Podcasts about mackendrick

Every so often the Criterion Collection shows us exactly one movie from a director and will apparently never show us another. With very few exceptions we've loved these one-and-dones, and Alexander Mackendrick's Sweet Smell of Succcess is no outlier. It's very dark, it's very entertaining, and we'll never see anything from Mackendrick again.

Alexander Mackendrick summed up the wisdom that film schools (and MFA programs in general) hand down to writers. Is it helpful or poisonous? In this episode, Matt and James finish examining and questioning his 41 rules.

Matt and James once again use the rules of Alexander Mackendrick as a springboard to talk about what makes for a good story. Bonus: Matt posits his theory of what's in the case in Pulp Fiction and completely convinces James!

The great filmmaker Alexander Mackendrick famously passed along 41 rules of writing advice and now Matt and James are going to evaluate them all in a three-part epic!

If you take a shower and use basic cosmetics, you could be exposed to more than 100 chemicals. Add in your furnishings and food, and we're talking several hundred chemicals, some of them bioaccumulative—and dangerous. But if we know that certain consumer goods have toxics in them, how did they end up on shelves? And why are they still for sale? This week, Dr. Norah MacKendrick joins Jonathan to break down the history and politics of daily chemical exposure, and what needs to change so that we can stay safe.Dr. Norah MacKendrick is Associate Professor of Sociology at Rutgers University. She's the author of Better Safe Than Sorry: How Consumers Navigate Exposure to Everyday Toxics. Her research falls within the fields of environmental sociology, gender, medical sociology, and consumer studies. You can follow Dr. MacKendrick on Twitter @nmackend, on Instagram @nmackendgreen, and at norahmackendrick.com.  Curious about limiting exposure to toxic chemicals? Here are some resources she recommends: The Center for Environmental Health offers essential information, webinars, and resources and check out the Environmental Working Group's map on PFAS water contamination. Ready to take action? Start with the nationwide Mind the Store campaign – then explore the Detox Me Action Kit from Silent Spring Institute and the EWG's Skin Deep Database for guidance on safer personal care products.  Want to get involved with organizations protecting consumers of color? Check out WE ACT's Beauty Inside Out Working Group and Black Women For Wellness. Follow us on Instagram and Twitter @CuriousWithJVN to join the conversation. Jonathan is on Instagram and Twitter @JVN and @Jonathan.Vanness on Facebook. Transcripts for each episode are available at JonathanVanNess.com. Our executive producer is Erica Getto. Our associate producer is Zahra Crim. Our editor is Andrew Carson. Our theme music is “Freak” by QUIÑ; for more, head to TheQuinCat.com.

Hola! Hoy voy a estar hablando de la película Sweet Smell of Success del año 1957. Película dramática de Film Noir hecha en Estados Unidos dirigida por Alexander Mackendrick y escrita por Clifford Odets, Ernest Lehman y Mackendrick. La película cuenta la historia del poderoso columnista J.J. Hunsecker que usa sus conexiones para arruinar la relación de su hermana con un músico de Jazz. Espero que lo disfruten!

Shane and Matthew reach the end of season 2 with a wonderful slice-of-life Americana from James Mangold; his debut and mini-masterpiece 'Heavy' from 1995. Notes: Mangold's filmmaker tips: https://filmschoolrejects.com/filmmaking-tips-james-mangold-9c10355d5a88/ Mangold on Mackendrick: https://uk.finance.yahoo.com/news/logan-director-james-mangold-discusses-183056098.html 9 Movies where Shelly Winters dies in the middle: http://cassavafilms.com/list-of-9/nine-movies-in-which-shelley-winters-dies-in-the-middle  

This week, the guys take a look at a movie that was almost our pilot episode! Yes, it's The Man in the White Suit from director Alexander Mackendrick and starring Alec Guinness. The guys talk about how the movie covers every side of the issue in equal measures, the guys compare the debate in this movie to the Keystone pipeline, they discover that maybe Mackendrick used this film to take shots at his own employers and much more!   The guys also roll the dice to find out what they'll be watching next week. Join us, won't you?   Full List: https://en.wikipedia.org/wiki/BFI_Top_100_British_films Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/bfi_pod Our logo was designed by the wonderful Mariah Lirette (https://www.instagram.com/mariahhx)   The Man in the White Suit stars Alec Guinness, Joan Greenwood, Cecil Parker, Michael Gough, Ernest Thesiger and Vida Hope; directed by Alexander Mackendrick. Is It Streaming? USA: Flix Fling Canada: Flix Fling UK: N/A Learn more about your ad choices. Visit megaphone.fm/adchoices

"It's a-me!" We are not quite done celebrating Mario's 35th birthday in the PodCavern! Like many games that came to the Wii U, this particular one was revered by many but played by so few...until now! So join us this week as Tuong La and Doug MacKendrick talk about the newest (sort of) cat-filled adventure of Mario re-released on the Nintendo Switch - Super Mario 3D World and the brand new free expansion Bowser's Fury! The post Ep 67 – Super Mario 3D World + Bowser’s Fury (2021) with Doug MacKendrick appeared first on PodCavern.

In this episode of Welcome To The Party Pal, film historian and host Christian Niedan, with the help of editor and culture journalist Dante A. Ciampaglia, celebrate the 1957 cult classic Sweet Smell of Success. Sweet Smell of Success is a noir drama film directed by Alexander Mackendrick, starring Burt Lancaster, Tony Curtis, Susan Harrison, and Martin Milner, and written by Clifford Odets, Ernest Lehman, and Mackendrick from the novelette by Lehman. The darkened noir cinematography filmed on location in New York City was shot by James Wong Howe. The film tells the story of powerful and sleazy newspaper columnist J.J. Hunsecker (portrayed by Lancaster and based on Walter Winchell) who uses his connections to ruin his sister's relationship with a man he deems unworthy of her. The musical score was arranged and conducted by Elmer Bernstein and the film also features jazz performances by the Chico Hamilton Quintet.Read work from Dante A. Ciampaglia, who has been published by The Paris Review, Metropolis, Architectural Digest, and Wired, at danteaciampaglia.com. Of note, read his article entitled "Black (and Blue) and White and Rad All Over" about Sweet Smell of Success at Pop Matters. See acast.com/privacy for privacy and opt-out information.

Now More Than Ever, Encouraging Young Women into Politics

Now More Than Ever, Encouraging Young Women into Politics

Garrett and Dan suit up in their karate gis for a lengthy chat with Michael Pressman about his work directing TEENAGE MUTANT NINJA TURTLES II: THE SECRET OF THE OOZE. Michael introduces the boys to his mentor, Alexander Mackendrick, describes the laborious prep that goes into capturing a Turtle on camera, and of course takes the time to chat about Vanilla Ice. twitter | Facebook | tumblr | iTunes

Bad to Worse continues with a discussion of the 1955 black comedy The Ladykillers. Amy reviews The Oath for Straight-to-Video Russian Roulette.  Brought to you ad-free by the Legion of Demons at patreon.com/notlp. Join the Legion to get more stuff at patreon.com/notlp! Our Beelzebub tier producers are: Jim Bolding Cassie & Jeremy Burmeister Bill Fahrner Blake Heath  Amanda James Alise Kombrinck Jeff Lancaster Tree & Alex McNulty Ernest Perez Mark Watts  Branan Whitehead & Emily Intravia Iona Goodwin Todd De Pompa Bill Chandler Additional financial contributions by Amy & Freddy Morris “Monster Movies (with My Friends)” was written and performed by Kelley Kombrinck. It was recorded and mixed by Freddy Morris. Night of the Living Podcast’s chief contributors are:  Mikey B  Andy Hung Kelley Kombrinck  Amy Morris Freddy Morris The podcast is produced and engineered by Amy & Freddy Morris.  Night of the Living Podcast Social Media:   facebook.com/notlp twitter.com/notlp instagram.com/nightofthelivingpodcast youtube.com/notlpcrew   Connect with other listeners in the Facebook Group or on Reddit:   https://www.facebook.com/groups/notlp https://www.reddit.com/r/NOTLPodcast

Consumers today have a lot of choices. Whether in stores or online, people are inundated by an abundance of options for what to buy. At the same time, the products we consume seem to have more and more ingredients, additives, and chemicals in them that put our health at risk, and even their packaging could be harmful to us. How do consumers make sense of the choices they have to make to reduce their own and their family’s exposure to everyday toxics? In her engaging and insightful new book, Better Safe Than Sorry: How Consumers Navigate Exposure to Everyday Toxics (University of California Press, 2018), sociologist Norah MacKendrick shows readers how today’s regulatory environment in the United States came about, how so much of what we consume remains unregulated, and how environmental health groups, food retail stores, and consumers have adjusted to these realities. In an age of deregulation, when individuals are forced to take on an increasing amount of risk with decreasing support from societal institutions, MacKendrick argues that many consumers today are practicing what she calls “precautionary consumption,” or a pattern of “green” or non-toxic shopping to try to ward off the harms of conventional modern products. The burden of such an intensive, resource-consuming approach to shopping, however, falls disproportionately on women, who remain charged with the responsibility of caring for the household (shopping, cooking, cleaning), and especially mothers, who still do the lion’s share of child raising. Furthermore, MacKendrick questions the ability of precautionary consumption to truly achieve environmental justice and equitable forms of widespread regulation, so that the burden for preventing exposure to everyday toxics doesn’t fall on the individual, and especially not on the groups bearing excessive responsibility to do so (women, mothers) or receiving a disproportionate amount of the harm (the poor). Examining everyday toxics from a variety of angles, MacKendrick’s book is an impressive analysis of how many of us shop today, why we do so, and what we can do to achieve greater equality. Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City & Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City & Community, and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices

Consumers today have a lot of choices. Whether in stores or online, people are inundated by an abundance of options for what to buy. At the same time, the products we consume seem to have more and more ingredients, additives, and chemicals in them that put our health at risk, and even their packaging could be harmful to us. How do consumers make sense of the choices they have to make to reduce their own and their family’s exposure to everyday toxics? In her engaging and insightful new book, Better Safe Than Sorry: How Consumers Navigate Exposure to Everyday Toxics (University of California Press, 2018), sociologist Norah MacKendrick shows readers how today’s regulatory environment in the United States came about, how so much of what we consume remains unregulated, and how environmental health groups, food retail stores, and consumers have adjusted to these realities. In an age of deregulation, when individuals are forced to take on an increasing amount of risk with decreasing support from societal institutions, MacKendrick argues that many consumers today are practicing what she calls “precautionary consumption,” or a pattern of “green” or non-toxic shopping to try to ward off the harms of conventional modern products. The burden of such an intensive, resource-consuming approach to shopping, however, falls disproportionately on women, who remain charged with the responsibility of caring for the household (shopping, cooking, cleaning), and especially mothers, who still do the lion’s share of child raising. Furthermore, MacKendrick questions the ability of precautionary consumption to truly achieve environmental justice and equitable forms of widespread regulation, so that the burden for preventing exposure to everyday toxics doesn’t fall on the individual, and especially not on the groups bearing excessive responsibility to do so (women, mothers) or receiving a disproportionate amount of the harm (the poor). Examining everyday toxics from a variety of angles, MacKendrick’s book is an impressive analysis of how many of us shop today, why we do so, and what we can do to achieve greater equality. Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City & Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City & Community, and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices

Consumers today have a lot of choices. Whether in stores or online, people are inundated by an abundance of options for what to buy. At the same time, the products we consume seem to have more and more ingredients, additives, and chemicals in them that put our health at risk, and even their packaging could be harmful to us. How do consumers make sense of the choices they have to make to reduce their own and their family’s exposure to everyday toxics? In her engaging and insightful new book, Better Safe Than Sorry: How Consumers Navigate Exposure to Everyday Toxics (University of California Press, 2018), sociologist Norah MacKendrick shows readers how today’s regulatory environment in the United States came about, how so much of what we consume remains unregulated, and how environmental health groups, food retail stores, and consumers have adjusted to these realities. In an age of deregulation, when individuals are forced to take on an increasing amount of risk with decreasing support from societal institutions, MacKendrick argues that many consumers today are practicing what she calls “precautionary consumption,” or a pattern of “green” or non-toxic shopping to try to ward off the harms of conventional modern products. The burden of such an intensive, resource-consuming approach to shopping, however, falls disproportionately on women, who remain charged with the responsibility of caring for the household (shopping, cooking, cleaning), and especially mothers, who still do the lion’s share of child raising. Furthermore, MacKendrick questions the ability of precautionary consumption to truly achieve environmental justice and equitable forms of widespread regulation, so that the burden for preventing exposure to everyday toxics doesn’t fall on the individual, and especially not on the groups bearing excessive responsibility to do so (women, mothers) or receiving a disproportionate amount of the harm (the poor). Examining everyday toxics from a variety of angles, MacKendrick’s book is an impressive analysis of how many of us shop today, why we do so, and what we can do to achieve greater equality. Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City & Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City & Community, and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices

Consumers today have a lot of choices. Whether in stores or online, people are inundated by an abundance of options for what to buy. At the same time, the products we consume seem to have more and more ingredients, additives, and chemicals in them that put our health at risk, and even their packaging could be harmful to us. How do consumers make sense of the choices they have to make to reduce their own and their family’s exposure to everyday toxics? In her engaging and insightful new book, Better Safe Than Sorry: How Consumers Navigate Exposure to Everyday Toxics (University of California Press, 2018), sociologist Norah MacKendrick shows readers how today’s regulatory environment in the United States came about, how so much of what we consume remains unregulated, and how environmental health groups, food retail stores, and consumers have adjusted to these realities. In an age of deregulation, when individuals are forced to take on an increasing amount of risk with decreasing support from societal institutions, MacKendrick argues that many consumers today are practicing what she calls “precautionary consumption,” or a pattern of “green” or non-toxic shopping to try to ward off the harms of conventional modern products. The burden of such an intensive, resource-consuming approach to shopping, however, falls disproportionately on women, who remain charged with the responsibility of caring for the household (shopping, cooking, cleaning), and especially mothers, who still do the lion’s share of child raising. Furthermore, MacKendrick questions the ability of precautionary consumption to truly achieve environmental justice and equitable forms of widespread regulation, so that the burden for preventing exposure to everyday toxics doesn’t fall on the individual, and especially not on the groups bearing excessive responsibility to do so (women, mothers) or receiving a disproportionate amount of the harm (the poor). Examining everyday toxics from a variety of angles, MacKendrick’s book is an impressive analysis of how many of us shop today, why we do so, and what we can do to achieve greater equality. Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City & Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City & Community, and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices

Consumers today have a lot of choices. Whether in stores or online, people are inundated by an abundance of options for what to buy. At the same time, the products we consume seem to have more and more ingredients, additives, and chemicals in them that put our health at risk, and even their packaging could be harmful to us. How do consumers make sense of the choices they have to make to reduce their own and their family’s exposure to everyday toxics? In her engaging and insightful new book, Better Safe Than Sorry: How Consumers Navigate Exposure to Everyday Toxics (University of California Press, 2018), sociologist Norah MacKendrick shows readers how today’s regulatory environment in the United States came about, how so much of what we consume remains unregulated, and how environmental health groups, food retail stores, and consumers have adjusted to these realities. In an age of deregulation, when individuals are forced to take on an increasing amount of risk with decreasing support from societal institutions, MacKendrick argues that many consumers today are practicing what she calls “precautionary consumption,” or a pattern of “green” or non-toxic shopping to try to ward off the harms of conventional modern products. The burden of such an intensive, resource-consuming approach to shopping, however, falls disproportionately on women, who remain charged with the responsibility of caring for the household (shopping, cooking, cleaning), and especially mothers, who still do the lion’s share of child raising. Furthermore, MacKendrick questions the ability of precautionary consumption to truly achieve environmental justice and equitable forms of widespread regulation, so that the burden for preventing exposure to everyday toxics doesn’t fall on the individual, and especially not on the groups bearing excessive responsibility to do so (women, mothers) or receiving a disproportionate amount of the harm (the poor). Examining everyday toxics from a variety of angles, MacKendrick’s book is an impressive analysis of how many of us shop today, why we do so, and what we can do to achieve greater equality. Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City & Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City & Community, and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices

Consumers today have a lot of choices. Whether in stores or online, people are inundated by an abundance of options for what to buy. At the same time, the products we consume seem to have more and more ingredients, additives, and chemicals in them that put our health at risk, and even their packaging could be harmful to us. How do consumers make sense of the choices they have to make to reduce their own and their family's exposure to everyday toxics? In her engaging and insightful new book, Better Safe Than Sorry: How Consumers Navigate Exposure to Everyday Toxics (University of California Press, 2018), sociologist Norah MacKendrick shows readers how today's regulatory environment in the United States came about, how so much of what we consume remains unregulated, and how environmental health groups, food retail stores, and consumers have adjusted to these realities. In an age of deregulation, when individuals are forced to take on an increasing amount of risk with decreasing support from societal institutions, MacKendrick argues that many consumers today are practicing what she calls “precautionary consumption,” or a pattern of “green” or non-toxic shopping to try to ward off the harms of conventional modern products. The burden of such an intensive, resource-consuming approach to shopping, however, falls disproportionately on women, who remain charged with the responsibility of caring for the household (shopping, cooking, cleaning), and especially mothers, who still do the lion's share of child raising. Furthermore, MacKendrick questions the ability of precautionary consumption to truly achieve environmental justice and equitable forms of widespread regulation, so that the burden for preventing exposure to everyday toxics doesn't fall on the individual, and especially not on the groups bearing excessive responsibility to do so (women, mothers) or receiving a disproportionate amount of the harm (the poor). Examining everyday toxics from a variety of angles, MacKendrick's book is an impressive analysis of how many of us shop today, why we do so, and what we can do to achieve greater equality. Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men's barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City & Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City & Community, and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fordham Conversations Host Robin Shannon talks with Authors and Professors Virginia Burrus and Karmen Mackendrick. They discuss their book “Seducing Augustine: Bodies, Desires, Confessions.” The publication from Fordham Press interprets St. Augustine’s autobiography Confessions from a seductive and passionate point of view. 

Perhaps the world's first famous Scots filmmaker, Alexander Mackendrick was not much more than a set designer when he was hired by Britain's Ealing Studios to direct Whisky Galore! (1949).  If you were to ask Mackendrick himself, he would like not cite it as the high point of his career, as the production was plagued with problems between him and the producers. Based on actual events, Whisky Galore! is the charming little story of an island village in Scotland whose inhabitants conspire to steal a boatload of whiskey from a sunken ship.  Traditional stereotypes may stand out, but at the end of the day most audiences won't help but smile to themselves at Alexander Mackenrick's directorial debut. Have a question or a comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter via @1001MoviesPC, or look for the podcast's Facebook page.

The cynical and mean subject of the 67th Next 100 Project podcast is one of our favourites. Information is power. Burt Lancaster is remarkably good as the bullying gossip columnist, but Tony Curtis (just about) matches him. J.J. and Sidney are sharks who deserve every bad thing coming to them...but, man, they’ve got some great dialogue to say along the way. Guzzle down some Sparkplug Coffee as you delve into SSoS!

“Match me, Sidney." James Wong Howe had just won his Oscar for his black-and-white cinematography for “The Rose Tattoo” when the star of the film, Burt Lancaster, hired him to shoot his next picture, “Sweet Smell of Success.” Howe and director Alexander Mackendrick knew right away that to tell this story properly, they really needed to film on the streets of New York City at night. So they did, and in the process created a stunningly gorgeous and dark film noir that feels like it truly lives in the city, not on some Hollywood soundstage. Join us — Pete Wright and Andy Nelson — as we continue our Black-and-White Cinematography of James Wong Howe series with Mackendrick’s wonderful 1956 film, “Sweet Smell of Success.” We talk about the chiaroscuro look that Howe captured in this film, and also look at the deep focus and camera movement and how it all helps tell the story. We chat about Ernest Lehman and Clifford Odets, the writers, looking at what they each contributed to the wickedly brilliant dialogue. We discuss the cast — notably Lancaster, Tony Curtis, Susan Harrison, Marty Milner, Barbara Nichols and Emile Meyer — and what they bring to the table. We touch on Walter Winchell, the figure on whom Lancaster’s character was based. And we talk about how the film was received at the time — poorly — as well as how opinion of it changed over time. It’s a film that feels biting and dangerous, and it’s one we enjoy quite a bit. Tune in! Film Sundries Script Transcript Original theatrical trailer Original poster artwork Sweet Smell of Success & Other Stories — Ernest Lehman Flickchart Trailers of the Week Andy’s Trailer: Bridge of Spies — “Okay, so it’s Tom Hanks. And Spielberg. It should be obvious why I picked this one. But it’s also about a piece of history I didn’t know about, so I find myself quite intrigued." Pete’s Trailer: The Martian — “DAMON IN SPAAAAACE! I’m right in the middle of the book that spawned this movie and the trailer so far is doing great justice to the tone and spirit of the material. Very much looking forward to it!" Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd

“Match me, Sidney." James Wong Howe had just won his Oscar for his black-and-white cinematography for “The Rose Tattoo” when the star of the film, Burt Lancaster, hired him to shoot his next picture, “Sweet Smell of Success.” Howe and director Alexander Mackendrick knew right away that to tell this story properly, they really needed to film on the streets of New York City at night. So they did, and in the process created a stunningly gorgeous and dark film noir that feels like it truly lives in the city, not on some Hollywood soundstage. Join us — Pete Wright and Andy Nelson — as we continue our Black-and-White Cinematography of James Wong Howe series with Mackendrick's wonderful 1956 film, “Sweet Smell of Success.” We talk about the chiaroscuro look that Howe captured in this film, and also look at the deep focus and camera movement and how it all helps tell the story. We chat about Ernest Lehman and Clifford Odets, the writers, looking at what they each contributed to the wickedly brilliant dialogue. We discuss the cast — notably Lancaster, Tony Curtis, Susan Harrison, Marty Milner, Barbara Nichols and Emile Meyer — and what they bring to the table. We touch on Walter Winchell, the figure on whom Lancaster's character was based. And we talk about how the film was received at the time — poorly — as well as how opinion of it changed over time. It's a film that feels biting and dangerous, and it's one we enjoy quite a bit. Tune in! Film Sundries Script Transcript Original theatrical trailer Original poster artwork Sweet Smell of Success & Other Stories — Ernest Lehman Flickchart Trailers of the Week Andy's Trailer: Bridge of Spies — “Okay, so it's Tom Hanks. And Spielberg. It should be obvious why I picked this one. But it's also about a piece of history I didn't know about, so I find myself quite intrigued." Pete's Trailer: The Martian — “DAMON IN SPAAAAACE! I'm right in the middle of the book that spawned this movie and the trailer so far is doing great justice to the tone and spirit of the material. Very much looking forward to it!" Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd

James Wong Howe had just won his Oscar for his black-and-white cinematography for “The Rose Tattoo” when the star of the film, Burt Lancaster, hired him to shoot his next picture, “Sweet Smell of Success.” Howe and director Alexander Mackendrick knew right away that to tell this story properly, they really needed to film on the streets of New York City at night. So they did, and in the process created a stunningly gorgeous and dark film noir that feels like it truly lives in the city, not on some Hollywood soundstage. Join us — Pete Wright and Andy Nelson — as we continue our Black-and-White Cinematography of James Wong Howe series with Mackendrick's wonderful 1956 film, “Sweet Smell of Success.” We talk about the chiaroscuro look that Howe captured in this film, and also look at the deep focus and camera movement and how it all helps tell the story. We chat about Ernest Lehman and Clifford Odets, the writers, looking at what they each contributed to the wickedly brilliant dialogue. We discuss the cast — notably Lancaster, Tony Curtis, Susan Harrison, Marty Milner, Barbara Nichols and Emile Meyer — and what they bring to the table. We touch on Walter Winchell, the figure on whom Lancaster's character was based. And we talk about how the film was received at the time — poorly — as well as how opinion of it changed over time. It's a film that feels biting and dangerous, and it's one we enjoy quite a bit. Tune in!

James Wong Howe had just won his Oscar for his black-and-white cinematography for “The Rose Tattoo” when the star of the film, Burt Lancaster, hired him to shoot his next picture, “Sweet Smell of Success.” Howe and director Alexander Mackendrick knew right away that to tell this story properly, they really needed to film on the streets of New York City at night. So they did, and in the process created a stunningly gorgeous and dark film noir that feels like it truly lives in the city, not on some Hollywood soundstage. Join us — Pete Wright and Andy Nelson — as we continue our Black-and-White Cinematography of James Wong Howe series with Mackendrick's wonderful 1956 film, “Sweet Smell of Success.” We talk about the chiaroscuro look that Howe captured in this film, and also look at the deep focus and camera movement and how it all helps tell the story. We chat about Ernest Lehman and Clifford Odets, the writers, looking at what they each contributed to the wickedly brilliant dialogue. We discuss the cast — notably Lancaster, Tony Curtis, Susan Harrison, Marty Milner, Barbara Nichols and Emile Meyer — and what they bring to the table. We touch on Walter Winchell, the figure on whom Lancaster's character was based. And we talk about how the film was received at the time — poorly — as well as how opinion of it changed over time. It's a film that feels biting and dangerous, and it's one we enjoy quite a bit. Tune in!

Ealing Studios comedies, particularly the ones we've been talking about, have all had a bit of an anti-establishment feel to them but “The Man in the White Suit” feels like they were trying to something a bit more with it. The film is fascinating satirical comedy looking at the relationship between the factory owners and the union laborers in England back in the 50s that doesn't just focus on their differences but also finds a way to bring the two groups together. The reason for their coming together is, of course, the titular character, played wonderfully by Sir Alec Guinness. Join us — Pete Wright and Andy Nelson — as we talk about this great Alexander Mackendrick film from 1951 as the next in our Guinness series. We talk about why we find this film so fascinating, and how this film is really the foundation for our podcast. We chat about Guinness and the way he plays his character, as well as many of the other wonderful actors who do so well here, namely Joan Greenwood, Cecil Parker and Michael Gough. We discuss the wonderful cinematography by Douglas Slocombe, working with more shadows than we've seen before, as well as Mackendrick and what he brings to the table. And we chat about some of the effects, from the luminescent suit to the stunt of Guinness scaling the side of the house to escape. It's a brilliant film, one which we both love, and one which more people should really see. So check it out then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

Ealing Studios comedies, particularly the ones we’ve been talking about, have all had a bit of an anti-establishment feel to them but “The Man in the White Suit” feels like they were trying to something a bit more with it. The film is fascinating satirical comedy looking at the relationship between the factory owners and the union laborers in England back in the 50s that doesn’t just focus on their differences but also finds a way to bring the two groups together. The reason for their coming together is, of course, the titular character, played wonderfully by Sir Alec Guinness. Join us — Pete Wright and Andy Nelson — as we talk about this great Alexander Mackendrick film from 1951 as the next in our Guinness series. We talk about why we find this film so fascinating, and how this film is really the foundation for our podcast. We chat about Guinness and the way he plays his character, as well as many of the other wonderful actors who do so well here, namely Joan Greenwood, Cecil Parker and Michael Gough. We discuss the wonderful cinematography by Douglas Slocombe, working with more shadows than we’ve seen before, as well as Mackendrick and what he brings to the table. And we chat about some of the effects, from the luminescent suit to the stunt of Guinness scaling the side of the house to escape. It’s a brilliant film, one which we both love, and one which more people should really see. So check it out then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

Ealing Studios comedies, particularly the ones we've been talking about, have all had a bit of an anti-establishment feel to them but “The Man in the White Suit” feels like they were trying to something a bit more with it. The film is fascinating satirical comedy looking at the relationship between the factory owners and the union laborers in England back in the 50s that doesn't just focus on their differences but also finds a way to bring the two groups together. The reason for their coming together is, of course, the titular character, played wonderfully by Sir Alec Guinness. Join us — Pete Wright and Andy Nelson — as we talk about this great Alexander Mackendrick film from 1951 as the next in our Guinness series. We talk about why we find this film so fascinating, and how this film is really the foundation for our podcast. We chat about Guinness and the way he plays his character, as well as many of the other wonderful actors who do so well here, namely Joan Greenwood, Cecil Parker and Michael Gough. We discuss the wonderful cinematography by Douglas Slocombe, working with more shadows than we've seen before, as well as Mackendrick and what he brings to the table. And we chat about some of the effects, from the luminescent suit to the stunt of Guinness scaling the side of the house to escape. It's a brilliant film, one which we both love, and one which more people should really see. So check it out then tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Ealing Studios comedies, particularly the ones we've been talking about, have all had a bit of an anti-establishment feel to them but “The Man in the White Suit” feels like they were trying to something a bit more with it. The film is fascinating satirical comedy looking at the relationship between the factory owners and the union laborers in England back in the 50s that doesn't just focus on their differences but also finds a way to bring the two groups together. The reason for their coming together is, of course, the titular character, played wonderfully by Sir Alec Guinness. Join us — Pete Wright and Andy Nelson — as we talk about this great Alexander Mackendrick film from 1951 as the next in our Guinness series. We talk about why we find this film so fascinating, and how this film is really the foundation for our podcast. We chat about Guinness and the way he plays his character, as well as many of the other wonderful actors who do so well here, namely Joan Greenwood, Cecil Parker and Michael Gough. We discuss the wonderful cinematography by Douglas Slocombe, working with more shadows than we've seen before, as well as Mackendrick and what he brings to the table. And we chat about some of the effects, from the luminescent suit to the stunt of Guinness scaling the side of the house to escape. It's a brilliant film, one which we both love, and one which more people should really see. So check it out then tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

As part of BBC Radio 3's Sound of Cinema, a week of essays written and presented by historian and columnist Simon Heffer on classic British taboo-breaking films which depicted a society changed profoundly by war. The cinema of the 30s was nakedly and unashamedly escapist in a way that the cinema of the late 40s and early 50s - in an age of lost innocence and social upheaval - simply couldn't be. This was a period when British cinema was forced to embrace change and reflect reality.Taboos it had left untouched could no longer be ignored if film was to remain relevant. Families had broken up because of bereavement and adultery. Subjects considered unsuitable for a cinema audience - marital breakdown , criminality, revenge, failings in the justice system, and disability - suddenly became popular with British screenwriters and studios. Social realism was the order of the day.In Heffer on British Film, Simon Heffer puts the case for five films from the decade after the war which show British cinema dealing with gritty social issues and dramatic high standards before the 60s were underway - including It Always Rains on Sunday (1947), The Long Memory (1952), The Browning Version (1951), Yield to the Night (1956) and the focus of today's essay - Mandy (1953).Ealing Studios' Mandy, directed by Alexander Mackendrick was based on the book 'The Day Is Ours' by Hilda Lewis, with screenplay by Nigel Balchin and Jack Whittingham. It's the story of a girl, Mandy Garland, who is diagnosed with a congenital hearing defect and starred Phyllis Calvert, Jack Hawkins and Terence Morgan.As her parents Harry and Christine Garland come to terms with the fact that they have a deaf-mute daughter, they enrol her in special education classes to try to get her to speak. As she struggles to express herself and learn how to lip-read, her parents argue over the best way to deal with her condition and their marriage comes under severe strain. This is compounded by hints of an affair between Christine and Searle (Jack Hawkins) , the headmaster of the school for the deaf where Mandy is enrolled. Although it may be too late for the little girl to make great strides, the specialist training eventually pays off to the point where Mandy says her own name for the first time.While the drama revolves around the parents' sharply conflicting views of what to do for their child, the unpretentious, documentary style adopted by MacKendrick reveals the world through the eyes of the little girl as she responds to the strange way adults around her conduct themselves and the sensitive guidance of her school. And, thanks to the wonderful performance he draws from Mandy Miller, the slow but sure development of this youngster is at the heart of the film.Producer: Mohini Patel.

Authors and Professors Virginia Burrus and Karmen Mackendrick discuss their book “Seducing Augustine: Bodies, Desires, Confessions.” The publication from Fordham Press interprets St. Augustine’s autobiography Confessions from a seductive and passionate point of view.

This week on Fordham Conversations, Authors and Professors Virginia Burrus and Karmen Mackendrick discuss their book “Seducing Augustine: Bodies, Desires, Confessions.”  This recent publication from Fordham Press interprets St. Augustine’s autobiography Confessions from a seductive and passionate point of view.  You can hear Fordham Conversation’s every Saturday at 7am on 90.7 WFUV.