Podcasts about Lammermoor

V Ljubljani poteka 71. Mednarodna skladateljska tribuna Rostrum, prvič v več kot 70-letni zgodovini na Slovenskem. Ob tej priložnosti osvetljujemo zgodovino in namen tribune, ki poteka pod okriljem Mednarodnega glasbenega sveta. Zatem poročamo o gostovanju Orkestra Residentie iz Haaga v Zlatem abonmaju, v nadaljevanju skočimo še na Primorsko, najprej v Rafutski park v Novi Gorici, kjer je nastopil oktet rogov ter nato na prireditev "Z violino in malim basom od Rezije do Istre", ki je v soboto potekala v dvorani palače Gravisi Buttorai na sedežu Italijanske skupnosti Santorio Santorio v Kopru, konec oddaje pa bo v znamenju opere. Poročali bomo o aprilski uprizoritvi Donizettijeve opere Lucia di Lammermoor v tržaškem opernem gledališču in zagrebški uprizoritvi Rusalke Antonína Dvořáka.

Roger Parker chooses his favourite recording of Donizetti's Lucia di Lammermoor.

Neste vídeo Gonzalo Córdoba fala sobre as perspectivas técnicas, estéticas e educacionais da iluminação na Argentina. Gonzalo Córdoba é iluminador, cenógrafo, diretor, artista visual, professor e pesquisador. Em produções de ópera, criou a iluminação para Ariadne auf Naxos, Così fan tutte, Candide, Tri Sestri, O Cônsul para Ruben Szuchmacher, O Estupro de Lucrécia, Wozzeck, A Flauta Mágica, O Morcego, Madama Butterfly para Horacio Pigozzi, O Traviata, Italiana em Argel, Serse para Pablo Maritano, cenografia e luzes para Leonor Manso em Lucia de Lammermoor e Tosca, para María Jaunarena em A Flauta Mágica, Outra Volta do Parafuso, Medea, Conde Ory e para Ana D'Anna em El barbero de Sevilla, Bohéme, Rigoletto, Hoffman's Tales, Turandot. Com André Heller Lopez iluminou Don Pasquale, Lucia de Lammermoor, Manon Lescaut, Merry Widow, Faust, Cosi fan tutte e As Bodas de Fígaro.Como diretor: "Proyecto Appia" para Enclaves no CETC, "El Límite de Schiller", iluminação da Puente de la Boca, Linha Azul do metrô de Buenos Aires. Mude a encenação de Emma Bovary e Maní con chocolate 2 com Ana Bovo, bem como "los Persas" de Ésquilo e "La Inhumana" com Alejandra Radano. Dirigiu Marta Roca em "Palabras Cuerdas". Escreveu dois ensaios sobre iluminação cênica "La Trampa de Goethe" e "La Iluminación Escénica", editados por El Rojas.Foi comtemplado com o Prémio Teatros do Mundo por "El Experimento Damanthal" e ACE 2005 por "Las Troyanas" e "Enrique IV"; Meu Deus". Ganhou os prêmios Teatros del Mundo em 2013 e o Maria Guerrero 2014 por Querido Ibsen, Soy Nora, Love Love e Cabaña Suiza, o Prêmio Trinidad Guevara 2015 por "La nueva autoridad" e em 2016 o Prêmio Trinidad Guevara por "Desonrado". Prêmio "Hugo" por Love Musik, 2017 Florencio Sánchez por "Todas as coisas do mundo" e Prêmio KONEX 2011.Atualmente trabalha como Professor na Universidade Nacional das Artes na disciplina de Projeto II, em História da Iluminação Cênica na carreira de design de iluminação de espetáculos, e em Teatro Musical. É membro da Associação ADEA de Designers Cênicos da Argentina.@‌gonzaloemicordova | SITE: gonzalocordova.com.ar

A year and a half ago, I posted an episode on Robert Massard, the finest French baritone of his era, and one of the finest French baritones of all time. Today, in honor of his upcoming hundredth birthday later this year, I present him in a different repertoire (and therefore a different light). As was very much the custom of the day in French opera houses, Massard sang many of his non-French roles in translation. This was also very much the standard in German-language opera houses in the 50s and 60s. Massard's recorded legacy includes Italian operas sung in the original language as well as in French translation. No matter what language he was singing in, Massard was a master of bel canto as well as buffo patter. This episode includes arias and duets from Il barbiere di Siviglia, I Puritani, Lucie de Lammermoor, Le Comte Ory, La Traviata, Don Carlos, Un bal masque, La bohème, Cavalleria rusticana, and Andrea Chénier, as well as extended scenes from both Rigoletto (in and out of French!) and Falstaff. I also include a clip of Massard's contemporary and compatriot Gabriel Bacquier singing an excerpt of one of his greatest Verdi parts, Iago in Otello. Massard's vocal colleagues in these excerpts include Alain Vanzo, Peter Glossop, and Renée Doria. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this episode of The Classical Mind, Fr. Wesley Walker and Dr. Junius Johnson dive into Horace Walpole's The Castle of Otranto, the first Gothic novel and a cornerstone of literary history. They examine its groundbreaking blend of medieval romance, supernatural terror, and family drama, asking questions like: Is this a Christianized version of Oedipus Rex? How does the novel's atmosphere shape the Gothic genre? And why does this strange, haunting story still resonate today?Discover the lasting impact of Walpole's work, the moral consequences of unchecked ambition, and its fascinating connections to later Gothic masterpieces. Stay tuned to the end for a special recommendation to further explore the world of Gothic literature.Resources mentioned in the episode:“Helena” by My Chemical RomanceA picture of Horace Walpole's home, Strawberry HillEndnotes-Junius: The Bride of Lammermoor by Sir Walter Scott-Wesley: * “The Fall of the House of Usher” by Edgar Allan Poe* The Witch (2015) Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

Ninth Day of CraftLit (2024) All of CraftLit's Christmas episodes can be found at LINK TO DAY 1 of the Twelve Days of CraftLit— VIDEO: AUDIO ONLY: If you missed the other days, here's a quick directory: DAY 1: DAY 2: DAY 3: DAY 4: DAY 5: DAY 6: DAY 7: DAY 8: DAY NINE A Christmas Inspiration  By: Lucy Maud Montgomery -   From:    eText:   Read by: Darcia Douglass -     A Christmas Mistake By: Lucy Maud Montgomery -   From:   eText:   Read by: TriciaG -    (27 January 1832 – 14 January 1898) better known by the pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, as well as the poems "The Hunting of the Snark" and "Jabberwocky", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy, and there are societies in many parts of the world (including the United Kingdom, Japan, the United States, and New Zealand) dedicated to the enjoyment and promotion of his works and the investigation of his life. Read by:  (1:17)  (19 September 1796 – 6 January 1849) was an English poet, biographer, essayist, and teacher. He was the eldest son of the poet Samuel Taylor Coleridge. Read by:  (1:17) Stella C Shetter (c. 1879 - 1937) was a short story writer who in 1933 won a national contest sponsored by the American Legion. Read by:  (6:37) A little insight into customs from other times  (15 August 1771 – 21 September 1832) 1st Baronet was a Scottish historical novelist, playwright, and poet, popular throughout much of the world during his time. Scott was the first English-language author to have a truly international career in his lifetime, with many contemporary readers in Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley, The Heart of Midlothian, and The Bride of Lammermoor. Read by:  (2:35)  (13 July 1793 – 20 May 1864) was an English poet, the son of a farm labourer, who came to be known for his celebratory representations of the English countryside and his lamentation of its disruption. Read by:  (6:03) Morris Dance, Harlequin + hunchback  (12 March 1799 – 30 January 1888) was an English poet, and author of the famous poem The Spider and the Fly. She was educated at home, and read widely; she commenced writing verses at a very early age. Together with her husband, William Howitt, she wrote over 180 books. Read by:  (1:45)  (December 15, 1845 – July 29, 1928) was an American writer and historian. She devoted herself chiefly to the study of the social history of the Colonial and Revolutionary periods of the United States, wrote a number of entertaining books and magazine articles in this field, and was chosen historian of the The National Society of the Colonial Dames of America. Read by:  (12:07) Christmas on Wheels (1895) By: Willis Boyd Allen -   From: Christmas on Wheels -   eText:    Read by: David Wales -   Christmas and the Literature of Disillusion (1908) By: Samuel McCord Crothers -   From: By the Christmas Fire -   eText:   Read by: Andrew Ordover -   Barney's Tale of the Wee Red Cap (1916) By: Ruth Sawyer -   From: This Way to Christmas -   eText:   Read by: Jonathan Uffelman _____ Digital Premium Audiobook Shop:  CraftLit's Socials Find everything here: Join the newsletter:  Podcast site: Facebook:  Facebook group:  Pinterest:  TikTok podcast:  Spooky Narration:  Email: Call and share your thoughts! 1-206-350-1642 SUPPORT THE SHOW! CraftLit App Premium feed  (only one tier available) PATREON:  (all tiers, below) Walter Harright - $5/mo for the same audio as on App Jane Eyre - $10/mo for even-month Book Parties Mina Harker - $15/mo for odd-month Watch Parties All tiers and benefits are also available as —YouTube Channel Memberships —Ko-Fi NEW at  — Premium SITE Membership  (identical to Patreon except more of your support goes to the CraftLit Team) If you want to join us for a particular Book or Watch Party but you don't want to subscribe, please use  or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list. Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) Call 1-206-350-1642

Avui sentirem: "La fille du r

Avui sentirem: "Don Pasquale" (extractes). Gaetano Donizetti (1797-1848)

Avui sentirem: "Maria Stuarda" (extractes) i "Lucia di Lammermoor" (extractes). Gaetano Donizetti (1797-1848)

Stāsta pianiste, JVLMA Zinātniskā un radošā darba prorektore un Profesionālās doktora studiju programmas direktore Diāna Zandberga 19. gadsimta vidū koncertdzīve Rīgā bija ļoti aktīva: tolaik mūsu valsts galvaspilsētā notika Eiropas aktuālāko mūziķu koncerti. Būtiski, ka tajā laikā klavieres jau bija gandrīz tāds pats instruments, kādu redzam šodien (izņemot stīgu krustošanu, ko ieviesa "Steinway" firma 50. gados). Tas bija ne tikai mūziķu romantiķu iemīļotais izteiksmes līdzeklis, bet sadzīvē nepieciešams instruments. Klavieres (gluži tāpat kā vēlāk, 20. gadsimta sākumā – fonogrāfs) bija mūzikas izplatīšanas veids: tikko parādījās jauna simfonija vai kamermūzikas darbs, uzreiz tika atskaņoti pārlikumi solo, četrrocīgi un tamlīdzīgi. Arī tā laika augstdzimušajām jaunkundzēm klavierspēle bija labais tonis, lai parādītu sevi un ātrāk nokļūtu precētas sievas kārtā. Ņemot vērā virtuozu zelta laikmetu, nebija ilgi jāgaida uz solo koncertu rašanos. Lai gan jau 1837. gadā Bohēmijas klaviervirtuozs Ignacs Mošeless izsludināja savu solokoncertu, tomēr viņš nobijās un pēdējā brīdī starp klavieru skaņdarbiem ieplānoja arī vokālās mūzikas priekšnesumus. Tādēļ pirmā solokoncerta gods vēsturiski pienākas Ferenca Lista koncertam Romā 1839. gada 4. jūnijā, par kuru viņš raksta: "Mana pašpārliecinātība ir izaugusi tiktāl, ka es esmu izlēmis sniegt koncertus pilnīgi viens, sekojot francijas karaļa Ludviga XIV devīzei – "Le concert, c'est moi." Sākotnēji Lists nosauca koncertus par monologiem (solilokvijiem), bet pēc tam nostiprināja tradīciju, spēlējot koncertu sērijas Parīzē. Tolaik gan starp programmas numuriem Lists mēdza pastaigāties un runāties ar klausītājiem, spēli turpinot tad, kad uzskatīja par nepieciešamu. Pēc solo koncerta Berlīnē 1842. gada 16. janvārī Listu veda karietē ar sešiem baltiem zirgiem, tam sekoja 30 (!) četrjūgi un simti vienkāršu divjūgu ekipāžu. Virtuozs bija karaļa kārtā. Ekstātiskā sajūsma, ko Rietumeiropā izraisīja Lista triumfālās koncertturnejas, guva atbalsi arī Rīgā, jo, ceļojot uz koncertiem Pēterburgā, Lists 1842. gada 8. un 10. martā sniedz koncertus Jelgavas (toreiz Mītavas) pārpildītajā teātra namā. Tikmēr Rīgas pilsētas Muses teātris izziņo, ka "slavenais klaviervirtuozs, doktors un bruņinieks Francis Lista kungs Rīgā sagaidāms 16. martā". Šai dienā notiek viņa pirmais koncerts, bet 18. martā seko nākamais. Panākumi ir tik milzīgi, ka jauna afiša vēstī, ka lielo mūziķi izdevies sasaistīt vēl trešajam un pēdējam koncertam 22. martā. Par pēdējo tomēr kļūst ceturtais koncerts 24. martā Melngalvju namā. Lista sniegumu toreizējā Rīgas prese novērtēja kā "universālu mākslu" ar nesalīdzināmu spēles tehniku, ārkārtēju ekspresiju un priekšnesuma dinamiku, kurā "brāzmaini, vētraini, pērkonīgi toņi apskurbina ausis", kamēr citi izskan "kā strauta čalas, atgādinādami Šveices gana dziesmas gaistošo atbalsi kalnos". Jelgavas recenzents F. Rūtenbergs rakstīja, ka Lists atklāj jaunu pasauli uz klavierēm. Ko tad spēlēja tā laika salonos un koncertzālēs? Tās bija variācijas, parafrāzes un fantāzijas par visdažādākajām tēmām, tostarp tautas melodijām, salonu skaņdarbi ar sentimentāliem nosaukumiem (Plaisir d'amour), veltījumi dažādām personām, kareivīgi, ugunīgi skaņdarbi – kauju, ugunsgrēku atainojumi, taču visbiežāk popūriji par operu tēmām. Misiņa bibliotēkas arhīvā un citur pieejamās afišas liecina, ka 1842. gadā Lists Berlīnē, Rīgā un citur atskaņojis  uvertīru no Rosīni operas "Vilhelms Tells", Andante no Doniceti "Lucia di Lammermoor",  fantāzijas par Bellīni "Puritāņu", Meierbēra "Roberta velna", Mocarta "Dona Žuana" tēmām un neiztrūkstošo "Hromatisko galopu", ko publika tik ļoti mīlēja un parasti pieprasīja koncerta beigās. Lists Rīgā atskaņoja arī Franča Šūberta dziesmu pārlikumus: "Meža ķēniņu" ("Erlkönig") un "Slava asarām" ("Lob der Tränen"), savukārt nedēļu vēlāk Tērbatā programmiņā iekļauta arī "Serenāde" ("Ständchen"). Interesanti, ka 1884. gadā atjaunoto Rīgas Doma ērģeļu iesvētīšanai Ferencs Lists veltīja korāli "Lai Dievu visi teic" ("Nun danket alle Gott").

Avui sentirem: "Anna Bolena" (obertura i escena final) i "L'elisir d'amore" (extractes). Gaetano Donizetti (1797-1848)

Avui escoltarem: Simfonia en do major; Concertino per a obo

På lørdag tager jer igen med i bussen fra Bruxelles, med flere skønne originale lytterønsker. Der er både Vanvidsdrama fra Lucia di Lammermoor, efterspurgt harpe fra samme opera og en pragtfuld duet - alt fra Donizettis dygtige hånd. To smukke kvindestemmer fortolker Ave Maria & pie Jesu og meget mere. Vært: Lotte Heise.

Un maestru al crossover-ului, reușind să facă legături între curentele pop și muzica cultă, l-ați văzut la Eurovision prin 2008, dar poate îl cunoașteți mai bine din producțiile Operei Naționale din București, “Tosca”, “La Traviata,” “Aida,” “Lucia di Lammermoor,” invitat in RFI360, Vlad Miriță. Mica Sirenă, Regele Leu, Vaiana, Aladdin, Cartea Junglei, Regatul de Gheață, sunt producții Disney cu care am crescut, iar muzica acestor producții cucerește copiii și astăzi. Pe 13 octombrie, din Sala Palatului va răsuna fix această muzică a copilăriei, într-un eveniment numit 'Disney in Concert', eveniment cu o distribuție formată din Florin Ristei, Liviu Teodorescu, Alina Sorescu, Julie Mayaya, Dalma Kovacs și Vlad Miriță, alaturi de Orchestra Simfonică Valahia. De altfel, Vlad Miriță va fi pe scena Sălii Palatului și pe 4 noiembrie, la concertul lui Placido Domingo, de la București. Venind din vremuri în care desenele Disney se vedeau greu, în cele câteva ore de program tv pe vremea comunismului, privind în urmă, sunt momente tare prețioase, iar Disney înseamnă mult pentru copilul interior al adulților de astăzi. Ce înseamnă Disney pentru tenorul Vlad Miriță?

Bravo tager dig med i bussen fra Bruxelles, hvor en busfuld af entusiastiske operaelskere har "bygget" aftenens udsendelse! Her er alt fra Faust over Lucia di Lammermoor til Manon og meget, meget mere. Vært: Lotte Heise.

Tema sestrstva, ki presega razlike in omogoča sodelovanje, je v ospredju letošnjega festivala Mesto žensk, s katerim bomo začeli današnjo oddajo. Nadaljujemo gledališko – konec tedna ob številnih premierah prinaša tudi predstavo Radost, ki je nastala v koprodukciji dveh mestnih gledališč – ptujskega in ljubljanskega, režijo in besedilo pa podpisuje Nejc Gazvoda. V Slovenskem narodnem gledališču Maribor začenjajo operno sezono s premiero opere Lucia di Lammermoor italijanskega skladatelja Gaetana Donizettija. Na velikem odru Slovenskega stalnega gledališća bo v koprodukciji zaživela drama Woyczek. Predstavljamo tudi freiburški Ansambel Recherche, ki te dni gostuje pri nas.

Bravo tager lytterne med videre fra J, så vi får en ouverture der starter med K, Khovansjtjina, Ugens hit er fra Lucia di Lammermoor og sådan fortsætter det frem til og med R. Vært: Lotte Heise.

Bongani Bingwa speaks with Conroy Scott, Bass Baritone, about the much anticipated return of 'Lucia di Lammermoor' to the Johannesburg Theatre on July 25-28, 2024.See omnystudio.com/listener for privacy information.

Vi gästas av Samuel Girma, från Queers Against Fascism och av Lina Carling, från Queer Malmö BK. Det blir recension av operan Lucia di Lammermoor och så Nyheter och Det händer förstås! Musik i programmet: Femininomenon - Chappell Roan X-factor - Lauryn Hill Mean Girls - Charli XCX Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" Marathon – Kornél Kovacs, Rebecca och Fiona Ya Msafera - Lena Chamamyan

DescriptionDonizetti: One of Opera's Brightest Stars in 60 Seconds. Take a minute to get the scoop!Fun FactGaetano Donizetti's first opera, "Il Pigmalione," was composed in 1816 when he was only 19 years old. This one-act opera, based on the myth of Pygmalion, showcases his early talent and promise as a composer. Though not as famous as his later works, "Il Pigmalione" is notable for its lyrical melodies and set the stage for Donizetti's prolific career in opera, including masterpieces like "Lucia di Lammermoor" and "L'elisir d'amore."__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

On People of Note this week, Rodney Trudgeon will be talking to the conductor and pianist Kamal Khan who is In Cape Town to conduct Donizetti's opera Lucia di Lammermoor for Cape Town Opera. Kamal enjoys an international career as a teacher and conductor and he has worked with most of the world's leading opera singers at most of the world's leading opera houses. He was also head of Opera at UCT for many year. Lucia opens at the Artscape Opera house on Friday 14 June.

Elena Xanthoudakis is playing 'Lucia di Lammermoor' in the revival of Gaetano Donizetti's romantic tragedy from Melbourne Opera. The Greek-Australian soprano talks to SBS Greek

Featuring Lammermoor & Herrick Creek Moonshine Embark on a historical journey with Cameron and Tom in Part One of our deep dive into the origins and folklore of New Zealand spirits and whisky. In this episode of Distil-Nation NZ, we unravel the tales of early immigrants, moonshining adventures, and a legend that intertwines the Scottish banks with New Zealand's railroads in an exchange shrouded in mystery.Discover how the spirit of distillation took root in the rugged landscapes of Aotearoa, driven by settlers' determination to craft moonshine under the cover of night. We explore the folktale of an intriguing agreement purportedly made between Scottish financiers and local lawmakers—a deal that would halt local distilling activities in favour of imported spirits, leaving a lasting impact on the development of the New Zealand spirits industry.Through stories of resilience, rebellion, and the relentless pursuit of distillation, this episode sheds light on the early challenges faced by those who dared to distill. As we sift through historical anecdotes and evidence, we piece together how these formative years set the stage for the rich tapestry of New Zealand whisky and spirits production.Join us as we toast to the pioneers of the past and uncover the roots of New Zealand's spirited heritage. Whether you're a history buff, a whisky enthusiast, or simply curious about the untold stories of New Zealand's past, this episode is sure to captivate your imagination and quench your thirst for knowledge.

College basketball is back at the top of sports' fans' minds. The annual March Madness tournament kicked off this week. Two Louisiana men's teams — McNeese State and Grambling State — will compete. LSU will participate in the women's tournament. Beyond what happens on the court, another question has dominated as of late: How much should college athletes be paid?  Jamira Mitchell is a Baton Rouge-based career and technical education teacher at University View Academy, a K-12 virtual school and host of the podcast the NIL Spot. It's a place for parents, student-athletes and coaches to understand the ins and outs of “Name, Image and Likeness” rights in high school and college sports. Mitchell joins Louisiana Considered for more.  And an effort to legalize some forms of gambling is underway in Louisiana's neighbor, Alabama. A plan has once again hit stiff opposition in the state's legislature. Joseph King, reporter with the Gulf States Newsroom, looks to neighboring states that have taken the leap, including Louisiana, to find out more. Marriage, madness and murder are in the mix as the New Orleans Opera Association closes its 81st season with Gaetano Donizetti's Lucia di Lammermoor. Katrina Galka, award-winning soprano, takes center stage as Lucia. She joins us to discuss her role and performance. ___ Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber; our contributing producers are Matt Bloom and Adam Vos; we receive production and technical support from Garrett Pittman and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at 12:00 and 7:00 p.m. It's available on Spotify, Google Play and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

Donizetti mal anders: Die italienische Regisseurin Iliaria Lanzino macht am Staatstheater Nürnberg aus Lucia di Lammermoor, der schottischen Hochland-Heldin einen jungen schwulen Mann. Luca hängt mit seiner Party-Crowd ab, aber seine große Liebe scheitert am politischen Ehrgeiz seines älteren Bruders. Das ist so ungewöhnlich wie fesselnd und auf der Höhe der Zeit - auch musikalisch.

Der Islamwissenschaftler Abdel-Hakim Ourghi über Feindbilder und den islamischen Antisemitismus./ Ein Traum für Retrofuturisten? Das Computerspiel "The Invincible" wurde aus einem Roman des Science-Fiction Autors Stanislaw Lem entwickelt./ Politische Liebe, ohne Wahnsinn: Wie das Staatstheater Nürnberg Donizettis Belcanto-Klassiker Lucia di Lammermoor inszeniert.

Lindy Hume, AM, is one of Australia's leading directors, acknowledged internationally for fresh interpretations of a wide variety of repertoire, and for progressive artistic leadership of a number of Australian arts organisations, including Opera Queensland (2012-2017), Sydney Festival (2010-2012) and Perth International Arts Festival (2004-2007). She was also the first Artistic Director of West Australian Opera (1992-96), Artistic Director of Victoria State Opera and then OzOpera (1996-2001). Lindy has most recently been Creative Director of the Four Winds Easter Festival, Bermagui and is currently Artistic Director of the 10 Days on the Island Festival, Tasmania 2019-2023. In 2021 Lindy Hume was appointed a Member of the Order of Australia for significant service to the performing arts, particularly to opera. After a hugely successful year in 2021, during which Lindy directed The Marriage of Figaro for New Zealand Opera, Madama Butterfly for Welsh National Opera and The Barber of Seville for State Opera South Australia, 2022 saw her continuing in her roles as Creative Director of the Four Winds Easter Festival and Artistic Director of the 10 Days on the Island Festival, Tasmania as well as developing a new staged presentation of Schubert's Die Winterreise for Musica Viva's national tour of the work with Alan Clayton, which was also seen at the Barbican, in London. Lindy's production of Rigoletto was also presented by Opera Philadelphia. As a director, Lindy has created more than 50 major productions across Australasia including Carmen, Don Giovanni, Fledermaus, La Périchole and Les pêcheurs de perles (Opera Australia), Orlando, Trouble in Tahiti and The Barber of Seville (OzOpera), Alcina and Orpheus in the Underworld (West Australian Opera), Carmina Burana (State Opera of South Australia/The Australian Ballet), Idomeneo (Pinchgut Opera), Rigoletto and Lucia di Lammermoor (NBR New Zealand Opera). European productions include La bohème (Deutsche Staatsoper in Berlin, which was telecast live throughout Europe), Tolomeo (Musiektheater Transparant in Belgium), Radamisto (Handel Festspiele and Opernhaus Halle), A Streetcar Named Desire and Norma (Opera Theatre St Gallen in Switzerland), Così fan tutte (Guildhall School of Music and Drama in London), and Albert Herring and Phaedra (Aldeburgh Festival in the UK). She made her American debut in 2004 directing The Barber of Seville for Houston Grand Opera, returning in 2009 and 2013 to direct Rigoletto and Die Fledermaus respectively. Her production of “Cenerentola” was produced by NBR New Zealand Opera in 2015 and presented by Oper Leipzig and in San Diego in 2016. Lindy is recognised as a champion of new Australian work across a range of genres. As Artistic Director of OzOpera, she commissioned the MDTV project, award-winning screen operas with ABC TV, and major Australian works including Paul Grabowsky's Love in the Age of Therapy and Richard Mills' Batavia (with Opera Australia and the Melbourne Centenary of Federation Festival). In 2007, she commissioned and directed the world première of Richard Mills/Timberlake Wertenbaker's opera The Love of the Nightingale. New Australian work, a focus on contemporary Indigenous culture, the development of a distinctive regional identity and celebration of local communities have been fortes of her tenure as Artistic Director of the Perth International Arts Festival 2004-2007 and as Festival Director of the 2010-2012 Sydney Festival. Lindy has just directed a new production of Mozart's Idomeneo, in a co-production between Victorian Opera and Opera Australia. The production has just finished a season at the Palais theatre in Melbourne and will be seen in Sydney from February 20th to March 15th in 2024.It will be a part of the thrilling Summer season programmed by Lindy as Guest Creative Director. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts.

Entrevista con el tenor argentino/italiano Santiago Ballerini. Santiago está en Cincinnati, Ohio invitado por la Cincinnati Opera para participar en la temporada de la Cincinnati Ópera 2023. Santiago es "Sir Edgardo di Ravenswood" en la ópera trágica de Gaetano Donizetti, "Lucia di Lammermoor". La presentación de "Lucia di Lammermoor" de Cincinnati Opera son los días 22 y el 24 de junio 2023, 7:30 p.m. Boletos: www.cincinnatiopera.org/2023-summer-festival Santiago es reconocido como uno de los principales tenores del repertorio de Bel Canto, habiendo actuado en muchos de los principales orquestas internacionales y teatros de ópera del mundo. Santiago conversa con Lorena Mora-Mowry sobre sus inicios, cómo aprendía sobre ópera mientras trabajaba como musicoterapeuta en terapeuta en Argentina. Santiago también nos habla sobre cómo su participación como "Ernesto" de la ópera "Don Pasquale" le abrió las puertas como tenor. Santiago habla también sobre su experiencia con el legendario barítono Sherrill Milnes. Santiago se considera un constructor, un romántico empedernido y un ser enamorado de la vida. Santiago habla cómo la paciencia lo ha ayudado a una carrera bastante difícil y solitaria. Para Santiago participar en la Cincinnati Opera es cumplir unos de sus sueños y cómo se ha preparado para ser " Edgardo" de la ópera "Lucia di Lammermoor" presentado por la Cincinnati Opera.

Oggi a Cult: Juan Diego Florez è fra i protagonisti di "Lucia di Lammermoor" di G. Donizetti al Teatro alla Scala; a Milano parte la Design Week e inaugura il nuovo allestimento del Museo del Design; Luca Scivoletto firma la regia del film "I pionieri; fra poco scade il bando della XXIII edizione del Premio "Teresa Sarti Strada" di Emergency, dedicato a elaborati di studenti delle scuole primarie e secondarie...

Born in Sydney, Richard Bonynge studied at the NSW Conservatory of Music and the Royal College of Music. He served as Music Director of the Sutherland-Williamson Grand Opera Company in 1965 (Melbourne, Adelaide, Sydney, Brisbane), as Artistic Director of the Vancouver Opera from 1974-77 and Music Director of The Australian Opera from 1976-86. Maestro Bonynge's accomplishments as conductor and musical scholar were recognized when Queen Elizabeth II, during her Silver Jubilee Celebration in 1977, made him a Commander of the British Empire. In the summer of 1989, the French government honored him with the rank of “Commandeur de l'Ordre National des Arts et des Lettres”.Throughout his illustrious career, Richard Bonynge has conducted in the world's leading opera houses in Europe, North and South America, Australia and New Zealand and Asia. He has received world-wide acclaim as a scholar of bel canto opera and is celebrated for leading the renaissance of eighteenth and early-nineteenth century musical theater, such as Les Huguenots(Meyerbeer), Semiramide, Sigismondo (Rossini), La Fille du Régiment, Maria Stuarda, Anna Bolena, Lucrezia Borgia(Donizetti), Esclarmonde, Le Roi de Lahore, Thérèse (Massenet), Medea (Pacini), Orfeo (Haydn), I Masnadieri (Verdi).In recent seasons he led performances of La Traviata in Athens, I Capuleti ed I Montecchi in London, Norma, Lucia di Lammermoor, La Scala di Seta, Signor Bruschino, Roméo & Juliette in Sydney, Lucia, Norma and Faust in the United States, La Favorite in Barcelona, I Lombardi in Buenos Aires and Semiramide (Meyerbeer) at the Wildbad Festival, Germany.Mr. Bonynge's extensive career includes innumerable performances with his wife, Dame Joan Sutherland, culminating in her farewell engagements in opera and recital throughout the world. The two artists also toured the United States with the Sydney Symphony in celebration of Australia's Bicentennial, with concerts at the Kennedy Center, Carnegie Hall and the United Nations.His discography reflects the eclecticism of his music interests. He has recorded over 50 complete operas as well as the three Tchaikovsky ballets, three Delibes ballets and numerous lesser known ballets by Adam, Minkus, Burgmuller, Auber, Drigo, Offenbach. He recorded several recital discs with Sumi Jo, Jerry Hadley, Deborah Riedel, Rosamund Illing, Cheryl Barker and Elizabeth Whitehouse. His recent recordings are Le Domino Noir (Auber), Le Toréador (Adam), Der Czarevich, Das Land des Lächelns (Paganini), Giuditta (Lehar), Cendrillon (Nicolo), Orfeo (Haydn), Die Herzogin von Chicago and Die Czardasfürstin (Kálmán), British Opera Arias (Balfe, Wallace, Sullivan), Sacred and Profane Arias (Massenet), Puccini Arias (Puccini), La Somnambula (Hérold), Verismo Arias and Tchaikovsky & Grieg piano concertos with Simon Tedeschi and the Queensland Orchestra. Video recordings include Les Huguenots, La Fille du Régiment, Adriana Lecouvreur, Die Lustige Witwe, Les Dialogues des Carmélites, Norma, Die Fledermaus, Lucrezia Borgia, Lucia di Lammermoor, Lakmé, Il Trovatore, Die Zauberflöte and Die Czardasfürstin.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Oggi a Cult: La recensione di Giovanni Chiodi sulla "Lucia di Lammermoor" al Teatro alla Scala; l'edizione 2023 del MiArt; Fabio Troiano in "Il dio bambino" di Gaber/Luporini al Teatro Carcano; all'Arcimboldi i Ballets Trockader de Montecarlo; la rubrica di fumetti di Antonio Serra...

Oggi a Cult: Il Motografo e il suo nuovo progetto di podcast sulla Resistenza; una panoramica della Art Week Milano 2023; Walter Fontana "L'uomo di marketing e la variante limone" (ed. Bompiani); la regista Teona Strugar Mitevska sul film "L'appuntamento"; Giovanni Chiodi anticipa la sua prossima recencione sulla "Lucia di Lammermoor" alla Scala...

What's up with that donkey in Glasnevin?Topics in this episode include seagulls in Ulysses, the Blooms' old digs in Lombard St. West, The Joyce Project, Mesias the tailor, donkey lore, superstitions of death, a strange work of art, Lucia di Lammermoor, Ivy Day, the location of Bloom's future grave, Altman the Saltman, Finglas, Joe Hynes, the crimes of Charley M'Coy, Bonnie Prince Charlie, more M'Intosh, kabbalah, numerology, hypostasis and umbilical cords.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | Stitcher

Hola, Soy Juan Roleri. ¿Sabias que Benjamin Franklin invento un instrumento musical que se creía que tenía propiedades curativas y que cautivo a compositores como los hijos de Bach hasta a los mismísimos Ludwig Van Beethoven y Wolfgang Amadeus Mozart?En este programa vamos a hablar de la Armónica de Cristal, un instrumento que paso de ser catalogado celestial a ser catalogado como un instrumento maldito.Este programa es un episodio piloto para la Radio Nacional Clasica de Argentina.

We're back! Join us for this week's podcast episode where we're joined by Opera in the Ozarks' costume designer, Kim Welborn. We chatted with Kim about her work on Opera in the Ozarks' recent re-envisioned production of The Magic Flute. What makes it re-envisioned? Its eco-conscious spin to the storyline and costumes constructed one hundred percent using trash and recycled materials!Go to https://www.usitt.org/news/technically-speaking-kim-welborn-talks-turning-trash-opera to learn more about Opera in the Ozarks' production of The Magic Flute and see visuals of the costumes discussed during today's episode.Get to know our guest: Kim Welborn is a freelance costume designer and resident designer for Opera in the Ozarks' summer program. Her costume career spans the gamut from historically accurate productions, including clothing for Florida's Quincentennial and the world premiere of My Dearest Friend for the National Park Service Centennial, to a production of The Magic Flute, re-envisioned as an environmental fable and built entirely from trash and recyclables. Recent projects include a 1960's Best Christmas Pageant Ever and All is Calm, the story of the World War 1 Christmas Eve truce. She has designed more than 30 musicals and plays; favorites include A Little Night Music; Hello, Dolly; Evita; The Producers; Paint Your Wagon; South Pacific; Spamalot; the Diary of Anne Frank and Blithe Spirit. Her past several years have focused largely on opera, including Marriage of Figaro, All is Calm, Tales of Hoffman, Don Pasquale, La Boheme, Amahl & the Night Visitors, Hansel & Gretel, and youth company productions for Opera Orlando; Cosi Fan Tutte, Cendrilllon, Lucia de Lammermoor and Little Women (Opera in the Ozarks); Pagliacci and The Birthday Clown (Savannah Opera Company); Pirates of Penzance (International Opera Center) and Dido and Aeneas (University of Northern Iowa). Kim is a world native who divides her time between New York, Maryland, and Florida. Learn more about today's advertiser, Stage Creatives Network:www.rachelannestiles.comwww.stagecreativesnetwork.com

In this episode, Dr. Lana Dalley discusses "Infidelity! Revenge! Madness! Murder!: Sir Walter Scott's The Bride of Lammermoor". This recording was made as part of LA Opera Connects professional development series for teachers, Opera for Educators. Don't miss Lucia di Lammermoor at the Dorothy Chandler Pavilion this Sunday, October 9th. Tickets are available at LAOpera.org.

In this episode, Dr. Kristi Brown-Montesano, Chair of Music History and Literature at the Colburn Conservatory of Music explores Donizetti's Lucia di Lammermoor in this pre-recorded pre-performance talk. Showing now through October 9th tickets are available at LAOpera.org.

In this episode, LA Opera CEO Christopher Koelsch and LA Opera Connects Director Andrea Fuentes discuss the importance of updating our beloved art form and what makes Simon Stone's modern-day staging of Lucia di Lammermoor so exciting. Tickets to Lucia are available now at LAOpera.org

In this episode, tenor Arturo Chacón-Cruz shares the synopsis for Donizetti's Lucia di Lammermoor. Showing September 17th through October 9th , see Arturo play Edgardo - Lucia's beloved - in this spellbinding tale of marriage, madness and murder conducted by LA Opera's new Resident Conductor Lina González-Granados. Tickets to Lucia are available now at LAOpera.org.

In this episode, LA Opera's Richard Seaver Music Director, James Conlon explores Lucia di Lammermoor - the story, its history, and of course, the music. See LA Opera's Lucia di Lammermoor at the Dorothy Chandler Pavilion from September 17 through October 9. Tickets are available now at LAOpera.org.

In this episode, Dr. Holley Replogle-Wong discusses "Lucia: Women and Madness in Opera". This recording was made as part of LA Opera Connects professional development series for teachers, Opera for Educators. See Lucia di Lammermoor at the Dorothy Chandler Pavilion from September 17 through October 9. Tickets are available now at LAOpera.org.

愛情讓人充滿力量，也可以使人瘋狂，更可以讓戲劇充滿張力。 [opening] Gaetano Donizetti, Lucia di Lammermoor, Act 3 Eccola [clip] Gaetano Donizetti, Lucia di Lammermoor, Act 3 Eccola [clip] Gaetano Donizetti, Lucia di Lammermoor, Act 1 Lucia and Edgardo [bgm] Erik Satie, Gymnopedies No.1, 2, 3 Support this show: https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p Leave a comment and share your thoughts: https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p/comments 更多內容: website | 那個音樂史 the-music-history.com facebook/instagram | 那個音樂史 Powered by Firstory Hosting

This week on The Literary Life podcast our hosts give an update on their progress with the “Two for '22” Literary Life Reading Challenge. Angelina, Cindy and Thomas share their commonplace quotes, then begin going over each category and talking about their progress and the various books they have chosen so far. Scroll down in the show notes for all the book titles mentioned and affiliate links to them on Amazon. Download the adult reading challenge PDF here, and the kids' reading challenge PDF here. The Literary Life Commonplace Books published by Blue Sky Daisies are always available for purchase, as well! Join us for the 2022 Back to School Conference, “Education: Myths and Legends” happening live online this August 1st-6th. Our special guest speakers will be Lynn Bruce and Caitlin Beauchamp, along with our hosts Cindy Rollins, Angelina Stanford and Thomas Banks. Learn more and register today at Morning Time for Moms. Check out Episode 3: The Importance of the Detective Novel. Commonplace Quotes: Nobody seems great to his dwarf. Par Lagerkvist What is true of nature is also true of freedom. The half-baked Rousseau-ism in which most of us have been brought up has given us a subconscious notion that the free act is the untrained act. But of course, freedom has nothing to do with the lack of training. We are not free to move until we have learned ot walk. We are not free to express ourselves musically until we have learned music. We are not capable of free thought unless we can think. Similarly, free speech cannot have anything to do with the mumbling and grousing of the ego. Free speech is cultivated and precise speech, which means that there are far too many people who are neither capable of it nor would know if they had lost it. A group of individuals who retain the power and desire of genuine communication is a society. An aggregate of egos is a mob. Northrop Frye He had had a choice, after all. The army had been keen to keep him, even with half his leg missing. Friends of friends had offered everything from management roles in the close protection industry to business partnerships, but the itch to detect, solve, and reimpose order on the moral universe could not be extinguished in him. He doubted it ever would be. Robert Galbraith The Composer by W. H. Auden All the others translate: the painter sketches A visible world to love or reject; Rummaging into his living, the poet fetches The images out that hurt and connect. From Life to Art by painstaking adaption Relying on us to cover the rift; Only your notes are pure contraption, Only your song is an absolute gift. Pour out your presence, O delight, cascading The falls of the knee and the weirs of the spine, Our climate of silence and doubt invading; You, alone, alone, O imaginary song, Are unable to say an existence is wrong, And pour out your forgiveness like a wine. Book List: The Dwarf by Par Lagerkvist The Well-Tempered Critic by Northrop Frye Formation of Character by Charlotte Mason Anatomy of Criticism by Northrop Frye Lethal White by Robert Galbraith Poet's Corner by John Lithgow Rob Roy by Sir Walter Scott The Wise Woman by George MacDonald The Princess and the Goblin by George MacDonald Paradise Lost by John Milton The Wood Beyond the World by William Morris Phantastes by George MacDonald Ivanhoe by Sir Walter Scott The Bride of Lammermoor by Sir Walter Scott Evelina by Fanny Burney The Boys by Ron and Clint Howard The Most Reluctant Convert by David C. Downing Dorothy L. Sayers by Colin Duriez Dracula by Bram Stoker Cranford by Elizabeth Gaskell Silas Marner by George Eliot Hard Times by Charles Dickens David Copperfield by Charles Dickens Wuthering Heights by Emily Brontë An Old Man's Love by Anthony Trollope She Stoops to Conquer by Oliver Goldsmith A Midsummer Night's Dream by William Shakespeare Two Gentlemen of Verona by William Shakespeare Timon of Athens by Williams Shakespeare The Trojan Women by Euripedes Antigone by Sophocles The Rehearsal by George Villiers The Great Divorce by C. S. Lewis Til We Have Faces by C. S. Lewis The Medieval Mind of C. S. Lewis by Jason M. Baxter The Oxford Inklings by Colin Duriez Anxious People by Fredrik Backman Enchanted April by Elizabeth von Arnim The Shepherd's Life by James Rebanks Wintering by Katherine May The Eternal Husband by Fyodor Dostoyevsky The Aeneid by Virgil A Daughter of Time by Josephine Tey The Vision of the Anointed by Thomas Sowell The Sun Does Shine by Anthony Ray Hinton Jane Eyre by Charlotte Brontë Notes from the Underground by Fyodor Dostoevsky The Canterbury Tales by Geoffrey Chaucer The Importance of Being Earnest by Oscar Wilde The Golden Age of Murder by Martin Edwards DC Smith Investigation Series by Peter Grainger Nero Wolfe Series by Rex Stout Anthony Horowitz Simon Serrailler Series by Susan Hill P. D. James The Poisoned Chocolates Case by Anthony Berkeley The Leavenworth Case by Anna Catherine Green Trent's Last Case by E. C. Bentley David Bentley Hart Joseph Epstein Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

We have reached podcast episode #200! In today's episode of the Metropolitan Opera Guild podcast, lecturer Dr. Mark Pottinger leads us through the second part of his Study Day all about Donizetti's Lucia di Lammermoor and the fascinating history of madness in opera.

On today's episode of the Metropolitan Opera Guild podcast, lecturer Dr. Mark Pottinger uses Donizetti's Lucia di Lammermoor as a jumping-off point to take a deeper look at madness, murder, and the supernatural.

Nadine Sierra — Made for Opera (DG) Jump to giveaway form New Classical Tracks - Nadine Sierra by “My grandmother was born and raised in Lisbon, Portugal. She had a beautiful voice and always loved music, especially classical and opera,” soprano Nadine Sierra said. “She wanted to become an opera singer, but my great-grandfather didn't allow her to pursue any kind of career. My whole life has been prepared and made for opera.” Sierra dedicates her latest recording, Made for Opera, to her grandmother. It explores the operatic heroines that include Lucia from Donizetti's Lucia di Lammermoor, Juliette from Gounod's Romeo and Juliet and Violetta from Verdi's La Traviata, who all had little control over their own destiny.  “We find that female roles played by women in opera are about women that cannot make decisions for themselves despite being these iconic figures. These are also women who are in a social prison. My grandmother grew up in that social prison. Today I have the power and the privilege to choose my destiny.” Tell us why you're careful about choosing a role at the right point in your career. “I didn't start to sing Violetta until recently. I felt that in my own life I had not experienced enough to play this character as believably as possible. I felt I needed to live a few more years in order to understand her.” Tell us about the story and sections you've chosen to highlight on this recording from La Traviata. “I decided to showcase Violetta in Act One and Three. In Act One she has her famous aria starting from ‘È Strano! È Strano' and ending with ‘Sempre Libera.' In the aria she meets Alfredo for the first time, and he tells her that he's in love with her. “I also highlight her last aria, where she's dying. Alfredo has a sister and the more time he spends with Violeta ruins his sister's reputation and her possibility of marrying into a good family. So, Violetta makes the sacrifice. She lies to Alfredo telling him she's not in love with him anymore and she can't be with him. She sacrifices herself for another woman's love, which I love about Violetta. She's a special and empathetic character.” How did working with a woman director give you a different perspective on Donizetti's character Lucia? “This particular female director and I have both experienced things in our personal lives that are similar. Whether it be in a relationship or even a situation with a family member, we were able to better communicate what we wanted with the audience about Lucia.” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Nadine Sierra — Made for Opera (Amazon) Nadine Sierra — Made for Opera (DG Store) Nadine Sierra (official site)

The Quarantine Tapes es un podcast diario de Onassis LA y dublab. El programa es presentado por Paul Holdengräber. Artistas, escritoras y escritores, activistas, líderes, trabajadores y trabajadoras, pensadoras y pensadores charlan con Paul acerca de cómo pasan el tiempo en este momento histórico sin precedentes. Es una crónica de paradigmas cambiantes en la era del distanciamiento social, que destaca las afinidades universales en esta experiencia humana mundial.La edición Argentina presentada por el periodista Sergio Cohen convoca a invitados con enfoque en América Latina y comunidades de habla hispana alrededor del mundo. The Quarantine Tapes se emite los días de semana a las 9.30 PT en DUBLAB.com; a partir de las 12 pm PT está disponible en todas las plataformas de podcasts. The Quarantine Tapes Argentina transmite todos los Jueves a las 9.30 PST en DUBLAB.comNo pudo escuchar la transmisión en vivo? Escúchela como podcast en quarantinetapes.com~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~En esta ocasión, Sergio Cohen recibe a la talentosa artista Gabriela Pochinki, con la que lleva adelante un nuevo episodio de “Las cintas de la cuarentena” Argentina. La sensibilidad de la Invitada y el tono afectivo que se percibe en el diálogo que mantiene con el anfitrión va enhebrando, con sutileza, uno a uno los temas que conforman esta entrega.El diálogo comienza con una minuciosa descripción que Pochinki realiza con relación al impacto que provocó el inicio de la pandemia en la población mundial y prosigue con la narración de los aspectos cotidianos que debió modificar para hacer frente a la imprevista amenaza que se cernía sobre la humanidad.La entrañable conversación es la llave que permite acceder a la vida intima de esta cantante lírica, que deslumbró con su voz al público de los más encumbrados escenarios mundiales, sin dejar de abordar aquellas zonas más sensibles del alma de una mujer que brilló a lo largo de toda su trayectoria profesional.Su lucha, su sacrifico, su soledad, su vínculo con la familia de Michael Jackson, el perfeccionamiento de su don,  su relación con Dios , el milagro de la maternidad y el futuro que se avecina son sólo algunos de los contenidos de este mágico abanico que se va desplegando a lo largo del presente registro.Gabriela Edith Pochinki nació en Buenos Aires, Argentina. Dueña de una gran versatilidad, logró abarracar diferentes estilos musicales: la ópera, el pop, el tango, la música popular y el canto litúrgico. Fue elegida “Mejor cantante lírica del mundo” en San Remo. Realizó estudios de técnica vocal y repertorio, bajo la dirección de diferentes maestros, en Italia, Suiza, Austria, Alemania, Estados Unidos e Israel hasta alcanzar la clase magistral de Zurich, con Elizabeth Schwarzkopf. Se graduó en la Manhattan School of Music como Bachelor y Master en Opera y en la Universidad de Medicina del Salvador de Argentina de Fonoaudióloga. Su conocimiento del español, el inglés, el italiano, el alemán, el hebreo y el francés, la habilitaron para abordar los más variados repertorios, que incluyen personajes como Despina en “Così fan tutte”, Gilda en “Rigoletto”, Rosina en “El Barbero de Sevilla”, Valencienne en “La Viuda Alegre”, Marie en “La Hija del Regimiento”, Lucía en “Lucía de Lammermoor”, Linda en “Linda de Chamounix”, Susana en "Las Bodas de Figaro”, Oscar en “Ballo di Maschera”, Nanetta en “Falstaff”, entre otros. Formó parte del elenco estable del Stadttheater Lucerna, donde interpretó distintos roles. Protagonizó “Amor sin Barreras” en tres oportunidades, en diferentes idiomas, la Virgina Opera, la Volksopera de Viena y en el Landestheater Salzburgo, acompañada por la Orquesta del Mozarteum de la ciudad. Fue distinguida en competencias internacionales tales como la de Pavarotti, NATS, Pittsburg, Queens Opera, Verismo Opera de Nueva York. En el Teatro Colón de Argentina debutó con Carmina Burana, junto a la Orquesta Filarmónica de Buenos Aires, dirigida por el maestro Pedro Ignacio Calderón. Gabriela interpretó el rol de “Adèle” de “El Murciélago” en la Opera de Illinois, versión en inglés, en Israel, en la Nueva Opera de Tel Aviv, por primera vez realizada en hebreo y en la Volksopera de Viena. Su trayectoria le abrió la puerta de los grandes medios de Alemania, Italia, Japón, Estados Unidos, Israel, Austria y Argentina. Grabó un amplio repertorio de arias de ópera y cánticos litúrgicos con el acompañamiento de diferentes orquestas sinfónicas. Joe Jackson, el padre de Michael, la inició en la música pop. Con el productor Kenny O 'Brien desarrolló un extenso abanico de canciones populares. En el 2007 Sony BMG lanzó su álbum Opera-Pop “Pájaro Rebelde” cantado íntegramente en español. Durante los últimos años realizó giras por Argentina, Uruguay, Francia e Israel con su espectáculo “Canciones de mi Vida”. En el 2014 fue declarada Personalidad Distinguida de la Cultura Argentina por la Legislatura Porteña. Sergio Cohen Pjaseczny nació en Buenos Aires en 1961. Es Licenciado en Periodismo y Comunicaciones. Se inició en el periodismo en 1982, llevando adelante distintas funciones periodísticas en diversos campos de la profesión, especializándose en el manejo de la entrevista. Fue profesor universitario. Participó en más 30 de revistas y 8 diarios, trabajó en emisoras radiales de AM y FM y se desempeñó en diferentes puestos en programa televisivos. Es guionista humorístico, autor y compositor. Editó los libros de poesía “Algo que decir”, “Los Testaferros de Dios” y de música “Letra y Música”. Escribió el  guión del largometraje “Tango y política”.  Fue distinguido con diferentes galardones, entre ellos se destacan: "El Periodista", Premio a la Mejor Producción Periodística (1993) y Premio a la Mejor Cobertura Periodística (1997-1998). Actualmente, se desempeña en Diario Popular, periódico en el que reportea a personalidades de las más variadas disciplinas artísticas y culturales del país. Acaba de concluir “Ella”, su cuarto trabajo discográfico.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Este podcast puede ser subscripto en apple podcast, simplecast, spotify o cualquier otro medio como escuche sus podcasts.  Para ver otros podcasts producidos por dublab visite: dublab.com/podcasts.

The Two Gay Geeks

Nadine Sierra's childhood intuition – that she was born to sing opera – has proved correct in every way and is reflected in the title of her second solo album, Made for Opera. The dramatic presence, searing passion, and technical brilliance for which the American lyric soprano regularly scores rave reviews are captured in this new album, which trains the spotlight on three of the most demanding roles in the repertoire – Verdi's Violetta, Donizetti's Lucia, and Gounod's Juliette. Recorded with the Orchestra Sinfonica Nazionale della Rai and Capella Cracoviensis under Riccardo Frizza, the album not only reflects Nadine Sierra's command of bel canto technique and rich range of vocal colors but also documents her insights into the psychology of the ill-starred heroines of La traviata, Lucia di Lammermoor and Roméo et Juliette.Made for Opera TracklistVerdi – La traviata / Act 1   1. È strano! È strano!   2. Ah, fors'èlui   3. Follie! Delirio vano è questo!   4. Sempre liberaVerdi – La traviata / Act 3      5. Teneste la promessa   6. Addio del passatoDonizetti – Lucia di Lammermoor / Act 1   7. Introduzione   8. Ancor non giunse!   9. Regnava nel silenzio   10. Quando rapito in estasiDonizetti – Lucia di Lammermoor / Act 3   11. O giusto cielo! ... Il dolce suono   12. Ohimè! Sorge il tremendo fantasma   13. Ardon gl'incensi   14. Spargi d'amaro piantoGounod – Roméo et Juliette, CG 9 / Act 1   15. Ah, je veux vivreGounod – Roméo et Juliette, CG 9 / Act 4   16. Dieu! Quel frisson court dans mes veines?   17. Amour, ranime mon couragePurchase the music (without talk) at:Made for Opera (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

In this episode, Laverne introduces us to her opera singing teacher of 25 years, the celebrated opera lecturer, Metropolitan Opera Broadcast co-host and retired diva, Ira Siff. Ira is the creator of La Gran Scena, the all-male cross-dressed opera troupe that performed internationally for over 20 years to much critical acclaim with a cult-like following. Ira was the prima donna of La Gran Scena as his diva alter ego, Madame Vera Galupe-Borszkh. Vera was an amalgamation of the most famous opera stars of the 20th century. As Vera, Ira toed the line between spoof and adoring tribute with a thoughtfulness that earned La Gran Scena the praise and patronage of the very same opera stars Scena lovingly spoofed. Known for his lectures and the approachable manner in which he talks about opera, Ira breaks down opera history while telling stories of growing up as an “opera queen” in New York, and the insane fandom of diva worship. // Glossary of Opera Terminology: Aria: A self-contained piece for a singer, or “solo.” In opera, arias mostly appear during a pause in dramatic action when a character is reflecting on their emotions. //  Bel Canto: An Italian vocal technique or “school” developed and popularized in the 18th and 19th centuries. It places emphasis on beauty of sound and brilliance of performance rather than dramatic expression and romantic emotion. //  Coloratura: Elaborate ornamentation of a vocal melody, especially in operatic singing by a soprano. //  Falsetto: A method of singing used by male singers, especially tenors, to sing notes higher than their normal range. //  Forte: A musical direction that means “loud.” //  Legato: (adj.) Smooth and flowing in manner, without breaks between notes. //  Libretto: The text of an opera (or other vocal work). //  Lucia: Short for “Lucia di Lammermoor,” a famous opera work by Gaetano Donezetti. // Ornaments (ornamentation): Musical flourishes or embellishments (such as a trill or a slide) that are not essential to carry the overall line of the melody, but serve instead to decorate or “ornament” that line. //  Pianissimo: A soft performance, played or sung quietly. //  The Met: The Metropolitan Opera House in New York. // Tosca: A famous opera by Luigi Illica and Giuseppe Giacosa. // Traviata: Short for “La Traviata,” a famous opera by Giuseppe Verde. La Traviata also goes by the name “Camille” in English, which was the title of the book that inspired it. //   Verismo: An operatic genre that attempts to portray the world with greater realism. It came about in the 19th century and often focuses on subject matter that was not previously fit for opera, such as the life of the poor. //  Wagner/Wagnerian: Richard Wagner was one of the most famous Opera composers of all time. He lived during the 19th century. Notable operas include: Tristan und Isolde, Die Walküre, Lohengrin. // Famous Opera Divas // Joan Sutherland, active from 1947 - 1990. //  Maria Callas, active from 1945 - 1965. // Renata Scotto, active from 1952 - 2002. // Leontyne Price, active from 1952 - 1997. // Leonie Rysanek, active from 1959 - 1996. //  Montserrat Caballé, active from 1956 - 2018. // Please rate, review, subscribe and share The Laverne Cox Show with everyone you know. You can find Laverne on Instagram and Twitter @LaverneCox and on Facebook at @LaverneCoxForReal. // As always, stay in the love. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com