Podcast appearances and mentions of Emily Wilson

Jeff and Rebecca talk about Emily Wilson's pan of Nolan's The Odyssey, before checking in on the Booker longlist, Obama's summer reading picks, and the most troubling AI/publishing story yet. Follow the podcast via RSS, Apple Podcasts, and Spotify. Join The Book Riot Podcast Patreon for bonus content and ad-free listening. Subscribe to The Book Riot Newsletter for regular updates to get the most out of your reading life. The Book Riot Podcast is a proud member of the Airwave Podcast Network. Discussed in this episode: Emily Wilson hated The Odyssey, actually, and her unedited remarks to the AP Joyce Carol Oates has entered the chat And everybody wants to learn Greek Booker Prize longlist Obama summer reading list The most read books on Goodreads this year A viral BookTok hit might be largely AI-generated This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Go to quince.com/bookriot for free shipping on your order and 365-day returns. Now available in Canada and the UK, too. Learn more about your ad choices. Visit megaphone.fm/adchoices

The panel you know and love returns to discuss E3, user generated content, and Ryan Baby Goose. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: The Criterion Channel Kiyoshi Kurosawa The Samurai and the Prisoner (2026) Akira Kurosawa Gatorade Zero Glacier Cherry Costco Water Vitamin Water XXX xXx (2002) Stella Sacco 1: What's everybody been up to lately? (03:13) San Diego Comic-Con Funko Pop Marvel Cinematic Universe Star Trek Steve Ditko Kimba the White Lion Batman Hutchinson Island Sea turtle Crow Lemming Sea cucumber Rabbit Florida Keys Jellyfish America the Beautiful 2 What was E3 like? (12:06) E3 Dreamcast PlayStation 2 Crash Bandicoot NEC Interchannel PC Engine The Video Game History Foundation E3 Collection Carolyn Rauch The Beatles: Rock Band Sega Saturn PlayStation Electronic Gaming Monthly Legend of Zelda: Twilight Princess Game Informer Spider-Man 3: What are the best implementations of weather effects in video games? (19:27) Haunted Mansion Soulslike Final Fantasy X Ghostwire: Tokyo The Legend of Zelda: Wind Waker Super Mario series Looney Tunes Journey to the West Astro Boy Astro Bot Ken Griffey Jr Presents Major League Baseball Peanut Butter the Speedrunning Dog Jerry Rice & Nitus's Dog Football Hollywood Reporter: ‘Air Bud Returns' Movie Reboot Sets Cast Ahead of 2026 Release Variety: Ryan Gosling Cast as Ghost Rider in Marvel Movie Baby Driver (2017) Ryan Gosling Gosling 4: Design a dating game that takes place at the Cheesecake Factory (25:05) Cheesecake Factory Applebee's Bucca di Beppo Chipotle Pia Carrot e Yōkoso!! series Date Everything 5: Room Check! (32:24) Game Developer Conference Children's Fairyland “It's Just Emulation!”: The Challenge of Selling Old Games It's Still Emulation: Saving Video Game History Before It's Too Late Preserving Game History: It's Just Us Bubsy Gunpla MS-09 Dom Advanced Variable Geo 6: SteveWithAB asks, what was a major inflection point for video games that didn't feel like one at the time? (40:04) Roblox Dreams LittleBigPlanet Minecraft Elden Ring Atari Games Corp. v. Nintendo of America Inc. 7: What is the Emily Wilson's critique of Christopher Nolan's The Odyssey of video games? (45:29) Emily Wilson Christopher Nolan The Odyssey (2026) NPR: ‘Odyssey' translator Emily Wilson says Nolan shouldn't have written the movie himself Hideo Kojima Capcom Dante's Inferno Console Wars The Super Mario Bros. Movie (2023) Stellar Blade Bayonetta Dracula Castlevania: Symphony of the Night Sephiroth Anne Rice LIGHTNING ROUND: Notable Patreon Characters (54:22) Recommendations and Outro (01:05:31): Brandon: Game Industry Hardship Bundle Ash: Drink more tea Frank: Go somewhere without an agenda Jaffe: Magic Every Day with Esper Quinn This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

In Part 1 of our discussion on Homer's Odyssey, we welcome translator Emily Wilson to discuss Odysseus as a complicated character, the roles of women and divine beings in the poem, and the centuries-old stories within stories that pose questions of hospitality, power, fatherhood, and time still relevant today. Part 2, coming tomorrow (8/4), will center Wilson's reaction to Christopher Nolan's recent film. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a fellow of the American Academy in Rome, a Guggenheim Fellow, and a MacArthur Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.To learn more or purchase a copy of the Norton Library edition of The Odyssey, go to https://wwnorton.com/books/9780393417937. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

The Odyssey is trending so I though I would pick out some elements from the poem and discuss them. From trying to advocate for the suitors through to a theme I think is often missed, there is a lot to chat about. I also include a promo for something you might be interested in, Alexandria: A Hellenistic World podcast. Find me across social media and the like here and don't forget to check out the Ancient History Hound subreddit Reading / sources used The Odyssey (translated by Emily Wilson), this has a great introduction which covers a couple of the points raised. Gazing at Helen with Stesichorus, Kampakoglu & A. Novokatko Odyssey 5.234-53 and Homeric Ship Construction: A Reappraisal. Samuel E Mark. Bronze and iron in Homer. Andrew Lang Megarons and ΜΕΓΑΡΑ: Homer and Archaeology. Mary O Knox. Artemidorus at the dream gates: Myth, theory, and the restoration of liminality. Vered Lev Kenaan Hades, Homer and the Hittites. Gunnel Ekroth. (for a great piece on katabasis and how it wasn't undertaken by Odysseus by Dr Ellie Mackin Roberts click here) Priam's Katabasis: Traces of the Epic Journey to Hades in Iliad 24. Miguel Herrero de Jauregui

Tyler and Konnery are joined by siren Jeronimo Moran and lotus eater Cameron Takeda to break down one of the oldest franchises in history and Christopher Nolan's new film, "The Odyssey"! Together they hop around the Mediterranean at every point that Odysseus and his crew land, True IMAX 70mm and all the different formats this film is playing in, 2004 epic Troy, Emily Wilson's translation of The Odyssey, the stacked yet curious cast, Polyphemus' cheese, and so much more on this epically poetic episode of The Friendchise Podcast! Follow The Friendchise Podcast on socials:   TikTok Threads Instagram What's New? Kon: The Witches (1990), Troy (2004) (Rental) Tyler: Troy (Rental), The Iliad (Emily Wilson translation) Cameron: Bad City (Prime Video), Baby Assassins trilogy (Tubi) Jeronimo: Anime Expo, One Piece (Crunchyroll), That Time I Got Reincarnated as a Slime (Crunchyroll), raving

Christopher Nolan's new film ‘The Odyssey' is a box-office hit, but classics scholar Emily Wilson, who translated Homer's poem from the original text, says the film's script is abysmally written, lacking in emotional depth and character development. She talks about her translation and divisive criticism of the film. Also, we hear from actor Jon Bernthal who plays Menelaus, King of Sparta in ‘The Odyssey' and the Punisher in the new Spider-Man movie.  See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

President Trump signals he wants to continue his fight for his anti-weaponization fund and IRS tax immunity for himself and his family. John Fugelsang, Christina Greer, W. Matthew Dodge, and Emily Wilson all join the 11th Hour with Ali Velshi. To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

La Odisea de Christopher Nolan está arrasando en taquilla, pero también se convirtió en una de las películas más discutidas del año.En esta Cinemordida hablamos del hate alrededor de la película, de la crítica durísima de Emily Wilson y de la ironía de que muchos la acusaban de inspirar la versión de Nolan. Pero no todo es malo, la película sigue rompiendo taquilla, llenando funciones en horarios absurdos y demostrando que el cine-evento sigue más vivo que nunca.Además, entérate del posible colapso del trato entre Paramount y Warner, y por qué podría ser una buena noticia para la industria, de la nueva biopic de Snoop Dogg y de los estrenos que llegan esta semana, incluyendo Spider-Man: Un Nuevo Día.Agarren su cafecito, porque esta semana hubo taquilla, hate, Marvel, contratos caídos y Nolan sobreviviendo a todos.Excelente sábado y bienvenidos a nuestra Cinemordida 16

Christopher Nolan's new film ‘The Odyssey' is a box-office hit, but classics scholar Emily Wilson, who translated Homer's poem from the original text, says the film's script is abysmally written, lacking in emotional depth and character development. She talks about her translation and divisive criticism of the film. Also, we hear from actor Jon Bernthal who plays Menelaus, King of Sparta in ‘The Odyssey' and the Punisher in the new Spider-Man movie.  See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

This week's episode of the Empire Podcast sees Chris Hewitt — freshly returned from Comic-Con and San Diego — sit down for a lovely chat with Spider-Man: Brand New Day director, Destin Daniel Cretton. Either side of that, Chris is joined in the podbooth by Helen O'Hara, Amon Warmann, and Ben Travis to discuss their favourite Spider-movies, look back at Comic-Con and a whole bunch of trailers, and review Spider-Man: Brand New Day and Ish. They also get into Emily Wilson's scathing criticism of Christopher Nolan's The Odyssey and discuss authors and writers who dislike movies based on their works. We've yet to hear from Homer, but we do have an ask in with his publicist. Enjoy.

Hosts Anne Thompson and Ryan Lattanzio unpack why Emily Wilson is so pubically upset at Nolan's "The Odyssey," while reacting to the film's continued Box Office domination and predicting if Spiderman can challenge the epic. They review the newest from the friendly neighborhood web-slinger as well as the Anthony Bourdain biopic "Tony." Learn more about your ad choices. Visit megaphone.fm/adchoices

There was SO much to say about Christopher Nolan's The Odyssey that we couldn't fit it into one episode — we tried, we failed miserably, and honestly we're thrilled about it, so you're getting a two-parter.This is Part 1, where we set sail into the three-hour epic everyone's been waiting for. We get into the Trojan Horse reimagining that traces back to the Troy movie Nolan never made, and the brutal sacrifice that recontextualises the whole opening. We defend the Cyclops (hear us out — on a rewatch, he's the victim).We break down the slow, skin-crawling transformation scene that out-brutals every battle. And we get into why the first woman to translate The Odyssey, absolutely hates this film — the missing sex, the grim food, all of it. It's epic, brutal and occasionally unhinged. Part 2 drops soon.TAKE THE SPILL QUIZ HERETHE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/Support Independent Women’s Media. Support independent women's media The Out Loud hosts have handpicked their all-time favourite reads and one subscriber is winning the entire 12-book stack. Subscribe to Mamamia here to be automatically entered to win. Current subscriber? You're already in the draw. T&Cs apply.Get access to Very Peri, Mamamia's exclusive perimenopause series, for just $59. 25 world-leading experts, over 20 on-demand sessions, available now. We’ve sorted through the noise so you don't have to. Go to veryperi.com.au and join me today. You hot? Same. Buy today and save 40% Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Welcome back to Greek News Global for 31 July 2026, with legendary Greek-Australian journalist, John Mangos. In this bulletin; Nolan's Odyssey breaks box office records as opinions remain divided. The Greek government to launch an overseas voter portal. Greek Australians urged to declare their Greek ancestry in upcoming census. And the Greek Water Polo team takes Gold in Sydney.Send us Fan MailSupport the showEmail us at ouzotalk@outlook.comSubscribe to our Youtube: https://www.youtube.com/@OuzoTalkFollow us on Facebook: https://www.facebook.com/OuzoTalkFollow us on Instagram: https://www.instagram.com/ouzo_talk/

Erin Ryan and Sami Sage (Betches Media) dig into the Trump administration's move to terminate millions of dollars of federal grants for teen pregnancy prevention and what that says about the administration's vision of women. Then, they dive into Emily Wilson's scathing review of the Odyssey. Plus, Annie Andrews, Democratic Candidate for U.S. Senate in South Carolina, stops by to discuss her race and how the death of Lindsay Graham is shaking things up. And as always, we end with sanipetty.Emily Wilson: An Uncomplicated Man Government Overhauls Teen Pregnancy Program to Focus on Marriage and Starting Families (NYT 7/22 + NPR 7/7)A Nobel Prize winner decodes why people aren't having kids (NYT OPED 2025 + Claudia's Original Research & Ruben Gallego 7/23)

Comedians Emily Wilson (host of Tuesdays at the Red Room, host of Call Your Parents, and currently touring her special Fixed: How I Got Rejected by Reality TV) and Erica Hernandez (Search Party, 9-1-1, and Jury Duty Presents: Company Retreat) join Jameela to trade their most humiliating near misses, from a snow day bus wipeout to a paranoid grilled cheese standoff.Emily revisits the reality show disaster that turned into her one woman show, and Erica confesses to a college fueled conspiracy theory that had her power walking sixty blocks to feed a friend who was not, in fact, starving.Plus, Colby discovers he has a latex allergy in the most humiliating way imaginable, in this week's Misery Loves Company.Jameela's Substack is A Low Desire To Please, you can also find her on Instagram, TikTok and YouTube.Our consulting producer is Colin Anderson.Wrong Turns was created and produced by Jameela Jamil and Stewart Bailey. Hosted on Acast. See acast.com/privacy for more information.

With the recent release of Christopher Nolan's The Odyssey and buzz around Emily Wilson's translation of Homer, we thought we would unlock this special Stop! Homer Time episode originally released to Patreon supporters in early 2024.In November 2023, the acclaimed translator returned to the show to chat with us as we embarked upon our Iliad read. She spoke with us about her process, what it was like to have an audience clamoring for her translation, and what happens when the muses make you forget how to play guitar. For more information on longreads series like Stop! Homer Time, please head to patreon.com/overduepod.Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What happens when an artist follows curiosity so completely that it changes not only her work — but her life?In this episode of Ojai: Talk of the Town, host Bret Bradigan sits down with acclaimed Ojai artist Marie McKenzie, whose breathtaking underwater paintings are inspired by firsthand encounters with California's disappearing kelp forests. After learning of the dramatic decline of these vital marine ecosystems, Marie did something few artists would: she learned to freedive, overcoming her fear of the ocean to immerse herself in the world she wanted to paint.The result is Ocean Garden, a luminous new collection celebrating beauty, abundance and the surprising power of protecting what we love.But this conversation goes far beyond art. Marie shares how she learned to trust her intuition over deadlines, why beauty may be a more powerful force for change than outrage, how she built a career painting one small canvas at a time, and what it means to move from simply surviving as an artist to truly thriving.Whether you're an artist, entrepreneur, conservationist — or anyone searching for more meaning in your work — this episode is an inspiring reminder that your greatest breakthroughs often begin on the other side of curiosity.In this episode you'll discover:Why Marie traded fear of the ocean for the freedom of freediving.How California's disappearing kelp forests transformed her artistic vision.Why she delayed releasing an entire collection until the paintings felt "ready."The surprising relationship between beauty, creativity and conservation.How a daily painting practice became the foundation of a successful artistic career.If you've ever wondered where inspiration comes from — or how to build a life around what you love — this conversation will stay with you long after it ends.Note: we did not talk about the Emily Wilson's Odyssey translation, the Cincinnati Reds or nano-technology.Check out more about Marie at https://www.mariemckenzie.com

¡Prepara el papoi, porque este episodio viene cargado de todo un poco! En este nuevo episodio del Langoy, Diego y Jonathan se sueltan en el Baje de Papoi Supremo, conversando sobre cine, streaming y cultura pop sin filtro. ¿Cómo se compara La Odisea de Nolan con Oppenheimer, y por qué Cinemark XD le gana a IMAX en relación calidad-precio? ¿Es Disclosure Day la decepción del año, y qué tan lejos queda de El Código Da Vinci? ¿Vale la pena Masters of the Universe? ¿El hartazgo con Spider-Man y el MCU ya no tiene vuelta atrás? ¿Qué joyitas trae la programación del Festival de Cine de Lima? ¿Y cómo ha cambiado el streaming la forma en que vivimos hasta los eventos deportivos? Todas esas preguntas y más serán resueltas en este episodio. Si les gustó este episodio, déjenlo saber en los comentarios. Recuerda que puedes ayudarnos a seguir haciendo el podcast posible aquí.See omnystudio.com/listener for privacy information.

Matilda Rånge på P3 Nyheter förklarar morgonens stora nyheter, alltid tillsammans med programledarna för Morgonpasset i P3: Margret Atladottir och Branne Pavlovic. Lyssna på alla avsnitt i Sveriges Radios app. Skogsbränderna fortsätter rasa i Sydeuropa och samtidigt växer oron kring hur bränderna kan påverka produktionen av vin, i till exempel Bordeaux. Kan druvorna rent av börja smaka aska?Lite senare snackar vi om The Odyssey. Folk verkar inte sluta vilja säga sitt kring filmen. Häromdagen gick översättaren Emily Wilson, vars version av Odysséen har inspirerat Christopher Nolan, ut och sågade rullen. Hon var också kritisk till bristen på sexscener. Men nu har författaren Joyce Carol Oates ryckt ut till Nolans försvar.

Letní filmový hit Odyssea od Christophera Nolana trhá divácké rekordy a my jsme se v podívali na to, v čem je film silný a co mu oproti původnímu dílu chybí. Zaměřujeme na otázky spojené s filmovou adaptací přes tři tisíce let staré epické básně. Podíváme se i na hysterické reakce ultrapravice, která se dožaduje historické přesnosti díla. Může být vůbec mýtus, ve kterém vystupují kyklopové, čarodějnice, sirény, monstra a nad vším dohlížejí bohové, historicky přesný? V pozadí těchto nářků je evidentní to, že tím volají spíše po bělošských hercích a herečkách. Elon Musk už slíbil vytvořit za pomocí AI novou verzi filmu, která bude údajně více odpovídat historickým reáliím doby, ve které se příběh Odysseji odehrává. Na výsledek takového pokusu se hodně těšíme. V díle se ale dozvíte více o původním díle, jak vůbec epická báseň vznikala, do jaké míry jsou humor a erotika podstatné pro Odysseu, jaký je anglický překlad díla od Emily Wilson, nebo jaké české překlady si přečíst. V rámci dílu uslyšíte rozhovor s překladatelkou, básnířkou a klasickou filoložkou Sylvou Fischerovou, která působí na ústavu řeckých a latinských studií Filozofické fakulty Univerzity Karlovy. Playlist:

Renowned classics scholar Emily Wilson caused a stir when her critical review of Christopher Nolan's ‘The Odyssey' went viral. Wilson explains her reaction to the film and why she's translating the poem again. She spoke with Dave Davies about trolls, tattoos, and why she balks at her work being categorized as “feminist.” Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

#899: FIFA president Gianni Infantino plans to sell stake in the World Cup and its governing body hates it. Apple wants you to upgrade your iPhone with the option to lease. JPMorgan and Ohio State ink a record sports deal that shows the professionalization of college sports. Europe's richest man, LVMH CEO Bernard Arnault publicly disputes any rumors of family in-fighting. Finally, Odyssey translator Emily Wilson hated Christopher Nolan's ‘The Odyssey.' Got difficult questions? Head to https://www.claude.ai/mbd to answer them.  Get tickets for our trivia tournament! https://caveat.nyc/events/the-morning-brew-trivia-tournament-2026-07-30  Grab tickets to our Performance Revue show! https://www.morningbrew.com/events/brew-performance-revue-2026?utm_campaign=performance_revue_2026&utm_source=mbd Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here:⁠ ⁠⁠https://www.swap.fm/l/mbd-note⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily Wilson is the first woman to translate the epic Greek poem into English. She takes us inside her approach to bringing modern clarity to ancient text, and shares what she thinks of Christopher Nolan's smash adaptation, which her work helped shape.Plus: Salman Rushdie suffered life-altering injuries after being stabbed on stage before a lecture. The Booker Prize-winning author opens up about confronting life's fragility, finding humour in survival, and reflecting on mortality with his latest story collection.Like this story? You may also like:Stephen Fry says Odysseus is a hero for our timesWhy Mary Beard still gets 'tingles' when she confronts the Classics

Exploring The Odyssey with Dr. Emily Hauser | Homer, Emily Wilson, Greek Mythology & the Humanities Few books have shaped Western literature more profoundly than Homer's The Odyssey. Nearly 3,000 years after it was composed, readers are still asking the same questions Homer posed: What makes a hero? What does it truly mean to find home? How much of our lives is shaped by fate, choice, and the stories we tell ourselves? In this episode of Reality Raincheck, we're joined by ancient historian and classicist Dr. Emily Hauser for an in-depth discussion of one of history's greatest epics. Together we explore Homer's world, the remarkable staying power of The Odyssey, the challenges of translating ancient Greek into modern English, and why Emily Wilson's acclaimed translation has introduced a new generation of readers to this timeless masterpiece. We also discuss some of the most fascinating questions surrounding The Odyssey: Who was Homer, and did he really write The Odyssey? Why is The Odyssey still taught in schools and universities around the world? How does Emily Wilson's translation differ from earlier translations? What role do Athena and the Greek gods play in Odysseus's journey? What does the poem teach us about heroism, family, identity, and home? What can modern readers still learn from an ancient epic? One of the themes that stayed with me after this conversation is the importance of the humanities. Great literature doesn't simply entertain us—it teaches us to think carefully, wrestle with difficult ideas, understand cultures beyond our own, and appreciate the experiences of people separated from us by centuries. Those are skills worth preserving. As colleges and universities continue to reduce or eliminate humanities programs, I believe we should make a conscious effort to support them. The study of literature, history, philosophy, languages, and the arts helps shape thoughtful, curious, compassionate people. If you believe these disciplines matter, I encourage you to learn more about organizations like the National Humanities Alliance and the work they're doing to advocate for humanities education. If you enjoyed today's conversation, I highly recommend Dr. Hauser's bestselling book, Mythica: A New History of Homer's World, Through the Women Written Out of It. It offers a fascinating look at the women, history, archaeology, and culture that shaped the world behind The Iliad and The Odyssey. Learn More Dr. Emily Hauser Website: https://www.emilyhauser.com/ Instagram: https://www.instagram.com/emilyhauserauthor/?hl=en Mythica (Penelope's Bones in the U.S.) Penelope's Bones by Emily Hauser Support the Humanities National Humanities Alliance: https://nhalliance.org/

Renowned classics scholar Emily Wilson caused a stir when her critical review of Christopher Nolan's ‘The Odyssey' went viral. Wilson explains her reaction to the film and why she's translating the poem again. She spoke with Dave Davies about trolls, tattoos, and why she balks at her work being categorized as “feminist.” Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Zohran Mamdani doxxes every property owner in New York City, launches a nationalized grocery store, and spits in the face of 9/11 families. How the hell did we get here? Plus, Hunter Biden sits with Nick Fuentes and feminist scholar Emily Wilson hates Christopher Nolan's Odyssey. Ep. 2473 - - - Today's Sponsors: Shopify - Every self-made person started somewhere. Yours starts free at https://shopify.com/shapiro PureTalk - There's a better wireless choice out there. And at just fifteen bucks a month for your first three months on ANY plan… now's a great time to choose PureTalk. Simply go to https://PureTalk.com/SHAPIRO to claim this offer. Supersure - Go to https://Supersure.com/shapiro. One SuperAgency. One powerful platform. All your policies in one place. Paid for by Supersure Insurance Agency, LLC, a licensed insurance agency. - - - DailyWire+

Liza Libes is a writer and literary critic at Pens and Poison. Her parents escaped the Soviet Union. She went to Columbia. She found that Columbia's English Department had replaced literature with Marxist theory, postcolonial studies, and critical theory. She's been pushing back ever since. We talked about: the teachers who made us both writers; reading Wallace Stevens's The Snowman — out loud, in full — and the seventh grade class that made Liza stand in the snow for an hour to understand it; Hemingway, Ezra Pound, and the fascism problem; what happened to Columbia's English Department and why it matters for publishing; why Marxism is fundamentally an ideology of resentment (Bertrand Russell said it 100 years ago); the novel Yesteryear and what it reveals about contemporary literary self-righteousness; why writing characters who disagree with you is the whole point; the Emily Wilson translation of the Odyssey and what "a complicated man" does to Odysseus's character; and Christopher Nolan's Odyssey film — specifically the Cyclops scene he cut, why it was the scene that defined Odysseus, and why its absence drains the heroism from the entire story. Follow Liza at Pens and Poison on Instagram → @pensandpoison TIMESTAMPS: 0:00 — Intro — who is Liza Libes and what is Pens and Poison? 1:20 — Looking back on your 18-year-old writer self 2:51 — The teachers who made us writers — Brother Patterson and Poetry Friday 5:34 — Standing in the snow to understand Wallace Stevens — The Snowman read aloud 10:31 — The Lost Generation: Hemingway, Ezra Pound, T.S. Eliot — and the fascism problem 13:03 — Shakespeare and Co., Paris, and missing Notre Dame before the fire 14:57 — Columbia's English Department: literary theory replaced literature 16:58 — Marxist literary theory, critical theory, and postcolonial studies explained 18:28 — Her parents escaped the Soviet Union — why she takes Marxism personally 19:28 — What literature used to be — humanistic inquiry vs. class consciousness 21:41 — Academia made literature esoteric — and publishing followed 23:01 — The DSA voter: overeducated, underpaid, and resentful 24:44 — Yesteryear — the trad wife novel, Anne Hathaway, and literary self-righteousness 26:03 — When the author's voice drowns out the character's voice 27:14 — Dostoevsky, Lionel Shriver, and characters the author disagrees with 30:23 — Writing outside your experience — her trans character, Lou's gay character 33:22 — Lou's story published alongside Joyce Carol Oates and Junot Diaz 35:20 — Her new novel — exploring faith and Jewish theology 37:32 — Keanu Reeves and Alex Winter in Waiting for Godot 39:03 — The Emily Wilson Odyssey translation — "a complicated man" vs. "cunning" 41:10 — What makes Odysseus great — the Cyclops, the cunning, the hubris 43:25 — Nolan's film: the Cyclops scene is gone — and why that ruins everything 45:42 — Greek hubris — Icarus, Arachne, and why pride destroys heroes 47:24 — The sirens scene: what it should have felt like vs. what Nolan did 48:30 — The overall verdict on Nolan's Odyssey — heroism is missing 49:46 — Outro — find Liza at Pens and Poison Watch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ Listen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081 Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU  Co-host of Happy Hour Econ → https://podcasts.apple.com/us/podcast/happy-hour-econ/id1863476697  Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r  TheLouPerez.com |  info@thelouperez.com  Newsletter: https://substack.com/@louperez #Literature #LiteraryFiction #LizaLibes #PensAndPoison #Odyssey #ChristopherNolan #Columbia #MarxistTheory #ClassicLiterature #LouPerezPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, Emily chats with Jonathon Keats — conceptual artist, experimental philosopher, and writer based in San Francisco. He has sold his thoughts, copyrighted his brain, choreographed a ballet for honeybees, and written six books. He contributes to Art in America, Popular Science, and Wired, and has exhibited at LACMA and Modernism Gallery SF. Jonathon discusses Centuries of the Bristlecone, an 11-foot-tall dual pendulum clock on permanent display at the Nevada Museum of Art in Reno. The clock, created in partnership with the Long Now Foundation, tells both atomic time and arboreal time — time as experienced by ancient bristlecone pine trees that can live up to 5,000 years. The project took over a decade to realize, with clockmakers Phil Abernathy and Brittany Cox. About Artist Jonathon Keats: Jonathon Keats is an artist, writer and experimental philosopher. His conceptually-driven transdisciplinary projects explore all aspects of society, adapting methods from the sciences and the humanities. He has exhibited and lectured at dozens of institutions worldwide, from the Los Angeles County Museum of Art to Stanford University to the Triennale di Milano, and from SXSW to CERN to UNESCO. He is the author of six books on subjects ranging from science and technology to art and design – most recently You Belong to the Universe: Buckminster Fuller and the Future, published by Oxford University Press – and is the author of a weekly online art and design column for Forbes. He has been an artist-in residence at the Fraunhofer Institute for Building Physics, UC Berkeley's Sagehen Creek Field Station, and the LACMA Art + Technology Lab, a Black Mountain College Legacy Fellow at the University of North Carolina-Asheville, an Imaginary Fellow at Arizona State University's Center for Science and the Imagination, and a Research Fellow at the Nevada Museum of Art's Center for Art + Environment. He is currently a research associate at the University of Arizona's Desert Laboratory on Tumamoc Hill, a visiting scholar at San Jose State University's CADRE Laboratory for New Media, a research fellow at the Highland Institute, a consulting philosopher at Earth Law Center, a Polar Lab artist at the Anchorage Museum, a Flux Exchange Artist at Flux Projects, and an artist-in-residence at Hyundai, the SETI Institute, and UC San Francisco's Memory and Aging Center. He co-directs the Center for Climate-Adapted Heritage Cuisine and serves as curatorial director of the Museum of Future History. For more from Jonathon:   Nevada Museum of Art – Centuries of the Bristlecone Jonathon Keats at the Long Now New York Times: In the Fastest-Warming CIty in the US, These Artists See Hope -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jeff and Rebecca enjoy The Odyssey afterglow, lament AI slop biographies, cover a bunch of adaptation news, recent reading, and much more. Jeff gets off some takes before the show gets going to talk about Amazon's best-selling books of all-time, a formidable new AI lawsuit, sales of THE ODYSSEY editions, recent reading, and much more. Follow the podcast via RSS, Apple Podcasts, and Spotify. Join The Book Riot Podcast Patreon for bonus content and ad-free listening. Discussed in this episode: Emily Wilson's comments on Christopher Nolan's Odyssey Book Riot's best adaptations of the century so far Judge approves settlement in Anthropic copyright case Scammer caught after publishing 5,000 AI slop biographies New Taylor Jenkins Reid novel in March (same day as Percival Everett) Apple already has the rights to adapt Rebecca Yarros's next (non-Fourth Wing) novel Sony picks up The Silent Patient for fast-tracked adaptation This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Go to quince.com/wellread for free shipping on your order and 365-day returns. It's now available for our friends in Canada too! Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 45: The Odyssey by Homer (Translated by Emily Wilson) [transcript] NYTimes "The First Woman to Translate the Odyssey into English" Emily Wilson Recorded Talks  Next Time: Emerald House Rising by Peg Kerr Facebook: Backlog Books Podcast Contact: backlogbookspod@gmail.com Music from josephmcdade.com

It could be argued that Christopher Nolan has been remaking the Odyssey for his whole career, and his latest film revisits many of the themes of his earlier movies, as once again a male protagonist embarks on a desperate quest to recover a female love object. But, as Emily Wilson argues, while Homer's Odyssey might seem the perfect source material for Nolan, the ancient Greek poem also excels at many things the director isn't so good at, not least dialogue and characterisation. Wilson, who has translated both the Odyssey and the Iliad, joins Thomas Jones to talk through the new adaptation, discussing its echoes of Nolan's earlier films and his use of the Trojan Horse as a parable about wars built on lies. They also look at the compositional history of Homer's poem and consider why this archetypal journey narrative is also a story about stasis and the desire to resist time. Listen to Emily and Tom's Close Readings episode on the Odyssey here: Apple: https://lrb.me/odysseyapple Spotify: https://lrb.me/odysseyspotify LRB website: https://lrb.me/odysseyweb GET 50% OFF a 12-month Close Readings subscription with the code 'SUMMER50' when you sign up here: https://lrb.me/atasummer50 Read Emily Wilson on Nolan's ‘Odyssey' in the LRB: https://lrb.me/wilsonodysseypod Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us comments, suggestions and ideas here! In this week's episode we invite our friend Julian the Philosopher back on the show to discuss the mythic source material from which Christopher Nolan's new film is based: The Odyssey. We discuss not just Nolan's new film, but Homer's Iliad and Odyssey, quite a bit of the historical context around these works of epic poetry, how these stories were thought of initially, criticized by Plato, recontextualized by Virgil, translated countless times and transformed into Nolan's new blockbuster film. As part of our larger conversation, we discuss the dichotomy between the Homeric hero and the Platonic Hero of the mind, considering how each incarnation of the story fits into this framework or not. Thank you and enjoy the show :) Check out Julian the Philosopher here:https://www.youtube.com/@JulianSoloninkahttps://medium.com/@jsolonin In this week's episode we discuss:-The Homeric Hero-Nolan's Odysseus-The Emily Wilson Translation -The Presence / Absence of Gods-Hanging of the Servants-The Life and Times of Homer -The People From the Sea-Achilles and the Ethiopian FleetIn the extended episode available at www.patreon.com/TheWholeRabbit we go off script to discuss: -Virgil's Aeneid-The Telegony-Rome, Ancestors of Troy -The Christianization of The Odyssey-The Boatman Charon-John the Baptist-The Sirens-Philip K. Dick, Christ and the SacramentsThis discussion was impelled by the research and study of Julian Soloninka with additional contributions made by Luke Madrid, Heka Astra, Mari Sama and Tim Hacker. Recorded in unscripted, Socratic discussion style.I did have notes ready but I did not use them. They are available for our rabbit tier. Good stuff in there. We just didn't talk about it! Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitOrder Stickers: https://www.stickermule.com/thewholerabbitOther Merchandise: https://thewholerabbit.myspreadshop.com/Music By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSupport the show

Everybody's talking about Christopher Nolan's latest film...and so are we! We've got Eurovangelists co-host Dimitry Pompée with us to discuss the first movie ever shot in 70mm IMAX film, adapted from one of history's oldest and most famous works of literature...it's THE ODYSSEY! Then we'll talk about some of the books we read in high-school that have been (or should be) adapted for the big screen. What's Good? Alonso: vegetables that don't give you explosive diarrhea Drea: Blue Diamond Dill Pickle Nut-Thins Dimitry: The Ottoman Empire (Rise of Empires: Ottoman on Netflix) Kevin: the Other Mommy trailer ITIDICHollywood Deems the Box Office “Back” – Big TimeA Rotoscoped TEXAS CHAIN SAW MASSACRE is in production The Odyssey/We Bought a Zoo meme A Letterboxd List: High-School Reads Staff Picks Alonso: The Good House Drea: The Return Dimitry: Polite Society Kevin: The Long Walk and other great movies to fall asleep to, if you're Kevin Listen to Eurovangelists! Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinmaxfilm Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

Perhaps Literature's most enduring narrative has captured audiences for three thousand years, but after Emily Wilson's translation inspired Christopher Nolan's latest, it is poised to command public discourse around the world in a way it never has before. In episode 389, join Luke Elliott & James Bailey as they find surprises in an ancient narrative, describe their unexpected experience with a controversial translation, and predict what may have drawn Nolan to adapt Homer's epic. Join them again next week when they react to the new film and compare it to the original! Join our Discord channel https://discord.gg/yQpgu9jYB2 Pickup The Odyssey or any of the books they've covered at the Ink to Film Bookshop https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects https://www.patreon.com/inktofilm Ink to Film's Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Intro/outro music: "Rapture" by Ross Bugden  https://youtu.be/vja87ZXejyk?si=PJlByfDXNemtqJMo Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.co... Writing: https://www.lukeelliottauthor.co... James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

"Tell me about a complicated man." So begins Emily Wilson's contemporary translation of Homer's Odyssey — establishing her as the definitive Homeric translator of our time and radically transforming how we understand a cornerstone of western literature. As The Odyssey enters the pop cultural arena this summer via Christopher Nolan's big-screen adaptation — a film inspired by Wilson's translation — she joins us for a conversation about why the The Odyssey has endured for nearly 3,000 years. In the first English translation of The Odyssey by a woman, written in a vivid contemporary idiom, Wilson captures the beauty and enchantment of Homer's poem without poeticizing its carnage — a profound reflection on violence, marriage, and family. Nearly a decade after that translation gave Homer "a radically contemporary voice" (The New York Times Magazine), and nearly three millennia after it was originally composed, The Odyssey remains shockingly relevant. In this conversation with the Pulitzer Prize winning playwright, Sarah Ruhl, whose work is profoundly influenced by Greek myth and famously modernized Eurydice for the stage, Wilson asks: what can a story about travelers and the aftermath of war tell us about our own world in an era of mass migration, riven by military and political conflict? What can this epic of a "complicated man" reveal to us about contemporary masculinity and violence? In a nation rooted in myths of rugged individualism and sacred homeland, how does The Odyssey hold up a mirror to American life? Hear Wilson and Ruhl discuss The Odyssey's circuitous path through the waters of Western culture — from ancient song to modern verse to Hollywood. Find out how this archaic text, in the hands of a master translator, can offer a startling vision of how we live today. "Wilson's language is fresh, unpretentious and lean… It is rare to find a translation that is at once so effortlessly easy to read and so rigorously considered." ― Madeline Miller

Christopher Nolan is dominating theaters once again with his adaptation of The Odyssey starring Matt Damon, so we're taking the opportunity to not just talk about the new movie – which is excellent, though our hosts slightly disagree on how much – but the original poem by Homer. Well, not exactly the original, since neither of us read Ancient Greek – but we took a look at the 2017 translation by Emily Wilson for this episode (which partially inspired Nolan's film), and talk about a few other translations we've read over the years, as we appreciate a work that's endured for millennia for good reason. If you like the ‘academic' in Purely Academic, this is the episode for you.   Read Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to JAPANIMATION STATION, our podcast about the wide and wonderful world of anime: https://www.japanimation-station.com Read Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vKSubscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation Purely Academic: https://www.youtube.com/@purelyacademicpodcastSupport the show at Ko-fi ☕️ https://ko-fi.com/weeklystuffOriginal Music by Thomas Lack https://www.thomaslack.com/©2012 - Present Jonathan R. Lack & Sean Chapman

I defy the Pods   The Becks have a brand new spoiler-filled episode for you on a brand new movie: The Odyssey directed by Christopher Nolan, in theaters now! In this episode, the Becks break down Nolan's themes, examine what makes Emily Wilson's translation of the source material different, and explain why a GPS is better at directions than hubris. Enjoy!   www.linktr.ee/soonmajorpod   www.ko-fi.com/soonmajorpod   Next Episode Homework: Road to Perdition (2002)

Christopher Nolan's 'The Odyssey' has brought one of history's oldest stories back into the spotlight. It's also sparked a fresh debate about what it means to adapt a classic. Today, Derek is joined by acclaimed classicist and translator Emily Wilson, whose celebrated translation of 'The Odyssey' helped inspire Nolan's film. They explore why Homer's epic has remained the foundation of so much Western storytelling and what gets lost and gained in the act of translating. Thenm Wilson gives her take on Nolan's adaptation. She lets us know what it captures brilliantly, where it departs from Homer, and what those changes reveal about both the ancient world and our own. Subscribe to our YouTube channel here:  https://www.youtube.com/@PlainEnglishwithDerekThompson If you have questions, observations, or ideas for future episodes, email us at PlainEnglish@Spotify.com. Host: Derek Thompson Guest: Emily Wilson Producer: Devon Baroldi Additional Production Support: Ben Glicksman Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week's re-run is one of my favorite conversations with Emily Wilson! We talk all about the lies the enemy so often whispers to women and how we can recognize them, reject them, and live in the freedom Christ desires for us. If you've ever struggled with fear, discouragement, or questioning your worth, I hope this conversation reminds you of the truth of who you are: deeply loved by God.Follow Emily Wilson on InstagramShop Sincerely, Stoneheart------Episode SponsorsCrunchi - crunchi.com/mariwagnerWest Coast Catholic - westcoastcatholic.co------Follow Along:Ever Be Podcast InstagramMari Wagner Instagram West Coast Catholic Instagram

Christopher Nolan's Odyssey just earned nearly $300 million retelling a 3,000-year-old story — so what actually separates imitation from transformative interpretation? In this episode, Tricia makes the case that cover songs are the perfect entry point into the AI and creativity conversation for educators. You'll trace how Aretha Franklin re-authored Otis Redding's "Respect," why translator Emily Wilson's critique of Nolan's film proves that interpretive choices matter, and how three human skills — reflect, re-envision, rework — map directly onto UNESCO's vision of students as AI co-creators rather than passive users. Tricia also shares a new free resource, "What Exactly Is Human Nature?," an interactive timeline that lets you listen backwards through the many renditions of one iconic song. If you've been looking for an invitational, art-first metaphor to bring colleagues into the AI conversation, this one's for you. 00:00 – Nolan's Odyssey: 2 a.m. sold-out screenings for a 3,000-year-old story 02:22 – Can a cover ever beat the original? Aretha Franklin re-authors "Respect" 04:23 – Emily Wilson's critique + three skills: reflect, re-envision, rework 06:27 – The skills in practice, and UNESCO's students-as-co-creators framework 08:47 – New resource: "What Exactly Is Human Nature?" interactive timeline 10:43 – Your debate homework, and an invitation to email the show: info@shiftingschools.com Check out the resource: https://triciafriedman.com/what-exactly-is-human-nature/ Learn more about our incredible show producer: https://www.linkedin.com/in/sagheer-m/      

“There's a reason why movies have always been used for propaganda.” Correction: Our seventh year anniversary just passed, not our fifth. Thanks for listening! Time StampsOpening – (0:00)The Odyssey review – (1:30)IMAX Accessibility – (19:15)Whatcha Been Watching – (22:09)Life, Larry, and the Pursuit of Unhappiness: An Almost History of America – (22:19)Emily Wilson's The Iliad and The Odyssey – (23:08)Live action Moana – (28:48)The Invite – (29:38)On The Horizon – (30:53)Outro – (37:20) Like, subscribe, and comment below! Wanna find […]

“I want someone who has regrets. I want someone who's learned the hard way. I want someone who understands that life is made of those messy compromises.” — Joel Christensen on the Odysseus he hopes to see in Matt Damon Christopher Nolan's The Odyssey is out — the controversial movie of the year, much of the controversy raging before anyone had seen a frame. So, before either of us had seen the epic, I talked to the CUNY classicist Joel Christensen, author of the timely Why Odysseus? Survivor, Scoundrel, (Anti)hero. What, I asked Christensen, did he most dread about Hollywood's treatment of his beloved Odyssey? His answer: a hero too noble to be interesting. The Odysseus of the epic is a survivor, a scoundrel, an antihero — the master sergeant who does what needs to be done, from engineering the Trojan Horse to making sure Hector's infant son doesn't survive it. Christensen's worry about Matt Damon came down to one word: too likeable. What he wanted instead was a man with regrets — De Niro in Raging Bull rather than anybody noble. So did Christensen get the Odysseus he wanted? Below is his review, written after seeing the film when it came out. Postscript: Joel Christensen's Verdict on the Film Nolan's Odyssey is not Homer's Odyssey. This should be clear to anyone. Nolan faced an almost impossible task well: ancient audiences knew the story already. Modern audiences do not, so he created a ring structure with the beginning union of Penelope and Odysseus anticipating the reunion at the end, also introducing plot elements like the dog Argos and the pin by which Penelope will recognize Odysseus. The film is not Homer. Homer's power is poetry; the film's is image. Some of the images are striking: the scene when Circe turns his men into animals is the most arresting in the whole movie, showing everything that can be done with visceral imagery and a slight adaptation (Circe here is a survivor of sexual assault). The changes made to the plot such as omitting the Phaeacians, Nestor, Laertes, the bed and more are not as jarring as some of the general decisions. Calling “Zeus' Law” “do unto others…” makes an understandable translation to a Christian context, but it is somewhat nonsensical for Homer. Depicting a mutilated Helen is a strange decision that I am struggling with. What the movie gets right is making humans responsible for their own suffering. In a novel take on Odysseus as a traumatized warrior, the hero spends seven years with Calypso eating Lotus to forget the loss of his men. Damon, too likeable, regrets the trick of the Trojan Horse after witnessing the slaughter during the sack of Troy. We find out as well that the “sea people” from history, bringing an end to the “civilization” are actually the Greeks returning from the Trojan War and suffering for the transgressions they committed there. Is this ending an echo of Zeus' plan to end the race of heroes in the Trojan War? Is it an allegory for our civilizational collapse in the future thanks to technology, environmental catastrophe, and fascism? Any potential social critique dissipates with the movie's end. The traumatized veteran turns out to be merciful and kills only some of the suitors, showing many mercy. Then, guilty of violating “Zeus' Law”, Odysseus happily goes into exile with Penelope, leaving Telemachus to be king. There's no way to make Homer's Odyssey into a film and convey all its ambiguity and depth. That would be an unfair expectation. Nolan's film is a compelling spectacle and it makes me wonder more about how it reflects who we are as an audience. Do we need the hero to be ultimately good, even if he messed up? Are we so simple that we need to hear about Zeus' Law and the Sea People so repetitively? I fear that in this age where fiction and fact are so hard to disentangle, that we long for narratives that are just simpler. We don't get the Odyssey we want; we get the one we deserve. Five Takeaways •       A Complicated Man: The Translation Problem. Every word of Homer carries echoes no English can hold, and the fights over Nolan's dialogue replay the fights over translation. Emily Wilson detonated a controversy by rendering polytropos — poly, many; tropos, turn — as “a complicated man,” alluding at once to Odysseus's travels and the many forms of his character; Daniel Mendelsohn's “man of roundabout ways” does the work too, if you can stop thinking about rotaries. Even the objection to Tom Holland's Telemachus saying “dad” collapses on inspection: Telemachus uses the colloquial form in Homer. And the “authentic” dialect purists want was an artificial amalgam that no ancient Greek ever spoke. •       The Culture Wars Come for Homer. Nobody remembers a brouhaha over Wolfgang Petersen's Troy — a pretty bad movie, Christensen notes — but Nolan's Odyssey generates more controversy than a scholar can track daily. Lupita Nyong'o's Helen is attacked as inauthentic by one side and as cultural appropriation by the other; since 2015, classicists have watched the Western tradition weaponized by the alt-right while their own field argues about who owns it. Christensen's advice channels the epic itself: between Scylla and Charybdis, take Scylla. You'll lose six men. The alternative is losing the ship — and if the story doesn't persuade in three hours, nobody will remember the armor anyway. •       The Valence of Violence. Modern audiences are more accustomed to represented violence than any in history — you don't need Natural Born Killers when Twitter serves unverifiable clips from Gaza and Iran. The question Christensen brings to the film is what the violence is for. Uberto Pasolini's The Return gave Ralph Fiennes's Odysseus a steady, untroubled thump of arrows; the epic's own slaughter of the suitors, read closely, approaches Tarantino-adjacent parody. And the hardest tests are the atrocities the adaptations always cut: the mutilation of the goatherd Melanthius, and Telemachus hanging the enslaved women. Does the violence glorify the hero — or show what even the best of us are capable of? •       Keep Penelope Ambiguous. The great interpretive question of the Odyssey is when Penelope knows the beggar is her husband — the suitors, dead in the underworld, are convinced she was in on it all along. The epic grants her remarkable intelligence and agency, then reins it in: Agamemnon's ghost praises her by way of insulting all women, and she vanishes from the text. Christensen's advice to Nolan wouldn't be Margaret Atwood's Penelopiad, which centers the women's voices; it would be more screen time and total ambiguity — no access to her mind, a wife who matches her husband in wits and may even have outwitted him. Though based on Nolan's arc, he doubts we'll get a woman at the center. •       Survivor, Scoundrel, (Anti)hero. Christensen's worry about Matt Damon was simple: too likable. Odysseus is the master sergeant — the one who takes the hard orders, tricks Achilles into the war, engineers the Horse, and makes sure Hector's infant son doesn't survive to rebuild Troy. The ancient hero is neither good nor ...

Before we dive into The Odyssey by Christopher Nolan, we decided to catch up on the classical tale in the newest contemporary lens.A lost man, a grieving wife, a contemptuous son, many hungry giants, a few witches, and more gods than you could shake a stick at! email - ForestFilmClub22@gmail.comsocials - @ForestFilmClubblog - forestfilmclub.wordpress.com

In its nearly three-thousand-year history, the Odyssey has undergone as many twists and turns as its protagonist does on his journey home to Ithaca. Its origins as oral poetry suggest countless revisions before it was even put into text—and many more followed, as translators have wrestled with how best to express Homer's ancient Greek verse in their own languages. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider the latest rendition, a film adaptation by the director Christopher Nolan. The movie's two-hundred-and-fifty-million-dollar budget, A-list cast, and use of cutting-edge IMAX technology make it maximalist in every sense of the word. It's elicited glowing reception from early viewers—and faced preëmptive criticism from the right. Drawing on the scholar Emily Wilson's 2017 translation of the epic, Nolan has modernized the dialogue; his focus on the erosion of societal values also speaks directly to the anxieties of our era, in which so many norms and institutions feel newly precarious. “The Odyssey persists because the world does keep on evanescing behind us,” Cunningham says. “The question of how to move on is always fresh.” Read, watch, and listen with the critics: “The Odyssey” (2026) “Planet of the Apes” (1968) “Oppenheimer” (2023) “Troy” (2004) “Why the Odyssey Keeps Defeating Filmmakers,” by David Denby (The New Yorker) “L'Odissea” (1968) Emily Wilson's translation of the Odyssey Robert Fagles's translation of the Odyssey Daniel Mendelsohn's translation of the Odyssey “The Dark Knight” (2008) Shakespeare's “Hamlet” New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Director Christopher Nolan has cited Emily Wilson's translation of Homer's Odyssey as one of the inspirations behind his new film adaptation. Ahead of the movie, Wilson discusses the history of the ancient text, the process of translating it to English, and the potential challenges of adapting the epic tale for the big screen. Wilson will be speaking about her work on the evening of July 16 at 92NY with livestream tickets available. Image: Homer, The Odyssey. Ulysses (Odysseus) giving wine to Polyphemus, a cyclopes, son of Neptune (Poseidon) - God of the sea. Homer, blind Greek poet, c. 800 - 600 BCE, Trojan War, epic; illustration after Flaxman (Photo by Culture Club/Getty Images) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This Friday, “The Odyssey,” directed by Christopher Nolan, hits theaters. Even before the movie's release, though, it's proving to be a cultural event. Spirited discussions of Nolan's cinematic interpretation of the epic poem already abound online, and they are likely to intensify after the public sees the film. Why does a 12,000-line poem that is nearly 3,000 years old still feel resonant today? In this episode of “The Sunday Daily,” Natalie Kitroeff talks about the “Odyssey” with two writers who have produced some critically acclaimed and widely read modern interpretations of Greek classics: Emily Wilson, the first woman to translate the “Odyssey” from ancient Greek, and Madeline Miller, the author of the best-selling novels “Circe” and “Song of Achilles.” On Today's Episode: Emily Wilson, a professor, classicist, author and translator of the “Odyssey” Madeline Miller, the author of “Circe,” “Song of Achilles” and other books Background Reading: We'll Help You Find Your Next Great Book. (Spoiler: It's the ‘Odyssey.') The First Woman to Translate the ‘Odyssey' Into English Book Review: Turning Circe Into a Good Witch Photo: Melinda Sue Gordon/Universal Pictures Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Emily and Lila have both faced lies from the enemy that fundamentally affected their lives. Overcoming these lies and stepping into the freedom of their true identity has changed everything. Today, they both sit down to share their journeys of faith, freedom, and true identity as daughters of God, and how everyone can step into these truths. Check out Sacred Spark: https://www.sacredspark.app/ Emily's most recent book: https://amzn.to/4y40Cc6NEW: Check out our Merch store! https://shop.lilaroseshow.com/Join our new Patreon community! https://patreon.com/lilaroseshow - We'll have BTS footage, ad-free episodes, and early access to our upcoming guests.A big thanks to our partner, EWTN, the world's leading religious network! Discover news, entertainment and more at https://www.ewtn.com/ Check out our Sponsors:-Seven Weeks Coffee: https://www.sevenweekscoffee.com Buy your pro-life coffee and Save up to 25% with promo code 'LILA' & get a free gift: http://www.sevenweekscoffee.com-Hallow: https://www.hallow.com/lila Enter into prayer more deeply this season with the Hallow App, get 3 months free by using this link to sign up! -Presidio Healthcare: Healthcare and doctors who share your values. Visit: https://www.presidiocare.com/lila -EveryLife Women: https://www.everylife.com/lila Buy diapers and women's health products from an amazing company and use code LILA10 to get 10% off!

Peabody Award-winning filmmaker Amber Sealey joins us to discuss the new marriage dramedy from Olivia Wilde, which premiered at Sundance and is now opening across the country. Costarring Wilde, Seth Rogen, Edward Norton, and Penelope Cruz, it provokes laughs, anger, rug envy, and that perennial question: are the straights okay? Then we discuss our favorite films that are set in a single location! What's Good Alonso - Christian Marclay's The Clock returns to LACMA; Spain in World Cup quarterfinals Drea - Emily Wilson's translation of THE ODYSSEY Amber - potpourri basket of hippie gum; Skylight Books opening an Eagle Rock location Kevin - young love drama before Shrek at Cinespia ITIDICAlamo Drafthouse to Begin Screening Unsold Festival DarlingsUniversal Opts to Skip “Influencer Screenings” for THE ODYSSEY Staff Picks Alonso - Splitsville Drea - Widow's Bay (because An Unmarried Woman and The Heartbreak Kid aren't streaming)  Amber - Such Brave Girls Kevin - The Invitation Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinmaxfilm Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

Christopher Nolan's latest film, The Odyssey, doesn't debut in theaters until next week, but it's already drawing online backlash for perceived inaccuracies from Homer's epic poem. The story dates back to ancient Greece and has been told countless times; Nolan's interpretation draws from a 2017 translation of classical studies scholar Emily Wilson that's noted for its conversational language and feminist approach. Wilson argues that any given translation is a product of both the author who writes it and the era in which they interpret the text. Wilson joins us to discuss translating ancient Greek, how modern English influenced her telling and why The Odyssey endures today. Learn more about your ad choices. Visit megaphone.fm/adchoices