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Stellantis' CMO Raj Register talks about building consistent storytelling across channels, what she's learning from AI and why she's obsessed with connecting marketing action to tangible business outcomes. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Current Podcast.Ilyse Liffreing (00:09):This week we're delighted to talk with Raj Register, the Senior Vice President and CMO for North America at Stellantis, one of the biggest names in the global auto industry.Damian Fowler (00:19):That's right. Stellantis is the powerhouse behind iconic brands like Jeep, Dodge, Ram, Chrysler, and so many more.Ilyse Liffreing (00:26):And as our North American fans may be well aware, stellantis just ran off one but two high profile spots at the Super Bowl in February, both featuring major celebs,Damian Fowler (00:37):Glenn Powell as Goldlock in the Ram Super Bowl commercial, and Harrison Ford who rarely appears in ads starring in the Jeep commercial.Ilyse Liffreing (00:45):Let's get started.Damian Fowler (00:51):The first thing I want to ask you, Raj, is how did it all come together?Raj Register (00:55):Yeah, that's a great question and not the most straightforward way that many would think. So at Stellantis we have something called a jump ball. And Jump ball basically means that we curate several agencies and we allow them to pitch and based on the pitch how we brief them and whoever comes up with the best idea pretty much wins the business. So for this past Super Bowl, we spoke to around 35 plus agencies and we were able to round them out to the best two, one for Ram, one for Jeep. So we go through several rounds of creative, we determine what's the best story, how does it really relate to our business? And from my perspective it was what's the best creative outside of that? Then what's the best thing that will help give us more runway past the Super Bowl? So outside of the creative is the business aspect and how are we going to perform and make sure that it delivers upon all of our goals.Damian Fowler (01:56):Now everyone knows, I guess at this point that the Super Bowl ad spot is one of the most coveted in the world and one of the most pricey I suppose. But wanted to ask you why was it important for Stellantis? I mean, you're the only order maker as I understand it, to have a spot during the game this year. Why was it important for you?Raj Register (02:14):There's a lot of dialogue around why were we the only one. I saw it as an incredible opportunity for us to be auto exclusive. When do you get to do that? During Super Bowl? It was really important for us to show up, not only to show that we're here, not only are we American born and we are proud of our brands, but when we think of everything we have to offer to our consumers, we wanted to leverage this as an opportunity to tell that story and give them an indication of who we are. And it was almost like a reintroduction back to America as well as supporting our UAW workers, supporting our dealers, supporting our employees. So I think it was a rally cry for us to just let everyone know that we're here and we're here to stay.Ilyse Liffreing (02:58):That's awesome. And such terrific actors in both of the commercials, Glenn Powell and Harrison Ford, and I feel like they speak to definitely different generations obviously of fans and types of moviegoers potentially. What were the main challenges of securing the talents?Raj Register (03:16):Gosh, so Glenn Powell, so we already have an established relationship with him for Ram. He did a really nice job with us for our integration that we had with Twisters. And so for him it was more of a natural fit. He has this serious nature, but he's also very funny. And so when we came up with the idea of Cody Lakson the Three Bears and using that old American fairytale to help bring to life something really cool and unique glim, I mean it was like a no-brainer, like let's extend this relationship because he's easy to work with, but then also he brings a lot to the table to help us with bringing things to life. So he was very involved with making sure that our script and how things showed up were authentic to him. But then also because he knows us as a brand, he knew certain things to lean into.(04:03):So he was a really good partner in that way. Harrison Ford was a lot more difficult for us to secure. So quite frankly, and if you've looked at any of the behind the scenes that were done, Harrison talked about his first answer was No, Olivier and a group of us went back and he started with a different script, one that paid homage to Harrison Ford, but then also related to us as a brand and the freedom of America. And so once we were able to align on the idea and have a script that Harrison actually reacted to in a positive way, he actually reviewed it with his wife and she said, now that's good. Then it was a matter of, okay, well who's the director who could work with him and make sure that this comes to life in the way that he's proud of as well as us? We tap James Mango and that was incredible. So they already have a really good relationship. Mango did four versus Ferrari, so he has this really extensive background in movies, but for commercials, this was, I believe it was his first one. And so just balancing the star power of Harrison, Mangold and Olivier, it was like the trifecta of greatness I would say. But it took a while for us to get to where we needed to be. We shot our Super Bowl at three weeks before,Ilyse Liffreing (05:24):Which that is a tight turnaround.Raj Register (05:27):It's a lot of pressure, but being on set and getting everything together, Harrison was amazing, but that one was definitely a day by day, how are we going to get this done? And just making sure that he felt comfortable with the commercial and it came out better than I could have expected. But that one definitely was a challenge, but in a good way.Damian Fowler (05:48):And it's interesting to note that Harrison rarely does commercials, so it was an amazing coup for you to getIlyse Liffreing (05:53):Him. Totally. And yeah, it's great that it came, but it's also a great example of the brand campaign overall because it's the power of choice and why was this the right message for the moment?Raj Register (06:08):Yeah, so just to clarify, so power of choice was our Ram ad and freedom of choice was our G ad. And so the reason why we chose those bookends of power and freedom one is it's the breadth and the quilt of America being able to make a choice and be happy and stand up for whatever it is that you want or whatever you believe in. The other part was is as we think about the way the automotive business is changing, there's a lot of energy around what type of vehicle should you choose? And our stance at Stellantis is, one, we want you to love our brands and our vehicles first, and then you make a choice as far as what platform or what energy you want. In both commercials we were able to highlight our ice vehicles, which is our gas hybrid and all electric.(07:04):With that being said, it's hey, making a choice should be fun. There's a lot of negative feedback around Bev versus not, or should you have a gas vehicle versus not. And for us it's you have the freedom or power to choose the vehicle that's best for you, and we want to make sure that you make a choice with us and giving customers the education of we are a company for a person like you and we just want you to choose with us. And so that was the premise of it and we were able to do it on one end very humorously. And the other was more around the freedom and pride of being American and being able to make a decision for yourself.Damian Fowler (07:43):Now, one of the most interesting things about the Super Bowl this year was that it was also streamed on Tubi, which is Fox's fast channel. And I wanted to get into this in terms of the campaign. How did you think about and come up with a digital strategy around that that goes beyond the second quarter ad?Raj Register (08:03):Yeah, so I'll just say even for the day of, it was interesting because being at Super Bowl, I got a chance to see what was happening on the two B app and really being able to just see the integration and being able to not only see our ad live, but also our halftime show. So that was incredible to see live TV while you're on the spot because it's a different experience. What consumers see at home is not the same as what you see in the stadium. The important thing for us was leveraging all opportunities from TV to streaming to social, to tell a complete story. And we want it to be just, okay, here's the TV spot and move on. How can we leverage other avenues to make sure that our story is getting out there and then continuing the story with our consumers or those that are interested in learning more. Yeah, there's a group that are watching on TV or in a environment where they're in a sports bar or something like that, but you also have these other group of customers that are watching on their phones. And so that's why it was important for us to leverage all avenues and all media channels to make sure that our collective 360 story was getting out there.Ilyse Liffreing (09:11):Totally. Did you know that it was going to be streamed on Tubi when you first made the buy?Raj Register (09:17):No, we didn't. And so I learned when I was in the suite with Fox Sports, and so they came and said, Raj, you can see everything live and here's how everything works. And so I had everything set up and it was really nice to see. So I was trying to balance be here in the moment, but then I was enthralled by Tubi and so throughout breaks and things like that, I was very much so engaged. So it was a surprise and delight for me and something that I'll definitely continue to leverage as we look at our media buying practices in the future.Ilyse Liffreing (09:49):Totally makes sense. Curious about how those overall numbers added to the results of the Super Bowl spots. And on that note, let's get into those results with the overall takeaway. First off, what was the reaction to the campaign overall?Raj Register (10:04):That one, we did something a little bit different than we typically do. So what we have normally done is Super Bowl is the coveted day. We don't do teasers as a company. Everyone sees it at the same time and it's under lock and key. And we tried something a bit different this year. So for Ram, we created some teasers and so we went live with our teasers a week before Super Bowl, and then on the Wednesday before we had an opportunity with the Today Show to show the entire commercial and really start some of the excitement and engagement before Super Bowl. From a press standpoint, the world knew or people knew that we would have a Jeep spot and we kept up with our previous practice of everything's under embargo, so no one knew that one, we had Harrison Ford or we had a two minute spot.(10:56):And so it was a complete really surprise to most people. And so to have that go live during the Super Bowl itself, I mean that just took off from a social sentiment standpoint. Me being a former Ford employee, I got so many text messages because the last line where Harrison talks about loving his Jeep even though his name is Ford, that was quite the zinger. And so everything that we've seen so far has been overwhelmingly positive. Positive sentiment for Jeep was 99%, and for Ram it was 98%. From a global PR standpoint, over 10 billion for ram, we had over 200 million views for Jeep, over 106 million views on social channels. So many recognition and rewards. Ad blitz was one where we were number one spot for Jeep, and so they just keep coming in. And so those are the things that you know, did the right thing.Ilyse Liffreing (11:52):Yeah, those are fantastic numbers.Damian Fowler (11:54):Amazing. I guess it's fair to say you hit your metrics for successRaj Register (11:58):For game day and right after. So another thing that we did differently this time is that we have usage rights for 90 days after Super Bowl, so it wasn't just a day of and done. We're leveraging the content for some localized messaging. We leveraged our websites CRM and really doing a complete 360 after the fact. So we'll have a postmortem after the 90 days of our campaign, which is something very different for us. And having cut downs and really being able to support more product and storytelling key, why buy messaging? And it's something that I think will be pivotal for us as a company and really set the stage for how we do things in the future.Damian Fowler (12:42):I'd love to zoom out a little bit. You have many iconic brands on your watch, not just Jeep and Ram, Dodge Chrysler and also European brands too. I wanted to ask you though, how do you balance your marketing across so many different brand identities while also sort of keeping in-house that cohesive idea of strategy for the whole company?Raj Register (13:05):At a company Stellantis where you have essentially a house of brands, you have the very all American Chrysler, Dodge, Ram G brands, and then Alpha Mayo and Fiat, each brand has its own DNA. And that's how I see it is the DNA is what sets the stage for the fabric of how that vehicle or how that brand should show up. And we need to be tried and true to that. Many times we get ideas and an agency may pitch us and it might be a great idea and say for example, they pitch us for Chrysler and it comes across as Dodge. I say that's a great idea, but it's very dodge, it's very brotherhood, badass speed power for Chrysler, more of the family with Pacifica and capability and off-road with Jeep and Ram also having capability. It's the only brand that has, and basically in the world that only does pickup trucks.(14:03):And so when you think of all those things, each brand has its own identity, and so you don't have to mix and match things. As individuals, we have our own personalities and as families, we have our own DNA. That's how I see the brands. And so that part to me is fairly easy to really just understand and make sure that there's clear lines of delineation. When I think of marketing though, there's best practices and there's things as a company that we know to be true. When we think about, for me, I have things that are considered either above the line or below and just really understanding what investment, what media channels, what optimization, what tactics are necessary for us to be successful with a particular nameplate or launch. And ensuring that I have a complete cohesive plan and really establishing what are my KPIs and goals and things that I need to make sure that I'm accomplishing.(14:58):If there's something that needs to be communicated and it falls below the line where we have maybe digital only or we're doing only experiential, really understanding what are my priorities, what am I trying to deliver upon? And then holding true to that. So as a company, having marketing rigor and expertise around what it is that we really need to establish as far as a North star. And then also working with our brand heads on does this meet the brand? DNA does it meet our customer goals? Does it meet our key why buys? And then you move forward. And so a lot of things we do are collaboratively. So it's not the marketing team on our own just driving things and bringing things out the door. It's how are we establishing what's necessary for us to be successful? And at the end of the day, it is about sales and share and making sure that we have a positive sentiment in the market and people are shopping us.Ilyse Liffreing (15:54):Speaking about shopping and digital, today's consumers are really omnichannel in their approach to shopping. How has that shift really impacted marketing in the auto sector? Is AI and automation having an impact on that approach?Raj Register (16:12):So I would say I don't know if AI necessarily has an impact as a compliment. And so what AI does, and when you think of omnichannel, it allows us to do things faster, more agile, more targeted, more regional focused. And so when I think of how customers consume things many times it takes them seeing something in many different places and how are we collectively telling a story and really understanding what part of the funnel are we leveraging, what channel for and ensuring that we're doing it in the most authentic way that is not overbearing to someone that's receiving it. But to me I see it as how are we taking them down the funnel? So if on TV I'm leveraging a brand campaign for excitement and engagement, but then when a customer sees a similar ad or a version of it at the digital level where they're now as a call to action where we're saying, Hey, learn more, there's a call to action for either building price or learning more about our features and options.(17:17):And then when you get to the deal level, allowing them to be the closer of the play. And so all of these things should be, as I said, in compliment with one another. Whenever we create something, we leverage AI to help us with not only creating faster content in a way that gives us that agility, but then we also use it for our data and our forecasting for our modeling and how are we leveraging our media channels, and then also how are things performing and then helping set the stage for, well, you did this component very well, how do you go deeper in a particular audience or market to help establish what success really looks like? And so I think AI is very complimentary in a positive way to really help establish not only from a content perspective, but when you think about performance, it definitely helps guide it from a forecast standpoint what we should expect or how we should leverage certain investments.Ilyse Liffreing (18:18):Certainly, and it's hard enough obviously to differentiate the brands from each other and keep true to their own brand guidelines, but as a marketer, you have to also differentiate your brands from competitors like GM and Ford and Tesla. What shapes basically your approach to that,Raj Register (18:43):The brand, DNA, when you have that and it's rooted in everything you do, we don't have to worry about looking or sounding like someone else because we know who we are. And that when you have that as your true north is very easy to really understand who you are and where you show up. Now when I think of brand health and brand sentiment and things that we need to listen to customers on, so for example, if we have feedback that's saying our brand is beloved, but customers don't understand our features and technology or they don't understand capability or they don't understand certain components, we use that as data to help us with our storytelling, especially at the tier two and retail level, to really start leaning into things that maybe we're missing the boat on, especially if it's something that we believe is a key factor as to a why buy. But when I think of a Tesla or a Ford or a gm, they have their own brand identities as well. And so trying to chase or be them is not the answer. Many of our brands have been in place for decades. I mean, Chrysler will be coming up on its hundredth anniversary at this point. We know who we are. And holding true to that I think is the most important thing you can ever do as a brand and as a marketer.Damian Fowler (20:07):I love that answer. When you know who you are, that's what you lean on. And I think that goes for individuals too in lots of ways. Not to get too psychological about this, but it is a true, it's true. Yeah, it's true. I know that there's a question here about, and maybe that's the answer to this next question, but when things are changing, big picture, macro conditions, global economy, which has a big impact on the auto industry, how do you as a marketer stay focused?Raj Register (20:35):Yeah, and that's an interesting question because when you think of macroeconomic factors, it can be competitive actions. It could be things like tariffs. There's all these things that you need to take into consideration. And the things that we can control, the controllables, I always make sure I understand what those things are. The things that I can't control are the things that I consider noise, meaning there's disruption and people don't like Stellantis because of X, Y, and Z, or this decision was made, we had a lot of leadership change over, we can't digest all of that. And so what I try to do is make sure that whatever plan is done soundly, it's inclusive of any key stakeholders that are necessary to help us make whatever decision it is that we're going to market with. And then also having consistency. And so yes, there's external things that we need to have into consideration, but if we run our business and change day by day, fly by fly, we'll be a weather report. We won't be able to really hold true. So for me, having consistency and sticking to a plan, now you need to have some agility in there to account for things that are more major. But when I think of major versus minor, I try to keep the minors at bay plan for the majors as much as I can, but then hold true. The more you're consistent and the more you have a plan that you stick to, the better success you have.Ilyse Liffreing (22:08):So it said marketing is a balance between art and science. Do you agree?Raj Register (22:14):A thousand percent. A thousand percent. So when I think of art and science one, that's my background. So I have an engineering background, very much science. And then when you have the marketing piece, there is science there, but there's a lot of art. And when you bridge the two together and you know how to yin and yang the two, it works. While I love data, I love to make sure that things are technically sound. I also recognize that there's art in here that you can never discount. And so I think it's an important balance to respect both parts of it. And when you're able to marry the two together, that's where I think the magic happens.Damian Fowler (22:54):What are you obsessed with figuring out right now?Raj Register (22:57):I'm obsessed with figuring out modernization of marketing. And when I say that it's what are the disruptive things that are not necessarily on the map? So we have a voiceover talent that we use for G, and this is a recognizable voice, and we've used this same individual for over a decade. He got into a car accident and his vocal cords were damaged, we had a decision to make. It's going to be a different voice that we maybe don't want to necessarily use. This wasn't the decision, or could we leverage technology using AI to recreate his voice, get him into an agreement, still going to compensate and all of those things. But how do we continue with ensuring that there's a human part of this? We use the technology, but we were able to still move ourselves forward. And so that's an example for me of I'm obsessed with how do you create opportunities? And again, it goes to the art and science to create things that may be a challenge that you can fix quickly, or are there things that I'm not thinking about that are very different and disruptive that I can start grounding myself on today because it's going to be even more relevant in five years.Ilyse Liffreing (24:20):What if you had an unlimited budget? What would be your marketing dream? What would you doRaj Register (24:27):If I had an unlimited budget? Really being able to establish a true footprint that gave true indication of what things are necessary for all consumers, whether they're African-American, Hispanic women, millennials, whoever it is, being able to create very bespoke one-to-one communications for them at the stage and at the channel that they need to make a decision. I think being able to create something like that and really understanding what's necessary, what drives someone, and then being able to truly correlate a marketing action with a true business sale impact, whatever the call to action is, I think it would be huge. Right now, we guess we say, okay, there's all these things. They clicked on an ad, they did X, Y, and Z, but we don't always know, especially for a big purchase for online things, that's easier to track. But when I think of true decision making, what are the things that really triggers individuals to make a choice and be able to correlate it to business results, I think is something that I've not yet seen done. And if I were to be able to crack that code, I'd be winning. So I think that's limitless.Damian Fowler (25:50):So Eli, what were your kind of thoughts off the back of it?Ilyse Liffreing (25:54):Yeah, I really liked how she talked about consistency, especially being a brand that is so prevalent in today's culture. She said, the more you're consistent, the better for customers because customers can see if you're not. Basically, she said, if we change every day, we're just going to be like a weather reports.Damian Fowler (26:15):That was very grounding. And I think when you talk about omnichannel campaigns and you think about the consistency of the brand across all of those channels, that's got to be a huge factor. The thing that resonates with me about that too is the fact that she talked about the DNA of each brand in her portfolio, whether it be Ram or Jeep, and just knowing that that was kind of a revelation to me. You can lean back on that idea. And I thought that kind of idea of when you know who you are, things are easy at is easier. So that was something that really stuck with me. And then there was one other thing she said that clarity of thought when she said it's what now, so what? Now what? And I just thought that was a really nice way of structuring the way a marketing campaign might be planned and then how it might roll out.Ilyse Liffreing (27:03):I also liked how she talked about the balance between art and science, whether data only tells us so much, but you got to lean into things with your heart as well.Damian Fowler (27:10):Hearts and minds, right? That's the old adage.Ilyse Liffreing (27:13):That is. That's it for this edition of the current podcast.Damian Fowler (27:19):This series is produced by Molten Hart. The Current Podcast theme is by loving caliber, and The Current team includes Kat Vesce and Sydney Cairns.Raj Register (27:26):And remember the brand DNA. When you have that and it's rooted in everything you do, we don't have to worry about looking or sounding like someone else because we know who we are.Damian Fowler (27:39):I'm Ilyse, I'm Damian, and we'll see you next time.

Kyle, Joe, and Rick are joined by return guest Sam Seagroves to review the biographical musical drama, A Complete Unknown. Directed for film by James Mangold, written by Mangold and Jay Cocks based loosely on the 2015 book, Dylan Goes Electric by Elijah Wald. The film stars Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, and Scoot McNairy. We ranked 23 of the songs from the soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

Die Themen: „Ein Minecraft Film“ und das Gaming; Warum ist deutsches Design so hässlich?; Die Bedrohung der CDU durch die AfD; „Die Rückseite des Lebens“ von Yasmina Reza und neue Folgen von „Black Mirror“ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Dittmer, Nicole www.deutschlandfunkkultur.de, Studio 9 - Der Tag mit ...

Sound by Eliane Amherd / SWISS MISS / Supersaxo Records / Volver / Woodstock Dude   Nun bevor wir hier anfangen und wild drauf los zu Hämmern um die Tasten der Schreibmaschine rocken zu lassen. Losät - losät - losät - as riesen Dankeschön afa an alliiii wo mich so wunderbar unterstützen auf www.lokalhelden.ch/supersaxo und natürlich und hoffentlich kommt da der eine oder andere noch dazu, damit wir schon bald - let`s Party. Book Launch und im Studio Supersaxo wird schon kräftig gerockt + geschrieben. Es gibt diese Woche auch zwei neue tolliiii Merci`s von sehr sehr guten Freundinnen. Als erstes das Kochbuch von Jessica Albrecht - Choschtgänger - Geschichtenerzähler sind Helden am Esstisch. Da ein feines Rezept aus dem Buch : Cheeschuechli mit Endiviensalat und wenn etwas vom Chäsmix übrig bleibt : Mangold oder ich persönlich und so auch bisschen saisonal - Schwarzwurzel - die Spargel der Armen. www.choschtgaenger.ch/rezepte Dazu ein feinfruchtiges Glas Cuvée Blanche - die genialsüffige Weissweinassemblage mit Heida+Johannisberg by Cave la Chapelle Salgesch. Diese Woche hatte ich im La Cote in Sierre eine Tarte Tatin aber salzig mit Pilzen, Käse-Sauce ( Castelmango) … - Kräuteröl - frittierte Julienne von Frühlingszwiebel - Polenta Würfel in der Mitte soft und aussen crunchy ( bisschen wie ich ? ) und dazu ein mega sympatschises Gläschen Oeil du Perdrix. What a sunny Monday - nä dum Schneefall schiiint z Sunnuu - däääää dä u ja klar am Montag….! Passend zu diesen Gerichten natürlich der Sound by Eliane Amherd - La Degustation und ja auch diese CD - Package gibt es ab Heute als Merci auf www.lokalhelden.ch/supersaxo - Pinot ou Fendant ? Man wird ja öfters vor die Wahl gestellt ? Fendant oder Johannisberg und schon mal gibts die Lösung im Glas - Fendärboerg? Die Flaschen sind bestellt - bei Univerre - REGIONAL und der Wein noch im Tank beim Marc André Cina in der de Canali Kellerei in Salgesch. Flasche - Design sieht schon mega aus. Merci Marc-André und der Wein wird auch super süffig. FREU MICH MEGA !!! Eigentlich geht es ja diese Woche ums Thema Alpenhochzeit - die Hochzeitsmesse in ihrer Region. Bereichert mit einem Stand - bisschen so andersartig? Ein Stand welcher auf die Gefahren der Hochzeit - der Ehe hinweisen wird? Ratgeber, Flyer, Display, Forum, Live Podcast mit den Häfligers, Dr. Prof Arthur von Tropenshower, NEW im Team der Paartherapeut Sir Jakobus Pastorius Fitzgerald und als Moderator der Cabaretist und Autor Gottfried Supersaxo. Man ist sehr schnell verheiratet und schon verrückt, dass man eben so Paartherapie nicht auch schon vor der Eheschliessung anbietet? Ich meine Tennisspielen lernt man ja auch nicht im Religionsunterricht? Ob du jemand wirklich liebst, findest Du am schnellsten heraus, wenn Du mit ihm in den Urlaub fährst fahren wirst tust tutet tut tutterlituu. Die meisten Ehen werden ja nach dem Urlaub geschieden, doch das hatten wir schon? Ich persönlich, und wenn ich mich nicht so gut kennen würde, also ich würde mich ja selbst heiraten. Mir mal selber so ein Antrag stellen? Am Stand Ehe 2.0 / 25 - präsentiert vom Institut für mehr Spontanküsserei und der Dienststelle für mehr sorgenlosen Geschlechtsverkehr wird auch darüber informiert zb Themen wie : Ehepflicht ab 30 ! Beziehungsburnout. Früher war die Ehe eine Institution und heute ist sie ein Modell mit einer flexiblen Kündigungsfrist. Bist das der Tod euch scheidet. Am Stand Ehe 2.0 / 25 werden aber auch Alpengigolos für den Polterabend und evtl eben auch für danach vermietet und Tafelmajoren:innen der ganz besonderen Art. Love and Marriage - Going to the Chapel Baby…… man singt mit. Spüren sie ihn auch - den Frühling. Ach sind sich auch so bisschen verschwägert ? Wie gehen sie mit der Angst vor einer Hochzeitsreise um. Wenn das Furzen, Görpsen.Schmatzen, Sofaschnarchen und Schluchzen in der Wohnung und vor dem EhemannFrau schon zur Gewohnheit wird. Die Scheu und die Hobbits vor solchen Dingen abgebaut ist - ist das dann Liebe? Die gemeinsamen Mahlzeiten sich vom Küchentisch ans Sofa zügelten, die Mahlzeiten vor dem neusten Ultra flach-Flachbildschirm und ja nur die Betrachter:innen werden breiter, kleiner und kürzer, vor allem die Arme und schon bald reicht es nicht mehr für die Umarmung? Am Stand Ehe 2.0/25 trifft Glanz auf Absurdität. Am Live Podcast - Sunntatgs Hengert - vielleicht schon mal ein kleiner Ausschnitt ? Supersaxo : Sir Jakobus Pastorius Fitzgerald, sie haben schon dreimal versucht zu heiraten, sind aber kurz zuvor immer erfolgreich daran gescheitert. Wie kam es dazu? Dr.Prof A. : Liebe Häfligers, was kostet eine Ehe? Ist die Ehe nicht ein überholtes Model der vermoderten Gesellschaft? Was ist Ihr Rezept einer so erfolgreichen Ehe wie der ihren? ( Geht man sich mit der Zeit aus dem Weg ? ) Häfligers : Herr Supersaxo, kurz vor der Eheschliessung, am Morgen - meinte Ihr Freund Wolfang Lehnhof zu Ihnen : Willst Du nun wirklich heiraten? Und sie darauf : Ja schon, ich meine jetzt sind ja auch schon viele Gäste eingetroffen etc etc. Darauf meinte Ihr Freund Wolfgang : nun ja, jeder macht mahl einen Fehler !! Wie sind sie mit dieser Antwort so kurz vor der Eheschliessung umgegangen? Ein gewisser Druck? Supersaxo : Wissen sie Herr und Frau Häfliger, sie kennen ihn ja auch - diesem Moment wo man ja nicht zurück kann? Den Mut einen verlässt? Ob ich dieses eine JA zu viel bis heute bereue? Es braucht mehr Leute die lernen auch mal im richtigen Zeitpunkt NEIN zu sagen und auch dies sicher ein Thema im Workshop hier an unserem Stand Ehe 2.0 / 25 SAY NO at the right TIME….! Please read the fine prints bevore saying yes.  Podiumsgespräch - LIVE Podcast - die AKTIVITÄTEN ZB : Das Ehe-Gelübde. In einer Art welches wir kennen von : der Satz. Jeder Teilnehmer:in wird nun in einem Satz das Ehe-Gelübde der heutigen Zeit anpassen. Für Fragen sind unsere MA am Stand Ehe.2.0/25 da für sie : hier schon mal eine Idee. Ich gelobe dich zu lieben, zu tolerieren und mindestens zwei mal im Jahr die AGB`s unserer Beziehung neu zu verhandeln. Last but not least Fragen aus dem Raum wie zb ? Ist die Ehe eine romantische oder ökonomische Institution ? Von der sakralen Bindung Bindung zur freien Lizenz. Eheführerschein. Witz/ Potenzial/ Tiefgang/ Theatralische Momente mit den praktizierenden Häfligers, dem überakademisierten Prof. Dr. Arthur von Tropenshower - dem etwas "horny und adeligem englischen Paartherapeuten Sir Jakobus Pastorius Fitzgerald und dem Gastgeber des Stand Ehe 2.0/25 Gottfried Supersaxo - Host und Kabarettist mit Gespür. Nun noch etwas aus dem waren Leben? Gestern geriet ich in eine Polizei Kontrolle und das passiert mir leider viel zu wenig und da leide ich auch schon so bissen darunter. Alle anderen werden ständig herausgewunden, nur ich nicht. Und kennen sie das Lied von Herbert Grönemeyer - Selbstmitleid - tu dir leid, tu dir leid, und unbedingt die LIVE VERSION hören. Wir am Schluss verlinkt ! Die Version auf Stand der Dinge mit dem Symphonie Orchester ….. ( also ich würde mein Orchester = Sympathie Orchester taufen ? ) Endlich war es dann doch wieder so weit und ich wurde herausgewunden, heran gewunken, Gott sei Dank war ich ausnahmsweise mal nicht angetrunken und die Hunde schliefen unangegurtet vor sich hin. Die Enten auf dem Frontboard quakeltennn. Ein netter Polizist. Herr Supersaxo : Wo isch där eiwiiii Autobahnvignette? ICH : Wieso isch dä - d`Autobahn scho fertig gebüüüt ? ( Hab ich natürlich nicht gesagt !!! ) ICH : Die wurde vom Büro elektronisch hinterlegt. Polizist : Aber in minum System gsehhh ni nix. ICH : Isch ja nid so schlimm, ma chat ja bis ändi Januar nu mit der Alta fahruuu? Polizist : Ja abär Herr Supersaxo - jetzt isch abär scho bald Ändi Märzuuu ! ICH : A - doch scho - bi scho ganz üsär Wuchu mit dum Fiirtag ( Josephstag ) am Mittwoch ! Polizist : U ihr sid sicher das är nix getrüchuuu heit? ICH : Indianer-Ehrenwort ! Ja und neu im Studio Supersaxo - die Talänt-Schmida und so schön, nach zweimaligen Besuch von Louie die Spielfreude und Lust auch andere Leute einzuladen und ga es gibt auch Tea and Buisquits oder Fendant ufär Veranda mit där Fernanda u ich bi a Tausendsassa u interesantä Ma, legguu mi nie gäru a - lieber as bitzi singu - trallalalllalllalllaaaa, u das findut äu mini Plattufirma. / Talent hast Du nicht - aber ich wünsche Dir viel Glück. ( mein Lehrer ) Und der schönst Abschluss - a Text va der Mel B u merci tüüüsig mal an ääääliii wo mich so gäru hend - I LOVE YOU very much more ! Bilder flüstern, die Zeit vergeht in Töne. Stille sprich in Harmonien. Emotionen formen Klang. Worte finden ihre Melodie, das unsichtbare wird hörbar gemacht. Gedanken tanzen im Rhythmus, Kreativität beginnt zu leuchten, Geschichten schreiben sich von selbst. Farben erklingen im Licht. Inspiration atmet Musik und die Seele komponiert Erinnerungen. Där Takt vo minum Härzuuu wird hörbar u verzellt a Gschicht. ( Liebe ist - wenn du nicht stirbst / Peter Bichsel ) ( Hast Du nur ein Wort zu sagen. Nur einen Gedanken, dann lass es Liebe sein - AnNa R. / Rosenstolz ) Auf zu vielen Hochzeiten tanzen, nur so lehrt man tanzen. Zu wenig Tanz - das git a Ranzu - so wie sie tanzt - so liebt und kocht sie by GoSu. Malheur trifft auf Humor by Dieter Meier und unbedingt schauen - Grediger Direkt auf SRF 1 oder Play Suisse ? Mit eben ja Dieter Meier ! https://open.spotify.com/intl-de/track/7yDxfKHSOHBkfs41n16mBH#login Nur für Sekunden heiss ich Dieter, und freu mich als Untermieter, wer auf unseren kleinen Planeten, fröhlich in eine Spur zu treten, auf die ich so gar nichts gebe, weil ich sonst nur an ihr klebe. ( Dieter Meier )

Live from the Cooperative Farmers Elevator's Women's Event in Sheldon, IA, Amanda catches up with Naomi Mangold and Danielle Kruse for a real and raw conversation about facing the challenges of being a woman in agriculture head on and making the most of difficult situations with hope, joy, and perseverance.Presented by Bid on Beef | CK6 Consulting | CK6 Source | Real Tuff Livestock Equipment | Redmond RealSalt | By-O-Reg+ | Dirt Road RadioSave on Redmond Real Salt with code RADKE at https://shop.redmondagriculture.com/Check out Amanda's agricultural children's books here: https://amandaradke.com/collections/amandas-books

Es ist nicht immer ganz leicht, seine Beete so zu bepflanzen, dass man den Fruchtwechsel einhält, innerhalb des Jahres vielleicht noch eine gute Fruchtfolge hat und zudem noch weiß, auf welchem Beet sich wann welche Hauptkultur anbietet. In der aktuellen Folge sprechen wir über die Vorteile von Fruchtwechsel und Fruchtfolge, klären euch über die Gemüsefamilien auf und geben einen Überblick, welche Pflanzen sich als Hauptkultur eignen, welche als Vor- und welche als Nachkultur. Welche Pflanzenfamilien gibt es beim Gemüse?Kreuzblütler: Kohl, Radieschen, Asia-Salat, Senf, Meerrettich, RucolaDoldenblütler: Sellerie, Fenchel, Möhre, Pastinake, Petersilienwurzel, Petersilie, DillLauchgewächse: Knoblauch, Zwiebeln, LauchHülsenfrüchte: Bohnen, Erbsen, Ackerbohne (Unterfamilie Schmetterlingsblütler)Korbblütler: Salate, Schwarzwurzeln, Topinambur, SonnenblumenFuchsschwanzgewächse: Spinat, Rote Beete, Mangold, ZuckerrübeKürbisgewächse: Gurken, Zucchini, KürbisNachtschattengewächse: Tomaten, Auberginen, Paprika, Kartoffeln, Physalis, ChiliSüßgräser: MaisRosengewächse: ErdbeerenKnöterichgewächse: RharbarberBaldriangewächse: FeldsalatWindengewächse: SüßkartoffelnWas sind Hauptkulturen?Das sind die Kulturen, die besonders lange im Beet sind, einfach, weil sie eine lange Reifezeit haben oder weil sie lange stehen wie Mangold, Tomaten oder Gurken:Rote Beete, Sellerie, Mangold, Tomaten, Auberginen, Paprika, Kartoffeln, Schwarzwurzeln, Kürbis, Zucchini, Gurken, die meisten Kohlsorten (außer Kohlrabi und Pak Choi)Was bietet sich als Vor- oder Nachkultur an?Alles, was entweder schnell reift oder was auch in den Herbst hinein und über den Winter stehen kann oder bereits früh ins Beet kann:Vorkultur: Radieschen, Spinat, Salat, Ackerbohnen, Erbsen, Spinat, Asiasalat, Fenchel, KohlrabiNachkultur: Bohnen, Radieschen, Salat, Feldsalat, Spinat, Asiasalat Hosted on Acast. See acast.com/privacy for more information.

Für immerhin acht Oscars ist "Like A Complete Unknown" von James Mangold nominiert. Timothée Chalamet verwandelt sich in die Liedermacherlegende Bob Dylan. Die Ähnlichkeit ist in der Tat frappierend, aber Chalamet hat schon wesentlich komplexere Rollen gespielt. Zwar wollte Mangold kein klassisches Biopic drehen, doch das Genre erfindet er mit diesem Werk nicht neu. Er arbeitet zwar nicht alle Stationen von Dylans Leben ab oder versucht psychologische Erklärungen zu liefern, aber trotz des engen Zeitrahmens, nämlich die frühen 1960er-Jahre, bleibt es eines lineare, konventionell erzählte Dramaturgie, die den Songs von Dylan nichts hinzuzufügen weiß. Vielleicht auch, weil diese Lieder keiner Bilder bedürfen. Der Film ist nett anzuschauen, aber eigentlich völlig überflüssig. Mehr dazu von Wolfgang M. Schmitt in der Filmanalyse! Das Best-Of von DIE FILMANALYSE als Buch. Mit einem Vorwort von Dominik Graf. Affiliate-Link: https://amzn.to/3NCkVHB Unser Kinderbuch „Die kleinen Holzdiebe und das Rätsel des Juggernaut“ ist erschienen! Affiliate-Link: https://amzn.to/47h1LQI Die Anthologie SELBST SCHULD! ist jetzt erschienen. Affiliate-Link: https://amzn.to/47qau3a    Sie können DIE FILMANALYSE finanziell unterstützen – vielen Dank! Wolfgang M. Schmitt Betreff: DIE FILMANALYSE IBAN: DE29 5745 0120 0130 7858 43 BIC: MALADE51NWD PayPal: http://www.paypal.me/filmanalyse Patreon: https://www.patreon.com/wolfgangmschmitt Wolfgang M. Schmitt auf Twitter: https://twitter.com/SchmittJunior Wolfgang M. Schmitt auf Facebook: https://www.facebook.com/wolfgangm.schmittjun/ Wolfgang M. Schmitt auf Instagram: https://www.instagram.com/wolfgangmschmitt/ Produziert von FatboyFilm: https://www.fatboyfilm.de/ https://www.facebook.com/fatboyfilm/ https://www.instagram.com/fatboyfilm/

This week on the Dirt and Vert Podcast, we're joined by the inspiring Zandy Mangold, an ultra runner who's not afraid to chase those epic challenges.Zandy takes us on his incredible journey, from those early days on the trails to tackling the legendary Spartathlon, one of the toughest ultra marathons in the world. We talk about the highs and lows, the lessons learned, and the transformative power of running.Zandy opens up about the importance of coaching and mentorship, the strength of the running community, and how his passion for the sport has shaped his life.We also dive into Zandy's invaluable advice for new runners, emphasizing the importance of confidence, patience, and recovery. It's a reminder that running is a journey, not a race, and that everyone's path is unique.Zandy's story is one of perseverance, personal growth, and the unwavering belief in the human spirit. It's a must-listen for anyone who's ever chased a dream.Chapters31:58 The Hardest Race: Spartathlon Experience37:58 Crossing the Finish Line: Emotions and Community41:56 Pride in Achievements: Reflecting on Races44:48 Becoming Coach Zandy: A Natural Progression47:54 The Joy of Coaching: Supporting Runners53:21 Advice for New Runners: Building a Strong Foundation01:02:58 The Importance of Recovery in Running01:06:52 Motivation Behind Running01:11:16 Experiences from Badwater Ultra Marathon01:18:39 Setting a Marathon PR at 5001:23:46 Community and Coaching in Running

[WERBUNG] Alles zu "Visit Britain" erfahrt ihr unter diesem Link: https://www.visitbritain.com/de/aktivitaeten/film-und-fernsehen?utm_source=webedia_&utm_medium=display&utm_content=na_podcast_na_na_video_na_es&utm_campaign=starring%20great%20britain_deu__20012025&utm_marketing_tactic=consideration [WERBUNG] Der Podcast wird gesponsert von Paramount+ – eurem Streaming-Service für Blockbuster, neue Serien und exklusive Originals. Jetzt 7 Tage kostenlos testen: https://www.paramountplus.com/?ftag=IPP-10-10bff2d James Mangold kennt sich mit Musiker-Biopics gut aus. 2005 kam sein Johnny-Cash-Film "Walk The Line" in die Kinos, war ein riesiger Erfolg und wurde bei den Oscars mit 5 Nominierungen belohnt, von denen der Preis für die beste Nebendarstellerin direkt an Reese Witherspoon ging. Jetzt meldet sich Mangold (nach einem Ausflug in die Marvel- und Indiana-Jones-Welt) wieder mit einem Musiker-Biopic zurück: In "Like A Complete Unknown" wird "Dune"-Star Timothee Chalamet zur Folk-Legende Bob Dylan - und auch dieser Film ist ein heißer Oscar-Kandidat mit insgesamt 8 Nominierungen (u.a. für Bester Film, Beste Regie und Chalamet als Bester Hauptdarsteller). Björn aus der FILMSTARTS-Redaktion und Bea von Moviepilot haben den Film gesehen und diskutieren in dieser Ausgabe von "Leinwandliebe" darüber. FILMSTARTS-Kritik zu "Like A Complete Unkown": https://www.filmstarts.de/kritiken/280195/kritik.html Abonniert den kostenlosen FILMSTARTS-Newsletter: https://newsletters.filmstarts.de/was-gibts-neues-zu-schauen_c301 Music from: https://filmmusic.io “Easy Jam” (https://filmmusic.io/song/3694-easy-jam) by Kevin MacLeod (https://incompetech.com) “Take a Chance” (https://filmmusic.io/song/4457-take-a-chance) by Kevin MacLeod (https://incompetech.com) License: CC BY (https://filmmusic.io/standard-license)

To tie-in with the 2025 Academy Awards, this episode of the podcast discusses one of the frontrunners for Best Picture, Director, Actor as well as Supporting Actor and Actress. James Mangold's A Complete Unknown chronicles the very early years in the career of the great singer songwriter Bob Dylan and stars Timothée Chalamet in the lead role.Joining host Dr Pasquale Iannone to talk about the film is Ricky Ross. Ricky is a singer-songwriter and frontman of Deacon Blue, the acclaimed, much-loved Scottish band formed in Glasgow almost exactly forty years ago. Alongside writing and performing, Ricky is also a Sony award-winning broadcaster. Since 2008, he has presented Another Country on BBC Radio Scotland which showcases the best in Americana old and new.The conversation was recorded at the beginning of February 2025, with Ricky and the band gearing up for the release of their new album The Great Western Road as well a major UK tour. Ricky and Pasquale discuss the musical biopic in general before turning to Mangold's A Complete Unknown. They explore the film's focus on four key early years in Dylan's career and also touch upon the Oscar-nominated performances of Chalamet as Dylan, Monica Barbaro as Joan Baez and Edward Norton as Pete Seeger. Ricky shares his thoughts on the film's evocation of the New York folk scene and tells Pasquale what he thought of its depiction of the songwriting process.

Friedrich Merz wird wahrscheinlich Kanzler. Auch mangels Alternativen wird es wohl eine Neuauflage der ehemals „großen” Koalition mit der SPD geben.Die politischen Ränder, gerade AfD und Linke, fahren einen großen Sieg ein. Was sagen diese Ergebnisse über unsere Gegenwart aus? Ijoma Mangold hosted bei der "Zeit" den Podcast “Die sogenannte Gegenwart”.Mangold ist sicher: Die Zukunft des Landes hängt am Erfolg der nächsten Regierung. Inwiefern diese in den Punkten Migration und Wirtschaft erfolgreich sein wird, sei zweifelhaft.Werbung: Lest hier "⁠⁠mitmenschenreden⁠⁠" - inklusive unserer Kolumne "Zwischen Fronten".Unterstütze uns auf⁠⁠⁠⁠⁠ Paypal⁠⁠⁠⁠⁠ oder werde⁠⁠⁠⁠⁠ Patreon⁠⁠⁠⁠⁠ und erhalte Exklusiv-Content!⁠⁠⁠⁠⁠⁠⁠⁠basedpodcast.de⁠⁠⁠Foto: Thorsten Wulff

Pete and Trevor saw Brady Corbet's The Brutalist (Adrien Brody, Felicity Jones, Guy Pearce) in 35mm, and can happily report that it does not feel too long! We provide our immediate thoughts on the movie after leaving the theatre. This is also our last week on Project Oscar Catchup, where we look at all the movies nominated for Best Picture at the 97th Academy Awards. This week we discuss James' Mangold's Bob Dylan biopic A Complete Unknown (Timothée Chalamet, Elle Fanning, Ed Norton, Monica Barbaro), and Walter Salles' historical drama I'm Still Here (Fernanda Torres, Selton Mello). As a bonus, we also discuss our top ten favourite films of 2024, and included a few guest voicemails featuring favourite picks of the year. Finally, we undertook our second annual effort to guess Oscar winners in each category. Thanks for listening to this project, it was a lot of fun! Next week we return to Aardman with Flushed Away. Intro (0:00)Review of A Complete Unknown (4:37)Review of I'm Still Here (23:05)Spoiler-free review of The Brutalist in 35mm (31:57)Spoiler talk (47:00)Pete and Trevor's Top Ten of 2024 + voicemails (1:09:06)Oscar Picks (1:40:28)

Film Roundtable is thrilled to welcome Cinematographer, Phedon Papamichael (Ford v Ferrari, Nebraska) and 1st Assistant Director, and Film Roundtable Co-Founder, Doug Torres (Mr.+ Mrs. Smith, 12 Years a Slave). Together, they discuss their collaboration on James Mangold's upcoming film, A Complete Unknown, the highly anticipated project exploring a pivotal era in Bob Dylan's life.Phedon and Doug share their experience working alongside Mangold, diving into the intricate dynamic between a Cinematographer and 1st Assistant Director, two roles that are essential in bringing a director's vision to life. They discuss the creative and logistical challenges of making A Complete Unknown, offering a rare, behind the scenes, look at their process, from pre-production planning to the on-set execution that shaped the film's visual storytelling.Tune in for a fascinating discussion on collaboration, leadership, and the artistry behind crafting a cinematic world.Enjoy!!From Your Friends at Film RoundtableCheck out this conversation wherever you listen to podcasts and also available to watch on our YouTube channel.

Elijah Wald's 2015 book, “Dylan Goes Electric! Newport, Seeger, Dylan and the Night That Split the Sixties,” traces the events that led up to Bob Dylan's memorable performance at the 1965 Newport Folk Festival. The book is about Dylan, but also about the folk movement, youth culture, politics and the record business. For the writer and director James Mangold, Wald's work provided an opportunity to tell an unusual story about the musician.“You could structure a screenplay along the lines of what Peter Shaffer did with “Amadeus,'” Mangold told the Book Review editor Gilbert Cruz. “I don't really know what I learned about Mozart watching “Amadeus.” But I do know that I learned a lot about how we mortals feel about people with immense talent.”Mangold's film “A Complete Unknown” is a chronicle of Dylan's early years on the New York folk scene, and it avoids easy explanations for the musician's genius and success. “What if the thing we don't understand, we just don't want to understand,” said Mangold, “which is that he's actually different? That he's just a different kind of person than you or I?”In the second episode of our special series devoted to Oscar-nominated films adapted from books, Cruz talks with Mangold about making a film centered on one of music's most enigmatic figures. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Spencer Tweedy returns to Missing Frames to discuss James Mangold's new Bob Dylan biopic A COMPLETE UNKNOWN, starring Timothée Chalamet, Monica Barbaro, Elle Fanning, and Edward Norton. As massive Dylan fans, both Shawn and Spencer were nervous about how the film would handle the legendary artist. Did it make or break their expectations? Tune in to find out!HOSTSShawn EastridgeSpencer Tweedy

durée : 00:07:31 - "Un parfait inconnu" de James Mangold

durée : 00:27:31 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du cinéma : "Un Parfait inconnu" de James Mangold et "La Pie voleuse" de Robert Guédiguian - réalisation : Laurence Malonda - invités : Antoine Guillot Journaliste, critique de cinéma et de bandes dessinées, producteur de l'émission "Plan large" sur France Culture; Guillaume Orignac Cinéaste et critique de cinéma

The Russos who have made the MCU classics such as Captain America inter Soldier, Civil War, Infinty War and Endgame are returning to direct the next two Avengers movies. A new rumor says they directing duo will oversee the X-men reboot. Will they be directing? How involved will the X-Men be within The Avengers? Box Office Results as Flight Risk takes first place. Controversy surrounding The Acolyte again! Mangold might be shooting Star Wars in December? This and more on this episode of The Kristian Harloff Show with Kristian and John Rocha. OUR SPONSORS: TRADE COFFEE IS BACK!!!  Don't settle for okay coffee. Head to http://www.drinktrade.com/BIGTHING to receive up to three bags free! AG1: AG1 is offering new subscribers a FREE $76 gift when you sign up. You'll get a Welcome Kit, a bottle of D3K2 AND 5 free travel packs in your first box. So make sure to check out hhtp://www.DrinkAG1.com/bigthing to get this offer!  ROBINHOOD: Investing involves risk. Rate subject to change. 3% match requires Robinhood Gold at $5/mo for 1 yr from first match, must keep funds in IRA for 5 years. Go to http://www.robinhood.com/boost. Over 8x the national average savings account interest rate claim is based on data from the FDIC as of November 18, 2024. Robinhood Financial LLC (member SIPC). Gold membership is offered by Robinhood Gold, LLC.

The Russos who have made the MCU classics such as Captain America inter Soldier, Civil War, Infinty War and Endgame are returning to direct the next two Avengers movies. A new rumor says they directing duo will oversee the X-men reboot. Will they be directing? How involved will the X-Men be within The Avengers? Box Office Results as Flight Risk takes first place. Controversy surrounding The Acolyte again! Mangold might be shooting Star Wars in December? This and more on this episode of The Kristian Harloff Show with Kristian and John Rocha. OUR SPONSORS: TRADE COFFEE IS BACK!!!  Don't settle for okay coffee. Head to http://www.drinktrade.com/BIGTHING to receive up to three bags free! AG1: AG1 is offering new subscribers a FREE $76 gift when you sign up. You'll get a Welcome Kit, a bottle of D3K2 AND 5 free travel packs in your first box. So make sure to check out hhtp://www.DrinkAG1.com/bigthing to get this offer!  ROBINHOOD: Investing involves risk. Rate subject to change. 3% match requires Robinhood Gold at $5/mo for 1 yr from first match, must keep funds in IRA for 5 years. Go to http://www.robinhood.com/boost. Over 8x the national average savings account interest rate claim is based on data from the FDIC as of November 18, 2024. Robinhood Financial LLC (member SIPC). Gold membership is offered by Robinhood Gold, LLC.

Access this entire 87-minute episode (and additional monthly bonus shows) by becoming a Junk Filter patron for only $5.00 (US) a month! Over 30% of episodes are exclusively available to patrons of the show. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠https://www.patreon.com/posts/196-complete-119875574 Jared Bailey (aka Twitter's @Stolendans) returns to the podcast from Columbia South Carolina for a show about James Mangold's A Complete Unknown, starring Timothée Chalamet as the young Bob Dylan, and Edward Norton as Pete Seeger. Choosing to portray the rise of Bob Dylan as a mainstream Music 101 period piece may have been a commercial choice that has rubbed some true Dylan Heads the wrong way, but the director has at least made an entertaining prestige picture that looks and feels right with Chalamet up to the challenge of playing a difficult part. We discuss how this film retools the actual history for the sake of Hollywood conventions, how Mangold chooses to portray the women in Dylan's life and the film's cautious treatment of any political content, keeping things vague enough that it's been left open to interpretation; in some conservative circles they think the film is really about Dylan the individual artist taking on the Marxist folk music scene, portrayed here as The Establishment. Plus: Jared and I discuss Bob Dylan, the pioneer of singing with a funny voice (a big influence on Paul McCartney, we think) and dreamcast some future Dylan biopics! Follow Jared Bailey on Twitter and Bluesky. Trailer for A Complete Unknown (James Mangold, 2024) The Highwaymen on the New Zealand talk show Holmes, 1991

Jason is a huge Bob Dylan fan and is wrestling with his complicated feelings after watching A Complete Unknown. Keith heard Jason's hand-wringing about the film and suggested that he and Jason discuss this film in conjunction with another Mangold biopic, Walk the Line, and try to find some kind of truth in the way untruths are shown on the screen. This ended up being a fascinating discussion, deep on theory, passion and practice, a complex look at a complex subject. Oh, and Keith is an incredibly smart man and an amazing interviewer!

We review episode 7 (We're Gonna Be in So Much Trouble) of Skeleton Crew! Topics include: Playing hot potato with the transmitter Jod's bedpan helmet Why not use the tractor beam again? Jod's Anakin moment Major Kamino vibes in that At Attin vault Is Wim gonna kill Jod with that saber? In our Question of the Week, we share your thoughts on the next Star Wars animated series. In news, we discuss a possible KOTOR series, the recasting of Baylan Skoll, James Mangold's fear of the "lore shackles" and who we might see show up in Filoni's film from Skeleton Crew. We listen to your FACPA Answering Machine messages and more! Episode Time Stamps: 04:54 - Question of the Week: What animated series will we get next? 23:12 - A Knights of the Old Republic Live Action series could be in the works 26:51 - Who from Skeleton Crew will show up in Filoni's Mandoverse film? 29:33 - Recasting Baylan Skoll 31:47 - Mangold wants to avoid the "shackles" of Star Wars lore in his project (good luck!) 33:56 - Skeleton Crew: Episode 7 Review 60:14 - Speculation and What's Next 72:27 - FACPA Answering Machine Please subscribe, rate and review our show and chat us up on Email: facpapod@gmail.com Voicemail: 1-678-FACPA77 (322-7277) Twitter: @facpapod BlueSky: @facpapod.bsky.social Threads: @facpapod Podawan Podcast Network: @podawans More details on our Web site: http://FromACertainPointAskew.com Check out our merch store: https://teespring.com/stores/facpapod  Intro/Outro - Galactic by Seb Jaeger (via https://filmstro.com/music)  

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Sneider's scoop that Marvel looking to recast T'Challa, George Miller possibly directing a 'World War Hulk' or 'Thor 5' film, Muschietti and Matt Reeves chiming in on the Pattinson as Gunn's Batman, Danny Boyle returning to direct 3rd 28 Years later installment, Colman Domingo cast in Running Man remake, Golden Globes thoughts, LA fires delaying noms, Reacher S3 and A Working Man Trailers, Mangold on SW movie, Ellis says there's no American Psycho remake, Baldoni lawsuit update, and more!#StarWars #Marvel #BlackPanther #Hulk #DC #Batman #TheHotMic #JohnRocha #JeffSneider ____________________________________________________________________________________Chapters:0:00 Intro, Rundown and Update on the LA Fires12:12 BREAKING: Rory McCann Recast as Baylan Skoll in AHSOKA S221:08 Marvel Recasting T'Challa in the MCU33:12 Marvel Meets with George Miller to Direct 'World War Hulk' or 'Thor 5'38:40 SCOOP: Spider-Man 4 Movie Featured Hulk and Punisher In It Before Rewrite48:06 Colman Domingo Cast in The Running Man Remake53:33 Danny Boyle to Direct '28 Years Later' Third Installment57:30 Andy Muschietti Claims Robert Pattinson Not Batman in Gunn's DCU1:02:30 Matt Reeves Says "We'll Have to See" About Pattinson in Gunn's DCU1:05:58 Bee Gees Biopic Moved Up to be Ridley Scott's next film1:09:16 Is American Psycho Remake Dead in the Water or Not?1:13:11 Reacher S3 and A Working Man Trailers1:17:25 Golden Globes Reactions and Review1:21:48 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

Arianne Phillips is the costume designer for the new film A Complete Unknown, starring Timothée Chalamet as Bob Dylan. Phillips is an accomplished costume designer for stage and screen and has been nominated for the Academy Award for Best Costume Design three times, beginning with James Mangold's Walk the Line in 2006. For A Complete Unknown, she teamed up again with Mangold to re-create Bob Dylan's visual style with extreme specificity. Phillips spent several years researching Dylan's wardrobe, working with vintage experts, designers, and even Etsy sellers to find pieces that captured each iteration of Dylan's unique style. This week, she joins Erin Fitzpatrick, WWW's associate director of fashion news, to talk about her approach to the project, working with Chalamet, and collaborating with Levi's on a new capsule collection that re-creates Dylan's favorite skinny jeans style.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Arianne Phillips is the costume designer for the new film A Complete Unknown, starring Timothée Chalamet as Bob Dylan. Phillips is an accomplished costume designer for stage and screen and has been nominated for the Academy Award for Best Costume Design three times, beginning with James Mangold's Walk the Line in 2006. For A Complete Unknown, she teamed up again with Mangold to re-create Bob Dylan's visual style with extreme specificity. Phillips spent several years researching Dylan's wardrobe, working with vintage experts, designers, and even Etsy sellers to find pieces that captured each iteration of Dylan's unique style. This week, she joins Erin Fitzpatrick, WWW's associate director of fashion news, to talk about her approach to the project, working with Chalamet, and collaborating with Levi's on a new capsule collection that re-creates Dylan's favorite skinny jeans style.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this week's episode, Jon Negroni and Will Ashton dive deep into A Complete Unknown, the latest biopic from director James Mangold (Logan, Walk the Line). The film, starring Timothée Chalamet as the iconic Bob Dylan, chronicles the enigmatic artist’s rise to fame during the transformative folk scene of the 1960s. With Edward Norton and Monica Barbaro rounding out the cast, and a runtime of 140 minutes, the movie captures Dylan’s transition from a folk music darling to a rock 'n' roll revolutionary. Jon and Will discuss Mangold’s directorial approach, Chalamet’s performance as the elusive Dylan, and the narrative’s attempt to balance the artist’s enigmatic persona with a traditional biopic structure. They also highlight the supporting cast, including Norton’s standout role and Boyd Holbrook’s intriguing portrayal of Johnny Cash. Is A Complete Unknowna respectful ode to Dylan’s artistry, or does it play it too safe? Tune in as the hosts break it all down, from the film’s subtle nods to Dylan’s legacy to its reception among fans and critics alike. Searchlight Pictures released A Complete Unknown in U.S. theaters on December 25, 2024. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord and chat with us! We have a Cinemaholics channel here. Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

How many roads must Dylan walk down before anyone figures him out? We brave the hard rain with two films: Mangold's new A Complete Unknown and Haynes's I'm Not There. One's a distillation; the other a deconstruction. Musician, filmmaker, and music festival organizer Jimmy Willden is the perfect hurricane to help us make sense of what's blowin' in the wind.  A couple of beers from Meanwhile Brewing and Martin House Brewing Co. are there to get us tangled up in booze.

Timothee IS Bob Dylan. Mangold is in the director's chair. Did they do Dylan justice? Dylan fan Richard and normal fan Kent are here to react to A COMPLETE UNKNOWN! Support us on Patreon for hundreds more episodes: madaboutmoviespodcast.com/vip

Lucasfilm has about a dozen Star Wars movies in various stages of development. One of them is a prequel from James Mangold that will tell the origins of the Force, the mysterious energy field created by life that binds the Star Wars galaxy together.In a recent interview with MovieWeb, Mangold opened up about what convinced him to make a Star Wars movie for Lucasfilm, sharing that "the really important aspects [were] the freedom to make something new." Mangold, who is co-writing the screenplay with Beau Willimon, explained that they wanted to find "a way on the page to say something original." With his movie set to take place 25,000 years before any other Star Wars project, Mangold will seemingly be freed from decades of lore. "I'm not that interested in being handcuffed by so much lore at this point that it's almost immovable, and you can't please anybody," the director added, suggesting that his Star Wars movie may drastically shake up the fandom's current understanding of the force.Announced in April 2023 at Star Wars Celebration Europe IV, Mangold's Star Wars movie will be part of an era dubbed "Dawn of the Jedi" by Lucasfilm. "The Force has become a kind of religious legend that spans through all these movies. But where did it come from? How is it found? Who found it? Who was the first Jedi? And that's what I'm writing right now," teased Mangold at the time of its announcement. Mangold has since cited Cecil B. DeMille's 1923 silent religious epic The Ten Commandments as a major inspiration for the movie.However, it is unclear when exactly the "Dawn of the Jedi" movie will go into production, as there is a chance Mangold's next movie will instead be his DC Universe feature, Swamp Thing. The filmmaker became attached to Swamp Thing in February 2023 and has been juggling the screenplays for both movies ever since. DC Studios co-CEO James Gunn has repeatedly stated that no DC movie will get greenlit until there is a finished screenplay that is worth turning into a movie, so there's a good chance that Swamp Thing may also be a ways off.The next Star Wars movie to hit theaters will be The Mandalorian & Grogu in May 2026. When the movie is finally released, it will have been almost seven years since the last Star Wars movie, 2019's The Rise of Skywalker. The Mandalorian & Grogu is a feature-length continuation of the Disney+ series The Mandalorian. While plot details remain under wraps, Pedro Pascal's Din Djarin and the lovable alien Grogu will be joined on their first big-screen adventure by Star Wars Rebels character Garazeb "Zeb" Orrelios, Sigourney Weaver (in a mystery role), and Jeremy Allen White, who will voice a grown-up Rotta the Hutt. Jon Favreau — who created The Mandalorian — co-wrote and directed The Mandalorian & Grogu, which was shot entirely in California between August and December 2024 and is currently in post-production&

IndieWire features writer Jim Hemphill sits down with writer and director James Mangold to talk about his return to the musical bio-pic with his Bob Dylan film “A Complete Unknown.” The interview covers what Mangold learned about making musicals from “Walk the Line,” what he learned about directing actors from Robert De Niro on “Copland,” and why recording actors live instead of lip-syncing is the only way to go. Learn more about your ad choices. Visit megaphone.fm/adchoices

Die einjährige Krause Malve (Malva verticillata) wird im März / April ausgesät. Nach Bereits nach sechs Wochen können erste junge Blätter geerntet werden. Ursprünglich stammt sie aus Ostasien. In Europa wurde sie mit dem aufkommen von echtem Spinat und Mangold aus dem Speiseplan verdrängt. Für die Kultur im Topfgarten braucht es einen mindestens 40cm tiefen Topf. Diesen mit Gemüseerde auffüllen. Die Quil- Malve ist eine vielseitige Pflanze. Es ist eine mehrmalige Ernte möglich. Wie beim Schnittsalat, die zarten, jungen Blätter roh als Beimischung für Salate, gedünstet als Mischgemüse für Spinat oder zum Eindicken von Suppen und für Eiergerichte verwenden. Ihr Geschmack ist leicht harzig-herb. Als Gründüngung lockert sie den Boden mit ihren langen Wurzeln tiefgründig und bringt Abwechslung in die Fruchtfolge. Ihre Blütenstängel mit quirlförmig angeordneten kleinen, zartrosaroten Blüten sind eine langblühende Bienenweide. Ihr Höhenwachstum ist beachtlich: sie kann bis 2m hoch werden und ist ein guter Sicht- und Windschutz.

For this week's main podcast review, I am joined by Nadia Dalimonte, Josh Parham & Tom O'Brien to review and discuss the latest film from director James Mangold, "A Complete Unknown," starring Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Scoot McNairy & Dan Fogler. A music biopic of one of the world's most renowned and enigmatic stars, Bob Dylan, the film covers the small but pivotal time in his life and career when he crashed on the folklore scene during the 1960s and made the controversial decision to switch from acoustic to electric in his overall sound. What did we think of Mangold's adaptation, especially compared to his other music biopic, "Walk The Line?" What did we think of his direction, the performances, the music, and craftsmanship? Tune in as we discuss these topics, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode No. 686 is a holiday clips episode featuring artist Sylvia Plimack Mangold.  An untitled 1966 Plimack Mangold painting is on view in the current permanent collection installation at the National Gallery of Art, Washington. The NGA has one of the finest institutional collections of Plimack Mangold's work: eight paintings and at least a dozen works on paper.  New York's Craig Starr Gallery is showing "Sylvia Plimack Mangold: Tapes, Fields, and Trees, 1975-84" through January 25, 2025. Plimack Mangold's paintings, seemingly rooted in realism but often undermining it, play with perspective, flatness, engage the centuries-long tradition of painters making paintings about painting. In 1994 the Albright-Knox Art Gallery, Buffalo organized a retrospective of her paintings; two years earlier the University of Michigan Museum of Art organized a works on paper survey. For images, see 2018's Episode No. 349. 

In this episode of No Film School, GG Hawkins and Jason Hellerman sit down with acclaimed director James Mangold to dive into the making of his latest film, A Complete Unknown. Known for iconic works like Logan and Ford v Ferrari, Mangold shares deep insights into his creative process, the importance of preparation, and how he navigates the complexities of storytelling. This holiday special offers invaluable lessons for filmmakers at every level. In this episode, No Film School's GG Hawkins, Jason Hellerman, and James Mangold discuss: How Mangold approached depicting Bob Dylan's relationships with iconic figures like Woody Guthrie and Johnny Cash The value of mentorship in filmmaking and how Alexander Mackendrick influenced Mangold's career Finding the balance between preparation and flexibility when directing Mangold's advice for capturing subtext and the unspoken dynamics between characters The art of juxtaposition and how to craft impactful scene transitions Memorable Quotes: “You come to the set with a plan, but your actors are gonna add a lot, and you don't want to be so slavish, so enslaved by your plan that you feel lost if an idea comes up with one of the actors that undermines the plan you came with.” “The point for the director is to make everything look like you planned it—even if you didn't.” “What is the scene about, and what are the beats I must make sure the audience sees? Not lines, but what's unsaid—the subtext, the human thought behind the eyes.” Resources: James Mangold on IMDb Microbudget Workshop with GG Hawkins Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Merry Christmas, folk fans!James Mangold's buzz-worthy Bob Dylan biopic, A Complete Unknown, is now in theaters, and Kicking the Seat has enlisted two of the music icon's biggest fans to unwrap this spoilerific review!Timothée Chalamet stars in a snapshot of the revolutionary singer/songwriter's life, which tracks his 1961-1965 rise from obscurity to popularity to table-clearing re-definer of the form. The film is a beautifully realized time capsule, popping with spot-on performances and music that was lovingly re-created by its lead. But is that enough for the uninitiated?In this episode, David Fowlie of Keeping it Reel and esteemed indie filmmaker Michael Glover Smith (who, in addition to being well-read on the life and times of Mr. Dylan, have seen him perform live 100 times between them) make the case for Mangold's mastery of the material--while Ian wonders if their familiarity with the stories, legends, and deep cuts may have papered over some of A Complete Unknown's flaws. Who will win this robust debate?The answer, my friends, is...well, you know...Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow Links:Watch the A Complete Unknown (2024) trailer.Follow David Fowlie's film criticism at Keeping It Reel.Keep up with all of Michael's filmmaking forrays on Instagram!And watch his latest award-winning short film, Handle with Care--now streaming for free at Split Tooth Media!

Sean is joined by Chris Ryan and Mallory Rubin to dig all the way into ‘A Complete Unknown,' James Mangold's Bob Dylan biopic starring Timothée Chalamet. They discuss, among other things, the musical performances of Chalamet and his costar Monica Barbaro, the supporting performances around the edges of the movie, Mangold's ability to tackle one of the most central pop cultural figures in American history, the moment the film is trying to capture, and more. Host: Sean Fennessey Guests: Chris Ryan and Mallory Rubin Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

A COMPLETE UNKNOWN MOVIE REVIEW Director James Mangold more or less made the film that defined all the tropes of the musical biopic with his 2005 film about Johnny Cash, Walk The Line. Said tropes than thoroughly and perfectly satirized in 2007's Walk Hard: The Dewey Cox Story. Naturally, many were wary when Mangold was… Read More »Highly Suspect Reviews: A Complete Unknown

James Mangold is an Oscar-nominated writer-director known for film like GIRL INTERRUPTED, WALK THE LINE, LOGAN, COP LAND, and FORD V FERRARI — the latter earning a Best Picture Oscar nomination. Most recently, Mangold directed A COMPLETE UNKNOWN, where at the Newport Folk Festival in 1965, a young Bob Dylan shook up his act on the folk music scene by going electric and siring rock as the voice of a generation, defining one of the most transformative moments in 20th-century music. In this interview, we talk about the fundamental role of writing in filmmaking, the challenges and realities of the film industry, the challenges of adapting a real-life figure like Bob Dylan, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

A COMPLETE UNKNOWN MOVIE REVIEW Director James Mangold more or less made the film that defined all the tropes of the musical biopic with his 2005 film about Johnny Cash, Walk The Line. Said tropes than thoroughly and perfectly satirized in 2007's Walk Hard: The Dewey Cox Story. Naturally, many were wary when Mangold was… Read More »Highly Suspect Reviews: A Complete Unknown

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture With the upcoming release of "A Complete Unknown," in theaters on December 25th from Searchlight Pictures, Josh Parham, Dan Bayer, and I went back to 2005 to review and discuss James Mangold's Johnny Cash music biopic, "Walk The Line," starring Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin & Robert Patrick. Often cited as the template by which other music biopics are unfavorably compared to and quite famously parodied in "Walk Hard: The Dewey Cox Story," is Mangold's film worth the criticism it has accumulated over the years? Tune in as we discuss the writing, performances, craftsmanship, music, its awards season run, and more in our SPOILER-FILLED review of the Man in Black. Thank you for all your support, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Kevin Mangold (Red Clover) returns to talk about his work as Slimer on Ghostbusters Frozen Empire and his time on David Allen's The Primevals.  hear fun behind the scenes stories from a movie 50 years in the making and see what else Kevin has coming up, on this all new episode!     Links To Mention:   https://kevinmangold.com/ Kevin Mangold (@horacestunts) • Instagram photos and videos https://www.facebook.com/moosesmonstermashpod https://electronicmediacollective.com/moose/ https://twitter.com/MooseMediainc https://www.instagram.com/paul_moose_harder/ https://www.youtube.com/channel/UCKQJq7_ZnFIjg0vcc5R7F7w    

Today on Cinemaholics, Will Ashton gives his spoiler-free instant take of A Complete Unknown, the latest biographical drama from director James Mangold. Starring Timothée Chalamet as a young Bob Dylan, the film chronicles Dylan's rise in the New York folk scene of the early 1960s, culminating in his revolutionary performance at the Newport Folk Festival in 1965. With a screenplay co-written by Mangold and Jay Cocks, and a stellar supporting cast including Edward Norton, Elle Fanning, and Monica Barbaro, A Complete Unknown is already earning high praise as one of the best films of 2024. Tune in for Will's thoughts on Chalamet's portrayal of Dylan, the film's nostalgic vibe, and if it'll be a must-watch this holiday season. Searchlight Pictures will release A Complete Unknown in select U.S. theaters on December 25, 2024. More about A Complete Unknown: New York, 1961. Against the backdrop of a vibrant music scene and tumultuous cultural upheaval, an enigmatic 19-year-old from Minnesota named Bob Dylan arrives with his guitar and revolutionary talent, destined to change the course of American music. He forges intimate relationships with music icons of Greenwich Village on his meteoric rise, culminating in a groundbreaking and controversial performance that reverberates worldwide. Timothée Chalamet stars and sings as Bob Dylan in James Mangold's A COMPLETE UNKNOWN, the electric true story behind the rise of one of the most iconic singer-songwriters in history.   The film also stars Edward Norton as Pete Seeger, Elle Fanning as Sylvie Russo, Monica Barbaro as Joan Baez, Boyd Holbrook as Johnny Cash and Scoot McNairy as Woody Guthrie. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord and chat with us! We have a Cinemaholics channel here. Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

Ist die Freiheit in Deutschland bedroht? Laut Hamed Abdel-Samad sind die offenen Gesellschaften des Westens nicht nur durch autoritäre äußere Gegner, sondern auch durch rechte, linke und religiöse Fundamentalisten im Inneren gefährdet. In seinem neuesten Buch Der Preis der Freiheit (2024) mahnt der Politikwissenschaftler: Jahrzehntelang habe man radikale Minderheiten unterschätzt und durch Migration ins Land gelassen. Aber sie tolerieren nicht, wodurch sie groß geworden sind: Meinungsfreiheit und Gleichheit aller. Identitäre von rechts und von links vergiften das öffentliche Klima, AntisemitInnen und Staatsfeinde finden immer mehr Anklang in der ­Gesellschaft. Welche Gefahren sich dadurch für unsere Gesellschaft ergeben und wie wir unsere Freiheit und Offenheit erhalten können, diskutiert Abdel-Samad gemeinsam mit dem Journalisten Ijoma Mangold. Der Politikwissenschaftler und Publizist Hamed Abdel-Samad ist Mitglied der Deutschen Islam Konferenz und zählt zu den profiliertesten islamischen Intellektuellen im deutschsprachigen Raum. Wegen seiner Tabubrüche wurde 2013 eine Fatwa gegen ihn verhängt, seither lebt er unter permanentem Polizeischutz. Ijoma Mangold ist Journalist, Literaturkritiker und Autor. Nach fünf Jahren als Literaturchef der Zeit ist er dort heute kulturpolitischer Korrespondent.

Get a 4-week trial, free postage, and a digital scale at https://www.stamps.com/nostalgia. Thanks to Stamps.com for sponsoring the show! When the film first came out, Nostalgia Critic liked it but didn't love it. Is it possible he might have missed something the first time around? Let's take another look at Logan. Logan is a 2017 American superhero film starring Hugh Jackman as the titular character. It is the tenth film in the X-Men film series, the third and final installment in the Wolverine trilogy, following X-Men Origins: Wolverine (2009) and The Wolverine (2013), and a standalone sequel to X-Men: Days of Future Past (2014). The film, which takes inspiration from the "Old Man Logan" comics storyline by Mark Millar and Steve McNiven, follows an aged Wolverine and an extremely ill Charles Xavier who must defend a young mutant named Laura from the Reavers led by Donald Pierce and Zander Rice. The film is produced by 20th Century Fox, Marvel Entertainment, TSG Entertainment and The Donners' Company, and distributed by 20th Century Fox. It is directed by James Mangold, who co-wrote the screenplay with Michael Green and Scott Frank from a story by Mangold. In addition to Jackman, the film also stars Patrick Stewart, Richard E. Grant, Boyd Holbrook, Stephen Merchant, and introduces Dafne Keen in her film debut as Laura. Learn more about your ad choices. Visit megaphone.fm/adchoices

We catch up on all the news we've missed since we last recorded and Matt gives his review of Star Wars Outlaws. Topics include: Repurpose Dragon's Lair as a Star Wars Resistance video game Maybe Guy Ritchie should get a Star Wars project Star Wars Outlaws is as long as you want it to be...and fun as hell! Cameos and OT nostalgia galore in a video game! In our Question of the Week, we share your thoughts on what storyline or era you'd like to see explored in a future video game. In news, we go over all the latest movie and series updates and rumors including our thoughts on what is going on with the Rey film and how Donald Glover wants to bring fun back to Star Wars. We answer all of your Maul Bag questions, share a FACPAtoid and more! Episode Time Stamps: 03:57 - Question of the Week - What story/timeline do you want to see explored in a video game? 08:00 - Mando and Grogu principal filming might be done 10:35 - What's up with the Rey film? 17:31 - James Mangold's film up next? 19:05 - Donald Glover wants to make Star Wars Fun Again 21:36 - Andor Season 2 notes 23:56 - Ahsoka Season 2 filming in 2025 26:03 - Ewan wants more Kenobi series 29:37 - Star Wars Outlaws Review 50:46 - Maul Bag Please subscribe, rate and review our show and chat us up on Twitter or in email. Go check out Hybrid Toy Reviews for their Toys for Tots drive! Twitter: @facpapod Web site: http://FromACertainPointAskew.com Podawan Podcast Network: @podawans Intro/Outro - Galactic by Seb Jaeger (via https://filmstro.com/music)  

The Mikes are stuck in a motel during a rainstorm with John Cusack, Ray Liotta, and more colorful characters as they try to...identify...the killer amongst them. But wait; there's a twist!That's right; Mike Butler and Mike Field are taking a look at the James Mangold directed Identity on this penultimate episode of Forgotten Horror VI: Fear the Darkness. Join the Mikes as they discuss Mangold's Agatha Christie inspirations for this film, some facts behind it's production, and what Field thinks about this film, since he apparently saw it and forgot all about it. So, grab your raincoats, please notice the evil looking child to the left of you, and settle down for Forgotten Horror. Join our FC community on Patreon, it's free to join! www.patreon.com/forgottencinema. If you'd like to support us further, we've also got a merch shop at www.etsy.com/shop/ForgottenCinemaShopSpecial thanks to our Patreon supporters who make this show possible.Stock Media provided by BluesideMusic / Pond50:00 - Introduction2:38 - Film Facts7:20 - Film Discussion35:07 - Who Would You Recommend This To?37:25 - Why Is This Forgotten?'41:02 - Wrap Up

Join Eric Wood and Jets legend Nick Mangold, now a high school coach, as they explore Nick's transition from NFL to coaching, discuss the Jets' season, Aaron Rodgers, and quarterback cadences, while also touching on the Bills' start and the NFL's evolving preseason. Oh yeah, and this weeks score predictions!Sponsored by:Prime HydrationDan-O's SeasoningFollow Dan-O's Seasoning on Social @danosseasoning www.danosseasoning.comFollow Centered on Buffalo on social @thebuffalopod

Guten Hallo und Tag! Mit Freuden wird hier die neue Folge Hagrids Hütte präsentiert. Darin geht es um diverse tatsächliche und potenzielle Hobbies, die in der magischen Harry Potter Welt so gemacht werden. Was machen die denn alle mit ihrer gewonnen Freizeit?! Natürlich erzählen Mangold und Minguel auch über spaßige Hobbies in der echten Welt, machen Quatsch und denken sich überragende Songs aus. Ganz viel Spaß dabei! Werbung: korodrogerie.de Code HÜTTE für 5% Rabatt auf deine Bestellung

This week on The Nerdpocalypse Podcast, the guys return to discuss the finale of Presumed Innocent, 2024's box office winners/losers so far, spin-off Batman shows that were cancelled, James Mangold on multi-movie universes, Tyler Perry tries to call out his critics, Kevin Feige talks about making Blade and returning actors to the MCU, trailers for Rob Peace, Borderlands, Joker 2, Rebel Moon: Director's Cut, and much more.CHECKED OUTPresumed Innocent (Finale)TOPICS - Section 1Box Office Winners and Losers of 2024 (So Far)Gotham PD and Arkham Got Dropped After HBO Execs Wanted to ‘Lean Harder into Marquee Characters‘Logan' and ‘Indiana Jones 5' Director James Mangold Dislikes ‘Multi-Movie Universe-Building' and Calls It the ‘Enemy' and ‘Death of Storytelling'TNP STUDIOS PREMIUM$5 a month or $50 for the yearAccess to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcastTOPICS - Section 2Tyler Perry Dismisses Critics of His FilmsKevin Feige Weighs in on “Trying to Crack” the New ‘Blade' Movie, Says R-Rating LikelyKevin Feige Says Hugh Jackman's Wolverine Return Proves That Robert Downey Jr. Coming Back as Iron Man ‘Can Be Done — If Great Care Is Taken'WTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/presskikiJay: https://tinyurl.com/plakoiTRAILERSRob PeaceThe final trailer for a movie you forgot was releasingJoker 2 - final trailerRebel Moon: For Real This Time