Podcasts about Avishai Cohen

This week, Scott sat down with his colleagues Lawfare Foreign Policy Editor Daniel Byman, Lawfare Public Service Fellow Julia Curlee, and Lawfare Contributing Editor and Vice President of Research, Security and Defense at the Chicago Council on Global Affairs Ariane Tabatabai, to talk through the week's big news in foreign policy, including:“Truce or Consequences.” The fragile ceasefire that had paused the U.S.-Iran war since the spring now appears to have collapsed. After Iran struck several commercial vessels transiting the Strait of Hormuz, the United States has launched several successive nights of strikes, hitting more than 300 targets across Iran. Iran has in turn retaliated against U.S. bases in Bahrain and Kuwait. Speaking from the NATO summit in Ankara, President Trump declared the June memorandum of understanding “over” even as he insisted that talks toward a lasting peace could still continue. By the weekend, Iran had declared the Strait of Hormuz closed, and U.S. officials were describing the ceasefire as fully “broken down.” Then, on Monday, Trump escalated further—declaring that the United States would “keep” and “run” the Strait as its self-styled “Guardian,” reinstate its blockade on Iranian ships, and charge a 20% fee on all cargo passing through, an arrangement Tehran has flatly rejected. Is the war back on? And is there any diplomatic path left to pull both sides back from the brink? “Rutte Awakening.” NATO's leaders gathered in Ankara last week for a summit that Secretary General Mark Rutte billed as the launch of “NATO 3.0”—a stronger, more self-reliant Europe inside an alliance less dependent on the United States. Allies touted rapid progress toward last year's pledge to spend 5% of GDP on defense, announcing more than $50 billion in new procurement and at least €70 billion in fresh military aid for Ukraine. But the gathering was overshadowed by friction with President Trump, who publicly berated allies for declining to help in the Iran war and briefly revived his campaign to acquire Greenland before ending on a somewhat more conciliatory note. What did the Ankara summit actually accomplish? And what does “NATO 3.0” mean for the alliance's future?“Bad Bromance.” The once-close alliance between Washington and Jerusalem—and between President Trump and Israeli Prime Minister Bibi Netanyahu—is showing unusual public strain. Trump has repeatedly clashed with Netanyahu over Israel's continued operations in Lebanon—which have threatened the Iran ceasefire—and over the stalled second phase of his Gaza peace plan, which has all but wilted as Hamas refuses to disarm and Israel refuses to withdraw. Defense Secretary Hegseth abruptly canceled a planned trip to Israel, and a possible F-35 sale to Turkey has added to the unease. The tensions turned vivid this past week when Democratic Rep. Ro Khanna said he was detained for more than an hour by armed Israeli settlers—and then by IDF soldiers—during a West Bank visit, and armed settlers attacked a CNN crew and other journalists days later. At home, Israeli confidence in Trump has plummeted in advance of Israeli elections in October, even as U.S. primaries have produced a record number of candidates critical of Israel, particularly on the left. Just how strained is the U.S.-Israeli relationship? And how might Israel's coming elections—and America's midterms—reshape it? (Also see the Atlantic article by Thomas Wright that Julia references here.)In object lessons, Dan reviews the movie The Invite, and it's complicated. Ari reviews Israeli jazz musician Avishai Cohen's new album “Eternal Child” and is totally engaged. Scott remembers the influential life and career of Lindsey Graham, separating himself from any alleged involvement in a long-ago gym-mat scandal. And Julia is in love with post-SCIF life, especially one in which she can work from the serenity of her mother's paradisiacal porch.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott sat down with his colleagues Lawfare Foreign Policy Editor Daniel Byman, Lawfare Public Service Fellow Julia Curlee, and Lawfare Contributing Editor and Vice President of Research, Security and Defense at the Chicago Council on Global Affairs Ariane Tabatabai, to talk through the week's big news in foreign policy, including:“Truce or Consequences.” The fragile ceasefire that had paused the U.S.-Iran war since the spring now appears to have collapsed. After Iran struck several commercial vessels transiting the Strait of Hormuz, the United States has launched several successive nights of strikes, hitting more than 300 targets across Iran. Iran has in turn retaliated against U.S. bases in Bahrain and Kuwait. Speaking from the NATO summit in Ankara, President Trump declared the June memorandum of understanding “over” even as he insisted that talks toward a lasting peace could still continue. By the weekend, Iran had declared the Strait of Hormuz closed, and U.S. officials were describing the ceasefire as fully “broken down.” Then, on Monday, Trump escalated further—declaring that the United States would “keep” and “run” the Strait as its self-styled “Guardian,” reinstate its blockade on Iranian ships, and charge a 20% fee on all cargo passing through, an arrangement Tehran has flatly rejected. Is the war back on? And is there any diplomatic path left to pull both sides back from the brink? “Rutte Awakening.” NATO's leaders gathered in Ankara last week for a summit that Secretary General Mark Rutte billed as the launch of “NATO 3.0”—a stronger, more self-reliant Europe inside an alliance less dependent on the United States. Allies touted rapid progress toward last year's pledge to spend 5% of GDP on defense, announcing more than $50 billion in new procurement and at least €70 billion in fresh military aid for Ukraine. But the gathering was overshadowed by friction with President Trump, who publicly berated allies for declining to help in the Iran war and briefly revived his campaign to acquire Greenland before ending on a somewhat more conciliatory note. What did the Ankara summit actually accomplish? And what does “NATO 3.0” mean for the alliance's future?“Bad Bromance.” The once-close alliance between Washington and Jerusalem—and between President Trump and Israeli Prime Minister Bibi Netanyahu—is showing unusual public strain. Trump has repeatedly clashed with Netanyahu over Israel's continued operations in Lebanon—which have threatened the Iran ceasefire—and over the stalled second phase of his Gaza peace plan, which has all but wilted as Hamas refuses to disarm and Israel refuses to withdraw. Defense Secretary Hegseth abruptly canceled a planned trip to Israel, and a possible F-35 sale to Turkey has added to the unease. The tensions turned vivid this past week when Democratic Rep. Ro Khanna said he was detained for more than an hour by armed Israeli settlers—and then by IDF soldiers—during a West Bank visit, and armed settlers attacked a CNN crew and other journalists days later. At home, Israeli confidence in Trump has plummeted in advance of Israeli elections in October, even as U.S. primaries have produced a record number of candidates critical of Israel, particularly on the left. Just how strained is the U.S.-Israeli relationship? And how might Israel's coming elections—and America's midterms—reshape it? (Also see the Atlantic article by Thomas Wright that Julia references here.)In object lessons, Dan reviews the movie The Invite, and it's complicated. Ari reviews Israeli jazz musician Avishai Cohen's new album “Eternal Child” and is totally engaged. Scott remembers the influential life and career of Lindsey Graham, separating himself from any alleged involvement in a long-ago gym-mat scandal. And Julia is in love with post-SCIF life, especially one in which she can work from the serenity of her mother's paradisiacal porch. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:22 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - équipe : Emmanuelle Lacaze, Fabien Fleurat Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Это пятая работа подряд пианиста и композитора Emmet Cohen, которую я обозреваю с того момента, как начал вести канал в Телеграм. Предыдущие по ссылкам ниже, и сегодня поговорим о новом альбоме Universal Truth - Вселенская Истина, который вышел в тот же день, что и предыдущий альбом однофамильца Avishai Cohen. https://t.me/discor/7129https://t.me/discor/6915https://t.me/discor/6576https://t.me/discor/5902Вначале посоветую посмотреть студийную видео-запись композиции My Funny Valentine с двумя ветеранами джазовой сцены - это саксофонист George Coleman (91) и басист Ron Carter (89). Увидев их фамилии в составе альбома, мне сразу захотелось их увидеть и очень хорошо, что есть такая запись. Все остальные участники младше меня, причем лидер самый молодой из всех. Самые знаменитые после ветеранов, это трубач Jeremy Pelt (49) и барабанщик Joe Farnsworth (58).В альбоме три оригинала (они обозначены римскими цифрами) включая титульную композицию, которую я добавлю в плейлист, как лучшая на этой записи. Но, джазовые стандарты здесь звучат совершенно по новому и в общей картине отлично совпадают с оригиналами. Много свинга в понимании джазменов - не танцевальных ритмов, а чувство джаза. Все музыканты очень техничные и основной стиль - это бибоп.Альбом быстро добрался до второго места американского радиоТопа JazzWeek, двадцатку которого я регулярно публикую. Помню предыдущие его работы добирались до первого места, надеюсь и эта там будет. Но, придется подождать недельку, так как в связи с ежегодным перерывом в публикациях, приуроченных к праздникам 4 июля, новый чарт на этой неделе публиковаться не будет. Вместо этого я опубликую девятку моих альбомов за предыдущий период.СЛУШАТЬ АЛЬБОМ - https://lnk.to/emmetcohenarЛучший трек альбома в плей-листе JAZZ по-русски 9 на AppleMusic и SpotifyПоставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor

Мое знакомство с израильским басистом Avishai Cohen было в 2018 году, когда в мои уши попался альбом Continuo 2006 года. Потом в мою коллекцию попал трубач точно с таким же именем и фамилией. Сегодня я увидел прекрасную обложку нового альбома и мне сразу захотелось понять, кто это? Оказалось это басист в пятилетнем возрасте с глазами, которые меня заворожили. За неделю до этого, я начал слушать альбом хорошо знакомого мне пианиста с такой же фамилией Emmet Cohen, они вышли в один день 29 мая. Но, сначала расскажу вам об альбоме в котором все композиции, кроме одной, оригинальные. Титульная композиция альбома Eternal Child - Вечное дитя, было написано легендарным Чиком Кориа - фигурой, которая остается одной из самых решающих, изменивших жизнь и карьеру Авишая. Оставаться вечным ребенком - судьба немногих артистов, - говорит он. - Это счастливчики. Что я замечаю на этой фотографии, так это чувство удивления в моих глазах. Я был мечтателем. Я любил природу. Сегодня я по-прежнему очарован ею, музыкой и всем волшебным. И в этих детских глазах я уже вижу жажду жизни, игривость и любознательность.В основе этого альбома - молодое трио: пианист Итай Симхович 22 года и барабанщик Эвиятар Сливник, ему 30. Это самый джазовый альбом из всех, что я когда-либо делал. Это не было задумано, но всё дело в личностях музыкантов. Хотя эти ребята принадлежат к новому поколению, но в их ДНК есть мощные традиции Майлза Дэвиса, Jazz Messengers, Билла Эванса и Ахмада Джамала.„Вишенкой на торте“ стало присутствие второго барабанщика, Джеффа Балларда на 4х композициях. На одной Sliv El можно услышать сразу обоих барабанщиков вместе, просто чтобы разнообразить наши привычки.Десять треков альбома объединяет общая нить: каждый посвящен кому-то из окружения Авишая или личной истории… Simchover, конечно же, посвящена Итаю Симховичу. То же самое относится к Sliv El, в честь Эвиатара Сливника. Баллада El Bazita - это ласковое прозвище партнерши Авишая, образованное от ее фамилии. My Brues не имеет ничего общего с невестками, это игра слов, связанная с тем, как его любимая японская публика произносит блюз, и она посвящена исключительно им. В Tonight он воссоздает мир Уэйна Шортера и Ли Моргана в составе Jazz Messengers. Mr Good Sir посвящена его менеджеру, который был рядом с Авишаем почти 25 лет. Humbly Yours - это дань уважения всем тем, кто проецирует свои мысли в тишину композиции. Lookie - это игра слов, начинающаяся от cookie - печенье, выбранная просто ради удовольствия от звучания. Это весёлая, заводная мелодия, которая показывает, сколько радости мы получаем, играя вместе втроём.Композиция Eternal Child была написана Чиком Кориа под сильным влиянием классической музыки, перекликаясь с фугами Баха; это единственная кавер-версия на альбоме. Альбом завершается композицией Closure, открытым знаком препинания, который ощущается одновременно как триумфальный финал и как шаг к новым горизонтам. Эти десять вариаций пронизаны солнечным джазом, вращающимся вокруг двух нерушимых основ Авишая Коэна: грува и мелодии.СЛУШАТЬ АЛЬБОМ - https://album.link/i/1880642460CONTINUO - https://t.me/discor/512Лучший трек альбома в плей-листе JAZZ по-русски 9 на AppleMusic и SpotifyПоставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor

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durée : 00:58:52 - par : Nicolas Pommaret - Le retour au jazz du contrebassiste et compositeur Avishai Cohen avec “Eternal Child” qui paraît chez naïve. - réalisation : Emmanuelle Lacaze, Océane Dias Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

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On this episode of Vinyl Verdict, Adam and Jamie are joined by their new friend Wade! Better known as the hands behind the YouTube channel Dankpods, Wade was visiting us all the way from Australia. His pick for this episode, the Avishai Cohen Trio's "Gently Disturbed" was a favourite from when Wade studied jazz in university. Released in 2007, the trio at the time featured Avishai Cohen on bass, Mark Guiliana on drums and Shai Maestro on piano. At the time of recording, Shai Maestro was only 21 years old, and was considered a rising phenom in jazz music, while Avishai Cohen and Mark Guiliana were more seasoned veterans. The jazz press was warm to this album, with the Jazz Times lauding the piano work by Maestro and saying the playing by Cohen cemented him as one of the elite bassists in jazz. But what will the boys think of the album? Will it be a study of the 'structure in emotion', or will it leave them 'gently disturbed'? Come along and find out!

Jazz Orchestra of the Concertgebouw; Henk Meutgeert; Jesse Van Ruller; Jan van Duikeren – The Secret Champ – 10:05 Stevie Wonder – Joy Inside My Tears – 6:29 Paris Combo – Fibre De Verre – 3:40 Juliette Gréco – Les feuilles mortes – 2:58 Kika Sprangers; Nina Rompa – Lunar – 5:50 Avishai Cohen – […]

durée : 00:59:24 - Banzzaï du mardi 30 décembre 2025 : Vauriens ! - rediffusion - par : Nathalie Piolé -

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durée : 00:59:47 - Avec de l'âme - par : Nathalie Piolé -

durée : 00:04:48 - Musique matin - par : Max Dozolme - Aujourd'hui on fête un joyeux anniversaire à tous les natifs du 22 octobre ! Vous êtes nés le même jour que l'un des plus grands compositeurs du 19e siècle, c'est Franz Liszt, l'auteur d'un Rêve d'Amour, une partition très simple et chantante qui avait donc tout pour devenir un tube ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:59:26 - It's Gonna Rain - par : Nathalie Piolé -

durée : 00:59:26 - It's Gonna Rain - par : Nathalie Piolé -

durée : 00:59:49 - 3 Cohens / WDR Big Band "Interaction" - par : Nicolas Pommaret - Le trio de jazz The 3 Cohens, composé des frères et sœurs Anat Cohen (clarinette), Avishai Cohen (trompette) et Yuval Cohen (saxophone), revient avec “Interaction”, un album live avec le virtuose Big Band WDR d'Allemagne. Parution chez Anzic.

durée : 00:59:35 - Low Down - par : Nathalie Piolé -

In the 51st episode of the ECM podcast we're joined by Yuval Cohen and discuss his ECM debut album "Winter Poems", which features his new quartet with Tom Oren on piano, Alon Near on double bass and drummer Alon Benjamini. Yuval talks about his inspirations from classical music, about how a single word or melody can fix a broken heart and much more.

Tal Mashiach is a Grammy nominated, Israeli born, guitarist, multi-instrumentalist and jazz composer. He's been called one of the most original voices in the world jazz scene. He's collaborated with a number of leading artists including Anat Cohen, her brother Avishai Cohen, and Paquito D'Rivera. His 2022 debut solo guitar album was recorded in an isolated wooden cabin in northern Israel.My featured song is “Out Of Tahini” from the album Play by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Sivan:www.talmashiach.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Send us your thoughts! The members of all-star family jazz band The 3 Cohens — featuring Anat Cohen (clarinet), Avishai Cohen (trumpet) and Yuval Cohen (soprano saxophone) — have always taken time out from their ever-burgeoning careers as soloists and bandleaders to reconvene for music-making together. The siblings developed a deep musical bond growing up in Tel Aviv, with improvising together becoming second nature for them. The 3 Cohens recorded four studio albums over a decade: 2003's One, 2007's Braid, 2011's Family and 2013's Tightrope, with the last three released by Anzic Records, the indie label founded by Anat with kindred-spirit producer-collaborator Oded Lev-Ari. DownBeat put The 3 Cohens — with Anat the middle child to the elder Yuval and younger Avishai — on the cover of its January 2012 issue, hailing the trio's “chemistry, alchemy, telepathy.” Ten years on from that milestone, the 3 Cohens reunited for a live collaboration with Germany's lauded WDR Big Band (a Köln-based ensemble that has been performing jazz on West German Radio since 1957); the program showcased tailormade arrangements by Lev-Ari of compositions by himself and each member of The 3 Cohens, as well as two of their favorite classics: Gerry Mulligan's “Festive Minor” and the Louis Armstrong hit “Tiger Rag.” The performance was recorded for a very special live album, Interaction. Support the show

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durée : 00:59:17 - Courage - par : Nathalie Piolé -

durée : 00:59:46 - Émission florilège : best of des invités d'Au coeur du jazz - par : Nicolas Pommaret - Retour sur les albums coups de coeur 2024 de France Musique. - réalisé par : Patrick Lérisset

In the 42nd episode of the ECM podcast drummer Ziv Ravitz and pianist Yonathan Avishai of Avishai Cohen's quartet join the podcast to discuss the group's new album "Ashes To Gold". They talk about the art of "Kintsugi", the choice of hope and light and storytelling.

durée : 00:59:22 - invité : Avishai Cohen "Brightlight" - par : Nicolas Pommaret - Dans son nouvel album « Brightlight », le contrebassiste et compositeur Avishai Cohen met en valeur ses multiples talents aux côtés d'un ensemble de jeunes musiciens. Parution chez Naïve Believe. Un partenariat France Musique.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 7th November 2024 Artist - Track - Album - Year Avishai Cohen    Roni's Swing    Bright Light    2024 Adrian Younge & Ali Shaheed Muhammad    Moreno    Jazz is Dead 21    2024 Randy Ingram    Guimarăes    Aries Dance    2024 Addison Frei    Addi-ration    Coin Flip    2024 Antonio Faraò    Tributes    Tributes    2024 Steve Davis    To Wisdom, the Prize    We See    2024 Blue Lou Marini and Bluband    Twister    Out of the Blue    2024 Carn Davidson 9    Just Because    Reverence    2024 Ryan Keberle & Catharsis    Sonic Living    Music is Connection    2024 Matt Slocum    Dettifoss    Lion Dance    2024 Dharma Down    Jurjina    Owl Dreams    2024 Ilya Osachuk    Lviv Perspective    The Answer    2024 Teri Parker's Free Spirits    Gemini II    Peaks and Valleys    2024 Leslie Pintchik    Over Easy    Prayer for What Remains    2024 Chris Greene Quartet    The Emperor Strikes Back    Conversance    2024 Pete Rodriguez    The End    I'm Pete Rodriguez, Volume 1    2024 Steve Allee    Twins    Zebra Stories    2024 Joe Baione    Lost Control    Vibe Check    2024 Kristin Korb    Don't Let it Bring You Down    Sweet Dreams    2024 Andrew Vogt    Dark Blues    Awakening    2024 Anupam Shobhakar    Raag Hemant    The Middle of Everywhere: Guitar Solos, Vol.1    2024 Kira Kira    Green Energy    Kira Kira Live    2024 The post The Creative Source (#CreativeSource) – 7th November 2024 appeared first on SoulandJazz.com | Stereo, not stereotypical.

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durée : 01:04:17 - Club Jazzafip - Le contrebassiste et chanteur israélien vient présenter son nouvel album "Brightlight" et partager ses coups de cœur.

durée : 01:02:42 - Club Jazzafip - Au Club ce soir avec Le Sacre du Tympan, Avishai Cohen, Opa, Bojan Z, Art Blakey…

durée : 00:59:11 - Avishai Cohen "Ashes to Gold" - par : Nicolas Pommaret - Parution chez ECM de “Ashes to Gold” du trompettiste et compositeur Avishai Cohen.

durée : 00:59:11 - Avishai Cohen "Ashes to Gold" - par : Nicolas Pommaret - Parution chez ECM de “Ashes to Gold” du trompettiste et compositeur Avishai Cohen.

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 Roni Eytan, a renowned Israeli-born, New York based jazz harmonica player, performs with a passion that differs from other harmonica artists. Perhaps it's the region from which he derives-the Middle East and North Africa. His culture greatly influences his compositions and inspires his passions. Roni's work is influenced by harmonica legend Toots Thielemans but only partially. The folk cultures that make up the regions and his spiritual influences mostly inspire his writing.  Roni Eytan stopped by my studio to talk about his harmonica work and how he got interested in this instrument. We talk about Roni's early fascination with music in Jerusalem, initially wanting to play the trumpet inspired by a film by a popular British band, the Beatles. After a short stint with the trumpet, he transitioned to the harmonica influenced by various sources, including friends and inspired by Israeli artists such as Yonathan Avishai and Avishai Cohen. Roni talks about his journey into jazz, mentioning significant influences like jazz legends Oscar Peterson and Charlie Parker as well as Toots Thielemans and the modern-day sound of French harmonica player Gregoire Maret. Educated at the Herbie Hancock Institute at UCLA in Los Angeles, California, Roni emphasizes the importance of mentorship and collaboration and how powerfully important to him and his work were Herbie Hancock and Wayne Shorter. He also delves into different types of harmonicas, including diatonic, chromatic, and microtonal, and his innovative approach to microtonal harmonica playing for traditional music from his region. The history of the harmonica is fascinating, and I encourage you to delve into it. The conversation wraps up with Roni discussing his compositional process. For this episode, three tracks are presented from the concert the Roni Eytan Quartet presented in Columbus, Ohio, hosted by A Tribe for Jazz. The quartet includes Roni Eytan-harmonica, Gadi Lehavi-piano, Simon Willson-bass, and Alon Benjamini-drums. These tracks are not compressed in any fashion. These are the raw tracks from the show in Columbus, Ohio at the Columbus Dance Theater, thanks to A Tribe for Jazz. The three tracks are respectively: "Winter Dance"-Duet between Roni Eytan and Alon Benjamini: 5:22; "Focus-Hymn"-3:08; and "Melody People"-11:14. Thanks for listening. If you're a subscriber, you're one of the first ones to receive this episode. Subscribing gives you that honor. Following the opening track, Roni and I begin our conversation with how his interest in the harmonica started. I'm Steve Braunginn. Photo by Stephen Braunginn.              

JAZZ INTERVIEW mardi et vendredi à 14h. Cette semaine, Julie Chaizemartin, Serge Mariani ou Fred Blanc rencontrent des personnalités du monde du jazz. Cette semaine, Serge rencontre Gérard de Haro du Studio La Buissonne. "La Buissonne est un nom qui sonne juste aux oreilles des amoureux de la musique. C'est celui d'un des studios les plus appréciés du monde, dont Manfred Eicher, créateur d'ECM, a fait sa deuxième maison et qui a accueilli Carla Bley, Tigran Hamasyan, Brad Meldhau, Nick Mason, Andy Emler, Avishai Cohen, Charles Aznavour, Martial Solal, Paul Motian, Charlie Haden ou encore Senem Diyici qui y a enregistré 3 albums et qui évoque cette expérience dans l'émission... Installé dans un mas non loin d'Avignon, à Pernes-les-Fontaines, La Buissonne est aussi le nom d'un label qui célèbre cette année son 20ème anniversaire. Une belle occasion pour une conversation avec l'homme qui pilote ce fabuleux vaisseau, Victoire du Meilleur ingénieur du son en 2017, Victoire du Meilleur label jazz français en 2018: Gérard de Haro" Serge Mariani, Art District radio Programmation musicale :Joni Mitchell / Both Sides Now / 05:45Concerto en sol de Ravel par Martha Argerich / 06:35Peter Gabriel - San Jacinto ( version symphonique ) / 06.55Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

JAZZ INTERVIEW mardi et vendredi à 14h. Cette semaine, Julie Chaizemartin, Serge Mariani ou Fred Blanc rencontrent des personnalités du monde du jazz. Cette semaine, Serge rencontre Gérard de Haro du Studio La Buissonne. "La Buissonne est un nom qui sonne juste aux oreilles des amoureux de la musique. C'est celui d'un des studios les plus appréciés du monde, dont Manfred Eicher, créateur d'ECM, a fait sa deuxième maison et qui a accueilli Carla Bley, Tigran Hamasyan, Brad Meldhau, Nick Mason, Andy Emler, Avishai Cohen, Charles Aznavour, Martial Solal, Paul Motian, Charlie Haden ou encore Senem Diyici qui y a enregistré 3 albums et qui évoque cette expérience dans l'émission... Installé dans un mas non loin d'Avignon, à Pernes-les-Fontaines, La Buissonne est aussi le nom d'un label qui célèbre cette année son 20ème anniversaire. Une belle occasion pour une conversation avec l'homme qui pilote ce fabuleux vaisseau, Victoire du Meilleur ingénieur du son en 2017, Victoire du Meilleur label jazz français en 2018: Gérard de Haro" Serge Mariani, Art District radio Programmation musicale :Joni Mitchell / Both Sides Now / 05:45Concerto en sol de Ravel par Martha Argerich / 06:35Peter Gabriel - San Jacinto ( version symphonique ) / 06.55Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Joshua Redman – Twilight…And Beyond – 11:00 Nate Smith – Skip Step – 3:04 Martin Fondse, Eric Vloeimans, Matangi Quartet – Lex – 4:28 Durand Jones & The Indications – Smile – 3:49 Avishai Cohen – Motherless Child – 2:58 Philip Catherine – Babel – 5:15 Ibrahim Maalouf – Doubts 2 – 4:54 Gregory Porter […]

July 16th 2024 Yuriy explores the chilling synchrony between Indian Prime Minister Narendra Modi's acceptance of an honor from Putin and a missile strike on a Ukrainian hospital, showing how tyrants like Putin are normalizing evil today. He also examines how cultural icons and global politicians still engage with Putin, reflecting a troubling ambiguity in the world's stance against Russian aggression. You can email Yuriy, ask him questions or simply send him a message of support: fightingtherussianbeast@gmail.com    You can help Yuriy and his family by donating to his GoFundMe: https://www.gofundme.com/f/help-yuriys-family   Yuriy's Podbean Patron sign-up to give once or regularly: https://patron.podbean.com/yuriy   Buy Yuriy a coffee here: https://bmc.link/yuriymat  Subscribe to his substack: https://yuriymatsarsky.substack.com/  ----more---- TRANSCRIPT: (Apple Podcasts & Podbean app users can enjoy accurate closed captions)   It is July 16.  At the very moment when Indian Prime Minister Narendra Modi, standing in the Moscow Kremlin bent his neck before Putin to receive the Order of Saint Andrew Kyiv, rescuers were pulling children killed by a Russian missile from the rubble of a hospital. This was not a coincidence. Putin wanted these to events to occur one right after another. It was important for him to show the world that he's not an outcast, that being a criminal and still being a reliable partner for many countries is entirely possible.  One could say that Putin bonded Modi with blood. He orchestrated everything so that these two news stories would follow each other: first, a Russian missile kills Ukrainian children, and then the one who gave order to launch the missile bestows an order on the Prime minister of the country, that calls itself the world's largest democracy. The Indian Prime Minister then muttered something about the necessity of peace, about war not being the answer. But Modi did not discard the foolish dog-collar like order, nor did he admit that his visit to Moscow was a mistake. Did he not know he was visiting a murderer? A person who has unleashed the bloodiest war in Europe in the last 80 years? That Putin had already killed children in Mariupol, Bucha, and many other cities. He knew everything, saw everything, and accepted everything. He only disliked that Putin decided to strike the Children's Hospital on the very day the Indian delegation arrived. If it happened a day earlier or later, Modi would have completely ignored the death of Ukrainian children.  Perhaps you have not noticed yet, but we are witnessing the normalization of evil. For decades, tyrants of all kinds have hidden way crimes trying to appear courteous and honest. Since Pol Pot, who sent Khmer youth to kill our parents with Host, no one has openly boasted about mass murders and destruction of entire cities. Putin has become the first after Paul Pot, and many are fine with this. It's not just about Modi. A couple of weeks before him, a whole delegation of world musicians who can without ation be called jazz greats visited Moscow. Richard Bona, Allan Harris, Avishai Cohen, Dhafer Youssef and others.  They played at a state organized jazz festival, the faces of this festival were are propagandists who daily talk about how main task of Russians is to kill Ukrainians. Fees came from the same state budget that pays for the production of bombs and missiles to destroy Ukrainian schools and hospitals. And all these stars knew this very well. But they went anyway because evil has been normalized. Because the democratic world has not fully defined its attitude towards Russia. First, greedy fools like Youssef and Cohen go to bow to Putin, then ultra right politicians like Modi and then he will start being accepted in your formerly democratic countries. Or will he not? It depends only on you, on your attitude towards evil and your resistance to its normalization. Sorry to remind you, but please, if you like my stories, you can always support me with a couple of bucks while donating. You are also fighting against evil.

Je suis Jessica Troisfontaine et vous écoutez le podcast Ressentir. Une fois par mois, je vous propose un épisode spécial sous forme de compilation musicale des titres qui m'ont été soumis par mes invité.es à la fin de nos conversations. Laissez-vous entraîner sur cette piste qui fera, je l'espère, danser vos émotions. Par ordre d'apparition : - Chloé Bouscatel : I'm Alive, Céline Dion - Michèle Evrard : Ain't No Mountain High Enough, Marvin Gaye et Tammi Terrell - Marion Graux : Lettre à M, Clara Ysé - Marie Robert : Leolam, Avishai Cohen

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Een paar post-moderne jazzstukken in dit eerste uur van All That Jazzz. Met Ibrahim Maalouf, Ambrose Akinmusire en Avishai Cohen. Maar ook met 'good old' Gerry Mulligan, Dave Brubeck en Charles Mingus.

Alon Ohel - a talented young jazz pianist - was kidnapped from the Nova party on October 7th, and has been held hostage in Gaza ever since. His family has spent the last five plus months sending him good vibes and good music. In today's episode, his mother - Idit Ohel - talks about the importance of energy, friendship and hope during these dire times.The end song is Shuvi Elay ("Return to Me") by Avishai Cohen and friends. Hosted on Acast. See acast.com/privacy for more information.

En el décimo aniversario de The Milk Carton Kids, en 2021, la crítica Kim Ruehl destacó el impacto que su sencillez tuvo en la música folk, lo que nos sirve para abordar la preocupación actual de Ted Gioia sobre el declive del periodismo musical, en un programa con músicos y músicas capaces de cambiarnos la vida.  I Only See the Moon I Only See the Moon   The Milk Carton KidsHula Hoop (Pour toi) Hula Hoop Limousine,Victor SolfFoi Assim         Hula Hoop Limousine,Lucas SanttanaThe Fool on the Hill   The Fool on the Hill     Lucas Santtana, Flore BenguiguiFly Me To The Moon         Iroko Avishai Cohen, Abraham Rodriguez Jr.Bella Ci Dormi Songs I Love Volume II        Piers Faccini, Mauro DuranteThe Snows They Melt The Soonest      Songs I Love II Faccini, Nibs Van Der SpuyVasco Encontra Adamastor no Cabo dos Tormento          Live In Lisbon    Nibs Van Der Spuy, Guy ButteryOf Love   Of Love     Alela DianeQuébec    African Acoustic Moustafa Kouyate, Romain MalagnouxThe Happy Song        African Acoustic Louis Mhlanga, Eric van der WestenCriançada (con Castello Branco) Siku  Nicola Cruz, Castello BrancoEscuchar audio

Shai Jaschek is an Israeli-born guitarist, composer, and music educator in New York City. After first picking up the guitar at 10 years old, Shai has since dedicated his life to music, playing and performing constantly. Before establishing himself in NYC, Shai completed his Bachelor's in Arts from Israel's top jazz performance programs, such as “The Jazz Institute” at the “Rimon School of Music”, and the “Jerusalem Academy of Music and Dance”. During this time, Shai sought the opportunity to seek mentorship from world-renowned musicians, such as trumpeter Avishai Cohen, saxophonist Eli Degibri, and composer Yoni Rechter. As their mentee, Shai developed his unique voice as a composer and improviser. During his Bachelor's, he played in different musical groups, such as The Haifa Big Band, and The Jerusalem Symphony Orchestra, and became an in-demand guitarist in the Israeli music scene. These experiences led Shai to start his band, play his original compositions, and perform in clubs and festivals both in Israel and abroad. Driven by his passion for jazz music, Shai relocated from Israel to NYC to pursue his music graduate studies and to be a part of the local jazz scene in the city. In 2021, Shai was granted a Master's in music from Queens College, an institution with internationally acclaimed musicians, such as Antonio Hart, Mike Moreno, David Berkman, and Michael Mossman. After setting foot in NYC, Shai has been performing as a sideman in different bands and as a leader. His debut album, First Fall, was released in October 2023 and features his original compositions. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Episode #102 of Groove is here. This month, we're thrilled to share this conversation with the great Avishai Cohen.

Bassist Avishai Cohen is truly beyond category. Known for playing the upright and electric bass at an extremely high levels, but equally celebrated for his writing and arranging. The epitome of a 'Bassist as Leader,' he has 22 solo albums out and runs his own record label - Radaz Recordz. Join the Upright Citizens as they scratch the surface of the immense talent that is Avishai Cohen!   Our Avishai Cohen PlaylistHave feedback or a suggestion? Email the Upright Citizens: uprightcitizenspodcast@gmail.comInterested in more music advice? Check out the Open Studio courses and online practice community that is Open Studio Pro...where you'll find regular live guided practice sessions and masterclasses by Open Studio Artists like Reuben Rogers, Bob DeBoo, Peter Martin, Adam Maness, and many more.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Twitter | Instagram ★ Support this podcast ★

Stolen Moments. Ahmad Jamal Trío Easy To Love. Ahmad Jamal Cómo Fue.Miguel Zenón y Luis Perdomo Respected Destroyer +  Throw It Away Terri Lyne Carrington Dimu+  Deep within Mountains. Mammal Hands Fly Me To The Moon+  The Healer. Avishai Cohen y Abraham Rodríguez Jr. Vuma (Thandiswa, Joel Ross). Meshell Ndegeocello Escuchar audio