Podcasts about Tangerine Dream

Here's my latest 101 Dimensions program, with nearly 2 hours of great electronic, ambient and progressive music from Tangerine Dream, Ars Nova, Ulrich Schnauss, and Nik Turner & Space Invaders.

What's on the Horizon this week? Games discussed include Forza Horizon 6, Demon's Souls (PS5) and Hunt Showdown. Hosted on Acast. See acast.com/privacy for more information.

Nueva entrega de Música de Contrabando, semanario de actualidad musical de Onda Regional Murcia (21/05/2026) . Con Ángel H. SopenaEntrevistas:- Sara Zamora, una de las voces más elegantes del panorama actual, regresa a la primera línea con “Butterfly”, su tercer disco de estudio, un viaje al alma del funk y el R&B, y el manifiesto de su metamorfosis artística. - Ruto Neón acaban de fichar por el sello Calaverita Records y nos traen bajo el brazo su hipnótico nuevo single, "Nada que decir", junto a A Mares.Noticias: El documental de Oasis llegará a los cines el próximo 11 de septiembre. Muere Dennis Locorriere, vocalista y guitarrista de Dr. Hook. Cánovas y Guzmán lanzan un disco conjunto a modo de despedida del proyecto grupal. Se anuncia la reedición remasterizada de The bootleg box set Vol. 2, de Tangerine Dream. Beck se suma al universo futurista de IMS y Meridian Brothers. Jack Antonoff desacredita totalmente a los creadores de música con IA. Jack Osbourne ha confirmado que el biopic sobre sus padres, Sharon y Ozzy Osbourne, será finalmente realidad y su estreno está previsto para 2028. Gene Simmons (Kiss) anuncia Legends Of Rock Expo con músicos históricos. The Smashing Pumpkins comparten el álbum inédito “Zodeon At Crystal Hall”. España no cancelará el concierto de Kanye West, confirma Urtasun. A Certain Ratio celebran el 45 aniversario del álbum Sextet y el 40 de Force, con dos ediciones, el 28 de agosto . Rough trade anuncia reedición especial y expandida (y por primera vez en vinilo) de Cupid & psyche 85, la obra cumbre de Scritti PolittiNovedades musicales:Arab Strap, Muse, Temples, Amaral, The Avalanches, Cigarettes After Sex, Jorja Smith, The Unlikes, Madbel, Sistema Nervioso, Telehealth, Kevin Morby, Duah Saleh, John Carpenter, Toundra, Cupido y Lorna, Sweeping Promises, La Estrella de David, Hanz Ruiz, Cariño, Querido, Car Seat Heatreads, Triángulo de Amor Bizarro, Perdón, F.A.N.T.A., Ave Alcaparra, Lusillon, Basanta, Rambalaya feat Tarque , Ian Iris, Nathy Peluso, Baby Rose, Arde Bogotá, Agenda de conciertos:Jordi Évole y los Niños Jesús, Caries, BirdMAM Quartet , Horma, Rata Blanca , Germán Meoro, Guadalupe Plata, Los Estanques y El Canijo de Jérez, Barder , Estrella Fugaz , Shinova , RISI, un Homenaje a Pepe, PEPSI & THE CLITS, Mena, Barcelona Gipsy Balkan Orchestra, Pablo Egea & Raúl Frutos...

It's polling day for this week's news and these are the stories that got our vote … ... Pussycat Dolls, Meghan Trainor and how ‘Blue Dot Fever' is wrecking ticket sales … how can you judge a songwriter with eight collaborators? … Dylan's ‘Judas' moment 60 years later … is everything becoming binary: thumbs-up or thumbs-down? … Grandmaster Flash, Augustus Pablo, George McRea, Tangerine Dream and the times brand new music was invented … when certain dances got you arrested … Alice in Sunderland? See You In My Drums? Shadows' song titles rebooted … the hilarious self-positioning of the NME critics' poll… plus jazz pioneer Buddy Bolden and thrill of imagining the sound of acts who were never recorded.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

It's polling day for this week's news and these are the stories that got our vote … ... Pussycat Dolls, Meghan Trainor and how ‘Blue Dot Fever' is wrecking ticket sales … how can you judge a songwriter with eight collaborators? … Dylan's ‘Judas' moment 60 years later … is everything becoming binary: thumbs-up or thumbs-down? … Grandmaster Flash, Augustus Pablo, George McRea, Tangerine Dream and the times brand new music was invented … when certain dances got you arrested … Alice in Sunderland? See You In My Drums? Shadows' song titles rebooted … the hilarious self-positioning of the NME critics' poll… plus jazz pioneer Buddy Bolden and thrill of imagining the sound of acts who were never recorded.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

It's polling day for this week's news and these are the stories that got our vote … ... Pussycat Dolls, Meghan Trainor and how ‘Blue Dot Fever' is wrecking ticket sales … how can you judge a songwriter with eight collaborators? … Dylan's ‘Judas' moment 60 years later … is everything becoming binary: thumbs-up or thumbs-down? … Grandmaster Flash, Augustus Pablo, George McRea, Tangerine Dream and the times brand new music was invented … when certain dances got you arrested … Alice in Sunderland? See You In My Drums? Shadows' song titles rebooted … the hilarious self-positioning of the NME critics' poll… plus jazz pioneer Buddy Bolden and thrill of imagining the sound of acts who were never recorded.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this episode of the show our show the May voyage through 80s sex comedies with something a bit classier on this occasion as we discuss the 1983 Risky Business. Over the course of our conversation you will hear us talk about how this movie fits into the short-lived trend of sex-tinged coming-of-age movies coming out of Hollywood at this time and how it functions as a continuation of a deeper conversation about youth anxieties dating all the way back to The Graduate and Five Easy Pieces. We talk about how young Tom Cruise embodied his role and perhaps why it might be hard to see him as a performer capable of disappearing into his characters, how the movie speaks to Reagan's America, how the film makes removing all furniture from a house deceptively easy and how the score by Tangerine Dream both heightens the mood and hides the campness of its central conceit. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod

As customary on THE ARCHIVE, today's episode is packed with excellent music. Jason Drury opens the show with ‘On Earth as It Is in Heaven' from Ennio Morricone's award-winning score for THE MISSION (Virgin Records), honouring its 40th anniversary. Jason then continues with music from the 35th anniversary release of THE GODFATHER CODA: THE DEATH OF MICHAEL CORLEONE ( La La Land Records), composed by Carmine Coppola, Robert Folk's score from MILES FROM HOME (Quartet Records), Simon Franglen's THE CURSE OF TURANDOT (Sony Music) and music from the new 3-disc JOHNNY DOUGLAS COLLECTION from Dulcima Records. The show continues by commemorating the 40th anniversary of POLTERGEIST II (Intrada Records) by playing selections from Jerry Goldsmith's score. You'll also hear selections from the album LEE HOLDRIDGE GOES TO THE OLYMPICS (Dragon's Domain Records) and Tangerine Dream's classic electronic score for the 1977 action thriller SORCERER (Esoteric Recordings). Jason then rounds off the show with the "End Titles" from Leonard Rosenman's soundtrack for STAR TREK IV: THE VOYAGE HOME, which is also marking its 40th anniversary this year! I told you the show was packed. Enjoy. —— Special thanks to our Patreon supporters: David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp, Simon Parker, Harry Fiddlesticks, Jonas Wilstrup, Alexandre Richardson, Amy Stewart, Jack Zhu, Cole Losey. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Send us a text or a voicemailThe sole survivor of a blood-drenched massacre must team up with a group of washed up radio hosts to defend their inane opinions during a mission transporting gallons of nitroglycerin while fending off an invasion of monsters from another dimension. On Episode 716 of Trick or Treat Radio we have our April Patreon Takeover programmed by Carlitos! He has chosen the films How to Kill Monsters (2023) from director Stewart Sparke, and Sorcerer (1977) from director William Friedkin! We also talk about the differences in filmmaking in the 70s vs. now, describe low budget films with plucky spirit, and react to trailers for the films; Ice Cream Man, Return of the Living Dead, and Passenger! So grab your eldritch blade, secure the nitroglycerin, and strap on for the world's most explosive podcast!Stuff we talk about: Child's Play, Tom Holland, inventive animatronics, Seed of Chucky, Don Mancini, Make Chucky Scary Again, Curse of Chucky, Domo Origato Mr. Sfigato, Mr. Aguila, Taka Michinoku, Old WWF, Michinoku Pro Wrestling, ECW, Rob Van Dam, Impact Players, Tax Day, Dust Devil, Richard Stanley, Gamera The Guardian of the Universe, The Punisher, Space Girls in Beverly Hills, The Scientist, 2001 Maniacs, Claire Foy, Unsane, Under the Bed, Monster Night, Bob Goodie, Lighthouse, Lifeforce, George “The Animal” Steele, Michael Jackson, Rosemary's Baby, Jason Takes Manhattan, Dee Wallace, Night of the Living Dead, Ice Cream Man, Eli Roth, Return of the Living Dead, radio drama, Passenger, Andre Ovredal, Trollhunter, The Autopsy of Jane Doe, gas prices, the path of the podcaster, How to Kill Monsters, Stewart Sparke, Lyndsey Craine, Dead Reset, Edge of Tomorrow, Dead Reset, low budget horror, eldritch blades, LOL Out Loud, Mortal Kombat Annihilation, Assault on Precinct 13, plucky spirit, The Mortuary Assistant, The Spookies, Iron Lung, Sirat, Sorcerer, William Friedkin, Johnny Carson, Jay Leno, Blue Thunder, Roy Scheider, Tangerine Dream, Vangelis, Blade Runner, sweaty dirty grimy movies, Wages of Fear, flash facts, hate watch, The Taxes Chainsaw Massacre, popecorn bucket, dingoes stole my eldridge blade, and William is out of his Friedkin mind! Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Ir vėl apžvelgsime prieš penkiasdešimt metų išleistas roko ir elektroninės muzikos plokšteles – tas, kurias anuomet buvo galima tik svajoti gauti iš už Atlanto. Vis dėlto bent jau žymiausi albumai pasiekdavo Lietuvą, todėl kai kurie jų nuo pat pradžių tapo „savi“. Grojaraštyje – America, Invisible, Carole King, Led Zeppelin, Mahavishnu Orchestra, Ramones, Rolling Stones, Rush, Tangerine Dream.Ved. Lukas Devita

Hubo una época donde la música que existía dejó de ser suficiente. Hubo un tiempo en que la música dejó de conformarse con lo que era. Hubo un época donde la música que existía empezó a reinventarse para buscar nuevas formas de expresarse. Los sonidos conocidos ya no bastaban y los músicos comenzaron a explorar nuevos caminos, buscando otras maneras de crear. Hubo un tiempo en que la música se transformó y donde las mandarinas empezaron a soñar con la música. Miyuki Kuzuoka, Rusanda Panfili, Johannes Winkler, Sunrom, Caterina Barbieri, Bendik Giske, Stellaris, CJ-0, Secret of Elements, Tangerine Dream. El playlist detallado: lostfrontier.org/t30.html#1076

This week we wrap up our latest sports review cask by heading to the world of table tennis or ping pong and one ambitious player in Marty Supreme. Journey with us as we discuss this insane story, an interesting cast of actors, the world of ping pong, and the unique soundtrack from 80s tracks to Tangerine Dream inspired compositions. Is this a new modern classic or is the film just too chaotic for its own good? So pour some rye, get your orange Marty Supreme ping pong balls, and be prepared to be stressed out about a table tennis movie. Cheers!

We start a heist to kick off Michael Mann Month with his debut film Thief! This is both Tim & Tommy's first time watching the movie. How great is James Caan? How beautiful was that Tangerine Dream score? How do we feel about Jim Belushi? And how was this Michael Mann's first movie?? All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

The calendar was such that my turn on 101 Dimensions came up twice in March 2026. Here's my second show for March, with nearly two hours of electronic, ambient, and progressive sounds from Trinity Ward, Synergy, Robert Reed, Tangerine Dream, and Terry Riley & Stefano Scodanibbio.

On this episode of Remainders we talk about 1987's Near Dark as part of our Degenerate Vampire double-feature. A blend of horror and western genres, one of Kathryn Bigelow's first movies has gained appreciation in the years since it's release. With a haunting score by Tangerine Dream and a collection of James Cameron character actor staples, Near Dark remains one of the dirtiest vampire movies ever to come out of the late 80s boom.Other topics include Cameron connections, the influence of Dracula on vampire movies, new artwork and shows, and the Scream franchise.Songs of the WeekMystery by Tom LaverackRiptides by Death Cab For CutieRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Join Andrew, Ryan & Craig as they look back on a very successful weekend that saw Rangers comfortably put away Aberdeen while Celtic lose to Dundee Utd.

Hubo una época donde la música que existía dejó de ser suficiente. Hubo un época donde la música que existía empezó a reinventarse para buscar nuevas formas de expresarse. Una época donde surgieron nuevos sonidos y nuevas posibilidades de crear universos completamente nuevos e inexplorados. Hubo un tiempo en que la música se transformó y donde las mandarinas empezaron a soñar con la música. Chris Ami, Puremusic, Pueblo Vista, Sunrom, Ascendant, Tangerine Dream, Peter Mergener, Michael Weisser, Megabyte, Richard Wahnfried, DTime, SUUVI, Robot Koch, Philip Glass, Murcof, Vanessa Wagner. El playlist detallado: lostfrontier.org/t30.html#1074

Did you know that this was Michael Mann's theatrical directorial debut? Did you know they had real cops and robbers in this film? Did you even know this film existed? Well neither did we, which is why just played it. This week, Nick & James crack open a film called Thief starring James Caan to see if it can steal our attention and get away clean with our praise. Thanks for tuning in. For more, follow us on Instagram & YouTube @justplayitpodcast & X (fka Twitter) @justplayitpod

Hubo una época donde la música que existía dejó de ser suficiente. Hubo un época donde la música que existía empezó a reinventarse para buscar nuevas formas de expresarse. Una época donde surgieron nuevos sonidos y nuevas posibilidades de crear universos completamente nuevos e inexplorados. Hubo un tiempo en que la música se transformó y donde las mandarinas empezaron a soñar con la música. Andreas Hald, Trevor Kowalski, Göran Bäckman, Silent Spirit, David Parsons, Tangerine Dream, Michael Hoenig, Agitation Free, Peter Baumann, DTime, Otarion, Lorenzo Travaglini, Colin Chin. El playlist detallado: lostfrontier.org/t30.html#1073

For our february episode we finally complete the 70s by discussing our favourite songs of 1974! You can expect lots of prog, much more krautrock than expected (particularly from Tracey), some funk classics, sparkly glam bangers, and most of the members of The Byrds.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order. She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Kevin Ayers, Big Star, David Bowie, James Brown, Captain Beefheart & The Magic Band, Gene Clark, Cluster, Deep Purple, Brian Eno, Focus, Fred Frith, Harmonia, Keith Hudson, King Crimson, Kiss, Kraftwerk, Lynyrd Skynyrd, Curtis Mayfield, Roger McGuinn, Mike Oldfield, Parliament, Gram Parsons, Pilot, Queen, Roxy Music, The Sensational Alex Harvey Band, Sparks, Steely Dan, Tangerine Dream, & Rick Wakeman.Find all songs in alphabetical order here - https://open.spotify.com/playlist/5DIrU8fLeTxerh4wHJTWDq?si=6e2bfca9066b44e2Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

(00:00:00) Frankie Rose - Herein Wild / 2013 (00:31:54) Tangerine Dream - Phaedra / 1974 (01:03:01) De La Soul - Buhloone Mindstate / 1993

Fan favorite Garrett Smith returns to the podcast to make us a three-man team, trekking across the jungle, and talking about Sorcerer! After sharing the crazy backstory behind this movie (and admiring the equally crazy filmmaking of William Friedkin), we talk about how stressful Sorcerer is -- even if you've seen it before. We talk about the story of four doomed men, the incredible Tangerine Dream score, and an era of guys filming crazy things in movies that have never been seen before and will never be seen again. Joey tells the tale of Martin the Torch. We talk about the immediacy of the tragedy in the film, as well as its ties to both Fast & Furious and Fast Five -- and a theory for Fast Forever. "Where am I going?" Email us: ⁠⁠⁠⁠family@cageclub.me⁠⁠⁠⁠⁠⁠⁠⁠Visit our Patreon page at patreon.com/2fast2forever⁠⁠⁠⁠. ⁠⁠⁠⁠Show your support at the 2 Fast 2 Forever shop⁠⁠⁠⁠!Extra special shout-out to Alex Elonen, Brian Rodriguez (High School Slumber Party), Lane Middleton, Jason Rainey, Wes Hampton, Josh Buckley (Whole Lotta Wolves), Michael Moser, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above!Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

Our first draft episode of the year is here! Who can pick the best levels out of Samuel, Matthew, Dave and Ash? You decide. Vote for the winner in the announcements channel of the Discord.This week's music is from the Sonic 2 soundtrack by Masato Nakamura, the Grand Theft Auto V soundtrack by Tangerine Dream and Woody Jackson, the Super Mario 64 soundtrack by Koji Kondo and the Mario Kart World soundtrack by Atsuko Asahi, Maasa Miyoshi, Takuhiro Honda and Yutaro Takakuwa.These are the categories if you need a refresh:First-person shooter level (singleplayer)First-person shooter level (multiplayer)Lightgun stageMultiplayer level (can't be an fps)Platforming levelMission in an open world or larger gameBonus levelBoss battleWorst level and location I'd doom my worst enemy to live in Free pick Hosted on Acast. See acast.com/privacy for more information.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hubo un tiempo en que la música dejó de conformarse con lo que era. Los sonidos conocidos ya no bastaban y los músicos comenzaron a explorar nuevos caminos, buscando otras maneras de crear. Hubo un tiempo en que la música se transformó y donde las mandarinas empezaron a soñar con la música. Craven Faults, Martin Roth, Yawning Portal, Scott Buckley, Tangerine Dream, Craig Padilla, Hessel Moeselaar, Iseni, Nord. 🎧 El playlist detallado: lostfrontier.org/t30.html#1072Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Is The Keep Michael Mann's Most Underrated Film?In this episode we are joined by boys from Movie Dumpster and we take a deep dive into Michael Mann's 1983 cult film The Keep—a haunting mix of horror and dark fantasy set against the backdrop of World War II. Based on the novel by F. Paul Wilson, The Keep is a visually striking and deeply atmospheric film that has gained a passionate following over the years despite its troubled production history.We break down the film's eerie mythology, its minimalist storytelling, and Mann's signature visual style, along with its haunting score by Tangerine Dream. From ancient evil to supernatural terror, The Keep blends war drama with gothic horror in a way few films ever have.

DAPHNI, VOICES FROM THE LAKE, APPARAT + ROBYN top highlights for this edition of ABSTRACT SCIENCE with JOSHUA P. FERGUSON + HENRY SELF. JOSHUA’s first-hour set moves from the hypnotic jazz-ish realm to dubwise electronic sounds, with some deep techno + house mixed in. HENRY slowly builds up the energy with a more driving set touching on techno, deep house, balearic breaks + electro dub. [aired 23 January 2026 on WLUW-Chicago 88.7FM] >JOSHUA P. FERGUSON Oren Ambarchi, Johan Berthling & Andreas Werliin “Yek” (Ghosted III, Drag City, 2025) TOMAGA “Bluest” (Extended Play 1, Negative Days, 2019) Floating Points “Corner of My Eye” (Pluto, 2025) Apparat “Hum of Maybe” (Hum of Maybe, Mute, 2026) Voices from the Lake “Blue Noa” (II, Spazio Disponible, 2025) Yello “Frautonium” (Half Life – Andrew Weatherall remix) (Blank Media, 2017) Andachan & Bicep “Aapoq” (TAKKUUK soundtrack, Ninja Tune, 2025) Axel Boman “Hold On (Trensum Tribe dub) (Luz / Quest For Fire In Dub!, Studio Barnhus, 2025) Low End Activist “They Only Come Out at Night (Andy Martin Remix) (Municipal Dreams Remixes, Sneaker Social Club, 2025) drames rurals “l’empelt” (Shackleton mix) (Hivern Discs, 2025) Leif “How to Eat an Orange part 2” (Collide, AD93, 2025) >HENRY SELF Helado Negro “Protector” (The Last Sound On Earth, Big Dada, 2025) Max Styler “You & Me” (Vintage Culture Extended Remix) (Nu Moda, 2025) Robyn “Dopamine” (KASI Extended Remix) (soundcloud.com/clubofkasi, 2025) MK & Clementine Douglas “Come Find Me” (Columbia, 2025) Daphni “Waiting So Long” (Butterfly, Jiaolong, 2026) Oneohtrix Point Never “Cherry Blue” (Tranquilizer, Warp, 2025) Daniel Lopatin “The Necklace” (Marty Supreme Original Soundtrack, A24, 2025) Tangerine Dream “Love on a Real Train” (Trance Wax Remix) (Trance Wax Five, Trance Wax, 2019) Harks and Mudd “Susta” (Ron Trent Dub) (Leng, 2021) Ex Generation “Aao Naa” (The Mumbai Exchange, Energy Exchange, 2025) Tom Vek “Cover” (Gus Alt-J Remix) (We Have Sound Remixed, Stratasonic, 2025) Killing Joke “Love Like Blood” (Your Heart Is a Weapon Dub) (In Dub, Killing Joke, 2014) Effy “Raging” (Effy, 2021) The post absci radio 1405 – joshua p ferguson + henry self appeared first on abstract science >> future music chicago.

Welcome back to purgatory!!! This month we celebrate one of the influential directors on cinema history, Michael Mann!!! We kick off our series Manbruary with Michael Mann's first theatrical film Thief from1981, based off of the novel The Home Invaders by Frank Hohimer, the screenplay is adapted for the screen by Michael Mann and directed by Michael Mann. The film stars James Caan, Tuesday Weld, Willie Nelson, Jim Belushi, Robert Prosky, Tom Signorelli, Dennis Farina, William Peterson, Nick Nickeas, W.R. Brown, Norm Tobin, John Santucci, Gavin MacFayden. Chuck Adamson, Sam Cirone, Spero Anast and Walter Scott!!! Thanks for checkin us out!!! You can find our past and most recent episodes on Podbean.com and you can find us where most other podcasts are found. Intro & Outro tracks from the Thief soundtrack composed and conducted by Tangerine Dream  1. Burning Bar https://youtu.be/_7IpubBepeM?si=PApjMz5TyxHPo4e8 2. Confrontation w/ Craig Safan https://youtu.be/il2mxFFhtQk?si=sk5BG6vGlCQlogc5  

Ever heard of a band that traveled to Egypt on a Goethe Institute tour, recorded street sounds in Cairo bazaars, then came home to Berlin and created one of the most mind-bending krautrock albums of the '70s? This week, we're digging into Malesch by Agitation Free—a 1972 experimental masterpiece that won our listener poll despite none of us having ever heard it before. This is pure discovery territory.In this episode, we explore how a Berlin rock band named themselves after playing a free show, lost their drummer to Tangerine Dream, then embarked on a two-week Middle Eastern tour that changed everything. Armed with field recorders and cutting-edge EMS Synthi A synthesizers, Agitation Free created an album that sounds simultaneously prehistoric and futuristic—cosmic krautrock fused with Egyptian street recordings, primal percussion, and space-age electronics.We discuss what makes Malesch so challenging yet compelling: the lack of traditional song structures, the subtle integration of Middle Eastern influences without clichés, the innovative use of early synth technology, and why this album works better as immersive background music than active listening. Is this metal? Barely. Is it original? Absolutely. Does it connect to modern bands like Blood Incantation? More than you'd think.If you love Tangerine Dream, Can, Cluster, early Pink Floyd, Grateful Dead jams, or experimental krautrock that defies easy categorization, this episode is for you.Episode Highlights0:00 – Intro & Poll Results – How an obscure 1972 krautrock album beat out Humble Pie for our January 70s poll4:32 – Band History – From “Agitation” to “Agitation Free” and the Tangerine Dream connection6:10 – The Middle East Tour – Goethe Institute sponsorship, field recordings in Egypt, Lebanon, Cyprus, and Greece9:21 – “You Play For Us Today” – Opening the album with phrases captured from a Middle East Airlines pilot13:17 – What Works – Atmospheric mood-setting, early synth innovation, and why this sounds like nothing else from 197219:00 – “Pulse” – The buzzing, bee-like synthesizer showcase that's both annoying and mesmerizing21:10 – Krautrock Context – How German post-war youth created experimental music that influenced decades of rock22:26 – The Blood Incantation Connection – Modern death metal's surprising embrace of ambient krautrock24:03 – The Jandek Tangent – Why Malesch is challenging but not that challenging28:05 – What Doesn't Work – Fragmented structure, lack of consistent grooves, and the “convincing metalheads this is metal” challenge30:39 – “Malesch” – The eight-minute title track that's the album's most mesmerizing moment34:01 – Final Ratings – Worthy Album vs. Decent Single debate37:40 – Band Legacy – Still active in 2023, Christopher Franke's Tangerine Dream career, and the Vertigo swirl label collectibilityJoin the Metal Union! Become a Patreon member at digmeoutpodcast.com to vote on future albums, access bonus episodes, and join our private Discord community. Visit dmounion.com to keep the metal ad-free and make the next episode happen.Explore more 70s and 80s metal deep cuts, forgotten krautrock gems, and underrated progressive rock classics. Subscribe wherever you get podcasts and follow us for weekly episodes covering everything from Humble Pie to Agitation Free—the albums you know and the ones you've never heard of.#AgitationFree #Malesch #Krautrock #GermanRock #1970sRock #ExperimentalRock #ProgRock #TangerineDream #VertigoRecords #DigMeOut #MetalPodcast #70sMetal #KrautrockClassics #PsychedelicRock #EMSSynthiA #MiddleEasternRock #CultClassics #ObscureAlbums This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Hubo un tiempo en que la música dejó de conformarse con lo que era. Los sonidos conocidos ya no bastaban y los músicos comenzaron a explorar nuevos caminos, buscando otras maneras de crear. Hubo un tiempo en que la música se transformó y donde las mandarinas empezaron a soñar con la música. Madis, Harald Grosskopf, Peter Gregson, 36, Tangerine Dream, Scott Buckley, Moisés Daniel, Patrick O'Hearn, Peter Maunu, Hania Rani, Dobrawa Czocher, Schiller. 🎧 El playlist detallado: lostfrontier.org/t30.html#1071

We're talking about Tom in a Major way this week. Covers by:  The Langley Schools Music Project, Tangerine Dream, Powerman 5000, Chris Hadfield, The Flaming Lips Tidal playlist here

This month's 101 Dimensions curated by Yours Truly. Nearly two hours of great electronic/ambient/progressive music from Green Isac Orchestra, Ashra, Systems Theory, Tangerine Dream, and Jon Hassel & Brian Eno!   

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Is everyone ready for another musical number?!?! That's right, Julie brings out her songwriting skills and rusty vocal chords in order to cover the final story for Season 20, The King's Demons. We are so sorry for everyone who chose to rewatch these two episodes, but hopefully we give you a better time.   Join us as Anthony, Reilly, AND Diana all have a marvelous time in overpronouncing their vowels, Julie continues to bemoan the fact that the BBC was even more cheap than usual, we all argue about the importance of the Magna Carta, and how we all wished that this was all the Meddling Monk instead of the Master. Oh, and Diana is able to point out why Iron Maidens are maidens (hint hint: there are at least TWO reasons).   If you would like to watch along with us, you can find this story available for streaming on Britbox in the USA (http://www.britbox.com) and BBC iPlayer in the UK (https://bbc.in/48GSaCB). If you're a little old fashioned and prefer physical media (like our very own Anthony), you can also find it on the Doctor Who Season 20 Blu Ray box set from Amazon US (https://amzn.to/3VyxIPe) and Amazon UK (https://amzn.to/3V2IL34)   Other media mentioned in this episode*: Chernobyl (Amazon US: https://amzn.to/3gtrOuT | Amazon UK: https://amzn.to/3jfw9Uk) Only Fools and Horses: The Complete Collection (Amazon US: https://amzn.to/3WfRm3C | Amazon UK: https://amzn.to/4cVfxtF) Extro (Amazon US: https://amzn.to/4nZjSRX) The Best of EastEnders (Amazon US: https://amzn.to/4lm8miT | Amazon UK: https://amzn.to/3IjteJf) Lovejoy: The Complete Collection (Amazon US: https://amzn.to/3p7zhF3 | Amazon UK: https://amzn.to/3vneMp2) Bergerac: Series 1 (Amazon US: https://amzn.to/3Imtjf3 | Amazon UK: https://amzn.to/44qT6vb) Flash Gordon (Amazon US: https://amzn.to/3BVj895 | Amazon UK: https://amzn.to/3AXEzoB) Star Wars: The Skywalker Saga (Amazon US: https://amzn.to/3ptuM83 | Amazon UK: https://amzn.to/3BSULsQ) Labyrinth (Amazon US: https://amzn.to/3nmTHHx | Amazon UK: https://amzn.to/3b4eutD) Harry Potter: Complete 8-Film Collection (Amazon US: https://amzn.to/3SdAHd5 | Amazon UK: https://amzn.to/3oFjhZh) The Hitchhiker's Guide to the Galaxy (film) (Amazon US: https://amzn.to/4iGTc77 | Amazon UK: https://amzn.to/3PatMRI) A Knight's Tale (Amazon US: https://amzn.to/3WWQ1P2 | Amazon UK: https://amzn.to/4nUz96s) Monty Python and the Holy Grail (Amazon US: https://amzn.to/3n4P30y | Amazon UK: https://amzn.to/3n5ong6) Legend (Amazon US: https://amzn.to/4cWTxyf | Amazon UK: https://amzn.to/4eiwO0R) Blackadder - The Ultimate Edition (Amazon US: https://amzn.to/30sMUnN | Amazon UK: https://amzn.to/3BU2WoN) Arrested Development: The Complete Seasons 1-4 (Amazon US: https://amzn.to/3BqTDw6 | Amazon UK: https://amzn.to/3uT21Cc) Disney's Robin Hood (Amazon US: https://amzn.to/4pa9mYS | Amazon UK: https://amzn.to/4qW0yrv) Only Fools and Doctors (YouTube: https://youtu.be/bZJV4WVjWbE)   Finally, you can also follow us and interact with us on Facebook and Instagram. You can also e-mail us at watchers4d@gmail.com, and you can join us on our Discord server. If you're enjoying this podcast, please subscribe to the show, and leave us a rating or review.   *Support Watchers in the Fourth Dimension! We are an Amazon affiliate and earn a small commission from purchases through Amazon links. This goes towards the running costs of the podcast.

Jon Anderson Special Part 2We continue our deep dive into Jon Anderson's solo catalog, rare collaborations, and live bootlegs. This episode features tracks with Tangerine Dream, Béla Fleck, Marco Sabiu, and Vangelis plus live cuts from ABWH, Band Geeks, and Yes featuring ARW. Includes selections from Olias of Sunhillow, Invention of Knowledge, The Living Tree, and more.1.“Birdsonging” – Jon Anderson (From Me To You, 2008) (Intro Bed)2.“Family Circle” – Jon Anderson & Matt Malley (Single, 2015)3.“Knowledge” – Anderson/Stolt (Invention of Knowledge, 2016)4.“It's About Time” – Tadamitsu Saito (It's About Time, 2023)5.Vocal Demo – Jon Anderson (Slate Digital VMS Demo, 2016)6.“Loved By The Sun” – Jon Anderson with Tangerine Dream (Legend: Original Motion Picture Soundtrack, 1985)7.“Heaven Sent” – Robin Crow (Let It Glow, 1995)8.“Orchasm” – The Spaces Between featuring Jon Anderson (Let's Leave It At This For Now…, 2023)9.“Limitless Lives” – Jon Anderson & Marco Sabiu (Single, 2022)10.“The Friends of Mr. Cairo” – Jon & Vangelis (Live 1982 Convention Hall 8.6.82 [Bootleg])11.“Changes” – Yes featuring Jon Anderson, Trevor Rabin & Rick Wakeman (Live at the Apollo, 2018)12.“Birthright” – Anderson Bruford Wakeman Howe (Live at the N.E.C., Oct. 24th 1989)13.“Richard” – Jon Anderson (Live From La La Land, 2007)14.“Perpetual Change” – Jon Anderson & The Band Geeks (Live – Perpetual Change, 2023)15.“Morning Star” – Anderson/Wakeman (The Living Tree, 2010)16.“The Meeting” – Anderson/Wakeman (The Living Tree In Concert Part One, 2011)17.“Prelude to Dawn” – Dennis Haklar (Lizard's Tale, 2012)18.“Cage of Freedom” – Jon Anderson (Metropolis: Original Motion Picture Soundtrack, 1984)19.“Time And A Word / Soon” – Jon Anderson (The Mother's Day Concert, 2006)20.“Flight of the Moorglade” – Jon Anderson (Olias of Sunhillow, 1976)21.“A Moment So Close” – Béla Fleck & The Flecktones (Outbound, 2000)22.“Garden of Senses” – Jon & Vangelis (Page of Life, 1991)23.“A-DE-O” (Alternate) – Jon Anderson (Pasadena 1993 [Bootleg])

In today's episode, I'm continuing what I started last week, working out "The Unicorn Theme" by Tangerine Dream from the Legend soundtrack. I worked out some of the basic notes last week, and this week I'm adding more as well as the left hand chords.  Though not recorded in the podcast, while I was wrapping up the mixing of what I'd done, I remembered one of the other verses I'd forgotten.  I did most of this in Bandlab, the DAW I've been working to learn this past fall.  This ended up a great project to showcase the strength of a tool like this since I didn't need to rehearse the piece over and over until I could play it mistake-free like before.  I could play and record little segments, one at a time, and essentially save my progress as I was going along.   I may add to it in the coming weeks as I work out other parts of the theme, but I am pretty happy with what I managed to cobble together so far!  This theme was definitely one of the influences behind the sound I was trying to create when making The Thirteenth Hour soundtrack, so it's actually long overdue that I finally try to figure out how to play it.  I'm actually not sure why I didn't try before!Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/11/03/the-thirteenth-hour-podcast-534-musical-interlude-trying-to-figure-out-music-from-legend-1985-part-2/

In today's episode, I'm playing around with some music from one of my favorite soundtracks, Legend, using the score done by Tangerine Dream.  There's a piece in there I have always liked, called "The Unicorn Theme" and the same melody and chords get used in the ending song for the theatrical release in a ballad with vocals done by Jon Anderson called "Loved by the Sun" with the Tangerine Dream synths in the background.  When I first heard it, I thought it was an odd mix, with neither of them really fitting together, and I was always vaguely irritated they didn't just make "The Unicorn Theme" longer (the track on the score doesn't use all the bars heard in the film), but as I have gotten older, I have comes to really like "Loved by the Sun."  It is not an easy song to sing nor play (at least for me), as it requires a pretty big range.  I'm trying it today on the piano with just chords, which I found harder than the guitar, which I find easier to play for certain things (this being one of them).  That said, I think it'd sound great on the piano blended in with the notes from "The Unicorn Theme" since that is essentially what they did in the film, if I recall.   I'm going to play around with over the net week or so and see what I come up with.  Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!

DJ Loki plays 2+ hours of classic Berlin School electronic music! Artists include Tangerine Dream, Ash Ra Tempel, and Cluster.

Paul Riedl and Morris Kolontyrsky of Blood Incantation discuss the incredible 1st year of the album "Absolute Elsewhere", how it's transformed their lives and art, the creation of the record, the band's deep interest in vinyl collecting and lots more. Enter to win a signed vinyl copy of "Absolute Elsewhere" by becoming a sponsor at Patreon.com/VinylGuide Topics Include: Absolute Elsewhere transformed their lives: bigger venues, mainstream press, entirely new audiences. Album allows new stage production; band already writing faster than ever before. Now headlining shows in US; Europe tours were always headliners, just smaller. Forbes called it one of most important death metal records in history. Record serves as gateway, exposing listeners to extreme metal and progressive influences. Vinyl LP format is their artistic endpoint; last two albums are side-long tracks. Twenty-minute sides provide perfect breathing room for their narrative-driven compositions and riffs. Maxed out Pro Tools voices at Hansa Studios during Absolute Elsewhere recording sessions. First three records recorded live on analog tape; complete takes, minimal punch-ins. Absolute Elsewhere used hybrid approach: drums on tape, then built digitally with Arthur. Recording live on tape creates collective synergy and tension they want captured. Band uses Oblique Strategies cards; asks "what would Trey, Chuck, or Eno do?" Paul designs all layouts; collects test pressings and creates prototype covers himself. Searching for roughly 200 more records; has specific rare pressings in mind. Weakling's Dead as Dreams LP extremely rare; basement flood destroyed most copies. Double album versus double LP distinction: complementary discs versus interrupted single work. Songs start with riffs that suggest where to go; excitable band keeps moving. Timewave Zero was critical palate cleanser enabling more holistic collaborative approach forward. Tangerine Dream collaboration manifested unexpectedly; Thorsten used vintage Edgar Froese Mellotron samples. Future dreams include Brian Eno, Steve Roach; already have secret collaborations lined up. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Thorsten Quaeschning is a German composer, multi-instrumentalist, and musical director. We talk to him about his new album in collaboration with Steve Rothery, his role as the leader of the legendary electronic group Tangerine Dream, and his career more broadly.  To listen / watch: Audio-only: click on the play button in the audio player above,... The post Thorsten Quaeschning, Tangerine Dream / Bioscope / Picture Palace Music appeared first on The Keyboard Chronicles.

The October Spooktacular is upon us yet again. Each week this October we'll watch a different horror movie and talk about everything that makes it worthwhile. This week we're watching Michael Mann's (yes, that Michael Mann) bizarre second major motion picture. The Keep (1982) is a World War II period piece set against the Carpathian mountains as Nazis invade Romania and discover a fortress built not to keep things out, but keep them in. Propelled by a sick ass Tangerine Dream soundtrack and visuals you will not find in any other 80s horror, this is a unique picture. Is it as good as Thief, Collateral, Heat, or Miami Vice? Absolutely not! The production of The Keep was a tragicomedy of errors but the finished product is still very much worth your time. Lets talk about what happens when a five star director makes a two star horror flick. Music featured on this episode: Drouth - False Grail  This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

This week Rennie and I discuss William Friedkin's SORCERER, a film that was a critical and commercial flop when it was released in 1977. As the years went by, the film enjoyed a critical reassessment and is even considered by some to be a classic.  If you are a fan of gritty realism where there are no heroes, this is a film for you. Also, dig the incredible score by Tangerine Dream. Intro:                   “All the Dark Things” – Mike Hill Intro 2:               “The Call” – Tangerine Dream Outro:                “Abyss” – Tangerine Dream

Mid Era: Selections from Jerome Froese (Germanyl) that include his music and remixes of Tangerine Dream, spanning the last 30 years IDM: more classic artists from my archives TIME ARTIST TRACK RELEASE 0:00:00 ***[Intro-Jerome Froese]***   0:00:57 Jerome Froese sun son's seal part three Dream Mixes V (remastered 2020) 0:06:08 Jerome Froese Culpa Levissima Dream Mixes II (remastered 2018) 0:12:24 Jerome Froese astrophobia Goblins Club/Oasis/Mars Polaris 0:22:06 Jerome Froese black spears Dream Mixes III (remastered 2019) 0:28:53 Jerome Froese cosmic merriment Dream Mixes IV (remastered 2020) 0:37:58 Jerome Froese messenger Dream Mixes IV (remastered 2020) 0:45:03 Jerome Froese a room in the house is closed...  Neptunes 0:51:26 Jerome Froese stratosphere 95  Tournado (live 1997-remastered) 0:59:48 ***[IDM]***     1:02:00 Mitoma Rawling 4851 Satellite Hive 1:06:39 Dekode Lost transmission (Nonima rmx) Dying Star 1:13:27 Vector Lovers  Stargazing (Nanostudio mix) iPhonica 1:18:35 Shammen Delly Astral projection   1:22:54 Weldroid Not your fault, baby (Illl's rmx)  Protozorq Remixes 1:28:59 Ruxpin As we exhale, we enter This Time We Go Together 1:32:29 Vacant Shores Non   1:36:20 Generate Devolve   1:41:31 Influx Northern lights Reconcilations 1:45:28 Davic Nod Are you there Dubic 1:52:36 Trifonic Nightrun (featuring MindBuffer) Ninth Wave 1:56:50 ***Outro***       Keywords: International electronic music internet electronic artists unsigned electronic artists Low Orbit Satellite Ambient Symphonic Rock Progressive Rock Art Rock Tribal Trance PsyTrance Ethno/PsyTrance IDM Nonima Dub Step Mid Era Berlin School

In this episode, we speak with legendary guitarist and founding member of Marillion, Steve Rothery. We discuss his latest project Bioscope, with Thorston Quaeschning of Tangerine Dream and their new album Gento.

    This mix started via a Spotify playlist with the same name - "You're in an 80s Film Driving at Night." I really liked the synth vibes so I created my own folder at home and began collecting tracks. The mix has a great retro vibe even though many of the tracks are from the last 10 years. But, of course, I had to include some cuts from the time period with songs from Tangerine Dream, John Carpenter & Vangelis. Hop in your Delorean and head back to the 1980s for some retro electronic goodness. Cheers!   T R A C K L I S T : 00:00   All India Radio - Rust (Solo Electronique 1984 2017) 02:47   Tangerine Dream - Dr. Destructo (Thief 1981) 05:45   Sinoia Caves - 1983 Main Theme (Beyond the Black Rainbow 2014) 08:15   Emmx - The Nation (The Nation 2022) 11:00   A.L.I.S.O.N - Subtract (Signal Flow 2019) 15:45   John Carpenter - He's Still Alive/Romero (Escape From New York 2005) 17:55   Harold Faltermeyer - Logo-Bakersfield (The Running Man 1987)  20:50   Baldocaster - Map to the Stars (Part II) (Solare 2019) 22:25   Tangerine Dream - Love on a Real Train (Risky Business 1984) 26:00   Volkor X - Outlaws (Heart Wired, Pt. 1 2019) 31:51   Baldocaster - Shadow Figures (Memorie 2022) 36:17   John Carpenter - Night (John Carpenter's Lost Themes 2015) 39:45   Vangelis - Blade Runner(End Titles) (Blade Runner 1994) 44:08   Cliff Martinez - Bride of Deluxe (Drive 2011) 46:47   Disasterpeace - Detroit (It Follows 2015) 47:52   Inhmost - Gravity(feat. Nashira) (Dragbacks on Dockweiler State Beach 2015) 53:16   Tangerine Dream - Beach Scene (Thief 1981) 59:11   end

This week, JP pulls up with Derry Brett, originally from Ireland, whose early fascination with cannabis led him on a globe-trotting mission to collect landrace genetics—from the Himalayas to South America. These travels became the foundation of Barney's Farm, which emerged from Amsterdam's café culture into a global seed phenomenon, dropping classics like G13 Haze, Tangerine Dream, and Critical Kush for cannabis lovers worldwide.Derry brings the fire both behind the jar and behind the legacy. He walks us through the passion, the politics, and the culture that pushed Barney's Farm from underground roots to legendary status.⸻** What You Will Learn in This Episode:**    •    Derry's story—from his Irish beginnings to hunting and preserving legendary landrace strains.    •    How Barney's Farm evolved from boutique seeds in Amsterdam to world-class genetics.    •    The global cultural impact of iconic strains like G13 Haze, Tangerine Dream, and Critical Kush.    •    Why preserving cannabis diversity is vital—for flavor, legacy, and the future of the plant.This one's for those who cherish the old school, value the vision, and respect how one person's dedication can change what culture looks like—from seed to flower.⸻Follow & Support:IG: @_goodpizzza_IG: @goodpizzzapodcastWebsite: www.goodpizzza.comY'all know what time it is… Roll em fat, torch your rigs, pack your bongs, bag up some work, water your plants, do what you gotta do because we're about to take this journey with Derry from Barney's Farms!✌

In this episode of Jay Movie Talk, I dive deep into Michael Mann's 1981 neo-noir classic Thief. From James Caan's unforgettable performance as Frank, a master safecracker chasing one last score, to Mann's stylish direction and Tangerine Dream's Iconic synth score. I explore why Thief remains one of the most influential crime dramas ever made.I talk about the film's surreal Chicago atmosphere, its influence on the heist and crime genre, and how it set the tone for Michael Mann's entire career. Whether you're a longtime fan or a first-time viewer, this episode is for you, with some behind-the-scenes stories and reasons why Thief deserves its place in the crime film hall of fame.What's your favorite Michael Mann movie?Drop your thoughts in the comments

Put on your Ray-Bans, rev up the Porsche, and crank up the Tangerine Dream! It's time for the movie that made Tom Cruise a star, which somehow Javi and Paul had never seen! Listen as they, with the help of ever-patient Producer Brad, get past their preconceived notions and are rewarded with a teen sex comedy that has more in common with Blue Velvet than Porky's. Suburban high school senior Joel (Cruise), afflicted with anxiety about getting into Princeton and left home alone by his materialistic parents, is prodded by devil-on-his-shoulder pal Miles (Curtis Armstrong) down the path to some Risky Business in the form of call girl Lana (Rebecca De Mornay), who turns Joel's home into a brothel. Is it a swooning love letter to capitalism, or subversive indictment of it, or both? Javi and Paul marvel and muse at this unexpectedly layered, nuanced, and finely crafted film rife with symbolism, sex positivity, delightful dream sequences, awesome needle drops, surprisingly positive trans representation, a crystal egg, and a young Joe Pantoliano as Guido the Killer Pimp. There is no substitute!Show Notes:1983 Box OfficeAugust 5-7, 1983, Weekend Box OfficeRisky Business Box Office ResultsHollywood Reporter excerpts from Curtis Armstrong's 2017 memoir, Revenge of the Nerd.Top 100 Stars in Leading roles at the Domestic Box OfficeFollow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

SEASON 3 EPISODE 149: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: Donald Trump is now getting into bed with a convicted pedophile. Figuratively. Donald Trump has already cut a deal with a pedophile. A two-day deal to protect her. To PROTECT Ghislaine Maxwell from being prosecuted. Two days of immunity. It’s immunity. It’s immunity at the direction of Donald Trump. Immunity. What may be a precursor to a deal. To a pardon. To her walking out of jail earlier than the year 2037. This is sending the Deputy Attorney General, previously one of your own personal scumbag sleazebag shill lawyer mouthpieces, to meet with a convicted child sex trafficker who is not eligible to be released until she’s 76 years old, giving her two days’ worth of temporary immunity in which she can’t be further prosecuted for anything she says to him. You have ALREADY CUT A DEAL with a pedophile. You, Todd Blanche, are already figuratively in bed with a pedophile. YOU, Donald Trump, are already figuratively in bed with a pedophile. YOU, Trump supporters and blind MAGA cult slaves, YOU are already figuratively in bed with a pedophile. Sure, make a deal. Art of the deal. Trump’s the great dealmaker. Make the deal with the rapist of children. Of the woman who essentially held the girls down. Make the deal with the woman who sold the children to the rapists. MAKE that deal, Trump. And you know what that deal is called – it’s called selling your soul to the devil. If you have any soul left. You, Donald Trump, and all who support him, stand on the precipice. You are figuratively getting into bed with Ghislaine Maxwell. You are figuratively getting into bed with a pedophile. You are figuratively getting into bed with the process of COVERING UP PEDOPHILIA. There is now no way out of Trumpstein for Trump. ALSO: Anybody notice that on Friday Trump said reporters shouldn't ask him about Epstein, they should ask Clinton or the Harvard President: "I'll give you a list." So...he confirmed THERE'S A LIST and there's a LIST HE HAS and there's a LIST HE HAS THAT HE COULD GIVE YOU BUT IS COVERING-UP? AND RYAN WALTERS, EXIT STAGE RIGHT: Oklahoma's lunatic Trump-bible-thumping head of public schools? Reportedly had porn playing on a monitor in his office during the executive session of the State Board of Education. And then couldn't figure how to turn it off. It's a classic story: the loudest moralist has the least morals. B-Block (47:28) THINGS I PROMISED NOT TO TELL: Great news! A QAnon prophet says there are multiple Hillarys, Obamas and Bidens. Cool! An army? With which to kick Trump's ass? Let's goooooo. Senator Mike Lee again proves he is just a balding 5th Grader who just flunked Social Studies again. And while you may still be wasting your time complaining about Colbert, CBS has gone full obey-in-advance to placate FCC Commissioner Brendan "Don't call me Josef Goebbels" Carr. There will be an ombudsman inside CBS News snitching to corporate on things the CBS News people are doing that might displease Fuhrer Trump. C-Block (49:00) THINGS I PROMISED NOT TO TELL: Did I ever tell you I was in a movie? And the star bothered to show up to see my little cameo shot because he was such a fan of mine? And he was a great guy and we stayed in touch for 20 years? And his name was...RANDY QUAID? "Dead Solid Perfect" may be the best golf movie of all-time, Quaid was (then, anyway) a delight, it has THE scene the golfers love the most starring actress Corinne Bohrer, and the director who personally asked me to be in it (and I'm terrible in it) was named Bobby Roth. And last week I worked with Bobby Roth for the first time in 37 years. He's a documentarian now and the new one is on saving democracy and he wanted me in it. All part of life's rich pageant!See omnystudio.com/listener for privacy information.

    The king of berlin-school music returns with another stellar mix. Our friend, Erwin Boers, was nice enough to put together a follow up to his spring EM mix with this excellent summer update. Here what he says about this latest set: "For this summer update in the synth-cosmic-Berlin School-electronic-music scene, I faced the same problem as a few months ago with the spring update: a heterogeneous bunch of tracks in a wide variety of moods, rhythms and styles. This time, to produce a coherent mix, I figured telling the "story" of a journey into outer space - not very original I know... ;-) Starting with a couple of upbeat pieces, to depict hectic life on Earth, we then lift off slowly by means of a set of tracks focused on soloing, soundscapes, layered sequencing and space sounds. As we reach the edge of the solar system, several deep contemplative atmospheres invite us to consider the distance travelled and the long journey ahead....I'll leave the scenery of the places visited to the listener's imagination! In short, a pleasant floating audiotrip just under two hours, to be enjoyed day and night, lounging in the shade or stargazing on your back.  Special mention for a fantastic retro track by Xan Alexander in pure Berlin School style, a bit of electric guitar bombast by Otarion aka Rainer Klein and a pick from ex-Tangerine Dream member Peter Baumann's latest album "Nightfall"." Here are links to all the music used in this mix: 1. https://moonbooter.bandcamp.com/album/syncope-1 2. https://www.klangwelt.info 3. https://tim-stebbing.bandcamp.com/album/supraluminal 4. https://frankvanbogaert.bandcamp.com/album/sounds-from-higher-grounds 5. https://othersideaudio.bandcamp.com/album/the-pulse-of-life 6. https://othersideaudio.bandcamp.com/album/ouroboros-ii 7. https://totemtag.bandcamp.com/album/space-ascension 8. https://skoulamanongroove.bandcamp.com/album/live-at-dem 9. https://peterbaumann.bandcamp.com/album/nightfall 10. https://www.junodownload.com/products/afterlife-playing-place/7046968-02/ 11. https://beyondberlinongroove.bandcamp.com/album/meandering-tear 12. https://gertemmens.bandcamp.com/album/all-that-is-left-behind 13. https://dinrecords.bandcamp.com/album/transmissions-din92 14. https://otarionongroove.bandcamp.com/album/time-of-nations 15. https://tiratheartofdance.bandcamp.com/album/time-travel 16. https://galacticsoundstation.bandcamp.com/album/music-for-the-mental-health-of-astronauts-volume-1 17. https://andrewlozano.bandcamp.com/album/voyager 18. https://iluiteq.bandcamp.com/album/fade-remain 19. https://onionwave.bandcamp.com/album/summer-somewhere   Thanks Erwin! Cheers!   T R A C K L I S T : 00:00:00   Moonbooter - Syncope Part 1 (Syncope 1) 00:07:14   Klangwelt - Molecules (Second Nature) 00:12:29   Tim Stebbing - Sands Of Time (Supraluminal) 00:16:40   Frank Van Bogaert - Green Valley (Sounds From Higher Grounds) 00:21:07   Craig Padilla - Particles In Radiance (The Pulse Of Life) 00:29:24   Xan Alexander - Horn Of Monoceros I-II-III (Ouroboros II) 00:41:44   Totemtag - Tech Beta (Space Ascension) 00:50:00   Skoulaman - World Oceans (Live at DEM) 00:57:46   Peter Baumann - From A Far Land (Nightfall) 01:03:26   Afterlife - Il Piu Nell' Uno (Playing Place) 01:07:08   Beyond Berlin - Anthem (Meandering Tear) 01:16:44   Gert Emmens - Only Time Will Tell (All That Is Left Behind) 01:22:28   Ian Boddy & Erik Wøllo - Revolve (Transmissions) 01:29:54   Otarion - Time Of Silence (Time Of Nations) 01:35:28   TiRa feat. Missi Wainwright - Journey Beyond The Clock (Time Travel) 01:42:01   Hollan Holmes - The Eternal Light (Music for the Mental Health of Astronauts - Vol. 1) 01:47:26   Andrew Lozano - Atlas (Voyager) 01:51:05   ILUITEQ + Eraldo Bernocchi - Fade, In The Dusk (Fade, Remain) 01:56:20   unitrΔ_Δudio - The Final Glimpse Of The Sun (Summer Somewhere) 01:59:17   end

Send us a text"My name's Louden, Louden Swain. Last week I turned 18. I wasn't ready for it. I haven't done anything yet. So I made this deal with myself. This is the year I make my mark."What to say about Vision Quest? It's a staple of any well rounded '80s film diet. Unless you're cutting weight at an unhealthy rate. And let it be known, since I don't think I quite drove it home during this episode....this is one of my all time (unlikely) favorite movies.Matthew Modine and Linda Fiorentino make this a most pleasurable trip into making one's mark on the eve of adulthood. Michael Schoeffling delivers as Kuch in one of the better roles of his short film career. Frank Jasper as Shute! A nicely stacked cast against a fantastically stacked soundtrack, with Tangerine Dream bringing up the rear on the score. As Elmo would say "it's ain't the one hour and forty seven minutes....it's what happens in the one hour and forty seven minutes." Fairly profound. He also said "A cooze doctor in outer space?", so...