Podcasts about shelly winters

This week's episode of Broadway Nation is the second half of my conversation with author Ron Fassler, whose latest book is titled The Show Goes On — Broadway Hirings, Firings, and Replacements. Among the outstanding Broadway performers and creatives who are at the center Ron's fascinating stories include Abe Burrows, Bernadette Peters, Chita Rivera, Comden & Green, Cynthia Erivo, Fantasia, Frank Loesser, Gower Champion, Harold Prince, Howard Keel, Iva Withers, Jane Russell, Jeff Conaway, Jerry Orbach, Jerry Zaks, Jo Swerling, John Cullum, John Kander & Fred Ebb, John Travolta, LaChanze, Leonard Bernstein, Leroy Anderson, Lewis J. Stadlin, Michael Bennett, Michelle Lee, Robert Preston, Rosalind Russell, Shelly Winters, Sheila Smith and Yvonne De Carlo. And the musicals referenced include 1776, Carousel, Company, Follies, Grease, Guys And Dolls, How To Succeed in Business, Kiss of the Spider Woman, Mack & Mabel, Minnie's Boys, Oklahoma!, The Color Purple, Wonderful Town and more! Ron Fassler is a historian,  theater critic, and former actor whose previous book is, Up in the Cheap Seats — A Theatrical Memoir of Broadway. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Carl Baldasso. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back, custmers! I recently took a vacation from the video store to go on a cruise with my wife. I've had cruises on the brain ever since, so what better time to recommend some of my favorite films that take place on ships! OVERBOARD (1987)Handyman and single-father Dean Proffitt sees an opportunity to get even with a pompous heiress named Joanna after an accident leaves her with amnesia. Dean takes advantage of the woman's lack of memory and convinces her that she is his wife and the mother of his four children. What starts out as a simple bit of revenge gets complicated as relationships are formed… and broken. Starring real life couple Kurt Russell and Goldie Hawn as Dean and Annie, with appearances from Edward Herrmann, Roddy McDowall, and Mike Hagerty. CABIN BOY (1994)In this utterly bizarre comedy starring Chris Elliott, Nathan Mayweather is a spoiled and tone-deaf “fancy lad” who accidentally boards the wrong ship and finds himself sailing the seas with a grizzled crew of career fishermen. The plot is silly, the jokes are weird, and the comedy is abstract. One moment cabin boy Mayweather is talking to imaginary cupcakes and in the next, he's being rescued from the depths of the ocean by Choki — half-man, half-shark. Cabin Boy was such a box office failure that director Adan Resnick literally never directed another film. I love this movie and my wife will get in her car and leave the house when I watch it. You'll have to decide for yourself if it's for you.THE POSEIDON ADVENTURE (1972)If you've ever wondered what's the worst that could happen while sailing on a cruise ship, you'll soon find out. Due to a series of unfortunate events, the unstable ship is knocked over by a 90-foot-tall wave. Passengers must work together to find a way out of the upside-down cruise ship before it sinks to the bottom of the ocean. This multi-Academy Award winner features an all-star cast including Gene Hackman, Ernest Borgnine, Shelly Winters, Red Buttons, Carol Lynley, Roddy McDowall, Jack Albertson, and more. CITY HUNTER (1993)Jackie Chan is known for his wacky action flicks, and this may be the wackiest of them all. In City Hunter, Chan plays Ryu, a private detective hired to find a missing woman. Ryu and his assistant Kaori track the woman to a cruise ship and follow her there, only to discover the ship is being hijacked by terrorists. Ryu is the ultimate ladies man — they love him and he loves them. City Hunter is part comedy and part action. It's like if they remade Porky's and added machine gun wielding terrorists who constantly mow down passengers in cold blood. Is this film for everybody? No. But is it for anybody? Also, maybe not. Jackie Chan said City Hunter is the least favorite film he ever worked on, which made me pick up a copy and add it to the video store's library.Usually when my wife and I go on cruises the only thing I worry about is them running out of pudding or margaritas. After watching these I'll be keeping an eye out for terrorists, gigantic waves, and terrorists. If any of those things happen I'll cross my fingers and hope for amnesia. Happy viewing and thanks for visiting our video store!Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Michele and Lauren recap the best and worst of reality tv for 2024, and Michele does this all while unmedicated. Relive all the moments and listen to all their tangents about the show "Cheers". Tune in to see if you're favorite and least favorite 2024 moments made the cut, and if you get all the references about Shelly Winters.Like, subscribe, follow us on YT @bravobreakdowns and on IG and Tiktok @bravo_breakdowns, comment if you miss our lesson plans on old seasons and we'll get back to the grind! WE ARE TIRED!

In this episode, we kick off our month of aquatic danger and adventure with the classic 1972 disaster flick, "The Poseidon Adventure", starring Gene Hackman, Ernest Borgnine, and Shelly Winters! Listen now!

#Noirvember 03, 2024 Shelly Winters - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles.  #Noirvember 30 Day Challange Playlist -  https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf  GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”

Rob Ulin joins me to discuss watching Gilligan's Island and Dick Van Dyke Show as a kid; wanting to be an actor; going to Harvard and being on Lampoon with Conan; writing a letter to Norman Lear who mentored him; writing the teleplay for a Married with Children; writing an episode of Hard Times on Planet Earth; how Ferris Bueller the TV series almost made him quit writing; Chloris Leachman; writing Dinosaurs made him enjoy writing; doing episodes poking fun at the elderly, religion; an episode in which homosexuality and vegetarianism are parallelled; "New Leaf" about drugs; and dancing as a metaphor for masturbation and wet dreams; joining the writing staff of Roseanne; writing emotional episodes that still had jokes; winning a Humanitas Prize; Ned Beatty; the famous writers T-shirt story; trying to edit the lesbian kiss episode; Shelly Winters; trying to get Shirley Jones & Florence Henderson for a TV mom's episode; getting fired; working with Dave Raether; going to Veronicas Closet and then Stressed Eric; working with Norm MacDonald on Norm; Norm was not able to be an exaggerated version of himself but could act; Jack Warden; Frank Sebastiano; working on Andy Richter Controls the Universe and George Lopez; tackling race on Roseanne; working on Malcolm in the Middle; writing a pilot, My Boys; writing Aliens in America the first post 9-11 sitcom featuring a Muslim cast member; working on The Middle, Anger Management with Charlie Sheen, The Carmichael Show & Young Sheldon; working on The Kids are Alright; Rami; writing his first play Judgement Day starring Jason Alexander; and future projects

National Fajita day.  Entertainment from 1959.  Women gain right to vote, Mt. Whitney climbed for 1st time, First mail order catelog.  Todays birthdays - Virginia Dare, Merriweather Lewis, Margaret Gorman, Shelly Winters, Robert Redford, Patrick Swayze, Dennis Leary, Madeleine Stowe, Christian Slater, Edward Norton, Malcolm-Jamal Warner, Andy Samberg.  BF Skinner died.Intro - Pour some sugar on me - Def Leppard    https://defleppard.com/Bad fajitas - Brent Rivera & Eve GutowskiA big hunk o' love - Elvis PresleyWaterloo - Stonewall JacksonBirthdays - 50 Cent    https://www.50cent.com/She's a beauty - The TubesLike the wind - Patrick SwayzeMalcom & Eddie TV themeExit - Its not love - Dokken     https://www.dokken.net/Photo is of Margaret Gorman 1st Miss AmericaFollow Jeff Stampka at Facebook and Cooolmedia.com 

This week we end Hagsplotation season 2 with the Shelly Winters' classic Mad Room! (1969) More Important, is Gary's Brat summer still going on? Is David living Más? Who loves ya baby? Mad Room is for rental everywhere !Follow us on Instagram:@Gaspatchojones@Homewreckingwhore@QualityHoegramming@Mullhollanddaze@The_Miseducation_of_DandG_PodCheck Out Our WebsiteIf you love the show check out our Teepublic shop!Right Here Yo!

We here at The Whole Ballgame pride ourselves on being intellectually honest.  This is a bad one. The ballgame is bad, the players are boring, the announcers are just okay, and if we are being honest- the best part is Joe West and Angel Hernandez. The Asshole UmpiresBlake and Gabe tackle high magnetic resonance in the atmosphere, tech issues, we explore Shin Soo Choo's alcoholism, Shelly Winters' tits, The 2010 box office, and we are served a stark reminder of how EVERYTHING used to be better. Strap in, its a bumpy one, but you must embrace the pain. You understand.Watch along with us here: https://www.youtube.com/watch?v=e7tbAYZPeuoEmail us: thewholeballgame@mail.comHead to the website: www.thewholeballgame.comFollow on Twitter/X : www.x.com/wholeballgame

Send us a Text Message.On this episode of Remainders we watch the 1951 classic A Place in the Sun. George Eastman is a poor but ambitious young man who becomes entangled with two women after beginning a job with his rich uncle. Based on the Theodore Dreiser novel An American Tragedy, morality and class mobility take center stage as George exposes his inner demons in order to achieve the status and possibly the love he aspires to.Other topics include Woody Allen's influence by A Place in the Sun, censorship in classic Hollywood, the shift of morality in the movies, the new 4K release of Killer Klowns From Outer Space, The Planet of the Apes franchise, and whether Galaxy Quest is a perfect film.Song Picks of the WeekPlease, Please, Please Let Me Get What I Want by The SmithsMy Name Is Death by John Carpenter, Cody Carpenter, Daniel DaviesRemainders Podcast Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

GGACP celebrates the birthday of Oscar-nominated actor Eric Roberts (b. April 18) by revisiting this 2020 interview with Eric and actress/casting director Eliza Roberts. In this episode, Eric and Eliza talk about their five decades in Hollywood and share entertaining stories about Bob Fosse, Tony Curtis, Rod Steiger, Sterling Hayden, Mickey Rourke and Shelly Winters (to name a few). Also, Roger Corman strikes a deal, Eric shares the screen with the King of Pop, Gilbert praises “The Pope of Greenwich Village” and Eliza appears in “National Lampoon's Animal House.” PLUS: “Three Days of the Condor”! Saluting Sonny Fox! The legend of Larry Cohen! The Diceman sends up Sly Stallone! And Eric reveals the “shortcomings” of Marlon Brando! Learn more about your ad choices. Visit megaphone.fm/adchoices

Children... Children! Jack and Corey are joined by writer/director Sherif Alabede (Perry Mason, Mayfair Witches, Another Country) to talk Charles Laughton's southern gothic thriller THE NIGHT OF THE HUNTER (1955)! The three talk knuckle tattoos, movie T-shirts, film school discoveries, Charles Laughton's directing style, Robert Mitchum's love of marijuana, real life serial killers, Shelly Winters' method acting, talking in your sleep, filming in water tanks, sinking cars, and killer grannies.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Mike and Ethan finish up Shelly Winter's Wonderland with What's the Matter with Helen along with special guest NotTheHoneyBees! While we worked through their suggestions for Shelly Winters movies we wanted to hear a little Shelly Winters lore straight from the source. What's the Matter with Helen is a horror exploitation movie set around two moms who are trying to escape from their murderous son's past. Shelly of course plays a conservative woman while Debbie Reynolds plays someone willing to change themselves completely to have a leg up on life. Ethan and Mike even bring the cosplay out for this special episode!Find NotTheHoneyBees on Twitch for all of your Carol Channing and Broadway music lore.Remember to join our Discord for movie nights and further podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

Mike and Ethan meet with Bloody Mama, also known as Ma Barker a real-life crime lord! Ethan wants out immediately, but Mike is sympathetic to Ma and her boys. Ma Barker loved her boys maybe a little too much and they all became psychopaths and wreaked havoc on whatever local communities were nearby. Will this crime family have a happy ending?Shelly Winters plays Ma Barker. She originally played a parody of Ma Barker in Batman 1966. She was known as Ma Parker and also toted a machine gun. This may have gotten her this role.Anyway here's the first shot of Shelly Winters as Ma Barker. It sets the scene for the rest of this movie.Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

Mike and Ethan catch a subway to Next Stop, Greenwich Village on their Shelly Winter's journey. What was this famous part of New York like in 1951? We follow an eclectic group of artists living in Greenwich Village who go through relationships, breakups, and Shelly Winters as their mother. Shelly gives the performance of a lifetime. Plus we spot a few big actors in some of their earliest roles!Remember to join our Discord for movie nights and further podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

We're kicking off our month of Shelly Winters, best known for Who Slew Auntie Roo?, with A Place in the Sun! A classic movie that's in America's Congressional library. We're giving her the spotlight she may or may not deserve, but at the end of this month, we'll know for sure.Welcome to a Shelly Winters Wonderland!!Remember to join our Discord for movie nights and further podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

For Christmas this year we're circling back to the Victorian convention of talking about scary tales. Night of the Hunter (released in 1955 but set during The Great Depression) is a little gem of a film starring Robert Mitchum, Shelly Winters, and Lillian Gish. It is a film where Noir meets Magical Realism, and astonishing things happen, culminating in a tale of Christmas love most pure. We invite you this holiday season to join us as we consider this gripping and stunning piece of cinematic art. Merry Christmas and Happy Holidays to all! May you be safe, warm, and filled with good cheer.

National Fajita day. Entertainment from 2014. 19 Amendment to contitution ratified giving women right to vote, Mt. Whitney 1st climbed, 1st mail order catelog. Todays birthdays - Virgina Dare, Merriweather Lewis, Margaret Gorman, Shelly Winters, Robert Redford, Patrick Swayze, Dennis Leary, Madelaine Stowe, Christian Slater, Edward Norton, Malcolm Jamaal Warner, Andy Samberg. BF Skinner died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Bad fajitas - Brent Rivera & Eve GutowskiDespacito - Luis fonzi Daddy Yankee Jusin Beiber Do I make you wanna - Billy CurringtonBirthdays - In da club - 50 Cent http://50cent.com/She's a beauty - the TubesLike the wind - Patrick SwayzeMalcom & Eddie Tv them songExit - It's not love - Dokken http://dokken.net/ https://coolcasts.cooolmedia.com/show/history-factoids-about-today/

HOLY 250th EPISODE, BATMAN! Calling all Batman enthusiasts! Join us as we peel back the layers of the iconic caped crusader's world, immersing ourselves in the electrifying tales of Burt Ward's larger-than-life adventures. From rescuing thousands of dogs to defying gravity in jaw-dropping fight scenes, we'll explore the untold stories that shaped the timeless legend of Batman.   My guest, Burt Ward, and I discuss: Burt Ward and his wife Tracey revolutionize pet care, saving over 15,500 dogs with their incredible nonprofit, Gentle Giants. Discover Burt and Tracey's groundbreaking dog/cat food that extends pets' lives beyond expectations! From doggy transformations to life-changing advice: Dive into Burt's return to the podcast (Listen to Burt's first appearance on episode #50) and how his first visit transformed my bond with my dog, Lola. The inside scoop on Adam West's (and Burt's?) mind-blowing CGI appearance in The Flash and the fascinating story behind its creation. Hear the jaw-dropping tale of Burt Ward's unexpected encounter with the hilarious Conan O'Brien. Unmask the secrets of Batman's iconic costumes and the thrilling tales of wear and tear from epic fight scenes. Explore how Batman seized the opportunity to pioneer breathtaking visuals with emerging technology, making all 120 episodes an absolute feast for the eyes IN COLOR! From flop to phenomenon: Unveil the sensational success story of Batman, rising from one of the poorest-rated pilots to a cultural sensation upon its CBS debut. Delve into Burt's perspective on Batman's success, fueled by its playfully suggestive and uniquely entertaining style. Discover Burt's second near-brush with stardom in The Graduate, a role that ultimately landed in the hands of Dustin Hoffman. Lifelong bonds and legendary friendships: Journey through Burt and Adam's extraordinary 50-year connection that transcends the silver screen. Unsung heroes of Gotham: Pay homage to Burt's esteemed co-stars, including the indomitable Alfred (Alan Napier) and the delightful Aunt Harriet (Madge Blake). Villainous legends unite: Unleash the rogues' gallery as we explore the iconic villains of Batman, portrayed by the likes of Julie Newmar, Vincent Price, Shelly Winters, Victor Buono, and Ceaser Romero. Brace yourself for thrilling tales of danger and daring as Burt reveals the hazards of performing Batman's high-risk stunts. Uncover cherished memories and fascinating stories from the set of the beloved Batman movie. Holy controversy, Batman! Discover Burt's battle against The Catholic League of Decency, who tried to keep his tights from stealing the show. Join us as we explore the one cherished memento Burt wishes he had taken from the Batman set. Dive into the legendary clash between Burt Ward and George Barris, the mastermind behind the iconic Batmobile. Unlock the secret behind the thrilling wall-climbing scenes in Batman, revealed exclusively in this episode! Tune in to Burt's tales of recording songs with Frank Zappa, working with Rob Reiner, and so much more! Holy Podcast Episode, that's a lot!   If you have a dog or cat - I use and love Gentle Giants Dog food - Burt is not a sponsor and not paying me to say this - I just love it. Links below. Holy Availability, Batman! - https://www.gentlegiantsdogfood.com/ Natural Non GMO Gentle Giants Dog and Puppy Food and Natural Non GMO Gentle Giants Cat and Kitten Food   You're going to love my conversation with Burt Ward https://www.gentlegiantsdogfood.com/ https://twitter.com/GentleGiantsRsQ https://www.instagram.com/GentleGiantsDogFoodandCatFood/   Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Buy me a coffee (support the show) Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show  

"And why we didn't fly, I'll never know." The Poseidon Adventure (1972) directed by Ronald Neame and starring Gene Hackman, Ernest Borgnine, Shelly Winters, Red Buttons, Carol Lynley and Roddy McDowell   Next Time: Little Miss Sunshine (2006)

Immerse yourself in the captivating world of vintage classic radio as Vintage Classic Radio presents "The Killers," a thrilling episode from the renowned series Screen Director's Playhouse. Originally broadcasted on June 5th, 1949, this noir masterpiece stars the legendary Burt Lancaster and the talented Shelly Winters. In this suspenseful radio play, adapted from the iconic Ernest Hemingway short story, two professional hitmen arrive in a small town with one mission: to eliminate a former boxer known as "The Swede." As the story unfolds, dark secrets, betrayal, and a mysterious woman intertwine to create a web of intrigue and danger. "The Killers" radio adaptation is closely related to the 1946 film version, directed by Robert Siodmak. Burt Lancaster delivers a mesmerizing performance as "The Swede," while Ava Gardner captivates as the enigmatic Kitty Collins. Considered a classic of film noir, the 1946 adaptation of "The Killers" masterfully combines stylish cinematography, a haunting score, and a gripping narrative to create an unforgettable cinematic experience. The radio play brings this cinematic brilliance to the audio realm, allowing listeners to immerse themselves in the atmospheric world of the film. Cast: Burt Lancaster as The Swede Shelly Winters as Kitty Collins William Conrad as Al Charles McGraw as Max Sam Edwards as George Virginia Gregg as the Operator John Dehner as Nick Adams Peggy Webber as Mrs. Bellini Screen Director's Playhouse, a popular radio anthology series, showcased adaptations of classic films directed by renowned Hollywood filmmakers. It provided a unique platform for celebrated actors and actresses to showcase their talent in captivating audio dramas. Tune in to "Friday Night Noir" and experience the tension, mystery, and star power of "The Killers."

This week Hagsploitation month is killing it with another amazing flick, 1964's "Lady in a Cage"! Olivia de Haviland is amazing as a white woman realizing she hasn't done a thing for society. She is locked in a sensual elevator with  a buch of animals attcking her house! We also get gret value Shelly Winters, hot as hell James Can, a hobo, a Mary Son and the most dramatic ending ever!Plus, we find out Minnie Mouse is saving herself for marragie and Clarabell Cow is the Disney verson of Shellt Duvall!Lady in a Cage is avalible for rental everywhere! Follow us on Instagram:@Gaspatchojones@Homewreckingwhore@QualityHoegramming@Mullhollanddaze@The_Miseducation_of_DandG_PodCheck Out Our WebsiteIf you love the show check out our Teepublic shop!Right Here Yo!

Telekinetic powers! Cosmic Christ figure! Avian attacks! This week the boys, join John Huston, the intergalactic warrior, who battles somewhere between Hell and the darkest reaches of outer space-we experience THE VISITOR!!! This Nonsensical Italian-made movie, rips off many better movies, only made watchable by the legendary cast: John Huston, Lance Henriksen, Sam Peckinpah, Mel Ferrer, Shelly Winters, and Glenn Ford! It's wild and unforgettable but does THE VISITOR soar or is this a below average fantasy movie? In TV CORNER we talk about episode 7 of season 2 of YELLOWJACKETS!!! And so much more! You can always email us: skeletonboyspod@gmail.com Twitter: @skeletonboyspod (if still exist) Instagram: https://www.instagram.com/skeletonboyspod/

Show Notes This week we watched Charles Laughton's directorial debut as well as his final film as a director, the superb Night of the Hunter from 1955. We discuss imposter syndrome, the creepiness of persistence, that baritone that Robert Mitchem captures, the power of Lillian Gish, Shelly Winters practicing for The Poseidon Adventure and so much more.   Recommendations: Guardians of the Galaxy Volume 3 (Theaters); Couples' Therapy (Showtime)   Next up: The Fugitive (1993)                                                                                            Email us at latecomers@gmail.com Twitter: @latecomerspod Find Amity @ www.amityarmstrong.com and @AmityArmstrong on Twitter Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

This 1972 classic is a disaster film and you know it from the get-go. The cast alone is staggering. Gene Hackman, Ernest Borgnine, Jack Albertson, Shelly Winters and Red Buttons - all Oscar winners. We find out what's going to happen at the start but the ups and downs of the story and the character building is what makes this movie. It was a special one for Stephen - Trev's never seen it. We watch it thanks to Hisense and Fetch.

This 1972 classic is a disaster film and you know it from the get-go. The cast alone is staggering. Gene Hackman, Ernest Borgnine, Jack Albertson, Shelly Winters and Red Buttons - all Oscar winners. We find out what's going to happen at the start but the ups and downs of the story and the character building is what makes this movie. It was a special one for Stephen - Trev's never seen it. We watch it thanks to Hisense and Fetch.

March 24, 1952 - Jack and Mary attend the Academy Awards and Jack tries to sing his song.  References include the many celebrities at the Oscars - Host Danny Kaye, best actor nomonees Marlon Brando (A Streetcar Named Desire), Montgomery Clift (A Place in the Sun), Arthur Kennedy (Bright Victory), Fredric March (Death of a Salesman), and Humphrey Bogart (The African Queen) plus James Cagney, Lionel Barrymore, Edward G Robinson, Shelly Winters, Betty Davis, Irene Dunn, Joan Crawford, Gene Aurty, Charles Boyer and more.  They also mention the imfamous, short-lived TV show "The Continental".

The life of an introverted overweight cook is changed after an enchanting college drop-out begins working as a waitress at his mother's roadside tavern. Written and directed by James Mangold. Starring Pruitt Taylor Vince, Liv Tyler, Debbie Harry and Shelly Winters.  Listener request courtesy of Rob FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean In lieu of recommendations, we discuss the film M3GAN - now streaming on Peacock.

Let me tell you the story of Right Hand/Left Hand. For it was with the right hand (LOVE) that actor Charles Laughton directed Robert Mitchum in one of his scariest performances in a film based on a controversial book and it was the left hand (HATE) that critics struck down the first time director's directing career. But wait a minute! As time went on, 1955's The Night of the Hunter became a beloved classic by filmmakers and movie lovers everywhere.But who does Mike and Trevor agree with? With the lovers or the haters?This might be the most controversial episode of Cinephilia to date!

The Screen Directors Playhouse - The Killers From-1949 Guest Screen Director-Robert Siodmak Announcer-Frank Barton Stars-Burt Lancaster, Shelly Winters, Dan Riss, Frank Gersite & Gwen Delano After a $200,000 robbery, a gangster just out of jail double-crosses the gang and is double-crossed in turn.

Bet us. Fade us. Win money. Why not? Get an edge going into NFL week ten's action. See why we've got what you need to get over that post-partum election night fatigue. Watch our "Week 10: Lolita-gagging around the league" CDST show. We'll stroll the sidelines in evaluating the lines for the usual array of intriguing games, includinga battle of anemic offenses in Pittsburgh (Saints-Steelers), Bucs having a November-fest in Germany with the Hawks, Vikes hoping for plunder in Orchard Park and the Cowboys moseying into Lambeau.There's also some stimulating college matchups to consider with LSU needing a win in Fayetteville, Sooners trying to stop swooning in Morgantown, a battle of Big 10 lightweights between the Scarlet Knights and the sputtering Spartans, Bama hoping to body slam Kiffin and Ole Miss, and super big Big 12 confrontation between the Frogs and Longhorns.And we've got clips galore from Kubrick's classic Lolita, Shelly Winters going down with the ship in Poseidon Adventure, and a Bigger Than Life James Mason.Brought you by Law Offices of Brandon S. Chabner and ChabDog Sports Blog.

This week on Remainders we cover the 1955 classic The Night of the Hunter. A one-and-done directed movie by screen legend Charles Laughton, this noir/thriller stars Robert Mitchum as a faux preacher serial killer targeting housewives by the score. Although largely ignored at the time of release, Hunter has grown in status and is now regarded as one of the best films of all time with clear influence from the silent era and German Expressionism.Other topics include why critics may have dismissed Hunter, Mitchum and Laughton's larger-than-life screen presence, recent live shows, book recommendations, new prints at Darrenvorel.com, high and low art, beard status, and our new Song of the Week picks. It's love that's won, and old left hand hate is down for the count!Song PicksDarren: What Would You Like Me To Do by Meat WavePatrick: Halloween by HelloweenWebsiteFacebookInstagramYouTubeTwitter

Vega$ is a crime drama show that aired from September 20, 1978 to June 3, 1981. It stars charming but unlucky-in-casting Robert Urich as a capable private detective named Dan Tanna. Tanna must dive into the murky, neon-stained waters of Sin City itself as part of his work.In "The Macho Murders," which aired on November 28, 1979, Tanna is pulled into an investigation into a crusading feminist, after a sleazy leader of the local sex trade is found murdered. The episode also features Greg Morris, Bart Braverman, Phyllis Davis, and Academy Award winner Shelly Winters.Listen to Áine and Kevin roll the dice on political ads, the ups and downs of Urich's career, and Benson.Follow us on the usual social media suspects:FacebookTwitterInstagramAnd send your revolutionary feminist manifestos to mysterytomepodcast@gmail.com.Mystery to Me is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

An average Film Noir, made exciting by the snarling of Dan Duryea and the lamb quality of Shelly Winters in Johnny Stool Pigeon (1949) The Coyote's Tale, a noir mystery by John Cornelison is available on Amazon in paperback and on Kindle Support the show with a purchase from Merch SPREAD THE WORD! If you enjoyed this episode head on over to iTunes and kindly leave us a rating, a review, and subscribe! Click here to subscribe via Apple Podcast Find us at: Libsyn Page Ganna Amazon Music Spotify Radiodotcom We would love to get your feedback! Email jec@classicmovierev.com Read more at classicmovierev.com

We decided to end our "Night of the Night Ofs" with this classic thriller starring Robert Mitchum and Shelly Winters. Find out which crew member did not enjoy it as much as they use to and does it deserve the praise it gets. The Crew discuss whether the villain was truly a religious man and what his true motivation was. We also talk non-annoying kids and which character we enjoyed the most. Don't forget to check out our Patreon Page, subscribe to us on Itunes, twitter @specialmarkpro and @spoilerroompdcs. Email us at spoilerroom.smp@gmail.com

We're going back in time to 1955 once again with Charles Laughton's supreme tale of spine-tingling suspense: The Night of The Hunter starring the incomparable Robert Mitchum as Reverend Harry Powell and co-starring Shelly Winters, The First Lady of American Cinema Lillian Gish, a young, pre-Mission Impossible Peter Graves and child actors Billy Chapin and Sally Jane Bruce . I'm joined by my dedicated devotees in extraordinary exhibitions of film snobbery Roseanne Caputi and Gordon Alex Robertson. Welcome to you both!And now the synopsis:Loosely based on the life of a Dutch born American serial killer named Harry Powers, The Night of The Hunter depicts the events in the life of one “ Reverend” Harry Powell, a twisted woman-hating con man--  either posing as a man of God, or worse yet, believes himself to be one, who, while in prison for auto theft,  learns of a $10,000 dollar jackpot hidden somewhere in the house of  his cellmate Ben Harper who is hanged for murder. Released from prison, Powell seeks out Harper's widow Willa and her children John and Pearl. Ingratiating himself into the good graces of the town's citizens with his smooth talk and Religious bluster, Powell marries Willa then tries to find the secret of the money from John and Pearl who swore to their father that they would never reveal the location of the money, which is hidden in Pearl's favorite rag doll. After murdering Willa and learning the secret of the money, the reverend almost succeeds in killing the children but  is outwitted by clever and resourceful John and a haunting chase down the Ohio River begins. Who wins? Does Evil Triumph? What does it all mean?Find out!     

H. Alan and Kerri watch The Golden Palace season 1 episode "One Old Lady to Go," where they discuss learning about sex, the genius of Shelly Winters *AND* Anne Haney, and how it was nice to see Sophia's nurturing side. Listen on WhoHaha or wherever you get your podcasts, and for more Golden Girls greatness follow Out on the Lanai on Instagram (@outonthelanaiofficial), Twitter (@goldengirlspod) and Facebook (goldengirlspodcast). Stay Golden!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With Betty Whites passing, I thought we should have an Old Time Radio tribute to her.

Intro: buzzsaws and clean slates, rage, Where the Wild Things AreLet Me Run This By You: MoneyInterview: We talk to Carole Schweid about Juilliard, Phoebe Brand, John Lehne, Michael Brand, Midnight Cowboy, musical comedy performance, open dance calls, starring in the original cast of A Chorus Line, Bob Fosse, Pat Birch, Martha Graham, Minnie's Boys, Mervyn Nelson, playing Fastrada in the first national tour of Pippin, being a lone wolf in theatre, Lewis J. Stadlen, doing West Side Story at Bucks County Playhouse, Shelly Winters, Mary Hinkson, Nellie Forbush in South Pacific, playing Tzeitel in Fiddler on the Roof, Peppermint Lounge, Nick Dante, Michael Bennett, Marvin Hamlisch, Public Theater, Gerry Schoenfeld, The Shubert, the wish for a job vs. the real experience of working, Theda Bara & The Frontier Rabbi, Agnes de Mille, Play With Your Food, Staged Reading Magic, Albert Hague.FULL TRANSCRIPT (unedited):2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand it. 20 years later,2 (16s):We're digging deep talking to our guests about their experiences and trying to make sense1 (20s):If at all we survived theater school and you will too. Are we famous yet? As more space is actually a huge thing.2 (36s):Yeah. I have to apologize for the sound of buzz saws. What is going to be going the whole time I'm talking, doing well, you1 (50s):Took some trees down, right.2 (53s):You know, that's how it started. Yeah. It started with actually, you know, it all was a surprise to me, basically one we've been talking about taking down all the trees in the front of our house. And one day Aaron said, they're coming tomorrow to take down the trees. And I'm like, how much did that cost? Because you know, taking down trees is usually really expensive. And so he says, well, he's going to do everything in the front for whatever. It was $5,000.1 (1m 22s):Yeah. She was pretty good for more than one tree. Cause one tree we had removed was $5,000 at my mom's.2 (1m 28s):Well, and it's not like they have to extract the whole tree. It's just, you know, just chopping it down. Like it's not, I don't know if it's different when they have to take out the, yeah,1 (1m 38s):I think it is when they have to take the stump out the roots and all that.2 (1m 43s):So that was fine. Although I did think to myself, Hmm. We have $5,000 to spend and this is what we're spending it on.1 (1m 54s):I've been there. Oh, I've been there2 (1m 56s):So the morning, but I'm letting it go. And so the morning comes and he tells me to go outside so we can talk about the trees and, and, and I, anyway, we, we designate some trees and they're all in the lower part of the front of our house.1 (2m 10s):Yes. You, and by the way, for people that don't know, like you have a lot of land for, for, for, for not being in the super super country, you have a lot of courage. I mean, you got a lot of trees.2 (2m 21s):Well, yeah, we have an acre and it's a lot of trees and it's a lot of junk trees. What they call junk trees. Because the idea here is once upon a time, when everybody got their heat from wood, you had to have fast growing trees. So it's these skinny trees. Yeah. Anyway, so I thought we were sort of on the same page about what we were going down. This is where I'm getting with this. And I had a couple of meetings yesterday and I was hearing the sound pretty close, but it wasn't until I looked outside that I saw, they took everything out.2 (3m 1s):The, every living thing out in the, in the front, in front of our house, including the only tree I was really attached to was I have a beautiful lilac tree.1 (3m 14s):Okay. Oh shit. And everything out.2 (3m 21s):What's that? Why they1 (3m 22s):Take everything out? Is that the plant? I think,2 (3m 25s):I think what happened was for the first couple of days, the boss was here. And then I think yesterday, the boss was like, you guys just go and finish up. And I don't know that anyway, you know what, I'm just choosing it to be, I'm choosing to look at it like, okay, well we're getting to start over and it can be exactly how we want it to be. So yeah,1 (3m 45s):That is a great attitude because there's nothing you can do you really do about it? Absolutely. Zero. You can do about threes coming out.2 (3m 53s):The only bummer is that it sounds like buzz saws all day at my house and at my neighbor's house, I'm sure they're annoyed with us too. Well,1 (4m 2s):What are you going to put? It is. Okay. So, so, okay. The good, that's the sort of wonky news, but what the good news is, what are you going to put in? Like, is there going to be a whole new,2 (4m 12s):I think it's just going to GRA, I mean, I think it's just going to be grass, which is fine. I mean, my thing was actually, it does a little bit of a metaphor because when we first moved here, we loved how quiet and private and everything is. And part of why everything feels very private at our house is there's trees and bushes blocking our view of anything. I mean, all we can see is trees and bushes when we're laying on the front, which for a while seemed cozy. And then it started to seem like annoying that we could never see. And actually there's kind of a really beautiful view of the mountains behind us. So our mountains Hills.1 (4m 51s):Yeah. But I mean, small mountains, like small2 (4m 53s):Mountains. Yeah. So I realized that it does coincide with our psychological spelunking and trying to just be like more open about everything. Like totally. You know what I mean? Like this is just be open to people seeing our house. This is open to seeing out and let's have, and actually my kids were kind of like, oh, but it's just also open and we don't have any privacy. And I'm like, yeah, well you have your room and bathroom. I mean, there's, there's places to go if you don't want people to, to see you, but let's just be open.1 (5m 31s):There's like a whole, yeah. It's a great metaphor for being visible. Like I am all about lately. I have found a lot of comfort and refuge in the truth of the matter, even if it's not pretty, even if I don't actually like it. So like getting the facts of the matter and also sharing the, of the matter without a judgment. So I appreciate this, like wanting to be seen and then letting go of what people make of that, whether your house is this way or that way, or the neighbors think this or that, I'm also the, I I'm all about it.1 (6m 15s):I'm like, you know, this is, there's something about transparency. That's very comforting for me. It's also scary because people don't like it when they can see, or they can say whatever they want, but the hiding, I think I'm pretty convinced hiding from myself and from others leads to trouble.2 (6m 37s):It leads to trouble. And any time you're having to kind of keep track of what you're, you know, being open about and what you're not, and what you've said, you know, it just it's like it's T it's listen. If I only have a certain amount of real estate in my mind, I really don't want to allocate any of it too. Right. Hiding something and trying to remember. Right.1 (7m 1s):And it's interesting, the more that we do this podcast, the more I see that, like, you know what I thought gene, I thought when we're dead, this podcast is going to remain. And then our children's children's children. I mean, I don't have kids, but my nieces and nephew and your children's children's children will have a record of this. And, and I'd rather it be a record of the truth, the truth and transparency, then some show about pretending. So I think it's going to be good for them to be able to look back and be like, for me, it's like the, my crazy aunt, like, what was she doing? And what did she think? And, and, oh my God, it's a record of the times too.1 (7m 43s):Yeah.2 (7m 43s):I think about that kind of a lot. And I think about, of course I say all this and my kids are probably like going to be, have no interests unless the, until they get to a certain age, I mean, I'll put it to you this way. If I could listen to a podcast of my mother in her, you know, in the time that I don't really the time of life, certainly before I was born, but in my life where I still didn't see her as a person until, you know, I'd love to just things like what her voice sounded like then, and that kind of thing. I mean, it's interesting.1 (8m 16s):I have nothing of my mom, like we have a very few, it was interesting because we didn't, you know, we, there was not a lot of video of my mother and today's actually the 10th anniversary of her passing.2 (8m 28s):Oh, wow. Wow. That's hard.1 (8m 31s):It is hard. You know, it is hard. And I'm working through, I started therapy with a new therapist, like a regular LCSW lady. Who's not because my last guy was an Orthodox Jewish man who wanted me to have children. Like it was a whole new, I just got involved in all the Shannon Diego's of like weirdness. I attracted that weirdest and whatever. So this lady is like a legit, you know, therapist. And they only bummer is, and I totally understand she's on zoom, but like, I I'm so sick of like, I would love to be in a room with a therapist, but I get it. She's in, she's an older lady, which is also great. I was so sick of having like 28 year old therapists.1 (9m 13s):Yeah,2 (9m 13s):Yeah, yeah. For sure.1 (9m 16s):I don't even seem right. Unless clients are like, you know, fit seven to 17. So anyway, so, but all this to say about my mom, I was thinking about it and I think what's harder than right. My mom's death right now is that there's I just, you know, and this is something I wanted to bring up with you is just like, I have a lot of rage that's coming up lately about my childhood and we weren't allowed to feel rage. And my mom was the only one allowed to feel rage. And so this rage mixed with perimenopause slash menopause. I mean, like I still get a period, but like, it's, it's a matter of time before that's over.1 (9m 58s):So, but the rage, so I guess, right. I get, you know, people like to talk about rage as some or anger as something we need to process and we need to do this and that, but the truth of the matter is since we're being transparent, like rage can be really scary. Like sometimes the rage, I feel, it's not like I'm going to do anything. Why wonky? I hope, but it's more like a, I don't know what to do with it. That is my, and I was talking in therapy about that. Like, I'm not actually sure. Practically when the feelings come up, what to do with rage. And I feel like it speaks to in our culture of like, we're all about now, this sort of like, we talk about this fake positivity and shit like that.1 (10m 41s):And also like embracing all your feelings, but there's not really practical things that we learn what to do when you feel like you're going to take your laptop and literally take it and throw it across the room and then go to jail. Like you, you. So I have to like look up things on the internet with literally like what to do with my rage.2 (11m 1s):I think that's why that's part of my attraction to reality. Television shows is a, is a performance of rage. That's that I wouldn't do just because I don't think I could tolerate the consequences. I mean, an upwards interpretation is, oh, it's not my value, but it's really just like, I don't think I can manage the content of the consequences. I'm totally at having all these blown up1 (11m 30s):And people mad at me and legal consequences. I can't,2 (11m 35s):It's something very gratifying about watching people just give in to all of their rage impulses and it's yeah. I, it it's, it may be particularly true for women, but I think it's really just true for everybody that there's very few rage outlets, although I guess actually maybe sports. Well, when it turns, when it turns sideways, then that's also not acceptable.1 (12m 3s):Yeah. I mean, and maybe that's why I love all this true crime is like, these people act out their rage, but like lately to be honest, the true crime hasn't been doing it for me. It's interesting. That is interesting. Yeah. It's sort of like, well, I've watched so much of it that like now I'm watching stuff in different languages, true crime. And I'll start again. No, no, just stories. I haven't all been the only stories that I haven't heard really, really are the ones from other countries now. So I'm watching like, like true crime in new, in Delhi.2 (12m 42s):Do you need your fix? I actually was listening to some podcasts that I listened to. There's always an ad and it's exactly about this. It's like, we love true crime, but we've heard every story we know about every grisly murder, you know, detail. And it was touting itself as a podcast of, for next time I listened to it. I'll note the name of it so I can share it with you. You know, about this crimes. You haven't heard about1 (13m 9s):T the thing is a lot of them now, because I'm becoming more of a kind of sewer. Like a lot of it is just shittily made. So like the, the they're subtitled and dubbed in India, like India. So you've got like the, the they're speaking another language and then they're and if they don't match, so then I'm like, well, who's right. Like, is it the dubbing that's right. Or the subtitles that are right. And, and actually the words matter because I'm a writer. So it was like one anyway, it's poorly done is what I'm saying in my mind. And so it sort of scraped scraping the bottom of the barrel. It's like deli 9 1 1. I swear to God. That's what it, and, and it's, and also it's, it's horrifying because the, you know, the legal systems everywhere fucked, but India has quite a system.2 (13m 57s):I think that to the rage, like, tell me more about what comes up for you with rage and where you,1 (14m 6s):Yeah. Okay. So some of it is physiological, like where I feel literally like, and I think this is what my doctor's talking about. The menopause symptoms. I literally feel like a gnashing, my teeth. Like, I feel a tenseness in my jaw. Like, that's literally that. And she's like, that could also be your heart medication. So talk to your heart doctor. I mean, we're checking out all the things, but like, but it's tension. That's what it really feels like in my body is like tight tension where I feel earth like that. If I had to put a sound effect to it, it's like, ah, so I, I feel that is the first symptom of my rage. And then I feel like, and, and I say out loud, sometimes I hate my life.1 (14m 54s):That's what I say. And that is something I have never allowed myself to say before. Like I, I think unconsciously, I always told myself, like, you just, you have to be grateful and you know, those are the messages we receive, but sometimes life just fucking sucks. And sometimes my life, I just, I just can't stand. And, and in moments, you know, I never loved myself. So it's mostly a physical symptom followed by this is intolerable, what someone is doing. Sometimes my dog or my husband, but even, even if the coworking space, you know, like the lady was talking too loud and I was like, oh my God, this is intolerable.1 (15m 34s):She has to shut up. So agitation, that's what it is. And, and then it passes when I, if I, if I can say, oh my gosh, I am so fricking in Rouge right now. Then it passes.2 (15m 52s):Yeah. Well, it, it kind of sounds like from, from you and probably for most people, the only real option is to turn it in on yourself, you know, like you're not going to put it elsewhere. So you've, you know, you have, which is, so I guess maybe it's okay if you turn it on yourself, if you're doing, if you're working, if you're doing it with acceptance, which is the thing I'm gathering from you, as opposed to stewing and festering. And1 (16m 21s):I mean, it becomes, it's interesting. Yes, it is. So it's like, so red, hot, and so sudden, almost that the only thing I can do is say, okay, this is actually happening. Like, I can't pretend this isn't happening. I, it I'm like physically clenching my fists. And then I, yeah, there is a level of acceptance. I don't get panicked anymore. Now that I, that something is wrong. I just say, oh, this is rage. I name it. I'm like, I feel enraged and white, hot rage, and then it, and then it, and then I say, that's what this is.1 (17m 3s):I don't know why. I don't know where it's coming from. Right. In this moment. It's not proportionate to the lady, like literally talking on the phone at my coworking space that she's not shouting. So it's not that. And I don't want to miss that. I'm not like I can't fool myself to think that it's really, that lady's problem. That I feel like throwing my laptop at her head. And then, and then it passes. But, but, but it is, it is more and more. And, and I think a lot of it, not a lot of it, but you know, my doctor really does think that it's, it's hormonal. A lot of it just doesn't help the matter. I mean, it's not like, oh, great. It's hormonal. Everything's fine. But it, it does help to make me feel a little less bonkers.2 (17m 45s):Maybe you should have like a, a whole rage. Like what, like a rate. Well, first I was thinking you should have a range outfit. Like, oh, for me, if I, I noticed I pee in the winter anyway, I pick like my meanest boots and my leather jacket. When I'm feeling, you know, maybe say maybe kind of a rage outfit, when did Pierce?1 (18m 9s):No, I, I scratched myself in my sleep. Oh no, it's okay. It happens all the time. I do it in my sleep. It's a thing that it's like a little skin tag that I need to get removed. It's2 (18m 23s):So you could have a rage outfit and then you could have a rage playlist, And then you might even have like rage props. I'm just trying to think about a way that your ma you, you could write because if, if how you process something is artistically creatively, then maybe you needed a creative outlet that's specifically for, for race.1 (18m 48s):Yeah. And you know, the, I, I love that. And now I'm thinking about like, as a kid, we, because we, anger was so off limits to us. I used to violently chew gum. Like I would chew on the gum. That was a way, and my mom did the same thing, even though she also got her rage out, but it was like, you know, when people violently chew on their gum, like that was a way I could get my aggression out. That's so sad that that's like the only way.2 (19m 16s):Well, I mean, you find it wherever you can find me. It's like water looking for whatever that expression is, right? Yeah. Huh. Well, I have to get more in touch with my rage because I I'm told that I seem angry a lot.1 (19m 33s):You do.2 (19m 35s):I, I do get told that, but, but that sucks for me because I feel like I'm not expressing my anger and I'm, but I'm not. So I'm not, and I'm being seen as angry at certain times. So that means I didn't even get the benefit of like letting out the anger that somebody is.1 (19m 56s):Right. You didn't even get to act out the anger. It's like, yeah. So for me, miles tells me that all the time, like, he's like, you seem really in couples therapy. Also, I have to admit yesterday was a big day. We had couples therapy on zoom. Then I had individual therapy. And in between I had all kinds of like, just stuff happening. So, but yeah, I'm told I a miles is like, you seem so angry and he's not wrong. And, and we take it out on the people that we live in a two by four apartment with. So I also feel like this office space is helping with that, but yeah, I dunno, I'm going to have to keep exploring my, my rage and that's what it is.1 (20m 37s):And also it is like, I am the character in where the wild things are that kid, that is what I feel like. And it feels it's like the perfect cause he wants to gnash his teeth and, and he does, and a thrash, thrash, thrashing mash, or the words 2 (21m 6s):Let me run this by you that I wanted to do when we're going to talk to Molly that we didn't get to do. And it was based on made, you know, and just about money and, and wondering like what your relationship is right now with money. And also, but when were you at your lowest with money? What do you remember as being your lowest moment? Sure, sure. With money with money.1 (21m 40s):Okay. I have moments of what first comes to mind was when right. I was at DePaul. So it's an apropos in college and there was obviously a sense. I had a sense of lack, always, even though based on whatever, but it was phone. Somehow my accounts were always negative, right? Like, and I would call the number, the banking number, incessantly to check, and it would always be negative. So I have this panic thoughts about that. Like being a time of like, and that's not the only time that happened like that.1 (22m 23s):Where, what is the feeling? The feeling was that, and this was in college where it started to happen, where I felt like there's never enough. No, one's going to help me. I'm irresponsible with money. Was the message I told myself and I probably was, I was in college, but I can't handle money. And literally that, that panic was also, I mean, it was true. I had no money, but my parents would have backed me, probably helped me out, but I was too scared to ask for help. So that's like, that's when, when you asked that question, that's where I go.1 (23m 4s):But, but that's also a college kind of me. So like in terms of an adult, me, that's a really great, great question. My lowest, I don't know. What about you?2 (23m 22s):Well, I've got a lot of Loma Loehmann's moments with money when I was in high school. The thing was, I lost my wallet all the time.1 (23m 35s):Oh, I remember this. I remember you talking about,2 (23m 38s):Yeah, that'd be still lose stuff all the time. That actually started at a young age with, you know, my mom would, she, my mom was really into jewelry and she would buy me destroyed. And there's nothing wrong with the fact that she brought me jewelry, but I lost it. You know, she buy me nice gold jewelry1 (23m 59s):Because she likes nice things. That's right. Yeah.2 (24m 4s):In college it was pretty bad. And the first time it was pretty bad. I had to move back in with my mom because I couldn't afford rent. And then the second time I just, I re I really, if I had more bravery, I probably would have signed up to be one of those girls in the back of the Chicago reader. Like, I, I, I just figured what ha how literally, how else? Because I had a job, but I only worked however much I could work given the fact that we were in rehearsals and like busy all day, so I never could make enough money. And then I just, I think I always have had a dysfunctional relationship with money.1 (24m 51s):Wait a minute, but I have to interrupt. Why, why didn't our parents fucking help us? Okay. Look, I know I sound like a spoiled asshole brat, but like, when I think of the anxiety that we were going through and I know your mom did, so I'm not going to talk shit about your mom or anything, but I'm just saying like, why did we feel so alone in this when we were so young, this is not right.2 (25m 11s):Yeah. Well, my mom did help me out as much as she possibly could, but I think part of it too, my dad certainly didn't think it was that. I mean, when my mom was 18 and my dad was 19, they bought a house and had a baby. So I think part of it is, has been like, what's the matter with you? Cause I didn't go to college, you know, that's the other thing. So, so then when I, then I had a period for like 10 years where I always had three jobs, me two, what1 (25m 46s):Did you have enough then? I mean like, could you make rapid enough?2 (25m 49s):I had enough then yeah, I had enough then. But then when Aaron decided he wants to go to medical school, it was really on me to, to bring in the income. I mean, his parents always gave him money. They helped, it was a lot more. I mean, and actually it's why he became a therapist because I thought, well, we're going to be living with no income because he's going to be a student. Right. So I better giddy up and get a job. So the whole time I was in social work school, I was bartending. I remember that. And then I went quickly into private practice so that I could make money.2 (26m 29s):And it turned out to be, it turned out to backfire on me. Tell1 (26m 35s):Me, tell me, tell me more.2 (26m 37s):It backfired in two ways. Number one, I was, I shouldn't have been operating a private practice without my LCSW. I had my MSW and I was working at the time in a psych hospital. And all of the psychiatrist said, you should start your private practice. You should start your private practice. And I remember saying at the beginning, I don't know if I'm allowed to oh yes, yes. You definitely can. I know tons of MSWs into plenty of people and it's true. I don't know if it's still true now in New York, but at that time you could walk around and see plenty of nameplates for offices where somebody in private practice and that just have an MSW.2 (27m 18s):They just had to have a supervisor1 (27m 19s):Or something.2 (27m 22s):I don't know. Okay. I dunno. Right. So that ended up coming to haunt me when a disgruntled patient. And they're all disgruntled in some way, a family who actually had been swindled by a con artist, like they, they were a blue blood, rich ass family and they got swindled by a con artist. And so they were talking about rage. They had a lot of rage about that. When this guy who was paying for his daughter's treatment, didn't think it was going where, you know, he wanted it to right.2 (28m 4s):He started pushing back about the fee and then he was submitting to his insurance company and they were not reimbursing because I didn't have the LCSW. So then he reported me to the New York state office of professional discipline or1 (28m 21s):Whatever yeah.2 (28m 21s):Regulation or whatever. Yeah. And I ha I had to go through a whole thing. I had to have a lawyer and I had to go, yeah, yeah. It was a nightmare. It was a complete and total nightmare. And I, and I said nothing, but like, yeah, I did that. I did do that. And I did it because I needed to make the money. I mean, in some ways I don't regret it because I did it worked for the time that it worked. And then by the time it stopped working, I was ready to leave private practice anyway. Oh my God. Yeah. But then it also backfired because we were taking in this money, which we desperately needed living in New York city with two kids.2 (29m 3s):And, and we were, we were spending it all and not hold withholding any for taxes. So then that started, that started, that started almost 10 year saga of just, I mean, I, it's embarrassing to even say how much money we've paid in just in fees, compounded fees. Nope. I'm sure. In the last 10 years we've given the government a million dollars.1 (29m 29s):That sounds, that sounds about right. And you know, I think the thing with money too, is the amount of forgiveness I've need to muster up for the financial decisions that I have made. So one of them that I'm super embarrassed about is that, and I, and I hear you when it's like, yeah, I, it, it's embarrassing. I, I, when I did my solo show, I inherited the year that my mom died. My great aunt also died, who I very barely knew. And I inherited like, like a lot of money. Well, to me, a lot, like 50 grand from her, and I spent 15,000 on a publicist for my solo show that did nothing.1 (30m 14s):So I was swindled. Oh,2 (30m 17s):I'm so sorry to hear that. That really did nothing.1 (30m 22s):I could have done it all on my own. I could have done it all on my own, on drugs, in a coma. Do you know what I'm saying? Like, like, come on. So I have done made some questionable decisions. I did the best we did the best we could with, with the information that we all had at the time. I would never make that decision. I wouldn't, I will never make that mistake again. So yeah. Money is very, very, obviously this is so like kind of obvious to say, but it is, it is. So it is a way in which we really, really use it to either prize or shame ourselves. Right. And, and, and w I do it either way, like I do it.1 (31m 2s):Oh, I'm so fancy. I inherited this dough. And then I also do it. It's that thing that they talk about in program, which is like, you're the worm, but you're the best worm for the festival, special worms. And like, you're not a worker among workers. I'm just like the best idiot out there. It's like,2 (31m 18s):Dude. Yeah. And you're making me realize that money might be the only very quantifiable way of understanding your psychology list. The money is like, understanding your psychology through math. It's going okay. If you're a person like me who gets offered a credit card at age 20 totally signs up and, and immediately maxes it out at whatever, to get 27% interest rate. So whatever little thousand dollars of clothes I got, I probably paid $10 for it. And for the longest time. So, so that's me being afraid of the truth of my financial situation, being unwilling to sacrifice, having, you know, whatever, cute clothes being about the immediate gratification of it all and not thinking longterm.2 (32m 15s):Yeah.1 (32m 16s):Okay. Well, not asking for help either. Like, like, I don't know who I'd asked, but someone had to know more than me. I didn't ask my parents. They didn't really know what was happening at, or that just was their generation of like, not teaching us about money. It was sort of like, good luck. Get it together. We got it together. You get it together. Okay. Fine. But like unwillingness and fear to ask, to be taught something about money. Like, I didn't know, Jack shit about credit or interest Jack shit.2 (32m 46s):Yeah. And I recently realized that I'm basically redoing that with my kids, because we supposedly have this allowance. Only one of my kids ever remembers to ask for it because you know, only one of my kids is very, you know, very interested in money, but like, in a way I can understand why the others don't because it's like, well, anytime they want something, I pay for it. I never say sometimes I'll say recently, I've gotten better about saying, if we're going to go back to school shopping I'll especially if the oldest one, I'll say, this is your budget. If you, if you spend it all on one pair of sneakers, then I hope you're okay with your sweat pants that don't fit and wear them everyday for the rest of the school year.2 (33m 31s):Right. But it's, we've, we've just been extremely inconsistent in tying, like, for example, chores to your allowance,1 (33m 42s):It's fucking miserable and hard. And I have trouble doing that for myself. I wouldn't be able to do that for my children. If I had children, I can't not give the dog people food. What are you talking about? How am I going to bring it? Doesn't shock me. We didn't learn the skills and I'm not blaming. I mean, I'm blaming, of course my parents, but I'm also just saying, it's just the facts. If we're going to be that in the truth, like, I didn't learn, I didn't educate myself and nobody educated me. So I'm really learning through trial and error. Mostly error, how to be okay with money. And it is you're right. Like finances, romance, and finance teach us the most about our psychology.2 (34m 24s):Yeah. Yeah. Romance finance. I love that. 1 (34m 28s):I think that my boss at Lutheran social services to say all the time, finance and romance, romance, and finance, that's what all these addictions are about is that's how you see them. I'm like, she's right. I mean, she was, I liked her. She was bonkers, but I liked her. She said some good. She, she also is famous for saying, and she didn't say it, but she would always quote, the, no one gets out of here alive. You know, none of us getting out of here life, we might as well start2 (34m 54s):. Well, today on the podcast, we were talking to Carol Schweid and original cast member of the original production of a chorus line on Broadway. She's got great stories to tell she's a fascinating person. And I think you're going to really enjoy this conversation with Carol Schweid. Exactly. Carol shrine. Congratulations. You survived theater school. I did. You did.2 (35m 34s):And where did you go to theater school. Okay. First of all,3 (35m 38s):Let me just take my coffee, my extra coffee off of the stove and put it on my table. Cause it's gonna burn because we don't want that.4 (35m 51s):Okay. You're I am looking for a cop. If you have one, you know, this is ridiculous.3 (36m 2s):Hi there. Hi. This is a riot that you talk about surviving theater school. I think it's great. Okay. So this is working, right? You can hear me. Yeah, no, totally. A hundred percent. So this is my, I started college at Boston university. I was an acting major, which I loved. I really did, but I, what I loved more than anything was I loved the history of the theater. We had a great professor who told the tales of the gladiators and the, you know, the gladiators on the island and the fighting, and then the island, the survivors, and then the island would slowly sink into the water.3 (36m 45s):What is this? What did I miss? It was the early history of the theater. It was starting on the church steps. It was, you know, the second, whatever all of that history was, I found it really interesting. I also loved the station shop crew stuff. I liked learning about lighting. I was terrible at it. I, you know, I would fall off ladder, but I, I, I enjoyed the backstage stuff as much as I enjoy. I just, I liked it. I, we did the rose tattoo and my, and my first job was to take care of the goat. I was on the prop crew.3 (37m 28s):I took care of the goat. Was it a stuffed goat? No, it was a real goat. Wow. What can I tell you? The rose tattoo. There's a goat in the play. I didn't realize you could have livestock and colleges, college, whatever it was. I look like I have jaundice with is that something's wrong with the light jump I sent you stop your, where is the microphone part of your, do you want me to hold it up better? Because when you move, it hits your shirt and it makes like a scratching, right? That's right. I'll do it this way. I won't move around. When you look tan, you look, you don't like jaundice at all. Okay. Well then that's all right. Good. Thanks. Were the goat handlers.3 (38m 8s):Good to talk to you. I mean, that was, and I didn't mind, I didn't mind being an usher. All of those things, you know, I remember somebody sitting us down and saying, you're you are the first person. The audience we'll meet tonight as an usher. I took all of the stuff I did, but the acting business was very confusing to me. I didn't quite know. I had done a lot of theater and dancing and been in the shows and stuff, but I really, I was a little more of a dancer than an actor. I'd taken class in the city. I'd followed some cute guy from summer camp to his acting class. But half the time, I honestly didn't understand a word.3 (38m 48s):Anybody said, I just, nobody does. I really didn't get it so much at the time I loved it, but I didn't always get it. And for some reason, and I have no idea where this, why this happened. I had a boyfriend in summer stock whose mother worked at Barnard and her best friend was a woman named Martha Hill. Martha Hill ran the dance department at a school called Julliard. Nope. I had no idea. Cool. Just a little, nothing school. This is back in the day. It's a long time ago. It was just a plain old school. It wasn't like a school, you know, where you bow down. And I really was a very good dancer and always loved dancing.3 (39m 33s):You know, I've been dancing since I'm like a kid, a little five or six or whatever. So I was a little disenchanted with my successes at Boston U even though I had friends, I was having a great time. I mean, Boston in the late sixties was amazingly fun, but I felt like I wasn't getting it. I mean, it wasn't a school that was cutting people. Thank God, because that would have been torture. I don't know how anybody survives that, but I audition for this dance department in this school called Juilliard and got in and then told my parents that I was going to change colleges. I remember making up a dance in the basement of my dorm in Boston.3 (40m 17s):Cause you had a sort of take class and then you had to show something that you should have made up. And somebody else from college was leaving school to come to New York to be a singer. So we decided we were going to be roommates. And then we had a summer stock. Somebody at BU started some summer theaters. So I had a job or two, I think I had some friends from there. So I ended up moving, changing colleges and going to Juilliard. And I spent three years there. I was a modern dancer major. So we had the Limone company, including Jose Lamone wow teachers and the Graham company.3 (40m 59s):I mean, Martha, Martha Graham did not teach, but her company did as a winter and Helen, I was Helen McGee. One of the, they were maniacs. I mean, they're, they're like gods and goddesses and their whole life is about dance. And I was one of those demonstrators for her eight o'clock beginning class, my third year of school. I mean, I, it was all about technique. We had amazing ballet teachers. We had Fiorella Keane who, I mean, Anthony tutor taught class there and he was Anthony. I mean, so I got a out of being at that school that I have never lost. I mean, I can, I'm making up the answers for high school kids now really.3 (41m 42s):I'm just finishing up a production of grease, which is really kind of boring, but whatever I liked Greece, tell me more. Yeah. It's okay. If you hear it enough, you really get sick of it. Well, that's true. Yeah. I mean high school kids doing high school kids is like, Jesus, God, you just want to slit your throat. The moodiness when it comes to the girls. I mean, I love them. I really love them. I love the guys because puppies, they fall all over each other and they're fabulous, but that's a lie anyway. So I did something that I don't know why I did it and how it worked out. That way I left. I had a very best friend in college that was, you know, and I came to New York and made, made and shared an apartment with this slightly crazy woman.3 (42m 32s):And a year later I got myself a studio apartment on west end avenue and 71st street. And my mom co-signed the lease. And I spent three years dancing, honestly dancing almost every day. I wanted to take sights singing, but they wouldn't let me because I was in the dance department. And I didn't know, you could advocate for that. Sure. I didn't know. You could take classes at Columbia. I mean, who had time anyway, but was it a three-year program? It was a four year program, but I had taken a music class at BU that was like music appreciation one. Yeah. And for whatever reason, they gave me credit for that.3 (43m 14s):So I had a full year credit. Yep. Three years of Juilliard where I really worked my tail off. What's weird about it is that I am, you know, just a plain old Jewish girl from New Jersey, you know, a middle-class Jewish girlfriend. And to, to think that I could have a profession where people don't talk and don't eat, which is what the answers do is a riot to me. Yeah. Yeah. It's an absolute riot because you know, I mean, that should be basically the manual for dancers. Don't talk, don't eat, but I always knew that I was heading to Broadway. I really have always wanted to do that.3 (43m 55s):And I, and, and w was not really ever in question that I would, I somehow assumed if I worked hard and figured it out enough, I would find my way to working on Broadway. And I, and I made the right choice in the sense of switching colleges. Because in the seventies, if you look at your list of Broadway shows, all the directors were choreographers. They were all dancers, all of them Fauci, Michael Bennett champion, all of them. So I started working when I got out of school, you know, it was, and I had already done a couple of summers of summer stock and I did a summer Bushkill pencil, you know, these ridiculous, stupid theaters all over, but it was a blast.3 (44m 36s):It was fun. Where, what was your first job out of school? I was still, I was in school and it was the Mount Suttington Playhouse, which was like a tin shell in Connecticut. And I think it was still in college. Cause two guys from school had opened this theater at the skiing place, but it wasn't skiing. Then it was a sh it was like a tin shell. So couldn't really do a show when it was raining very well. And I believe it was stopped the world. I want to get off and I can still remember the Alto harmony to some of the songs. So you okay. Wait, so you don't consider, you didn't consider yourself a, an actor or did you?3 (45m 20s):Well, I did, but I think what happened was I had to audition for something. It'd be you like, they had grad programs and it wasn't that I was unsuccessful there, but somebody came and I didn't get cast. I didn't get hired. And I didn't understand, you know, like they give you all these acting exercises. We do sense memory. Well, I didn't know they were exercises. I didn't, they were they're like plea aids. Right. They're like learning things. I took this all very seriously. I would stand in a room and try to feel it was like that song from chorus line, you know, try to feel the emotion, feel the, yeah, yeah, yeah, yeah.3 (46m 5s):I did all of that. I didn't really understand the simple, what am I want here? And what's in my way of trying to get it. Yeah. It took me so long to find teachers that I really could understand and make me a better actor. So when did you find them? When did you start to find them? Oh, that's interesting. Well, I found a couple of good teachers in New York. I mean, honestly there was a woman named Mary Tarsa who had been in the group theater and an older lady. I mean, it's a long time ago anyway, you know, but I remember sitting in her class and she would talk about using imagery and th and I started to sort of understand a little bit, which is amazing to me because after I moved to Westport and I met, do you know the name Phoebe brand?3 (46m 58s):Yeah. Phoebe brand was in our theater workshop. Oh, taught a class. She was already up in her eighties and she taught a class, a Shakespeare class on Sunday mornings. And all of a sudden these things that I didn't understand from decades before. Hmm. It sort of pulled it all together. But for me, I went, I was in California after I got married and moved to LA for a couple of years, found a teacher named John LAN and Lee H N E and two years in his class. I started to really understand how to do it. And then when I came back to New York, he sent me to Michael Howard and Michael Howard, Michael Howard was a great teacher for me.3 (47m 44s):He's still a great, I don't know if he's still around if he's teaching or not, but he was a wonderful teacher. And I started to understand how to do it. Was Len the, did he teach the method or what was yes, he was, he was an actor studio teacher. And I started to understand about being present on the stage and being able to deal with people. All of it, it just changed dramatically. I mean, I started to understand what this was about and seeing other good actors and chipping away at it and finding people to rehearse with. And1 (48m 22s):You, you, from what I know, and what I'm gathering is that once you graduated Juilliard, you were cast in New York.3 (48m 30s):Well, you know, I did get my very, my V I I've. I mean, I, I remember going to see midnight cowboy, which was about the same time as I got out of college. And I remember going into a terrible panic of, oh my God. I mean, really scared about all of it. And I, I went, I joined a class that a friend of mine, somebody told me about this class, you know, I always follow somebody to a class. I'm always, I have good friends. And I, somebody says, oh, I love this guy come to class and I'd show up.3 (49m 12s):And this was a musical comedy singing class, kind of where there were writers in the class and actors in the class. And the writers in the class would work on a musical that they didn't have permission for. It wasn't like they were, we were doing this for money or for, for future. So my friend who I became friends with wrote her musical version of barefoot in the park and which has never been done, but I remember I was in it and this guy was in it. And we, it was the kind of a class where it was a very warm, funny group, funny group of wacko theater people. And I would go to open calls and I'd usually go to open dance calls because that was a door for me.3 (49m 59s):And also I used to have to sneak out of Jew, not sneak necessarily, but essentially sneak out to take my singing lessons. And I took singing lessons every, you know, every week for years, for three years, I would, you know, and I, and I was not really, I don't think a very good singer, but I became a good singer. I would sneak out of school and go to an acting class. I don't even know when I started that, but I know that I would find the time to do it and then talk about acting and find a teacher so that when I would audition for a musical and I would get through the dancing. Usually if I got through the first cut, I would make it to the end. I wouldn't always get the job, but if I made it through that first horrible, random cut, you know, where there's 200 people in your dancing across the stage and it's yes, no, yes, no.3 (50m 47s):Is it really?1 (50m 48s):Because I'm not a dancer. So I never had this. I, when my agents are like, oh, there's an open dance call. I'm like, ah, that's you sent the wrong person, the email. So it's really like that, like in, in chorus line where they say, you know,3 (51m 1s):Oh yeah. It's like all that jazz. It's really like that.2 (51m 6s):Wait, I have a question. I want to hear the re the rest of that. But I, I just, I've never asked anybody. What's the biggest difference between the people who got cut immediately. I mean, was it training or were there people that, in other words, were there people who were just walking in off the street with no training trying to audition? Yeah,1 (51m 29s):No, truly an open call.3 (51m 31s):No. And sometimes these were equity calls. Cause I, I, I did get my equity card on a summer. That one summer I worked for a non-union, you know, we were in either Bushkill Pennsylvania or Southern Eaton Connecticut, or I did a couple of those summers. And then the next summer, the choreographer from that show had an equity job. And he hired like three of us from our non-unions summer stock, because we were good enough. And1 (52m 4s):So when you went to these open calls, everyone, there was a bad-ass dancer. No one, there was like,3 (52m 10s):That's not true. That's not true. There were all different levels of dancers, but it was also a look await, you know, it was always, I was always like seven pounds overweight. It was like, the torture is thing of weight does enough to put anybody over the edge1 (52m 26s):That they literally3 (52m 27s):Weigh you, Carol. Oh God. No. Oh, but it's so look, and I will tell you there's one. There was one time when I remember auditioning for above Fossey show and there were a lot of people on the stage and we were whatever we were doing. And then at 1.3 Fossey dancers, it was their turn. And these three gals, okay. Their hair was perfect. Their makeup was fabulous. They had a little necklace, they had a black leotards, you know, cut up high, but not out of control. Good tights, no, no runs, nice shoes, nails done.3 (53m 7s):And they were fantastic. They were clean. They were technically, and we all sort of went, oh fuck.1 (53m 16s):Right.3 (53m 18s):Right. And I have friends who became Fossey dancers. I mean, I worked for Bob, but I have friends who did a lot of shows him. And they had that same experience where they saw other people, the way it should be. And then they would go back a month later and get the job because they knew what it took. It was all about knowing what it takes. But the thing about having studied acting and having slowly studied singing is that in the world of musical theater, I was ahead of the game because there's not that much time. So you have to be willing to spend all of your time.3 (54m 0s):Right.1 (54m 1s):There are some people I'm assuming Carol, that could dance wonderfully, but couldn't do the singing and the acting part. And that's where you were like, that's the triple threat newness of it all is like, you could do3 (54m 12s):Well, I could do them better than a lot of people. And I certainly could sing well, and I had, I could sing a short song and I knew that you sing a short song. I knew that you'd probably do an uptempo, you know? And also I tend to be a little angry when I go into an audition. It's like, why do I fuck? Do I have to audition? I better, duh. So I needed to find things that allowed me to be a little angry so I could be myself. And I could also be a little funny if I could figure out how to do that. So all of these things worked in my favor. And then of course, like everybody else in her, a lot of people, pat Birch, who was a choreographer, she had like a gazillion shows running, including Greece on Broadway. And now over here, I don't know if she did grease, but she did over here.3 (54m 55s):She did. She was very prolific choreographer. She had been a Martha Graham dancer and she had taught a couple of classes at Julliard. And when it came to my auditioning for her, she needed girls who could dance like boys. She didn't need tall leggy, chorus girls. We were doing the show she was working on, was a show called Minnie's boys. And it was a show about the Marx brothers and the last number of the show. We were all the whole chorus was dressed up like different Marx brothers. And she needed girls who could be low to the ground, who can, you could turn who and I was the right person.3 (55m 36s):And I remember being in that class, that wonderful musical theater class with a teacher named Mervin Nelson, who was just a great older guy who kind of worked in the business. I remember I had to go to my callback. I went to my class and the callback was at night. And I remember him walking me to the door, putting his arm around me and saying, go get the job. And if you don't get this one, we'll get you. The next one1 (56m 4s):That makes me want to3 (56m 4s):Cry. Well, it made me feel like part of the family, cause we all want to be part of that theater family. And so I tend to do that when I'm with an actor, who's going to go get a job or go get, you know, you want to feel like it's possible. Yeah. You feel like you can, you deserve it.1 (56m 29s):You said, you mentioned briefly that you worked for Bob3 (56m 32s):Fossey. I did.1 (56m 35s):Oh my gosh. Did you turn into one of those ladies that looked like a bossy dancer too? Like, did you then show up to those auditions? Like, oh3 (56m 43s):No, I don't think I, I couldn't, I didn't, I could not get into a chorus of Bob Fossey, but I did get to play for strata in Pippin in the, in the, in the first national tour. And he, Bob was the, he was the director and I, I knew I was the right person for that job. It was also a funny, kind of lovely circumstances that I was in some off-Broadway an off-Broadway show that had started as an awful off, off of a, that, that Bubba, that moved to an off-Broadway theater. I got some excellent reviews. And I think the day the review came out was the day I had my audition for Bob Fossey.3 (57m 24s):So I, and I played it. I had talked to people who knew him. I talked to, you know, I, I knew that I, I don't know, I just, I, I had done some work and I just, I don't know the right person at the right time, somebody, he needed it. That part required a good dancer. Who could, I don't know how I got the part. I just,1 (57m 57s):I'm kind of getting the impression that we're talking about being a strong dancer.3 (58m 0s):Well, let's strong dancer. And also being able to, being able to talk and sing was really the key. I'm not sure that I certainly, as a young person, I, I didn't do nearly as much comedy as I did when I got a little older, but, and also there were a lot of divisions. You sort of either did musicals or you did straight plays and it was hard to get into an audition even for a straight play. And the truth is I think that a lot of us who thought we were better than we were as you get better, you see when you really, wasn't a very strong actor.1 (58m 43s):Right. But there's something about that. What I'm noticing and what you're talking about is like, there's something about the confidence that you had by maybe thinking that you might've been a little better than you were that actually behooves young actors and performers that, you know, cause when Gina and I talked to these people were like, oh my God, they have a healthy ego, which actually helps them to not give up as where I was like, I'm terrible. I'm giving up at the first hour.3 (59m 9s):Exactly. Right. Right. And, and it, and it goes back and forth. It's like a CSO one day, you feel like, oh yeah, I'm good at this. I can walk it. I get, I'm like, I'm okay with this. And the next day you just to hide under the bed, I think that's sort of the way it goes. I didn't know that people who worked on Broadway even then all had coaches and teachers and support systems and you know, being kind of a little more of a lone Wolf, which I was, and still fight against in a way I come against that a lot, for whatever reasons, you know, whatever it doesn't work, what to be a lone Wolf.3 (59m 54s):Yeah. Yeah. You can't do this alone. You can't do it without a support system. It's just too hard because when I actually had the best opportunity I had, which was being part of a chorus line, it was harder than I thought to just be normal, come up with a good performance every night, you know, it was up and down and loaded and that you lost your voice and had nobody to talk to because you couldn't talk anyway. And we didn't have the internet yet. You know, there was so many, it was so much pressure and so much, and I hadn't really figured out how to create that support system up for myself.3 (1h 0m 42s):And it was harder, harder than it needed to be. Did you ultimately find it with the cast? No. Oh, not really where they mean, oh, none of the cast was fine. It wasn't that anybody was mean it's that I didn't take care of myself and I didn't know how I was supposed to take care of my shirt. How old were you when you were cast in a chorus line? 27? Maybe I was, I was young and, but I wasn't that young. I just, but it wasn't that C w it was a strange situation to, I was, I had already had one Broadway show, so I had done, and then I had gone out of town to bucks county Playhouse.3 (1h 1m 25s):And did west side story Romeo was your first Broadway show. I'm sorry. It was called Minnie's boys. Oh, that was it. That was my, I did. And it was a show about the Marx brothers. Right. And I don't know if you know who Louis. We would probably do Louis Stadol and Louis J Staglin who works with, he works with Nathan Lane a lot. Oh yeah. Yeah. He's like second bun and he's incredibly talented. He played Groucho. Okay. We were all 25 years old. We were kids. We were right out of college. And the weirdest part of all was that the mother was played by Shelley winters. And this was a musical. What a weird you've really. Okay. So then you went onto chorus line.3 (1h 2m 6s):Well then, well then in between that, this is like, you know, then, then I went out of town to bucks county. I love being in bucks county for a year. We did west side story. We did Romeo and Juliet during the week. We do them together, one in the morning, one in the afternoon for high school kids. And then on the weekends, we do one of the, and I was the only person in the cast who liked dancing at 10 o'clock in the morning. You know, I didn't mind doing west side at 10 in the morning. I'd been up at eight, being a demonstrator for Mary Hinkson, teaching people how to do a contraction. So I didn't care. I love working in the daytime. That's what I play with your food is such a nice success. My lunchtime theaters here, I get tired at night.3 (1h 2m 47s):I don't know.2 (1h 2m 49s):Most people do wait. So was the, was the audition process for chorus line?3 (1h 2m 56s):I have a great story. I can tell you what my story is. Okay. So I, I was in, I don't know what I was doing. I had done a lot of off-Broadway work. I had been doing, I had been working a lot. And then of course there were the year where I didn't work. And then I went off to south North Carolina and played Nellie Forbush in south Pacific, in the dinner theater for three months. And I loved that. Actually, I think it was one of those times I had a job and a boyfriend and it was like a relief. It was wonderful to have like a life and then do the show at night. You know, I, I enjoyed that a lot and I didn't, you know, it was a big part and I didn't panic about seeing it.3 (1h 3m 37s):And it was just, I learned a lot from doing a part like that. I was doing Fiddler on the roof at a dinner theater in New Jersey, down the street from where my folks lived. And occasionally my mom would stop by her rehearsal and watch the wedding scene. Honest to God. I'm not kidding. She's like, Carol, you ever gonna get married? Are you ever gonna? Okay. So I'm doing Fiddler on the roof, in New Jersey. And there's a guy in the cast, one of the bottle dancers who were dropping off at night on 55th street, because he's working on this little musical about dancers and he would bring in monologues and he'd asked me to read them at rehearsal because he wanted to hear them out loud.3 (1h 4m 25s):And there was some stuff about this place to ever hear the peppermint lounge back in the studio. Right. It was a disco thing, but it was also a place where there was something. I remember one the couch girls, girls who would just lie on the couches and the guys, I mean really crazy stuff that did not make it into the show, but some interesting stuff. And I was playing the eldest daughter sidle, and it's a terrific part for me. So I was good. Yeah. And Nick knew I was a dancer. Anyway, this little show called the chorus line was in its workshop. Second workshop. They had already done the I, cause I was not a Michael Bennett dancer. I didn't, you know, I, I, I had auditioned for my goal once for the tour of two for the Seesaw.3 (1h 5m 10s):And it was the leading part and I didn't get it. I auditioned, I sang and I read and I read and I sang and I didn't get the part. And I came home and I was like in hysterics for like five days. I just, you know, I, I didn't get the part year and a half later, I'm doing Fiddler on the roof with Nick, Dante in New Jersey. And somebody leaves the second workshop and Nick brings up my name because there's a job all of a sudden to cover, to be in the opening and to cover a couple of parts next, bring up my name. And Michael Bennett says, wait a minute. I know her. I know she's an actress and she's a singer. Can she dance?3 (1h 5m 52s):So I showed up the next morning and I danced for 10 minutes and I got the job. I mean, I think, wow. Yeah. That's a great story.2 (1h 6m 1s):No. So that means you didn't have to participate in3 (1h 6m 4s):Callbacks or nothing. Oh, I started that day. I mean, honestly, it was Fiddler on the roof, you know what, I don't remember whether, how it went. Cause we were already in performance tour or something, you know, I, I it's a long time ago, so I don't really remember, but I know that this particular story is the absolute truth. That's fantastic. That2 (1h 6m 27s):Was it a hit right away3 (1h 6m 29s):Chorus line. Well, it wasn't, we were in previews. I'm no, we weren't even previous the second workshop, which means it was still being figured out. And when I came to the first rehearsal and sat and watched what was going on, I could not believe what I was seeing because the truth of what was happening on stage and the way it was being built was astounding. It was absolutely astounding because something about it was so bizarre. Oh. And also, also Marvin Hamlisch was the rehearsal pianist on Minnie's boys.3 (1h 7m 10s):Wow. So I knew him a little bit, not well, you know, but he was the rehearsal pianist that nobody would listen to a show about the Marx brothers, Marvin would say, wait, this is the Marx brothers. You got to have a naked girl running out of the orchestra pit. You gotta, you gotta, and of course, nobody would listen to him. Wait a minute, just turn this off, stop, stop, turn off. Sorry. So I couldn't get over what I was seeing. And I, I knew from the beginning, of course, I think most of us did that. Something very, very unique was going on and it was always changing. Like Donna McKechnie came in late at the audition, all dressed up in like a fur thing.3 (1h 7m 56s):And it was like, I'm sorry, I'm late. I'm sorry. I'm late. And then Zach says, would you put on dance clothes? And she said, no, no, wait a minute. Anyway, you couldn't help. But know sort of, you just kind of put,2 (1h 8m 8s):I mean, I remember seeing it when I was a kid and not, not being able to relate as an actor, but now that I think back, it just must've felt so gratifying to be seen for all of the, you know, because like we w the Joe Montana episode, we3 (1h 8m 28s):Haven't listened to yet, but I'm looking forward to2 (1h 8m 30s):It here today. But he was saying, I love3 (1h 8m 33s):Him2 (1h 8m 34s):For you. You were saying that when he won the Tony and everybody would say, well, it's like to win the Tony, what's it? Like he said, it's like, you won the lottery, but you been buying tickets for 15 years. You know, that's the part of acting that people now, I think it's a pretty common knowledge that it's really difficult to be an actor, but I don't know how Hmm, how known that was then. And it just, must've been so gratifying for all of those people. I mean, who are living in their real life? The story of that musical. Yeah.3 (1h 9m 9s):I think that that's true. And also, I mean, it really did come out of people's experiences. Those stories are so, so to be part of something like that, and down at the public theater, which of course it was a vol place to be, you know, you, you knew that Meryl Streep was walking down the hallway and you knew that. I mean, talk about confidence. I mean, I don't know if you've read her new book, no book about her. No, it's worth the time I listened to it. Actually, I didn't read it. I listened to, it's quite wonderful because you see a very confident person who's working on creating who she is.1 (1h 9m 47s):Do you feel, I feel like you have a really strong sense of confidence about yourself too. Where did that come from? Would you agree? First of all, that you have, it sounds like you had some comps, some real chutzpah as a youngster and maybe now as well. Where'd that come from3 (1h 10m 5s):Beats me. I have it now because I, I, I, I've had a lot of, a lot of experience. And I, I think that, that, I, I think I know a lot about this, but I don't know that I had it. The trick was to have this kind of confidence when it really matters. Yes. And I think I had it, like if I was in an off-Broadway show, I could say, I don't think that's good enough. Could you restage this blah, blah, blah. Or if I'm in North Carolina, I'm not, I think we need to dah, dah, dah, dah, dah. But when it comes down to the real nitty gritty of standing up for yourself, when it really, really matters, boy, that's harder than it looks.3 (1h 10m 51s):You know, even things like, I mean, my character, when I eventually took over the role of Miralis, which I under, you know, I was we've covered all these parts. There were nine of us. We sang in the little booth in the wings. We had microphones and little headsets. And the coolest part of all was Jerry Schoenfeld, who was the chairman of the Schubert organization would bring any visiting dignitary who was visiting the city that he was showing around his theaters. He would bring them into our little booth. And then we would watch the show from stage left in our little booth while we're singing, give me the ball, give him the ball. Cause half the dancers on the stage, cause stop singing because they had a solo coming up.3 (1h 11m 31s):So, you know, singing in a musical is not easy. You know, there's a lot of pressure and you got to hit high notes and you, you know, you just wake up in the middle of the night going torture, torture, and you have to work through that and finally go, fuck it. You know, fuck it. I don't care what I weigh. Fuck it. I don't care if I, if I can't hit the high note, but it, it takes a long time to get there. You know, I see people who do this all the time. I don't know how they live. I don't know how they sleep at night. There's no wonder people like to hire singers who have graduated from programs where they really understand their voice, know how to protect that, which you don't, you know, you have to learn, you have to learn how to really take.3 (1h 12m 24s):That's why, you know, it's wondering about ballet companies now have misuses and we didn't have any of that. You were hanging out there alone. I felt maybe I'm wrong, but that's how I felt. And if I was vulnerable or if I didn't feel well, and I was like, oh, what am I going to do? I can't tell anybo

Megan brings Peace Corp pal Jordan to the pod. White Lotus, 9 Perfect Strangers, Ru Paul's Drag Race All Stars The Night of the Hunter - a very good movie staring Shelly Winters, Robert Mitchem and Lillian Gish write us at 2QueensWhat@gmail.com Next week's movie is Random Harvest from 1942 starring Greer Garson and Ronald Coleman --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/john-burns1/message

Robert Amico 2 time “TELLY” Award Winning Director/Producer and Actor. Pt. 2 Robert tells us about his acting teacher Shelly Winters his adventures with Andy Warhol, sings an acoustic song "Butterfly" world premiere performance, Valley Film Festival, his new distribution platform for filmmakers Indigo children & more!) Thank you for listening and supporting the podcast. :) https://www.buymeacoffee.com/sneakies https://www.paypal.com/paypalme2/anonymouscontent Funds will go to sound and editing. Paypal (friends & family) petcarebuddies@gmail.com https://www.patreon.com/sneakies Instagram @marylinartist LinkedIn: Marylin Hebert Please Subscribe to our YouTube:) https://www.youtube.com/user/Fellinijr/videos Zombie Diaries: https://youtu.be/tBmgi3k6r9A Our books :) Young Adult wizard book series: "Margaret Merlin's Journal" by A. A. Banks at Amazon! :) https://www.instagram.com/margaretmerlinsjournal/ MMJ Book I The Battle of the Black Witch https://www.amazon.com/Margaret-Merlins-Journal-Battle-Black-ebook/dp/B01634G3CK MMJ Book II Unleashing the Dark One Science fiction action adventure https://www.amazon.com/Margaret-Merlins-Journal-Unleashing-Dark-ebook/dp/B01J78YH6I MMJ Book III The Mask of the Parallel World An Adventure in Italy https://www.amazon.com/Margaret-Merlins-Journal-Parallel-World-ebook/dp/B01KUGIZ8W/ MMJ Book IV The Quest for the Golden Key https://www.amazon.com/Margaret-Merlins-Journal-Quest-Golden-ebook/dp/B076FTTDQN Top kids podcast: Enchanting Book Readings https://podcasts.apple.com/us/podcast/enchanting-book-readings-reviews/id1498296670 Other awesome podcasts: Thrilling Stories, Enchanting Book Readings, Girl's Guide To Investing, Legitimately Mallie & The Haunting Dairies of Emily Jane. Support this podcast: https://anchor.fm/girlmogul/support --- Support this podcast: https://anchor.fm/filmaddicts/support

Robert Amico 2 time “TELLY” Award Winning Director/Producer and Actor. Pt. 2 Robert tells us about his acting teacher Shelly Winters his adventures with Andy Warhol, sings an acoustic song "Butterfly" world premiere performance, Valley Film Festival, his new distribution platform for filmmakers Indigo children & more!) Thank you for listening and supporting the podcast. :) https://www.buymeacoffee.com/sneakies https://www.paypal.com/paypalme2/anonymouscontent Funds will go to sound and editing. Paypal (friends & family) petcarebuddies@gmail.com https://www.patreon.com/sneakies Instagram @marylinartist LinkedIn: Marylin Hebert Please Subscribe to our YouTube:) https://www.youtube.com/user/Fellinijr/videos Zombie Diaries: https://youtu.be/tBmgi3k6r9A Our books :) Young Adult wizard book series: "Margaret Merlin's Journal" by A. A. Banks at Amazon! :) https://www.instagram.com/margaretmerlinsjournal/ MMJ Book I The Battle of the Black Witch https://www.amazon.com/Margaret-Merlins-Journal-Battle-Black-ebook/dp/B01634G3CK MMJ Book II Unleashing the Dark One Science fiction action adventure https://www.amazon.com/Margaret-Merlins-Journal-Unleashing-Dark-ebook/dp/B01J78YH6I MMJ Book III The Mask of the Parallel World An Adventure in Italy https://www.amazon.com/Margaret-Merlins-Journal-Parallel-World-ebook/dp/B01KUGIZ8W/ MMJ Book IV The Quest for the Golden Key https://www.amazon.com/Margaret-Merlins-Journal-Quest-Golden-ebook/dp/B076FTTDQN Top kids podcast: Enchanting Book Readings https://podcasts.apple.com/us/podcast/enchanting-book-readings-reviews/id1498296670 Other awesome podcasts: Thrilling Stories, Enchanting Book Readings, Girl's Guide To Investing, Legitimately Mallie & The Haunting Dairies of Emily Jane. Support this podcast: https://anchor.fm/girlmogul/support --- Support this podcast: https://anchor.fm/filmaddicts/support

Today on the Rarified Heir Podcast we are talking to Amanda Gari, actress, singer and impressionist who talks to us today about her grandfather Izzy Iskowitz, better known as Eddie Cantor. Starting in the 1920s until the late 1950s, Eddie Cantor was one of America's biggest stars – from vaudeville to Broadway, from radio to television, from film to recorded music, there was arguably  no bigger star in the first half of the 20th Century than Eddie Cantor, the man they called “Banjo Eyes." Amanda's tales of growing up around her composer mother Jane Cantor Gari, actor/painter father Roberto Gari and her grandfather Eddie, we learn a great deal about what it was like growing up Cantor. We touch on names like W.C. Fields, Will Rogers, Fanny Brice, Sammy Davis Jr., Amy Sedaris, Judy Garland, Shelly Winters, Ronald Reagan and many more. We learn that Cantor co-wrote the theme tune to the iconic Warner Bros. cartoon Merry Melodies which began as “Merrily We Roll Along.” Cantor's hyperkinetic energy and manic stage presence, are no match for Cantor's generosity. He  started the March of Dimes charity at the behest of President Franklin Roosevelt, made the song “Making Whoopie” famous, whose stance against Hitler & fascism prior to WWII caused his sponsors to leave his radio program, how he was the first president of the Screen Actors Guild and how his influence made a hit out of the then-unknown song, “Santa Clause is Coming to Town.” But even knowing all that, the moment you won't to miss is Amanda's spot on impression of Flipper that really leaves you wanting more. On the next Rarified Heir Podcast.

Today on the Rarified Heir Podcast we are talking to screenwriter Ethan Lawrence, son of one of the most prolific writers in Television history, Anthony Lawrence. It’s not everyone who can play poker with Rod Serling and Harlan Ellison, contract as a day player in Audie Murphy Westerns, do karate with The King, Elvis Presley on the set of Roustabout or pen one of the most beloved scripts in the TV show Bonanza’s 23 year run, the Christmas epic entitled “Gabrielle”. Writing for film and TV seems to be all around Ethan. An accomplished screenwriter himself on shows like Eureka and The Pretender,  both his mother Nancy Lawrence (who teamed up with her husband Anthony for the cult series The Phoenix and The Sixth Sense) and his wife Dee Harris-Lawrence who is currently a show runner for not one, but two current series All Rise and David Makes Manwent into writing for television. So sit back, relax and hear Ethan wax poetic about his days with John Carpenter, Kurt Russell and Shelly Winters on the set of the Dick Clark produced  Elvis biopic, getting a red belt in karate from Chuck Norris and smoking his first joint ever w/ Judson Scott while looking for the amulet. Wait what? This is the Rarified Heir Podcast.

NOW AVAILABLE ON FOWL PLAYERS RADIO!!! www.fowlplayersradio.comPlease welcome comedian, actor, and author Jason Stuart!!Jason shared some very interesting tales from his journey in the entertainment business; as a result of a chance meeting with Shelly Winters, Sally Kirkland, and Skip E. Lowe he ended up as an observer in The Actor's Studio. In the 80's he got into stand up comedy, performing at The Comedy Store he performed with such comedians as Drew Carey, Margaret Cho, Sandra Bernhard, Richard Jeni, Shirley Hemphill, Stephanie Hodge, Judy Tenuta, Rick Overton, and Damon Wayans.  His acting credits include a recurring role on "My Wife and Kids" as Dr. Thomas, "The Drew Carey Show", "The John Larroquette Show", "Murder She Wrote", "Will and Grace", "Charmed", and more recently on "Goliath" with J.K. Simmons and Bruce Dern, "Immortal" with Samm Levine, and "Smothered" on Amazon Prime.He is the author of "Shut Up, I'm Talking" which is available on Amazon.com.www.jasonstuart.comhttps://www.imdb.com/name/nm0835725/?ref_=fn_al_nm_1Subscribe for free at www.fowlplayersradio.com or listen on Apple Podcasts, Google Podcasts, Spotify Stitcher, iHeart Radio, Podcast Addict, Podchaser, Pocketcast, Deezer, Listen Notes, Player FM, Podcast Index, Overcast, Castro, Cast Box, or PodfriendFollow us on Facebook, Instagram, and Twitter!!The Fowl Players of Perryville are now booking Murder Mystery Shows for the late summer and fall of 2021! Indoor or outdoor venues, trains, boats, office parties, fundraisers, or just for the heck of it!443-600-0446www.fowlplayersofperryville.comfowlplayersperryville@yahoo.com

Shane and Matthew reach the end of season 2 with a wonderful slice-of-life Americana from James Mangold; his debut and mini-masterpiece 'Heavy' from 1995. Notes: Mangold's filmmaker tips: https://filmschoolrejects.com/filmmaking-tips-james-mangold-9c10355d5a88/ Mangold on Mackendrick: https://uk.finance.yahoo.com/news/logan-director-james-mangold-discusses-183056098.html 9 Movies where Shelly Winters dies in the middle: http://cassavafilms.com/list-of-9/nine-movies-in-which-shelley-winters-dies-in-the-middle  

3/6/21 News COVID-19 tornadoes in TN.  Super Tuesday pizza Ronan Farrow/Hachette Book Group UC Santa Cruz Sheb Wooley Public Enemy Topics Aesthetics https://en.wikipedia.org/wiki/Ancient_aesthetics Precision vs style Cornel West Tim's Vermeer  "four doorways into fiction": character, setting, language, story (plot) expressions the liar and truth teller riddle the Monty Hall problem https://en.wikipedia.org/wiki/Monty_Hall_problem Metaphorical Wine Pairing (Alice in Wonderland book and/or 1985 movie feat. Shelly Winters,  "White Rabbit," Alice by Christina Henry sequel Red Queen) Andrew's: Catch-22, 12 Angry Men (1957), and HAL-9000

The truly hilarious and enchanting Sam Pancake joins Matt and Dave to discuss L.A.'s latest lift on the lockdown, what making "friends with the void" looks like and how to cope with loneliness, growing up in West Virginia, understanding what parents were trying to do as an adult, the passive insane ways people avoid saying "gay", self soothing techniques as a kid, butching it up, taking on a mean girl persona to fit in, losing so many people to AIDS, healing, Sam's sober journey, losing a tooth in front of Megan Mullally, genre movies and behind the sceen stories, Shelly Winters, Cloris Leachman, Faye Dunaway, Steve McQeen, airport movies, Genre magazine, the beginning of Sam's career, dealing with hurt people who hurt people, reliable fuck buddies, how to be slutty during this pandemic, and the power of treatment and therapy (https://wila.org/ )

In this epiode: - The Martin and Lewish Show, with guest Shelly Winters. Broadcast: November 16, 1951 -

In this episode: - This date in history: JFK's goal of landing an American on the Moon - The Martin and Lewis Show, with guest star Shelly Winters - Right Ho, Jeeves chapter 6 2020-05-25

The Night of the Hunter (1955) ​ This one and only film masterpiece directed by Charles Laughton and starring Shelly Winters, Lillian Gish and Robert Mitchum is considered the second best American film.  The film tells the story of a corrupt minister turned serial killer who attempts to charm an unsuspected widow and steal $10,000 dollars hidden by her executed husband. ​ Based on the true story of Harry Powers who was hanged in 1932 for the murder of two widows and three children in West Virginia.  The film has a lyrical and expressionistic style that is influenced by films of the silent era.   ​ The love/hate tattoos across Mitchum's fingers would become an iconic image in itself. ​ Looper (2014)   Written and directed by Rian Johnson and starring Emily Blunt, Bruce Willis and Joseph Gordon-Levitt would gross 170million against its 30million budget. ​ The story revolves around Loopers, hired by criminal syndicates from the future to terminate victims that they send through time. ​ Some of the film takes place in Shanghai to appeal to a Chinese audience.    The film would make several top ten lists for that year.    Opening Credits; Introduction – Rose and Thorn of the Week (1.32); Forming the Plot (12.37); Lights, Camera, Action (13.49); Film Trailer (53.01);   Forming The Plot (Take 2) (54.35); Trailer (Take 2) (55.29); Lights, Camera, Action (Take 2) (57.54); Epilogue (1:50.37); End Credits (1:55.44); Closing Credits (1:57.07)   Opening and Closing Credits – thanking BenSounds for our fantastic Opening and Closing Credits.

Oscar-nominated actor Eric Roberts and actress/casting director Eliza Roberts regale Gilbert and Frank with tales from their five decades in Hollywood, including stories about Bob Fosse, Tony Curtis, Rod Steiger, Sterling Hayden, Mickey Rourke and Shelly Winters (to name a few). Also, Roger Corman strikes a deal, Eric shares the screen with the King of Pop, Gilbert praises "The Pope of Greenwich Village" and Eliza appears in "National Lampoon's Animal House." PLUS: "Three Days of the Condor"! Saluting Sonny Fox! The legend of Larry Cohen! The Diceman sends up Sly Stallone! And Eric reveals the "shortcomings" of Marlon Brando! Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1959 “Odds Against Tomorrow” is a taut and foreboding film about a bank robbery, racial hatred and human weakness that many people think is also an allegory for the cold war tension at that time between the U.S. and U.S.S.R. Director Robert Wise selected early spring of March 1959 and creative cinematography using black and white film to successfully capture a cold, bleak feel of impending doom. This is film noir at a high level.Burke played by Ed Begley is the ruined, former police officer who uses every means available to get Harry Belafonte as Ingram the debt ridden and angry musician and Robert Ryan as Slater the embittered and racist ex-convict to join together for a bank heist in a small town two hours north of New York City. Burke has spent considerable time planning the perfect robbery that doesn’t follow his plan.Included in the excellent cast are Shelly Winters as Lorry, Will Kuluva as Bacco, Gloria Grahame as Helen, Kim Hamilton as Ruth and an unnamed soldier played by Wayne Rogers. All of the cast members deliver excellent and believable performances that add to the films realism. Another outstanding movie from Robert Wise and one that we highly recommend.Here's the IMDB page for "Odds Against Tomorrow"The film is available for free on YouTube (at least as of this posting).Here's an excellent interview with Harry Belafonte regarding this movie.Part 1Part 2Part 3Part 4Part 5Up next, we’re reviewing the beloved “Sounder” from 1972. That review is available exclusively to our Patrons at Tier 2 and 3 over on Patreon right now! And then we’re headed into a series of four musicals starting with “Yankee Doodle Dandy”. That’s also available to Patrons at all Tier levels two weeks early.Help support the show and become a Patron!

Trademark Satan! John Huston Climbs Stairs! Sex On Fur Coats! Since Patrick is haunting Europe, we’re dipping into the archives and unlocking one of our favorite "listener pick" Patreon episodes: the Italian devil-sploitation freakout classic, The Visitor! Gena revels in every Shelly Winters line reading while Patrick starts to go insane just trying to recount the plot of this Omen-meets-Star Wars as a satanic cabal attempt to take over the world by propping up the new owner of the Atlanta Hawks. Yes, it’s just that simple. Birthday party firearms, multiple bird attacks and child slapping are discussed for your enjoyment. Check it out!! Never fear - new episodes of Kill By Kill are made available every other Friday! Have something to say? Reach out on Twitter @killbykillpod or email us: killbykillpod@gmail.com. Follow on IG @killbykillpodcast Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!

This week on the Pop Life Podcast Richard welcomes the only actor in history to have more than 500 on-screen credits. He’s Eric Roberts, Golden Globe and Oscar nominee for films like King of the Gypsies, Bob Fosse's Star 80, Runaway Train and my favorite The Pope of Greenwich Village. He’s prolific, making multiple movies every year in everything from blockbusters and independent films, to short films and student movies. He’s a colourful conversationalist with stories about everything from working on a kid’s TV show called Bum Bum and His Buddies to grocery shopping with Hollywood legend Sterling Hayden and why, he says, Shelly Winters was a bad girl.

Happy New Year to all of the listeners of the Nighthawks Podcast. As the slow march of time slowly ticks over an arbitrary number assigned by men to account for revolutions around the sun, the boys decide to join in the festivities with a movie that starts with a New Year's Eve Celebration. According to the mythology of The Poseidon Adventure, just after midnight on New Years Eve, a rogue wave struck and capsized the SS Poseidon, as it was on its final voyage. Stuck on the boat is a handful of survivors led by a rebellious preacher (Gene Hackman), with backup from the immortal Shelly Winters, Ernest Borgnine, Red Buttons, Carol Lynley, and Jack Albertson. It's a disaster tale of survival and thrills as the midnight hour brings calamity to The Poseidon Adventure.

Grief keeps getting Shelly Winters name wrong. And no one, except you cared.   -Housekeeping-   RATE! REVIEW! SUBSCRIBE!!   tinyurl.com/SpotifyAPPC tinyurl.com/APPodbeanC tinyurl.com/APPCiTunes     Why don’t you follow us on twitter? huh? why?   https://twitter.com/APPodC https://twitter.com/RDdotC https://twitter.com/GDdotT   of course you could also keep the trend going now it’s started and email us at auralpleasurepod@gmail.com   PayPal.me/GDdotT any help with the costs would be just lovely…   Please note this is a review show and intended for entertainment purposes only, no copyright infringement is intended. Thanks.       (Yes we are getting popular, yes we do need a disclaimer now)

Discover how Tom Antion built a multi-millionaire dollar business with a one-sentence mission stated based in RESPECT as he shares with host, Mike Domitrz   * You are invited to join our community and conversations about each episode on FaceBook at https://www.facebook.com/MutuallyAmazingPodcast and join us on Twitter @CenterRespect or visit our website at http://www.MutuallyAmazingPodcast.com**     BIO of Tom Antion:  Tom Antion is an Internet multimillionaire and lifelong entrepreneur who has built his business on treating people right. He's got a one sentence "respect filled" business plan he's lived by for 44 years.   Links to Tom Antion: Podcast: https://www.ScrewTheCommute.com  https://www.GreatInternetMarketingTraining.com https://www.IMTCVA.org YouTube: https://www.youtube.com/user/antion  Hollywood Documentary About Tom's Life: https://www.Facebook.com/americanentrepreneurfilm    Books Tom Recommends: "Influence: The Psychology of Persuasion” by Robert Cialdini "Lost Conscience” by Alain Burrese   READ THE FULL TRANSCRIPTION of the EPISODE HERE (or download the pdf): **IMPORTANT: This podcast episode was transcribed by a 3rd party service and so errors can occur throughout the following pages: Mike:                       Welcome to The RESPECT Podcast. I'm your host Mike Domitrz from Mike Speaks dot com where we help organizations of all sizes, educational institutions, and the US military create a culture of respect. Respect is exactly what we discuss on this show so let's get started. Mike:                       Welcome to this episode. I want to get right into it with our guest here Tom Antion. I've known Tom for now almost two decades. He's an internet multimillionaire and lifelong entrepreneur who has built his business on treating people right. He's got a one sentence respect-filled business plan he's lived by for 44 years. Tom, thank you so much for joining us. Tom:                         Mike, it's been a long ... Too long, man. Mike:                       It has been too long. Let's start there. What have you been up to in the last 16 years since we originally met at the NSA ... Actually the very first time was the NSA [inaudible 00:00:52] event. Tom:                         Yeah. Even before that the last 24 years I got on the commercial internet when the commercial internet started around 1994. I've been selling like crazy on the internet. No spamming, no porn, but all kinds of products and services. Part of what I wanted to talk to you about today was a topic called excellence. Tom:                         I didn't know anything about the internet. Nobody did back in 1994. When we started learning about it it led me to a lot of other things. We can get into it later but the topic of excellence is really ingrained in me by my dad as do everything you can to the greatest of your ability. That's respect for yourself and it's projecting respect to people around you. Mike:                       Let's get right into that then because when a lot of people think, "Oh, I made a lot of money on the internet" you were doing it in ways that were common sense but going against the norm. For all of our listeners to get an idea, Tom, while people were trying to say, "Let's build beautiful amazing websites", Tom would say, "No, no, no. It could be the ugliest website in the world. If it gets people to my site and it helps them get what they need that's what's important." Mike:                       You built very content rich, very keyword-loaded sites on things like ... You had to once write ... This story I've never forgotten. You were giving a toast at a wedding and you started looking up, "Hey, where do I find toasts?" You thought, "Hey, people are constantly looking for this." You sold an ebook on toasts for weddings that did very, very well by just helping people find it and get what they needed. Tom:                         $72,000 a year for nine years straight. Selling [inaudible 00:02:36] Mike:                       Right. That's just amazing. Tom:                         I also had one, I don't know if you know about it, called Instant Eulogy. People were also desperate at the last minute. They're distraught. I helped them ... That was $42,000 a year for nine years straight helping people with eulogies. It's all based around helping people. That's what we all do is help people and there's a value to that. Mike:                       I'm glad you brought that up. I think a lot of times people think of internet sales, internet marketing. They have this negative stereotype that often as a company such industries as used car sales or that there's this ambulance chasing lawyer concept, that they're manipulating people to buy versus serving people, being present to what people need, and providing that too them, which is exactly what the eulogy situation was, exactly what the best man speech was. It was saying, "Hey, here's a need that somebody is not filling." Tom:                         Well, yeah. I will say that there is a respect involved in manipulating people. Think about that. Again, I'm always going to go the other direction, right? I know ... In fact, you talked about scams. I started a ... There's a TV show in development in Hollywood called Scam Brigade. It's me going after bad people. The industry is fraught with it. Tom:                         If I know that I'm going to take care of you as a customer and keep you from being robbed by other people I want to get you to buy my stuff because not only do I believe that it's going to help you, I know that I'm going to keep you away from getting robbed by unscrupulous people. There's a respect in there from my point of view. I call it manipulation but I'm manipulating you for your own good. That's the thing. Mike:                       Yeah. Let's discuss that, Tom. Are you manipulating or are you helping people find what they need? Why are you comfortable with the word ... Some people would argue. Why are you comfortable with the word manipulation? Tom:                         I'm comfortable because when you come from a position of goodness where you know you're in the other person's field, you've got a fiduciary relationship to take care of that person, I don't care what you call it really. I just know that if you go with me I'm going to take care of you. I'm going to make sure you get great value. This is my one sentence business plan I was telling you about. Tom:                         I've lived this way since I was 10 years old. If every business on Earth would live by this one sentence instead of spending $100,000 to develop a mission statement, this one sentence will do it. I create quality products that somebody actually wants at a reasonable price and I service them after the sale. Tom:                         Every piece of that is respect for the customer but it can make you a lot of money. There's no sin in that as long as you're given that great value, showing respect, not fleecing the people because they don't know any better, which is very common nowadays. I don't really care what you call it. I want you to do ... Anybody out there, not just me. If you really believe ... Tom:                         Like you, the work you do with the DATE Project and all that stuff. You know you're going to keep people from getting out and getting in trouble, right? You believed that for most of the time I ever knew you, right? Mike:                       Right. Tom:                         You better darn well get people to go through your program to keep them ... Yours has bigger ramifications than mine does. Mine you might have trouble making a car payment if you don't do it but you there could be lifelong ramifications or not have a life if they don't do what you say. If you manipulate somebody to get somebody to listen to you, I'm cool with it. Totally cool with it. Mike:                       I love this language. I think it's very fascinating. Would somebody say there's a difference in influence and manipulation? In other words, manipulation is getting you to do something you wouldn't otherwise do? Tom:                         It has a negative connotation. Mike:                       It does, right? It has a very negative connotation. That you're getting somebody to do something that they wouldn't do but as I say that I recognize that's not negative. To get somebody to do something they wouldn't normally do is not negative. It could be incredibly powerful. Mike:                       Maybe the difference here is that somebody is listening here and thinking, "Wait, wait, wait. You're describing education versus manipulation." Manipulation has a sense that it's only about what the seller wants, not about what's good for the buyer maybe, right? Mike:                       That if we're educating and that inspires people to take action they would not normally take that's different than manipulation, which means it's all about me getting you to do what I want you to do. Maybe that's the difference there? Tom:                         It's just semantics to me. As long as I'm coming from a good place and I can help you be in a better place you could call it whatever you want. I don't really care. Mike:                       Well, I love that about you, Tom. You've always had that approach of, "I'm not worried what people say about me. I'm not worried what people care about me." In that, if I know that I'm doing the right thing that's what matters in the end. You describe that in your one sentence mission statement that you've always had. Mike:                       You mentioned there briefly that there's this documentary that you're working on. I think there's two elements here, right? There's a show that you're working on about busting scams. I know of one that you worked on busting years ago. Then there's also a documentary about your life. Tom:                         Yeah. That is something where ... Do you remember Dottie Walters? Mike:                       Yes. Tom:                         Dottie Walters got me started in speaking in 1991. A bizarre story about how I got hooked up with her. I ended up being her right coast son because I would help her every time she would do her Speak and Grow Rich seminars on the East Coast. I would just go for free and help just to be involved and learn. Tom:                         I ended up speaking at her memorial service in California when she passed. A producer/director saw me and was introduced to me and it was, "Hello. How are you?" It was a solemn occasion. That was the last I thought of it. Tom:                         Then a couple years later she had been following me and she approached me. She has done 38 documentaries. She approached me about doing one. I thought, "Man, I thought you had to be dead to have a documentary done about you. They must be lowering their standards or something. I don't know." Tom:                         She said, "I'd like to do a documentary about the American entrepreneur. From what I've seen you're the man." I said, "Wow. What an honor." It's been three or four years in the making. It's going to premiere probably in the fall. The trailer is out now. It's beautiful. At Facebook dot com ... Well, maybe you can put it in the show notes or something. Mike:                       Yeah. We'll put it in the show notes. Absolutely. Tom:                         The trailer. Yeah. It's me and it's a celebration of the American entrepreneur, the American spirit. I just happen to be the figurehead but there's just you and there's thousands of people out there that could be the subject of this. It was a great honor to be featured in that. Mike:                       That's very cool. Now the show you're working on busting scams. If somebody said, "Wait a second. You just said that if I'm getting you to do something I want you to do, you call it manipulation [inaudible 00:09:52] What's the difference in that and a scam?" Tom:                         Well, the difference in that is that the person that is the scammer is manipulating you for the purpose of robbing you in some fashion. That's a whole different ... I mean, that's diametrically opposed to what I'm talking about with protecting people. Mike:                       Right. Tom:                         That's the whole thing is taking advantage of people. I mean, I think we've worked the figures up. 120,000 people, elderly people, last year lost their homes from the Jamaican lottery scam. They thought they were taking advantage of. They thought they won the lottery. They have to send the tax money in advance and, boom, there's no lottery and they couldn't make their house payment. Tom:                         A lot of younger people ... The reason I'm having a little trouble getting the show sold is because it's not in the demographic ... The elderly people are not in the demographic that TV likes. I try to explain to them, "Look, the young people are going to lose their inheritance if they don't teach and pay attention to their elders being taken with scams." They kind of got that. They told me for sure, don't quit your day job, because it's Hollywood, right? Mike:                       Right. Right. They're selling to a certain audience. Tom:                         Yeah. Yeah. Mike:                       We talked about this just a moment ago. You believe in excellence in everything you do, whether it's the documentary or a TV show. How do you feel that excellence and respect do go hand in hand? In my heart, I think, "Well, of course they go hand in hand because excellence requires you to respect your self and your mission and what you're doing." Tom:                         Well, excellence it also has hidden benefits. For instance, when I got started in speaking 1991, I had come out of a crazy entertainment company. I've had a lot of fun businesses in my life. A lot of people said, "Hey, you're better than a lot of people that have been charging $4000 and $5000." I said, "Well, I don't know anything about hotels ..." I was doing parties, birthday parties and stuff. I said, "I better study and learn how to be a speaker in hotel rooms and ..." PART 1 OF 3 ENDS [00:12:04] Tom:                         I better study and learn how to be a speaker, and hotel rooms, and corporations, and all that stuff. So I started studying like crazy and my library in here, I have probably 200 books on public speaking, every tape that was ever made, everything from NSA. I've got all of it. And so I started doing it just to make myself better and so that I could really compete in the speaking world. And, where excellence comes in, and this is what my dad taught me, he said when you're excellent people will notice. And so again I'm not trying to blow my horn but I got so good people started begging me to teach them how to be good, as a good speaker. And that led me to write the Wake 'em Up speaking book, the Wake 'em Up video professional speaking system, amazing public speaking took me a whole different route. Tom:                         Fast forward to 1994 when the commercial internet came along and I said, "Oh are you kidding me? It's hard enough to sell my stuff across the street let alone around the world from my desktop. I'm going to figure this out." So I started studying like crazy, didn't make a nickel for the first two years. Got good at it. Got some good training in '96. Four years later I was a multimillionaire and people were begging me to teach them this stuff, again trying to be excellent for me and respect me and what I can do for the world, showed other people that hey this guy is good. So it led me into this internet training path. I never planned on being Mr. Internet Guru, ever. I just wanted to sell my stuff around the world. Tom:                         So all of this is trying to be excellent for yourself shows such a massive respect for yourself and for the medium that you're learning, other people get inspired by that and so I believe that's a form of respect for them. Mike:                       Well I think there's also a respect in there that you were going to learn everything you could to be successful and then you sold people how to do that because you did it. Tom:                         Exactly. I wasn't selling a book report. Mike:                       Because for instance in the speaking industry there can be people who are barely speaking charging people a lot of money on how to be a professional speaker and that's not common but it happens and people need to be aware of like, "Whoa whoa whoa, you need to be watching who you're learning from there, that might not be the best resource." Where you were saying, "No I'm going to ace this myself, and then teach others how I aced it." Tom:                         Without even thoughts of teaching people. I want to do it extremely well because my dad, and I remember my dad I'm 10 years old he came from Syria back in the early 1900s he put the first electric light bulb in Carnage Pennsylvania, he had his own electrical contracting company at 13 years old at Carnage Pennsylvania. And I was, remember watching him one day, he was wiring a box and I said, "Dad why don't you just cut the wires across on an angle, save some wire." He looked at me like I'll smack you. He said, "You crazy? I'm going to make it perfectly lined up so that somebody looks at this job they'll know a professional did it." Boy do I, I'm getting goosebumps, good pimples, I remember it vividly. He said, "And also if somebody has to work on this later, it will be easy for them to work on. So don't you ever do something that's not great." Tom:                         We were blue collar, total blue collar. But I'll never forget that and that's the way I've lived my whole life. Mike:                       I love that, that you for sharing that. How do you think, or what's way to make sure you're living with respect in that everyday life. That's a great way in work, make sure everything I do is with excellence. Tom:                         Well to me, is that along the topic of respect, you will never see me at a restaurant being all snooty with my black Amex card and giving the waiter or waitress some kind of, or treating them like they're dirt. You will never see that. In fact if you were sitting there with me and doing it, I'll leave and hell with you, because you're not the person I want to be around. That person is doing a good work and doing whatever they're life is and trying to take care of me and give me respect there's no way I'm going to lord over them. So that's just an every day example of treat everybody with respect. Tom:                         There's another one. There's a student I have, I was speaking at a big event, nobody would talk to this guy. He was dressed like some kind of halfway hippy, halfway Indian, feathers hanging off, he had no teeth. I don't know. And nobody would talk to him. And I'm standing by there and he just started asking me questions and I'm happy to talk to him. He ended up being one of my best customers. He's a best selling author on some off beat topic and nobody would talk to him because he looked funny. So, that's not the way to treat people. Tom:                         I mean I'm very fortunate, you're fortunate, and everybody deserves respect. You know what, even people, rotten people deserve respect. I remember, I've been a lifelong self defense and martial arts practitioner, and I remember studying with an Aikido guy back way, way years ago, and this is one of these guys that had to go to Japan for two years to hold a bow. And he had to pull the bow for two years before they let him have an arrow. That's serious stuff. And he was teaching me this thing called an S-Lock one time and it's like, you could really put a hurt on somebody. And he says Tom you hold it like this and then you bow to the person, show respect to your enemy. Of course they're screaming bloody murder and that stuck with me too. Even your enemies. You can respect, you can't let them take advantage of you but you have to respect them. Mike:                       Yeah we talk about this in the US Military ... Tom:                         Were you in the military? Mike:                       No I didn't serve in the military but I work with the military. I'm working with the military. The Geneva Convention clearly states that if you run across the enemy and they are in dire need of help and you are safely able to help them, it's your responsibility to help them because all human beings are to be treated with dignity and respect and a big reason for that is prisoner's of war, if ours are captured they are treated with dignity and respect, which means we have to treat others with dignity and respect. Mike:                       So whenever somebody comes to me and goes well not all people deserve dignity and respect, well yeah they all do. The moment you think they all don't, means you think you're above certain people. That's not living from a space of respect that's living from a place of arrogance, there's a difference. Mike:                       And you've talked about in fact, when somebody pushes your limits of respect, what do you mean by that? What do you mean by when somebody pushes your limits of respect? Tom:                         Well, when you come from a place of power and respect for others you can recognize very easily when somebody doesn't have that attitude, right. And so without, and it all comes from probably my self defense and martial arts study in that ... Well there's a guy I can't think of his name right now but he has a program called You're Dead and You Don't Even Know It, and somebody is getting in his face and he is thinking of the 100 different ways he can just tear this guy to pieces and I have the same kind of skill, not at good as this guy, but ... Tom:                         And so when you have the kind of feeling, that I could do this to you but I, there's something in your system that doesn't deserve it, something happened to you to make you like this and as long as you don't cross the line I'm going to treat you with respect and treat you with, I don't want to say disdain I don't know the word for it, but I'm going to feel sorry for you rather than get all up and say, "Let's go buddy." That's what weak people do. Tom:                         So coming from that power, you could say they didn't reserve it, deserve it at that moment for what they were doing but as long as they don't cross the line and hurt somebody that's innocent or cross the line to cause me harm there's no reason for me to escalate it. I'm going to deescalate it and I'll walk away. If people are saying, "Oh you big sissy," well I saved that guy's life pretty much so I'll live with that. Mike:                       Yeah it's describing really leading with compassion and empathy over bullying or domination. Right? Because you have the ability to dominate in that moment but you decide wait there's got to be a reason this person is coming from this place. Something has triggered this behavior, somewhere. And that's so important because I run into people traveling the world doing this work and who'll say well you know you can't just do that for everyone and you have ... This one person I met they're so bad, yeah but how do you get there? Tom:                         Yeah exactly. I had good parents, I had you know a shirt on my back, food, you know, and some of these people I mean I did some fundraisers for these, I did a fundraiser, I raised a whole load of money for a bunch of homeless kids, homeless is considered you have a different place to live or no place to live every 30 days, for kids. I didn't have that. So when those kids grow up there's going to be some scars and it's going to come out in certain ways and so I just have to think man I had it good as long as they don't hurt me or hurt somebody innocent I got to say wonder, how they got there. What happened to them to make that happen. Mike:                       Yeah and I think that's so brilliant to recognize, I had it so good. And I think what happens is when you're in a position of, and that's the reference to privilege, where those kids didn't get control over that. We also didn't get Control, those of us who feel we were raised in a stable home with wonderful loving parents. We didn't get to chose that, that's what we were born into. They didn't get to chose their situation. And we're going to have different negatives out of our loving home. There are negatives that we're going to miss out, we're not going to see things that others, somebody would have saw coming from a different home. There's going to be pluses and minuses to that and to say, "Well I made it okay," well yeah but you made it under very different circumstances than that person made it. So I think it's so brilliant that you brought that up. For you, when you hear the word respect what does it mean? Tom:                         Well it's ingrained so much in me in that I'm not going to dominate the conversation, I mean just, I like that I'm a pretty simple guy, bring things down to just the, like I said I came from the sticks and a handshake meant something. So if I'm at a party, even though I'm Mr. Big Shot Speaker and I'm known everywhere I'm not going to stand there and talk about myself. I want to know about you. I want to show respect to you by bringing out you and what you've been doing and honestly not looking over your shoulder to, who's more important than you. That's a simple every day, I like to bring the every day things, how you can show respect and that would be a show up respect is ask the other person what they've been doing. And you can learn something from doing that. So, to me it's more of the every day little things. Tom:                         In fact when people ask me what religion I am, I really confuse them. I say, "I'm Poseidon." Poseidon? They're looking at their friends like, "What I've never heard of that, that must be some cult or something." I say, no back in the old days there was a move called the Poseidon Adventure, they have a remake lately but the originally was Gene Hackman and Shelly Winters on this ship that was kind of like the Titanic ... Mike:                       I remember it. Tom:                         Alright, well Gene Hackman, I was much younger then, I don't remember what year it was, but he was on stage, excuse me, on deck, doing a sermon and he said, "You take the little piece of God in you and do good for people," And that was like a sledgehammer to my head. I'm thinking you cannot go too far wrong with that attitude in life. And from that moment on that's PART 2 OF 3 ENDS [00:24:04] Tom:                         With that attitude in life and from that moment on, that's been in my mind. That's my religion, that's my spiritual guide, is take the little piece of God in you, do good for people. I don't go to church every Sunday, I'll admit that. You'd have to get maybe a lightning rod if I got near it, but take the little piece of God so that's respect for doing good things. If you have the attitude, I'm going to try to do good for you before I do good for me. That's another thing my dad taught me, give before you get. So all of these little things are everyday things that I live and I'm attracted to people that live like that because it shows respect all the time, not just when it's convenient. Mike:                       Is there a time in your life where you can you remember, where you failed to give yourself respect and the lesson you got out of that experience? Tom:                         Yeah. I think it was the time I went to college on a football scholarship to West Baygon Virginia University and at that time, I mean all the time, from the time it's midget football till everybody could kill you at that level, that level of athleticism, so I'm working out like crazy. And then when I got out of that, it was like, "Oh, my God, I never want to see a weight room again." I mean it's 15 straight years of that, two a day exercise, all that stuff. And so I let my weight. I went up of 360 pounds or something so I don't think I was paying much respect to myself there and I struggled with that a lot over the years. Tom:                         I had some trouble with my mother was, my dad was great, my mother not so much. But I got a handle on it now only by finding a certain kind of diet. I'm on a ketogenic diet, which is extremely low carbs, high-fat, which is opposite. Again, look at me, opposite of everything else all the time but it's the only thing that's worked so I dropped about 100 pounds and so I got a good handle on that now, but that was a long period of really not respecting the, luckily I got good genes from my dad and a strong foundation of working out for 15 years like a maniac. So I'd say that's my biggest obvious one. Mike:                       Well, and I noticed the difference right away when, for those who are listening, Tom and I can see each other because we always do these shows also on YouTube so you can watch that. As soon as I saw you, I noticed. Wow, I said, in my mind I'm like it looks like Tom has lost a lot of weight. Tom:                         Yeah. Mike:                       But what I think is beautiful about that is it was a choice you made to respect yourself, to take that journey. Tom:                         Yeah, it took a long time to do it and that's the thing about things, folks. All these aren't always easy. I mean, it might be time when your steak is cold, you want to give that waiter or waitress some guff, but you got to hold back and you got to say, you got to have your own self respect to say, no, I'm not going to make a fool of myself and embarrass that person over a steak that I probably ate too much already. So the delayed gratification, our friend that put us together recently, Caroline De Pasada, you knew her dad, right? Mike:                       Absolutely. Tom:                         Yeah. He's the one that made that famous, that marshmallow study about delayed gratification. And so for those that don't know, they showed these little kids some marshmallows and said, "Hey, we'll give you one if you don't eat it in 15 minutes, we'll give you two." And then most of the kids ate it and some didn't. And they followed them over a period of years. All the ones that had the delayed gratification we're successful and everything. And then the other ones were having problems. So I think it's the same thing with respect. In this case, I had to fight a long time to get that one piece of my life that wasn't working right to respect myself and had I given up or quit too soon, where would I be? I'd probably be in death row from a heart attack or something or diabetes or who knows. So sometimes it takes longer to realize the respect that you want to give yourself or others. Mike:                       Well, and I appreciate that because I think when people hear these conversations they think, "Oh, he's got it all." Right? Tom:                         Oh yeah. Mike:                       Right. That's the mistake, that because of this level of success, and they have these messages. They've lived by of respect. They've got it all. What they don't realize is no matter where we're coming from, there's some area we could be better at that we don't give the same kind of focus, respect of that we do other areas. And so it's constantly looking at our whole picture and saying, where is that happening now for me? Because it's happening somewhere, right? There's so many balls in the air. Tom:                         And you can always get knocked in the face. In 1988, I was living in a vacant house on a mattress. I don't want to say like a country music song. My dog got run over or my truck got stolen. But I had my nightclub when I had a nightclub for six years. Then the drinking age went from 18 to 21 in a college town. I was going to be a millionaire before I was 30, wiped out, lost $400000 and I was playing racquetball, tore my achilles tendon and a partner I had had not paid the health insurance. So I'm living in a vacant house on a mattress watching a black and white TV and a lot of your viewers don't even know what that is. And so I got knocked in the face really good. But that's when your true colors come through when things don't go so well, what do you do? Do you get back up, do you fight or do you give up? And so I had enough respect then. And I got all kinds of bizarre stories. I was watching candid camera on TV and you know Juliet Funt, Mike:                       I remember. Yes. Tom:                         She's from NSA. Well, her dad was Allan Fund from candid, and when I was laying there living off credit cards, busted up and had nowhere to go. I was watching candid camera on this black and white TV and that's when I got the idea for the entertainment company called Prank Masters that I moved to DC and that got worldwide publicity and got me into the speaking business. And then I ran into Juliet. And I'm getting goose pimples again. Ran into the Juliet at NSA and I thought, "Oh my God, I'd never be able to thank her dad." So I mentored her for a while just to the payback for that idea, that little spark that somebody else gave me because I was able to keep my eyes open in the face of adversity. And that's when your true colors show through. And that's sometimes the hardest part. Mike:                       I love it. And you have two books that you really recommend one is The influence the psychology of persuasion by Robert Cialdini. And then- Tom:                         It's pronounced Cialdini. Mike:                       Oh, I've always pronounced that wrong then. So I appreciate that. Yeah. And the other book is Last conscious by Alain Buris. Tom:                         Yeah. Buris. Mike:                       Buris there we go thank you. Tom:                         That's a man by the way, because it's spelled A-L-A-I-N and I thought it was the girl for years until I met him. It's a guy. It's a French spelling, but the influence of psychology persuasion is when we began this conversation with about manipulation and persuasion kind of going hand in hand. One's negative connotation one isn't but that is, I've read that book seven times because that is the way you can really get your products and services out there and get people to buy them. But again, because you know you're going to take care of them and help them. Tom:                         The other one is completely opposite the other end. You better not be faint at heart if you read it. It's a book about a friend of mine and it's a book about a sniper from the army who decided to go after pedophiles, so it's a whole different thing, but again, it was that pedophile who knows where he came from, but there came a point when you had the draw the line and couldn't let him hurt children anymore. So even though you have to have some respect, some people cross that line and have to be stopped. So it's a completely different ends of the spectrum. Mike:                       Yeah. And to stop someone from doing harm is not failing to respect to them. Tom:                         Right. Mike:                       In fact, you would argue the opposite- Tom:                         You're respecting everybody else that- Mike:                       And them by saying you can't do this, this is not acceptable, out of respect I'm going to take action now. Yeah. And so I want to thank you, Tom. This has been. We've gone all over, which I love and explored different areas. So thank you so much for joining us today. And for our listeners who want to make sure they can dive into this conversation so they can go to Facebook, look up The Respect podcast, discussion group and dive into this conversation. So thank you very much Tom for joining us. Tom:                         My pleasure. Good to see you again. Mike:                       Thank you for joining us for this episode of The Respect podcast, which was sponsored by The Date Safe project @datesafeproject.Org. And remember you can always find me at Mikespeaks.com. PART 3 OF 3 ENDS [00:33:03]  

Sulphur Storms This past week has marked the start of pollen season in the mountain west. The white spruce, in particular, released vast amounts of yellowish-green pollen, coating every car, patio set, pond, and puddle. The railings alongside trails and even the surfaces of leaves have been covered in this fine powder. On my car, places I previously touched were dusted in a manner similar to fingerprint dust, leaving a yellowish outline of my fingerprint. Spruce are part of the Pine Family of trees, and all the members of this group reproduce in a similar fashion. Rather than using insects to pollinate the female flowers, they have evolved to use the wind. When a plant relies on something as random as a mountain breeze, it better produce a lot of pollen, and this past week we saw massive sulphur storms with clouds of yellowish pollen streaming from the trees and, in some cases, entire forests were blurred in a yellowish fog as the pollen spread its way across the landscape. Members of the pine family in the central Rockies include the white and Engelmann spruce, lodgepole, limber, and whitebark pines, Douglas-fir, subalpine fir, and the alpine larch. Every tree contains both the male and female cones with each taking a different role in the reproductive process. Male cones form on the lower branches while the female cones grow higher up. The male pollen cones grow at the base of the current year's new shoots in early spring, which in this part of the mountains is usually around the latter part of May. Different species produce different numbers of male cones, with a range between 15 and 140. Once the pollen has been dispersed by the wind, the male cones fall off the tree. Each male cone is a smooth, oval structure that contains dozens of spore-producing bodies called microsporophylls. When the cone is ripe, it releases tremendous numbers of tiny pollen spores. Each of these spores sport two tiny wings called sacci that help it stay airborne. When the sky turns yellow with this pollen, it's often referred to as a sulphur shower. Conversely, female cones grow very slowly and usually take several years to mature. This leaves cones in differing stages of maturation on the same branch with newer cones forming towards the tips. A first-year cone is soft and small, usually just a centimetre or two in size. Its main job is to collect the pollen and fertilize the cone. Second-year cones are much larger in size, more woody, but still green in colour. By the third year, the cones are hard and have turned brown and now contain fully-formed seeds ready for germination. Female cones are also much larger than their short-lived male counterparts. The cones form in either pairs or clusters along the branch and they vary dramatically in size. Lodgepole pine cones are only around 5 cm long, while the cones of limber pine can exceed 20 cm in length. Each cone is made up of alternating bracts and ovule-bearing scales. These scales accept the pollen and transform into winged seeds as the cone matures. Wind pollination is an ancient strategy and was utilized by the earliest of plants. It was the go-to strategy used by plants some 125 million years before flowering plants began to conscript insects to transport their pollen to other flowers. Even this was still 50 million years before the Cretaceous, the age of the dinosaurs, arrived. Almost all land-based non-flowering plants employ wind as their primary method of passing pollen from male cones to the ovaries hidden with the ovules of female cones. The randomness of wind as a transport mechanism means that if a grain of pollen lands on just the right spot, the female ovule needs to have some way to catch it before it blows away, They do this with a pollen droplet. This is a sugar-rich droplet exuded from the top of the ovule with the sole purpose of giving pollen grains a sticky surface to land on. For the pollen to maximize its airborne flight, it has to be extremely light. To do this, it's heavily dehydrated before it's released. When it lands, it needs water and nutrition in the form of sugars and proteins to help it develop further in preparation for pollination. The droplet offers just what a dehydrated pollen grain needs. There is some evidence that prior to the development of flowering plants that some insects adapted to seeking out these sugary pollen droplets. It may have been this attraction that prompted further diversification in plants to develop nectar-producing flowers. Some of the more ancient plant families, like the pines, continued to rely on wind for their pollination despite the success of insect-pollinated flowers. As you marvel at the amazing clouds of pollen released this year, while at the same time cursing the fact that every outdoor surface is covered with it, know that it is part of an age-old strategy that maintains the world's most ancient trees. Mismatching Colours Whenever any bright-eyed university student begins to study ecology, they're quickly introduced to the pepper moths of Manchester, England. These common moths can be found in two different forms, a lighter more salt and pepper-coloured variety as well as a sooty, almost black variety. Prior to the industrial revolution, the darker variety was unknown. It was only first described until 1811. A dark moth on a light tree meant that it was far more likely to be spotted by hungry birds and so they are estimated to have represented only 0.01% of the population. These light moths almost exclusively occupied their range in 1760 when England's industrial revolution first began to darken the skies with the soot from endless coal fires. Increasingly, in industrial towns like Manchester, surfaces of buildings and trees began to reflect this sooty character and gradually darkened in colour. By 1811 when the first dark variety of pepper moth was discovered, Manchester was beginning to look pretty dismal and dark with coal dust staining many of the trees. Coincidentally, pepper moths used those same trees to hide from predators. For centuries, the light-coloured pepper moths could perch on the bark of trees and effectively disappear into the patterns of the tree's bark. As these same trees became increasingly darkened by coal dust, the moths began to lose their camouflage. Prey that can't hide, attracts predators and the light-coloured moths increasingly became the meals of hungry birds. That was when something very interesting happened. A dark, sooty variety first made its appearance. Its dark appearance gave it a distinct advantage over the lighter variety, and by the end of the 1800s, industrial towns like Manchester and London were dominated by these dark varieties. By 1895 the dark variety had risen from 0.01% of the population in 1760 to 98%, eclipsing the more vulnerable light pepper moth variety. Why am I wandering down this ecological memory lane? Because the same situation is happening around us right now, not due to soot pollution, but rather human-caused changes to the climate. The mountain west is home to a large number of animals that take advantage of the seasonal changes by turning white to help them vanish into winter landscapes. These seasonal colour changes occur in a number of animals and birds including the willow and white-tailed ptarmigan; least, long-tailed and short-tailed weasel; and the snowshoe hare. These adaptations to the annual cycle of winter snows and summer foliage have evolved to maximize their camouflage throughout the year. Predator and prey alike have evolved similar strategies to help them to stay hidden. While weasels are voracious predators, they're also on the menus of other, larger predators. The same pressures that forced snowshoe hares and ptarmigan to change colours, also affect them. Changing your colour to take advantage of seasonal camouflage only works when the camouflage matches the season. Since historic weather trends varied only slightly from one year to the next, the timing of colour change for most of these diverse species was largely tied to the length of daylight in spring and fall. While in the past it may mean that a snowshoe hare, ptarmigan, or weasel might have a short period of mismatched colour, the majority of their season was ideally suited to the prevailing background colours. Brown weasels and hares, along with mottled ptarmigan, simply disappear in the summer landscapes of the Rockies while white animals offer similar protection in snow-covered landscapes. Many times I've been scared to death while cross-country skiing when a  covey of ptarmigan, also called an "invisibleness" of ptarmigan, suddenly flush at your feet. These tiny grouse-like birds allow themselves to be completely buried by snow for warmth, only flushing when you're almost on top of them. A quiet cross-country ski is suddenly interrupted by an explosion of feathers. Changing climates is wreaking havoc on many of these animals. A white ptarmigan against a snowless alpine meadow is just as dangerous as brown snowshoe hare against a snowy forest. If your colouration is in stark contrast to your environment, you are also far more visible to potential predators. Climate change is causing many challenges to plants, animals, and birds in the north country. Warming climates can cause mismatches in reproduction schedules, emergence from winter hibernation, migration, and even connection to key food sources. If a bird's migration is timed to allow it to nest just as certain insects emerge in the spring - and then those insects emerge several weeks earlier - than the bird's reproductive success is put at jeopardy. So many of nature's key events are timed to historically predictable connected events. Animals give birth when the maximum amount of food should be available. Birds migrate at the right time to take advantage of seasonal foods in their winter and summer ranges. Animals emerge from hibernation when new foods should be available to help them regain strength after a long winter sleep. Just like the colour change schedule of animals, if the schedule changes then how flexible are the animals in their response to this change? So many annual cycles are hard-wired into plants and animals that their ability to respond to rapid changes can be very limited. Back in episode 42, I talked about a discovery in Alaska where bears were choosing elderberries over salmon for the first time. Historically the berries ripened after the salmon run and offered grizzlies a nutritious food after a long period of feeding on salmon. With warming climates, the berries are now ripening at the same time the salmon are running. The bears have to choose one food and they picked the berries. This means they no longer have the same feeding period over the summer months. No longer do they have a long period of feeding on salmon, followed by time to munch down on elderberries. The foods are now out of sync with the bears historical feeding schedule. When all of these evolutionary behaviours emerged, climates were, more or less, relatively stable. Days with snow varied year after year within a reasonable margin of error. When the climate changes so fast that winter arrives later and later, and spring arrives earlier than unless the animals can respond quick enough they'll find themselves with a contrasting coat that makes them far more visible to their predators. Like the moths in 19th century England, they can't count on their colouration to help hide them from hungry hunters. These colour mismatches have prompted numerous studies to look at how individual species are able to respond to these rapid changes. A 2012 study looking at snowshoe hares looked at their response to fewer snow-covered days each year. It found that since the colour change of hares is most likely connected to the length of day, their vulnerability to shorter winters would be a factor of their flexibility to alter the timing of their autumn and spring moults where they grow a coat of a different colour. Any hare that is white when the landscape is not, has a target on their back. Conversely, a brown hare is in danger against a snowy backdrop. Populations of snowshoe hares, more so than most animals are absolutely tied to their level of predation. Lynx evolved to eat snowshoe hares almost exclusively while many other animals will also take a hare whenever possible. The simple fact that they were born delicious means they're on the menu of any carnivore lucky enough to see past their camouflage. In the mountain west, the population of hares rises and falls in concert with predation from lynx. As the hare population rises, lynx produce more kittens which means they need more hares. As lynx increase their predation on hares, the hare population drops. Fewer hares result in a subsequent drop in lynx numbers. These two animals are connected like few others. For an animal that lives and dies by its ability to hide, having the right match between colour and landscape provides huge advantages to appropriately coloured individuals. This means that, as climate changes, those hares who's pelts allow them to best hide will have the optimum opportunity to survive and, subsequently, pass those adaptations on to their young. This study looked at the hare's ability to vary its colour phase based on changing climate realities. If individual hares are able to adjust to rapidly changing seasonal realities than those changes would be quickly passed on through the population. This study found that the fall moult which turned their coat to white had little flexibility in terms of timing. This meant it was likely hard-wired to its connection to the length of daylight. The spring moult though showed some signs of adaptation with a slight ability to slow or increase colour change based on local conditions. Ptarmigan are in a particularly dangerous situation in the mountain west. Not only are climates warming, but these birds are specialized to live at the very highest elevations. As climates continue to warm, conditions will likely see them forced up higher and higher up the mountain until they literally run out of habitat. Ptarmigan are also experiencing a similar mismatch between seasonal colour. While physiology can take too long to adapt to rapid changes in their environment, out of season white ptarmigan are known to work to soil their feathers after breeding to try to minimize their contrast to the background landscape. Many weasels are experiencing similar challenges. Recent studies of the smallest predator in the country, the least weasel, have found that it's also finding itself moving from predator to prey due to its unexpected visibility caused by lack of snow. Almost all predators are also prey to larger animals and for this diminutive weasel, being visible means potentially being someone's dinner. In a Polish study looking two varieties of least weasel, one that changes colour during the winter and one that doesn’t, it shows that climate change, like the moths of England, is showing rapid changes to populations. In many colour changing animals, there are usually individuals who don't change colour. In northern climates, this usually means that the brown weasels have a lower chance of survival during snowy months. For many weasels, predation from largely, birds of prey,  can be the highest cause of mortality in a particular year. Like the moth study in England, this study found that camouflage was the most important factor determining predator detection in weasels. As climate changes and winter snows dwindle, weasels may find that white winter weasels are more heavily predated than weasels that don't change colour. Southern brown populations will likely shift north as white weasels find themselves falling to the talons of hawks.  Changing climates are changing everything. The news stories often talk about what WILL happen with changing climates but the changes are happening right before our eyes. Last fall I watched a red fox kill an arctic fox near Churchill Manitoba while working as a polar bear viewing guide. The red fox has migrated north and arctic fox are very vulnerable to invasive predators. Alpine animals like ptarmigan and pikas are being forced higher and higher up the mountains until they simply run out of mountain. This makes them some of our most vulnerable animals. The role of seasonal colour change will evolve over the next 50-100 years. Animals that are out of phase with the season will find themselves increasingly on the menu. Behavioural adaptations, like the ptarmigan soiling its white plumage, may help, but we may also see populations migrating, changing, and disappearing depending on each animals ability to react to unprecedented rates of change. For now, marvel at every sighting of ptarmigan, hare, and weasel. They're dealing with intense climate challenges and only time will tell how they succeed to changes, not of their making. Next up…Hollywood North Hollywood North The mountain west has long been the backdrop behind many successful movies. I get a kick out of the fact that the first silent movie filmed in the Rockies was called Cameron of the Royal Mounted, and Cameron is my last name. In this early film, a Scottish immigrant becomes a member of the Mounties only to be accused of forgery. To clear his name, he had to capture a gang of train robbers and stop a band of rogue natives. Yup, this is about as unlikely a story as you could imagine in Canada. However Hollywood fell in love with the landscape - not to mention the exchange rate on the dollar - and Hollywood has been returning every year since. Movies like Son of Lassie filmed in 1944 and Emperor Waltz in 1948. 1953 was a big year. That year Jimmy Stuart filmed the Far Country, Shelly Winters and Alan Ladd filed a movie called Saskatchewan…in Alberta, Howard Keel and Ann Blyth did a remake of the classic film Rose Marie, and Marilyn Monroe almost died on the Bow Falls in the town of Banff during the filming of The River of No Return. If you watch the movie, the characters portrayed by Marilyn Monroe and Robert Mitchem are fleeing from a group of renegade natives by taking a raft down the Bow River. While the movie is ostensibly set in the middle of nowhere Montana or Wyoming, it was filmed in and around the communities of Banff and Jasper. One of the pivotal scenes in the movie has them rafting over the Bow Falls while a hail of arrows falls around them from the cliffs above. Since movie effects weren't as advanced as they are today, it's pretty obvious that it's two mannequins on the raft but the effect is still a good one. Even though Marilyn was not actually on the raft, the crew had to do some close-ups of her near the actual falls so they could see the look of terror in her eyes. Unfortunately, while she was posing, she fell and almost did go over the falls. In the end, she was lucky to limp away with just a broken ankle. After this point, the bell staff at the Banff Springs Hotel got to draw lots to see who would get to push Marilyn around in her wheelchair. A quick google search will turn up numerous photos of Marilyn relaxing around the hotel and golf course with her crutches during filming. In one of the other classic films of 1953, Howard Keel and Ann Blyth did a remake of the classic Nelson Eddy and Jeanette MacDonald film Rose Marie. One of the biggest tourism myths in the Rockies is that the 1936 film with Eddy and MacDonald was also filmed in this area. At the Maligne Lake Chalet, they even have a canoe nailed to the ceiling with a carved wooden sign claiming to be the original canoe from the movie. Unfortunately, it’s a complete falsehood. Nelson Eddy and Jeanette MacDonald never filmed in Canada. Their scenes were filmed in the Lake Tahoe area of Nevada. There were some scenes of Mounties training that were filmed in Canada but none of the major scenes was filmed here. Today, few movies come to Banff and Jasper to film. Scenes like Bow Falls are photographed several million times each year making many of the panoramas simply too recognizable to sell the illusion that they are in Montana or Alaska. They did continue to use the mountain parks in movies into the 1960's, including 1965's Doctor Zhivago. In that movie, one of the classic scenes takes place on the train to Yuriatin, ostensibly in Siberia, but it's actually filmed in the Spiral Tunnels in Yoho National Park. When the train emerges, a keen observer will recognize the distinctive peak of Cathedral Mountain rising above the valley. According to the IMDB movie database, this scene used stock footage and none of the actual production was done in Canada. The Wikipedia page does suggest the train scene was actually filmed here with the cast members. Another long-held myth was that the train station at Lake Louise was used in the movie. That's completely false, Almost all of the filming took place in Spain and Finland over a 10-month period. Regardless of whether the actors were actually here, the Spiral Tunnels will live on in one of the most classic films of the 20th century.  The film earned 111.7 million dollars in Canada and the U.S. and when adjusted for inflation, ranks it right up there with many of today's big screen blockbusters. After Doctor Zhivago, the area around the Stoney Reserve near Morley began to be the focus of film crews. The mountain panorama that includes Mount Yamnuska is a constant presence in some classic films. Films that represent this area include my favourite Dustin Hoffman film, 1970's Little Big Man, and 1975's Buffalo Bill and the Indians starring Paul Newman and Burt Lancaster. Before long, movies began to discover the wider Kananaskis Country landscape and it's now become one of the most filmed mountain locations in Canada. Films that kicked off the filming in this area include the 1980 film Death Hunt with Lee Marvin and Charles Bronson, and 1988's Dead Bang with Don Johnson and Penelope Ann Miller. Others include 1993's The Last of the Dogmen with Tom Berenger, which also included footage of Takakkaw Falls in Yoho National Park and the classic film Legends of the Fall with Anthony Hopkins and Brad Pitt. This movie had locations in Calgary, Morley, and Vancouver. More recent films have included 2010's Inception with Leonardo DiCaprio as well as another DiCaprio film, 2015's The Revenent. The movies and TV series keep coming back to this amazing landscape. Popular TV shows like Hell on Wheels and Fargo were also filmed in and around Calgary. If you visit the mountain west this year, be sure to study the vistas around you. You may see them in your favourite movies. And with that, it's time to wrap this episode up. Don't forget to check the show notes at www.MountainNaturePodcast.com/ep061. As usual, if you'd like to reach out to me directly, you can comment on the show notes or hit me up on Twitter @wardcameron. And with that said, the sun's out and it's time to go hiking.

When naïve film school grad Guy (Frank Whaley) gets the opportunity to be the assistant to Hollywood uber producer Buddy Ackerman (Kevin Spacey), he bites off more than he can chew. Subjected to daily insults and abuse, Guy finally hits a breaking point and decides to get his revenge in this wonderful little indy comedy from 1994. Joe invites his brother Keith back to the show to discuss the worst bosses they’ve ever had, disturbing torture scenes, misleading phone conversations, the lesser known Pwid Quo Ro arrangement, impossible tasks, the cure for baldness, good torture devices/techniques, Buddy’s true intentions, where Shelly Winters’ 3rd Oscar came from, Frank Whaley’s gravity defying hair, and answer that all important Buddy Ackerman question before delving into the guilty pleasures of every single character in the movie. Support the podcast with 5 star ratings and positive reviews on iTunes, donate money at www.patreon.com/wordsalad, and tell your friends about us. We appreciate it! Email us: QuoteUnquoteGuilty@gmail.com Check out our facebook page: www.facebook.com/quoteunquoteguilty Follow us on Twitter: www.twitter.com/QuoteGuilty Follow Joe on Twitter: www.twitter.com/Play_Architect Find Keith on Facebook: https://www.facebook.com/profile.php?id=2340249 Follow Frank Whaley on Twitter: www.twitter.com/TheFrankWhaley Follow Kevin Spacey on Twitter: www.twitter.com/KevinSpacey Get psyched for House of Cards Season 5 (and be a little scared of Robin Wright) here: https://www.youtube.com/watch?v=IcRRA1i8pqQ Opening theme composed by Andrew Kroepel (www.twitter.com/VGComposer) Cover Art created by Justin Gibson (www.twitter.com/justingibson) Episode edited by Joe Sanders © 2016-2017 Joe Sanders

We close out the spookiest month of the year with the 1978 ABC tv movie classic Initiation of Sarah, starring Morgan Fairchild, Shelly Winters and Robert Hayes.  Have you ever wondered what it would be like if Carrie and The Shining and Harry Potter all morphed into one movie?  Wonder no longer.  Plus its got co-eds in their underwear.  

Tamara Dobson strikes an imposing and sexy figure across the screen as the James Bond-ian special agent named CLEOPATRA JONES, whose mission in 1973 was to bring sisters to the movie theaters with a heroine they can call their own. Bernie Casey, Antonio Vargas and 2-time Academy Award winner Shelly Winters round out the cast of this Warner Brother's 70s treasure. --- Send in a voice message: https://anchor.fm/black-tribbles/message

Tamara Dobson strikes an imposing and sexy figure across the screen as the James Bond-ian special agent named CLEOPATRA JONES, whose mission in 1973 was to bring sisters to the movie theaters with a heroine they can call their own. Bernie Casey, Antonio Vargas and 2-time Academy Award winner Shelly Winters round out the cast of this Warner Brother's 70s treasure. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE #17-- A QUALITY QLASSIC! Another episode from the archives. This time we brought out Alexis Simpson because, apparently, we haven't tortured her enough. We tackle the cocaine fueled whirlwind that is the Robert Altman directed Popeye. Man. I don't even know what else to say about this movie. Other wasted talent includes Shelly Winters and Robin Williams. Christ, what a mess. You can watch Alexis and Cruz on "They Live Together" on YouTube. Cover art by Julius Tanag. Follow us on Twitter @goldenagecruz and @kislingtwits. You can follow James on Instagram @kislingwhatsit. You can read James' ramblings at Gildedterror.blogspot.com. Donate to the cause at Patreon.com/Quality. Review us on iTunes. Tell a friend. Warn an enemy.

Each week, comedian Gilbert Gottfried and comedy writer Frank Santopadre share their appreciation of lesser-known films, underrated TV shows and hopelessly obscure character actors -- discussing, dissecting and (occasionally) defending their handpicked guilty pleasures and buried treasures. This week: Harpo Marx discovers gravity! Shelly Winters climbs a Christmas Tree! And David Janssen vs. a human shark! Let Selfie Station be the Picture taker, Ice breaker AND your money maker. As a special introductory offer, get $500 off the professional package. Go to SelfieStationpodcast.com and enter promo code GILBERT. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you're going to tell cool stories in comic books, it helps to have had a colorful life and interesting friends. Dean Haspiel has had both. His dad was a writer, occasional street vigilante and confidante of Marilyn Monroe. Mom's pals included Shelly Winters and the young Bobby De Niro, who was one of Dean's babysitters. Dean worked with Harvey Pekar and Jonathan Ames on their respective graphic novels, and won an Emmy for his title work on Jonathan's HBO sitcom "Bored to Death." He was also the inspiration for Ray the cartoonist, played on BTD by Zack Galifianakis. We talked about all of the above, plus Dean's beginnings as a comic artist, his love of superheroes and his own hero complex, his residencies at the Yaddo artist colony, and his latest comic memoir, "Beef with Tomato."

Sally Kirkland has had an amazing career/life. Her mother was the fashion editor for Vogue and then Life Magazine. She has amazing stories being introduced to Andy Warhol, being one of the first people to be naked in a NYC play, being mentored by Shelly Winters, teaching acting to Sandra Bullock, Robin Williams, and even Quentin Tarantino over the phone. She studied with Al Pacino, Robert DeNiro, so many others! She's been in The Way We Were, A Star is Born, The Sting, Bruce Almighty, oh, just too many movies and TV roles to mention. Hear which famous person gave her her first kiss. (Not me or Amber) She was nominated for lead actress in her amazing portrayal as Anna in 1987. Hear what famous actor broke her heart, who she sued, what famous podcaster she slept with. Okay, I made that last one up. She's spiritual, inspirational, creative. We even worked together and she took me aside and gave me some great notes! Marc Edward Heuck, "The Movie Geek" shows up and blows our mind with some trivia even she had forgotten about! and Amber Tozer is here and Ben Solenberger too! check out her website. http://www.sallykirkland.com oh, my paperback's out. http://www.amazon.com/Maybe-Well-Have-You-Back/dp/162914567X/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1443167064&sr=8-2

When Pauly Shore has nowhere to live he decides that Jury Duty isn't such a bad idea after all. As he milks the system you only wish you were having your prostate milked instead.

Veteran filmmaker David Worth returns to Movie Addict HQ to talk about his two new books: Milestones in Cinema: 50 Visionary Films & Filmmakers and Zen & the Art of Independent Filmmaking: A Cautionary Tale. David has worked on over 35 films as a director and or cinematographer. Stars like Clint Eastwood, Bruce Campbell, Shelly Winters, Dennis Hopper, and Roy Scheider have appeared in David’s films. His extensive filmography includes such diverse movies as: HOUSE AT THE END OF THE DRIVE, ANY WHICH WAY YOU CAN, TIME LAPSE, BRONCO BILLY, KICKBOXER, ALL’S FAIR IN LOVE AND WAR, MAN WITH THE SCREAMING BRAIN, HONOR, LADY DRAGON and BLOODSPORT.  David has taught filmmaking at Chapman University, USC, Chapman Singapore and UCLA. He is presently a part-time professor at the Academy of Art University in San Francisco. The Citizen Kane Crash Course in Cinematography, his first unique textbook, was published in 2008 and is available at Amazon.com as are his other film-related books.

On this episode of Word Balloon, we talk to cartoonist Dean Haspiel who's been tapped to bring back the MJL Red Circle Hero The Fox for Archie Comics, with scripting from Mark Waid. Fans of Dean's Billy Dogma stories will find a frenetic kinship , on top of rollicking Superhero action.Dean gives us a history of the character and what he wants to do in this first 5 issue storyline, plus we talk the comics enviroment Dean grew up in, the current comics market, and some celeberty memories of hiss famous and multi talented godmother Shelly Winters .

Hollywood legend Budd Moss, agent to such stars as Sidney Poitier, Carolyn Jones, William Shatner, Shelly Winters, Cyd Charisse, Tom Bosley and Mia Farrow, is interviewed about his autobiography And All I Got was Ten Percent set for a September 1st release. Moss is joined by three time New York Times bestselling celebrity ghostwriter Julie McCarron who discusses her work on Moss’ book, as well as autobiographies for pop icons Rick Springfield’s and Gene Simmons. The Live Arts Calendar features the U.S. National Tour of Mary Poppins at the Ahmanson Theatre in Los Angeles; and Euripides’ Helen at Moss shares an embarrassing story from his past. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

Movie Meltdown - Episode 167 This week we return to Green Room Coffee and Espresso and we’ll need all the caffeine to help us focus on figuring out this week’s movie. By special request, we were asked to try to decide exactly what was happening in the 2011 film “Kill List”. It is...well-made, disturbing, confusing and will more then likely bring about an initial WTF reaction. But with more thought and discussion, can we in fact decide what the hell we just watched?? And while we try to decide if we are discussing the movie OR helping finish write the movie, we also mention... True Grit, a picture of a world, Kurosawa, The Atheist Channel, Curse of the Demon, The Apartment Trilogy, The Crusades, the Cohen Brothers, Diane Ladd, a demon interior decorator, the stereotypical dark side of a librarian, Spaced, what the fuck was that polar bear about?, The Devil’s Daughter, can we just say the filmmaker is wrong?, House of the Devil, Shelly Winters, Rosemary’s Baby, the actress’s Twitter page, cultural mania, naked extras, Dreams, The Wicker Man, Burn Witch Burn, compartmentalized government, organized religion, The Ladykillers, I think your dead dad is really beautiful, The Unbearable Lightness of Being, ironic laughing, by the time you are Richard Gere - you know you’ve lost it all, and trying to alienate every movie-goer in the world!Spoiler Alert: Seriously, you HAVE to see “Kill List” BEFORE listening to the episode. So get to it...“...here the ambiguity is kind of amorphous, it could be all kinds of different directions. Where it invites you to like, Mad Lib your own version of the movie.”