Podcasts about Tangerine Dream

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Seven more 70's movies, we can scratch off our list. Welcome to Reviews number #50.
Done over 70 movie showcases, and now 50 episodes of movie reviews equalling over 400 films.
Amazing, great work team.
1. (Dusty and Sweets Mcgee 1971) Here is neat documentary style look at drug addiction as people walk around L.A. looking to score.
2. (1776 1972) A musical I had not seen, annnnnd I'm a musical learner so I actually learned more from this story written by a history teacher then I did in school. This story and School house rock! Knight riders car and DR. Green's dad from E.R. are here.
3. (Top of the Heap 1972) Sadly here is another buried film, thanks Racism. It's starting to come around and I hope we can help. It's serious and heavy and it's written, directed and stars Christopher St. John whom we should have seen much more of. Paula Kelly from many films including The spook who sat by the door is here, and she has a poster of Baphomet!
 4. (California Reich 1974) This Academy award nominated documentary should definitely be seen and is available on YouTube. This and Jesus Camp 2006 should be on a shelf marked, Well we did fucking warn you!
5. (Sorcerer 1977) Yeah F what the director says this is definitely false advertising. Movie is cool and we get More Roy Scheider and an amazing soundtrack by Tangerine Dream, but there are absolutely no witches wizard or magic at all in this film.
6. (Phantasm 1979) Great flippin title. Group of hard working ambitious stoners make a movie that is very creative, cray, and not a Women hating slasher film. I'm here for it.
7. (More American Graffiti 1979) I wanna just say cash grab, but they waited 6 years. I guess you had happy days in 74. Grease was 78 sooooo they probably tackled George to make sequel for some beach houses. George had little to do with this, editing the screenplay and apparently “Supervising.” People like to dismiss, but we found a few things here that we dug, also some real weirdness, which I keep writing about some and then erasing, meaning, if you saw the first one this is worth a watch. Thanks always for listening. Please like and subscribe, why not.

Send us a textRISKYSometimes you gotta say, “What the Fuck” to research, make your move. This week Season 14's penultimate 1x1 is co-host Ryan's pick: RISKY BUSINESS (1983). His reason: TGTPTU normally pairs filmographies of a single director or actor, and the writer-director on this film was so triggered by the experience of having his written, shot, and edited original ending replaced in the final cut that he never directed another film again… or at least not until his second film in 1990 (WTF, Ryan?).  This film that would go on to become part of 1980s iconography by first-time director Paul Brickman, who had previously written the Michael Pressman-directed The Bad News Bears in Breaking Training (1977) and the Jonathan Demme-directed Handle with Care (1977) and would later be one of three credited writers on Clint Eastwood's True Crime (alternately known as Speed Zoo) (1999), Risky Business as dark teen comedy and potential Reagon-era satire stars a number of early roles by actors who'd become comedy stars of the 1980s, including as the protagonist Joel's fellow yuppie North Shore friends and entrepreneuring high school seniors in their first film appearances Curtis Armstrong (also known as Booger in the 1980s) and Bronson Pinchot (aka Balki in the 80s). It costars Rebecca De Mornay (later in the 90s known for her roles as a terrible nanny and as Milady de Winter) as the business-savvy prostitute, and has an early movie appearance by Joey Pants (known in the late-90s for taking the blue pill, Ralphie Cifaretto in the 00s, and a Bad Boy 4 life) as Guido the pimp.   Oh, and it's also the first time that actor born Thomas Mapother IV, better known later in life by his stage name Tom Cruise, stars in the leading role in a film (but not the first time he danced in his underwear or kissed a female person, if DVD commentary tracks are to be believed).  Behind the camera, you have two cinematographers: Eastwood's 70s and early-80s collaborator Bruce Surtees as well as regular Hollywood comedy lenser Reynaldo Villalobos. Pod-favorite Tangerine Dream scores. And the film scores big with first watches by host Tom and guest host Jack and with the Gen X'ers Ken and Ryan.   It's a wild ride, so mind your parking brake. In this episode Ryan explains the economic milieu behind the 80's yuppie culture to the two young hosts while drawing comparisons to American Psycho (2000); the two Zoomers discover how to shorten future episodes; and Broom Hilda's creator, whose life strangely overlaps with Ken's past and present, drops by studio.  Our podcast is The Good, The Pod, and The Ugly. We deal in human fulfillment. We grossed over eight thousand listeners in one night. An hour of your life, huh, kid?  FURTHER NOTESThomas requested we share the following Wikipedia links for those who'd like to perform additional research or to simply follow along: https://en.m.wikipedia.org/wiki/Cory_Booker%27s_marathon_speechhttps://en.m.wikipedia.org/wiki/Doctor_Detroit  https://en.m.wikipedia.org/wiki/Cop_Rock  https://en.wikipedia.org/wiki/Star_Trek:_RenegadesTHEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpodugly

This week on Line Noise I spoke to Thorsten Quaeschning, the musical director (and longest-standing member) of foundational German band Tangerine Dream, a group whose influence looms over ambient and electronic music. We spoke about black metal, where to start with Tangerine Dream, founder member Edgar Froese's plans for the band after his death in 2015 and how the current band (in which Quaeschning is joined by Hoshiko Yamane and Paul Frick) are carrying these out. Line Noise is brought to you by Cupra. The photo is from the band's recent Barcelona concert.

This week on Line Noise I spoke to Thorsten Quaeschning, the musical director (and longest-standing member) of foundational German band Tangerine Dream, a group whose influence looms over ambient and electronic music. We spoke about black metal, where to start with Tangerine Dream, founder member Edgar Froese's plans for the band after his death in 2015 and how the current band (in which Quaeschning is joined by Hoshiko Yamane and Paul Frick) are carrying these out. Line Noise is brought to you by Cupra. The photo is from the band's recent Barcelona concert.

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Bilge Ebiri (film critic/writer/editor at New York Magazine) collaborate to dissect a special CRITERION COLLECTION release.ThiefThe contemporary American auteur Michael Mann's bold artistic sensibility was already fully formed when he burst out of the gate with Thief, his debut feature. James Caan stars, in one of his most riveting performances, as a no-nonsense ex-con professional thief planning to leave the criminal world behind after one last score—but he discovers that escape is not as simple as he'd hoped. Finding hypnotic beauty in neon and rain-slick streets, sparks and steel, Thief effortlessly established the moody stylishness, tactile approach, and drama that would also define such later iconic Mann films as Heat, The Insider, Ali, and The Last of the Mohicans.DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration of the director's cut, supervised and approved by director Michael Mann, with 5.0 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresAudio commentary featuring Mann and actor James CaanInterviews with Mann, Caan, and Johannes Schmoelling of the band Tangerine Dream, which contributed the film's soundtrackTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Nick JamesCover by Fred DavisBILGE EBIRI: BILGE EBIRI IS A FILM CRITIC/WRITER/EDITOR AT NEW YORK MAGAZINE. HE HAS CONTRIBUTED TO PUBLICATIONS SUCH AS L.A. WEEKLY, THE NEW YORK TIMES AND THE VILLAGE VOICE (RIP). BILGE IS ALSO A WRITER AND DIRECTOR, KNOWN FOR NEW GUY (2003), PURSE SNATCHER (2006) AND THE BARBER OF SIBERIA (1998).TWITTER: @BILGEEBIRI WEBSITES: THE VILLAGE VOICE ARCHIVE, ROTTEN TOMATOESSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

  Another electronic gem from Erwin Broers. He has become my go to guy for berlin-school music and I'm totally here for it. I've said many times that I like hosting guest mixes from artists and listeners because I always discover new music. And this set is a perfect example - other than Ron Boots, every artist in this mix is new to me.   Here's what Erwin has to say about this mix: "The theme this time is "Electronic Gems From The Lowlands", the lowlands being Belgium and the Netherlands. Both countries are neighbours of Germany, where Electronic Music took off in the early 1970s. It was therefore inevitable that many local progressive artists became fascinated by synthesizers and inspired by this new genre known as "Kosmische Musik" (cosmic music). Influence of Tangerine Dream and Klaus Schulze is obvious, but there's also a hint at prog rock and a few tracks come close to melodic synth pop similar to Vangelis and Jean Michel Jarre." Thanks for a great set, Erwin! Cheers!   T R A C K L I S T : 00:00:00   PeRu - Out Of Time (Constellations, 1981) 00:09:01   Pillion - Enigmas (Enigmas, 1980) 00:22:36   Par Example - Flarepath (Pharos, 1989) 00:31:57   Patrick Kosmos - Mindscapes part 1, 2nd movement (Mindscapes, 1987) 00:41:00   Johan Timman - Trip Into The Body (Trip Into The Body, 1981) 00:46:31   Walter Christian Rothe - Solitude (Solitude, 1982) 00:50:34   Ton Scherpenzeel - Heart Of The Universe (Heart Of The Universe, 1984) 00:58:02   Frank Van Bogaert - A Picture of You (Closer, 2004) 01:01:45   Ron Boots & John Kerr - Oceans Of Emotions (Offshore Islands, 1990) 01:15:11   end

Thanks to a listener donation, Mike and Mike are taking the time to look back on the films scored by Tangerine Dream! In this retrospective, we're talking six films that we felt were representative of the Tangerine Dream filmography: Sorcerer, Thief, Risky Business, Legend, Near Dark, and Miracle Mile - plus we toss in a couple of extras too!

Can't make sense out of the world? Feeling confused? Well listen in as we make a WHOLE lot of sense dissecting the incredible week that was in Rugby League. See omnystudio.com/listener for privacy information.

Can't make sense out of the world? Feeling confused? Well listen in as we make a WHOLE lot of sense dissecting the incredible week that was in Rugby League. See omnystudio.com/listener for privacy information.

Today, the Spotlight shines On Six Missing, the musical project of ambient artist TJ Dumser, who creates music that helps us connect with the present moment in ways we often forget.After encountering an intense phase of burnout, TJ turned his mental health struggles into Gentle Breath, a dark, lush EP that marks a new direction for this Austin-based artist. It's music that explores uncertainty with stunning depth—think Tangerine Dream meets the cosmic GAS records, but with TJ's distinct voice shining through.TJ's journey from New York workaholic to finding inner calm through his compositions offers a powerful look at how music can heal. His project name also comes from a supernatural experience at a Revolutionary War battle site …(The musical excerpts heard in the interview are from Six Missing's Gentle Breath EP)–Dig DeeperVisit Six Missing at sixmissing.com and TJ Dumser at tjdumser.comPurchase the Gentle Breath EP by Six Missing from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Six Missing on Instagram, SoundCloud, and YouTubeRupert Neve Spotlight: Six MissingSix Missing's Ambient Playlists: Amazon Music + SpotifyDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Six Missing, the musical project of ambient artist TJ Dumser, who creates music that helps us connect with the present moment in ways we often forget.After encountering an intense phase of burnout, TJ turned his mental health struggles into Gentle Breath, a dark, lush EP that marks a new direction for this Austin-based artist. It's music that explores uncertainty with stunning depth—think Tangerine Dream meets the cosmic GAS records, but with TJ's distinct voice shining through.TJ's journey from New York workaholic to finding inner calm through his compositions offers a powerful look at how music can heal. His project name also comes from a supernatural experience at a Revolutionary War battle site …(The musical excerpts heard in the interview are from Six Missing's Gentle Breath EP)–Dig DeeperVisit Six Missing at sixmissing.com and TJ Dumser at tjdumser.comPurchase the Gentle Breath EP by Six Missing from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Six Missing on Instagram, SoundCloud, and YouTubeRupert Neve Spotlight: Six MissingSix Missing's Ambient Playlists: Amazon Music + SpotifyDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today on Line Noise, something of a Krautrock special as we speak to Wolfgang Seidel, the former drummer in Eruption, a group founded by (former Tangerine Dream and Kluster member) Conrad Schnitzler, that was once described as “a thinktank for the then explosive Krautrock scene”. Seidel is also the author of a new book: Krautrock Eruption – An Introduction To German Electronic Music 1970-1980, which I thoroughly recommend. Obviously, we spoke about Krautrock, its influences today, about alternative histories, Kraftwerk, capitalism and more. Enjoy it and just remember - Line Noise comes to you with the support of Cupra.

Today on Line Noise, something of a Krautrock special as we speak to Wolfgang Seidel L, the former drummer in Eruption, a group founded by (former Tangerine Dream member and then current Kluster member) Conrad Schnitzler, that was once described as “a thinktank for the then explosive Krautrock scene”. Seidel is also the author of a new book: Krautrock Eruption – An Introduction To German Electronic Music 1970-1980, which I thoroughly recommend. Obviously, we spoke about Krautrock, its influences today, about alternative histories, Kraftwerk, capitalism and more. Enjoy it and just remember - Line Noise comes to you with the support of Cupra.

Jedes Jahr wählen die Landesmusikräte der Bundesländer das Instrument des Jahres, das besondere Beachtung verdient. Dieses Jahr ist es die Stimme und die Botschafterin ist Jocelyn B. Smith.

MONSTER PARTY HAS A SONG IN ITS HEART.  NOW WE'LL NEVER GET IT BACK IN ITS JAR! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD, get their toes a tappin' for this monstrous music festival of an episode. Follow the bouncing ball as we present… SOUNDTRACKS: THE SONGS!!! Soundtracks are usually remembered for the emotion-evoking melodies that gracefully punctuate the moments of a film. There are many masters of this remarkable craft: Jerry Goldsmith, John Williams, Tangerine Dream, Vangelis, John Barry, Lalo Schifrin, Goblin, John Carpenter, Bernard Herrmann, and countless others that only James Gonis could remember. But occasionally, plopped in the middle of all this symphonic pageantry, is an actual song with lyrics that makes us wish for a Karaoke bar strictly for nerds. Get ready for a sinister sing-a-long as we chart the hits from campy sci-fi favorites like The Blob and The Green Slime, bawdy beach films, 70's and 80's horror classics, genre TV shows, classic kaiju films, the world of James Bond, Star Trek and Star Wars, an odd sampling of Jerry Lewis films, and sooooo much more! Helping us DJ this shindig of shocks is a friend of the show, who was our last in-studio guest before COVID 19 screwed everything up. He's a soundtrack journalist, editor, genre columnist, podcaster, and supervises soundtrack temp tracks for many films. He's also a really great actor! Please welcome back… DANIEL SCHWEIGER! (FILM MUSIC LIVE, ON THE SCORE, FANGORIA, CINEFANTASTIQUE, HORROR FAN, THE NEW YORK REVIEW OF RECORDS, FILM SCORE MONTHLY, BUBBA HO-TEP, PHANTASM RAVAGER, HAPPY HORROR DAYS, BLOODY BLOODY BIBLE CAMP, PACIFIC BREEZE, HE'S FOR THE STREETS) THIS EPISODE IS SO CATCHY, IT MIGHT JUST RAISE DICK CLARK FROM THE DEAD! HE IS DEAD, RIGHT?

Meg investigates the twisted tale of lemur enthusiast Professor John Buettner-Janusch. Jessica follows the star-studded origins of the club hit The Dominatrix Sleeps Tonight.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

  I have continued my recent bingeing of berlin-school electronic music. Devouring old and new music. So I was very excited when guest mixer Erwin Broers reached with a new berlin-school mix. Woo hoo! It's all new music, some of Erwin's favorites from 2024. I was familiar with about half of the artists some it was great to discover new music.   I'll let Erwin tell you about the mix: "I was inspired by LLM end of the year mixes on ambient and jazz. I came up with the idea of doing something similar for the Berlin School subgenre. So I checked a few blogs and searched specialized web shops for the most interesting releases of 2024. The result is a near-2hr foray with lots of different styles and atmospheres, ranging from dark to uplifting, retro analog to modern digital, occasionally with a touch of electric guitar and percussions, but almost always with typical layers of sequencers and soundscapes. The influence of the pioneers of the genre, Klaus Schulze and Tangerine Dream, is still very much alive in some tracks, almost 50 years after their prime. Filtercafe and Sequentia Legenda obviously draw from that heritage. Most listeners will not like all the tracks, but it is a good introduction to what is being created in the contemporary Berlin School."   Thanks for another great electronic mix. Look for another mix from Erwin coming next month.   LINKS TO ALL  THE MUSIC USED IN THIS MIX: http://paulellisperthomhav.bandcamp.com/album/orpheus http://perge.bandcamp.com/album/la-roue http://gertemmens.bandcamp.com/album/elektra-25th-anniversary-edition http://manikinrecords.bandcamp.com/album/106 http://cosmicground.bandcamp.com/album/area-24 http://thombrennan.bandcamp.com/album/othadiegra http://pyramid-peak.bandcamp.com/album/kontinuum-2 http://sphericmusic-shop.de/de/schroeder-robert/1816-schroeder-robert-observer.html http://projektrecords.bandcamp.com/album/solastalgia http://moonsatellite2.bandcamp.com/album/motions-of-ethereal-lunar http://awenson.bandcamp.com/album/awenson-faith http://cyclicaldreams.bandcamp.com/album/veiled-portraits-cyd-0118 http://sequentia-legenda.bandcamp.com/album/galactic-crystals http://emmensboots.bandcamp.com/album/lost-in-dephts-of-desolation   Cheers!   T R A C K L I S T : 00:00:00   Paul Ellis & Per Thomhav - Orpheus (Orpheus) 00:06:11   Perge - La Roue (La Roue) 00:11:21   Gert Emmens - Elektra Part 1 (Elektra 25th Anniversary Edition) 00:18:38   Filtercafé - Kaltwasserhahn (106) 00:32:00   Cosmic Ground - Area 24 Part 4 (Area 24) 00:37:02   Thom Brennan - Othadiegra Part 5 (Othadiegra) 00:43:51   Pyramid Peak - Aquamarine (Kontinuum) 00:51:13   Robert Schroeder - Observer (Observer) 00:58:57   Erik Wöllo - Forever River (Solastalgia) 01:06:42   MoonSatellite - Motion Part 3 (Motions Of Ethereal Lunar) 01:15:00   Awenson - Van Halen (Faith) 01:25:58   Paul Ellis & Pabellón Sintético - Synonymous (Veiled Portraits) 01:31:31   Sequentia Legenda - Crystal Of Light (Galactic Crystals) 01:41:40   Gert Emmens & Ron Boots - Lost In Dephts Of Desolation (Lost In Depths Of Desolation) 01:56:09   end

Esta semana, en Islas de Robinson, completamos el salto hacia atrás iniciado hace una semana y en bucle psicodélico caemos entre 1966 y 1968, con algunos clásicos de los primeros arrebatos ácidos de por aquel entonces. Suenan: 13TH FLOOR ELEVATORS - "DON'T FALL DOWN" ("THE PSYCHEDELIC SOUNDS OF THE 13TH FLOOR ELEVATORS", 1966) / CLEAR LIGHT - "NIGHT SOUNDS LOUD" ("CLEAR LIGHT", 1967) / THE MUSIC MACHINE - "ABSOLUTELY POSITIVELY", 1967) / THE SPIKE DRIVERS - "STRANGE MISTERIOUS SOUNDS" (1967) / THE ID - "SHORT CIRCUIT" ("THE INNER SOUNDS OF THE ID", 1967) / GOLDEN DAWN - "MY TIME" ("POWER PLANT", 1968) / THE FALLEN ANGELS - "YOUR MOTHER'S HOMESICK TOO" ("THE FALLEN ANGELS", 1967) / KALEIDOSCOPE - "DIVE INTO YESTERDAY" ("TANGERINE DREAM", 1967) / THE PRETTY THINGS - "DEFECTING GREY" (1967) / FAMILY - "VOYAGE" ("MUSIC IN A DOLL'S HOUSE", 1968) / TRAFFIC - "COLOURED RAIN" ("MR. FANTASY", 1967) / JULY - "YOU MISSED IT ALL" ("JULY", 1968) / BLOSSOM TOES - "LOOK AT ME I'M YOU" (WE ARE EVER SO CLEAN", 1967) / THE NICE - "THE CRY OF EUGENE" ("THE THOUGHTS OF EMERLIST DAVJACK", 1967) / HP LOVECRAFT - "MOBIUS TRIP" ("HP LOVECRAFT II", 1968) / Escuchar audio

Vision Quest was released in theaters February 15, 1985. Based on a book that was hot in the young adult space, it featured a young Matthew Modine as Loudon Swain - a high school wrestler from Spokane, Washington who is looking to accomplish something big in his life. While the movie had limited appeal beyond teenagers (it only grossed $13 million), cable TV and video rental stores gave the movie continued life among teenagers for many years. A big reason it continued to draw 80s teens and carry such strong nostalgia today is the soundtrack. Put together by John Kalodner for Geffen Records, it featured some of the hottest pop and rock artists of the day and sold over 1 million copies in the US. Madonna, who was hot off her Like A Virgin Tour, contributes two songs - the unreleased as a single in the US Gambler and mega hit Crazy For You - and she had a cameo in the film singing them both. Journey offered Only The Young from the Frontiers sessions and the video, like Crazy For You, featured scenes from the film, helping the singles sell big numbers. Those two songs along with Red Rider's Lunatic Fringe set the tone for the film and make the songs and movie so intertwined. Some songs from bands like The Style Council, Don Henley and Dio might be overlooked as background music to certain scenes, songs like Change by John Waite (written by the legend Holly Knight) and Lunatic Fringe really keep you energized and engaged in Loudon's quest to drop 22 pounds and beat the unbeatable Shute on the wrestling mat. You have the tender Crazy For You for the romantic scenes, Journey for the training scenes and lots of rock and pop royalty. Even great songs by Berlin, Quarterflash and REO Speedwagon were left off the soundtrack but appear in the movie, including some solid work by Tangerine Dream. Maybe we like this film because as two former teenage boys, we could relate to what this guy was going through. But we continue to like the soundtrack because it had killer songs (with a couple of clunkers) that stand the test of time and play a huge role in the film. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Vision Quest was released in theaters February 15, 1985. Based on a book that was hot in the young adult space, it featured a young Matthew Modine as Loudon Swain - a high school wrestler from Spokane, Washington who is looking to accomplish something big in his life. While the movie had limited appeal beyond teenagers (it only grossed $13 million), cable TV and video rental stores gave the movie continued life among teenagers for many years. A big reason it continued to draw 80s teens and carry such strong nostalgia today is the soundtrack. Put together by John Kalodner for Geffen Records, it featured some of the hottest pop and rock artists of the day and sold over 1 million copies in the US. Madonna, who was hot off her Like A Virgin Tour, contributes two songs - the unreleased as a single in the US Gambler and mega hit Crazy For You - and she had a cameo in the film singing them both. Journey offered Only The Young from the Frontiers sessions and the video, like Crazy For You, featured scenes from the film, helping the singles sell big numbers. Those two songs along with Red Rider's Lunatic Fringe set the tone for the film and make the songs and movie so intertwined. Some songs from bands like The Style Council, Don Henley and Dio might be overlooked as background music to certain scenes, songs like Change by John Waite (written by the legend Holly Knight) and Lunatic Fringe really keep you energized and engaged in Loudon's quest to drop 22 pounds and beat the unbeatable Shute on the wrestling mat. You have the tender Crazy For You for the romantic scenes, Journey for the training scenes and lots of rock and pop royalty. Even great songs by Berlin, Quarterflash and REO Speedwagon were left off the soundtrack but appear in the movie, including some solid work by Tangerine Dream. Maybe we like this film because as two former teenage boys, we could relate to what this guy was going through. But we continue to like the soundtrack because it had killer songs (with a couple of clunkers) that stand the test of time and play a huge role in the film. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the kickoff episode of our newest series, Kill or Be Killed, an exploration of neo-noir and crime cinema.  Rennie Resmini joins us as cohost and we'll be talking about some of the iconic films in this subgenre.  This week, we cover Thief, Michael Mann's debut feature film from 1981.  Based on “The Home Invaders” the novel by Ronnie Caan, Mann creates a cold landscape of outsiders, criminals and crooked cops brought to life by an incredible cast lead by James Caan and Tuesday Weld including James Belushi, Robertr Prosky, Dennis Farina and Willie Nelson Intro: “Thief Cue 1” – Tangerine Dream Outro: “Thief Cue 2” – Tangerine Dream

This week, Josh and Drusilla discuss Michael Mann's troubled, previously hard-to-see The Keep. From wiki: “The Keep is a 1983 supernatural horror film written and directed by Michael Mann and starring Scott Glenn, Gabriel Byrne, Jürgen Prochnow, Alberta Watson, and Ian McKellen. Set in Romania during World War II, it follows a group of Nazi soldiers who unleash a malevolent supernatural force after setting up camp in an ancient stone fortress in the Carpathian Mountains. It is an adaptation of the 1981 novel of the same title by American writer F. Paul Wilson.[5] The musical score was composed by Tangerine Dream.”Also discussed: Wolf's Hole (1987), Penance by Eliza Clark, more Peter Greenaway with The Draughtsman's Contract, Philomena Cunk, Taskmaster, The Devils, Ian McKellen, Gabriel Byrne, tv versions of Ace Ventura or The Breakfast Club, Miami Vice, Sorcerer, Porky's, and more. NEXT WEEK: Queen of Spades (1949) Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

(00:00:00) Frankie Rose - Herein Wild / 2013(00:31:54) Tangerine Dream - Phaedra / 1974(01:03:00) De La Soul - Buhloone Mindstate / 1993

This week on "Shat the Movies," we're diving into Thief (1981), Michael Mann's gritty, neon-lit crime drama starring James Caan. Join us as we explore the world of Frank, a professional thief with a plan, as he navigates loyalty, betrayal, and the high cost of trust. We'll discuss the film's stylish direction, intense performances, and its influence on later crime thrillers. Whether you're a fan of Mann's work or new to this classic, tune in for a deep dive into one of the best heist films of the ‘80s! Plot Summary: In the 1981 neo-noir crime thriller Thief, directed by Michael Mann, James Caan stars as Frank, a skilled safecracker and professional thief who dreams of leaving his criminal life behind to pursue a normal existence. Frank operates with precision and discipline, running his own crew and keeping his operations clean and professional. His ultimate goal is to settle down with his girlfriend, Jessie (Tuesday Weld), and start a family. Frank's plans take a turn when a powerful Chicago mob boss, Leo (Robert Prosky), offers him a lucrative job with promises of financial security and a quick path to retirement. Initially reluctant, Frank agrees to the deal, lured by the prospect of fulfilling his dream. However, as he becomes entangled in Leo's web of control, Frank realizes that walking away from the mob may be harder—and deadlier—than he anticipated. The film features one of its most iconic scenes early on: an intense, wordless safecracking sequence that showcases Frank's meticulous craftsmanship, set against a haunting score by Tangerine Dream. As the story unfolds, Frank's moral code is tested, and his determination to break free from his past leads to explosive confrontations with Leo and his henchmen. Thief is a quintessential Michael Mann film, blending atmospheric visuals, urban grit, and a character-driven story of ambition and betrayal. James Caan's powerhouse performance captures the complexity of a man struggling to reconcile his criminal skills with his desire for a better life. The film's themes of independence, loyalty, and personal freedom resonate through its high-stakes narrative and stunning action sequences. Join our podcast review as we revisit Thief, discussing its intense heist scenes, iconic soundtrack, and whether this neo-noir classic still stands as one of the best in its genre today. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

The mid-80's were a tough time for Elton John.  The singer and pianist who had been a stellar success in the 70's was deep in the clutches of drug addiction, and struggling to perform due to throat issues.  His studio album, "Leather Jackets" had failed to produce a single to reach the top 40.  It seemed that he was finding more controversy in the British tabloids than he was success in the music industry.In the midst of this, however, he produced a stellar live album.  Live in Australia with the Melbourne Symphony Orchestra was John's twenty-eighth official album release, focusing on some of the performers earlier hits.  In the last two months of 1986, Elton John did a series of concerts as a part of his tour of Australia and New Zealand which contained two sets.  The first set was a traditional concert with John and his 14-piece band.  The second set had the band backed by the 88-piece Melbourne Symphony Orchestra with John dressed as Mozart in front of the grand piano.  The Live album captured this symphonic second set.The album was a success, hitting number 24 on the Billboard 200 and certifying gold by January 1988.This concert also marked a change.  It was the last in which Elton John appeared in his elaborate stage costumes.  He also underwent throat surgery in January 1987 which - while successful - permanently altered his voice.  His next few albums would be somewhat more successful, but he would sober up in the early 90's and release his highly successful "The One" album in 1992.Bruce presents this live symphonic hit for this week's podcast. Burn Down the MissionThis song is the concluding track of John's third album, "Tumbleweed Connection."  That was a concept album with the theme of Western Americana.  The lyrics  are a bit vague, but the story tells of a poor community oppressed by some kind of powerful force.  The singer has taken direct action to remedy the situation, and is defending his action of burning down the mission as the only way to defend his family.  Sorry Seems to Be the Hardest WordHailing from his "Blue Moves" studio album, this sad song is characterized by lyricist Bernie Taupin as "that whole idealistic feeling people get when they want to save something from dying when they basically know deep down inside that it is already dead."  Take Me to the PilotOriginally from John's self-titled second album, this song contains lyrics which both John and Taupin admit are nonsensical, but just contain words that sound good together.  Six of the 14 tracks on this live album are from Elton John's second album. Candle In the WindThis song from the "Goodbye Yellow Brick Road" album was never released as a single in the US until it was released in this live version.  Taupin used Marilyn Monroe as an archetype of the famous artist cut down in the prime of life.  He was initially inspired by hearing Clive Davis using the phrase "candle in the wind" in tribute to Janis Joplin.   ENTERTAINMENT TRACK:Theme from the motion picture SpaceballsMel Brooks is at it again, this time with his classic spoof on Star Wars.  May the Schwartz be with you! STAFF PICKS:Throwing It All Away by GenesisLynch kicks off the staff picks with this single from the Invisible Touch album that went to number 4 on the Billboard Hot 100. Genesis guitarist Mike Rutherford wrote the song and lyrics.  The upbeat music is quite different from the melancholy lyrics about a love who is leaving the singer.Don't Let Me Die Young by Andy TaylorRob brings us a solo single from Duran Duran's guitarist.  The video for the song depicts at-risk youth engaged in dangerous activities at night from crime and cars to drugs.  Taylor's album "Thunder" came out in the midst of the hair metal band's height. This single also features Steve Jones of the Sex Pistols.Alone Again Or by The DamnedWayne features a cover song originally recorded in 1967 by the group Love.  The Damned began as a punk group, and moved to post-punk, somewhat goth rock over time.  Love was an inspiration for the Damned, which encouraged them to cover this song.  The horns give the track a Spanish feel.Housequake by PrinceBruce closes out the staff picks with a party song from the double album "Sign O' The Times."  It was the B-side for the single "U Got the Look."  Prince used pitch-shifted vocals to create a higher, more feminine voice for this track.  It was originally going to be on an androgynous alter persona album called "Camille" before it was folded into this double album.   INSTRUMENTAL TRACK:21st Century Common Man, Pt. 1 by Tangerine DreamThis jazz group closes out our podcast this week.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Today, the Spotlight shines On author Christoph Dallach, who joins me to discuss his book Neu Klang: The Definitive History of Krautrock.Christoph has spent years tracking down the pioneers who spent the late 1960s in West Germany's basements and practice rooms, creating sounds unlike anything else in rock and roll.Through conversations with members of bands like Can, Kraftwerk, and Tangerine Dream, Christoph uncovers how these artists shaped a distinctly German sound in the shadow of World War II. It's a story of cultural rebirth told by the musicians who lived it.A veteran music journalist who has interviewed everyone from Bob Dylan to Taylor Swift, Christoph brings fresh insight to this pivotal moment in music history.–Dig DeeperPurchase Neu Klang: The Definitive History of Krautrock from Faber & Faber, Bookshop, Powell's, Barnes and Noble, or AmazonFollow Christoph Dallach on InstagramChristoph Dallach's playlist for his book “Neu Klang: The Definitive History of Krautrock”Krautrock: The 1970s bands which helped post-war Germany overcome its dark historyWhen it comes to krautrock, it's impossible not to mention the warDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On author Christoph Dallach, who joins me to discuss his book Neu Klang: The Definitive History of Krautrock.Christoph has spent years tracking down the pioneers who spent the late 1960s in West Germany's basements and practice rooms, creating sounds unlike anything else in rock and roll.Through conversations with members of bands like Can, Kraftwerk, and Tangerine Dream, Christoph uncovers how these artists shaped a distinctly German sound in the shadow of World War II. It's a story of cultural rebirth told by the musicians who lived it.A veteran music journalist who has interviewed everyone from Bob Dylan to Taylor Swift, Christoph brings fresh insight to this pivotal moment in music history.–Dig DeeperPurchase Neu Klang: The Definitive History of Krautrock from Faber & Faber, Bookshop, Powell's, Barnes and Noble, or AmazonFollow Christoph Dallach on InstagramChristoph Dallach's playlist for his book “Neu Klang: The Definitive History of Krautrock”Krautrock: The 1970s bands which helped post-war Germany overcome its dark historyWhen it comes to krautrock, it's impossible not to mention the warDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Mario Cuomo joins Glen and Psi to talk about his new single "Leftovers", William Friedkin's Sorcerer (1977), Tangerine Dream, and more Leftovers (Official Video) on Youtube https://www.youtube.com/watch?v=wf0-FLGsb_8 Mario Cuomo on Instagram https://www.instagram.com/mcmariocuomo?igsh=NTc4MTIwNjQ2YQ== For premium RC episodes and written content subscribe to our substack https://rarecandy.substack.com/ Rare Candy on all platforms https://beacons.ai/rarecandy

Frank Foster, Hybrid Arts   Frank Foster was one of the founders of Hybrid Arts, the company that made MIDI (Musical Instrument Digital Interface) hardware and software for Atari 8-bit and Atari ST computers. Frank was in charge of marketing for the company. After Hybrid Arts, Frank headed the music division at Atari, where he build marketing partnerships with Tangerine Dream, Fleetwood Mac, Peter Gabriel, and other musicians.   I talked with two of the other Hybrid Arts founders, Robert Moore and Paul Rother, in my previous interview.   This interview took place on February 20, 2024.    Video version of this interview   My interview with Robert Moore and Paul Rother   Hotz MIDI Translator: Atari Team Redefines Electronic Instruments   Frank Foster Biography   Frank's SIGGRAPH documentary on computer graphics   Hybrid Arts Timeline, Founders, and Goals document by Robert Moore   Midi Maze at AtariMania   ANTIC Interview 434 - Michael Park: Swan and Fujiboink Demos, MIDI Maze   ANTIC Interview 193 - Gary Yost, The Catalog and Cyber Studio   Support Kay's interview on Patreon

  At the beginning of September when I posted my "Sequencer City" mix, I said I'd been on a berlin school bender. Well, now three months later I'm still on that sequencer synth kick. At the end of October the analog synth itch was scratched by a stellar guest mix from Erwin Broers called "Capturing The Voice Of A Galaxy." It featured tracks from the Klaus Schulz label, "Innovative Communications. Now we have have a follow up mix from Erwin called "Back to the Roots of Berlin School." Oh man, this is some good stuff! Erwin tells me that "there's a whole sub-category of "Berlin School" out there called "Retro Berlin School". In the mid 1990's "Berlin School" was revived by nostalgic electronic artists who benefited from technological innovations to make the iconic analog synths such as the Mellotron, the ARP 2600 and the big Moog Modular more playable. The result was a huge resurgence of mid 1970's style Berlin School EM which was dubbed "retro" to mark the difference with the classics such as Tangerine Dream's Stratosfear, Klaus Schulze's Timewind and Ashra's New Age Of Earth." I hope my current obsession with this genre continues because I am loving every minute of it. Thanks for another great mix, Erwin. Cheers!   T R A C K L S I S T : 00:00   Redshift - Redshift(excerpt) (Redshift, 1996) 09:20   Cosmic Hoffmann - Shiva Connection (Shiva Connection, 2000) 15:00   Free System Projekt - And Then There Were Two (Impulse (reissue), 2005) 29:00   Brendan Pollard - Aquarius (Expansion, 2005) 31:17   Ramp - Phasenverzerrung (Nodular, 1998)  42:50   Javi Canovas - North Of Circle (Impasse, 2005) 56:42   Arcane - Dystopian Fictions (Gather Darkness, 1999) 71:02   end

It's the finale of Season 22 and Dave is joined for the last time by Ryan Dalgliesh, who leaves a Listener's League legacy behind him, and preview the battlelines for Survivor Series: WarGames. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Live From Progzilla Towers Edition 542. In this edition we heard music by Then Jerico, Barclay James Harvest, Herin, Jacula, Psychoyogi, Versa, Manu Katche, Pete Sinfield, King Crimson, Kansas, Lizzard, Oddleaf, Tangerine Dream, Jethro Tull, Nine Stones Close, Zoungla, Achelas, Martin Orford & The Montgolfier Brothers.

A number of bands seem to turn a corner with their third album, and Master of Puppets is no exception.  Metallica's third album would achieve both critical and commercial success, crossing out of the new thrash metal sub-genre of hard rock to achieve multi-platinum recognition.  Lead singer and rhythm guitarist James Hetfield collaborated with drummer Lars Ulrich as the principal songwriters, creating riffs that were assembled and reassembled over time until they formed a song.  The band would then be called in to create a tile and topic for the song, at which point Hetfield would create the lyrics.Master of Puppets peaked at number 29 on the Billboard 200 albums chart.  Although glam metal was on the rise, the band avoided the over-produced, synth-laden sound popular in the era, and stuck to their signature thrash metal sound with political lyrics.  The resulting album would consolidate the thrash metal scene, and bring the sound into a more mainstream audience.Unfortunately, the album would also be the last one for which bassist Cliff Burton would be featured.  Burton died in September 1986 while the band was on tour in Sweden, and their bus was involved in an accident.Metallica would become a huge group from the late 80's onward, and this album shows the strength of the group in those years when they were just coming into the consciousness of the commercial world.Lynch brings us this highly influential thrash metal album.  Fans of the Show Julie Doran and son Zack join us in Wayne's absence for today's podcast. Welcome Home (Sanitarium)The song that concludes side 1 of the album was inspired by Ken Kesey's novel "One Flew Over the Cuckoo's Nest."  The lyrics portray the thoughts of a mental patient incorrectly institutionalized in an asylum.  The track starts slow and picks up steam as it goes.  BatteryThis title could be a reflection of the charge of assault and battery, or it could be inspired by the military hardware of an artillery battery.  There is also a connection to the original San Francisco thrash scene, centered on the Old Waldorf club on Battery Street.  Control of violent urges is a connection that runs through the piece regardless of the original inspiration.Master of PuppetsCocaine addiction is the master of puppets referenced in this title track.  Hetfield had friends experiencing drug addiction, and wrote this track from the perspective of the drug itself, taking over the lives of people.  This will be a familiar song to fans of "Stranger Things." ENTERTAINMENT TRACK:Loved By the Sun by Jon Anderson and Tangerine Dream (from the motion picture “Legend”)This fantasy film starring Tom Cruise and Mia Sara was in the theaters at this time. STAFF PICKS:Your Wildest Dreams by the Moody BluesRob starts off the staff picks with a song that singer and guitarist Justin Heyward wrote while thinking back on his first love.  It hit number 9 on the Billboard Hot 100, making this song the biggest commercial success for the Moody Blues since "Knights in White Satin."Mothers Talk by Tears for FearsBruce's staff pick was inspired by a mom telling her kids that when they make faces, they will freeze that way.  It is also inspired by an anti-nuclear cartoon called "When the Wind Blows" by Raymond Briggs.  The song was written by Roland Orzabal and Ian Stanley, and first performed in 1983.  It went to number 27 on the Billboard Hot 100. Kiss by Prince & the RevolutionJulie features a chart topping hit and lead single from Prince's eighth studio album, "Parade."  The song is more acoustic and stripped down than prior Prince hits, and Warner Bros. didn't want to release it as a single.  However, Prince insisted on both its inclusion on the album and its release as a single.Addicted to Love by Robert PalmerLynch closes out the staff picks with a song that may be more famous for its video featuring models pretending to play the instruments.  Palmer originally wanted to sing this song as a duet with Chaka Kahn, but was prevented from doing so by legal issues.   INSTRUMENTAL TRACK:Songbird by Kenny G.You just can't go wrong with a sax as we close out today's podcast.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Symbiosis/Dysbiosis: Sentience Live performance - Nanotopia pays homage to Klaus Schulze, Tangerine Dream and one of their favourite movies, Fantastic Planet. Imagine stepping into an old-growth forest, where your EEG data and the bioelectrical activity of living Mycelium influence the world around you. Symbiosis-Dysbiosis: Sentience is a groundbreaking immersive XR installation in which participants embark on a quest to connect with the Mycelial Entity at the heart of the interconnected forest. It offers a unique perspective on the delicate balance between humans and the non-human organisms around us. Embark on an interactive journey where your choices determine the environment's response. Your decisions can lead to either symbiosis, fostering evolution and new awareness, or dysbiosis, resulting in a cascade of adverse outcomes. This dynamic experience places you at the heart of a living, breathing ecosystem, a powerful reminder that everything is interconnected and that your actions matter. Symbiosis/Dysbiosis: Sentience invites audiences to slow down and experience an interconnected, psychedelic forest adventure through whimsical storytelling, live actors, and an evolving soundscape. It reminds us that the future depends on our ability to recognize our connection to the non-human world. Combining real-time fungal biodata streams with EEG data from Guests, haptic sensations, and scent emitters triggered by the living fungi create an environment where participants feel, perceive, and interact with the microscopic connections formed within us, on us, and around us. Within the expanded reality installation, Nanotopia creates an evolving Quadraphonic and 4D soundscape with living Mycelium that is directly connected to a custom synthesizer and bio-electrically connected to the virtual environment. Actors, embodying the spirits of the forest, will guide you through this immersive experience, making you feel like an integral part of the narrative. Live performance took place for Earth Modular Society https://youtu.be/E0iLBkuhH-s?si=n2RD3fr7xnAhmDL0 Full album coming 2025!

Welcome to Live From Progzilla Towers Edition 539. In this edition we heard music by The Teardrop Explodes, Bernth / Charles / Ola, Blind Ego, Yes, Chicago, Neil Young, Frank Zappa, Quantum Fantay, Entheogenic, Caravan, Riverside, Belzebong, The Scaramanga Six, Tangerine Dream, Ultravox!, The Source, Nick Fletcher, Caligula's Horse, Steven Wilson, No-Man, Pink Floyd & Thomas Dolby.

In 1973, a Californian by the name of Archie Patterson became so enthused by all the interesting underground European experimental/electronic music he was hearing that he started up a fanzine dedicated to it, called Eurock. It lasted 40 issues, through 1990. In 1979, a Brit by the name of David Elliott felt much the same way and, in part inspired by Eurock and also by post-punk DIY culture, started his own zine Neumusik. While it only lasted 6 issues, until 1982, during that time it grew to over 70 pages and set David off exploring Europe to interview many of the important artists in person.What kind of artists are we talking about? Some of them you may know, like Can, Tangerine Dream, Kraftwerk, Nektar, Neu!, Heldon, Chrome, or Urban Sax.. Others you may never have heard of, like Guru Guru, Asmus Tietchens, Atem, Art Zoyd III, Gunter Schickert, or Shub Niggurath. All of them were at the forefront of musical creativity towards the end of the 20th Century, and Eurock and Neumusik were at the forefront of the fanzines writing about them, interviewing them, and cataloguing their culture. Patterson grew a distribution service and began publishing books; he still posts twice-weekly about the music on his Facebook. Elliot started a “band,” a cassette label, and recently wrote an extensive book on the British pop music of 1984.For more information about their zines, their culture, and where to get copies of their books, please head on over to https://tonyfletcher.substack.com/p/adventures-in-neumusik-and-eurock Hosted on Acast. See acast.com/privacy for more information.

My 101 Dimensions offering for this month includes great music from Röyksopp, Tangerine Dream, Klaus Schulze, Sequentia Legenda, and Paul Ellis!  

Sometimes Max, Ryan, and James have to convince their friends to watch movies on Good Brews Bad Views as they aren't all winners. Other times people offer themselves up to the "cinematic experiences" of the podcast, like Aaron Carsten did when he said he would come on to watch The Keep, Michael Mann's ill fated supernatural World War II film.Lose yourself in the Tangerine Dream soundscape at 1:36:46 for the post movie wrap up on all things The Keep, Dessert Beer, and other Supernatural/Occult World War II movies.Like what we're doing? Want to choose future episodes? Want to help us learn dead medieval languages? Check out our Patreon: https://www.patreon.com/goodbrewsbadviewsFollow Aaron on Twitch!Good Brews Bad Views will be performing live at Batch Brewing Company with a showing of Troll 2 on Thursday October 24th at 8pm, find out more information hereOpening theme: Tha Silent Partner – Prohibition Brew and Pork Chops

Support Night Clerk Radio on Patreon In this episode, we're exploring the music of The Nightcrawlers, a trio from Philadelphia who produced over 30 cassettes of amazing cosmic and ambient synth during the 80s. We talk about one of these cassettes and then cover their more recent 2018 compilation. Their music is phenomenal so we want to say thank you to the YouTube algorithm for incepting Ross.Albums DiscussedNightcrawlers - Space Ritual at St Mary'sThe Biophonic Boombox Recordings by The Nightcrawlers Additional LinksAlbum of the Day: Nightcrawlers, “The Biophonic Boombox Recordings”The Nightcrawlers - Mexican Summer Record Label PageThe Nightcrawlers Remain an Obscure but Fascinating 80s Electronic Band CreditsMusic by: 2MelloArtwork by: Patsy McDowellRoss on TwitterBirk on TwitterNight Clerk Radio on TwitterNight Clerk Radio on InstagramNight Clerk Radio on Bluesky

Legend (1985) is a dark fantasy film directed by Ridley Scott. Set in a mythical, timeless world, it tells the story of the eternal struggle between good and evil. The movie stars Tom Cruise, Mia Sara, and Tim Curry.In this fantasy world, Jack (played by Tom Cruise), a young forest dweller, is in love with Princess Lili (Mia Sara). The two encounter unicorns, magical creatures whose existence maintains light and goodness in the world. However, Lili's curiosity and innocence lead her to touch one of the unicorns, which allows the villain, Darkness (played by Tim Curry), to begin his plan to cast the world into eternal night.Darkness aims to capture and kill the unicorns to extinguish the light, leading to a race against time. Jack, aided by magical creatures and companions, must stop Darkness, rescue Princess Lili, and save the world from eternal darkness.Key Themes and Features:Good vs. Evil: The central conflict revolves around the classic struggle between light and darkness.Visual Style: The film is praised for its stunning cinematography, intricate sets, and atmospheric effects, creating a dreamlike, ethereal world.Tim Curry's Performance: Tim Curry's portrayal of Darkness is iconic, featuring elaborate makeup and a menacing presence that has made the character memorable.Fantasy Elements: The film is filled with magical creatures such as goblins, fairies, and dwarves, contributing to its otherworldly feel.Although Legend did not perform well at the box office initially, it gained a cult following over the years, particularly for its visuals, score, and the performances of its leads. There are different versions of the film, including a U.S. release with a score by Tangerine Dream and an international version with a Jerry Goldsmith score.

Chip and Jeff are stoked to chat about the epic fantasy adventure film “Legend” (1985) with special guest Matt Prindle. They also chat about  Chip hitting 10,000 followers on Instagram, the Twin Cities, Tim Walz, doing improv, Tom Cruise True or False Quiz, Mia Sara, Ridley Scott, "Untamed Heart," Lily's Goth glow-up, Tangerine Dream, quest movies, Brooklyn Nine-Nine, Andre Braugher, Oasis reunion, Johnny Marr, Chip Goes to a Bruce Concert, and more goodness!

Paul Brickman's 1983 capitalist coming-of-age sleek sex comedy, RISKY BUSINESS, is our feature presentation this week. We talk Tangerine Dream's musical score elevating the film, Tom Cruise setting the stage for his entire career, Rebecca De Mornay, character actor Richard Masur, the style and tone, and much more! We also pick our TOP 7 ICONIC 80s MOVIE SCENES in this week's SILVER SCREEN 7. Check out the show, subscribe and become a regular here at THE BROKEN VCR. To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early.

We dive into the atmospheric worlds of ambient, krautrock, and folk music released in 1972, including the introspective sounds of Nick Drake, the experimental sonic landscapes of Tangerine Dream and Neu!, along with what might be the first ever folk concept album? Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone loves a good heist movie that depends on the combination of cold, logical planning and some element going sideways–and Thief is one of the best. Its 1981 release date is seen in every frame and the soundtrack by Tangerine Dream makes for great nostalgic viewing. But the film has real power as a character study of a highly skilled man trying to get something beyond his reach and wants what he cannot steal. James Cann's performance as Frank is one of his best; he even seems to channel his most famous role when he needs Frank to let off steam. Give it a listen and learn how Michael Mann answers the question of whether there is honor among thieves. Want to read more about Michael Mann? Jean-Baptiste Thoret's Michael Mann: A Contemporary Retrospective examines Mann's “contemplative way of filming that combines fascination and melancholy.” Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Everyone loves a good heist movie that depends on the combination of cold, logical planning and some element going sideways–and Thief is one of the best. Its 1981 release date is seen in every frame and the soundtrack by Tangerine Dream makes for great nostalgic viewing. But the film has real power as a character study of a highly skilled man trying to get something beyond his reach and wants what he cannot steal. James Cann's performance as Frank is one of his best; he even seems to channel his most famous role when he needs Frank to let off steam. Give it a listen and learn how Michael Mann answers the question of whether there is honor among thieves. Want to read more about Michael Mann? Jean-Baptiste Thoret's Michael Mann: A Contemporary Retrospective examines Mann's “contemplative way of filming that combines fascination and melancholy.” Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Paul Brickman's 'Risky Business' is one of the greatest films of the 80's and is so much more than the "teen sex comedy" many people thought they were getting at the time.  Frame by frame, it's really a masterpiece with so many aspects and elements of brilliance.  The score by Tangerine Dream, Tom Cruise at NINETEEN, Rebecca De Mornay, the genius editing of Richard Chew...on and on...what an incredible film. And Paul Brickman would direct only ONE more feature film in his career to date. Astounding.  Worthy of a rare Saturday pod!    

Welcome to The Movie Planet BONUS SHOW! After recording the show, Joe and Josh sat down and went down a few rabbit holes: Mary Elizabeth Winstead - Did she miss her window? Fargo - Joe has misconceptions and misunderstandings Josh is watching the Bond Series 2010: The Year We Make Contact Roy Scheider catalog Tangerine Dream's musical catalog Thief and Michael Mann's films "Hot Sauce" provided by: Wavtracks Music PO Box 56 Sylvania, 2224 NSW Australia

    While playing random tracks from my hard drive full music, I stumbled upon several tunes I hadn't heard in forever. I was filled with feelings of nostalgia. That can happen quite a lot when you're as old as I am, certain albums will always remind me of times and places. I remember wearing out a cassette copy of Tangerine Dream's "Hyperborea" on an old boom box when I first started my current job 30 years ago. I started collecting a few obscure, nostalgia-inducing tracks as I listened to music over the next few months. As I sat down to make a mix from these tunes I noticed that I could separate them into two time periods - one is tracks from roughly 1976 to the late 80s. And the other turned into this mix, focusing on electronic/idm music from the 2000s. The mix starts with three of my all time favorite cuts from that period. It felt so good to hear these again and then work them into a mix. Here are links to all the music used in this mix. Because these are about 20 years old I used Boomkat to source the ones that did not have Bandcamp links. https://boomkat.com/products/views-of-distant-towns https://bfleischmann.bandcamp.com/album/welcome-tourist https://styrofoam-music.bandcamp.com/album/nothings-lost https://boomkat.com/products/far-away-trains-passing-by-2020-remaster https://thealbumleaf.bandcamp.com/album/in-a-safe-place https://boomkat.com/products/trois-gymnopedies https://komeit.bandcamp.com/album/kom-it https://boomkat.com/products/tangled-wool-3c00c3ec-205c-42f1-9fca-e0861673764a https://arovane.bandcamp.com/album/lilies https://renajones.bandcamp.com/album/indras-web https://bfleischmann.bandcamp.com/album/welcome-tourist Enjoy this electronic trip down memory lane.   Cheers!     T R A C K L I S T : 00:00    RF - Ladder in Place (Views of Distant Towns 2006) 05:21    B. Fleischmann - A Letter From Home (Welcome Tourist 2003) 10:18    Styrofoam - Make It Mine (Nothing's Lost 2004) 19:00    Ulrich Schnauss - Between Us And Them (Far Away Trains Passing By 2005) 25:22    The Album Leaf - The Outer Banks (In a Safe Place 2004) 29:30    ISAN - Trois gymnopedies No.1 Lent et douloureux (Trois gymnopedies 2006) 31:55    Kom​ë​it - Acme (Kom​ë​it(blue record) 2000) 34:34    Xela - Through Crimson Clouds (Tangled Wool 2004) 39:39    Arovane - Windy Wish Trees (Lillies 2004) 42:49    Rena Jones - Helix (Indra's Web 2009) 47:53    B. Fleischmann - Take Your Time (Welcome Tourist 2003) 62:00    end