Podcast appearances and mentions of Alexander Mackendrick

Zach is joined by return pod-pal Smokey (Podcaster, 'The House of Hammer' & 'All The Best Lines') on a trip to the legendary Ealing Studios to discuss and delight in the comedy titans 1955 classic, THE LADYKILLERS. Settle into Mrs. Wilburforce's world with our podcasters as they discuss the origins of the darkly comic script, revel in stories surrounding the casting of the many legends on screen, become flabbergasted at tales of director Alexander Mackendrick's methods in getting what he wanted on film, unpack the magnificent plot of a robbery stopped short by a little old lady, and finally settle upon the way this film and the Ealing Studio's output has influenced the world of film today.   PLUS: Alec Guinness spoils classic movies to save you a trip to Wikipedia   Be sure to follow Smokey's podcasting by checking out: HOUSE OF HAMMER: Apple Podcasts: https://podcasts.apple.com/gb/podcast/the-house-of-hammer/id1562467810 Spotify: https://open.spotify.com/show/7eWVAN2L9yTp8lYU4Sjm1O Also be sure to support HOUSE OF HAMMER on Patreon: https://www.patreon.com/househammerpod and find more the Linktree: https://linktr.ee/househammerpod and ALL THE BEST LINES: Apple Podcasts: https://podcasts.apple.com/gb/podcast/all-the-best-lines/id1533468069 Spotify: https://open.spotify.com/show/2iZlBfeEs05EHxhd1HJZl6 AND OF COURSE, Follow his social media shenanigans House of Hammer Twitter: https://twitter.com/HouseHammerPod House of Hammer Insta: https://www.instagram.com/househammerpod/ House of Hammer BlueSky: https://bsky.app/profile/househammerpod.bsky.social All the Best Lines Twitter: https://twitter.com/bestlinespod?lang=en

Episode 539 - Beau L'Amour - Son of best selling novelist Louis L'Amour, Striving to maintain a legacyAdvancing A LegacyBeau L'Amour is a writer and entertainment industry jack-of-all-trades. He is the son of best selling novelist Louis L'Amour and has managed his father's literary estate since 1988. Striving to maintain that legacy, he has done editorial work, revised unfinished manuscripts, managed a literary magazine and an audio/radio drama series, done art direction,been a comic book writer and producer and become an expert in marketing. In the years since his father passed away L'Amour has helped sell over 120 million books, nearly 5 million audio programs and placed a number of books of short stories (out of 16 posthumous collections) on the Best Seller lists.Beau is known for his Audio Publishing, Motion Picture Production & Book Publishing. Beau L'Amour was born in Los Angeles, California. His father was Louis L'Amour, a well known author of magazine and paperback fiction. His mother was Katherine Adams, the daughter of a silent movie actress and a southern California real estate developer.Throughout a good deal of his youth Beau lived in West Hollywood, an unincorporated section of Los Angeles county, known as a center of counter-culture and beatnik life. He grew up surrounded by his parents eclectic and eccentric group of friends; Austrian philosophers, American Indians, FBI agents, members of the Hollywood Ten, Eastern European refugees, Thai aristocracy, mysteriously talented dealers in primitive art and a wide array of writers, from Ray Bradbury to Jim Thompson.Beau attended West Hollywood Elementary School. In 1973 his family moved to West Los Angeles where he attended Emerson Junior High and University High School. After a year at Santa Monica College he went on to earn his BFA at California Institute of the Arts under the mentorship of director Alexander Mackendrick and illustrator and pioneering digital animator Ed Emshwiller. He also studied acting with Janet Alhanti and Harry Mastergeorge, and directing at UCLA with Ted Post.https://beaulamour.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Writer John Finnemore (Cabin Pressure, Souvenir Programme) talks about the comforts of Alexander Mackendrick's classic 1955 Ealing comedy 'The Ladykillers', and explains how the film cleverly subverts the audience's expectations, while satisfying them at the same time. Hosted on Acast. See acast.com/privacy for more information.

Greg screens Alexander Mackendrick's 1957 moist noir "Sweet Smell of Success."

Forrest, Conan Neutron, Kristina Oakes, Kt Baldassaro and Harry Marks of @lobbyintros talk about Alexander Mackendrick's 1957 satirical noir Sweet Smell of Success Starring Burt Lancester and Tony Curtis, Susan Harrison, and Martin Milner Telling the story of newspaper columnist J.J. Hunsecker, based on Walter Winchell, who uses his connections to destroy his sisters relationship because he finds the man unworthy. #tonycurtis #burtlancaster #moviepodcast #noir #filmnoir #pressagent #podcast #classichollywood #alexandermackendrick Conan's former Protonic Reversal cohost Brenna has thryoid cancer and is raising money for her treatment, if you can help please donate https://www.gofundme.com/f/support-brennas-fight-against-thyroid-cancerWatch KT Baldassaro & Jared Skolnick's Girl in the Basement: https://www.youtube.com/watch?v=mcn2Q57VXEQ Join our discord: https://discord.gg/ZPejN3ej The Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra Conan Neutron has music available from Conan Neutron & The Secret Friends https://neutronfriends.bandcamp.com OR if you want to become a Protonic Reversal patron: https://patreon.com/protonicreversal

In this episode of No Film School, GG Hawkins and Jason Hellerman sit down with acclaimed director James Mangold to dive into the making of his latest film, A Complete Unknown. Known for iconic works like Logan and Ford v Ferrari, Mangold shares deep insights into his creative process, the importance of preparation, and how he navigates the complexities of storytelling. This holiday special offers invaluable lessons for filmmakers at every level. In this episode, No Film School's GG Hawkins, Jason Hellerman, and James Mangold discuss: How Mangold approached depicting Bob Dylan's relationships with iconic figures like Woody Guthrie and Johnny Cash The value of mentorship in filmmaking and how Alexander Mackendrick influenced Mangold's career Finding the balance between preparation and flexibility when directing Mangold's advice for capturing subtext and the unspoken dynamics between characters The art of juxtaposition and how to craft impactful scene transitions Memorable Quotes: “You come to the set with a plan, but your actors are gonna add a lot, and you don't want to be so slavish, so enslaved by your plan that you feel lost if an idea comes up with one of the actors that undermines the plan you came with.” “The point for the director is to make everything look like you planned it—even if you didn't.” “What is the scene about, and what are the beats I must make sure the audience sees? Not lines, but what's unsaid—the subtext, the human thought behind the eyes.” Resources: James Mangold on IMDb Microbudget Workshop with GG Hawkins Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

fWotD Episode 2599: Whisky Galore! (1949 film) Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Sunday, 16 June 2024 is Whisky Galore! (1949 film).Whisky Galore! is a 1949 British comedy film produced by Ealing Studios, starring Basil Radford, Bruce Seton, Joan Greenwood and Gordon Jackson. It was the directorial debut of Alexander Mackendrick; the screenplay was by Compton Mackenzie, an adaptation of his 1947 novel Whisky Galore, and Angus MacPhail. The story—based on a true event, the running aground of the SS Politician—concerns a shipwreck off a fictional Scottish island, the inhabitants of which have run out of whisky because of wartime rationing. The islanders find out the ship is carrying 50,000 cases of whisky, some of which they salvage, against the opposition of the local Customs and Excise men.It was filmed on the island of Barra; the weather was so poor that the production over-ran its 10-week schedule by five weeks, and the film went £20,000 over budget. Michael Balcon, the head of the studio, was unimpressed by the initial cut of the film, and one of Ealing's directors, Charles Crichton, added footage and re-edited the film before its release. Like other Ealing comedies, Whisky Galore! explores the actions of a small insular group facing and overcoming a more powerful opponent. An unspoken sense of community runs through the film, and the story reflects a time when the British Empire was weakening.Whisky Galore! was well received on release. It came out in the same year as Passport to Pimlico and Kind Hearts and Coronets, leading to 1949 being remembered as one of the peak years of the Ealing comedies. In the US, where Whisky Galore! was renamed Tight Little Island, the film became the first from the studios to achieve box office success. It was followed by a sequel, Rockets Galore!. Whisky Galore! has since been adapted for the stage, and a remake was released in 2016.This recording reflects the Wikipedia text as of 01:03 UTC on Sunday, 16 June 2024.For the full current version of the article, see Whisky Galore! (1949 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Geraint Standard.

En este episodio conversamos sobre la película del año 1957, “Sweet Smell of Success” (La Mentira Maldita) del director Alexander Mackendrick, protagonizada por Tony Curtis, Burt Lancaster, Susan Harrison y Martin Milner.

Everyone loves gut-busting belly-laughs in a film. But sometimes, big laughs slow things down. There's something to be said for films that amuse us for their duration. Join us for a conversation about a film that makes us smile from its first moment to its last: The Ladykillers, Alexander Mackendrick's 1955 dark comedy starring Alec Guinness as the creepiest criminal and a young Peter Sellars as one of his gang. Dan praises the film's economy and compares it to John Cheever's “Reunion”; Mike explains how it reminds him of Gilbert & Sullivan. And while they dissect the film and how it manipulates the viewer, they still cannot answer the question, “Are those really Alec Guinness's teeth?” If you'd like to read “Reunion,” the terrific story by John Cheever to which they compare The Ladykillers, you'll find it in this collection—which, incidentally, is a book everyone should have. Follow us on X or Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Everyone loves gut-busting belly-laughs in a film. But sometimes, big laughs slow things down. There's something to be said for films that amuse us for their duration. Join us for a conversation about a film that makes us smile from its first moment to its last: The Ladykillers, Alexander Mackendrick's 1955 dark comedy starring Alec Guinness as the creepiest criminal and a young Peter Sellars as one of his gang. Dan praises the film's economy and compares it to John Cheever's “Reunion”; Mike explains how it reminds him of Gilbert & Sullivan. And while they dissect the film and how it manipulates the viewer, they still cannot answer the question, “Are those really Alec Guinness's teeth?” If you'd like to read “Reunion,” the terrific story by John Cheever to which they compare The Ladykillers, you'll find it in this collection—which, incidentally, is a book everyone should have. Follow us on X or Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone loves gut-busting belly-laughs in a film. But sometimes, big laughs slow things down. There's something to be said for films that amuse us for their duration. Join us for a conversation about a film that makes us smile from its first moment to its last: The Ladykillers, Alexander Mackendrick's 1955 dark comedy starring Alec Guinness as the creepiest criminal and a young Peter Sellars as one of his gang. Dan praises the film's economy and compares it to John Cheever's “Reunion”; Mike explains how it reminds him of Gilbert & Sullivan. And while they dissect the film and how it manipulates the viewer, they still cannot answer the question, “Are those really Alec Guinness's teeth?” If you'd like to read “Reunion,” the terrific story by John Cheever to which they compare The Ladykillers, you'll find it in this collection—which, incidentally, is a book everyone should have. Follow us on X or Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Scottish Island Adventures - Barra, Vatersay and Eriskay with host Coinneach Macleod, the Hebridean Baker and guest Tony Kearney Barra, Vatersay, & Eriskay As you approach Castlebay with the wonderful Kisimul Castle keeping watch, you'll soon realise that a trip to these islands is a trip into the very heart of Scotland's natural beauty. Long stretches of coastline evoke a rich sense of solitude making a visit to one (or all three) of the islands an ideal way to escape the commotion of city-living. Packed with vibrant history, outdoor activities, and delicious things to eat and drink, Barra, Vatersay, & Eriskay have it all going on despite their modest size.   Vatersay - The Hebridean Way The Hebridean Way officially opened in 2017 and spans 10 islands, 6 causeways, and 2 ferries. It is a magnificent walking and cycling route which takes you all the way from Vatersay, the southernmost inhabited island of the Hebrides all the way up to the Butt of Lewis. Those who undertake it traverse over Atlantic coastlines, rugged hills, and sweeping sandy beaches with plenty of ‘Pit Stops' (official businesses partnered with the Hebridean Way) to help you rest and recover along the way.  Barra Bike Hire  Like many island enterprises, Barra Bike Hire is a small, family run business. It was originally set up in 2013 / 2014 when the family invested in half a dozen hire bikes to provide for guests staying in their self-catering apartment and self-catering holiday let 'across the road'. In those days the availability of hire bikes on the island was patchy at best. Since then they have invested significantly in a fleet of bicycles and they now have a varied and diverse range of bikes to cater for most needs.  Barra - Honesty Boxes  Visit any small community and you will undoubtedly notice an honesty box, or five. Usually filled with fresh goods such as fruits & vegetables, cakes, and eggs, honesty boxes rely on the goodwill of passers by and are a lovely way to experience a taste of the local produce even when the community shops are shut. Barra has a whole host of honesty boxes - some even have a dedicated Facebook page - and are well worth a visit if you're peckish on the island.   Eriskay - Am Politician bar/ Whiskey Galore Am Politician was built over 30 years ago taking its name from the S.S Politician vessel which came onto the rocks of Eriskay in 1941. The story of the S.S Politician - which had over 200,000 bottles of whiskey on-board - inspired countless retellings but was truly immortalised by Alexander MacKendrick's Whiskey Galore!. Thank you for listening to the Caledonian MacBrayne podcast. You can find out more about Scotland's west coast islands and all topics discussed on this episode at calmac.co.uk/podcast

One of the most beloved Ealing comedies of all time takes on one of the most beloved filmmaking duos of our time. Alexander Mackendrick's The Ladykillers has long endured, thanks to its brilliant concept, dark humour and excellent cast. So, why on earth did the Coen brothers, coming off of nearly two decades of critical adoration, choose to remake it? Well, we think we know and we've got some feelings about both films too. Join us. Subscribe, follow and get in touch in these places: If you're interested in the team's views on non-remake properties, you can follow us on Letterboxd: Neal's profile - ⁠⁠https://boxd.it/1EHhT⁠⁠ Ben's profile - ⁠⁠https://boxd.it/1lH3J⁠⁠ We want your feedback, 3-word reviews and suggestions for any other films that have been remade, so find us in these places: Follow us on Facebook: https://www.facebook.com/Goodbadremake/ and on Twitter: twitter.com/GoodBadRemake And get in touch here: goodbadremake@gmail.com Music is 'Bring Me the West' by phlaala

The year is 1955 and the movies are gentle. Brad Garoon assigns Jake Ziegler the Ladykillers, a movie ranked very high on the BFI Top 100 Films of All Time list, and lauded as one of Alec Guinness's most entertaining performances. They compare Alexander Mackendrick's version to that of the Coen Brothers 50 years later, and talk about Tom Hanks's odd accent decisions over the years. Jake then assigns Brad the Delbert Mann-directed and Paddy Chayefsky-written Marty, mostly because both hosts like Quiz Show and Marty was a huge part of that film. They talk bubble romance movies, where the world stops so two people have a little time to fall in love, and then they fall over themselves to praise the performances by Ernest Borgnine and Betsy Blair. Other movies discussed in this episode: Harvey (1950), Lady and the Tramp (1955), Rififi (1955), To Catch a Thief (1955), Moonstruck (1987), Quiz Show (1994), Before Sunrise (1995), The Ladykillers (2004), The Terminal (2004), Nick & Nora's Infinite Playlist (2008), Burn After Reading (2008), Elvis (2022), Rye Lane (2023).

Book Vs. Movie: Sweet Smell of Success Ernest Lehman was an accomplished writer and adapter of material for the screen, known for his work on movies such as Hello Dolly!, The King and I, and Who's Afraid of Virginia Woolf? In 1950, he wrote an original short story, "Tell Me About It Tomorrow,” published in Cosmopolitan magazine. This story became the basis of Clifford Odet's screenplay for the 1957 classic film Sweet Smell of Success, starring Burt Lancaster and Tony Curtis and directed by Alexander Mackendrick. The film is a gripping portrayal of media manipulation, gossip, backstabbing, and strange family relationships set in the world of New York City newspapers and the desire for fame. If you're wondering which version the Margos liked better, listen in to find out!In this ep, the Margos discuss:The career of Ernest LehmanGossip columnists and their power to change narratives.The differences between the short story and the film.The cast of the 1957 film: Burt Lancaster (J.J. Hunsecker,) Tony Curtis (Sidney Falco,) Susan Harrison (Susan Hunsecker,) Martin Milner (Steve Dallas,) Sam Levene (Frank D'Angelo,) Barbara Nicholas (Rita,) Jeff Donnell (Sally) and Joe Frisco as Herbie Temple.Clips used:JJ's tableSweet Smell of Success (1957 trailer)“Cookie full of arsenic”“Cheek to Chico”“Cigarette girls”“Don't do anything I wouldn't do.”“Prisoner of your fears”“I pity you.”Music: Elmer BernsteinBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 MarketingFollow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Book Vs. Movie: Sweet Smell of Success Ernest Lehman was an accomplished writer and adapter of material for the screen, known for his work on movies such as Hello Dolly!, The King and I, and Who's Afraid of Virginia Woolf? In 1950, he wrote an original short story, "Tell Me About It Tomorrow,” published in Cosmopolitan magazine. This story became the basis of Clifford Odet's screenplay for the 1957 classic film Sweet Smell of Success, starring Burt Lancaster and Tony Curtis and directed by Alexander Mackendrick. The film is a gripping portrayal of media manipulation, gossip, backstabbing, and strange family relationships set in the world of New York City newspapers and the desire for fame. If you're wondering which version the Margos liked better, listen in to find out!In this ep, the Margos discuss:The career of Ernest LehmanGossip columnists and their power to change narratives.The differences between the short story and the film.The cast of the 1957 film: Burt Lancaster (J.J. Hunsecker,) Tony Curtis (Sidney Falco,) Susan Harrison (Susan Hunsecker,) Martin Milner (Steve Dallas,) Sam Levene (Frank D'Angelo,) Barbara Nicholas (Rita,) Jeff Donnell (Sally) and Joe Frisco as Herbie Temple.Clips used:JJ's tableSweet Smell of Success (1957 trailer)“Cookie full of arsenic”“Cheek to Chico”“Cigarette girls”“Don't do anything I wouldn't do.”“Prisoner of your fears”“I pity you.”Music: Elmer BernsteinBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 MarketingFollow on Instagram @Studio39Marketing & @musicalmadeleine

Leur métier : enseigner l'écriture de scénario, et la profession de scénariste. Dans ce 24e numéro de l'émission, au tour des formateur·rice·s de discuter de leur rapport au scénario et aux scénaristes. Nous recevons : -

Every so often the Criterion Collection shows us exactly one movie from a director and will apparently never show us another. With very few exceptions we've loved these one-and-dones, and Alexander Mackendrick's Sweet Smell of Succcess is no outlier. It's very dark, it's very entertaining, and we'll never see anything from Mackendrick again.

Alexander Mackendrick summed up the wisdom that film schools (and MFA programs in general) hand down to writers. Is it helpful or poisonous? In this episode, Matt and James finish examining and questioning his 41 rules.

Matt and James once again use the rules of Alexander Mackendrick as a springboard to talk about what makes for a good story. Bonus: Matt posits his theory of what's in the case in Pulp Fiction and completely convinces James!

The great filmmaker Alexander Mackendrick famously passed along 41 rules of writing advice and now Matt and James are going to evaluate them all in a three-part epic!

The Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good.   2023 marks the 10th anniversary of the Stinking Pause podcast. To celebrate, this year we are looking back at some of the movies already reviewed over the past 10 years and inviting fellow podcasters and friends to join us. This week, Cev from Film Guff, House of Hammer, and Here Lies Amicus, joins us to chat about one of his favourite movies of all time.   Sweet Smell Of Success (1957) In the swift, cynical Sweet Smell of Success, directed by Alexander Mackendrick, Burt Lancaster stars as the vicious Broadway gossip columnist J. J. Hunsecker, and Tony Curtis as Sidney Falco, the unprincipled press agent Hunsecker ropes into smearing the up-and-coming jazz musician romancing his beloved sister. Featuring deliciously unsavory dialogue, in an acid, brilliantly structured script by Clifford Odets and Ernest Lehman, and noirish neon cityscapes from Oscar-winning cinematographer James Wong Howe, Sweet Smell of Success is a cracklingly cruel dispatch from the kill-or-be-killed wilds of 1950s Manhattan.   " The cat's in the bag and the bag's in the river."   This and previous episodes can be found everywhere you download your podcasts Follow us on Twitter @StinkingPause email: thestinkingpause@gmail.com   Thanks for listening!

After a slight delay, the "Established Classics" series continues, and begins the 2023 podcast year. As always, I am joined by actor Timothy J. Cox to discuss three terrific classics from Hollywood's Golden Age. This year, we begin with Preston Sturges's 1941 classic, "Sullivan's Travels". Next, we discuss Elia Kazan's Oscar-winning masterpiece, "On the Waterfront" before concluding with Alexander Mackendrick's "Sweet Smell of Success". I hope you enjoy!

Did you get a whiff of that?? Show-AND-fan-favorite Film Noir Confidential joins the lads to discuss a classic film of opportunity, jealousy, and sleaze: it's 1957's Sweet Smell of Success! From director Alexander Mackendrick and starring Burt Lancaster and Tony Curtis at their peaks, you'll want to come for the conversation and stay for the brilliant cinematography of legend James Wong Howe! Make sure to stay tuned at the end of the episode for an important announcement! Questions, comments or footage of the 2002 musical? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/outofthepodcast/support

We're looking at the 1951 film from Alexander Mackendrick, the Man in the White Suit. The film stars Alec Guinness as Sidney Stratton, an inventor who comes up with a fabric that will never wear out and never get dirty. He soon comes to the attention of both the bosses at the textile mills as well as the workers, and quickly learns that his good intentions are not appreciated in the least, with the possible exception of Daphne Birnley, his boss's daughter.AJ Black and Mark Begley join Mike to discuss the film while Robert Sellers speaks about his book, The Secret Life of Ealing Studios: Britain's Favourite Film Studio.

We're looking at the 1951 film from Alexander Mackendrick, the Man in the White Suit. The film stars Alec Guinness as Sidney Stratton, an inventor who comes up with a fabric that will never wear out and never get dirty. He soon comes to the attention of both the bosses at the textile mills as well as the workers, and quickly learns that his good intentions are not appreciated in the least, with the possible exception of Daphne Birnley, his boss's daughter.AJ Black and Mark Begley join Mike to discuss the film while Robert Sellers speaks about his book, The Secret Life of Ealing Studios: Britain's Favourite Film Studio.

On this episode of X-Ray Vision, Jason Concepcion and Rosie Knight lose their minds, but keep their tongues! We're starting with the Hive Mind (1:54) and the grand finale of She-Hulk where Jason and Rosie are joined by She-Hulk writer Cody Ziglar to discuss comics, cameos, and carte blanche. Staying in the MCU for the Previously On (38:20), Jason, Rosie, and Zig step into black & white to explore Werewolf By Night, including Universal horror, horror that's universal, and more. In the Airlock (1:17:53) Jason and Rosie dive deep (deeep) into episode 8 of House of the Dragon, recapping and discussing Viserys, Vaemond, and Hightower hypocrisy. And in Ask the Maester (2:15:13), they answer listener questions about House of the Dragon.Tune in every Friday and don't forget to Hulk Smash the Follow button!Follow Jason: twitter.com/netw3rkFollow Rosie: IG, Letterboxd, IGN author page, Nerdist author pageJoin the X-Ray Vision DiscordFollow Crooked: twitter.com/crookedmediaThe Listener's Guide for all things X-Ray Vision!World War Hulk (2007) – A crossover storyline event in which the Hulk sees himself banished from Earth by the illuminati; written by various, including Greg Pak and Peter David, with pencils, inks, letters, and colors by various, including Rafa Sandoval, John Romita Jr, Al Rio, and Lee Weeks.The Ladykillers (1955) – An iconic Ealing comedy directed by Alexander Mackendrick with exquisite performances from an ensemble cast including Alec Guinness and Peter Sellers.Nextwave (2006-07) – A 12 issue series by Warren Ellis and Stuart Immonen. 

Hola! Hoy voy a estar hablando de la película Sweet Smell of Success del año 1957. Película dramática de Film Noir hecha en Estados Unidos dirigida por Alexander Mackendrick y escrita por Clifford Odets, Ernest Lehman y Mackendrick. La película cuenta la historia del poderoso columnista J.J. Hunsecker que usa sus conexiones para arruinar la relación de su hermana con un músico de Jazz. Espero que lo disfruten!

The Esoterica Cinema train keeps rolling along with our fifth proper episode of Season 3!We're officially knee-deep into Season 3 and what a season it's been! If you haven't yet, be sure to go back through the last few months and check out our 5 Minute Review Series. It continues to receive a strong response, and features Jason or Ryan giving a brief breakdown of interesting films in cinematic history.We've also got some great guest spots on our long form episodes, like Jesse from Sudden But Inevitable, Wyndham from Celluloid Fever Dreams, and MJ from Let's Jaws a Minute; those can be found in our Season 3 bonus content.And of course, we are rocking' and rollin' with some of the absolute best sketches of the show's young career.Today, though, we are bringing you the best of what our full-length episodes have to offer: deep cinematic insight coupled with a large helping of fun!Enjoy this review of Alexander Mackendrick's Sweet Smell of Success from 1957, along with everything the new and improved Season 3 has to offer.Thanks for listening!Jason & Ryan#sweetsmellofsuccess #sweetsmell #alexandermackendrick #burtlancaster #tonycurtis #elmerbernstein #jameswonghowe #moviepodcast #filmdiscussion. #filmpodcast #esotericacinema

Welcome to It's A Wonderful Podcast!! A fascinatingly dark, dismal and dynamic noir with sleekness and style simmering throughout and a terribly negative opinion of the media, manipulative power and that industry's morals on this week's new main show as Morgan and Jeannine discuss Alexander MacKendrick's SWEET SMELL OF SUCCESS (1957) starring Burt Lancaster as a ruthless gossip columnist and Tony Curtis as just one of the people he has under his thumb!! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

The Ladykillers is a 1955 British black comedy crime film directed by Alexander Mackendrick and stars Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers, Danny Green, Jack Warner, and Katie Johnson as the old lady, Mrs. Wilberforce. Five oddball criminals planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians. Listen now wherever you get your podcasts and tune in to The Ladykillers on Saturday, June 18, 2022 at 9 pm on  OETA.

Analysons le scénario du film Midnight Special (2016) : quelle limite donne-t-il à sa science-fiction, à son imagination ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/3JSm7DA ➡ Wired for Story (Lisa Cron) : https://amzn.to/3JVr8eT ➡ Construire un Récit (Yves Lavandier) : https://amzn.to/34mxPWP ➡ Wonderbook (Jeff Vandermeer) : https://amzn.to/3zEOi4b ➡ itw de Damien Chazelle (Behind the Curtain) : https://youtu.be/Xa_deyk8yMQ ➡ 22 règles de Storytelling selon Pixar (Emma Coats) : https://www.aerogrammestudio.com/2013/03/07/pixars-22-rules-of-storytelling/ ➡ Antimanuel de Scénario (Les Cahiers du Cinéma) : https://amzn.to/2jtUlEd ➡ Podcast Procrastination, saison 5 : https://soundcloud.com/elbakin-net/sets/procrastination-saison-5 ➡ Itw d'Yves Lavandier (Guilde des Scénaristes) : https://youtu.be/DPdRmUmeFjw ➡ Ecrire un Scénario (Michel Chion) : https://amzn.to/3L8TsuV ➡ Anatomie de l'horreur (Stephen King) : https://amzn.to/3319plr ➡ Save the cat (Blake Snyder) : https://amzn.to/3utV64q VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/3rrH0hV LE FILM MIDNIGHT SPECIAL : ➡ BLURAY : https://amzn.to/3uJtqZt ➡ DVD : https://amzn.to/35LGa77 S'ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L'ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

Analysons le scénario du film À Couteaux tirés (Knives Out, 2019) : comment joue-t-il avec le spectateur ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ Story (Robert McKee) : http://amzn.to/2snymA3 ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/3JSm7DA ➡ Wired for Story (Lisa Cron) : https://amzn.to/3JVr8eT ➡ Play-making (William Archer) : https://amzn.to/3zFn4ur ➡ Story Genius (Lisa Cron) : https://amzn.to/31EoYyV ➡ Itw de Rian Johnson (Behin the Curtains) : https://youtu.be/Jd4XUCIqoFU ➡ Itw Scott Franck (Scriptnotes) : https://johnaugust.com/2020/the-other-senses ➡ Construire un Récit (Yves Lavandier) : https://amzn.to/34mxPWP ➡ L'Anatomie du Scénario (John Truby) : http://amzn.to/2uHP51N ➡ Masterclass Hans Zimmer : https://www.masterclass.com/classes/hans-zimmer-teaches-film-scoring ➡ Itw Rian Johnson (Gold Derby) : https://youtu.be/jycnmoc682o ➡ Wonderbook (Jeff Vandermeer) : https://amzn.to/3zEOi4b ➡ Itw Rian Johnson (Entertainment Weekly) : https://ew.com/movies/2019/11/26/rian-johnson-knives-out-script-interview/ ➡ Itw de Philippe Barrière (StoryTank) : https://youtu.be/_y5Oz_U-3Ec VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/3q7ux2j LE FILM À COUTEAUX TIRÉS : ➡ BLURAY : https://amzn.to/3G3QXa9 ➡ DVD : https://amzn.to/3q7utzB S'ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L'ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

Bienvenidos a un nuevo episodio de la Gran Evasión, esta noche tenemos una desternillante muestra de como la codicia y la ambición no conocen limites; Y es que El Mundo Está Loco, Loco, Loco. Una comedia a reivindicar, un magnifico homenaje al slapstick. Un puñado de locos al servicio de Kramer. Stanley Kramer es otro director, algo olvidado, pero que es parte fundamental del Hollywood de los 60, se suele citar por su bagaje en películas de corte social y psicológico: El alegato antinuclear en La Hora Final (1959) o Adivina Quién Viene Esta Noche (1967), tratando el tema racial, El Barco de los Locos que ahondaba en la relaciones humanas en plena huida del nazismo. Pero en 1963, se desmarca de todo y de todos con esta carrera a contra corriente, nunca mejor dicho. Kramer lo apuesta todo con esta comedia coral, totalmente loca, de casi tres horas, que se proyectaba con un descanso, en un formato espectacular, Ultra Panavisión, propio de los peplums de la época, arrancando con unos títulos de crédito brillantes, a cargo del genio Saúl Bass. El mundo está loco loco es una rareza, y una película tan alocada como divertida. El punto de partida es tan hilarante como simple, un accidente, un puñado de curiosos, un moribundo que susurra el lugar de un botín escondido, y el resto lo pone la condición humana, enfocando en primer plano el alma americana: la oportunidad, la pasta, el dólar, la codicia….llegar y ser el primero. Los guionistas, William y Tania Rose, ya habían dado muestra de su talento con El Quinteto de la Muerte (1955) de Alexander Mackendrick, que en cierto modo pone las bases de esta historia, porque es otro reparto coral de grandes cómicos, En el mundo esta loco loco el reparto está compuesto por cómicos de diferentes épocas y estilos que cada uno tiene su momento de gloria, todo llevado al extremo, bajo un ritmo frenético. A pesar de sus 154 minutos de metraje, y su descanso, El mundo está loco loco loco es una delicia que se disfruta en un suspiro, sin dejar de reír, también con un guiño melancólico por el cine clásico, por la esencia de este arte tan maravilloso: la risa, la emoción, no hay nada mas intimo, ni mas conciliador y no hay conexión mas sagrada que compartir una carcajada…. Esta noche corremos a lo loco por las carreteras californianas, directos a la gran W del parque de Santa Rosita, con una elenco grandioso, con personajes inolvidables, Spencer Tracy como el honrado capitán Culpepper, la insoportable suegra de Russel, la señora Marcus, interpretada magistralmente por Ethel Merman, Lennie el camionero bonachón hasta que se enfurece como el increíble Hulk, genial Johnathan Winter…….el dentista, el oportunista e indeseable Otto que engaña a todo el que se le cruza en el camino, Phil Silvers….Micky Rooney y Buddy Hacket y un largo etcétera…, sin contar los cameos de viejas leyendas del cine y la televisión….como los Tres Chiflados…o el maestro Buster Keaton. Emprendemos una persecución descontrolada por las carreteras del cine: Rosario Medina, Salvador Limón, Gervi Navío y Zacarias Cotán…para constatar una verdad innegable: El Mundo está loco loco loco Gervasio Navío Flores.

Welcome to the first episode of the New Plaza Cinema Podcast, the podcast for the full spectrum of movie lovers. Established in 2018, the New Plaza Cinema aims to show independent and foreign films, and provide educational programs on classic cinema. Film curator Gary Palmucci and film historian Max Alvarez discuss the 1957 film, SWEET SMELL OF SUCCESS, directed by Alexander Mackendrick. Don't forget to subscribe to our show on your podcast app. Follow us on Twitter, Instagram, and Facebook, and subscribe to our YouTube channel. Watch the full, unedited conversation here: https://www.youtube.com/watch?v=hpLBqRFFQCU&t=14s. To find out more about New Plaza Cinema, visit our website and subscribe to our newsletter here: https://newplazacinema.org/.

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este trigésimo tercero episodio, nos ocupamos de La mentira maldita (Sweet Smell of Success, 1957) de Alexander MacKendrick, y como seguimos con otra semana medio enquilombada, te debemos la lista de películas, pero un lápiz y un papel no han matado nunca a nadie. Podés comentar este episodio o agregar una pregunta que nada que ver usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, ya explicamos varias veces, es lo menos importante.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 204: The Ladykillers Released 22 September 2021 For this episode, we watched The Ladykillers, written by William Rose and directed by Alexander Mackendrick. The cast includes Alec Guinness, Katie Johnson, Herbert Lom, Peter Sellers, Danny Green, Cecil Parker and Jack Warner. It was one of the last of the “Ealing Comedies” and it was nominated for Best Original Screenplay at the 1956 Academy Awards. It has a 100% rating on Rotten Tomatoes. To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. BEST PICK – the book is out in February 2022 and is available now for pre-order. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/1139956434 If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Alexander Capstick, Alison Sandy, Andrew Jex, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Jackson, Anna Joerschke, Anna Smith, Annmarie Gray, Anthea Murray, Ben Squires, Blanaid O'Regan, Brad Morrison, Carlos Cajilig, Caroline Moyes Matheou, Catherine Jewkes, Chamois Chui, Charlotte, Claire Carr, Claire Creighton, Claire McKevett, Craig Boutlis, Daina Aspin, Darren Williams, Dave Kloc, David Crowley, David Gillespie, David Hanneford, Drew Milloy, Elis Bebb, Elizabeth McClees, Elizabeth McCollum, Eloise Lowe, Elspeth Reay, Esther de Lange, Evelyne Oechslin, Fiona, Flora, frieMo, Heather gordon, Helen Cousins, Helle Rasmussen, Henry Bushell, Ian C Lau, Imma Chippendale, James Murray, Jane Coulson, Jess McGinn, Jo B, Joel Aarons, Jonquil Coy, Joy Wilkinson, Juan Ageitos, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katy Espie, Kirsten Marie Oeveraas, Kurt Scillitoe, Lawson Howling, Lewis Owen, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Margaret Browne, Mary Traynor, Matheus Mocelin Carvalho, Michael Walker, Michael Wilson, Ms Rebecca K O'Dwyer, nötnflötn, Neil Goldstein, Olivia, Pat O'Shea, Peter, Richard Ewart, Robert Orzalli, Ruth, Sally Grant, Sam Elliott, Sharon Colley, Simon Ash, Sladjana Ivanis, Tim Gowen, Tom Stockton, Wayne Wilcox, Zarah Daniel.

John Bleasdale talks to Paul Cronin about his books on Werner Herzog and Abbas Kiarostami and his work on Alexander MacKendrick. We also talk story structure, the history of the Faber Film Books and screenwriting. In many ways this becomes a much broader conversation and encompasses much about storytelling and what makes a film a film. Check out Paul's website hereHis recommended book is Amos Vogel's Film as Subversive Art and Alexander McKendrick's On Filmmaking.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

"O que isso significa, integridade?". A frase do personagem JJ Hunsecker, um poderoso e inescrupuloso colunista de jornal vivido por Burt Lancaster em "A Embriaguez do Sucesso", talvez seja a que melhor descreva o espírito deste filme dirigido por Alexander Mackendrick em 1957 e que debatemos neste episódio do Quarentena Cult - Clássicos. Mas não só ela. O filme, mais conhecido pela atuação em dupla de Lancaster e de Tony Curtis no papel de um publicista que faz qualquer coisa para colocar seus clientes na coluna de Hunsecker, é um deleite também pela sagacidade dos diálogos e por ser um exemplar do melhor cinema noir americano. --------------------------------------------------------------------------- Tenha acesso a conteúdos exclusivos! Assine: bit.ly/2t5mxEe Escolha seu app favorito e receba uma seleção com as principais notícias do dia ou da semana no seu celular: leia.gp/2MTnyrS Acompanhe a editoria Ideias nas redes sociais: Facebook: www.facebook.com/ideiasgazetadopovo/ Twitter: twitter.com/ideias_gp Canal no Telegram: t.me/ideiasgazetadopovo

Analysons le scénario du film Quai d'Orsay (2013) : comment un dialogue dynamise-t-il un récit ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/3rwmxpy ➡ Masterclass d'Aaron Sorkin : https://www.masterclass.com/classes/aaron-sorkin-teaches-screenwriting ➡ Evaluer un scénario (Yves Lavandier) : https://amzn.to/3ukXcQB ➡ On film-making (Alexander Mackendrick) : https://amzn.to/3sOZCqp ➡ Entretiens sur le cinématographe (Jean Cocteau) : https://amzn.to/3fDKGri ➡ Story : écrire des dialogues pour la scène et l'écran (Robert McKee) : https://amzn.to/3rMVgyJ ➡ Poétique (Aristote) : http://amzn.to/2sFCkGS ➡ The Craft of the screenwriter (John Brady) : https://amzn.to/3wmUjAx ➡ Benjamin Dupas dans Secrets de Scénaristes (La Guilde des Scénaristes) : https://youtu.be/qVxGRW9RSgM ➡ Anti-manuel de Scénario (Les Cahiers du Cinéma) : http://amzn.to/2jtUlEd ➡ Interview d'Olivier Pourriol (Story Tank) : https://youtu.be/u8SO99K7TOY ➡ Screenplay (Syd Field) : http://amzn.to/2jW1nhs ➡ La Dramaturgie (Yves Lavandier) : https://amzn.to/2NGttxl VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/39FCxyI LE FILM QUAI D'ORSAY : ➡ BLURAY : https://amzn.to/3rLvniQ ➡ DVD : https://amzn.to/2QTBNiX S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

This week, the guys take a look at a movie that was almost our pilot episode! Yes, it's The Man in the White Suit from director Alexander Mackendrick and starring Alec Guinness. The guys talk about how the movie covers every side of the issue in equal measures, the guys compare the debate in this movie to the Keystone pipeline, they discover that maybe Mackendrick used this film to take shots at his own employers and much more!   The guys also roll the dice to find out what they'll be watching next week. Join us, won't you?   Full List: https://en.wikipedia.org/wiki/BFI_Top_100_British_films Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/bfi_pod Our logo was designed by the wonderful Mariah Lirette (https://www.instagram.com/mariahhx)   The Man in the White Suit stars Alec Guinness, Joan Greenwood, Cecil Parker, Michael Gough, Ernest Thesiger and Vida Hope; directed by Alexander Mackendrick. Is It Streaming? USA: Flix Fling Canada: Flix Fling UK: N/A Learn more about your ad choices. Visit megaphone.fm/adchoices

Analysons le scénario du film Traîné sur le Bitume (2019) : qu'apportent ses sous-intrigues et intrigues secondaires ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ Wired For Story (Lisa Cron) : https://amzn.to/3oYcR5u ➡ Construire un récit (Yves Lavandier) : https://amzn.to/36GWd3O ➡ Save the Cat (Blake Snyder) : https://amzn.to/3cHObvt ➡ Écriture (Stephen King) : https://amzn.to/3qpCHA4 ➡ Outlining your Novel (K.M. Weiland) : https://amzn.to/30iJ7pG ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/3rwmxpy VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/38atQf4 LE FILM TRAÎNÉ SUR LE BITUME : ➡ BLURAY : https://amzn.to/3sUWGYG ➡ DVD : https://amzn.to/3kOQjDq S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

Qu'est-ce qu'une innovation ? Est-il souhaitable de toujours vouloir innover ? Et comment peut-on innover de manière responsable ? Pascal Faure, directeur général de l'Institut National de la Propriété Industrielle (INPI), et Cédric Paternotte, maître de conférences en philosophie des sciences à Sorbonne Université, tâchent de répondre à ces questions dans le premier épisode de Cogitons Sciences. C'est le premier épisode de la mini-série sur l'éthique et les sciences qui s'étend sur trois épisodes. Qu'est-ce qu'une innovation ? [1:20] – [15:09] Selon les critères de l'INPI, une innovation doit être nouvelle, inventive et industrialisable. Ainsi l'innovation ne se réduit pas à la technologie mais existe dans de multiples domaines. On peut la diviser en deux catégories : les innovations de rupture et les innovations incrémentales [1:20]. En philosophie, il n'existe pas de consensus pour définir une innovation mais un des traits qui la caractérise est sa distinction avec l'invention [5:50]. Selon Pascal Faure, alors que progrès et innovation avaient toujours été liés, la mécanique s'est enrayée à la fin du XXe siècle lorsqu'on a constaté que les innovations pouvaient avoir des conséquences négatives (pollution, perte d'emploi, maladies etc.). S'est alors créé dans l'inconscient collectif une distanciation entre innovations et progrès. Lier à nouveau ces deux notions est selon lui un enjeu de notre siècle [9:58]. La régulation de l'innovation [15:20] - [30:29] L'INPI n'est pas en charge de juger et d'évaluer les effets des technologies. En revanche, l'institut œuvre pour diffuser l'innovation et respecter un équilibre entre intérêt particulier de l'innovateur et intérêt collectif [15:10]. De son côté, la puissance publique a le rôle de protéger le consommateur et vérifier s'il n'y a pas de risques pour la société. Pascal Faure cite l'ASN, ANSM et la DGCCRF dont c'est la mission. Mais est-ce à l'Etat de contrôler l'innovation et l'éthique ? Selon Cédric Paternotte, la question est complexe car les innovations se succèdent vite et leurs conséquences sont difficilement prévisibles [18:18]. Une autre question se pose : doit-on laisser libre cours à l'innovation ou l'orienter vers des besoins ? Dans tous les cas, nos deux invités mettent l'accent sur l'importance de continuer à rechercher dans des domaines dont on ne voit pas l'utilité actuellement mais qui pourraient servir dans le futur. Enfin, Pascal Faure rappelle que la vraie responsabilité publique est de définir si on doit ou ne doit pas utiliser une innovation, par exemple les modifications génomiques [20:16]. Et si on s'arrêtait d'innover ? [30:30] – [35:10] Pour Pascal Faure, l'innovation est un phénomène inhérent à la vie. Il ne faut pas le stopper, d'autant plus que l'humanité est confrontée à des défis nouveaux. En revanche, il est important d'innover de manière responsable et ainsi réconcilier innovation et progrès [30:30]. Selon Cédric, on ne peut tout simplement pas s'arrêter d'innover. Et même si l'intérêt général voudrait qu'on stoppe l'innovation, les Etats n'ont aucun intérêt à le faire. C'est pour cela que certains philosophes défendent l'idée que l'évolution de la technique est incontrôlable [33:26]. Références citées : Joseph Schumpeter : économiste et professeur en science politique qui a théorisé la destruction créatrice dans l'innovation Jacques Ellul : historien du droit, sociologue et théologien Hans Jonas : historien et philosophe Ressources pour aller plus loin : Le principe responsabilité de Hans Jonas La technique ou l'enjeu du siècle de Jacques Ellul Film L'Homme au complet blanc réalisé par Alexander Mackendrick (1951) Film Her réalisé par Spike Jonze (2013) Film Minority Report de Spielberg (2002) Site de l'INPI Cogitons Sciences est un podcast produit et réalisé par Techniques de l'Ingénieur. Le générique a été réalisé par Pierre Ginon et le visuel du podcast a été créé par Camille Van Belle.

In this episode of Welcome To The Party Pal, film historian and host Christian Niedan, with the help of editor and culture journalist Dante A. Ciampaglia, celebrate the 1957 cult classic Sweet Smell of Success. Sweet Smell of Success is a noir drama film directed by Alexander Mackendrick, starring Burt Lancaster, Tony Curtis, Susan Harrison, and Martin Milner, and written by Clifford Odets, Ernest Lehman, and Mackendrick from the novelette by Lehman. The darkened noir cinematography filmed on location in New York City was shot by James Wong Howe. The film tells the story of powerful and sleazy newspaper columnist J.J. Hunsecker (portrayed by Lancaster and based on Walter Winchell) who uses his connections to ruin his sister's relationship with a man he deems unworthy of her. The musical score was arranged and conducted by Elmer Bernstein and the film also features jazz performances by the Chico Hamilton Quintet.Read work from Dante A. Ciampaglia, who has been published by The Paris Review, Metropolis, Architectural Digest, and Wired, at danteaciampaglia.com. Of note, read his article entitled "Black (and Blue) and White and Rad All Over" about Sweet Smell of Success at Pop Matters. See acast.com/privacy for privacy and opt-out information.

This #Noirvember, we're serving a cookie full of arsenic, as The Unenthusiastic Critic enjoys her first viewing of Alexander Mackendrick's cynical cinematic masterpiece.

When it comes to a name in British comedy, Ealing Studios is a name that has persisted throughout the years. Alec Guinness had made his name for these comedies and in 1951 he was teaming up with Alexander Mackendrick to make a strange science fiction comedy about an unassuming scientist who makes a fabric that is both indestructible and doesn't stain, and the fall out which occurs when both the textile mill owners and the trade unions realise this will put them out of work. The Man in the White Suit, is not one of the better known Ealing Comedies but it is certainly one of the most cynically unique of them. All this and more on Adjust Your Tracking! Follow us on: Twitter: @adjustyrtrack & Instagram: @betterfeelingfilms

Analysons le scénario du film La Corde (1950) : qu'appelle-t-on "scène à faire" ? Qu'implique-t-elle ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ Play-Making (William Archer) : https://amzn.to/3kuZuYc ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/2HiTLGL ➡ Dramatic Construction (Edward Mabley) : https://amzn.to/2RpizQ1 ➡ Poétique (Aristote) : http://amzn.to/2sFCkGS VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/3lw3Pf2 LE FILM LA CORDE : ➡ BLURAY : https://amzn.to/2IHU8eE ➡ DVD : https://amzn.to/35xHVSZ S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

Analysons le scénario du film El Reino (2019) : quel intérêt y-a-t-il à pousser son personnage principal à bout, dans ses retranchements ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ L'Écriture de Scénarios (Jean-Marie Roth) : https://amzn.to/2SE1Gip ➡ Wired For Story (Lisa Cron) : https://amzn.to/2HcacVE ➡ The Art of Dramatic Writing (Lajos Egri) : http://amzn.to/2jy8CzS ➡ Étude de lecteurs américains : https://bit.ly/37mw5wt ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/2HiTLGL ➡ Anti-manuel (Cahiers du Cinéma) : http://amzn.to/2jtUlEd ➡ Into the Woods (John Yorke): http://amzn.to/2xLJytW ➡ Dramatic Construction (Edward Mabley) : https://amzn.to/2RpizQ1 (ps : pardon, je prononce n'importe comment le prénom de Lisa Cron...) VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/2HhfWgt LE FILM EL REINO : ➡ BLURAY : https://amzn.to/2Iw1i5J ➡ DVD : https://amzn.to/3k8ngtB S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

CONTENT WARNING: Contains adult language and discussion Orlando and Ned watch Sweet Smell of Success, a 1957 American film noir drama film directed by Alexander Mackendrick, starring Burt Lancaster, Tony Curtis, Susan Harrison, and Martin Milner. Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician. Find out more about Sweet Smell of Success on IMDb At the time of episode release, Sweet Smell of Success is available to rent On Demand. Griffin Matthews: Broadway is Racist Follow us on Twitter @gsvpod Music by The Brooklyn Bystander Find out more at https://gratuitous-sex-and-violence.pinecast.co This podcast is powered by Pinecast.

Dan and Mike tackle Alexander Mackendrick's 1957 Sweet Smell of Success. Mike gives his reasons why the film should not work on paper--but does beautifully--and Dan recalls previous episodes about character-driven suspense and how the film makes the seduction of a cigarette girl more suspenseful than any secret agent disarming a bomb. How the film nails the culture of celebrity and how "we get the celebrities we deserve" are in here, too. Match me, Sidney, and give it a listen! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/15minutefilmfanatics/message Support this podcast: https://anchor.fm/15minutefilmfanatics/support

In this episode of Weird Studies, an improvised analysis of two pop songs -- Nina Simone's version of James Shelton's "Lilac Wine" and Ghostface Killah's visionary "Underwater" -- becomes the occasion for a deep dive to the weird wellspring of artistic creation. In trying to understand these songs and why they love them so much, your hosts touch on themes such as necromancy, decadence, liebestod, visionary experience, the Muslim image of paradise, the necessity of rifts, Norman Mailer's concept of "dream life," and the magical operation that is sampling. Header image: Boris Kasimov, Wikimedia Commons (https://commons.wikimedia.org/wiki/File:Underwater_sculptures_at_Molinere_Underwater_Sculpture_Park.jpg) REFERENCES James Shelton, "Lilac Wine" (https://en.wikipedia.org/wiki/Lilac_Wine) Nina Simone, "Lilac Wine" from the album WIld is the Wind (https://www.discogs.com/Nina-Simone-Wild-Is-The-Wind/master/122235) (1966) Ghostface Killah, "Underwater, from the album Fishscale (https://www.discogs.com/Ghostface-Killah-Fishscale/release/666352) (2006) MF Doom, "Orange Blossoms," from the album Special Herbs, Volume 4, 5 & 6 (https://www.discogs.com/Metal-Fingers-Special-Herbs-456/release/221258) Richard Strauss, [Salome](https://en.wikipedia.org/wiki/Salome(opera))_ Weird Studies, episode 25 (https://www.weirdstudies.com/25): David Cronenberg's Naked Lunch C. G. Jung's practice of active imagination (https://en.wikipedia.org/wiki/Active_imagination) JF Martel, Reclaiming Art in the Age of Artifice (https://www.northatlanticbooks.com/shop/reclaiming-art-in-the-age-of-artifice/) Thomas Mann, [Death in Venice](https://en.wikipedia.org/wiki/DeathinVenice) Paul Horn, Visions (https://www.discogs.com/Paul-Horn-Visions/release/1825281) Alexander Mackendrick (dir.), [The Sweet Smell of Success](https://en.wikipedia.org/wiki/SweetSmellofSuccess)_ Les Baxter (https://en.wikipedia.org/wiki/Les_Baxter), American composer Les Baxter, "Papagayo (https://www.youtube.com/watch?v=CU35vSL5oCQ)" Debussy, [Nocturnes](https://en.wikipedia.org/wiki/Nocturnes(Debussy))_ Rebecca Leydon (https://www.oberlin.edu/rebecca-leydon), music scholar Weird Studies episodes 73 (https://www.weirdstudies.com/73) and 74 (https://www.weirdstudies.com/74), on C. G. Jung's aesthetic vision Alexander Courage, Theme from Star Trek (https://en.wikipedia.org/wiki/Theme_from_Star_Trek) ("Where No Man Has Gone Before") Richard Dawkins, [The Selfish Gene](https://en.wikipedia.org/wiki/TheSelfishGene) Norman Mailer, “Superman Comes to the Supermarket" (https://www.esquire.com/news-politics/a3858/superman-supermarket/) James Joyce, Ulysses (https://www.gutenberg.org/files/4300/4300-h/4300-h.htm) and [Finnegans Wake](https://archive.org/stream/finneganswake00joycuoft/finneganswake00joycuoftdjvu.txt)_

This week, we begin our heist movies mini-season with the 1955 French film noir RIFIFI. After our usual reviews, we get into what this film is really about — including a bit of a history lesson from Rob — as well as discussing how this film is less ‘shiny' than many of the films it spawned, and is all the better for it. Next Time The next heist movie on our list is the original OCEAN'S ELEVEN (1960). Recent Media PARASITE (2020): Bong Joon-ho, Song Kang-ho, Lee Sun-Kyun THE SPANISH MAIN (1945): Frank Borzage, Maureen O'Hara, Paul Henreid Recommendations THE LADYKILLERS (1955): Alexander Mackendrick, Alec Guinness, Cecil Parker BRIGHTON ROCK (1947): John Boulting, Richard Attenborough, Hermione Baddeley LA DOLCE VITA (1960): Federico Fellini, Marcello Masttoianni, Anita Ekburg THE CONVERSATION (1974): Francis Ford Coppola, Gene Hackman, John Cazale Footnotes Firstly, here's more on THE SPANISH MAIN (Sam wasn't testing Rob; he was genuinely interested!): https://en.m.wikipedia.org/wiki/The_Spanish_Main. Here's a useful introduction to film noir: https://ahhsfilm.weebly.com/film-noir.html. For more on the blacklisting of Jules Dassin, see here: https://en.m.wikipedia.org/wiki/Jules_Dassin#Hollywood_Blacklist. This is an interesting article on the film, particularly in light of the idea of Dassin's feeling betrayed: https://www.columbia.edu/~lnp3/mydocs/culture/Rififi.htm. Finally, the IMDB trivia page on the film is a good read: https://www.imdb.com/title/tt0048021/trivia Find Us On Podchaser - https://www.podchaser.com/podcasts/the-prestige-417454 Follow Us - https://www.twitter.com/prestigepodcast Follow Sam - https://www.twitter.com/life_academic Follow Rob - https://www.twitter.com/kaijufm Find Our Complete Archive on Kaiju.FM - http://www.kaiju.fm/the-prestige/

Time to drink your socks off, kids! Brendan and Jason travel to the island of Todday to discover a bunch of very sad alcoholics that have run out of whisky! But it's an Ealing Comedy so it's funny! You'll chuckle at the ineptitude of Captain Waggett and his crusade against the islanders, have a good larf at all the behind-the-scenes drama and why the director hated his own film and of course - you better bring the ice because your hosts are drinking some FINE whisky.   The guys also roll the dice to find out what they'll be watching next week. Join us, won't you?   Full List: https://en.wikipedia.org/wiki/BFI_Top_100_British_films Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/bfi_pod Our logo was designed by the wonderful Mariah Lirette (https://www.instagram.com/mariahhx)   Whisky Galore! stars Basil Radford, Joan Greenwood, James Robertson Justice, Gordon Jackson, Wylie Watson, Catherine Lacey and Bruce Seton; directed by Alexander Mackendrick.

Analysons le scénario du film Inception (2010) : comment joue-t-il de la temporalité ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/2z7TEK0 ➡ Your Brain is a time machine (Dean Buonomano) : https://amzn.to/30Fz5QU ➡ Dramatic Construction (Edward Mabley) : https://amzn.to/2RpizQ1 ➡ Story (Robert McKee) : http://amzn.to/2snymA3 ➡ Construire un récit (Yves Lavandier) : https://amzn.to/2zuYzpb ➡ Analyse de Mission Impossible (Lessons from the Screenplay) : https://youtu.be/3jzw7AOi_sM ➡ Étude de lecteurs américains : https://goo.gl/o1fVzE VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/3hsabKP LE FILM INCEPTION : ➡ DVD : https://amzn.to/3cYIB4q ➡ BLURAY : https://amzn.to/30DYg6t ➡ BLURAY 4K : https://amzn.to/37rfaGU S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

Analysons le scénario du film Les Misérables (2019) : de quels personnages la narration adopte-t-elle la perspective ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/2z7TEK0 ➡ Dramatica (M.A. Philips & C. Huntley) : https://amzn.to/2Tca8Z8 ➡ Conférence de Presse du film (Festival de Cannes) : https://youtu.be/E9jM6CDaax0 ➡ Évaluer un scénario (Yves Lavandier) : https://amzn.to/2Bia1oG ➡ Interview de Ladj Ly (Loopsider) : https://www.facebook.com/watch/?v=2968780779831470 VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/3cicA6P LE FILM LES MISÉRABLES : ➡ DVD : https://amzn.to/2XLGs6w ➡ BLURAY : https://amzn.to/2zMlVqf S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

Analysons le scénario du film Saw (2005) : en quoi surprend-il le spectateur ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/2z7TEK0 ➡ Article Terrible Minds : http://terribleminds.com/ramble/2013/10/15/25-things-you-need-to-know-about-writing-mysteries-by-susan-spann/ ➡ Construire un récit (Yves Lavandier) : https://amzn.to/363vXza ➡ Screenplay (Syd Field) : https://amzn.to/366guyd ➡ Dramatica (M.A. Philips & C. Huntley) : https://amzn.to/2Tca8Z8 VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/2WCpc4h LE FILM SAW : ➡ DVD : https://amzn.to/2zLmVum S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

Our first bonus episode that will kick off our Patreon! We're premiering this episode for all our listeners to get an idea of what we'll be creating for our Patreons, so future episodes will be uploaded and available for those subscribed to us! If you have any suggestions for other content you'd love for us to create for Patreon tiers, let us know! This episode features special guest Sundance Sydney, and we're covering 1957's SWEET SMELL OF SUCCESS, directed by Alexander Mackendrick and written by Clifford Odets and Ernest Odets. You can follow the podcast on Twitter at @HorrorTimePod and the hosts at @dykemadden and @ellemdesigns! We also are on Facebook at facebook.com/stophorrortimepod, and our website is stophorrortime.wordpress.com. If you like what we do, you can rate, review, and subscribe to us on Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover!

Analysons le scénario du film The Guilty (2018) : comment le hors-champ catalyse-t-il notre interprétation ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ Évaluer un scénario (Yves Lavandier) : http://www.clown-enfant.com/leclown/shop/products.php?pageid=122 ➡ On Directing Film (David Mamet) : http://amzn.to/2k4D8C6 ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/2z7TEK0 ➡ The Screenwriters Bible (David Trottier) : http://amzn.to/2j9FV8X ➡ Poétique (Aristote) : http://amzn.to/2sFCkGS ➡ Writing Screenplays that sell (Michael Hauge) : https://amzn.to/2VjxFqc ➡ Dramatic Construction (Edward Mabley) : https://amzn.to/2RpizQ1 ➡ The New Comedy Writing (Gene Perret) : https://amzn.to/2QwRgQD ➡ Psychanalyse des contes de fées (Bruno Bettelheim) : http://amzn.to/2AIvnpY ➡ Une mémoire infaillible (Sébastien Martinez) : https://amzn.to/2StG62l ➡ L'Anatomie de L'Horreur (Stephen King) : https://amzn.to/3aVaedC ➡ Écrire un film (N.T. Binh & Frédéric Sojcher) : https://amzn.to/2XQyUh9 ➡ Interview de Godard (So Film) : https://www.sofilm.fr/godard-grand-entretien-hirsute VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/3aZjoFY LE FILM THE GUILTY : ➡ DVD : https://amzn.to/2KU89Ux ➡ BLURAY : https://amzn.to/3f6p1oW S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

The seedy, hand-to-mouth, day-to-day scramble in the life of a press agent in New York City seems an unlikely setup for a cruel and bitter piece of star-studded film noir.  But Tony Curtis and Burt Lancaster are up to the challenge in director Alexander Mackendrick’s take on the hustle and corruption here at the very heart of conservative America’s most nostalgic tent pole. If you’d like to watch ahead for next week’s film, we will be reviewing and discussing Rob Reiner’s This is Spinal Tap (1984).

Randy has been selecting a lot of spooky films for use recently, and the trend continues with Masaki Kobayashi’s 1965 horror anthology Kwaidan.  We’re treated to four eerie tales adapted from the collection of Japanese folklore of the same name.  Each more gorgeously photographed than the next.  Ghostly imperial courts, ice vampires, dead lovers, and mischievous teacup spirits round out the cast of nightmarish characters.  If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Alexander Mackendrick’s The Sweet Smell of Success (1957).

Garrett and Dan suit up in their karate gis for a lengthy chat with Michael Pressman about his work directing TEENAGE MUTANT NINJA TURTLES II: THE SECRET OF THE OOZE. Michael introduces the boys to his mentor, Alexander Mackendrick, describes the laborious prep that goes into capturing a Turtle on camera, and of course takes the time to chat about Vanilla Ice. twitter | Facebook | tumblr | iTunes

Analysons le scénario du film Parasite (2019) : comment nous captive-t-il tant ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ L'Écriture de Scénario (Jean-Marie Roth) : https://amzn.to/2SE1Gip ➡ La Dramaturgie (Yves Lavandier) : https://amzn.to/2NGttxl ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/33GnOzl ➡ Interview "Les Racines du mal" (OCS) : https://youtu.be/Zf7_jI36uBY ➡ Construire un Récit (Yves Lavandier) : https://amzn.to/349v4UA ➡ Guillaume Lemans dans Y'a plus de papier (Hadrien & Mathieu) : http://hadrienetmathieu.fr/podcast/41-les-films-de-genre/ ➡ Best of itws Bong Joon Ho (Behind the Curtain) : https://youtu.be/Rv_DzVn6CcM ➡ Le Design des objets du quotidien (Don Norman) : https://amzn.to/2wesyjz ➡ Parasite dans Lessons from the Screenplay : https://youtu.be/he3x5flTFPg ➡ Parasite dans The Script Lab : https://youtu.be/aKwQkALYkow VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/2JBBrqv LE FILM PARASITE : ➡ DVD : https://amzn.to/34cPyvR ➡ BLURAY : https://amzn.to/348r7zG ➡ BLURAY COLLECTOR 4K : https://amzn.to/2V0KM0h S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

Andrew and Dave may not be able to travel outside of their respective homes right now, but that doesn't mean they can't visit London, England via the power of cinema! This time out, the podcasting duo take a look at Alexander Mackendrick's 1955 comedy THE LADYKILLERS, starring Katie Johnson and Alec Guiness. Will Andrew and Dave enjoy the film, or find it a bit dry for their tastes? Which future star of A SHOT IN THE DARK reigns supreme here: Peter Sellers, or Herbert Lom? And what connection did Dave's not-exactly-a-film-fanatic father notice right off the bat about THE LADYKILLERS? Tune in and find out! Next Episode: Ted. Freaking. Wass. All music by Andrew Kannegeisser. Editing by Dave Babbitt. Stay safe, everyone!

When good planning goes bad! When originally selecting Alexander Mackendrick's 1957 noir drama SWEET SMELL OF SUCCESS for the podcast, hosts Andrew and Dave were not anticipating watching it under a global health crisis. Does watching the film in light of COVID-19 temper their love for an otherwise pitch black drama? Just how is Andrew's Tony Curtis impression? And how often will Dave say "Sydney" when he means "J.J."? Tune in and find out! Next Episode: The driest of dry British comedy. All music by Andrew Kannegeisser. Editing by Dave Babbitt. RIP to The Gambler.

Analysons le scénario du film Matrix (1999) : pourquoi son scénario intéresse-t-il tant ? SOURCES MENTIONNÉES DANS CE NUMÉRO : ➡ L'Écriture de Scénario (Jean-Marie Roth) : https://amzn.to/2SE1Gip ➡ La Dramaturgie (Yves Lavandier) : https://amzn.to/2NGttxl ➡ The Craft of The Screenwriter (John Brady) : https://amzn.to/2KWFD5v ➡ Comment écrire un film en 21 jours (Viki King) : http://amzn.to/2jtNxq7 ➡ Story (Robert McKee) : http://amzn.to/2snymA3 ➡ Interview des Wachowski (DePaul) : https://youtu.be/ARoKJ00cEZ8 ➡ Noé Debré dans Secrets de Scénaristes (La Guilde des Scénaristes) : https://youtu.be/CqlECkZfZmA ➡ Les Emotions et leurs expressions (Anna Tcherkassof) : https://amzn.to/2wrD0En ➡ Best of interviews des Wachowski : https://youtu.be/vI0nEKjVEUs ➡ Léo Karmann dans Secrets de Scénaristes (La Guilde des Scénaristes) : https://youtu.be/3P21D3GM5XE ➡ Telling your own Stories (Donald Davis) : https://amzn.to/2RxDsK1 ➡ Poétique (Aristote) : http://amzn.to/2sFCkGS ➡ Dramatica (M.A. Philips & C. Huntley) : https://amzn.to/2Uaf4i3 ➡ On Film-making (Alexander Mackendrick) : https://amzn.to/33GnOzl ➡ L'anti-manuel de Scénario (Les Cahiers du Cinéma) : http://amzn.to/2jtUlEd ➡ Into the Woods (John Yorke) : http://amzn.to/2xLJytW ➡ Interview d'Alexandre Astier (Axolot) : https://youtu.be/LwkmqvmcyEw ➡ Writing Screenplays that sell (Michael Hauge) : https://amzn.to/2xkFlkr ➡ Écrire un film (N.T. Binh & F. Sojcher) : https://amzn.to/33DTZzG ➡ Masterclass David Mamet : https://www.masterclass.com/classes/david-mamet-teaches-dramatic-writing ➡ Interview de Lana Wachowski pour Ken Wilber : https://youtu.be/8zVxnaYAGD0 ➡ Lecture de Charlie Kaufman (Bafta) : https://youtu.be/eRfXcWT_oFs ➡ Adventures in the Screen Trade (William Goldman) : https://amzn.to/2wtvmJx ➡ Le Rire (Henri Bergson) : https://amzn.to/2QCcejr ➡ Bruno Dumont dans L'Heure Bleue (France Inter) : https://www.franceinter.fr/emissions/l-heure-bleue/l-heure-bleue-10-septembre-2019 ➡ Writing Movies for fun and profit (Thomas Lennon et Robert Ben Garant) : https://amzn.to/3dew8uJ ➡ Prise de parole de Lana Wachowski (Now You See it) : https://youtu.be/ORHB9c8e7ok ➡ On Directing Film (David Mamet) : https://amzn.to/2UbMGMu ➡ Frédéric Krivin dans Secrets de Scénaristes (La Guilde des Scénaristes) : https://youtu.be/dMFTgAOAkeI ➡ Thomas Bidegain dans Profession Scénariste (Canal +) : https://www.canalplus.com/actualites/profession-scenariste/h/11584055_50001 ➡ The Screenwriter's Bible (David Trottier) : https://amzn.to/33EpfhD VERSION RETRANSCRITE DE CE NUMÉRO : ➡ https://bit.ly/2xiHygA LE FILM MATRIX : ➡ DVD : https://amzn.to/2Urjksf ➡ BLURAY : https://amzn.to/2QBWtJh ➡ BLURAY 4K : https://amzn.to/2J3iht5 S’ABONNER AU PODCAST : ➡ Apple Podcasts : https://itunes.apple.com/fr/podcast/comment-cest-racont%C3%A9/id1289058024?l=fr ➡ Spotify : https://open.spotify.com/show/5xwhFW5X3MatC15rvNoibd ➡ YouTube : https://goo.gl/vWg5VP ➡ RSS : http://feeds.soundcloud.com/users/soundcloud:users:325404655/sounds.rss SUIVRE LE PODCAST : ➡ Site web : http://ccrpodcast.fr ➡ Instagram : https://instagram.com/commentcestraconte/ ➡ Facebook : https://facebook.com/commentcestraconte/ ➡ Twitter : https://twitter.com/Baptiste_Rmbd ➡ SensCritique : https://senscritique.com/serie/Comment_c_est_raconte/27787059 ➡ Medium : https://medium.com/comment-cest-racont%C3%A9 Habillage musical par RÉMI LESUEUR : ➡ https://soundcloud.com/remilesueur AVIS : MES LIVRES PRÉFÉRÉS SUR L’ÉCRITURE DE SCÉNARIOS : ➡ https://goo.gl/mouqJQ

It's time to get dark as Brendan and Jason tackle the black comedy The Ladykillers featuring Jason's hottest take on a film thus far! The two also spend most of the episode praising the performances of Alec Guinness and Katie Johnson, they talk about Peter Sellers being criminally under-utilized, Alexander Mackendrick's warped world-view, the heist scene and much more.   Next week: The guys take a break from the list to talk about Sam Mendes' Oscar-nominated war film, 1917.    Full List: https://en.wikipedia.org/wiki/BFI_Top_100_British_films Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/bfi_pod Our logo was designed by the wonderful Mariah Lirette (https://www.instagram.com/mariahhx)

"How many drinks does it take to put you in that tropical island mood?" Sweet Smell of Success (1957) directed by Alexander Mackendrick and starring Tony Curtis and Burt Lancaster Next Time: To Kill A Mockingbird (1962)

Goffredo Fofi racconta "Ciclone sulla Giamaica", di Alexander Mackendrick, un film più che bizzarro, bello. L'ultimo dei grandi film sui pirati, del 1965 ma moderno, è una drammatica storia di pirati sui generis in cui si intrecciano i de...

Welcome to 1.21 in Flux, our movie discussion show about movies from the past. Some will be classic films, others obscure and occasionally fun bad B-movies.This episode is about classic heist comedy 'The Ladykillers.' It's directed by Alexander Mackendrick and stars Alec Guinness, Peter Sellers, Cecil Parker, Herbert Lom, Danny Green & Katie Johnson.patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/Mild_Fuzz THE VAULT: https://mildfuzztv.weebly.com/the-vault.html

We welcome Steven Saunders (co-founder and editor of Screen Mayhem and the host of 'Let's Get Stuck Into...') to celebrate the career of director Alexander Mackendrick ('The Ladykillers' (1955), 'Sweet Smell of Success' (1957)). Follow Screen Mayhem on Twitter: https://twitter.com/screenmayhem Follow James Hancock on Twitter: https://twitter.com/colebrax Quick Survey to Help Us Find Potential Advertisers & Sponsors: https://survey.libsyn.com/WRONGREEL    

Perhaps the world's first famous Scots filmmaker, Alexander Mackendrick was not much more than a set designer when he was hired by Britain's Ealing Studios to direct Whisky Galore! (1949).  If you were to ask Mackendrick himself, he would like not cite it as the high point of his career, as the production was plagued with problems between him and the producers. Based on actual events, Whisky Galore! is the charming little story of an island village in Scotland whose inhabitants conspire to steal a boatload of whiskey from a sunken ship.  Traditional stereotypes may stand out, but at the end of the day most audiences won't help but smile to themselves at Alexander Mackenrick's directorial debut. Have a question or a comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter via @1001MoviesPC, or look for the podcast's Facebook page.

Joe Swanberg's Lens Cap After a snap election, Cinema Eclectica agrees not to do any more strained political puns after the introduction. Aside from that there’s some exciting news about future shows tucked away inside Ryan’s preview of "My Entire High School Sinking Into the Sea", and a typically varied Off the Shelf. Graham takes us to a school for the deaf in Alexander Mackendrick’s "Mandy", Aidan takes us to a school for the death – yes! – in Ovidio G. Assonitis’ "Madhouse", and Rob reviews Asghar Farhadi's Oscar-winning "The Salesman", about which few jokes can be made. After that the team gather to watch Woody Harrelson plays a volleyball on an island, (we think), in our Film of the Week - "Wilson", (look, I don’t do the research, I just write the previews). Support us on Patreon! - https://www.patreon.com/thegeekshow #Podcast #ThegeekShow #CinemaEclectica #Movies #Films #Reviews #Previews #EIFF #ArtificialEye #Curzon #ArrowVideo #Slasher #Ealing #Mandy #Madhouse #TheSalesman #Wilson

Will Self joins Matthew Sweet to discuss the mind, consciousness, ADHD, Alzheimer's and PTSD - all woven together in his new novel Phone. Mad to be Normal director, Robert Mullan, talks about the man at the centre of his film, controversial psychiatrist R. D. Laing. Critic Melanie Williams considers Mandy, Alexander Mackendrick's 1952 film about a deaf child learning to find her way in post-war Britain. Mandy was played by the child actress Mandy Miller who recalls her starring role from sixty five years ago. Will Self's new novel, Phone is out now. Mad to be Normal is in selected cinemas, certificate 15. A new restoration of Mandy is out now on Blu-Ray and DVD.Producer: Craig Templeton Smith

The Dudes do a little NYC fast talking in 1957's "Sweet Smell of Success", directed by Alexander Mackendrick, starring Burt Lancaster and Tony Curtis. This stylish American film-noir is one of the best of the genre, highlighted by two powerhouse performances. If this is a bad movie, then we're pretzels! Other Movies Discussed Get Out (2017) – Directed by Jordan Peele Inferno (2016) – Directed by Ron Howard www.dudesonmovies.com www.facebook.com/dudesonmovies www.twitter.com/dudesonmovies www.instagram.com/dudesonmovies www.soundcloud.com/dudesonmovies dudesonmovies@gmail.com

“Match me, Sidney." James Wong Howe had just won his Oscar for his black-and-white cinematography for “The Rose Tattoo” when the star of the film, Burt Lancaster, hired him to shoot his next picture, “Sweet Smell of Success.” Howe and director Alexander Mackendrick knew right away that to tell this story properly, they really needed to film on the streets of New York City at night. So they did, and in the process created a stunningly gorgeous and dark film noir that feels like it truly lives in the city, not on some Hollywood soundstage. Join us — Pete Wright and Andy Nelson — as we continue our Black-and-White Cinematography of James Wong Howe series with Mackendrick's wonderful 1956 film, “Sweet Smell of Success.” We talk about the chiaroscuro look that Howe captured in this film, and also look at the deep focus and camera movement and how it all helps tell the story. We chat about Ernest Lehman and Clifford Odets, the writers, looking at what they each contributed to the wickedly brilliant dialogue. We discuss the cast — notably Lancaster, Tony Curtis, Susan Harrison, Marty Milner, Barbara Nichols and Emile Meyer — and what they bring to the table. We touch on Walter Winchell, the figure on whom Lancaster's character was based. And we talk about how the film was received at the time — poorly — as well as how opinion of it changed over time. It's a film that feels biting and dangerous, and it's one we enjoy quite a bit. Tune in! Film Sundries Script Transcript Original theatrical trailer Original poster artwork Sweet Smell of Success & Other Stories — Ernest Lehman Flickchart Trailers of the Week Andy's Trailer: Bridge of Spies — “Okay, so it's Tom Hanks. And Spielberg. It should be obvious why I picked this one. But it's also about a piece of history I didn't know about, so I find myself quite intrigued." Pete's Trailer: The Martian — “DAMON IN SPAAAAACE! I'm right in the middle of the book that spawned this movie and the trailer so far is doing great justice to the tone and spirit of the material. Very much looking forward to it!" Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd

“Match me, Sidney." James Wong Howe had just won his Oscar for his black-and-white cinematography for “The Rose Tattoo” when the star of the film, Burt Lancaster, hired him to shoot his next picture, “Sweet Smell of Success.” Howe and director Alexander Mackendrick knew right away that to tell this story properly, they really needed to film on the streets of New York City at night. So they did, and in the process created a stunningly gorgeous and dark film noir that feels like it truly lives in the city, not on some Hollywood soundstage. Join us — Pete Wright and Andy Nelson — as we continue our Black-and-White Cinematography of James Wong Howe series with Mackendrick’s wonderful 1956 film, “Sweet Smell of Success.” We talk about the chiaroscuro look that Howe captured in this film, and also look at the deep focus and camera movement and how it all helps tell the story. We chat about Ernest Lehman and Clifford Odets, the writers, looking at what they each contributed to the wickedly brilliant dialogue. We discuss the cast — notably Lancaster, Tony Curtis, Susan Harrison, Marty Milner, Barbara Nichols and Emile Meyer — and what they bring to the table. We touch on Walter Winchell, the figure on whom Lancaster’s character was based. And we talk about how the film was received at the time — poorly — as well as how opinion of it changed over time. It’s a film that feels biting and dangerous, and it’s one we enjoy quite a bit. Tune in! Film Sundries Script Transcript Original theatrical trailer Original poster artwork Sweet Smell of Success & Other Stories — Ernest Lehman Flickchart Trailers of the Week Andy’s Trailer: Bridge of Spies — “Okay, so it’s Tom Hanks. And Spielberg. It should be obvious why I picked this one. But it’s also about a piece of history I didn’t know about, so I find myself quite intrigued." Pete’s Trailer: The Martian — “DAMON IN SPAAAAACE! I’m right in the middle of the book that spawned this movie and the trailer so far is doing great justice to the tone and spirit of the material. Very much looking forward to it!" Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd

James Wong Howe had just won his Oscar for his black-and-white cinematography for “The Rose Tattoo” when the star of the film, Burt Lancaster, hired him to shoot his next picture, “Sweet Smell of Success.” Howe and director Alexander Mackendrick knew right away that to tell this story properly, they really needed to film on the streets of New York City at night. So they did, and in the process created a stunningly gorgeous and dark film noir that feels like it truly lives in the city, not on some Hollywood soundstage. Join us — Pete Wright and Andy Nelson — as we continue our Black-and-White Cinematography of James Wong Howe series with Mackendrick's wonderful 1956 film, “Sweet Smell of Success.” We talk about the chiaroscuro look that Howe captured in this film, and also look at the deep focus and camera movement and how it all helps tell the story. We chat about Ernest Lehman and Clifford Odets, the writers, looking at what they each contributed to the wickedly brilliant dialogue. We discuss the cast — notably Lancaster, Tony Curtis, Susan Harrison, Marty Milner, Barbara Nichols and Emile Meyer — and what they bring to the table. We touch on Walter Winchell, the figure on whom Lancaster's character was based. And we talk about how the film was received at the time — poorly — as well as how opinion of it changed over time. It's a film that feels biting and dangerous, and it's one we enjoy quite a bit. Tune in!

James Wong Howe had just won his Oscar for his black-and-white cinematography for “The Rose Tattoo” when the star of the film, Burt Lancaster, hired him to shoot his next picture, “Sweet Smell of Success.” Howe and director Alexander Mackendrick knew right away that to tell this story properly, they really needed to film on the streets of New York City at night. So they did, and in the process created a stunningly gorgeous and dark film noir that feels like it truly lives in the city, not on some Hollywood soundstage. Join us — Pete Wright and Andy Nelson — as we continue our Black-and-White Cinematography of James Wong Howe series with Mackendrick's wonderful 1956 film, “Sweet Smell of Success.” We talk about the chiaroscuro look that Howe captured in this film, and also look at the deep focus and camera movement and how it all helps tell the story. We chat about Ernest Lehman and Clifford Odets, the writers, looking at what they each contributed to the wickedly brilliant dialogue. We discuss the cast — notably Lancaster, Tony Curtis, Susan Harrison, Marty Milner, Barbara Nichols and Emile Meyer — and what they bring to the table. We touch on Walter Winchell, the figure on whom Lancaster's character was based. And we talk about how the film was received at the time — poorly — as well as how opinion of it changed over time. It's a film that feels biting and dangerous, and it's one we enjoy quite a bit. Tune in!

Alec Guinness's Professor Marcus really meets his match with Katie Johnson's Mrs. Wilberforce in Alexander Mackendrick's 1955 Ealing Studios comedy "The Ladykillers," what some call the last great comedy from the studio. Where he plots and schemes to rob a bank truck, she makes tea and makes sure her guests act like gentlemen -- even when those men are thieves. It's a great premise for this film, and one that makes at least half of us on the show laugh. Join us -- Pete Wright and Andy Nelson -- as we continue our Sir Alec Guinness series with "The Ladykillers." We talk about why it worked so well for Andy and why it didn't for Pete, looking at everything from the characters to the situations to the overall story. We chat about the performances from the actors playing the five criminals -- Guinness, Peter Sellers, Herbert Lom, Cecil Parker and Danny Green -- as well as the very well mannered Mrs. Wilberforce played by the brilliant Johnson. We discuss the look of the film and the cinematography by Otto Heller, the great score by Tristram Cary and the Oscar-nominated writing by William Rose. We touch on the Coen remake and Tom Hanks playing the Guinness role. And we chat about how great Guinness really is in this film and how we're thrilled to be doing a series on him right now. So check it out -- let us know what you think about the movie. Love it? Hate it? We want to know!

Alec Guinness's Professor Marcus really meets his match with Katie Johnson's Mrs. Wilberforce in Alexander Mackendrick's 1955 Ealing Studios comedy "The Ladykillers," what some call the last great comedy from the studio. Where he plots and schemes to rob a bank truck, she makes tea and makes sure her guests act like gentlemen -- even when those men are thieves. It's a great premise for this film, and one that makes at least half of us on the show laugh. Join us -- Pete Wright and Andy Nelson -- as we continue our Sir Alec Guinness series with "The Ladykillers." We talk about why it worked so well for Andy and why it didn't for Pete, looking at everything from the characters to the situations to the overall story. We chat about the performances from the actors playing the five criminals -- Guinness, Peter Sellers, Herbert Lom, Cecil Parker and Danny Green -- as well as the very well mannered Mrs. Wilberforce played by the brilliant Johnson. We discuss the look of the film and the cinematography by Otto Heller, the great score by Tristram Cary and the Oscar-nominated writing by William Rose. We touch on the Coen remake and Tom Hanks playing the Guinness role. And we chat about how great Guinness really is in this film and how we're thrilled to be doing a series on him right now. So check it out -- let us know what you think about the movie. Love it? Hate it? We want to know!

Alec Guinness's Professor Marcus really meets his match with Katie Johnson's Mrs. Wilberforce in Alexander Mackendrick's 1955 Ealing Studios comedy "The Ladykillers," what some call the last great comedy from the studio. Where he plots and schemes to rob a bank truck, she makes tea and makes sure her guests act like gentlemen -- even when those men are thieves. It's a great premise for this film, and one that makes at least half of us on the show laugh. Join us -- Pete Wright and Andy Nelson -- as we continue our Sir Alec Guinness series with "The Ladykillers." We talk about why it worked so well for Andy and why it didn't for Pete, looking at everything from the characters to the situations to the overall story. We chat about the performances from the actors playing the five criminals -- Guinness, Peter Sellers, Herbert Lom, Cecil Parker and Danny Green -- as well as the very well mannered Mrs. Wilberforce played by the brilliant Johnson. We discuss the look of the film and the cinematography by Otto Heller, the great score by Tristram Cary and the Oscar-nominated writing by William Rose. We touch on the Coen remake and Tom Hanks playing the Guinness role. And we chat about how great Guinness really is in this film and how we're thrilled to be doing a series on him right now. So check it out -- let us know what you think about the movie. Love it? Hate it? We want to know!

Alec Guinness's Professor Marcus really meets his match with Katie Johnson's Mrs. Wilberforce in Alexander Mackendrick's 1955 Ealing Studios comedy "The Ladykillers," what some call the last great comedy from the studio. Where he plots and schemes to rob a bank truck, she makes tea and makes sure her guests act like gentlemen -- even when those men are thieves. It's a great premise for this film, and one that makes at least half of us on the show laugh. Join us -- Pete Wright and Andy Nelson -- as we continue our Sir Alec Guinness series with "The Ladykillers." We talk about why it worked so well for Andy and why it didn't for Pete, looking at everything from the characters to the situations to the overall story. We chat about the performances from the actors playing the five criminals -- Guinness, Peter Sellers, Herbert Lom, Cecil Parker and Danny Green -- as well as the very well mannered Mrs. Wilberforce played by the brilliant Johnson. We discuss the look of the film and the cinematography by Otto Heller, the great score by Tristram Cary and the Oscar-nominated writing by William Rose. We touch on the Coen remake and Tom Hanks playing the Guinness role. And we chat about how great Guinness really is in this film and how we're thrilled to be doing a series on him right now. So check it out -- let us know what you think about the movie. Love it? Hate it? We want to know!

Ealing Studios comedies, particularly the ones we've been talking about, have all had a bit of an anti-establishment feel to them but “The Man in the White Suit” feels like they were trying to something a bit more with it. The film is fascinating satirical comedy looking at the relationship between the factory owners and the union laborers in England back in the 50s that doesn't just focus on their differences but also finds a way to bring the two groups together. The reason for their coming together is, of course, the titular character, played wonderfully by Sir Alec Guinness. Join us — Pete Wright and Andy Nelson — as we talk about this great Alexander Mackendrick film from 1951 as the next in our Guinness series. We talk about why we find this film so fascinating, and how this film is really the foundation for our podcast. We chat about Guinness and the way he plays his character, as well as many of the other wonderful actors who do so well here, namely Joan Greenwood, Cecil Parker and Michael Gough. We discuss the wonderful cinematography by Douglas Slocombe, working with more shadows than we've seen before, as well as Mackendrick and what he brings to the table. And we chat about some of the effects, from the luminescent suit to the stunt of Guinness scaling the side of the house to escape. It's a brilliant film, one which we both love, and one which more people should really see. So check it out then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

Ealing Studios comedies, particularly the ones we’ve been talking about, have all had a bit of an anti-establishment feel to them but “The Man in the White Suit” feels like they were trying to something a bit more with it. The film is fascinating satirical comedy looking at the relationship between the factory owners and the union laborers in England back in the 50s that doesn’t just focus on their differences but also finds a way to bring the two groups together. The reason for their coming together is, of course, the titular character, played wonderfully by Sir Alec Guinness. Join us — Pete Wright and Andy Nelson — as we talk about this great Alexander Mackendrick film from 1951 as the next in our Guinness series. We talk about why we find this film so fascinating, and how this film is really the foundation for our podcast. We chat about Guinness and the way he plays his character, as well as many of the other wonderful actors who do so well here, namely Joan Greenwood, Cecil Parker and Michael Gough. We discuss the wonderful cinematography by Douglas Slocombe, working with more shadows than we’ve seen before, as well as Mackendrick and what he brings to the table. And we chat about some of the effects, from the luminescent suit to the stunt of Guinness scaling the side of the house to escape. It’s a brilliant film, one which we both love, and one which more people should really see. So check it out then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

Ealing Studios comedies, particularly the ones we've been talking about, have all had a bit of an anti-establishment feel to them but “The Man in the White Suit” feels like they were trying to something a bit more with it. The film is fascinating satirical comedy looking at the relationship between the factory owners and the union laborers in England back in the 50s that doesn't just focus on their differences but also finds a way to bring the two groups together. The reason for their coming together is, of course, the titular character, played wonderfully by Sir Alec Guinness. Join us — Pete Wright and Andy Nelson — as we talk about this great Alexander Mackendrick film from 1951 as the next in our Guinness series. We talk about why we find this film so fascinating, and how this film is really the foundation for our podcast. We chat about Guinness and the way he plays his character, as well as many of the other wonderful actors who do so well here, namely Joan Greenwood, Cecil Parker and Michael Gough. We discuss the wonderful cinematography by Douglas Slocombe, working with more shadows than we've seen before, as well as Mackendrick and what he brings to the table. And we chat about some of the effects, from the luminescent suit to the stunt of Guinness scaling the side of the house to escape. It's a brilliant film, one which we both love, and one which more people should really see. So check it out then tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Ealing Studios comedies, particularly the ones we've been talking about, have all had a bit of an anti-establishment feel to them but “The Man in the White Suit” feels like they were trying to something a bit more with it. The film is fascinating satirical comedy looking at the relationship between the factory owners and the union laborers in England back in the 50s that doesn't just focus on their differences but also finds a way to bring the two groups together. The reason for their coming together is, of course, the titular character, played wonderfully by Sir Alec Guinness. Join us — Pete Wright and Andy Nelson — as we talk about this great Alexander Mackendrick film from 1951 as the next in our Guinness series. We talk about why we find this film so fascinating, and how this film is really the foundation for our podcast. We chat about Guinness and the way he plays his character, as well as many of the other wonderful actors who do so well here, namely Joan Greenwood, Cecil Parker and Michael Gough. We discuss the wonderful cinematography by Douglas Slocombe, working with more shadows than we've seen before, as well as Mackendrick and what he brings to the table. And we chat about some of the effects, from the luminescent suit to the stunt of Guinness scaling the side of the house to escape. It's a brilliant film, one which we both love, and one which more people should really see. So check it out then tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Special guest Ben Seeder visits us all the way from Los Angeles. Ben had the pick and wanted to watch Tony Curtis and Burt Lancaster in "The Sweet Smell of Success". Directed by "The Ladykillers" director Alexander Mackendrick and written by Clifford Odets and Ernest Lehman. An incredible score by Elmer Bernstein. Go out of your to watch this movie. An Hour with Your Ex is a Chicago based podcast hosted by Mel Evans and Mark Colomb. Ben Seeder is a Los Angeles based comedian. This last bit is SEO. Thanks for listening.   

As part of BBC Radio 3's Sound of Cinema, a week of essays written and presented by historian and columnist Simon Heffer on classic British taboo-breaking films which depicted a society changed profoundly by war. The cinema of the 30s was nakedly and unashamedly escapist in a way that the cinema of the late 40s and early 50s - in an age of lost innocence and social upheaval - simply couldn't be. This was a period when British cinema was forced to embrace change and reflect reality.Taboos it had left untouched could no longer be ignored if film was to remain relevant. Families had broken up because of bereavement and adultery. Subjects considered unsuitable for a cinema audience - marital breakdown , criminality, revenge, failings in the justice system, and disability - suddenly became popular with British screenwriters and studios. Social realism was the order of the day.In Heffer on British Film, Simon Heffer puts the case for five films from the decade after the war which show British cinema dealing with gritty social issues and dramatic high standards before the 60s were underway - including It Always Rains on Sunday (1947), The Long Memory (1952), The Browning Version (1951), Yield to the Night (1956) and the focus of today's essay - Mandy (1953).Ealing Studios' Mandy, directed by Alexander Mackendrick was based on the book 'The Day Is Ours' by Hilda Lewis, with screenplay by Nigel Balchin and Jack Whittingham. It's the story of a girl, Mandy Garland, who is diagnosed with a congenital hearing defect and starred Phyllis Calvert, Jack Hawkins and Terence Morgan.As her parents Harry and Christine Garland come to terms with the fact that they have a deaf-mute daughter, they enrol her in special education classes to try to get her to speak. As she struggles to express herself and learn how to lip-read, her parents argue over the best way to deal with her condition and their marriage comes under severe strain. This is compounded by hints of an affair between Christine and Searle (Jack Hawkins) , the headmaster of the school for the deaf where Mandy is enrolled. Although it may be too late for the little girl to make great strides, the specialist training eventually pays off to the point where Mandy says her own name for the first time.While the drama revolves around the parents' sharply conflicting views of what to do for their child, the unpretentious, documentary style adopted by MacKendrick reveals the world through the eyes of the little girl as she responds to the strange way adults around her conduct themselves and the sensitive guidance of her school. And, thanks to the wonderful performance he draws from Mandy Miller, the slow but sure development of this youngster is at the heart of the film.Producer: Mohini Patel.

Clifford Odets and Ernest Lehman's corrosive look at Power in America as typified by an unscrupulous and possibly insane Broadway columnist modeled on Ed Sullivan and Walter Winchell. Brilliantly directed by the underrated Alexander Mackendrick. A must-see.