Musicopolis vous souhaite une belle Saint-Valentin avec l'Elixir d'amour de Gaetano Donizetti. Un opéra bouffe qu'il compose à l'âge de 34 ans et qui séduit immédiatement le public et la presse. Selon La Gazzetta di Milano : "Dire quel morceau est le plus beau serait une tâche bien difficile." - réalisé par : Philippe Petit

Alle paar Jahre stellen der Philharmonische Chor Fürstenfeld und das akademische Sinfonieorchester München eine Opernproduktion auf die Beine und holen sich jedes Mal Begeisterung aus dem Publikum ab. Dieses Jahr bringen sie die Oper "Der Liebestrank" von Gaetano Donizetti auf die Bühne. In der Probenwoche vor der Premiere wird jeden Tag intensiv geprobt.

Kuala Lumpur City Opera (KLCO) is set to present one of the most beloved of all operas by Italian composer Gaetano Donizetti, The Elixir of Love. The comic opera in two acts will feature an orchestra ensemble of over 25 players, led by conductor Kevin Field, and stage directed by Christopher Ling. We catch up with both Kevin and Christopher to discuss the upcoming production.

Recorded September 19th, 2023. *Please note that this discussion contains topics of sexual violence and graphic descriptions of war. Please listen at your own discretion. ‘Women and War' is the theme of the 2023 Wexford Festival Opera (24 Oct-5 Nov). Developed by Wexford's Artistic Director, Rosetta Cucchi, this year's programme uses the medium of opera to explore how war is experienced, endured, and articulated by women. The three main stage operas at Wexford will be: Zoraida di Granata (1822) by Gaetano Donizetti; L'Aube Rouge (1911) by Camille Erlanger; and La Ciociara (Two Women) (2015) by Marco Tutino, based on the novel by Alberto Moravia. In anticipation of this innovative programme, the Trinity Long Room Hub is hosting a special discussion to explore the representation of ‘Women and War' in literature, theatre, music, and visual art. The Festival's acclaimed Artistic Director Rosetta Cucchi will join the celebrated Irish Times foreign correspondent Lara Marlowe and the Trinity Long Room Hub Director, Eve Patten, for a wide-ranging conversation on the themes and vision behind this year's Wexford Festival Opera. This unique collaboration event, which will include both film and music excerpts from the opera programme itself, is open to all and not to be missed. Speakers: Rosetta Cucchi is the Artistic Director of the Wexford Festival Opera and an experienced director in many of the world's greatest opera houses. She is also a pianist, and has a master's degree in Theatre Studies from the University of Bologna. From 2006 to 2018, she was the Artistic Director of Fondazione and Symphonic Orchestra Arturo Toscanini, Parma. Her most recent and future directing projects include Tutino's La Ciociara, Wexford Festival, Figaro and La Bohème, Boston Lyric Opera, Adriana Lecouvreur, Teatro Comunale di Bologna, Rossini's Otello, Rossini Festival Pesaro, Eugene Onegin, Opera Omaha, USA, and L'Amico Fritz, Teatro del Maggio Musical Fiorentino. Lara Marlowe became a foreign correspondent for The Irish Times in 1996. Since her official retirement in April 2023 she has continued to contribute regularly to the Irish Times and radio stations in France, Ireland and the UK. She has worked extensively in France, the Middle East and the US, and reported on the war in Ukraine in 2022. Before the Irish Times, she wrote for Time Magazine, the Financial Times and the International Herald Tribune, covering many major world events and conflicts. Lara has received four press awards for her work for The Irish Times and was also awarded a Chevalier de la Légion d'Honneur for her contribution to Franco-Irish relations. In 2020, she published the best-selling memoir Love in a Time of War, My Years with Robert Fisk. Eve Patten is Director of the Trinity Long Room Hub Arts and Humanities Research Institute and Professor of English at Trinity College, Dublin. She lectures and writes in the area of nineteenth and twentieth-century British and Irish literary history and has a special interest in the literature of war. Her most recent book is Ireland, Revolution, and the English Modernist Imagination (2022), and previous publications include Imperial Refugee: Olivia Manning's Fictions of War (2012), and, as co-editor with Richard Pine, Literatures of War (2008).

Um „the real Donizetti“ geht es gleich zu Beginn der Saison. Das MusikTheater an der Wien im Museumsquartier in der Halle E präsentiert die selten zu erlebende Grand Opéra „Les Martyrs“ von Gaetano Donizetti. Es ist die revidierte Fassung der von der Zensur verbotenen italienischen Oper „Poliuto“. Polyeuktos war ein römischer Soldat griechischer Herkunft, der in der Christenverfolgung unter Kaiser Decius in der armenischen Stadt Melitene (heute Malatya) das Martyrium erlitt. Er wird in der orthodoxen und katholischen Kirche als Heiliger verehrt. Musikchefin Ursula Magnes hat mit dem polnischen Regisseur und Choreographen Cezary Tomaszewski gesprochen. Der sich mitten in den intensiven Probenarbeiten in der Halle E dafür Zeit genommen hat. Ein Anknüpfungspunkt ist der amerikanische Stummfilm „Ravished Armenia“ auch bekannt als „Auction of Souls“ nach den autobiografischen Erlebnissen einer Überlebenden des armenischen Genozid. In Polen wird Cezary Tomaszewski demnächst "Hamlet ohne Hamlet" inszenieren, wobei es um stereotype Castings geht und ein Musical herausbringen das Hans Christian Andersens Märchen „Die Schneekönigin“ kombiniert mit der Biografie des polnischen Schauspielers Jan Peszek. Premiere seiner Entdeckungsreise mit Donizettis „Les Martyrs“ am Montag, 18. September. Karten sind schon jetzt auf www.theater-wien.at erhältlich.

Entrevista con el tenor argentino/italiano Santiago Ballerini. Santiago está en Cincinnati, Ohio invitado por la Cincinnati Opera para participar en la temporada de la Cincinnati Ópera 2023. Santiago es "Sir Edgardo di Ravenswood" en la ópera trágica de Gaetano Donizetti, "Lucia di Lammermoor". La presentación de "Lucia di Lammermoor" de Cincinnati Opera son los días 22 y el 24 de junio 2023, 7:30 p.m. Boletos: www.cincinnatiopera.org/2023-summer-festival Santiago es reconocido como uno de los principales tenores del repertorio de Bel Canto, habiendo actuado en muchos de los principales orquestas internacionales y teatros de ópera del mundo. Santiago conversa con Lorena Mora-Mowry sobre sus inicios, cómo aprendía sobre ópera mientras trabajaba como musicoterapeuta en terapeuta en Argentina. Santiago también nos habla sobre cómo su participación como "Ernesto" de la ópera "Don Pasquale" le abrió las puertas como tenor. Santiago habla también sobre su experiencia con el legendario barítono Sherrill Milnes. Santiago se considera un constructor, un romántico empedernido y un ser enamorado de la vida. Santiago habla cómo la paciencia lo ha ayudado a una carrera bastante difícil y solitaria. Para Santiago participar en la Cincinnati Opera es cumplir unos de sus sueños y cómo se ha preparado para ser " Edgardo" de la ópera "Lucia di Lammermoor" presentado por la Cincinnati Opera.

One of history's most infamous women, Lucrezia Borgia has inspired artists, dramatists, and TV show writers for centuries.  Donizetti's opera follows the play by Victor Hugo, telling of Lucrezia's effort to find the kind of love that might change her life.  However, it isn't easy being a powerful woman in Renaissance Italy.  Gaetano Donizetti, a prolific composer in the Bel Canto style, gives us an opera with a fascinating story, and, of course, “beautiful singing.” Hosted by Pat, Kathleen, and Grant For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

A cura di Paolo PellegriniGaetano Donizetti Linda di ChamounixLinda Loustolot, Margherita RinaldiCarlo, Visconte di Sirval, Alfredo KrausAntonio Loustolot, Renato BrusonMaddalena Loustolot, Maria Grazia AllegriPierotto, Elena ZilioIl Prefetto, Carlo CavaIl Marchese di Boisfleury, Enzo DaraL'Intendente del Feudo, Aronne CeroniOrchestra e Coro del Teatro alla ScalaGianandrea Gavazzeni, direttoreMilano, Teatro alla Scala, 16 marzo 1972

L'opéra de Gaetano Donizetti au Théâtre national slovaque, entretien avec la metteur en scene Gilbert Blin. Portrait du cinéaste Dusan Hanak, 85 ans.

In Australia per la prima volta, il soprano palermitano Roberta Mantegna interpreta Elisabetta I nell'opera Roberto Devereux di Gaetano Donizetti all'Opera House di Sydney.

16th-20th CenturiesWe hear works by Claudin de Sermisy, Dominique Phinot, Alonso Lobo, Abraham van den Kerckhoven, Ignaz Holzbauer, Gaetano Donizetti, Hans Huber, and Pierre Boulez.140 Minutes – Week of 2023 February 27

Í dag er alþjóðlegur dagur útvarpsins og af því tilefni leiðum við hugann að frægum útvarpsmanni, útvarpsmanni sem fæstir kannski vita að hafi unnið í útvarpinu, gefa því allavega ekki mikinn gaum. Sá sem um ræðir er þýski heimspekingurinn og menningarfræðingurinn Walter Benjamin. Við hugum líka að óperunni, aldrei þessu vant. Þó ekki óperum í stórum sal með flúruðum svölum og demantsskreyttum ljósakrónum heldur í dimmum kjallara Þjóðleikhússins. Don Pasquale, gamanópera eftir ítalska tónskáldið Gaetano Donizetti er sýnd af sviðslistarhópnum Óði í Þjóðleikhúskjallaranum um þessar mundir. Þau Sólveig Sigurðardóttir, Áslákur Ingvarsson og Þórhallur Auður Helgason úr hópnum komu til okkar og ræddu verkið og pönk og óformlegheit óperunnar. Patrekur Björgvinsson var með pistla hér í Lestinni á síðasta ári þar sem hann velti fyrir sér fyrirbærum í alþýðumenningu Íslendinga. Í ljósi þess að það er mánudagur og veðrið er eins og ætlum við að rifja upp pistil Patreks um listina að kvarta.

Í dag er alþjóðlegur dagur útvarpsins og af því tilefni leiðum við hugann að frægum útvarpsmanni, útvarpsmanni sem fæstir kannski vita að hafi unnið í útvarpinu, gefa því allavega ekki mikinn gaum. Sá sem um ræðir er þýski heimspekingurinn og menningarfræðingurinn Walter Benjamin. Við hugum líka að óperunni, aldrei þessu vant. Þó ekki óperum í stórum sal með flúruðum svölum og demantsskreyttum ljósakrónum heldur í dimmum kjallara Þjóðleikhússins. Don Pasquale, gamanópera eftir ítalska tónskáldið Gaetano Donizetti er sýnd af sviðslistarhópnum Óði í Þjóðleikhúskjallaranum um þessar mundir. Þau Sólveig Sigurðardóttir, Áslákur Ingvarsson og Þórhallur Auður Helgason úr hópnum komu til okkar og ræddu verkið og pönk og óformlegheit óperunnar. Patrekur Björgvinsson var með pistla hér í Lestinni á síðasta ári þar sem hann velti fyrir sér fyrirbærum í alþýðumenningu Íslendinga. Í ljósi þess að það er mánudagur og veðrið er eins og ætlum við að rifja upp pistil Patreks um listina að kvarta.

Donizetti kam als fünftes von sechs Kindern einer Textilarbeiterfamilie in einem Armenviertel in Bergamos Oberstadt zur Welt. Seine musikalische Entwicklung verdankt er dem Opernkomponisten Johann Simon Mayr, der seine Begabung erkannte und förderte.

Er war ein Star, der aus dem Keller kam: Heute vor 225 Jahren wurde Gaetano Donizetti in einer ärmlichen Souterrain-Wohnung in Bergamo geboren. Dass aus ihm einer der bis heute berühmtesten Opernkomponisten werden sollte, war auch einer guten Armenschule zu verdanken... Autorin: Hildburg Heider Von Hildburg Heider.

愛情讓人充滿力量，也可以使人瘋狂，更可以讓戲劇充滿張力。 [opening] Gaetano Donizetti, Lucia di Lammermoor, Act 3 Eccola [clip] Gaetano Donizetti, Lucia di Lammermoor, Act 3 Eccola [clip] Gaetano Donizetti, Lucia di Lammermoor, Act 1 Lucia and Edgardo [bgm] Erik Satie, Gymnopedies No.1, 2, 3 Support this show: https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p Leave a comment and share your thoughts: https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p/comments 更多內容: website | 那個音樂史 the-music-history.com facebook/instagram | 那個音樂史 Powered by Firstory Hosting

Gaetano Donizetti - Concertino for Cor Anglais and Orchestra Agnes Girgas, English horn Camerata Budapest Laszlo Kovacs, conductor More info about today's track: Marco Polo 8.223701 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Il romano, classe '97, ha debuttato con successo all'Opera House di Sydney interpretando il ruolo del Conte di Leicester nella Maria Stuarda di Gaetano Donizetti accanto al soprano russo Olga Peretyatko.

È in Australia il soprano russo Olga Peretyatko per interpretare il ruolo della Maria Stuarda nell'omonima opera di Gaetano Donizetti e che si è unita al crescente numero di artisti russi che condanna l'invasione russa dell'Ucraina.