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Pre-order Hi Nay stickers and prints here: https://ko-fi.com/s/28e47efe7fEpisode 58: Agimat (Amulet)Laura locates a Good Focus and plans to have Mari summon a part of Mary-Anne Weekes' soul.Meanwhile, Mari finds J's notes about a 1950s pulp horror comic written by Donner's great uncle, Henry Wallace, about a Good Focus that protected him from a killer Elder.Content Warnings: References to historical racism, mutilation and eye horrorSong used: Maddison Adela - Piano Quintet_ IV. Allegro vivoHi Nay is a podcast produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.Featuring Motzie Dapul as Mari Datuin, Abigayle Rhodes as Laura Nichols, and Laurence Pirlet as CJ.BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on Twitter, Tumblr, Instagram, Facebook and Bluesky for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject: Hosted on Acast. See acast.com/privacy for more information.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily Wilson interviews painter Emilio Villalba about his personal and professional journey in the art world. Emilio discusses his decision to become a full-time artist, his creative process, and the inspirations behind his latest show, 'Paintings from Home,' at Dolby Chadwick in San Francisco. Emilio, who also teaches Canada College, also shares the challenges and rewards of his artistic practice, his background as an animator, and insights into his creative influences, notably the Bay Area figurative artists. About Artist Emilio Villalba:Born in Southern California in 1984 to Mexican immigrants, Emilio Villalba felt his artistic drive early on. Emilio initially studied animation and received his BFA in 2006 from the Art Institute of California and quickly began work in that field in his early 20's until moving to San Francisco and transitioned to the medium of painting. In San Francisco he received his MFA in Painting in 2012 from the Academy of Art University. Villalba's work reflects his studies in both abstract and figurative painting. At the core of Emilio's painting's there is pure portraiture, but great focus on the disharmony of the self and perception. Pressures from society and the toll it takes on the emotional state of the subject when confronted with benevolence. Raw emotions and the fragility of the soul. Villalba overlaps and repeats human features with a kaleidoscope effect. “Don't Worry” is the 2018 painting of his that I decided to feature. It pulls you in with a sadness at its core and doesn't want to let you go. It reminds me of the face we may give to the world, that all is ok, but the eyes tell a different story. I urge you follow the links below and discover his somber and seductive work.Visit Emilio's Website: EmilioVillalbaArt.comFollow on Instagram: @Emilio_VillalbaFor more on Emilio's work at The Dolby Chadwick Gallery, CLICK HERE.--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Pre-order details for Hi Nay stickers and prints: https://hinaypod.tumblr.com/post/783021723447623680/hi-nay-art-and-sticker-delivery-may-pre-orderThe Young Man, A Hi Nay Short Story (part 1)A hardworking yet isolated young man toiling at a factory office after hours ends up befriending his severe overseer. Thus begins his journey towards power he never could have foreseen - yet always dreamed about.Content Warnings: References to period-typical racismSongs used: Need A Little Sugar In My Bowl 'T ain't Nobody's Bizness If I Do After You've Gone Gimme A Pig Foot And A Bottle of Beer Squeeze Meby Bessie SmithHi Nay is a podcast produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.Featuring Motzie Dapul as Other Mari.BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on Twitter, Tumblr, Instagram, Facebook and Bluesky for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity. Hosted on Acast. See acast.com/privacy for more information.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily features artist Laurel Roth Hope. Laurel discusses her journey from a conservation worker to a full-time artist, emphasizing her use of recycled materials in her sculptures. She shares her creative process, influences, and collaborations with her husband, artist Andy Diaz Hope. The episode highlights her current residency at Recology, San Francisco, where she creates art from landfill materials. Laurel's work often reflects themes of ecological impact and human interaction with the natural world. About Artist Laurel Roth Hope:Laurel Roth Hope lives and works in Northern California. Prior to becoming a full-time, self-taught artist she worked as a park ranger and in natural resource conservation. These professional experiences influenced her current work, which centers on the human manipulation of and intervention into the natural world and the choices we must make everyday between our individual desires and the well being of the world at large. Hope was a 2025 SF Recology AIR Artist in Residence, a 2020 Space Program SF Resident Artist, a 2017 Smithsonian Artist Research Fellow, and a 2016 Resident Artist with the Kohler Arts and Industry program in Wisconsin. In 2013 she and her sometime collaborator, Andy Diaz Hope, completed a year-long Fellowship at the de Young Museum of San Francisco examining the history of human cooperation through architecture. Her work is included in the permanent collections of the Smithsonian, the Museum of Art and Design in New York, the Mint Museum, Crystal Bridges Museum of American Art, 21C Museum, the Zabludowics Collection, the Progressive Collection, and the Ripley's Museum of Hollywood, among others. She is represented by Catharine Clark Gallery of San Francisco.Visit Laurel's Website: LoLoRo.comFollow Laurel on Instagram, CLICK HERE. Learn about the Recology exhibit, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Mari and Donner visit the Waheela and learn exactly what it was that frightened Sauvard, leader of the Elders, so long ago—and its connection to Mari's own nature.Content Warnings: Mass death event of animals, violence, predator/prey, cosmic horror elementsHi Nay is a podcast produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.Featuring Motzie Dapul as Mari Datuin and the Waheela, and Leon Johnson as Donner.BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on Twitter, Tumblr, Instagram, Facebook and Bluesky for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity. Hosted on Acast. See acast.com/privacy for more information.
DJ In The Dark caller Jameela shares the story of a recurring nightmare she had from childhood—one that she shared with her grandpa. From him, she learned of their horrifying family history, and the curse a certain someone placed on their bloodline.Content Warnings: Descriptions of torture, dismemberment, implied suicide, murder, corpses, kidnapping and imprisonment.Hi Nay is a podcast created by Motzie Dapul and co-created by Reg Geli. It's produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul. Featuring Edil Hampsen as Jameela.BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on Twitter, Tumblr, Instagram, Facebook and Bluesky for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity. Hosted on Acast. See acast.com/privacy for more information.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.About Curator Ciara Ennis:As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis' research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art's Advisory Board and X-TRA Contemporary Art Quarterly's Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE. Follow Ciara on Instagram: @CiaraEnnis5--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
A long time ago, Sauvard, the leader of the Elders, ventured north to obtain a power source that would increase the potency of his magic, and enrich his thriving business ventures.What he found, instead, taught the indomitable man what fear truly meant.Content Warnings: Multiple deaths, blood, illness, eye horror, supernatural and cosmic horror elements, mentions of child deathHi Nay is a podcast created by Motzie Dapul and co-created by Reg Geli. It's produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul. The role of Mari Datuin is played by Motzie Dapul, the role of Cornelius is played by Ivan Dapul. BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on Twitter, Tumblr, Instagram, Facebook and Bluesky for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity. Hosted on Acast. See acast.com/privacy for more information.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist and singer Mary Graham about her journey from drawing as a child, to painting in high school and eventually moving to the Bay Area to study at the California College of the Arts. Mary discusses her recent residencies in Maine and Colorado, and exhibitions at the Berkeley Art Center and Jonathan Carver Moore Gallery. She delves into her impactful 'brown paper bag' series, which explores themes of colorism inspired by her father's stories and broader research. Mary also reflects on influential works by artists like David Hammonds and Betty Saar, and shares her inspiration drawn from the streets of San Francisco. The episode highlights Mary's creative process, community experiences, and the significant role of the emerging artists program at the Museum of the African Diaspora in her career.About Artist Mary Graham :Mary W.D. Graham an interdisciplinary artist working in painting, sculpture, and vocal performance. Utilizing art-making methods rooted in traditional techniques, she studies the notion of “the ancestors” as a conceptual medium through which historical, interpersonal, and introspective insight might be gained.Her conceptual development originates from the veneration of her own lineage, an off-shoot of the African American spiritual tradition of ancestor worship. The work expands to encompass themes of generational love, collective human origin, our relationship to history, and our relationship to the future (the unknown). Working primarily in figuration and portraiture, she utilizes a level of precision in her representation. Her compositions are minimal; the subtlety of the substrate, or the intentional application of color intend for focus to be drawn to the subject. The subtlety of this approach is meant to provide a contemplative environment in which significance might be derived. These aesthetic philosophies of simplicity, stillness, and precision are applied to her performance work as well, which is rooted in her training as a classical vocalist. Here, the human voice is utilized as a kind of clarion. The haunting melodies are structured to slowly fill space and time, drawing viewers in so that they might share in what manifests from the collective experience of song.Mary was born in 2000 and grew up in Philadelphia, Pennsylvania amongst a family of artists. She attended California College of the Arts where she received her BFA in Individualized Studies in 2022. Her travels for arts and cultural exchange have taken her around the globe to Mexico, Japan, Kenya, South Africa, Peru, Morocco, Indonesia, and India.Graham has been exhibiting, collaborating and performing nationally since 2006. She was a commissioned artist for projects at Burning Man from 2019 through 2023, performed at the Institute of Contemporary Art + San Francisco in 2022, and in 2024, opened her first solo exhibition at Museum of the African Diaspora as part of their Emerging Artist's Program. Graham's work has been covered by CBS News, 48hills and the MoAD Journal. She has been awarded residencies with Black [Space] Residency in San Francisco, California; Haystack Mountain School of Craft in Deer Isle, Maine; and Anderson Ranch in Snowmass, Colorado.Visit Mary's Website: MaryDGraham.comFollow on Instagram: @Mary.Graham.ArtTo learn more about the Beatiful Scars Exhibit at Jonathan Carver Moore CLICK HERE.For more on Archives Yet To Come at the Berkeley Art Center, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
A long time ago, Sauvard, the leader of the Elders, ventured north to obtain a power source that would increase the potency of his magic, and enrich his thriving business ventures.What he found, instead, taught the indomitable man what fear truly meant.Content Warnings: Mentions of flaying someone alive, mentions of animal hunting, eye trauma and eye based horror, self-inflicted violence, forced drug administration, head trauma, finger and hand trauma, multiple deaths, supernatural and cosmic horror elements(this episode has been split into 2! Part 2 will air next week)Hi Nay is a podcast created by Motzie Dapul and co-created by Reg Geli. It's produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul. The role of Mari Datuin is played by Motzie Dapul. BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on Twitter, Tumblr, Instagram, Facebook and Bluesky for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity. Hosted on Acast. See acast.com/privacy for more information.
In this episode join David Peck, host of Face2Face, as he chats with filmmakers Anna Toomey and Sian Edwards Beale about their powerful documentary Left Behind, which sheds light on the struggles of children with dyslexia and the fight for literacy education reform. They explore the emotional impact of storytelling, the challenges of filmmaking, and why access to education is a civil rights issue. Join us for an insightful conversation on activism, community-driven filmmaking, and the transformative power of stories.Synopsis:Left Behind is a powerful documentary by filmmaker Anna Toomey that exposes the struggles faced by children with dyslexia and the systemic failures in literacy education. Through deeply personal stories, the film highlights the emotional and academic challenges these children endure, while also showcasing the tireless efforts of activists, educators, and parents fighting for change. Blending compelling narratives with critical insights, Left Behind reveals how education inequity disproportionately impacts students with learning differences and underscores why access to literacy is a fundamental civil rights issue. Co-Produced by and with original music from Larry Mullen Jr. from U2 this thought-provoking film is a call to action, urging communities to advocate for inclusive education and systemic reform.Bios:Anna Toomey and Sian Edwards Beale are award-winning documentary filmmakers dedicated to shedding light on pressing social justice issues through the power of storytelling. As the creative forces behind Left Behind, their documentary exploring the struggles of children with dyslexia and the fight for literacy education reform, they have crafted a deeply personal and politically charged film that challenges systemic inequities in education.Anna Toomey is a filmmaker and advocate with a passion for character-driven narratives that highlight underrepresented voices. With a background in documentary production and a commitment to grassroots activism, she brings a nuanced, empathetic approach to storytelling that resonates with audiences and drives meaningful change.Sian Edwards Beale is a director, producer, and cinematographer whose work focuses on the intersection of storytelling and social impact. With a keen eye for visual storytelling and an emphasis on community collaboration, he believes in the power of film to inspire action and foster dialogue around critical societal issues. Together, Toomey and Edwards Beale champion inclusive and accessible education through their work, using film as a tool for advocacy and awareness. Their collaborative approach highlights the importance of community engagement, ensuring that the stories they tell not only inform but also empower audiences to take action.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck's podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. Hosted on Acast. See acast.com/privacy for more information.
Aka The Danny and Cornelius Christmas episodeMari stumbles on Danny Boyd at the cafe he works at. He shows her a powerful magical gift given to him by their mutual "friend", and tells her the story of how he received it.Content Warnings: References to familial deathHi Nay is a podcast created by Motzie Dapul and co-created by Reg Geli. It's produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul. The role of Mari Datuin is played by Motzie Dapul. Featuring Edward McKee as Danny.Guest starring Jessica Syratt and Taylor Michaels as Barista 1 and 2.BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on Twitter, Tumblr, Instagram, Facebook and Bluesky for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity. Hosted on Acast. See acast.com/privacy for more information.
In today's episode, renowned academic and legal scholar Professor Joseph H.H. Weiler speaks with Matt about The Trial of Jesus – connecting the historical event as a lens for understanding justice, religious pluralism, and democracy. The examination leads us through the limits of state neutrality in matters of faith, the balance between freedom of and from religion, and the evolving role of digital platforms. Professor Weiler shares perspectives from his extensive legal scholarship while reflecting on the intersection of theology, democracy, and technological change in our modern world. An incredibly poignant episode that is a must-listen.Note: This episode was recorded in Dec 2024.Links & References: References:The Trial of Jesus - First Things | By J.H.H. WeilerSanhedrin trial of Jesus - WikipediaThe Christian Europe by J.H.H. Weiler | Una Europa cristiana - Ediciones Encuentro“La Rochefoucauld voice in our ear” | François de La Rochefoucauld (writer) - WikipediaNostra aetate [EN]Second Vatican Council - Wikipedia“imitatio Dei” | Imitation of God - WikipediaLautsi v. Italy - Wikipedia"Laïque” (FR) = “secular”European Convention on Human RightsStatement of Micah | Why Micah 6:8? | Westmont CollegeGuarini Colloquium on Legal Controls of Digital Platforms | NYU School of LawSALVIFIC | English meaning - Cambridge DictionaryVoltairean - Wiktionary, the free dictionaryOlga Tokarczuk - WikipediaThe Books of Jacob by Olga Tokarczuk - WikipediaThe Books of Jacob by Olga Tokarczuk: 9780593087503 | PenguinRandomHouse.comTelos - Wikipedia “goal” Bios:J.H.H. Weiler is University Professor at the NYU Law School and a Senior Fellow at the Center for European Studies at Harvard. He served previously as President of the European University Institute, Florence. Prof. Weiler is Co-Editor-in-Chief of the European Journal of International Law (EJIL) and the International Journal of Constitutional Law (ICON). Among his Honorary Doctorates there is one in Theology awarded by the Catholic University of America. In 2022, he received the Ratzinger Prize awarded by Pope Francis.J.H.H.'s Links:J.H.H. Weiler - Biography | NYU School of LawFreedom Of and From Religion in Democracies by J.H.H. Weiler | Combinations Magazine by RxCMatt Prewitt (he/him) is a lawyer, technologist, and writer. He is the President of the RadicalxChange Foundation.Matt's Social Links:ᴍᴀᴛᴛ ᴘʀᴇᴡɪᴛᴛ (@m_t_prewitt) / X Connect with RadicalxChange Foundation:RadicalxChange Website@RadxChange | TwitterRxC | YouTubeRxC | InstagramRxC | LinkedInJoin the conversation on Discord.Credits:Produced by G. Angela Corpus.Co-Produced, Edited, and Audio Engineered by Aaron Benavides.Executive Produced by G. Angela Corpus and Matt Prewitt.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)
Two guests on the Mulligan Stew Podcast Both great pals. Stephen fearing is a key member of Blackie and the Rodeo Kings. Like all three members Front Line Members, they each have their own solo careers. That's one of the outstanding elements of their relationship. Freedom to create together or solo. Stephen Fearing has just released his newest album, The Empathist. Co-Produced in East Nashville with Ken Crooker (Uncle Tupelo, Wilco, Al Green, EmmyLou Harris, Steve Earle) Stephen is a truly talented songwriter, but he also carries with him, his Irish storytelling skills. The songs on The Empathist beautifully weave those skills together. Highly Recommended. Bill Henderson is the leader of Chilliwack. For some 30 years, they've been crafting hits and touring The World. As lead singer, songwriter and guitarist,t Bill has been inducted into the Canadian Songwriters Hall of Fame and the Rock Hall of Fame and made a member of the Order of Canada. In 2025, the band is on its last tour - Farewell to Friends!! https://www.gonegonegone.com/wp-content/uploads/Farewell-Tour-Dates_Chilliwack-Site-1-7.docx https://www.stephenfearing.ca/tour Enjoy - Happy St Patrick's Day
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week on 'Art is Awesome,' host Emily Wilson chats with Stephanie Robison, a sculptor living in Oakland and the chair of City College of San Francisco's Art Department. The episode delves into Stephanie's background, from growing up in Oregon and being encouraged by a high school counselor to attend college, to falling in love with sculpture, particularly stone. Stephanie discusses her creative process, the resistance she enjoys from materials like marble, and how her grandmother inspired her love for making things. She also shares her experiences with exhibitions and her thoughts on teaching. About Artist Stephanie Robison:Originally from Oregon, Stephanie currently resides in California teaching sculpture and serving as Art Department Chair at the City College of San Francisco. Robison holds a Bachelor of Fine Arts from Marylhurst University and a Master of Fine Arts in Sculpture from the University of Oregon. Her work has been exhibited at Marrow Gallery, Marin Museum of Contemporary Art and Orange County Center for Contemporary Art in California, Robischon Gallery in Denver, Colorado, Houston Center for Contemporary Craft, Joseph A Cain Memorial Art Gallery and Greater Denton Arts Council in Texas, Yeiser Art Center in Kentucky, Site:Brooklyn Gallery in New York, Foster/White Gallery, Whatcom Museum and Tacoma Art Museum in Washington, and Peter Robertson Gallery in Alberta Canada.Stephanie is represented by Marrow Gallery in San Francisco, California and Foster/White Gallery in Seattle, Washington. Her work can also be found at Robischon Gallery in Denver, Colorado.The sculptures of Stephanie Robison plays with multiple oppositional relationships. Working with industrial fabrics and wood, she creates large-scale installations that examine relationships between culture, nature and the built environment. Her latest series of work combines traditional stone carving and the process of needle felting wool. By merging incongruous materials such as wool and marble, she works to synthesize and fuse: organic and geometric, natural and architectural, handmade and the uniform industrial. Focusing on materiality and color with this new work, Robison creates charming, often humorous or awkward forms referencing aspects of the body, relationships and the environment. Visit Stephanie's Website: StephanieRobison.comFollow Stephanie on Instagram: @SquishyStoneFor more about Stephanie's Exhibit, "Incantations for the Average Person" CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
In this episode, Matt Prewitt sits down with Audrey Tang, Taiwan's Cyber Ambassador-at-large and 1st Digital Minister, as well as the star of the new short documentary Good Enough Ancestor. It is a fascinating conversation exploring the profound intersections of technology, spirituality, and democracy. Topics they cover include: Daoism and spiritual practice – and their favorite Leonard Cohen lyrics.“Laser blended vision” as a metaphor for democracy – integrating different perspectives into a coherent whole.“High-bandwidth, low-latency” democracy – allowing for real-time collaboration.January 6 vs. Taiwan's Sunflower Movement – contrasting two parliamentary occupations.Marshall McLuhan's “hot and cool media” – and what it means for how we should build and use AI.The role of education in democracy – and how spirituality's place in learning differs between the East and West.AI's moral tradition gap – why today's models lack cultural and ethical grounding.Trade, sovereignty, and democracy – how to balance open societies with national autonomy.RadicalxChange – how the movement is like “conservative anarchism” and Daoism in transcending left-right divides.Watch Good Enough Ancestor at combinationsmag.com/good-enough-ancestor.Bios:Audrey Tang, Taiwan's Cyber Ambassador-at-large and 1st Digital Minister (2016-2024), is celebrated for her pioneering efforts in digital freedom. Named one of TIME's “100 Most Influential People in AI” in 2023, Tang was instrumental in shaping Taiwan's internationally acclaimed COVID-19 response and in safeguarding the 2024 presidential and legislative elections from foreign cyber interference. Tang is now focused on broadening her vision of Plurality — technology for collaborative diversity — to inspire global audiences.As the first nonbinary cabinet member globally, Tang identifies as “post-gender” and is comfortable with any pronouns. She is a respected community leader and a founding contributor to g0v, an initiative promoting transparency by making information about Taiwan's economy, history, politics, and culture accessible.Tang has been key in developing participation platforms such as Join.gov.tw, leading to practical improvements like enhanced access to tax software and revised cancer treatment regulations. A “conservative anarchist,” Tang is dedicated to boosting digital competence and safeguarding information integrity online through collective intelligence.A child prodigy, Tang excelled in advanced mathematics by age six and computer programming by age eight. By 19, she had held significant positions in software companies and worked as an entrepreneur in Silicon Valley. Growing up in a large family following Christian and Taoist traditions, Tang embraced pluralism and the internet's potential to connect people based on shared interests rather than geography, fueling her drive for global impact.In Taiwan, Tang's generation has always intertwined politics with the internet, striving for a more transparent and inclusive society. Despite Taiwan's martial law history, Tang and her fellow civic technologists have achieved internationally acclaimed progress toward greater governmental transparency.During the 2014 Sunflower Movement, Tang played a crucial role in livestreaming protests against a trade agreement with Beijing, facilitating real-time communication that led to more peaceful negotiations and the movement's success.“Democracy can evolve.” Tang says. “We can create innovative policies by simply asking the people, ‘What should we do together?'”There is also promising news behind Tang's grand plan: more than half the world's population – over 4 billion people – are holding elections in 2024. That's over 70 countries.Says Tang, “I want to be a good enough ancestor for future generations.”Audrey's Social Links: ⿻ Audrey Tang 唐鳳 (@audreyt) / X⿻ Audrey Tang 唐鳳 (@audreyt.org) — Bluesky唐鳳Audrey Tang (@digitalminister.one) • Threads, Say morePlurality.net Matt Prewitt (he/him) is a lawyer, technologist, and writer. He is President of the RadicalxChange Foundation.Matt's Social Links:ᴍᴀᴛᴛ ᴘʀᴇᴡɪᴛᴛ (@m_t_prewitt) / XMatt's Writings Additional Credits:This episode was recorded, narrated, and edited by Matt Prewitt.Production support from Jack Henderson. Connect with RadicalxChange Foundation:RadicalxChange Website@RadxChange | TwitterRxC | YouTubeRxC | InstagramRxC | LinkedInJoin the conversation on Discord.Credits:Produced by G. Angela Corpus.Co-Produced, Edited, and Audio Engineered by Aaron Benavides.Executive Produced by G. Angela Corpus and Matt Prewitt.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)
You can listen to the full episode now by subscribing to our Patreon at the $10 Ate tier or higher. A hardworking yet isolated young man toiling at a factory office after hours ends up befriending his severe overseer. Thus begins his journey towards power he never could have foreseen - yet always dreamed about.Content Warnings: Mild references to period-typical racismSongs used:Need A Little Sugar In My Bowl'T ain't Nobody's Bizness If I DoAfter You've GoneGimme A Pig Foot And A Bottle of BeerSqueeze Meby Bessie SmithHi Nay is a podcast created by Motzie Dapul and co-created by Reg Geli. It's produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.Narrated by Motzie Dapul. Hosted on Acast. See acast.com/privacy for more information.
Mari meets the Benefactor to ask about the Long Winter.He tells her the story of Clarence Thompson, his cruelty, and the reason nobody remembers The Benefactor's face or name.Content Warnings: Brief references to torture, mutilation and flaying, desecration of a corpseHi Nay is a podcast produced by Motzie Dapul, Reg Geli, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul. The role of Mari Datuin is played by Motzie Dapul. The role of The Benefactor is played by Matt Gador.BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on Twitter, Tumblr, Instagram, Facebook and Bluesky for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity. Hosted on Acast. See acast.com/privacy for more information.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily features Daisy Nam, the director and chief curator at the Wattis Institute of Contemporary Arts. Daisy discusses her journey from growing up in Los Angeles to her roles at prestigious institutions like NYU, Columbia, Harvard, and Marfa Ballroom. She shares insights on the significance of art spaces in cities, her love for art books, and memorable exhibitions, particularly the current 'Steady' sculpture show involving artists Esther Partegas and Michelle Lopez. Daisy highlights the unique aspects and challenges of working in the contemporary art world, emphasizing the importance of maintaining art spaces and building partnerships within the art community. Daisy also shares her personal experiences and perspectives on art and nature in Northern California.About Curator Daisy Nam:Daisy Nam is the director and curator of CCA Wattis Institute of Contemporary Art in San Francisco, which opens their new galleries on the expanded campus in Fall of 2024. Previously, she was at Ballroom Marfa, a contemporary art space dedicated to supporting artists through residencies, commissions, and exhibitions, first as the curator in 2020 and then the director and curator in 2022. From 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University, managing the administration and organizing programs, exhibitions, and publications. From 2008–2015, she produced seven seasons of talks, screenings, performances, and workshops as the assistant director of public programs at the School of the Arts, Columbia University.Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum, New York (2020); Bellas Artes, Bataan, Philippines (2020); Surf Point in York, Maine (2019); Gwangju Biennale Foundation, Korea (2018). She holds a master's degree in Curatorial and Critical Studies from Columbia University and a bachelor's degree in Art History and Cinema Studies from New York University. She has taught at RISD, and lectured at Lesley University, Northeastern, SMFA/Tufts, SVA as a visiting critic. She co-edited a publication, Best! Letters from Asian Americans in the arts withPaper Monument in 2021.CLICK HERE to learn more about Daisy. CLICK HERE to connect to The Wattis InstituteCLICK HERE to get more info about the Wattis exhibition 'STEADY' --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Note the content warnings!STICK AROUND TO THE CREDITS for a special goodbye message from co-creator Reg Geli!Manfred D'Arce once believed that he was special. A chosen Elder, better than lesser men. That was, until, he began to see the Elders fall to ruin.The straw that broke the camel's back, and Manfred D'Arce's faith, was Clarence Thompson, and what he had hidden in the basement of his remote winter cabin.Content Warnings: References to multiple murders, starvation, torture, mutilation of adults and children, frozen limbs, death by bludgeoning, flaying, frozen corpseSong used:"Nobody Knows When You're Down And Out" by Bessie Smith-Hi Nay is a podcast produced by Motzie Dapul, Reg Geli, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.Narrated by Motzie Dapul.BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on twitter, tumblr, instagram and Facebook for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity. Hosted on Acast. See acast.com/privacy for more information.
Aka The Danny and Cornelius Christmas episodeYou can listen to the full episode now by subscribing to our Patreon at the $10 Ate tier or higher. It will be available publicly 1 month from now as a Fundraiser reward: https://www.patreon.com/hinaypodMari stumbles on Danny Boyd at the cafe he works at. He shows her a powerful magical gift given to him by their mutual "friend", and tells her the story of how he received it.Content Warnings: References to familial deathHi Nay is a podcast created by Motzie Dapul and co-created by Reg Geli. It's produced by Motzie Dapul, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.The role of Mari Datuin is played by Motzie Dapul. Featuring Edward McKee as Danny. Guest starring Jessica Syratt and Taylor Michaels as Barista 1 and 2. Hosted on Acast. See acast.com/privacy for more information.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017); the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020); de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993. She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website: RanuMukherjee.comFollow on Instagram: @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
The five reunite after Mari's Christmas encounter. More is revealed about the strange nature of Pocket the Cat, Donner and Mari's relationship, and Donner's real name.A decision is made about how to deal with The Benefactor.Content Warnings: References to sex and emotional turmoil-Hi Nay is a podcast produced by Motzie Dapul, Reg Geli, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.The role of Mari Datuin is played by Motzie Dapul. The role of Donner is played by Leon Johnson. The role of Murphy is played by Edward Boxler. The role of Laura is played by Abigayle Rhodes. The role of Ashvin is played by Adil R.Featuring Nhea Durousseau as Nan Donner.BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on twitter, tumblr, instagram and Facebook for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity.Lunar New Year Update from disabilityvisibilityproject:https://disabilityvisibilityproject.com/2025/01/29/crips-for-esims-for-gaza-a-lunar-new-year-update/ Hosted on Acast. See acast.com/privacy for more information.
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Christian Stiles Instragram: @C.Stiles_Artistry Music: FasterFasterBrighter by Blue Dot Sessions
Years ago, a drunk Donner and Murphy accidentally destroy a snow village on someone's front yard during a heated argument.Secrets are revealed and forgotten.Content Warnings: Drunkenness, Self-hatred, emotional discussions, mild deception-Hi Nay is a podcast produced by Motzie Dapul, Reg Geli, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.The role of Donner is played by Leon Johnson. The role of Murphy is played by Edward Boxler. Guest starring David Ault as "Flirty Party Guy".BECOME A PATRON and get bonus audio, art, video, and even bonus episodes:https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on twitter, tumblr, instagram and Facebook for more updates.-E-SIMS FOR GAZA: https://www.gazaesims.com/where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. You can follow @mirna_elhelbawi and Connecting Humanity on socials for more info and updates, as well as answers to common questions.CRIPS FOR E-SIMS FOR GAZA by disabilityvisibilityproject:https://chuffed.org/project/crips-for-esims-for-gazaDisabled activists send E-sims to Gaza through donations, especially those who are unable to follow the process outlined by Connecting Humanity.Lunar New Year Update from disabilityvisibilityproject:https://disabilityvisibilityproject.com/2025/01/29/crips-for-esims-for-gaza-a-lunar-new-year-update/ Hosted on Acast. See acast.com/privacy for more information.
Matt Prewitt and Gary Zhexi Zhang discuss Chinese cybernetics, focusing on pioneer Qian Xuesen and how the field developed differently in China versus the West. They explore how Chinese cybernetics emerged as a practical tool for nation-building, examining its scientific foundations, political context, and broader cultural impact. Together, they discuss key concepts like information control systems while highlighting the field's interdisciplinary nature and its evolution from thermodynamic to information-based approaches.Links & References: References:The Critical Legacy of Chinese Cybernetics by Gary Zhexi Zhang | Combinations Magazine Cybernetics - WikipediaNorbert Wiener ("Father of Cybernetics")Whose entropy is it anyway? (Part 1: Boltzmann, Shannon, and Gibbs ) — Chris AdamiCollection: Norbert Wiener papers | MIT ArchivesSpaceRelationship between entropy of a language and crossword puzzles (a comment from Claude Shannon) - Mathematics Stack ExchangeA Mathematical Theory of Communication BY C.E. SHANNON | Harvard MathA Mathematical Theory of Communication - WikipediaCybernetics - MITBrownian motion - WikipediaIntercontinental ballistic missile - Wikipedia AKA “ICBMs”Summary: The Macy ConferencesWarren Sturgis McCulloch (Neuroscience), Gregory Bateson and Margaret Mead (Cultural Anthropology)Claude Shannon (Mathematician)The Bandwagon BY CLAUDE E. SHANNONFrom Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism by Fred Turner, introductionFrom Cybernetics to AI: the pioneering work of Norbert Wiener - Max Planck NeuroscienceMarvin Minsky | AI Pioneer, Cognitive Scientist & MIT Professor | BritannicBios:Gary Zhexi Zhang is an artist and writer. He is the editor of Catastrophe Time! (Strange Attractor Press, 2023) and most recently exhibited at the 9th Asian Art Biennial, Taichung.Gary's Social Links:Gary Zhexi Zhang (@hauntedsurimi) / X Matt Prewitt (he/him) is a lawyer, technologist, and writer. He is the President of the RadicalxChange Foundation.Matt's Social Links:ᴍᴀᴛᴛ ᴘʀᴇᴡɪᴛᴛ (@m_t_prewitt) / X Connect with RadicalxChange Foundation:RadicalxChange Website@RadxChange | TwitterRxC | YouTubeRxC | InstagramRxC | LinkedInJoin the conversation on Discord.Credits:Produced by G. Angela Corpus.Co-Produced, Edited, Narrated, and Audio Engineered by Aaron Benavides.Executive Produced by G. Angela Corpus and Matt Prewitt.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Benjamin Dowd-Arrow, Ph.D. @bendowdarrow Music: FasterFasterBrighter by Blue Dot Sessions Matte Sangria by Blue Dot Sessions
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with painter Kirstine Rainer Hansen, as they discusses her transition from design and illustration to becoming a self-taught artist specializing in 'Disrupted Realism.' Born in Denmark, Kirstine has lived across various countries, ultimately settling in Carmel, California. Her path to art was unconventional; due to financial and societal pressures, she initially studied design but shifted to painting after struggling to find work during a recession. Kirstine's work, influenced by artists like Rembrandt, Francis Bacon, and Lucian Freud, is currently on display at the Jack Fisher Gallery at the Minnesota Street Project in San Francisco. She talks about how moving to San Francisco shaped her artistic style, transitioning from classical realism to a more fragmented, collage-based approach. Kirstine also dives into "Three Questions" talking about her artistic identity, influential works, and inspiring locations in the Bay Area.About Artist Kirstine Reiner Hansen:Kirstine Reiner Hansen is an artist based on the Central Coast of California, US. Born in Odense, Denmark, she received a BA in Design and Illustration at Kolding School of Design. Her work has been exhibited in numerous galleries, most recently she had 2-person exhibition at Jack Fischer Gallery, San Francisco. In 2012 she received the Lillian Orlowsky and William Freed Foundation Grant and was twice a semi-finalist for the Outwin Boochever Portrait Competition. She has been featured in Juxtapoz Magazine, BloPop Magazine and the Asian Curator as well as in the book ‘Distrupted Realism' by John Seed, 2019. Her work is featured in the movie ‘Meaning of a Ritual' by Berlin director Natalie MacMahon, 2023.Visit Kirstine's Website: ReinerHansen.comFollow on Instagram: @ReinerHansenArtFor more about her current exhibit "Atmospheric Disruptions" at the Jack Fischer Gallery, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: WitchyTwitchy bio.link/witchytwitchy Music: FasterFasterBrighter by Blue Dot Sessions Matte Sangria by Blue Dot Sessions
Curious Matter Anthology is a multi-award-winning fully immersive fiction podcast. It's a bridge between past and present, a time machine that takes listeners back to the golden era of pulp fiction, and then catapults them back into the future. It's an ode to an era of science fiction, whose stories have influenced some of the greatest filmmakers of our time, and it's a tribute to the largely unrecognized authors who penned these tales. But it's not just about the stories; it's about how they're told. Featuring cutting-edge sound design, an all-star cast, cinematic score and groundbreaking storytelling techniques, Curious Matter Anthology presents an audio-fiction experience that transports the listener into a cinema of sound. The Exile is based on the novel ‘Police Your Planet' by Lester Del Rey, and follows a disgraced federal agent deported to the fledgling human colony of Mars in an epic and heartbreaking mile a minute, police thriller. To see our interactive map of Marsport, The Exile Visual Guide and learn more about the show visit: https://cmanthology.com Starring Tiffany Smith as "Bryce Gordon" And featuring the voices of: Malcolm Barrett as "Honest Izzy" Eugene Byrd as "Shell Corey" Phil LaMarr as "the Station Chief" Trace Lysette as "Mother Corey" Sandeep Parikh as Rand Stephen Weston as "Skagg" Vayntrub as "Fatia Markov" Amy Vorpahl as "Three" With additional voices by: Jonathan Edelman Jason Ervin Philip Gray Matt Hobin Thien Nguyen Blythe Renay Melissa Starr Based on the novel 'Police Your Planet' by: Lester Del Rey Written, Directed, and Edited by: Jonathan Pezza Engineering and Mixing by: Jonathan Pezza Voice Direction by: Jonathan Pezza & Tiffany Smith Produced by: Jonathan Pezza, Tiffany Smith & Sandeep Parikh The Exile was made possible by the amazing support of our Kickstarter backers. Executive Produced by Scott Pezza, and Dan Evans. Co-Executive Produced By Richard J. Pezza, Patrick Leppaluoto and Deric A. Hughes. Co-Produced by Ali Mashayekhi and Jack Bowman Assistant editing by Mohammad Moiz Riaz and Francis Pezza. Original Score Composed by: Jonathan Pezza Additional Music by: Epidemic Sound Featuring the musical talent of Torii Wolf, Suffer City, Experia and Sight of Wonders. © Knightsville Workshop 2024 Learn more about your ad choices. Visit podcastchoices.com/adchoices
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Howard Williams ArchaeoDeath howardwilliamsblog.wordpress.com tiktok.com/@archaeodeath youtube.com/@archaeodeath Music: FasterFasterBrighter by Blue Dot Sessions Matte Sangria by Blue Dot Sessions
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily chats with multimedia artist Tricia Rainwater. Tricia delves into her artistic journey, focusing on self-portrait photography and installations. Her work, seen in exhibitions like 'Allegedly the Worst is Behind Us' at San Jose's Institute for Contemporary Art, addresses themes of political innateness, erasure, and the importance of creating personal archives. She also shares her experiences from childhood photography to her impactful pieces that highlight missing Indigenous women and girls. Their conversation touches on the emotional power and societal responsibilities of art.About Artist Tricia Rainwater:Tricia Rainwater (she/her) is a mixed Choctaw Indigiqueer multimedia artist based on Ramaytush Ohlone land. Tricia's work ranges from self portraiture to large sculptural installations. Her work has been featured nationally and internationally through group shows and artist features. In her work, Tricia, focuses on creating pathways to a resilient and hopeful future by centering the process of grieving and healing. She is a recent recipient of the SF Artists Grant through the SF Arts Commission.Visit Tricia's Website: TriciaRainwater.comFollow Tricia on Instagram: @TriciaRainwaterArtLearn more about the exhibit, 'Allegedly The Worst Is Behind Us', currently at the ICA San Jose - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Julian Chambliss PhD Music: FasterFasterBrighter by Blue Dot Sessions Matte Sangria by Blue Dot Sessions
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's Episode, Emily features artist Carrie Ann Plank. Originally inclined towards a medical career, Carrie Ann found her true calling in printmaking. Her work, which combines science and art, is showcased in multiple renowned collections, including the Fine Arts Museums of San Francisco and the Library of Congress. Her latest exhibition, 'Cacophony' at Jonathan Carver Moore, visualizes sound through layered prints. Carrie Ann discusses her process, inspiration from scientific data, and collaboration with scientists. About Artist Carrie Ann Plank:Carrie Ann Plank is a San Francisco based artist working in installation, printmaking, and painting. Focusing on layers of sophisticated geometry, Plank examines the space of intersecting patterns to describe new structures. The work utilizes mathematical equations to create multiple overlapping impressions that reveal additional distinct pattern formations. The resulting forms are space in between, the intercession, of concrete data.Carrie Ann's work is included in multiple collections including the Fine Art Archives of the Library of Congress, Fine Art Museums of San Francisco, Achenbach Foundation for Graphic Arts, the Guanlan Print Art Museum in China, Museum Meermanno in The Hague, Netherlands and Museo Nacional de Bellas Artes, Havana, Cuba. Residencies include Black Church Print in Dublin Ireland, KALA in Berkeley, CA, Konstnärernas Kollektiva Grafikverkstad in Malmö, Sweden, Local Language, Oakland, CA, Taller Experimental de Gráfica de La Habana in Havana, Cuba, the Íslensk Grafík in Reykjavik, Iceland, Edition/Basel in Basel, Switzerland, Mullowney Printing in San Francisco, CA, Haystack Mountain School of Craft in Deer Isle, ME, and Bullseye Glass in Emeryville, CA. Additionally, Plank has had a 20 year teaching career before devoting herself solely to her artist practice in 2018. Plank is active in the Bay Area arts community serving on boards and committees such as Root Division, California Society of Printmakers, and Art for AIDS. She is also a 2024 SECA nominee.Visit Carrie Ann's Website: CarrieAnnPlank.comFollow Carrie Ann on Instagram: @CarrieAnnPlankLearn more about Carrie Ann's exhibit "Cacophony" at Jonathan Carver Moore - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Shaylynn Lesinski PhD Halo 3 Ads: https://www.youtube.com/watch?v=40jdpzrpIps Music: FasterFasterBrighter by Blue Dot Sessions Matte Sangria by Blue Dot Sessions
THIS EPISODE WAS RELEASED AS A $2000 GOAL REWARD FOR THE HI NAY FUNDRAISER!WE'LL RELEASE ANOTHER BONUS EPISODE AT THE $3000 GOAL AND RESUME HI NAY ACT 3 AT THE $4000 GOAL! (We have another bonus episode for the $5000 Stretch Goal)HELP US GET TO THE $4000 GOAL TO RELEASE HI NAY IN 2025!(If we don't hit $4000 we can't continue Hi Nay in 2025)A diary entry from the Puppetmaster, reminiscing about the time they brought their daughter Lori to the comedy ballet, Coppelia, in which a Doctor wishes to use a human soul to bring his doll daughter.The Puppetmaster ponders about Lori's strange power.-Content Warnings: References to human experimentation, dolls-Hi Nay is a podcast produced by Motzie Dapul, Reg Geli, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul. Hosted on Acast. See acast.com/privacy for more information.
SUPPORT HI NAY SO WE CAN CONTINUE THE SHOW IN 2025!Merry Christmas to all, and I hope you enjoy this special episode! Decided to drop it early today as thanks for all your patience and support.Summary: Tim Murphy visits his brother, Detective Rick Murphy, in Toronto, and ends up staying with his "friend" Ashvin. He tries very hard to "parent trap" them into getting together, not knowing about their history.Content Warnings: Deception (mild), emotional discussionsP.S. Yes I've decided to change the numbering sequence and our return from hiatus will be episode 50!Hi Nay is a podcast produced by Motzie Dapul, Reg Geli, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.The role of Tim Murphy is played by Athan (The Grotto Podcast), the role of Detective Murphy is played by Edward Boxler, and the role of Ashvin is played by Adil Ramchurn. Hosted on Acast. See acast.com/privacy for more information.
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Lisa Coulthard PhD Lindsay Steenberg PhD Lindsey and Lisa's Video Essay Fighting Fate : Professional Vengeance in John Wick Music: FasterFasterBrighter by Blue Dot Sessions Matte Sangria by Blue Dot Sessions
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, we are replaying a conversation from December 2023, as our final drop of the year. It features Emily chatting with artist Rupi C. Tut, whose work focuses on capturing the stories of women like herself and her family. Rupy shares her journey from moving to the U.S. from India, studying pre-med at UCLA, to deciding to pursue art and successfully exhibiting her work in renowned museums, such as the De Young Open and the Institute of Contemporary Art in San Francisco. Rupy discusses her dedication to portraying everyday heroism, belonging, and cultural identity through her art, emphasizing the importance of representation and the significant influence of her background in her creative process. The episode also highlights her training in Pahati painting and her latest show, 'Out of Place,' reflecting on the broader impact of her work on diverse audiences.Rupy is a recent 2024 SECA Art Award recipient, and her work is currently being featured at the SFMOMA with other SECA Award winners. Art is Awesome will return on January 1st with brand new Episodes, featuring artists Carrie Ann Plank and Tricia Rainwater.About Artist Rupy C. Tut:Rupy C. Tut is a painter dissecting historical and contemporary displacement narratives around identity, belonging, and gender. As a descendant of refugees and a first generation immigrant, Rupy's family narrative of movement, loss, and resilience is foundational to her creative inquiries. Tut's artistic practice expands, innovates, and reframes the traditions of Indian miniature painting. She mixes her own pigments and turns to hemp paper and linen to contend and make visible one's place in the world. Rupy C. Tut lives and works in Oakland, California. Her work has been presented through exhibitions and talks at the de Young Museum, San Francisco; Asian Art Museum, San Francisco; London City Hall; Stanford University; The Peel Art Gallery and Museum Archives, Toronto; a solo exhibition Rupy C. Tut: A Recipe for Brown Skin at the Triton Museum of Art, Santa Clara; and a solo exhibition Rupy C. Tut: Search and Rescue at Jessica Silverman, San Francisco. Rupy C. Tut is represented by Jessica Silverman.Visit Rupy's Website: RupyCTut.comFollow Rupy on Social Media: @RupyCTutFor more on Rupy's SECA Art Award Exhibit at SFMOMA, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Michael Betts II Music: FasterFasterBrighter by Blue Dot Sessions Matte Sangria by Blue Dot Sessions Lumber Down by Blue Dot Sessions Lead Shroud by Blue Dot Sessions Chai Belltini by Blue Dot Sessions Brer Spine by Blue Dot Sessions
What happens when artificial intelligence starts weighing in on our moral decisions? Matt Prewitt is joined by Meaning Alignment Institute co-founder Joe Edelman to explore this thought-provoking territory in examining how AI is already shaping our daily experiences and values through social media algorithms. They explore the tools developed to help individuals negotiate their values and the implications of AI in moral reasoning – venturing into compelling questions about human-AI symbiosis, the nature of meaningful experiences, and whether machines can truly understand what matters to us. For anyone intrigued by the future of human consciousness and decision-making in an AI-integrated world, this discussion opens up fascinating possibilities – and potential pitfalls – we may not have considered.Links & References: References:CouchSurfing - Wikipedia | CouchSurfing.org | WebsiteTristan Harris: How a handful of tech companies control billions of minds every day | TED TalkCenter for Humane Technology | WebsiteMEANING ALIGNMENT INSTITUTE | WebsiteReplika - AI Girlfriend/BoyfriendWill AI Improve Exponentially At Value Judgments? - by Matt Prewitt | RadicalxChangeMoral Realism (Stanford Encyclopedia of Philosophy)Summa Theologica - WikipediaWhen Generative AI Refuses To Answer Questions, AI Ethics And AI Law Get Deeply Worried | AI RefusalsAmanda Askell: The 100 Most Influential People in AI 2024 | TIME | Amanda Askells' work at AnthropicOvercoming Epistemology by Charles TaylorGod, Beauty, and Symmetry in Science - Catholic Stand | Thomas Aquinas on symmetryFriedrich Hayek - Wikipedia | “Hayekian”Eliezer Yudkowsky - Wikipedia | “AI policy people, especially in this kind Yudkowskyian scene”Resource-rational analysis: Understanding human cognition as the optimal use of limited computational resources | Resource rational (cognitive science term)Papers & posts mentioned[2404.10636] What are human values, and how do we align AI to them? | Paper by Oliver Klingefjord, Ryan Lowe, Joe EdelmanModel Integrity - by Joe Edelman and Oliver Klingefjord | Meaning Alignment Institute SubstackBios:Joe Edelman is a philosopher, sociologist, and entrepreneur whose work spans from theoretical philosophy to practical applications in technology and governance. He invented the meaning-based metrics used at CouchSurfing, Facebook, and Apple, and co-founded the Center for Humane Technology and the Meaning Alignment Institute. His biggest contribution is a definition of "human values" that's precise enough to create product metrics, aligned ML models, and values-based democratic structures.Joe's Social Links:Meaning Alignment Institute | WebsiteMeaning Alignment Institute (@meaningaligned) / XJoe Edelman (@edelwax) / XMatt Prewitt (he/him) is a lawyer, technologist, and writer. He is the President of the RadicalxChange Foundation.Matt's Social Links:ᴍᴀᴛᴛ ᴘʀᴇᴡɪᴛᴛ (@m_t_prewitt) / X Connect with RadicalxChange Foundation:RadicalxChange Website@RadxChange | TwitterRxC | YouTubeRxC | InstagramRxC | LinkedInJoin the conversation on Discord.Credits:Produced by G. Angela Corpus.Co-Produced, Edited, Narrated, and Audio Engineered by Aaron Benavides.Executive Produced by G. Angela Corpus and Matt Prewitt.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Vanessa Pezo Music: FasterFasterBrighter by Blue Dot Sessions Throughput by Blue Dot Sessions Matte Sangria by Blue Dot Sessions Chai Belltini by Blue Dot Sessions
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily features Lorraine Woodruff-Long, a textile artist from San Francisco who turned to quilting after losing her job during the pandemic. Lorraine's work, rich in cultural heritage and social commentary, gained recognition when her piece was featured in the deYoung Open. She discusses her inspiration, including the iconic 'Quilts of Gee's Bend,' her use of text in quilts, and her focus on issues like gun violence and climate change. Lorraine's journey to becoming a quilter and her passion for teaching are also highlighted. Lorraine also shares her thoughts on being an artist, influential works, and her favorite creative spot in San Francisco.About Artist Lorraine Woodruff-Long:Lorraine Woodruff-Long is a self-taught San Francisco quilter with a primary focus on color, improvisation, and recycled/repurposed fabrics. Raised in Houston, and educated at University of Texas/Austin, Lorraine served in Peace Corps Kenya and afterwards moved to California as a “bucket list” dream to temporarily experience living in a progressive urban city. She fell in love with San Francisco and never left. After a career in marketing and advertising, Lorraine later worked in the nonprofit sector while raising two city kids with her architect husband before spring boarding into a fiber art practice prompted by the pandemic.Lorraine's work has been juried into art exhibitions at the de Young Museum/San Francisco, the California Heritage Museum/Santa Monica, the Sanchez Art Center/Pacifica, Muzeo Museum & Cultural Center/Anaheim, TAG Gallery/Los Angeles the Drawing Room/San Francisco, and the San Francisco Women Artists Network Gallery. She has received numerous awards for her quilts at local, national and international quilt shows. Quilt exhibitions include the International Quilt Festival/Houston, QuiltCon, the Pacific International Quilt Festival, Visions in Cloth, and Quilt San Francisco among others. Lorraine is a member of the Modern Quilt Guild, San Francisco Quilt Guild, Studio Art Quilt Associates (SAQA), East Bay Heritage Quilters, ArtSpanSF, Northern California Women's Caucus for Art, and a volunteer with the Social Justice Sewing Academy Remembrance Project. Her work is included in the 2021 book, “Stitching Stolen Lives: The Social Justice Sewing Academy Remembrance Project.”She currently teaches quilting at City College of San Francisco Extension and SCRAP-SF and teaches quilting workshops online and to guilds around the country.Visit Lorraine's Website: QuiltingInTheFog.comFollow Lorraine on Instagram: @QuiltingInTheFogAnd for more on Lorraine's Exhibit at St Joseph's Arts Society, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: The Mighty Zee Referenced Media: Hugo Simberg, The Garden of Death, 1896: https://artsandculture.google.com/asset/the-garden-of-death-hugo-simberg/gQHpogSZmOytvQ Music: FasterFasterBrighter by Blue Dot Sessions Throughput by Blue Dot Sessions Matte Sangria by Blue Dot Sessions Temporal Slip by Blue Dot Sessions Haena by Blue Dot Sessions Lead Shroud by Blue Dot Sessions
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Troy Lamarr Chew II, a talented painter with an ongoing exhibition at San Francisco's Altman Siegel gallery. Troy pursued his passion for art, eventually studying at the California College of the Arts and receiving a prestigious residency at the Headlands Center for the Arts. His recent work explores invisibility, inspired by his time as an Uber driver. His work can be seen in notable museums and galleries. Troy discusses his artistic journey, influences, and unique approach to language and representation in his art.About Artist Troy Lamarr Chew II :Troy Lamarr Chew II explores the legacy of the African Diaspora and its reverberations throughout American culture. His work looks methodically at systems of coded communication and how this is translated and mistranslated both within the Diaspora and the mainstream.Chew's rich artistic visual language draws inspiration largely from Black culture and its history. A highly skilled realist, inspired by European painting techniques, Chew uses these art historical traditions to reframe their exclusion of Blackness. In his Out the Mud series, hand dyed and sewn cloths from West Africa are replicated in a trompe l'oeil fashion, their patterns “torn” away to reveal portrayals of contemporary Black culture and resistance. In another series, Slanguage, the artist paints Flemish style vanitas picturing everyday objects, coded in hip-hop lexicon. His Three Crowns series explores the social history of cosmetic dentistry and the use of grills in hip-hop culture. The artist's lush and luminous oil paintings embody the energy of this infinitely re-mixed yet deeply rooted genre.In 2020, Chew was awarded the prestigious Tournesol Residency at Headlands Center for the Arts after becoming a Graduate Fellow from California College of the Arts, San Francisco in 2018. Solo exhibitions include The Roof is on Fire, Altman Siegel, San Francisco, CA (2022), Yadadamean, CULT Aimee Friberg Exhibitions, San Francisco, CA (2020); Fuck the King's Horses and all the King's Men, Parker Gallery, Los Angeles, CA (2020); WWJZD, Cushion Works, San Francisco, CA (2019) and Stunt 101, Guerrero Gallery, San Francisco, CA (2019). Recent group exhibitions include Walk Against the Wind, Micki Meng and Parker Gallery, New York, NY (2023); The Culture: Hip Hop and Contemporary Art in the 21st Century, The Baltimore Museum of Art, Baltimore, MD (2023); Imperfect Paradise, Barbati Gallery, Venice, Italy (2023); Continuum, presented by the Kinsey African American Art & History Collection and Residency Art Gallery at Sofi Stadium, Inglewood, CA (2022-2023); I Yield My Time. Fuck You!, Altman Siegel, San Francisco (2020); California Winter, organized in collaboration with Hannah Hoffman at Kristina Kite Gallery, Los Angeles, CA (2019), Vanguard Revisited, San Francisco Art Institute, San Francisco, CA (2019), Graduation, Good Mother Gallery, Oakland, CA (2019) and Black Now(here), Museum of the African Diaspora, San Francisco, CA (2018). His work is included in the collections of the Kadist Foundation and the San Francisco Museum of Modern Art.See more of Troy's work at the Altman Siegel Gallery HERE. Follow Troy on Instagram: @troylamarrchewthesecondTroy at the Parker Gallery CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Check out my YouTube channel https://www.youtube.com/watch?v=xJ0lh7oJsoc&t=1229s for the video version of this session.Co-Produced by Amon MtsweniBookings:
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon: patreon.com/officehourswithdrc Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Damian Harmony Ed Blaylock Referenced Media: The Lonesome Train (1942) Music: FasterFasterBrighter by Blue Dot Sessions Throughput by Blue Dot Sessions Matte Sangria by Blue Dot Sessions Temporal Slip by Blue Dot Sessions
After 30 years, Dooley finally sees J again. He isn't quite prepared for what he finds.Content Warnings: Long separation, brief mention of internalized homophobia and self-hatredFeaturing Alasdair Stuart as Francis Dooley.-Hi Nay is a podcast produced by Motzie Dapul, Reg Geli, Yoyi Halago and Alyssa Gimenez, and is licensed under a creative commons attribution noncommercial sharealike 4.0 international license.This episode was Co-Produced by Jesse Goodsell, and written and directed by Motzie Dapul.-Promo Exchange:PROJECT GNOSIS is a cyberpunk urban fantasy focused on exploring myths and legends from around the world. With a multicultural cast from around the world and multimedia works of audio drama and comics, we highly recommend checking it out wherever you listen to podcasts!https://www.podpage.com/project-gnosis/-BECOME A PATRON and get bonus audio, art, video, and even bonus episodes: https://www.patreon.com/hinaypodOr BUY US A MILK TEA (KO-FI):https://ko-fi.com/hinaypodYou can follow our socials @ hinaypod on twitter, tumblr, instagram and Facebook for more updates.-DONATE TO PALESTINIAN RELIEF:https://www.gazaesims.com/ - Gaza E-Sims is where you can help Palestinians connect to loved ones, help doctors stay connected to each other, and help journalists broadcast the truth. THEY'RE CURRENTLY VERY LOW ON E-SIMS. PLEASE DONATE IF YOU CAN BY FOLLOWING THE INSTRUCTIONS ON THE WEBSITE!https://chuffed.org/project/crips-for-esims-for-gazaIF YOU DON'T KNOW HOW TO BUY AND ACTIVATE E-SIMS, you can donate to Crips for Esims for Gaza, who do the process for youhttps://twitter.com/CareForGazaCare for Gaza provides aid from within Gaza and is working everyday to deliver food and other relief to those in need.https://www.pcrf.net/ The Palestine Children's Relief Fund provides free medical care and humanitarian relief to thousands of injured and ill children in Palestine.https://www.unrwa.org/ is a UN agency that supports the relief and human development of Palestinian refugees, including emergency crisis response. Hosted on Acast. See acast.com/privacy for more information.
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon: patreon.com/officehourswithdrc Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Guest Appearance: Matt Meier PhD Referenced Media: Night of the Living dead (1968) Jurassic World: Fallen Kingdom (2018) Conan the Barbarian (1982) Wall-E (2008) Dawn of the Planet of the Apes (2014) Wheel of Time Season 1 (2021) Water World (1995) High Noon (1952) Planet of the Apes (1968) Music: FasterFasterBrighter by Blue Dot Sessions Lumber Down by Blue Dot Sessions
For extra episodes, extended episodes, Q&A episodes, and more, join us on Patreon: patreon.com/officehourswithdrc Credits: Co-Written and Co-Produced by Gabriel Cruz PhD and Barry Thornburg Appearances: Ben Dowd-Arrow Julian Chambliss Lisa Couthard Matt Meier Shaylynn Lesinski Michael Betts II Howard Williams Ed Blaylock Damian Harmony Vanessa Pezo Referenced Media: Boy (2010) Screaming Infidelities - Dashboard Confessional Mad Max: Fury Road (2015) The Princess Bride (1987) Star Wars: A New Hope (1977) Terminator 2: Judgement Day (1991) Big Fish (2003) Shogun (2024) Futurama (Season 5 Episode 9) Jaws (1975) Night of the Living dead (1968) High Noon (1952) Black Panther (2018) Music: Marble Transit by Blue Dot Sessions Golden Grass by Blue Dot Sessions FasterFasterBrighter by Blue Dot Sessions Throughput by Blue Dot Sessions Haena by Blue Dot Sessions Matte Sangria by Blue Dot Sessions