Podcasts about mozart symphony no

Enjoy our The Magic of Mozart concert featuring Inwood Chamber Players in a performance of arrangements by Inwood resident, Gilbert Dejean. This concert was performed on September 22, 2024 at 2pm at Good Shepherd Auditorium.  Program:The Magic Flute OvertureArias:·        Der vogelfanger bin ich ja (I am the bird catcher)·        Hm! hm! hm! (Papageno's mouth is locked)·        Du feines Taubchen nur herein (Sweet little dove, come in)·        Wie stark ist nicht dein Zauberton (How powerful must be your magic sound) Arranged by Joseph Heidenreich Divertimento in F for 2 Oboes, 2 Horns, 2 Bassoons·        Theme and variations·        Menuetto·        Allegro assaiOriginal arrangement by Mozart Symphony No. 39 1st Movement·        Adagio- Allegro Arranged by Gilbert Dejean Sextet for 2 Clarinets, 2 Horns and 2 Bassoons·        Allegro·        Andantino·        AllegroArranged from the Mozart Horn Quintet K. 407 by Anonymous  The Magic FluteArias:·        Das klinget so herrlich (That sounds so glorious!)·        Wie? wie? wie? (How, how, how?·        Alles fuhlt der Liebe Freuden (All men respond to love's pleasures)·        Ein Madchen oder Weibchen wunscht Papageno sich! (I wish for a girl or a little wife)·        arranged by Joseph Heidenreich·        Der Holle Rache kocht in Meinem Herzen (The vengeance of hell boils in my heart) Arranged by Gilbert Dejean  Musicians: Michele Farah - Oboe 1, Setsuko Otake - Oboe 2, David Valbuena - Clarinet 1, Meryl Abt - Clarinet 2, RJ Kelly - Horn 1, Nancy Billmann - Horn 2, Patti Wang - Bassoon 1, Gilbert Dejean - Bassoon 2

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The South Dakota Symphony Orchestra performs Mozart's Symphony No. 9.

Mozart - Serenade No. 13 in G major, K.525 “Eine Kleine NachtmusikI. AllegroII. Romance (Andante) III. Menuetto (Allegretto)IV. Rondo (Allegro)Berliner PhilharmonikerDirettore - Karajan  *************Mozart - Don Giovanni: ‘Deh, vieni alla finestra'Gerald Finley basso Direttore - Vladimir Jurowski   *************Mozart - Die Zauberflöte  “O zittre nicht, mein lieber Sohn”Mozart - Die Zauberflöte “Der Hölle Rache”Diana DamrauThe Royal OperaJames Levine  *************Mozart - Symphony No. 41 in C major, K. 551, "Jupiter"I.                   Allegro vivace II.                II. Andante cantabile III.             Menuetto. Allegretto - Trio IV.             IV. Molto allegro Berliner PhilharmonikerKarl Böhm

Very few cities have had a relationship with a single person, especially a foreigner, like the city of Prague and its love affair with Mozart. Here's what Lorenzo Da Ponte, Mozart's librettist for some of his greatest operas, said about it: "It is not easy to convey an adequate conception of the enthusiasm of the Bohemians for [Mozart's] music. The pieces which were admired least of all in other countries were regarded by those people as things divine; and, more wonderful still, the great beauties which other nations discovered in the music of that rare genius only after many, many performances, were perfectly appreciated by the Bohemians on the very first evening.” Mozart had been losing his popularity rapidly in Vienna, and so his trips to Prague were a boon to his self-esteem. He wrote in a letter, speaking of Prague's euphoric reaction to his opera the Marriage of Figaro: "here they talk about nothing but Figaro. Nothing is played, sung, or whistled but Figaro. No opera is drawing like Figaro. Nothing, nothing but Figaro. Certainly a great honor for me!" Now whether or not Mozart actually wrote this 38th symphony FOR the city of Prague or not is disputed. It seems as if he finished the symphony before he was invited to come to Prague for the first time. All we know for sure is that the first performance of the piece was definitely in Prague, and it included a couple of details that point to Mozart writing it specifically with both the audience and the musicians of Prague in mind. But the most important thing about this symphony is that it marks the beginning of a late period in Mozart's symphonies that sees him pushing at the bounds of symphonic form in a nearly Beethoven-like way. There is no symphony where that is more true than the one we're going to talk about today, the 38th symphony. The sheer amount of invention alone in the first movement is enough to hold our attention for weeks, but we'll talk about the whole symphony today, from its formal innovations, to its warmth and joy, and to the little clues that make us think that this symphony was a stunning and perhaps unprecedented gift from Mozart to the city that adored him so much. Join us!

Wolfgang Amadeus Mozart: Symphony No. 41 "Jupiter": Finale Capella Istropolitana Barry Wordsworth, conductor More info about today's track: Naxos 8.550299 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Mozart's Mannheim has been carefully curated to give 21st-century listeners an idea of the sound world experienced by Mozart when he visited Mannheim in the late 1770s. The southern German city's legendary court orchestra made it a go-to destination for 18th-century cultural pilgrims and the Freiburger Barockorchester (FBO) has chosen to paint a musical portrait of Mannheim for its debut Deutsche Grammophon album. Mozart's Mannheim presents a variety of orchestral and chamber pieces by Cannabich, Danner, Holzbauer, Toeschi and Vogler – including four world premiere recordings – as well as two key works composed by Mozart while he was in the city. The album will be released on 19 May 2023 and the FBO will perform most of its repertoire on 20 May at Schwetzingen Palace, as part of this year's Schwetzingen Festival.Track Listing1 Vogler: Der Kaufmann von Smyrna: Overture2 Cannabich, J C: Symphony No. 55 in C major / I. Allegro maestoso3 II. Andante non tanto4 III. Presto ma non troppo5 Danner, C: Violin Concerto in F major / I. Allegro moderato6 II. Adagio7 III. Rondeau8 Toeschi: Sextet in B flat major: Andante grazioso-Allegro9 Holzbauer: Günther von Schwarzburg: Overture10 Mozart: Alcandro, lo confesso - Non so d'onde viene, K29411 Mozart: Non so d'onde viene12 Mozart: Symphony No. 52 in C, K208 / 102 / I. Molto allegro13 II. Andantino (After Aria "Intendo, amico" from Il re pastore, K. 208)14 III. Presto assaiHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).        

莫扎特和贝多芬在现实生活中是见过面的，不过当时贝多芬还很年轻，莫扎特早就是蜚声欧洲的大作曲家了。本期讲述真实历史上两位传奇作曲家的一次短暂会晤。包含曲目：0:26- Mozart: Symphony No. 25 in G Minor, K. 183 - I. Allegro con brio5:40- Sonata No. 8 in C Minor, Op. 13 Pathetique - Adagio Cantabile

In Episode One, Andy and Rob dive deep into Melody. Melodies are fundamental to our concept of music. They can convey patriotism, hope, fate, love, loss and can touch our most raw emotions. This podcast looks at what makes a good melody, how they differ throughout the world and how they have changed over time.The opening cake is a Sachertorte! See the recipe on https://www.coffeecakeandculture.com.au/Music featured in this Episode is:1. Salve Regina – Benedictine Monks of Santo Domingo de Silos2. Von Bingen – O Virtus Sapientiae3. Byrd – Mass for 5 voices. Agnes Dei. Tallis Singers4. Rest you Merry Gentlemen – the King Singers5. Handel – Semele. Where'er you walk – Andreas Scholl6. Bach – Fugue in D minor. Christiane Wuyts7. Mozart – Requiem. Dies irae. Berlin Philharmonic. Herreweghe8. Mozart - The Magic Flute. Papageno duet. Gansch, Williams9. Mozart – Clarinet Concerto. Adagio. David Shifrin10. Mozart – Symphony No 4011. Mozart – Eine Kleine Nachmusik12. Beethoven – Sonata no 8 op13 (Pathetique) Barenboim13. Tchaikovsky – Serenade for Strings. Concertgebouw Komerorkest14. Schubert – Gute Nacht. Quasthoff, Barenboim15. Chopin – Mazurka no 4 op17. Rubinstein16. Puccini – Madam Butterfly. Maria Callas17. Schoenberg- Pierrot Lunaire. Shelton, Da Capo Chamber Players18. Gershwin – An American in Paris. Los Angeles Philharmonic. Dudamel19. Stockhausen – Klavierstuck X20. Part – Spiegel in Spiegel. Roczek, Schuch Hosted on Acast. See acast.com/privacy for more information.

一直以来，贝多芬因为其头像作风激昂，多首曲目音乐风格威武雄壮，充斥着对社会和现实传统的不满与对抗精神，与摇滚/朋克精神颇为暗合。所以他经常被当代乐迷们戏称为“第一代摇滚明星”。那么，贝多芬真的是第一代“摇滚明星”吗？古典音乐届除了贝多芬以外，还有哪些大师叶有摇滚作风或者暗合摇滚精神？ 本期节目带您一起探讨这一话题，欢迎点赞评转发私信。包含曲目：0:26 - Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor" - I. Allegro（贝多芬：降E大调第5号钢琴协奏曲，作品73“皇帝” - 第一乐章 快板 ）.6:42 - Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro （莫扎特：g小调第40号交响曲，作品550—第一乐章：稍快的快板）.

我們說交響樂之父是海頓，為什麼呢? 是因為他寫得最好？因為他寫過最多交響曲？ 要我說，莫札特的41部交響曲，貝多芬的的9部，馬勒的9部，柴可夫斯基的6部，德佛札克的9部，雖然數量不敵海頓，但部部都是了不起的大作品， 怎麼交響樂之父這個冠冕被海頓拿下了呢? [BGM（opening）] Joseph Haydn - Symphony No.49 in F minor - II. Allegro di molto [BGM（background）] Mozart - Symphony No.34, C major - I. Allegro vivace 小額贊助支持本節目： https://pay.firstory.me/user/the-music-history 留言告訴我你對這一集的想法： https://open.firstory.me/story/ckygu02qy90dy0882q11dv62r?m=comment Powered by Firstory Hosting

Join Kai Swanson as he converses with Quad City Symphony Orchestra Music Director Mark Russell Smith and Masterworks III soloist, Marc Zyla.  In this episode, we discuss the works featured on Masterworks III including:  Elgar -  Serenade for String Orchestra, Strauss - Horn Concerto No. 1, Britten - Serenade for Tenor, Horn, and Strings, and Mozart - Symphony No. 36 "Linz" Support the show (https://qcsymphony.secure.force.com/donate/?dfId=a0n5d00000SJXSBAA5&)

En mayo de 1816, el llamado “año del verano que nunca llegó”, Mary Shelley –para aquel entonces Mary Godwin Wollstonecraft-, su hermanastra Claire Clairmont y su amante Percy Bysshe Shelley, se reunieron en la imponente Villa Diodati, donde los recibiría el poeta Lord Byron y su jovencísimo médico John William Polidori. Su estadía se vio afectada por las tempestades que reinaban, obligándolos a resguardarse tras las puertas de la mansión y hundirse en el pavor de las historias alemanas de fantasmas, las cuales derivarían en un certamen de historias sobrenaturales, que sin quererlo, haría historia. Ilustración de Portada: "FRANKENSTEIN AT WORK IN HIS LABORATORY" Artista desconocido (1922) Wikimedia Commons Música de fondo: Mozart Symphony No 40 in G Minor Molto Allegro – Czech National Symphony Orchesta Intro: Pure Imagination - Future James Soundcloud: https://soundcloud.com/futurejames

Mozart's Jupiter Symphony is a piece that can practically define the classical era symphony. Mozart pulls out every trick in the compositional book and practically sums up everything written before him. It is a symphony full of musical cliches, self-references, and in some cases, flat out thefts from other composers. But as always with Mozart, the thrill of his originality shines through at every moment. Today we'll explore just how Mozart created this masterpiece of art and musical architecture. Join us!

Your free classical podcast this month is Mozart's Symphony No 40 played by the New Zealand Symphony Orchestra conducted by Hamish McKeich.

Wolfgang Amadeus Mozart - Symphony No. 34: 1st movement Cologne Chamber Orchestra Helmut Muller-Bruhl, conductor More info about today's track: Naxos 8.554289 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

This episode is all about tempo in music. How to define and interpret it? Who decides on the tempo : composer or performer? Do we practise with or without metronome?  You will learn about 4 main ways how composers express their will and how subjective it can be. Host: Olga Jegunova https://www.olgajegunova.com/ Editor: Matylda Dymek  Visual design: Christopher Moehring  Music excerpts used in this episode: F. Händel - Water music. Minuet. The English Bach Festival orchestra, Christopher Hirons J.S.Bach - Aria from Goldberg variations. Glen Gould (1981) J.S.Bach - Aria from Goldberg variations. Murray Perahia  W. A. Mozart - Symphony No 41 in C major, Allegro vivace. Zubin Mehta & Wiener Philharmoniker W.A.Mozart - Piano concerto No 21 in C major K.467. Vladimir Ashkenazy & Philharmonia orchestra  S. Barber - Adagio for strings Op. 11. & Sergiù Celibidache & Munich Philharmonic Orchestra

Haydn: Symphony No. 1 in D Major ​Mozart: Symphony No. 1 in E-flat, K. 16 ​Krommer: Symphony No 1 in F Major, Op. 12 Dominique Beaulieu, conductor ​CMD Philharmonic of Paris in Orleans Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p541/The_First_Symphonies_1_-_Haydn%2C_Mozart%2C_Krommer.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Symphony No. 21 in A major, K. 134, is a symphony that was composed by Wolfgang Amadeus Mozart in August 1772 Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p1114/Mozart%3A_Symphony_No._21_in_A_major%2C_K._134.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

DE SANDWICH ZONDAG 1 november 2020 Evergreen Stemweek Uur 1 1. The shadow of your smile – Tony Bennett 2. Weet je wat we doen – Conny Vandenbos 3. Hijo de la luna – Mecano 4. Mozart Symphony No. 40 – Waldo de los Rios 5. I’ll never fall in love again – Bobby Gentry 6. Autumn leaves – Eva Cassidy 7. Droomland – Johnny Jordaan & Willy Alberti 8. Il volo – Zucchero 9. Classical gas – Mason Williams 10. How glad I am – Nancy Wilson 11. Andorra – Colin Blunstone 12. Lemon tree – Fools Garden 13. De bom valt nooit – Herman van Veen 14. Dolce Paola – Adamo 15. Who pays the ferryman – Yannis Markopoulos Uur 2 1. Chicago – Graham Nash 2. Prachtig mooie dag – Daniel Lohues 3. Formidable – Stromae 4. Praying for time – George Michael 5. Where is the love – Roberta Flack & Donny Hathaway 6. Brothers in arms – Dire Straits 7. Dat ik je mis – Maaike Ouboter 8. Take five – Dave Brubeck Quartet 9. Gli impermeabili – Paolo Conte 10. None of us are free – Solomon Burke 11. De neus umhoeg – Rowwen Heze 12. Thanks for the love – Earth & Fire 13. Soul limbo – Booker T & The MG’s

This week continues my project of reuploading seasons 1-5 in new and improved sound quality! The opening of Mozart's 40th symphony is one of the most recognizable tunes in the whole repertoire, but to this day we don't know what it is about or even why Mozart wrote it. But even though it can be frustrating to not know these answers, it's also exciting and potentially rewarding to go searching for answers on our own! Today we'll talk all about this dramatic piece, and all of its many twists and turns.

Your free classical podcast this month is Mozart's Linz Symphony played by Amalia & Friends.

In 1783, Mozart wrote a letter to his father. He wrote, in part: "On Tuesday, November 4th, I am doing a concert in the theatre here and, as I have not a single symphony with me, I am writing a new one at break-neck speed, which must be finished by that time.” The date of that letter was October 31st. In 4 days, Mozart completed one of his most beloved symphonies, the "Linz." We'll talk all about this brilliant work and how Mozart was able to write such a coherent and beautiful piece in such a short time.

Alex and Fernando discuss composers 11 through 20 on their averaged Top 100 Composers list. This episode includes Prokofiev, Mahler, Bartok, Grainger, Mozart, Copland, Ravel, Scriabin, Elgar, and Rimsky-Korsakov.Excerpts used in this episode include:Prokofiev - Piano Sonata No. 7, Op. 83, Mvt. III (This work is licensed under the Creative Commons Public Domain Mark 1.0 License. To view a copy of this license, visit http://creativecommons.org/publicdomain/mark/1.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)Mahler - Symphony No. 5, Mvt. I (Waterloo-Cedar Falls Symphony Orchestra, excerpt cropped from original recording. This work is licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)Bartok - Allegro Barbaro (Simone Renzi, excerpt cropped from original recording. This work is licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)Grainger - Lincolnshire Posy, Mvt. IV (United States Marine Band, excerpt cropped from original recording. This work is licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)Mozart - Symphony No. 29, Mvt. I (Das Orchester Tsumugi, excerpt cropped from original recording. This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)Scriabin - 5 Preludes, Op. 74 V. Fier, belliqueux(Michal Gajzler, excerpt cropped from original recording. This work is licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)Rimsky-Korsakov - Russian Easter Festival Overture (This work is licensed under the Creative Commons Public Domain Mark 1.0 License. To view a copy of this license, visit http://creativecommons.org/publicdomain/mark/1.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)Intro: Tchaikovsky - Symphony No. 6, Mvt. II (This work is licensed under the Creative Commons Public Domain Mark 1.0 License. To view a copy of this license, visit http://creativecommons.org/publicdomain/mark/1.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)Outro: Dvorak - Symphony No. 8, Mvt. III (DuPage Symphony Orchestra, excerpt cropped from original recording. This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.)

Nesta edição do "Clássicos CBN", o Maestro Helder Trefzger traz como destaque composições que marcam a obra da sinfonia de um dos mais importantes compositores da história, Mozart. Confira! AS COMPOSIÇÕES: Exemplo 1: Mozart, Symphony 25 Exemplo 2: Mozart, Symphony 25 segundo tema Exemplo 3: Mozart Symphony No 29 in A major, K201 Exemplo 4: Sinfonia 35 Hafner Exemplo 5: Sinfonia 40 Exemplo 6: Sinfonia 41 Exemplo 7: "Clássico dos Clássicos": As Bodas de Fígaro - Abertura

Why is a symphony different from a concerto? Do you know the answer to this? I do, do you? I have created a YouTube channel for this podcast, so if you want nothing to happen, then just ignore it. But, if you go the Exploring Classical Music YouTube Channel and comment your answers, then absolutely nothing will happen. It's your choice! Sources for this episode: Mozart - Symphony No. 25 in G minor, K. 183 [complete] https://www.youtube.com/watch?v=rNeirjA65Dk Mozart, Piano Sonata in C major, No 16, K 545, Allegro: https://www.youtube.com/watch?v=dNbqRC4xtEg Other Sources: https://www.classicfm.com/discover-music/periods-genres/classical/classical-music-beginners-guide/ https://courses.lumenlearning.com/musicappreciation_with_theory/chapter/overview-of-the-classical-era/ https://www.classicalmpr.org/story/2014/08/11/the-classical-era-on-learning-to-listen https://www.britannica.com/art/musical-composition/The-Classical-period https://www.oxfordbibliographies.com/view/document/obo-9780199757824/obo-9780199757824-0128.xml https://www.bbc.co.uk/bitesize/guides/zthrcdm/revision/2 https://www.wqxr.org/story/what-are-four-movements-symphony/

Nicholas Kenyon recommends recordings of Mozart's Symphony no.39 in E-Flat Major, K.543

I have another very special guest this week, my mom! Our first guest to talk about both Mozart and wine (which both the title and logo of the show suggest will be the only subjects). Symphony No. 41 "Jupiter" is Mozart's last. My mom did all my homework for me this week and gives a really great history about Mozart and has great things to say about this piece. New Your Sour: 2 oz Rye whiskey or bourbon, 3/4 oz simple syrup, 1 oz lemon juice, 1 egg white (we used aquafaba), 1/2 oz red wine

When Mozart went to Paris, he may not have found the job he was looking for, but he still found success, with his stylish Symphony No. 31.

Why explore two Mozart symphonies in the span of one month? Well, both the Prague and Jupiter symphonies show us different sides of Mozart's genius, and so this week we'll look at the Jupiter symphony in the context of Mozart's obsession with thematic cohesion and his borrowing from the music of other composers. In fact, the Haydn family might have a case for royalties after you explore the last movement of the symphony! This piece is one of the pinnacles of Western Classical Music, so don't miss it!

This week we explore one of Mozart's greatest symphonies, the Prague. This symphony, written possibly as a gift for the city that adored him so much, is one of Mozart's most ambitious pieces, with a massive first movement that rivals Beethoven's Eroica in length. The piece is full of exactly what makes Mozart's music so inventive, heartbreaking, and beautiful. We'll talk all about Mozart's life in Prague, the games Mozart plays with his audience, and the allusions to Prague that make this piece such a gift.

Mozart Symphony No. 31 When Mozart went to Paris, he may not have found the job he was looking for, but he still found success, with his stylish Symphony No. 31.

Wolfgang Amadeus Mozart: You might well have heard of Mozart – but did you know he had a really rude sense of humour? Or that he owned a pet starling? In the first episode, David meets one of the most famous composers of all time… and has a bit of a run in with a music professor. Each episode is also accompanied by a playlist in Apple Music – you can find those here: https://itunes.apple.com/gb/curator/classic-fm/1211395150 Music from: Mozart: The Magic Flute – Bayerischen Staatsoper/Wolfgang Sawallisch (Warner); Mozart: The Marriage of Figaro – Collegium Vocale Gent, Concerto Köln/René Jacobs (Harmonia Mundi); Mozart: Symphony No.41 ‘Jupiter’ – Academy of St. Martin in the Fields/Neville Marriner (Warner); Mozart: Piano Concerto No.21 – Murray Perahia, English Chamber Orchestra (Sony); Mozart: Clarinet Concerto – Martin Fröst, Amsterdam Sinfonietta/Peter Oundjian (BIS); Mozart: Eine kleine nachtmusik – Camerata Nordica/Terje Tønnesen (BIS); Mozart: Piano Sonata No.11 ‘Alla turca’ – Fazil Say (Warner); Wagner: Wedding March from Lohengrin – Bayreuth Festival/Andris Nelsons (Opus Arte); Mozart: La finta semplice – Jeremy Ovenden, Orchestra of the Age of Enlightenment/Jonathan Cohen (Signum Classics); Mozart: Don Giovanni – MusicAeterna/Teodor Currentzis (Sony); Allegri: Miserere – Tenebrae/Nigel Short (Signum); Mozart: Requiem – Freiburger Barockorchester, RIAS Kammerchor/René Jacobs (Harmonia Mundi)

On this previously released edition of Sticky Notes, we dive into one of the most famous pieces of music ever written, Mozart's dramatic and stormy 40th symphony in G Minor.  Mozart 40 is not just a ringtone!  It's a powerful, urgent, and innovative work, but we know very little about why Mozart wrote it or what it means.  We explore all of that, and, of course, take an in-depth look at this incredible masterpiece. 

Wolfgang Amadeus Mozart, Symphony No. 40 in G minor Movement 1: Molto Allegro by CrosscutNews

Haydn: Symphony No. 1 in D Major ​Mozart: Symphony No. 1 in E-flat, K. 16 ​Krommer: Symphony No 1 in F Major, Op. 12 Dominique Beaulieu, conductor ​CMD Philharmonic of Paris in Orlean Purchase now at ClassicalRecordings.co

Join conductor and host Joshua Weilerstein as we dive into one of the most famous pieces of music ever written, Mozart's dramatic and stormy 40th symphony in G minor.  Mozart 40 is not just a ringtone! It's a powerful, urgent, and dramatic work, but we know very little about why Mozart wrote it or what it means.  We explore all of that and of course, take an in-depth look into the incredible structures that Mozart creates with this incredible masterpiece.  Thanks so much for listening and I hope you enjoy it!  

This is a “best of” episode from three classic Contrabass Conversations episodes. Back in the early days of the podcast, John Grillo and I recorded two episodes that dissected various excerpts. He and I talked through each excerpt and then played a recording of John performing it. These have been extremely popular resources over the years, but they came out not he podcast ten years ago. With so many episodes of this podcast and so many new listeners to the show, bringing these classic offerings to light is important to me, so I’m planning on doing a few rebroadcasts of this cornerstone content every now and again. Orchestra Excerpts Covered: Beethoven Symphony No. 9 Beethoven Symphony No. 5 Brahms Symphony No. 1 and 2 Shostakovich Symphony No. 5 Mozart Symphony No. 35 and 39 Mahler Symphony No. 2 Schubert Symphony No. 9 Strauss Ein Heldenleben Britten Young Person’s Guide Verdi Otello Opera Excerpts Covered: Strauss Salome Rosenkavalier Wagner Die Meistersinger von Nürnberg Die Walküre Britten Peter Grimes Verdi Otello Rigoletto Falstaff Weber Euryanthe Mozart Magic Flute Marriage of Figaro Beethoven Fidelio Humperdinck Hansel and Gretel Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Enter our latest string giveaway for Kaplan strings at contrabassconversations.com/strings! Thank you also to the Bass Violin Shop, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!

Join Bernardo Miethe and Andrew Owen as they unpack information about the world of classical music. Designed for musicians and non-musicians alike, this podcast means to expand the knowledge of classical music to our listeners. On this episode we discuss the life of Wolfgang Amadeus Mozart and his Symphony No. 41, "Jupiter."

Building a Library: Richard Wigmore compares recordings of Mozart's Symphony No. 36 in C major, K425, known as the Linz Symphony, which was written in just four days during the Mozarts' stopover in the Austrian town of Linz whilst travelling in late 1783. When the local count heard of their arrival he announced a concert, and the composer had very little time to provide a symphony for it!

Robin Browning conducts the Chelmsford Sinfonietta in the spirited finale of Mozart's 40th Symphony

Several studies have shown that listening to classical music, including Mozart, has positive effects on the human brain. But what about the effects it has on…food? One Japanese fruit company claims its bananas ripen better when Mozart is playing. Even crazier, a sake brewery claimed its rice wine tasted milder and smelled richer when it was exposed to Mozart’s Symphony No. 41 in the brewing process! YouTube recommendation: http://www.YouTube.com/watch?v=Fcly8-RGhgw

BaL: Mozart Symphony no 25 in g minor -Chris de Souza recommends a recording of this dramatic early symphony

This week's Contrabass Conversations episode features an in-depth analysis of the double bass orchestral excerpts most commonly requested at auditions.  Double bassist (and regular Contrabass Conversations guest and ho-host) John Grillo discusses each of these excerpts--stylistic considerations, differences in articulation and bow strokes, and suggestions for effectively learning them--and then performs them.  I believe that this project will be a highly valuable resource for bassists worldwide, and I'd love your feedback on this project! Check out all of John's previous Contrabass Conversations appearances here.   Excerpts covered: Beethoven Symphony No. 9 Beethoven Symphony No. 5 Brahms Symphony No. 1 Brahms Symphony No. 2 Shostakovich Symphony No. 5 Mozart Symphony No. 35 Mozart Symphony No. 39 Mahler Symphony No. 2 Schubert Symphony No. 9 Strauss Ein Heldenleben Britten Young Person's Guide Verdi Otello

W. A. Mozart: Symphony No. 40 in G Minor, K. 550, movt. I: Allegro non troppo