Podcast appearances and mentions of Emily Wilson

A eulogistic weepfest? A “valediction forbidding mourning”? A conscious unthroupling? All of the above?Believe it or not, the time has come for Steve, Dana, and Julia to convene the Culture Gabfest panel for the very last time. Before saying goodbye, they look back at the very first piece of culture they ever gabbed about on their inaugural episode in February 2008: the film Juno. Does the indie darling written by Diablo Cody, directed by Jason Reitman, and starring Elliot Page as a sardonic, pregnant teenager hold up after 18 years? And, what does rewatching it in 2026 reveal about how culture has changed? They discuss.Next, the panel welcomes on the grand poobah of SFOPs June Thomas to counsel them through the inevitable change in one's cultural habits that comes after a big life transition. They get into why June stopped watching TV and the truly wild mix of things in her YouTube algorithm. Finally, we hear from you our dear, dear listeners. Steve, Dana, and Julia respond to some of your many beautiful emails and voice memos. In our bonus episode for Slate Plus subscribers, past Gabfest producers spill the beans on what it was like to make this show over the years.And, as always, thank you so much for being a listener.EndorsementsDana: The forthcoming book about translating ancient texts by beloved past Gabfest guest Emily Wilson, Crossing the Wine-Dark Sea: Journeys Through Ancient Literature.June: The podcast Drafting the Past hosted by Kate Carpenter about the craft of writing history.Julia: Manhattan Beach's indie bookstore Pages and On the Calculation of Volume (Book 1) by Solvej Balle (definitely the first 30 pages and maybe the whole five book series).Steve: In addition to the music of Red Garland, I Capture the Castle by Dodie Smith, and the poem “The Writer” by Richard Wilbur, Sparrowbush Bakery, a tiny, rustic bakery in Livingston, New York that is only open Fridays and Saturdays and serves the best bread made from fresh stoneground flour from locally grown grains you'll ever taste.Where in the World to Find the Culture GabfestDana: Writing film reviews on Slate.com and kicking around a book idea that is still in the early stages. You can find updates and commentary on Bluesky. Steve: In the wind, to the sands... and also working on a new book about, among many other things, the 1980s.Julia: Editing L.A. Material and soon appearing weekly on L.A. Material's about-to-launch podcast L.A. World. Also, on Twitter/X, Instagram, and Bluesky.June: At her newsletter Where Are All the Emails?For the time being, listeners can also still reach the panel by emailing culturefest@slate.com. And to keep tabs on the Gabfesters, subscribe to their brand-new newsletter, the Culture Gabletter, to receive occasional updates, endorsements and more. --Podcast production by the immensely talented Benjamin Frisch. Production assistance by the brilliant Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Mortality and the End of the Iliad. Guest: Professor Emily Wilson. The final stages of the Iliad focus on Achilles' intense grief and the rituals surrounding death. Following the violent funeral pyre for Patroclus, Achilles organizes funeral games, which Wilson suggests represent his growing realization that all mortals are ultimately "losers" in the face of death. These games provide a new model for competition where skillful men can win prizes without the conflict ending in the destruction of society. A significant moment of reconciliation—or perhaps a "sick burn"—occurs when Achilles gives Agamemnon a prize for spear-throwing without requiring him to compete, acknowledging Agamemnon's status while potentially mocking his habit of taking things he did not earn. The poem notably concludes not with the fall of Troyor the Trojan Horse, but with the voices of three women—Andromache, Hecuba, and Helen—singing laments. Their grief highlights the future of enslavement and loss facing the survivors. This ending, marked by a humanitarian pause for Hector's funeral, underscores the poem's central theme: the universal struggle to accept human mortality. 1

The Homeric Question and Epic Tradition. Guest: Professor Emily Wilson. The identity of Homer remains a subject of intense scholarly debate, as the Iliad emerged from a long oral tradition that existed before the return of literacy to Greece in the 8th century BCE. For centuries, performing poets developed stories of heroes like Achilles and Agamemnon, using dactylic hexameter to aid memory and performance. The Iliad is a monumental written poem that takes a sophisticated approach to these familiar tales, often subverting expectations. Interestingly, it omits many "famous hits" like the Trojan Horse, the judgment of Paris, and the actual fall of Troy. Instead, it focuses on a mere month and a half of the ten-year war, centering on internal Greek conflict rather than just a battle against Trojans. Wilson notes that while she translates the work into iambic pentameter to capture its drive, the poem itself possesses the narrative complexity of a modern novel, utilizing techniques like shifting perspectives and narrator omniscience. She also mentions lost epic poems like the Cypria, which provided more backstory on Zeus's plan to reduce the human population through war. 2

Character Pairings and the Pressure of Honor. Guest: Professor Emily Wilson. The Iliad features vivid character relationships that function with the depth of a novel. Helen is portrayed as an ironic thinker and a storyteller who weaves the sufferings of the war into her textiles, much like the poet himself. She possesses a unique perspective on her own fate and the limited power mortals have against the whims of gods like Aphrodite. In contrast, Hector and Andromacheform a tragic pairing; Andromache's heartbreaking pleas for her husband to stay within the city walls are met with Hector's refusal, driven by the intense fear of shame and the pursuit of kleos, or undying glory. The royal couple Priamand Hecuba represent different facets of leadership and loss, with Hecuba displaying a maternal rage so fierce she wishes to eat her enemies raw. Divine figures like Thetis, Achilles' mother, add a layer of sympathy as she bargains with Zeus to grant her son glory, knowing his life will be short. However, these divine interventions often result in further horror for the mortals involved. 31789

Goddesses, Trophies, and the Bond of Achilles. Guest: Professor Emily Wilson. The gods in the Iliad often represent extreme human instincts, such as Aphrodite representing lust and Ares representing aggression. These deities are sometimes depicted as ridiculous because they flee the battlefield when wounded, whereas mortals must face their pain heroically. Within the Greek camp, the social structure is built around honor and "trophies," specifically enslaved women like Briseis, who are parceled out after military victories. While Briseis has a limited voice, she is shown to have a kind relationship with Patroclus, who is described as a multi-faceted character capable of both great kindness and brutal violence. Patroclus is not a "beta male" but a skilled warrior who mocks his victims as he kills them. The bond between Achilles and Patroclus is the most intimate and emotionally vulnerable relationship in the poem. Achilles' awareness of his own impending death and the violation of his honor by Agamemnon creates a deep-seated rage that drives the central plot. 41919

The Plot Begins: Rage and Divine Bargains. Guest: Professor Emily Wilson. The plot of the Iliad is ignited by a clash of egos between Agamemnon and Achilles. When Agamemnon is forced to return his own war prize to appease Apollo, he seizes Achilles' enslaved woman, Briseis, to recoup his lost face. This action causes Achilles to withdraw from the fighting, perversely restoring his honor by demonstrating how much the Greeks suffer without him. This human conflict is mirrored by divine bargaining; for instance, Hera is so intent on destroying Troy that she offers to let Zeus destroy three of her own beloved cities, including Sparta, in exchange for his cooperation. The Greek audience would have recognized the historical weight of these fallen cities. Wilson interprets Agamemnon not as a simple villain, but as a weak and struggling leader who often blames his poor decisions on divine delusion rather than taking personal responsibility. Despite his flaws, the poem illustrates the immense difficulty of maintaining power and making decisions under the influence of manipulative gods. 5

The Gore of Battle and the Sanctity of the Dead. Guest: Professor Emily Wilson. The Iliad features vivid and gory battle scenes that Wilson rendered by consulting with combat veterans to understand the visceral nature of death. Homeremphasizes the specific details of how each man dies, often juxtaposing the brutality of a spear through an eyeball with beautiful similes from the natural world. A major theme is the treatment of the dead; the poem views the corpse as the person, requiring those who loved the warrior to wash, wrap, and lament him. Entire books are dedicated to the struggle of reclaiming a fallen comrade's body, as desecrating a corpse is seen as the ultimate victory over an enemy. Stripping the armor from a victim serves as both an economic prize and a symbol of total dominance. While the gods like Poseidon and Hera intervene to support the Greeks, they also remain distinct from mortals by "bleeding" a substance called ichor. These divine and human elements culminate in the pivotal death of Patroclus, which shifts the direction of the entire war. 6

The Fall of Patroclus and the Killing Machine. Guest: Professor Emily Wilson. The turning point of the epic occurs when Patroclus enters the battle wearing Achilles' armor to deceive the Trojans and save the Greek ships. Ignoring Achilles' warning to return quickly, Patroclus is driven by a desire for honor and continues his assault until he is stripped of his armor by Apollo and killed by Hector. This loss transforms Achilles into a terrifying "killing machine" who returns to the field for vengeance. Before re-entering the fray, his mother Thetis secures new magical armor from Hephaestus, the "tech god" of fire who works with robotic assistants. Achilles' subsequent rampage is so brutal that he violates human norms by killing unarmed suppliants and clogging the river Xanthus with so many corpses that the river god himself rises in protest. The narrative reaches its climax as Hector faces Achilles alone outside the city walls. The poem suggests that without proper burial, a spirit or psyche is doomed to wander, as seen when the spirit of Patroclus visits Achilles to plead for his funeral rites. 71890

Mortality and the RAGE OF ACHILLES. Guest: Professor Emily Wilson. The conclusion of the Iliad explores the resolution of Achilles' rage following the death of Hector. Initially, Achilles attempts to prolong Hector's humiliation by dragging his body behind a chariot and refusing to allow a proper burial. However, the funeral games for Patroclus mark a shift toward maturity, as Achilles provides a space for competition that does not end in death. He even shows a degree of grace—or perhaps a subtle insult—by awarding Agamemnon a prize without a contest. The poem finishes with a humanitarian pause that allows the Trojans to bury Hector, bookending the story with funerals. The final voices are those of mourning women, emphasizing the shared human experience of grief and the inevitable suffering that follows war. Wilson concludes that the Iliad is fundamentally about the struggle to accept mortality, a theme that has provided comfort and insight to readers for over 2,700 years. 8

“In silent screams and wildest dreams, I never dreamed of this. This love is good. This love is bad. This love is alive back from the dead.” This week we're setting sail on one of history's greatest epics, Homer's The Odyssey, and asking a very important question... did Taylor Swift write it? (We're mostly joking. Mostly.) In this Show & Tell episode, we each make the case for a Taylor Swift song that illuminates a different facet of the Odyssey, from Penelope's 20-year vigil to Odysseus weeping on a gorgeous island, to the sirens, the wine-dark sea, and a very significant scar. Along the way, the hosts dig into questions of translation and interpretation — particularly the significance of Emily Wilson's landmark female translation of the text — discuss the role of Athena in the story of the epic, and geek out about the archery contest that shows up in both the Odyssey and two Indian epics. Plus: the upcoming Christopher Nolan adaptation, the musical Epic by Jorge Rivera, Madeline Miller's Circe, and why All Too Well (10 Minute Version) might just be Taylor's own Odyssey.   Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!   Stay up to date at aptaylorswift.com   Songs Discussed in This Episode: This Love — Taylor Swift (1989, 2014) | Written by Taylor Swift and Nathan Chapman I Don't Want to Live Forever — Taylor Swift & Zayn (Fifty Shades Darker soundtrack, 2017) | Written by Taylor Swift, Jack Antonoff, and Sam Dew Willow — Taylor Swift (evermore, 2020) | Written by Taylor Swift and Aaron Dessner   Honorable Mentions: Long Story Short (evermore) — previously discussed in our Greek Mythology episode (E67) Breathe (Fearless) Treacherous (Red) The Great War (Midnights) The Story of Us (Speak Now) High Infidelity (Midnights) Castle's Crumbling (feat. Hayley Williams, Speak Now (Taylor's Version)) Dear Reader (Midnights) State of Grace (Red) Gold Rush (evermore)   Mentioned in This Episode: The Odyssey, Homer (trans. Emily Wilson) The Odyssey, Homer (trans. Robert Fagles) Circe, Madeline Miller The Song of Achilles, Madeline Miller The Penelopiad, Margaret Atwood Epic: The Musical, Jorge Rivera-Herrans Christopher Nolan's The Odyssey (upcoming film) All Too Well (10 Minute Version) (Taylor's Version) — mentioned as a potential “Taylor's Odyssey” Ulysses, James Joyce (briefly mentioned)   Episode Highlights: [~00:01] Welcome and why the Odyssey, why now [~10:45] Maansi's pick: This Love as Penelope's story — the weaving scheme, the suitors, and letting go [~24:00] Jenn's pick: I Don't Want to Live Forever as Odysseus refusing immortality on Calypso's island [~38:27] Jodi's pick: Willow — ships, the wine-dark sea, Charybdis, the sirens, and the bait-and-switch of Odysseus' return [~01:00:19] Honorable mentions: Breathe, Treacherous, The Great War, The Story of Us, High Infidelity, Castle's Crumbling, Dear Reader, State of Grace, Gold Rush Follow AP Taylor Swift Podcast on Social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree → linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro   Contact us at aptaylorswift@gmail.com   Affiliate Codes: Krowned Krystals — krownedkrystals.com | Use code APTS at checkout for 10% off!   Libro.fm — Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here: tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Comedian and Prolific Podcaster Jackie Kashian returns to the show to talk about Magic: The Gathering and the Marvel edition, Wonder Man, Toy Story 5, Spider-Noir, The Studio, the Emily Wilson translation of The Odyssey, and Resident Evil 9.  

What might we learn about mental resilience from ancient Greek mythology?

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily Wilson sits down with Julia Goodman, a San Francisco-based artist who makes paper and textiles, as well as paintings and sculptures. They meet on the campus of the California College of the Arts — the last art school in San Francisco, set to close at the end of the 2026–27 school year — where Julia has been teaching. Their conversation covers Julia's winding path to art, the meditative and cathartic labor of making paper from recycled fabrics, grief, and an ongoing audio archive project about astronomy and motherhood. About Artist Julia Goodman: Julia Goodman is an artist and educator working at the intersection of papermaking, textiles, sculpture, and painting. Her work is held in the collections of the National Museum of Women in the Arts (NMWA), DePaul Art Museum, Recology San Francisco, and Google. Unimaginable Units of Time marks her first solo museum exhibition, presented at the San Luis Obispo Museum of Art. Recent group exhibitions include NMWA, Contemporary Jewish Museum, San Jose Museum of Art, DePaul Art Museum, Poetry Foundation, and Berkeley Art Center. Her residencies include JB Blunk Residency, Recology SF, Creativity Explored, Salina Art Center, The Space Program SF, and The Eames Institute. She is a recipient of the 2020 Women to Watch Award from the San Francisco chapter of NMWA. She is a longtime resident of the San Francisco Bay Area and started making paper in 2003 with a kitchen blender and old window screens. Visit Julia's  Website:  JAGoodman.com Follow Julia on Instagram:  @JuliaAnneGoodman Learn more about Julia's Wrenching News Workshops HERE. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, we're visiting with Mary Kay Andrews, a longtime writer and certified badass who we adore for her WTAF Wednesdays and her delightful books. We talk about her writing journey, her decision to get publicly, vocally political, and about her new book Road Trip. We had a great time chatting and talking about writing, about research, and about how we should all just take a road trip through Ireland. Of course, we recommend a few books!Find Mary Kay Andrews (and catch WTAF Wednesdays) on Instagram, Threads, or her website.Listen to our earlier romance road trip episode from Season 1 and head over to tell us all about your favorite road trips and find an endless list of road trip recs on the Fated Mates Discord, accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Next week, our read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.Books DiscussedRoad Trip by Mary Kay AndrewsSummers at the Saint by Mary Kay AndrewsThis Kingdom Will Not Kill Me by Ilona AndrewsNevermind the Mistletoe by Louisa DarlingThe Adventures of Huckleberry Finn by Mark TwainThe Odyssey, Emily Wilson's TranslationThe Mostly True Story of Tanner and Louise by Colleen OakleyThis Tender Land by William Kent KruegerThe Road to Tender Hearts by Annie HartnettSponsorsEdward Underhill, author of The House of Now & Then, available in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, or wherever you get your books.Kristina Forrest, author of The Summer Girlfriend, available for preorder in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo or wherever you get your books.Little Brown & Co, publishers of Emily Adrian's Seduction Theory. Available in print, ebook and audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, wherever you get your books, or with your monthly subscription to Kindle Unlimited.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/6/9/s0837-road-trips-with-mary-kay-andrews If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

My guest on this week's Book Club podcast is Emily Wilson, the scholar and translator of Homer and Seneca, among many others. She tells me what tech bros get wrong about the classical world and what Cardi B can teach us about Aristophanes, as we discuss her new book, Crossing the Wine-Dark Sea: Journeys Through Ancient Literature. Hosted on Acast. See acast.com/privacy for more information.

Wed, 03 Jun 2026 00:00:00 GMT http://relay.fm/focused/257 http://relay.fm/focused/257 David Sparks and Mike Schmitz Stephen Robles joins us to talk about reading, intentional technology use, directing AI, and the golden era of the generalist. Stephen Robles joins us to talk about reading, intentional technology use, directing AI, and the golden era of the generalist. clean 4520 Stephen Robles joins us to talk about reading, intentional technology use, directing AI, and the golden era of the generalist. This episode of Focused is sponsored by: Keeper: Get 60% off personal and family plans. Squarespace: Save 10% off your first purchase of a website or domain using code FOCUSED. Guest Starring: Stephen Robles Links and Show Notes: Deep Focus: Extended ad-free episodes with bonus deep dive content. Focused 257 on YouTube Stephen's website Riverside.fm Stephen's YouTube channel Treo 755p | Wikipedia Engadget | Technology News & Expert Reviews Mac Power Users | Relay Range by David Epstein The Gap and The Gain by Dr. Benjamin Hardy and Dan Sullivan MKBHD on his 100th video | YouTube The Talk Show Ep. 447, with Adam Lisagor Hovercraft The Rise of the Creative Tastemaker | Practical PKM The Light Phone FL Studio The Body Keeps the Score by Bessel van der Kolk I Am Not a Robot by Joanna Stern Your Brain on Art by Susan Magsamen & Ivy Ross 100 Rules for Living to 100 by Dick Van Dyke Creativity by John Cleese Four Thousand Weeks by Oliver Burkeman The Other Side of Sadness by George Bonanno The Violin Maker by John Marchese Foundation | IMDb Stillness Is the Key by Ryan Holiday Last Meals | YouTube Reconcilable Differences | Relay Unreasonable Hospitality by Will Guidara Unreasonable Hospitality: The Secret to an Audience That Never Leaves | Nathan Barry Show #127 On B.S. by Harry Frankfurt The Odyssey by Homer, Emily Wilson translation Shark Slider Pico | iFootage Plaud Note Pro

Wed, 03 Jun 2026 00:00:00 GMT http://relay.fm/focused/257 http://relay.fm/focused/257 I Go By Vibes, with Stephen Robles 257 David Sparks and Mike Schmitz Stephen Robles joins us to talk about reading, intentional technology use, directing AI, and the golden era of the generalist. Stephen Robles joins us to talk about reading, intentional technology use, directing AI, and the golden era of the generalist. clean 4520 Stephen Robles joins us to talk about reading, intentional technology use, directing AI, and the golden era of the generalist. This episode of Focused is sponsored by: Keeper: Get 60% off personal and family plans. Squarespace: Save 10% off your first purchase of a website or domain using code FOCUSED. Guest Starring: Stephen Robles Links and Show Notes: Deep Focus: Extended ad-free episodes with bonus deep dive content. Focused 257 on YouTube Stephen's website Riverside.fm Stephen's YouTube channel Treo 755p | Wikipedia Engadget | Technology News & Expert Reviews Mac Power Users | Relay Range by David Epstein The Gap and The Gain by Dr. Benjamin Hardy and Dan Sullivan MKBHD on his 100th video | YouTube The Talk Show Ep. 447, with Adam Lisagor Hovercraft The Rise of the Creative Tastemaker | Practical PKM The Light Phone FL Studio The Body Keeps the Score by Bessel van der Kolk I Am Not a Robot by Joanna Stern Your Brain on Art by Susan Magsamen & Ivy Ross 100 Rules for Living to 100 by Dick Van Dyke Creativity by John Cleese Four Thousand Weeks by Oliver Burkeman The Other Side of Sadness by George Bonanno The Violin Maker by John Marchese Foundation | IMDb Stillness Is the Key by Ryan Holiday Last Meals | YouTube Reconcilable Differences | Relay Unreasonable Hospitality by Will Guidara Unreasonable Hospitality: The Secret to an Audience That Never Leaves | Nathan Barry Show #127 On B.S. by Harry Frankfurt The Odyssey by Homer, Emily Wilson translation Shark Slider Pico | iFootage Plaud Note Pro Govee

Join the guys this week for a quick takedown of three recent translations of Homer's Odyssey, courtesy of Prof. Richard Whitaker of the University of Cape Town (Acta Classica, 2020). In six weeks, the Christopher Nolan adaptation of the Odyssey will hit the big screen, based on Emily Wilson's translation. But does this new rendition of the epic have sufficient gravitas, not to mention accuracy, to carry the story? Dave and Jeff look at this question from as many angles as a 30-minute episode will allow, including: style, word choice, faithfulness to Homer's moral vision, and more. There is also a quick take on the Anthony Verity and Peter Green versions, with their respective strengths. So grab some Classics on the go (take them in kinda between meals) and keep them down! You'll be gurgling all the way to greater Classical profundity. And don't miss secret code words like braggart, and fantastic summer sales, AESTAS15!

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily welcomes Abram Jackson, the Director of Interpretation at the Fine Arts Museums of San Francisco, to talk about his work making museum exhibitions more inclusive and equitable. Abram came to the role through an unexpected path — he was a teacher and dean specializing in ethnic studies at the Bay School when a student's mother asked him to review an audio tour for inclusive language. He fell in love with the work and joined the de Young full-time in 2022. In his role, he reads exhibition labels through an equity lens, a practice he traces back to his very first edit on the Soul of a Nation show, where he revised the description of Fred Hampton's death to accurately name the role of COINTELPRO. The conversation also covers an upcoming Lowrider Culture Celebration at the de Young on June 6th, honoring artist Rose B. Simpson's Lexicon — rebuilt classic cars painted like pottery — planned in partnership with three women lowrider community leaders: Angel Romero, Ruby Ramirez, and Vera Majano. The free public event includes a lowrider exhibit, a screening of the documentary Los Dueños, a DJ, and family art-making activities. About Abram Jackson: Abram Jackson is the inaugural Director of Interpretation at the Fine Arts Museums of San Francisco. Jackson utilizes ethnic studies theories and DEIA practices in partnership with staff to incorporate more inclusive narratives into didactics. Jackson holds a Master of Arts in Ethnic Studies from San Francisco State University and a Master of Teaching in Social Studies from the University of Southern California. Jackson has fifteen years of administrative and teaching experience at the high school level, including seven at The Bay School of San Francisco as a humanities teacher and junior class dean, adjunct lecturer at San Francisco State University and at education programs for incarcerated people in California.  Connect with Abram:  LinkedIn Profile Follow Abram on Instagram:  @Interpreting_Abram For Details About The Lowrider Culture Celebration on June 6 at the de Young - CLICK HERE Learn More About Rose B. Simpson Lexicon HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

My guest on this week's Book Club podcast is Emily Wilson, the scholar and translator of Homer and Seneca, among many others. She tells me what tech bros get wrong about the classical world and what Cardi B can teach us about Aristophanes, as we discuss her new book, Crossing the Wine-Dark Sea: Journeys Through Ancient Literature.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Canon by Paige Lewis is a surreal and hilarious tale of godly proportions. Paige joins us to talk about story structure, character, heroes, epic poetry, genre and more with cohost Jenna Seery. This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Canon by Paige Lewis Annie Allen by Gwendolyn Brooks Midwinter Day by Bernadette Mayer The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson The Iliad: Translated by Emily Wilson by Homer The Odyssey: Translated by Emily Wilson by Homer Aniara by Harry Martinson The Beheading Game by Rebecca Lehman Babylon, South Dakota by Tom Lin Seek Immediate Shelter by Vincent Yu  

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily interviews Emory Douglas, the Black Panther Party's Minister of Culture and revolutionary artist. The episode centers on a retrospective of his work, Emory Douglas in Our Lifetime, on view at San Francisco's African American Arts and Culture Complex. About Artist Emory Douglas: The former Minister of Culture and Revolutionary Artist for the Black Panther Party, Douglas helped define the aesthetics of protest at the height of the Civil Rights era, cementing his status among the 20th century's most influential radical political artists. Throughout the 1960s and 1970s, he designed all but one of the Party's newspapers, each issue marked by the artist's bold, figurative illustrations outlined in thick black line and contrasted with bright colors, block text, and photomontage. The clearly rendered imagery, applied to a range of printed media from newspapers to posters, notecards, and pins, became a hallmark of liberation movements around the world, as supporters calling for an end to the oppression and subjugation of Black, Indigenous, and other communities sought to project a spirit of shared struggle through a common artistic vocabulary. Douglas was born in Grand Rapids, Michigan. In 1951, his family relocated to San Francisco, where he continues to live today. Widely known as an epicenter of radical countercultural politics in the post–World War II era, the city was also deeply divided and segregated, and it was the injustices that Douglas observed as a child that informed his political ideology as an adult. Beginning in the early 1960s, as a student of commercial art at City College of San Francisco, Douglas made frequent trips to nearby San Francisco State University to see civil rights leaders like Amiri Baraka, Stokely Carmichael, and H. Rap Brown speak. He soon lent his talents to the nascent Black Arts Movement, creating fliers and other promotional artworks to advertise events held across the city. These formative experiences solidified his intentions to dedicate his work to the broader struggle for Black liberation that was taking shape around him. In January 1967, Douglas met Huey Newton and Bobby Seale, two young activists from nearby Oakland, who, months earlier, had founded the Black Panther Party (BPP). Black self-determination was the Party's primary motivation, seeking to improve the position of underprivileged people of color in America through “whatever means necessary.” The organization initially focused on an individual's right to bear arms for defense against police violence, but its attention eventually turned to social justice issues like free breakfast for school children and fair housing. Seeking to promote their civil rights agenda to a primarily Black American audience, the Panthers developed a newspaper, the first of which Seale created and published in April 1967. That first issue was simple in layout and design, leading Douglas to offer his expertise in print production, understanding the power that strong visuals could lend to political action. Beginning with the second, he designed every issue thereafter—some 537 newspapers, from 1967 until it ceased publication in the early 1980s. Douglas quickly rose through the ranks of the organization: he was officially named its Revolutionary Artist and, eventually, Minister of Culture, overseeing all aspects of the BPP visual identity. Douglas's familiarity with the print production process was a fruitful asset, as he employed simple tools like markers, rub-off type, and prefabricated texture materials to create his visually impactful designs. To keep costs low, each paper was printed in one or two colors—black ink, often with a contrasting bright color. His illustrations shone a spotlight on state-sanctioned brutality, depicting law enforcement officers and politicians as pigs, while also portraying Black people bearing arms and defeating their oppressors. Some issues featured images of Black suffering, lambasting the political establishment for failing to meet the basic needs of people of color across the United States. Douglas strategically employed photomontage as well, integrating photographs alongside text and illustrations to emphasize urgent issues facing the Party. The impact and influence of Douglas's designs underscored the importance of a consistent graphic strategy in conveying complex political messages in very simple terms. This success was underscored by the massive global distribution of the newspaper and the frequent use of Douglas's illustrations in the political campaigns for organizations like the Organización de Solidaridad con los Pueblos de Asia, África y América Latina, Organization of Solidarity with the People of Asia, Africa, and Latin America, known as OSPAAAL. Despite the popularity of the Panthers' programs and their frequent struggle against the established white political order, the Party was disbanded in the early 1980s. Douglas continues to work as a political artist and activist, producing work that seamlessly translates complex political issues into easily understood illustration, a hallmark of the pieces he produced as a member of the Panthers. His striking figural illustrations connect him to generations of American artists like Elizabeth Catlett, Aaron Douglas, and Charles White, while his combining of type and image draw on generations of political art emanating from across the world, including contemporaries working in Cuba during the Communist Revolution. Deeply bound to American history and politics, his imagery evokes a powerful, globally resonant narrative. For more on Emory, CLICK HERE.   To learn about the exhibit honoring Emory's revolutionary work, CLICK HERE. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Will Christopher Nolan's most expensive film ever be a flop? We're diving into the massive controversy surrounding The Odyssey (2026), from the Emily Wilson translation drama to the latest casting rumors. Plus, we discuss the shock return of Star Fox on Nintendo Switch 2, Thoughts on Pragmata now that I've played it and the new Lord of the Rings News Donate Here - https://www.paypal.com/donate?hosted_button_id=Y6TSU94STL9PU All our Links - https://linktr.ee/theundergroundxn What is our Value for Value System? Value for Value is a listener based business model where you determine the value our content is worth. If you feel you are getting value from our content, please consider becoming a supporter by donating your time, talent, & treasure. Time: meaning any effort you put in to improving or developing our content or sharing it. Talent: meaning any skills you possess that you want to contribute to help us develop our platform (ie., artwork for podcast episodes, branding design, editing, etc). Treasure: pay a one-off amount or a recurring contribution for the value you think our service is worth. Please be sure with any payment you send via PayPal to include a note, so that we can read it on the livestream, if you'd like. Your donations keep our content advertisement free. Thank you. Where do you support us? Click the direct.me link to find our PayPal link for contributions as well as our YouTube, TikTok, Instagram, and Twitter links! We appreciate the engagement from all of you! Please note any amount will remain anonymous upon request. All donors will receive a special mention on the show unless otherwise noted. Special Note: The Value for Value business model originated with Adam Curry & John C. Dvorak of the No Agenda Podcast. https://www.youtube.com/watch?v=PgihPtnBSek

This is a free preview of a paid episode. To hear more, visit claremontinstitute.substack.comThe Odyssey: Homer's epic tale of a man's harrowing return home from war. Today, the object of gender-critical, woke narrative extremes in translator Emily Wilson's rendition—and potentially in Christopher Nolan's upcoming adaptation. Spencer Klavan and Ryan Williams discuss the rumors and reports about the summer film's casting: Zendaya as Athena, Lupita Nyong'o as Helen, Travis Scott as the poet Demodocus, and possibly Elliot Page (formerly Ellen Page) as Achilles. Will Nolan somehow pull it all together, or deliver a steaming pile of Woke?

Netflix's 'The Roast of Kevin Hart' has ignited a fierce new culture war debate after a barrage of controversial jokes sparked backlash from across the political spectrum. The roast - featuring material touching on racism, sexism, ableism, antisemitism, the assassination of Charlie Kirk, George Floyd and more - has been praised by some as proof that “woke culture” is finally losing its grip on comedy, while others argue it crossed multiple lines. As outrage erupts online, the discussion has reopened old questions about cancel culture, free speech, and whether offensive comedy should have any limits at all. Can comedy ever go too far? If so, where is the line and who gets to decide? Piers Morgan is joined by comedian and host of Part of the Problem, Dave Smith, PBD Podcast contributor Adam Sosnick, host of Emily Saves America, Emily Wilson, and author, commentator and YouTuber Jay Dyer to debate. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're deep diving into one of our favorite historicals from the 00s today — Jennifer Ashley's The Madness of Lord Ian Mackenzie. It's a great follow up to our Paris episode last week, but we also talk about how Ashley really wrote the heck out of this book. We talk about widows, about sex in historicals, about autism rep in historicals, romance families, and the way this series electrified us as readers. This book is a straight up banger.If you're interested in learning more about the AH2 Historical Trailblazer Kickstarter, featuring beautiful, hardcover special editions of Lord of Scoundrels, Indigo, The Magpie Lord, Butterfly Swords and Dreaming of You, head over to the Kickstarter page and sign up for updates!If you'd like to continue the conversation about The Madness of Lord Ian Mackenzie or any of Jennifer Ashley's other books, please come join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.NotesCheck out the AH2 kickstarter, partnering with Fated Mates and Julia Whelan's Audiobrary. It goes live next week!Dua Lipa met her fiance Callum Turner because they both were reading the same book, Trust by Hernan Diaz. Dua Lipa's book club is called Service 95.You, too, might enjoy reading Dungeon Crawler Carl. Or Reacher. Or Murderbot. Jen is thinking of going to bedazzle a copy of Dungeon Crawler Carl, but is that too silly?Dorchester Publishing was a house that published mostly mass market paperbacks, and it shuttered shortly after the publishing of The Madness of Lord Ian MacKenzie. The editor of the book, Leah Hultenschmidt, is now at Forever.There's a new-ish translation of The Odyssey by Emily Wilson that you might like. Xenia is the ancient Greek word for hospitality, and Wilson talks a about how the word comes from the root xenos, meaning both stranger and friend. Maybe if we were all a little more open to those we don't know, things would be different.SponsorsHarperCollins, publishers of Laurie Gilmore's The Daisy Chain Flower Shop, available in print, ebook or audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Michelle Ruoff, author of A Summer to Stay, available in print, ebook and with your monthly subscription to Kindle Unlimited.Jennilynn Wyer, author of All Our Next Times, available in print, ebook and audiobook, or with your monthly subscription to Kindle Unlimited.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/5/4/0833-the-madness-of-lord-ian-mackenzie If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily chats with Kara Maria, a painter and printmaker based in San Francisco Episode Highlights: Kara discusses her large-scale wood panel print on display at Chase Center in San Francisco, created at Magnolia Editions in Oakland with master printer Tallulah Terrell How a monarch butterfly painting became the starting point — and then had to be modified — for the Chase Center commission Her colorful aesthetic, rooted in 1970s cartoons, Spirograph, comic books, and Japanese woodblock prints (particularly Hokusai) The influence of her husband, Mexican artist Enrique Chaya, and their travels to Mexico on her color palette Childhood memory of a school librarian who gave her a shelf in the library for her handmade illustrated books Her journey from music school to painting — and why she knew she could never stop making art Her love of Bay Area edges: the Marina, Ocean Beach, and the view from Mount Davidson Why her studio, SF MoMA, the de Young, and the Legion of Honor all hold special meaning About Artist Kara Maria: Kara Maria is a visual artist working in painting, drawing, printmaking, and public art. Her recent work addresses climate change, biodiversity loss, and their significant impact on humanity. She meticulously paints miniature portraits of threatened, endangered, and extinct animals amid fields of flying shapes, twisting lines, and swirling colors. These works celebrate the joy and exuberance of life, emphasizing the incredible variety of existence on our planet. Maria received her BA and MFA from the University of California, Berkeley. She has exhibited work in solo and group shows across the United States at venues such as the de Saisset Museum at Santa Clara University, CA; the Sonoma Valley Museum of Art, Sonoma, CA; the Nevada Museum of Art, Reno, NV; the Contemporary Arts Museum, Houston, TX; and the Katonah Museum of Art in New York. Maria has been selected for awards and honors, including the Masterminds Grant from SF Weekly; a grant from Artadia; and an Eisner Prize in Art from UC Berkeley. Her work has received critical attention in the San Francisco Chronicle, the Los Angeles Times, and Art in America. She has been awarded artist residencies at the Montalvo Arts Center, the Recology Artist in Residence Program, Djerassi Resident Artists Program, and the de Young Museum Artist Studio. Maria's work is part of the permanent collections of the Berkeley Art Museum and Pacific Film Archive; the Cantor Arts Center at Stanford University; the Crocker Art Museum, Sacramento; the Fine Arts Museums of San Francisco; the Frederick R. Weisman Art Foundation, Los Angeles; the Museum of Fine Arts, Houston; and the San Jose Museum of Art, among others. Born in Binghamton, NY (1968), Kara Maria now lives and works in San Francisco, CA. Links & Resources: Visit Kara's Website: KaraMaria.com Follow Kara on Instagram:  @Kara Maria Art Kara Maria's work is on display at Chase Center as part of the Homegrown Series (alongside work by Masako Miki, featured in Episode 60) CLICK HERE FOR MORE INFO -- Coming Up Next: Episode 70 on May 19th — Emery Douglas, graphic artist and former Minister of Culture for the Black Panther Party. His show Emery Douglas: In Our Lifetime is at the African American Art and Culture Complex in San Francisco through October. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  In this episode, Emily talks with San Francisco based artist Chad Hasegawa, known for his minimalist, bold abstract style. Chad grew up in Hawaii, moved to San Francisco inspired by the Mission School art movement, and studied advertising at the Academy of Art University before becoming a full-time painter. He discusses how artists like Franz Kline and Mark Rothko shaped his goal of creating work that stirs deep emotion without explanation, and how painting murals on the street — and the raw reactions from passersby — reinforced that vision. Chad is currently painting a mural on shipping containers at the entrance to the San Francisco Art Fair at Fort Mason (April 16–19) and will have a solo presentation at the Good Mother Gallery booth inside the fair. About Artist Chad Hasegawa: Chad Hasegawa is a San Francisco-based artist and a graduate of the San Francisco Academy of Art. Hasegawa's art is a quest for simplicity and emotional resonance. His approach, deeply rooted in minimalism, focuses on reducing complexity to reveal the essence of feeling and reason. Hasegawa believes in stripping away the unnecessary, leaving behind art that genuinely connects with the viewer through color and form. This process, a balance of adding and subtracting elements, aims to capture pure emotion rather than narrate stories. His work is a deep exploration into the intrinsic structures that shape our perceptions. His work is not just an artistic expression; it is a blueprint for understanding and experiencing the world. Through the lens of minimalism, Hasegawa meticulously crafts each piece to serve as a map, guiding viewers through a landscape of feelings and ideas. The essence of his art lies in this careful balance of elements - each subtraction and addition serves a deliberate purpose, ensuring that every stroke, every color, and every form contributes to the overarching narrative of emotional truth. He strips away the extraneous, focusing on the elemental to evoke a raw, unfiltered emotional response. This purity of expression allows the viewer to connect deeply with the work, engaging not just with the art but with their own inner landscapes of emotion and thought. His work reshapes our understanding of art and its purpose, emphasizing the importance of simplicity in a complex world. By removing the superfluous, his work allows us to appreciate the fundamental aspects of life and art. Hasegawa's work uniquely blends emotion and reasoning, ensuring each piece is both meaningful and emotive. When his work lacks feeling, he enriches it with emotion; when it lacks purpose, he refines it to its core. This balance is Hasegawa's signature, making his art a powerful statement in the ongoing evolution of minimal abstraction and its role in shaping our future. For more from Chad, CLICK HERE.  Follow Chad on Instagram:  @ChadHasegawa For more about the San Francisco Art Fair at Fort Mason - CLICK HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode is philosophizing, listener! Chelsea Cutler is a singer, songwriter, producer, and one of your favorite queer musicians with over 3 billion global streams and worldwide tours, but today she's in the apartment to take a tour through your BODY. In addition, we have the incredible comedian Emily Wilson filling in as co-host! We discuss queer identity, when one can claim that they're gay, the power of music, and how queerness is, like, totally a dope space. Ashley found romance through Chelsea Cutler. Emily has a crush on Ashley. FOLLOW CHELSEA CUTLER: Listen to “Sorry I'm Obsessed With You” RIGHT NOW: https://chelseacutler.lnk.to/SORRY Videos and More: https://linktr.ee/chelseacutler  Instagram: https://www.instagram.com/chelseacutler/  TikTok: https://www.tiktok.com/@chelseacutler  Twitter: https://x.com/chelseacutler  FOLLOW ASHLEY GAVIN @ashgavs TikTok: https://www.tiktok.com/@ashgavscomedy Instagram: https://www.instagram.com/ashgavs/ YouTube: https://www.youtube.com/@ashgavs Twitter: https://twitter.com/ashgavs Tour Dates & Newsletter: https://www.ashleygavin.com/#dates FOLLOW EMILY WILSON @therealemilywilson See her live in Austin, TX: https://www.therealemilywilson.com/  Watch her special, “FIXED,” now: https://www.youtube.com/watch?v=L9LL4lM3fbk  TikTok: https://www.tiktok.com/@therealemilywilson  Instagram: https://www.instagram.com/therealemilywilson/  PRODUCED BY ALEX VRAHAS: Instagram: https://www.instagram.com/alvrahas/   SUPPORT OUR PODCAST: Watch this UNCUT: https://www.patreon.com/WHGS Merch: https://shop.merchcentral.com/collections/ashley-gavin Watch on this YouTube: https://youtu.be/MoEMTkLqzKE Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, we are paying tribute and remember Tosha Stimage, who passed away earlier this month.  We are revisiting Emily's conversation with Tosha back in 2024, as they discuss her artistic journey, from her childhood experiences with nature to her current projects and inspirations. Emily highlights her creative process, experiences during the pandemic, and her upcoming installation at the Presidio Tunnel Tops. About Artist  Tosha Stimage: Tosha Stimage is an Oakland-based multi-disciplinary artist who uses a variety of art mediums to examine how we create language. Her paintings, collages, installations, and floral sculptures “use experimentation to re-contextualize physical material and histories with fresh perspectives,” she shared. As the founder of SAINTFLORA, a full-service floral design company specializing in “unconventional flower experiences”, Tosha is also a local entrepreneur and the third and final artist within the Presidio's Public Art Mentorship Program. In July 2024 Tosha will create and install a large-scale art installation to transform the space between the Presidio Transit Center and the enclosed Picnic Pavilion at Presidio Tunnel Tops.  “Flowers put us back in the ‘circle' and connect us to labor, land, and each other,” Tosha shared. “I'm incredibly excited to explore the flora of the Presidio and use it to spark curiosity and fresh perspectives. Nature provides an accessible and inclusive entry way for dialogue around complex social and environmental topics.”  Honor the legacy of Tosha and support her family by gifting her GoFundMe HERE.  Visit Tosha's Website:  ToshaStimage.com Support Tosha's Floral Shop: SaintFlora.com Follow Tosha on Instagram:  @SaintFloraCo Check out Emily's 48Hills article about Tosha's 'SUPERBLOOM' back in 2024 - CLICK HERE -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Host Emily Wilson sits down with Maria Jenson, executive director of SOMArts Cultural Center in San Francisco. Maria shares her journey from dancer and playwright to arts administrator, including stops at SFMOMA before finding her home at SOMArts. The conversation covers Cece Carpio's solo exhibition Tabi Tabi Po: Come Out with the Spirits, You Are Welcome Here, featuring found objects, poetry-infused wall text, and immersive altar installations that blend Bay Area and Filipino cultural traditions. Maria explains why SOMArts returned to solo shows after focusing on group exhibitions — to amplify community artists ready for bigger platforms. Maria also discusses the "Artists Live Here" cultural convening, which drew over 400 people in response to the announced closures of California College of the Arts and the Mission Cultural Center for Latino Arts. Designed as an "unconference" with no slides and no panels, the gathering channeled grief and anger into collective action and joyful community building. Other topics include SOMArts' annual Día de los Muertos exhibition, the Murphy and Cadogan Awards for Bay Area MFA students, and how Maria organized an art fair at the Tenderloin's Phoenix Hotel that brought together galleries, local artists, and civic partners. She credits advocate Ebony McKinney as a major influence and finds creative inspiration in the Bay Area's natural landscape. About Creative & Exective Director Maria Jensen: Maria Jenson is recognized as a leader in the arts for advancing innovative strategies to sustain creative communities in the midst of rapidly changing urban environments. As Creative and Executive Director of SOMArts, Jenson has deepened the organization's commitment to racial equity, creating clear pathways for Bay Area artists to cultivate new ideas and grow their careers. Through her leadership, Jenson has expanded SOMArts' public programs, advanced new public-private partnerships, and fostered groundbreaking exhibitions such as The Black Woman is God, The Third Muslim: Queer and Trans* Muslim Narratives of Resistance and Resilience, and many more. These projects represent SOMArts' commitment to incubating the growth and careers of Bay Area artists and curators. Prior to joining SOMArts, Maria was a key member of the SFMOMA External Relations team during the museum's expansion and was the Founding Director of ArtPadSF, an independent art fair launched in the Tenderloin at the Phoenix Hotel in 2010. A graduate of the 2018 Getty Foundation Executive Leadership Institute, she is a sought-after thought leader on the role of cultural institutions advocating for a more democratic and equitable society. Visit SOMArts Website: SOMArts.org Follow SOMArts on Instagram: @SOMArts For more about the Cece Carpio exhibit at SOMArts, CLICK HERE.  -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  Today, Emily chats with Richmond-based artist Joe Cerda about his multifaceted creative practice spanning tattoo art, painting, and sculpture. Key Topics: Joe's earliest artistic memories, including his godfather teaching him to draw a boat at age four His self-taught journey into tattooing, starting with hand-poked tattoos and a homemade machine built from a Walkman motor Moving between Southern California and the East Bay, eventually opening his own tattoo shop in Richmond His specialty in realistic portrait tattoos and photorealistic paintings Travel-inspired artwork from trips to Spain, the Philippines, and Mexico Sculpture training at the Academy of Art University in San Francisco The emotional connection he feels to his paintings versus commissioned tattoo work Influence of representational artist Richard Schmid on his painting technique His plans to incorporate more abstract elements while maintaining realism Location: Cerda Art Studio, Richmond, California Next Episode: Maria Jensen, Executive Director of SOMArts Visit Joe's Website and Tattoo Studio:  CerdaArt.net Follow Joe on Instagram: @CerdaArtStudio  -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dating today feels exhausting. Confusing. And for people from divorced or dysfunctional families, it can feel even heavier — because one wrong choice doesn't just mean heartbreak… it can feel like repeating your parents' story.In this episode, Joey sits down with Emily Wilson, Catholic author and co-founder of Sacred Spark, to talk about the most important factor in building a healthy marriage: choosing the right person — and why modern dating culture makes that decision harder than ever.Emily shares what she's learned from helping nearly 20 couples get married through her viral matchmaking posts, why you can't “analyze” your way into certainty, and how real discernment only happens when you actually meet people in real life.In this episode, we cover:Why choosing who you marry matters more than anything elseThe fear of repeating your parents' mistakes (and how to move past it)How real discernment happens through in-person datingA NEW way to meet high quality, virtuous peopleIf you're single, want marriage, but feel anxious, stuck, or afraid of choosing wrong — this episode is for you.Download Sacred SparkFREE Video Series: Dating 101Visit SacredSpark.appGet the Book or FREE chapters: It's Not Your FaultGet Dakota's FREE Guide, The Biggest Fitness Mistakes to AvoidWatch the Documentary: KennyWatch the Trailer: Kenny (3:31 min)Shownotes

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily features San Francisco wire sculptor Kristine Mays discussing her politically charged exhibition "State of the Union" at Modernism Gallery. Created in response to the uncertainty and division at the beginning of 2025, the show explores themes of American identity, social justice, and individual responsibility through intricate wire sculptures.Kristine walks through several powerful pieces: "This is America," a frayed wire American flag with beads representing blood and tears; "Human Complacency," depicting the see/hear/speak no evil concept; and "Modern Day Lynchings and Hashtag Memorials," featuring hand-embroidered names of Black people killed by police on silk ribbons. Many works incorporate quotes from writers like Audre Lord, whose words "your silence will not save you" inspired Mays to create this body of work as both political statement and personal healing.She traces her creative journey from childhood craft projects with her mother to her current practice working with construction-grade wire. She explains how she creates faceless figures and sculptural garments that allow viewers to project their own stories and recognize loved ones through gesture alone. The meditative quality of working with wire and its durability appeal to her desire to create lasting legacy work.A major milestone: the Smithsonian National Museum of African American History and Culture recently acquired her piece "Hush Harbor." Kristine, who has participated in San Francisco Open Studios for over 20 years, credits her "divinely led" journey and her mother's early encouragement to create without fear of failure.About Artist Kristine Mays :Kristine Mays, a San Francisco native has been an exhibiting artist since 1993. She was the Grand Finale Winner in 2015 of the 5th Annual Bombay Sapphire Artisan Series National Competition. This competition not only provided an opportunity to exhibit her work at Art Basel Miami, but she had a solo exhibition at the Scope NYC Art Fair as well, and was also afforded a chance to collaborate on a large scale public mural. Her mural is on the side of the Boom Boom Room in San Francisco on Fillmore and Geary Streets. (It has large wire feathers placed among the portraits that adorn the walls, reflecting the fleeting existence of black jazz musicians in San Francisco.) In 2015 she also participated in the Hearts in San Francisco program, creating a large 400 pound heart for their annual public art installation. The heart spent a few weeks on display in Union Square before going to its final home upon purchase from AT&T.In 2009, Kristine was a featured artist in the San Francisco Art Commission's "Art in Storefronts" pilot program, a project which transformed vacant storefronts and commercial corridors into a destination for contemporary art, bringing a new energy to the Bayview Hunters Point neighborhood. A participant in the San Francisco Open Studios program for over 20 years, Kristine has also served on the Board of Directors for ArtSpan-- the Producers of SF Open Studios and has participated on several of their committees. Kristine served as the 2011-2013 artist-in-residence at the Bayview Hunters Point Shipyard in San Francisco. She is a graduate of Lowell High School, received her Bachelor Degree in Arts Administration from DePaul University and has occasionally served as a grant review panelist through the San Francisco Arts Commission.Seeking to create impact and change with her art, Kristine has participated in raising thousands of dollars for AIDS research through the sale of her work by collaborating with organizations like Visual Aid, the San Francisco Alliance Health Project and WE-Actx. Her work has received local and national press including mentions in the San Francisco Chronicle, New York Times, The New York Post, The Washington Post, Source Magazine, Artsy, and the interior design blog Apartment Therapy. She is represented by Simon Breitbard Fine Arts in SF, the Richard Beavers Gallery in Brooklyn and Zenith Gallery in Washington DC.Kristine has participated in programming at the De Young Museum, Museum of African Diaspora (MoAD) and exhibited at the California African American Museum (CAAM) in Los Angeles, CA. Collectors of her work include an eclectic mix of people including Star Wars creator George Lucas and the dearly departed Peggy Cooper Cafritz (who amassed one of the country's largest private collections of African-American art). Her work is displayed in many Bay Area homes and private collections throughout the USA.Visit Kristine's Website:  KristineMays.comFollow Kristine on Instagram: @KristineMaysFor more about Kristine's exhibit, "State of the Union" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Kids are kids. Always have been and always will be.

AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 500 AD AMBROSIAN ILIAD

GRIEF, GAMES, AND ACCEPTANCE Colleague Professor Emily Wilson. After Hector's death, Achilles finds a form of healing through funeral games, which offer a non-lethal model of competition. He even awards Agamemnon a prize without a contest, possibly as a slight. The poem concludes not with victory, but with a "humanitarian pause" for Hector's funeral. Wilson notes the ending focuses on women's lamentations, emphasizing the Iliad's enduring lesson on the struggle to accept human mortality. NUMBER 8 500 AD AMBROSIAN ILIAD. WALL BREACHED.

THE DEATH OF PATROCLUS AND HECTOR Colleague Professor Emily Wilson. The tragedy culminates with Patroclus ignoring Achilles' warning, leading to his death by Hector and the loss of Achilles' armor. Wilson describes Achilles' terrifying return to battle, equipped with new armor from Hephaestus, and his slaughter of Trojans. The segment covers the final confrontation where Achilles kills Hector and, driven by vengeance, drags his body behind a chariot, denying him burial rights and intending to mutilate him forever. NUMBER 7 500 AD. MELEE.

THE GORE AND GLORY OF BATTLE Colleague Professor Emily Wilson. Wilson discusses translating the Iliad'svivid violence, drawing on insights from combat veterans regarding the trauma of battlefield death. A central theme is the treatment of corpses; possessing and stripping a dead enemy's armor is the ultimate sign of dominance. The conversation touches on the physical nature of the gods, who bleed "ichor" when wounded, and Poseidon's support for the Greeks in contrast to his brother Zeus. NUMBER 6 500 AD. ACHILLES TENT. ALEXANDRIA ORIGIN

HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 500 AD ALEXANDRIA

APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 500 AD AMBROSI AN ILIAD

TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 500 AD ALEXANDRIA AMBROSIAN ILIAD

TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 500 AD ALEXANDRIA AMBROSIAN ILIAD

Competition and the Human Struggle with Death: Colleague Emily Wilson discusses the poem's end, where Achilles processes grief through funeral games that replace lethal combat with competition, analyzing Achilles giving Agamemnon a prize without contest—possibly a "sick burn"—and the final focus on women's lamentations, emphasizing the enduring human struggle to accept death and loss. 1717 TROY

Grief, Games, and Lamentation: The Iliad's Conclusion: Colleague Emily Wilson discusses the Iliad's conclusion, focusing on Achilles' processing of grief through the funeral pyre and games, analyzing the shift from violence to regulated competition, Achilles' ambiguous gesture of giving Agamemnon a prize without competition, and the poem ending with women's lamentations rather than a victory celebration. 6th century ice

The Homeric Question and Narrative Choices: Colleague Emily Wilson addresses the "Homeric Question," describing the transition from oral tradition to written text around the 8th century BCE, discussing how the Iliad subverts audience expectations by omitting famous events like the Trojan Horse, focusing instead on a brief period of intense conflict and internal Greek strife. 1200 AD ILLIAD

Mortal Tragedies and Divine Manipulations: Colleague Emily Wilson explores key character dynamics, including Helen's weaving as a metaphor for poetry and her strained relationship with Paris, analyzing the tragic parting of Hector and Andromache, the rage of Hecuba, and the role of gods like Thetis and Hera in manipulating mortal fates through prayers and bargains. 1545 AD TROJAN WAR

Gods, Warriors, and the Brutality of Patroclus: Colleague Emily Wilson discusses the gods' involvement, specifically Aphrodite and Ares representing base instincts on the battlefield, characterizing Patroclus not merely as gentle but as a brutal warrior, also examining the status of enslaved women like Briseis and the deep intimacy between Achilles and his companion Patroclus. 1599 ARMS FOR ACHILLES

Agamemnon's Quarrel and Divine Politics: Colleague Emily Wilson explains the catalyst for the Iliad's plot: the quarrel between Agamemnon and Achilles over a "prize" woman, leading to Achilles' withdrawal, discussing the divine politics between Zeus and Hera that seal Troy's fate and analyzing Agamemnon's flawed, burdened leadership amidst the pressure of holding the Greek forces together. SACK OF TROY

Dave Rubin of "The Rubin Report" talks to "Emily Saves America" host Emily Wilson and Link Lauren about The Free Press' Bari Weiss plan to lure CNN's Scott Jennings and Fox News' Bret Baier to CBS News to inject more conservative voices into mainstream news; Donald Trump telling "The Ingraham Angle" why he's suing the BBC for their deceptive editing of his speech on January 6th to make him look like he was calling on his supporters to resort to violence; resurfaced controversial clips from the BBC that showcase Sonalee Rashatwar trying to normalize the consensual act of drugging women prior to sex and why milk from the induced lactation of transwomen is just as good for babies as the natural breastmilk from a mother; Jasmine Crockett getting accused of political corruption after being caught spending tens of thousands of dollars of campaign money on luxury travel all over the country at some of the most expensive luxury hotels in the country; if anti-rape underwear is the best strategy for women trying to prevent assault by foreign migrants; Zohran Mamdani trying to hide his anger towards Eric Adams for trolling him with his trip to Israel; and much more. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ ----------  Today's Sponsors: T ax Network USA - If you owe back taxes or have unfiled returns, don't let the government take advantage of you. Whether you owe a few thousand or a few million, they can help you. Call 1(800)-958-1000 for a private, free consultation or go to: https://tnusa.com/dave