Podcasts about middle east women

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with art curator and art historian Maymanah Farhat. About Curator Maymanah Farhat:Maymanah Farhat's art historical research and curatorial work focus on underrepresented artists and forgotten art scenes. Since 2005, she has written widely on twentieth and twenty-first century art, contributing essays and chapters to edited volumes, artist monographs, and museum and gallery catalogs. She has written for such publications as Brooklyn Rail, Art Journal, Journal of Middle East Women's Studies, Callaloo: A Journal of African Diaspora Arts and Letters, Vogue Arabia, Harper's Bazaar Arabia, Art + Auction, and Apollo. She has presented her research at New York University, Massachusetts Institute of Technology, Harvard Law School, University of Minnesota, the University of Amsterdam, Johns Hopkins University, and Università Ca' Foscari, Venice, Italy, among other institutions.Farhat has curated exhibitions throughout the U.S. and abroad, notably at the San Francisco Public Library, San Francisco Center for the Book, Pro Arts Gallery in Oakland, the Center for Book Arts in Manhattan, Minnesota Center for Book Arts, Minnesota Museum of American Art, Arab American National Museum, Virginia Commonwealth University Gallery in Doha, Qatar, Art Dubai, and Beirut Exhibition Center.Farhat has been included among Foreign Policy's annual list of 100 Leading Global Thinkers in recognition of her scholarship on Syrian art after the uprising (2014) and honored by the Arab America Foundation as one of 40 Arab Americans under the age of 40 who have made significant contributions to the Arab American community (2020). She holds a BA in the History of Art and Visual Culture from the University of California, Santa Cruz and a MA in Museum Administration from St. John's University, New York.Visit Maymanah's  Website:  MaymanahFarhat.comFollow  on Instagram:  @Maymanah2.0--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

EP: 7 S1 - Part 1 Visit: https://www.celeneibrahim.org Dr. Celene Ibrahim is an internationally recognized scholar in religious studies with a focus on Islamic intellectual history. She is the author of the monograph Women and Gender in the Qur'an published by Oxford University Press (2020).  The book won the Association of Middle East Women's Studies Book Award (2021) and was a featured title for Women's History Month by the American Academy of Religion (2022). She also specializes in chaplaincy, spiritual care, and interreligious engagement and is the editor of the book One Nation, Indivisible: Seeking Liberty and Justice from the Pulpit to the Streets (Wipf & Stock Publishers, 2019). Ibrahim's latest book, Islam and Monotheism (2022), is published in Cambridge University Press's Elements series. Here is the conversation with Dr. Celene Ibrahim on LightupwithShua podcast. A production of LUWS ACADEMY LLC. Make sure that you subscribe and press the bell icon to receive the prompt updates on the topic of FASTING from various aspects and experiences. -----------------------------------------------------------------------------------------------visit: lightupwithshua.com Who is the founder & Owner of LightupwithShua Podcast and LUWS ACADEMY LLC ? I am a student of knowledge of multiple disciplines, a mentor, and an intercultural & Interfaith practitioner, who wants to help heal and solve problems by bringing awareness for conscious living and conscious parenting to people with flexible mindset. Currently hosting a weekly podcast on LightupwithShua podcast on conscious living and parenting. Additionally, actively conducting Self - Healing & Transformation Training Workshops in Pakistan and in the USA. For more information please inquire through email or phone. You can connect with me here: Shua@lightupwithshua.com *Remember to LIKE, SHARE, RATE and REVIEW. Thank you. Shua - شعا ع  https://linktr.ee/Shuakhan Copyright © 2017-2022 LUWS ACADEMY LLC & LightupwithShua Podcast All Rights Reserved Attribution-NonCommercial-NoDerivs This work is licensed under a Creative Commons Attribution 4.0 International LicenseLightupwithShua

On this UVA Speaks podcast, Maryam Zehtabi, an Assistant Professor in the Department of Women, Gender, & Sexuality, College and Graduate School of Arts & Sciences at the University of Virginia, portrays the recent protest movement in Iran as a revolution because protesters seek systemic change from the current regime. She explains that people from different walks of life are openly protesting, with some taking drastic actions, to bring continued attention to the harsh and brutal crackdown of the Iranian government. Zehtabi describes this as a time of trauma for the people of Iran and the diaspora but also hopes that meaningful change can come to their country. Transcripts of the audio broadcast can be found here. www.rev.com/transcript-editor/s…loadFrom=SharedLink Maryam Zehtabi is an Assistant Professor in the Department of Women, Gender & Sexuality, at the College and Graduate School of Arts & Sciences, at the University of Virginia. Professor Zahtabi's research focuses on the ramifications of sex work in Iran from the Constitutional Revolution of the early 20th century to the present day through the lens of Persian literature and film. Her current research centers around the issues of child marriage and the #MeTooMovemet in Iran. Zehtabi's work has appeared in the International Journal of Persian Literature, The Guardian, and The Journal of Middle East Women's Studies.

In this last episode of Season 2 and 2022, my guest from Episode 9, Danish-Egyptian, Yasmin Abdel-Hak, starts by interviewing me, Australian, Louise Ross, the host of Women Who Walk podcast. Halfway through the episode, we switch, and I interview Yasmin. Ahead of time, we decided that the focus of our conversation would be female agency in our lives and work. I chose this as the topic because it's the red thread connecting the stories shared in this podcast. In other words, to some degree all the women I've interviewed exercise agency in their lives. Relative to our discussion, agency is a woman's ability to make her own decisions and live her life on her terms.

The British Society for Middle Eastern Studies (BRISMES) together with the Council for British Research in the Levant (CBRL) are pleased to announce their second joint mentoring webinar for our members. Targeting postgraduate students and early career researchers, these on-line events offer practical advice and support from specialists, equipping the next generation of Middle East scholars with the insights needed to get ahead in their research and careers. This event features a line-up of academic journal editors from diverse disciplinary backgrounds providing insight and feedback on the process of getting published in today's competitive academic environment. Article write-up and peer review are stressful enough! Learn from insiders on avoiding mistakes and how to increase your chances of article acceptance. This event brings together editors from the British Journal of Middle Eastern Studies [BJMES]; Comparative Studies of South Asia, Africa and the Middle East [CSSAAME]; Journal of Middle East Women's Studies [JMEWS]; and Contemporary Levant [CL]. Attendees will have the opportunity to ask questions specific to these journals and their respective processes.

On this week's episode of The FORBcast, we have an interview with Shirin Taber. Shirin is an international consultant, media producer and the author. With an Iranian Muslim father and an American Christian mother, she has lived in the United States, Europe and the Middle East. Currently, she is directing the Empower Women Media and Middle East Women's Leadership Network, which help women create media for their mission. With a background in writing, non-profits and cross-cultural training, Shirin assists multiple organizations with media-based initiatives. The Los Angeles Times, Detroit Free Press, Fox News, Christianity Today and the NYTimes.com have featured her writing and work among Muslims and Christians alike. She has assisted the George Bush Institute Women's Leadership Initiative and the United Nations Office for Genocide Prevention with media projects focused on women and peace building. Shirin is a graduate of the University of Washington and speaks English, Farsi and French. Read more about Shirin in her book "Muslim's Next Door" and get involved with Empower Women Media by following the links below: http://empowerwomen.media/https://www.amazon.com/Muslims-Next-Door-Uncovering-Friendships/dp/0310255643/ref=sr_1_1?dchild=1&keywords=shirin+taber+muslims+next+door&qid=1633124309&sr=8-1https://human-rights-and-religious-freedom-training.teachable.com/p/homehttp://empowerwomen.media/film-competition-winners-and-finalists/"Empower Women Media helps women become world-class leaders by creating media for their mission. Launched in 2013, we gather women for networking, training, mentoring and collaborative purposes. We partner with United Nations, NGO and faith based organizations. We build relationships to leverage our talents and resources. We convene change agents and challenge them to create a practical plan for media engagement. As result of our network gatherings, trainings, mentoring and follow up efforts, several collaborative media projects have emerged for the Middle East and around the world."Thank you for listening to The FORBcast, presented by Bellwether International and hosted by Brenna Christen-Server. Please rate, review, subscribe, and send this episode to someone who you think would find it interesting. Send any questions, comments, or corrections to brenna@bellwetherngo.org. You can join us in the fight for freedom of religion or belief by visiting our website, https://www.bellwetherngo.org/

One of the O.G. feminists, authors and advocate for Egyptian independence. Instagram: QandRpod Email: QueensandRebelspod@gmail.com Sources: - Shaʻrāwī Hudá. Harem Years: the Memoirs of an Egyptian Feminist. Virago, 1986. - Kahf, Mohja. “HUDA SHA'RAWI'S ‘MUDHAKKIRATI': THE MEMOIRS OF THE FIRST LADY OF ARAB MODERNITY.” Arab Studies Quarterly, vol. 20, no. 1, 1998, pp. 53–82. - Weber, Charlotte. “Between Nationalism and Feminism: The Eastern Women's Congresses of 1930 and 1932.” Journal of Middle East Women's Studies, vol. 4, no. 1, 2008, pp. 83–106. - Julia Lisiecka. Re-reading Huda Shaarawi's “Harem Years”– Bargaining with the Patriarchy in the Changing Egypt. The SOAS Journal of Postgraduate Research, Vol. 8 (2015). - Hossain, Anushay. “Outside the Harem: Egyptian Feminist's Life Reminds Us To Keep Fighting.” Forbes, Forbes Magazine, 28 June 2013, www.forbes.com/sites/worldviews/2013/06/27/outside-the-harem-egyptian-feminists-life-reminds-us-to-keep-fighting/?sh=3887e48f578f.

Sherine Hafez talks about her latest book, Women of the Midan: Untold Stories of Egypt’s Revolutionaries, with Marc Lynch on this week’s podcast. In her book, she demonstrates how women were a central part of the revolutionary process of the Arab Spring; not only protesting in the streets of Cairo, but also demanding democracy, social justice, and renegotiation of a variety of sociocultural structures that repressed and disciplined them. Hafez explains, “I just wanted to make sure that the contributions of women in the Midan during the uprisings, and specifically in Egypt, were documented so that…the activism cannot be written off as just part of the revolution…And I wanted so much to make sure that this is a record that can be read by future young activists of all genders, so that they can look back and know that there is a record of their contributions to politics in the Middle East.” Hafez goes on, “When I decided to write the book, the revolution was in its hey-day…The revolutionaries felt that things can change; they had hope…and everybody was very optimistic, including myself. And it was really easy to talk to women who are in the Midan who were involved in all kinds of activism…It was just very exciting…and then gradually, as you know, the revolution took a shift and the things don't become so easy. It was very difficult to actually find women activists who would like to talk about their experience in Midan, many of them found it very painful; some were even suffering from PTSD…So I realized that this sort of development in the way that I access my interviewees reflected the political scene in Egypt.” “I was trying to find something more than memory [in my book], because when I was speaking to many of the women who were involved in the uprising, who found themselves for the very first time face-to-face with state violence…I felt that there was something there that was happening during the interview, it wasn't simply that people are sitting here reminiscing or re-telling stories of the past…I could view how their bodies actually changed, their voices changed, the expressions and their eyes changed, the whole demeanor changed as they were re-telling the stories, and some of them always pointed out, you're making us remember what it was like, and it was almost as if they were reliving these experiences, so it wasn't simply just retelling a memory, it was “rememory,” actually, physically experiencing the events that took place,” said Hafez. Sherine Hafez is Professor of Gender and Sexuality Studies at University of California Riverside. She is the Co-Editor of the Journal of Middle East Women’s Studies (JMEWS) and served as President for the Association of Middle East Anthropologists (AMEA). Hafez’s research focuses on Islamic movements and gender studies in Arab and Middle Eastern cultures. Hafez lectures on gender studies in the Middle East and Muslim majority countries, Islamic movements, and women’s Islamic activism in the uprisings in the Arab World. Music for this season's podcast was created by Feras Arrabi. You can find more of his work on his Facebook (https://www.facebook.com/ferasarrabimusic)and Instagram (https://www.instagram.com/feras.arrabi/)page.

Shirin Taber is an international consultant, media producer and the author of Muslims Next Door(Zondervan/Harper Collins). With an Iranian Muslim father and an American Christian mother, she has lived in the United States, Europe and the Middle East. Currently, she is directing the Empower Women Media and Middle East Women’s Leadership Network, which help women create media for their mission. With a background in writing, non-profits and cross-cultural training, Shirin assists multiple organizations with media-based initiatives. The Los Angeles Times, Detroit Free Press, Fox News, Christianity Today and the NYTimes.com have featured her writing and work among Muslims and Christians alike. She has assisted the George Bush Institute Women’s Leadership Initiative and the United Nations Office for Genocide Prevention with media projects focused on women and peace building. Shirin is a graduate of the University of Washington and speaks English, Farsi and French. empower women.mediaInterviewed by Lisa Jernigan, hosted by Julie Bean@amplifypeace.com/podcast

A conversation with Seçil Yılmaz, a historian of the late Ottoman Empire and the Middle East and an expert on epidemics. I talked to her about her research on syphilis in the late Ottoman Empire, early modern ideas of contagion, governmental techniques of regulating mobility, burial and mourning practices, gender, sexuality, and class in relation to health and disease. Seçil pointed out many parallels and differences between biopolitics today and at its time of inception. Many valuable lessons from the history of epidemics! Seçil Yılmaz is an assistant professor of history at Franklin and Marshall College. She specializes in the social and political history of the Ottoman Empire and modern Middle East with a focus on gender, sexuality, and medicine. Her research concentrates on the social and political implications of syphilis in the late Ottoman Empire by tracing the questions of colonialism, modern governance, biopolitics, and gender. Her other projects include research on the relationship between religion, history of emotions, and contagious diseases in the late Ottoman Empire as well as history of reproductive health technologies and humanitarianism in the modern Middle East. She is currently revising her dissertation “Love in the Time of Syphilis: Medicine and Sex in the Ottoman Empire, 1860-1922” into a book manuscript. Before joining Franklin and Marshall College, she held Mellon Postdoctoral Fellowship at the Society for the Humanities and Near Eastern Studies at Cornell University as a part of the 2016 cohort on the theme of “Skin” and the 2017 cohort on the theme of “Corruption.” Her research appeared in the Journal of Middle East Women’s Studies and she is currently the co-curator of the podcast series on Women, Gender, and Sex in the Ottoman World at Ottoman History Podcast. You can find out more about Seçil Yılmaz’s work on: https://fandm.academia.edu/Se%C3%A7ilY%C4%B1lmaz https://www.fandm.edu/secil-yilmaz http://www.ottomanhistorypodcast.com/search/label/Se%C3%A7il%20Y%C4%B1lmaz The Jadaliyya Roundtable by Seçil Yılmaz and three other Middle East historians on Epidemics: https://www.jadaliyya.com/Details/41253/Roundtable-Middle-East-History-in-the-Time-of-COVID-19-Disease,-Environment,-and-Medicine Other references from the podcast: Aslı Zengin’s work on the death and mourning practices for transgender women in Turkey: https://allegralaboratory.net/turkish-cemeteries-for-the-unknown-afterlives/ Shana Minkin - Imperial Bodies: Empire and Death in Alexandria, Egypt. Stanford University Press, 2019. https://www.sup.org/books/title/?id=23805 Nuran Yıldırım – “Karantina İstemezük” https://www.academia.edu/4410620/_Osmanl%C4%B1_Co%C4%9Frafyas%C4%B1nda_Karantina_Uygulamalar%C4%B1na_%C4%B0syanlar_Karantina_%C4%B0stemez%C3%BCk_Toplumsal_Tarih_say%C4%B1_150_Haziran_2006_s_18_27 Intro Music: Herediya - Anadolu Quartet - Ahenk Müzik

In this edition of Wilson Center NOW we are joined by Merissa Khurma, Project Manager for Middle East Special Initiatives. We discuss the latest edition of the Middle East Women’s Initiative blog Enheduanna. The blog provides a platform for a diverse group of women contributors from the Middle East and North Africa to voice their thoughts and express their ideas about the state of women in their respective countries.  We also preview the soon-to-launch Middle East Women Leaders Index.

Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don't think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women's Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices