POPULARITY
Ukraiński kompozytor, pianista, twórca techniki gry continuous music – Lubomyr Melnyk – wystąpił tego lata na festiwalu Wschód Kultury Inne Brzmienia w Lublinie. Tuż przed koncertem mieliśmy okazję porozmawiać z artystą, który płynnie łączy światy klasyki i awangardy.… Czytaj dalej Artykuł Lubomyr Melnyk: „Continuous music to ciągły wzrost i odkrywanie” pochodzi z serwisu Audycje Kulturalne.
For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Lubomyr Melnyk is a composer and pianist of Ukrainian origin. He plays what he calls continuous music, a style whose rigorous technique shares commonality with martial arts. He's regarded as the world's fastest piano player, capable of playing 19 and a half notes per second. It's a skill that's enabled him to create singular musical landscapes, where sound appears to come in swathes rather than individual notes -- a practice he's been at it for more than sixty years. --- Send in a voice message: https://podcasters.spotify.com/pod/show/greymatterfm/message
I occasionally get music submitted for consideration to be used in mixes. I don't seek out submissions but if artists or labels are so kind as to send me some music I will take a listen. Last month I got a totally blind email with a link to a new album from Tewksbury. I fell in love with the album instantly. Well, not instantly as the full album is over 3 hours long. Check it out here... https://tewksbury.bandcamp.com/album/floes-volumes-i-iv Each track is over ten minutes long and they evolve slowly, beautifully as the tape loops, melodies and textures stretch time and space. I liked the album so much that I asked the artist, Douglas Tewksbury, to create a mix and, luckily for all of us, he agreed. Here's what Douglas has to say about SLOW/FORM: "This mix is a collective of slow, organically unfolding music, songs that reminded me of the importance of reflection, of stillness, of contemplation, of change. A few tracks are from my most recent 4x album 'Floes: Volumes I-IV', and the rest are artists who create slowly evolving works with human voices, with synthesizers, and with pianos, culminating with a stunning 19-minute piano work by the incredible Ukrainian pianist, Lubomyr Melnyk. Music can be such a powerful force to reflect on ourselves and the world around us, and here, I wanted to present a moment of consideration and contemplation on what it means to be a listener, investing the time to take the journey in longer works, to invest oneself in the commitment of deep listening." Thanks to Douglas for creating the mix and for such an excellent album. Cheers! T R A C K L I S T : 00:00 Tewksbury - Vika (Self-Released, 2024) 10:52 The Beacon Sound - Drone 3 (First Terrace, 2017) 15:01 Qasim Naqvi - Ctaphone (Erased Tapes, 2020) 16:40 Ian William Craig - Red Gate with Starling (Recital, 2018) 19:58 Dorothy Carter - Summer Rhapsody (Palto Flats, 2023) 27:02 Hatis Noit - Illogical Lullaby (Erased Tapes, 2018) 34:57 Tewksbury - Yaw (Self-Released, 2024) 47:17 Yuuki Matthews - Post-Tropical Cyclone (Labels Group, 2014) 49:50 Marine Eyes & IKSRE - You'll Grow (Past inside the Present, 2022) 54:27 Oneohtrix Point Never - Lovergirls Precinct (Warp, 2012) 55:55 Time Wharp - East River Dusk (Leaving Records, 2022) 58:23 Lubomyr Melnyk - Pockets of Light (Erased Tapes, 2013) 77:38 End
En la quinta emisión de Mensajes del río parlante nuestro anfitrión Guillermo García Pérez revisa el catálogo de Unseen Worlds, sello discográfico independiente que entre sus pequeñas joyas ha editado parte de la obra de autores fuera de serie como el pianista ucranicano Lubomyr Melnyk; el compositor texano Blue Gene Tiranny; o la compositora Laurie Spiegel, esta última autora legendaria de Harmony of the Worlds pieza emblemática que fue comisionada por el mismísimo Carl Sagan para ser parte del Disco de Oro, que viaja con las sondas espaciales Voyager lanzadas en 1977, y que ahora mismo, se encuentran más allá de las órbitas de Plutón.
This interview with Julia Kent is the July 2022 monthly artist interview for Radio AlHara hosted by Stefan Christoff. In this exchange Julia speaks about her creative practice, how it has been impacted by the pandemic and current projects including the joint project with Lubomyr Melnyk called "The End of the World," which is focused on the points of urgency stressed by the climate justice movement around the world. In this program you will hear two pieces of music by Julia, the first called "Mediterranean," the second called "Empty States," you can listen to / order / learn more about Julia's work here: https://music.juliakent.com Each month Stefan Christoff shares an artist interview on Radio AlHara broadcasting in Palestine, info: https://yamakan.place/palestine
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (18.04.2022) - Parcourez des territoires sonores divers, contrastés et éloignés ! Au fil de grandes diagonales planétaires, vous pourrez vivre des sensations aussi fortes que bigarrées ! Pour preuve, vous passerez par l'ile japonaise d'Okinawa mais aussi par la Nouvelle-Zélande, l'Algérie, le Brésil, l'Ethiopie, la Colombie l'Ukraine et même la Syrie… Soit autant de pays traversés que de sélections musicales. Bref, l'occasion de concilier une nouvelle fois dépaysement et exploration aux côtés d'artistes toujours plus singuliers et parfois zélés.
Let go and lose yourself in Episode 36 of ‘To Etherea and Beyond'. The show broadcasts on Harrogate Community Radio at 9am this Sunday 3rd April, and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond Titled ‘Phonic Cerebral', the show features music by: Rival Consoles, Deserta, Spiritualized, Lubomyr Melnyk, Karl Culley, Wilmore, Lantlô, Arooj Aftab, Disassembler, Ishmael Ensemble, GRAZER, Oh Hiroshima CYRK, Plaid, Loathe, Teenage Wrist, and The Churchhill Garden. This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
Third episode in Season II *About the episode Our next stop in the second season of On The Green Track is to explore what sustainable development looks like on a global scale. Together with Continuous Music composer and pianist Lubomyr Melnyk we will discover the connections between travel and music. This may not be a clear connection at first, but together with our guest, we expand the notion of travel to not only belong to a tourism industry but to be an almost instinct experience or surrender to the world's beauty through art. This conversation was recorded prior to the current critical situation in Ukraine and as a sad coincidence Lubomyr Melnyk's reflections upon being Ukrainian seem more relevant and thought-provoking than ever
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (28.02.2022) - Cap à l'Est, dans un espace gigantesque comprenant 13 nations aux racines ethnolinguistiques communes ! Cet énorme réservoir de talents artistiques c'est celui des peuples slaves... Pendant plus de 50 mn, ce programme nous baladera de la Tchéquie à la Russie, en passant par l'Ukraine, la Bulgarie et le Bélarus, pour un voyage musical inédit aux accents d'electronica comme de folk fusion, de rock indie comme de musique contemporaine. Bref, autant vous dire que la sédentarité et l'ennui seront bannis de notre playliste...
¡Hola terrícolas! (T4//E23) "Espacial 3º Aniversario" Javi, 3 años flotando… Y los que nos quedan feel… ¿Sabes? No tengo miedo Me protege la luna Me hago el muerto Sobre el mar de la Tranquilidad Ahora que sé que jamás voy a llegar al otro lado Algo dentro de mí Dentro de mí Se ha despertado Oh, ilumíname Todo lo que soy Todo con lo que soñaba No quiero nada para mí Quédate hasta mi alma La vida empieza hoy En este anochecer de plata Tengo la extraña sensación De no pertenecer a nada No te puеdo ver Pero sé que еstás ahí Ahora sé que estás ahí Se han abierto los caminos El futuro y el pasado Quedan muy atrás Ahora entiendo que el hogar no era el punto de partida Era el final... Selene. Rufus T. Firefly. Hoy flotaremos con… M83, Lubomyr Melnyk, Jon Hopkins, entre otros y otras… ¡Un abrazo desde la tierra!
Ha a zeneileg is értelmezhető „flow-élményre" gondolunk, valamelyest közelebb juthatunk – fogalmilag legalábbis – ahhoz a kifejezetten meditatív, ezzel együtt rendkívül intenzív folyamathoz, amely az ukrán származású Lubomyr Melnyk kompozícióiban is újabb és újabb hullámokat vet. A sajátos ujjmozgással játszott zongoradarabok az ún. Folyamatos Zene szellemében születtek: vagyis megszakítás nélküli, akár másodpercenként húsz leütéses gyorsasággal létrejövő hangfolyamot hoznak létre, ami a szerző szerint csakis maximális koncentrációval, ugyanakkor minimális kontrollal érhető el. Az általa kialakított (és a kung-fu tanulási metódusaihoz hasonlított) technika tehát testi összpontosításra alapszik, de a megemelt mentális és lélekjelenlétet sem nélkülözheti.
While in Europe, Broderick met and worked with a wide variety of composers, singers, and songwriters including Nils Frahm, Greg Haines, Laura Gibson, Yann Tiersen, Olafur Arnalds, and Lubomyr Melnyk.Broderick was by this time an in-demand session player, engineer, and producer, but kept up a steady stream of his own work on EPs, singles, and film scores, and he accepted composition commissions for dance and the theater. Broderick provided half of many split recordings, including 2009's Blank Grey Canvas Sky with Machinefabriek, 2010's Apple Bobbing At ___ with Penelope Joy, and 2011's Glimmer with Takumi Uesaka. In 2010, Bella Union released his full-length How They Are. From 2010, Broderick's level of activity was matched only by the number of requests for his time from other artists. He contributed to 19 recordings in 2010, 12 in 2011 (including Oliveray's Wonders, one of his projects with Frahm), and ten more in 2012. He and Frahm also completed and released the first album of a three-year undertaking entitled http://www.itstartshear.com. (Interestingly, the artist withdrew from having any kind of social media account.) Broderick also issued the EP Two Songs for Banjo and Voice and the single "I Will Play This Song Once Again" b/w "These Walls of Mine" that year.Broderick was equally prolific in 2013. Among the ten recordings he contributed to were Mark Kozelek and Jimmy Lavalle's Perils from the Sea, Melnyk's Corollaries, and Nadja's Flipper. He also issued the Broderick & Broderick EP and the full-length Float: 2013 Addendum, and he scored director Rodney Evans' award-winning film The Happy Sad. The following year saw the artist move back to Portland for a time and play on recordings by Portland Cello Project, Aidan Baker, Sharon Van Etten, and Sean Flinn & the Royal We. Erased Tapes issued the Broderick and Haines split dub offering Greg Gives Peter Space, The Album Leaf (Featuring Peter Broderick) was self-released, and the eponymous Peter Broderick + Gabriel Saloman was issued by Beacon Sound.While Broderick played on over a dozen records by other artists in 2015, his own recording and touring activities were equally intense. He collaborated with French artist Félicia Atkinson as La Nuit to release Desert Television and issued the EPs X Luzern and COTN RMXD and the acclaimed full-length Colours of the Night. In 2016, Broderick cut the stripped-down piano-and-voice album Partners with Tucker Martine. (Inspired by John Cage's writings, it featured a reading of the composer's "In a Landscape.") He also produced Brigid Mae Power's acclaimed self-titled Tompkins Square debut album. The pair were married shortly thereafter and moved to Ireland. Broderick continued his productive work rate into 2017 with the release of All Together Again, which collected his commissioned works from the previous decade.https://www.peterbroderick.net/ New Music from East Forest! -"Possible" - the latest album from East Forest - LISTEN ON YOUR FAVORITE STREAMING PLATFORM: Spotify / ApplePre-order the album on vinyl - limited edition - and check out the new Possible clothing: http://eastforest.org *** Support this free podcast by joining the East Forest COUNCIL on Patreon. Monthly Zoom Council, Podcast exclusives, private Patreon live-stream ceremony, and more. Check it out and a great way to support the podcast and directly support the work of East Forest! - http://patreon.com/eastforest *****Please rate Ten Laws w/East Forest on iTunes. It helps us get the guests you want to hear. ***Catch East Forest LIVE - Pledge your interest in the upcoming East Forest Ceremony Concert events this Spring/Summer 2021. More info and join us at eastforest.org/tour Join the newsletter and be part of the East Forest Community. Listen to East Forest guided meditations on Spotify & Apple Check out the East Forest x Ram Dass album on (Spotify & Apple) + East Forest's Music For Mushrooms: A Soundtrack For The Psychedelic Practitioner 5hr album (Spotify & Apple). Stay in the East Forest flow:Mothership: http://eastforest.org/IG: https://www.instagram.com/eastforest/FB: https://www.facebook.com/EastForestMusic/TW: https://twitter.com/eastforestmusicPATREON: http://patreon.com/eastforest
“The goal of the pianist is to bring life to the piano. And the piano has been waiting all its life long for someone to come and bring it life, bring it light. Let it sing, even for a few moments." Lubomyr Melnyk is a composer and pianist of Ukrainian origin. He plays what he calls continuous music, a style whose rigorous technique shares commonality with martial arts. He's regarded as the world's fastest piano player, capable of playing 19 and a half notes per second. It's a skill that's enabled him to create singular musical landscapes, where sound appears to come in swathes rather than individual notes. He's been at it for more than sixty years and despite his superlative skill and beautiful compositions, he hasn't gotten much attention until very recently. He and I chatted about the three communities that have most informed his approach to music -- the classical music world, the dance world, and the hippie movement — and the happiness that stems from people finally starting to appreciate his astonishing art. Support Lubomyr: http://www.lubomyr.com/ Music in this episode, used with permission from Lubomyr: "Parasol" — Lubomyr Melnyk "Ascension - Korg, Part 1" — Lubomyr Melnyk "Nightrail from the Sun" — Lubomyr Melnyk "II" (from KMH) — Lubomyr Melnyk "Ascension - Korg, Finale" — Lubomyr Melnyk "The Voice of Trees (Part 1) — Lubomyr Melnyk "Pockets of Light" — Lubomyr Melnyk Special thanks to Alexander Frieden and Grace Rubin for the editing support! Want to discover more of the world's best piano music? We can help with that. Learn more and join the community. --- Send in a voice message: https://anchor.fm/greymatterfm/message
Our voyage into continuous music comes to a close as we dig into Lubomyr Melnyk’s eighteenth (!) album Corollaries. For the unfamiliar, Melnyk categorises his style as being something almost beyond classical music, yet this release sees him team up with neoclassical composers Nils Frahm and Peter Broderick. This album seemed to give Melnyk a new lease of life; upon getting together with Frahm and Broderick he stated “Where were you in my thirties?”, a statement that stands in stark contrast to his general aversion to playing with other musicians in the years before. There’s a lot to be said about Melnyk’s playing, and I think we cover most of that in the episode. Once again, potato quality audio from Mark but hey, it isn’t terrible. There’s no doubt in our mind that Melnyk is unsung. The question is, do you agree? Vote below.
OH GOOD LORD IT’S ANOTHER TWO PARTER. Maybe we should get better at planning these things… Anyway. Chris has been chomping at the bit to do this Lubomyr Melnyk album for a while. In fact, some may even remember that he brought it up during our Pandemic Mixtape. Well, the time has come to finally tackle this post-classical/minimalist work and in doing so we absolutely had to cover his…interesting thoughts on musical philosophy. Which cascades into his questionable thoughts on the actual science of how sound works. Which takes us down a big old rabbit hole, as I’m sure you can imagine. All of this to say that it takes us a while to get to the album as a result. Also, the dude’s done like 20+ albums (although we don’t cover all of them) so that’s another whole thing we had to deal with. We also talk about continuous music (the genre he reckons he’s in…of which he is the only practitioner), his incredible piano playing speed and a bunch more things. We’ll chat about Corollaries next week. Also, apologies for the bad sound on Mark’s part this week.. Technical error as resulted in proper potato quality sound.
La música está siempre presente en nuestras vidas. Consciente o involuntariamente, nos acompaña inevitablemente. Y cuando no está ahí, sonando, está en nuestro interior. Estamos llenos de músicas interiores. Lubomyr Melnyk, Shards, Factor Eight, Thomas Newman, Atlum Schema, One (aka Tino Izzo), grej, Jordan Scotney, Liam Phan, Paddy Mulcahy, Daniel Brandt, BLOMMA, Human Pyramids.
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (27.01.2020) - Cap à l'Est, dans un espace gigantesque comprenant 13 nations aux racines ethnolinguistiques communes ! Cet énorme réservoir de talents artistiques c'est celui des peuples slaves... Pendant plus de 50 mn, ce programme nous baladera de la Tchéquie à la Russie, en passant par la Bulgarie et le Bélarus, pour un voyage musical inédit aux accents d'electronica comme de folk fusion, de rock indie comme de musique contemporaine. Bref, autant vous dire que la sédentarité et l'ennui seront bannis de notre playliste...
Ritorna per il terzo anno sulle frequenze di Radio Francigena il programma radiofonico Nova Silva Philosophica – La grandiosità della natura, cucito da Tiziano Fratus, aka Homo Radix, poeta, dendrosofo e cercatore d’alberi secolari, autore di libri per i maggiori editori italiani fra i quali I giganti silenziosi, Giona delle sequoie, Ogni albero è un poeta, Manuale del perfetto cercatore d’alberi, Il libro delle foreste scolpite. In questa puntata si parlerà di quanto è successo sul pianeta negli ultimi mesi e si penetrerà in due foreste magiche: la musica del pianista ucraino Lubomyr Melnyk e le poesie di Robert Walser. Buon ascolto e incantate foreste a tutti voi !
Peter Broderick is a prolific, genre-defying American musician, composer, and producer. He is known internationally for a diverse range of solo projects, collaborations, and compositions for cinema and dance. A gifted multi-instrumentalist who is equally versed in a wide range of styles, Broderick's extensive discography -- on a range of labels including Bella Union, Erased Tapes, Staalplaat, and Beacon Sound -- is appended by a massive list of credits that reads like a who's who of 21st century independent, classical, and experimental music.Growing up in a musical household in Portland, Oregon, Broderick learned to play several instruments. After graduating high school, he became a session musician, contributing violin, banjo, musical saw, mandolin, and other instruments to recordings by M. Ward, Zooey Deschanel, Dolorean, and Norfolk & Western, among others. His self-released debut EP, 4 Track Songs, appeared in 2006. Via his MySpace page, he befriended Danish band Efterklang, and in mid-2007 he moved to Copenhagen to work with the group. That same year, Docile, his first album of solo piano pieces, was issued by Kning Disk. Float (Erased Tapes) and Hope (Bella Union) followed in 2008. While in Europe, Broderick met and worked with a wide variety of composers, singers, and songwriters including Nils Frahm, Greg Haines, Laura Gibson, Yann Tiersen, Olafur Arnalds, and Lubomyr Melnyk.Broderick was by this time an in-demand session player, engineer, and producer, but kept up a steady stream of his own work on EPs, singles, and film scores, and he accepted composition commissions for dance and the theater. Broderick provided half of many split recordings, including 2009's Blank Grey Canvas Sky with Machinefabriek, 2010's Apple Bobbing At ___ with Penelope Joy, and 2011's Glimmer with Takumi Uesaka. In 2010, Bella Union released his full-length How They Are. From 2010, Broderick's level of activity was matched only by the number of requests for his time from other artists. He contributed to 19 recordings in 2010, 12 in 2011 (including Oliveray's Wonders, one of his projects with Frahm), and ten more in 2012. He and Frahm also completed and released the first album of a three-year undertaking entitled http://www.itstartshear.com. (Interestingly, the artist withdrew from having any kind of social media account.) Broderick also issued the EP Two Songs for Banjo and Voice and the single "I Will Play This Song Once Again" b/w "These Walls of Mine" that year.Broderick was equally prolific in 2013. Among the ten recordings he contributed to were Mark Kozelek and Jimmy Lavalle's Perils from the Sea, Melnyk's Corollaries, and Nadja's Flipper. He also issued the Broderick & Broderick EP and the full-length Float: 2013 Addendum, and he scored director Rodney Evans' award-winning film The Happy Sad. The following year saw the artist move back to Portland for a time and play on recordings by Portland Cello Project, Aidan Baker, Sharon Van Etten, and Sean Flinn & the Royal We. Erased Tapes issued the Broderick and Haines split dub offering Greg Gives Peter Space, The Album Leaf (Featuring Peter Broderick) was self-released, and the eponymous Peter Broderick + Gabriel Saloman was issued by Beacon Sound.While Broderick played on over a dozen records by other artists in 2015, his own recording and touring activities were equally intense. He collaborated with French artist Félicia Atkinson as La Nuit to release Desert Television and issued the EPs X Luzern and COTN RMXD and the acclaimed full-length Colours of the Night. In 2016, Broderick cut the stripped-down piano-and-voice album Partners with Tucker Martine. (Inspired by John Cage's writings, it featured a reading of the composer's "In a Landscape.") He also produced Brigid Mae Power's acclaimed self-titled Tompkins Square debut album. The pair were married shortly thereafter and moved to Ireland. Broderick continued his productive work rate into 2017 with the release of All Together Again, which collected his commissioned works from the previous decade. ~ Thom Jurek, Rovi PeterBroderick.net
Loscil; Thomas Koner; Scanner; Jessica Moss; Titanium Tunnels; Hammock; Bing & Ruth; Building Castles out of Matchsticks; Domotic; Lubomyr Melnyk; Esmerine; Sarah Davachi; Blake Mills; Earthen Sea; Peppermoth; Perfume Tree; Ian William Craig; Simple Minds; Cold Specks; Kid Koala / Trixie Whitley & Tim Hecker.
Fez speaks with Lubomyr Melnyk, the fastest piano player in the world, about the "insidious religion" of science. From Lubomyr: "EVERYONE, everyone .... IS TERRIFIED AT THE THOUGHT THAT SCIENCE IS TOTALLY WRONG ABOUT EVERYTHING .... PEOPLE HAVE THE IDEA THAT IF SCIENTISTS ARE LIEING ABOUT EVERYTHING, THEN THE GROUND WILL OPEN UP UNDER US AND WE FALL INTO THE TWILIGHT ZONE ... well, that will not happen, and the world will continue just as it is doing today.... and we will still have fun ! .. in fact, more fun !"
Moondog era un músico genial. Compositor admirado por los mejores músicos de su época, inventor de instrumentos musicales, poeta y personaje singular. Con él empezamos el Perpetuum Mobile de esta semana en el que además escucharemos piezas de Penguin Cafe, Fiona Joy Hawkins, Lubomyr Melnyk, Akira Kosemura, Tambour, Danny Mulhern y Trevor Alan Gomes. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj Síguenos en Google+: https://plus.google.com/communities/112680150441479402905 Puedes ponerte en contacto conmigo en jaume@quedamosenhuesca.com
Tunes by Brian Eno, The Gun Club, Betty Davis, Simon Wickham-Smith & Richard Youngs, Green On Red, and Lubomyr Melnyk are played and discussed by Mike Hogan and Bob Nastanovich.
Tercer y último programa de repaso de la primera temporada de Perpetuum Mobile. En este episodio escucharemos temas de Vangelis, Mattia Cupelli, Sophie Hutchings, José del Ordi, Tambour, Max Richter, Angelo Rapan, Lito Vitale, Angelo Badalamenti, William Ackerman, Kiasmos, Lubomyr Melnyk, Rodrigo Leão & Scott Matthew, The Cinematic Orchestra, Dead Can Dance, Paul Halley & Theresa Thomason, Omar Akram, Sam Maher, Harold Budd & Zeitgeist, Max Richter, Ludovico Einaudi y Nightnoise. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj
Seguimos con los programas especiales dedicados a escuchar las composiciones que más han gustado a la audiencia de Perpetuum Mobile durante su primera temporada. En los capítulos 26 a 50 se produce una evolución evidente de la música que se programa y eso se ha notado en vuestras peticiones. Han sido tantas que hemos tenido que añadir un programa más de resumen. Este segundo programa también dura casi tres horas y en él podemos encontrar composiciones de Kitaro, Abel Korzeniowski, John Williams, Steven Price, Max Richter, Wim Mertens, Lubomyr Melnyk, Ólafur Arnalds & Alice Sara Ott, Philip Glass, Vladimir Martinov, Arvo Pärt, Claude Bolling & Jean-Pierre Rampal, Claude Bolling & Maurice André, Mike Oldfield, Brian Crain, Peter Broderick, Jervy Hou y T.J. Morgan. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj Para ponerte en contacto conmigo: jaume@quedamosenhuesca.com
Modern Classical Music Ep08 - Lush and Dramatic CompositionsTracklist:Samantha Bouquin - Contemplation #1Anne Dudley - A Stranger at my tableThe frozen vaults - A year without summerAbandoned Toys - The Witch's GardenGreg Haines - 183 timesDeleyaman - 2001Antonymes - A light from the heavensLubomyr Melnyk - A warmer placeJocelyn Pook - OutcastDer Blaue Reiter - 1st of mayhttps://twitter.com/SoundsClassical
En el episodio de esta semana escucharemos piezas que nos han cautivado por su belleza y estableceremos las diferencias entre el minimalismo y la música contínua escuchando una misma composición interpretada por diferentes artistas en cada uno de esos estilos. Encontraremos piezas de Rodrigo Leão, Claude Bolling & Jean-Pierre Rampal, Kiasmos, Lubomyr Melnyk, Mike Oldfield y Sam Cardon & Kurt Bestor. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj Para ponerte en contacto conmigo: jaume@quedamosenhuesca.com
En el episodio de esta semana escuchamos temas de The Cinematic Orchestra, David Darling, Ben Lukas Boysen, Lubomyr Melnyk, Avishai Cohen y Ludovico Einaudi. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj
En el episodio de esta semana empezaremos tal y como acabamos la semana pasada, escuchando un tema de Wim Mertens, para luego continuar con la música continua de Lubomyr Melnyk, Ira Stein Trio, Rodrigo Leão, Ed Carlsen, Manos Milonakis, Kitaro y Bill Whelan. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj
En este episodio de Perpetuum Mobile empezamos con la música del genial compositor británico Paul Halley, seguiremos con otro compositor, en esta ocasión australiano, ¡también llamado Paul Halley! Seguiremos con la música continua de Lubomyr Melnyk, el piano evocador de Michele McLaughlin, el directo de Half Waif, recuperamos a Rodrigo Leão acompañado de la increíble voz de Sónia Tavares, recordaremos una banda sonora de Tangerine Dream y remataremos el programa con un clásico básico de Jean-Michel Jarre. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj
Radar_PODCAST #003: Lubomyr Melnyk En samtale med den ukrainske pianist Lubomyr Melnyk, optaget i forbindelse med koncerten på Radar 25. februar 2016. Læs også: http://radarlive.dk/blog/2016/february/lubomyr/ Subscribe via RSS i din foretrukne podcast-app: http://bit.ly/radarpodcast