Podcasts about beethoven sonata

We explore repertoire from major and minor keys, highlighting how young artists express the character and nuance that each represent. We hear a teen cellist perform a bright and sunny work with ties to both the Baroque and Romantic eras, a young violinist brings a dark and stormy Beethoven Sonata, and a 17-year-old pianist performs a major fugue from the Well-Tempered Clavier.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

It's From the Top's 25th birthday! We meet a 13-year-old violinist who is equally accomplished in classical repertoire and fiddling. A 16-year-old pianist from New York performs a brilliant Beethoven Sonata and talks about her incredible experience in publishing. Finally, we reconnect with From the Top alum Yuna Langehennig and learn about her journey to becoming an Airman First Class in the United States Air Force Heritage of America Band. She brings along her ensemble Heritage Winds and they perform a rousing work by Paquito D'Rivera.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Some genuine piano "turkeys" to consider, or perhaps to avoid! Here are some helpful links. For Valery Afanassiev's Beethoven, check out Victor Carr, Jr.'s review: https://www.classicstoday.com/review/review-11451/. For commentary about Rita Bouboulidi's Beethoven Sonata cycle, visit this link: https://www.good-music-guide.com/community/index.php?topic=23626.0

Jeseni 2023 sta v organizaciji Glasbene mladine ljubljanske bila koncerta, na katerih sta zaigrali violinistki Živa Bohinc in Laura Bartelj. Živa Bohinc je študentka violine na Akademiji za glasbo v Ljubljani v razredu Volodje Balžalorskega, na svojo glasbeno pot pa je stopila v Glasbeni šoli Škofja Loka in jo nadaljevala na Konservatoriju za glasbo in balet v Ljubljani pri Tatjani Špragar. V tretjem letniku srednje šole se je vzporedno vpisala na zasebni konservatorij Schola Cantorum v Parizu, v razred Violete Smailović-Huart. Na koncertu 25. oktobra 2023 v Rdeči dvorani ljubljanskega Magistrata v okviru cikla Dobimo se Glasbene mladine ljubljanske je zaigrala ob klavirski spremljavi Beate Ilone Barcza. Matija Bravničar: Fantazija Johannes Brahms: Sonata za violino št. 1 v G-duru, op. 78 – Deževna Laura Bartelj se je začela učiti violino pri profesorici Valeriji Jenič na Glasbeni šoli Marjana Kozine v Novem mestu, po osmih letih pa je šolanje nadaljevala na Konservatoriju za glasbo in balet Ljubljana v razredu Tatjane Špragar. V študijskem letu 2017/18 je študirala na konservatoriju Prayner na Dunaju, pozneje se je vpisala na Univerzo za glasbo in upodabljajočo umetnost v Gradcu v razred Anke Schittenhelm, za magistrski študij pa se je na tej univerzi vpisala v razred Giovannija Guzza. 27. novembra je Laura Bartelj s pianistom Naorjem Shanijem nastopila v Veliki dvorani ljubljanskega Konservatorija na Vegovi ulici kot del cikla Glasbena ulica Glasbene mladine ljubljanske. Ludwig van Beethoven: Sonata za violino in klavir št. 6 v A-duru, op. 30, št. 1.

Aprila 2023 je bil v Kosovelovi dvorani Cankarjevega doma koncert cikla Mladi mladim Glasbene mladine ljubljanske, na katerem sta nastopili violončelistka Nuša Planinc in violinistka Manca Rupnik. Nuša Planinc je violončelo začela igrati pri sedmih letih v Glasbeni šoli Krško pod mentorstvom Maje Virant. Šolanje je nadaljevala na Konservatoriju za glasbo in balet v Ljubljani, nato pa se je vpisala na Akademijo za glasbo v Ljubljani v razredu Karmen Pečar. Redno nastopa kot solistka ali članica komornih zasedb, poučuje mlajše generacije violončelistov in je substitutka Simfoničnega orkestra RTV Slovenija. Marjan Lipovšek: Balada za violončelo in klavir Leoš Janaček: Pravljica za violončelo in klavir Bohuslav Martinu: Variacije na Rossinijevo temo za violončelo in klavir Manca Rupnik je violino začela igrati pri osmih letih v razredu Đorđeta Beraka na Glasbeni šoli Vrhnika, glasbeno pot je nadaljevala na Konservatoriju za glasbo in balet Ljubljana v razredu Vasilija Meljnikova, nato pa se je vpisala na Univerzo Mozarteum, kjer je prvi letnik končala pri Igorju Ozimu, potem pa je njen profesor postal Rainer Schmidt. Več kot dvanajst let s svojima bratoma pianistom Anžetom in violončelistom Nejcem igra v Klavirskem triu Rupnik, poleg tega pa je tudi članica simfoničnega orkestra Mozarteumorchester Salzburg. Ludwig van Beethoven: Sonata za violino in klavir št. 5 v F-duru, op. 24 – Pomladna.

Chillout Classic w Radiu Spin #49 "Wiosna" 1. J.S. Bach - Wariacje Goldbergowskie: Aria i wariacje 7,8, halucynacje i 9 , Niklas Liepe, NDR Radiophilharmonie, Jamie Philips. 2. Max Richter - Vivaldi Recomposed - Spring cz.0 i cz.1. 3. G.F. Haendel - Koncert organowy nr. 13 F-dur "Kukułka" cz. 2, Ton Koopman, Amsterdam Baroque Orchestra. 4. O. Respighi - Ptaki cz. II Kukułka. 5. P. Czajkowski - Pory roku op. 37 nr 3 Marzec, Pieśń skowronka, Victoria Postnikowa. 6. Spring is Here - Ella Fitzgerald. 7. Spring is Here - Stan Getz. 8. A. Piazzolla - Pory roku - cz. 4 Wiosna, Daniel Bareinboim, Rodolfo Mederos. 9. L. van Beethoven - Sonata wiosenna F-dur op.24 cz.1 Allegro, Maxim Vengerov, Itamar Golan. 10. F. Mendelssohn - Pieśń Wiosenna op.62 nr 6 z cyklu Pieśni bez słów na fortepian solo, Annie d'Arco.

Chillout Classic w Radiu Spin #18 "Moon". 20 lipca to "Dzień Księżyca", zatem ten odcinek dedykowany jest księżycowi. 1. J.S. Bach - Aria z Wariacji Golbergowskich, Trio Yoshiaki Sato, Akira Harada, Hitomi Nikura (akordeon solo). 2. J.S. Bach - Wariacje Goldbergowskie, 25. wariacja, Glen Gould (1981). 3. L.van Beethoven - Sonata cis-moll, "Księżycowa" cz.1 Adagio sostenuto, Alfred Brendel. 4. Glen Miller - Moonlight Serenade. 5. Blue Moon, Frank Sinatra. 6. Bart Howard - Fly Me to the Moon, Diana Panton & Don Thomson - piano, Reg Schwager - guitar, Neil Swainson - bass. 7. Henry Mancini - Moon River, Jacob Collier. 8. C. Debussy - Clair de lune, Seong-Jin Cho. 9. F. Chopin - Nokturn cis moll, Seong-Jin Cho. 10. Pink Floyd - Dark Side of the Moon, Us and Them.

Cada mañana nuestro programa “Obras de Cámara” les invita a escuchar una selección del amplio repertorio de composiciones para conjuntos instrumentales escritas por destacados músicos a lo largo de la historia.  Producción y selección realizada por Carolina Valdés.  Lunes a viernes a las 9:30 hrs. en el 95.1 FM y www.radioudec.cl

Radio Spin #6 "Spring Is Here" 13.04.2023 1. J.S. Bach - Aria z Wariacji Golbergowskich - Glen Gould nagranie z 1955 roku. 2. A. Vivaldi - Wiosna cz. 2, Fabio Biondi, Europa Galante. 3. Max Richter - Vivaldi Recomposed, Wiosna cz.2 i 3. 4. I. Strawiński - Święto Wiosny, Introduction, Zubin Mehta, New York Philharmonic. 5. Ella Fizgerald - Spring Is Here. 6. L.van Beethoven - Sonata wiosenna na skrzypce i fortepian F-dur, cz.2 Izhak Perlmann, Vladimir Ashkenazy. 7. A. Piazzolla - Primavera portena, Gidon Kremer, Kremerata Baltica. 9. G. Mahler, I Symfonia D- dur, Titan, cz.1, Bernard Haiting, Royal Concertgebouw Orchestra Amsterdam. 8. H. Zimmer, A. Lukas, J. Everingham - Frozen Planet II, Arrival for Spring. 9. Sting - Seven Days Audycja Chillout Classic” to program radiowy, który zabiera słuchaczy w nostalgiczny, relaksacyjny nastrój, przypominając o klasycznych utworach chilloutowych. W każdym odcinku programu, słuchacze odkrywają piękne, uspokajające utwory muzyki elektronicznej, które zapewniają ukojenie dla umysłu i duszy. Od subtelnych, delikatnych dźwięków pianina po hipnotyczne, ambientowe aranżacje, ta audycja to idealna propozycja dla miłośników muzyki chilloutowej. Prezentowane utwory to nie tylko klasyczne nagrania, ale także nowe interpretacje znanych hitów, co sprawia, że program jest świetnym sposobem na poszerzenie horyzontów muzycznych. Zapomnij o stresie i pozwól sobie na chwilę relaksu z „Audycją Chillout Classic Prowadzi Tomasz Diakun

海顿、莫扎特、贝多芬这三位“维也纳古典音乐三巨头”并不是横空产生的，在他们声名鹊起之前，古典音乐世界为他们的到来做了哪些准备呢？在这个维也纳古典时代的前夜，还有很多值得我们今天聊聊的内容。包含曲目：0:26- La serva padrona: "Stizzoso, mio stizzoso"(Sing Along Karaoke Version)4:21- Beethoven: Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1 - I. Andante7:28- Sinfonia in D, Wq 183 No. 1 - C.P.E. Bach: Sinfonia in D, Wq 183 No. 1 - 1. Allegro di molto13:15- Symphony No. 63 in B-Flat Major - I. Allegro assai18:35- Iphigénie en Tauride - Act 1 - Scène 1. Introduction et choeur. "Grands Dieux ! soyez-nous secouables"

MÚSICA Ludwig van Beethoven - Sonata in D Major Op 102, Adagio (CD) Tanya Tomkins and Eric Zivian: Beethoven Piano and Cello Works © Magnatune – www.magnatune.com -- AUTOR DOS TEXTOS Leonor Franco, aci -- LEITORES Hugo Maganinho (pontos) Inês Ferreira (textos bíblicos)

In Episode One, Andy and Rob dive deep into Melody. Melodies are fundamental to our concept of music. They can convey patriotism, hope, fate, love, loss and can touch our most raw emotions. This podcast looks at what makes a good melody, how they differ throughout the world and how they have changed over time.The opening cake is a Sachertorte! See the recipe on https://www.coffeecakeandculture.com.au/Music featured in this Episode is:1. Salve Regina – Benedictine Monks of Santo Domingo de Silos2. Von Bingen – O Virtus Sapientiae3. Byrd – Mass for 5 voices. Agnes Dei. Tallis Singers4. Rest you Merry Gentlemen – the King Singers5. Handel – Semele. Where'er you walk – Andreas Scholl6. Bach – Fugue in D minor. Christiane Wuyts7. Mozart – Requiem. Dies irae. Berlin Philharmonic. Herreweghe8. Mozart - The Magic Flute. Papageno duet. Gansch, Williams9. Mozart – Clarinet Concerto. Adagio. David Shifrin10. Mozart – Symphony No 4011. Mozart – Eine Kleine Nachmusik12. Beethoven – Sonata no 8 op13 (Pathetique) Barenboim13. Tchaikovsky – Serenade for Strings. Concertgebouw Komerorkest14. Schubert – Gute Nacht. Quasthoff, Barenboim15. Chopin – Mazurka no 4 op17. Rubinstein16. Puccini – Madam Butterfly. Maria Callas17. Schoenberg- Pierrot Lunaire. Shelton, Da Capo Chamber Players18. Gershwin – An American in Paris. Los Angeles Philharmonic. Dudamel19. Stockhausen – Klavierstuck X20. Part – Spiegel in Spiegel. Roczek, Schuch Hosted on Acast. See acast.com/privacy for more information.

Reads from Lighten is a collection of writings intended to help you step into the rest, clarity, and joy found in Jesus, the Light of the World. In today's article, "A God Who Weeps," written and read by Olivia Davis, Olivia shares what a Beethoven Sonata taught her about God's relationship to suffering.

Hoje a conversa é sobre sete peças de piano/cravo únicas ,ou seja, que são completas em si, com um único movimento. Chromatic Fantasy and Fugue in D Minor, de Bach Rage over a Lost Penny, de Beethoven Sonata k 141, de Scarlatti Fantasia e m Ré menor, de Mozart Noturno em Fá Menor "La Separation", de Mikhail Glinka Hungarian Rock, de György Ligeti Fantasie Improptu, de Chopin Conversa de Câmara é apresentado por Aroldo Glomb com o Eduardo Masses na unibancada! Estamos também no programa Antigas Novidades! ESSE PROGRAMA É PRODUZIDO POR NA PAUTA PODCAST! FAÇA PARTE DO CONVERSA DE CÂMARA COM O NOSSO PADRIM! Então entre na conversa! No Padrin.com.br você pode ajudar o Conversa de Câmara a crescer e seguir divulgando ainda mais a boa música da humanidade. Mostre que você tem um gosto refinado apoiando a gente no Padrim.com.br https://www.padrim.com.br/conversadecamara RELAÇÃO DE PADRINS Karollina Coimbra, Aarão Barreto, Gustavo Klein, Eduardo Barreto, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto, Thiago Pacheco e Aldo França

Você alguma vez já olhou para dentro de si e se perguntou: Quem sou eu? Desde as antigas culturas até os dias atuais, os Seres Humanos, despertos ou adormecidos, têm dentro de si essa misteriosa busca pela identidade perdida. A Filosofia pode contribuir para o encontro do Ser Humano com a própria identidade. Participantes: José Roberto e Danilo Gomes Trilha sonora: Beethoven ‘Sonata de Primavera'; Allegro

Com certeza você já conhece o filhote de monstro mais querido da literatura infantil. O que acontece quando o filho do Grúfalo sai sozinho pela floresta durante uma noite fria e escura para encontrar o grande e feio Rato Mau? Texto: Julia Donaldson Ilustrações: Axel Scheffler Tradução: Gilda de Aquino Editora Brinque-book Música: Ludwig van Beethoven - Sonata para Piano no. 15 em D 'Pastoral', Op. 28 - IV. Rondo. Execução: Karine Gilanyan (www.musopen.org) ____ O Histórias de Pai Para Filha é um podcast que agrada a pais e filhos, com histórias produzidas, escritas ou adaptadas por mim, um pai coruja que quer ensinar à sua filha o gosto pelas histórias e pela língua portuguesa. Os episódios saem a cada duas semanas. Acompanhe o podcast no Youtube, onde eu conto algumas histórias por trás das histórias que você escuta aqui! --- Send in a voice message: https://anchor.fm/depaiparafilha/message

American pianist https://www.brianwoodspianist.com/ (Brian Woods) has emerged as a compelling artist of international acclaim. Woods' 2021-2022 season highlights include his solo debuts at the World Chess Hall of Fame and as a featured soloist for the https://www.chambermusicstl.org/ (Chamber Music Society of St. Louis). A native of St. Louis, Woods has enjoyed success in numerous distinguished competitions, including the Verona International Piano Competition, The American Prize, the Music Teachers' National Association Young Artist Competition, and the Artist Presentation Society Auditions. A trove of insights from this bright young pianist. BTW, he begins his debut as Music Director for Classical Programming at the https://worldchesshof.org/program/12105/Music%20Series:%20Brian%20Woods?fbclid=IwAR0v5LzmnBV5ZP5XJiievW5uels_vryAb4T9kUKssFMAXXEBF15CiH-9LX8 (World Chess Hall of Fame) with a solo recital on January 20, 2022, at 7 pm! Don't miss this opportunity to not only hear me perform a short program live in the New Year but get your first look at the 2022 Season! Capacity is low, get your tickets now! [01:07] Background Music, piano, university John O'Conor Playing by ear and moving to read music Playing in church [10:18] Mishaps on stage and the enjoyment of the musical performance [12:52] Chamber Music Society Performance [14:05] Beethoven Sonata in F minor Opus 57 [17:18] Memorizing music [22:19] Piano Masterclass [24:00] Technicality vs Musicality [28:07] Importance of Mentors and Teachers [39:12] Words to budding musicians and pianists This is Season 4! For more episodes, go to https://stlintune.com/ (stlintune.com) #music #piano #pianist #Toronto #stlouis #chambermusic #chambermusicstl #stlouischess #chesshalloffame #Beethoven #Chopin

Poslušamo posnetek koncerta, ki je potekal 9. novembra 2021 v Rdeči dvorani Magistrata v organizaciji Glasbene mladine ljubljanske. Na koncertu je nastopila hornistka Ana Mir in s pianistko Majo Klinar izvedla Paul Dukas: Vilanela Ludvig van Beethoven: Sonata za rog in klavir v F-duru, op. 17 Olivier Messiane: Medzvezdni klic Ana Mir je svojo glasbeno pot začela v Glasbeni šoli Škofja Loka v razredu profesorja Igorja Maroševiča in pozneje Alojza Kompana, potem pa se je vpisala na Konservatorij za glasbo in balet v Ljubljani, kjer je bil njen profesor Metod Tomac. Zdaj je študentka tretjega letnika na Akademiji za glasbo v Ljubljani pri profesorju Boštjanu Lipovšku. Je prejemnica različnih nagrad in priznanj na mednarodnih in nacionalnih tekmovanjih. Sodeluje v različnih komornih sestavih, orkestrih in kot vsestranska glasbenica pogosto sodeluje z različnimi orkestri v Sloveniji in v tujini, med drugim tudi s Slovensko filharmonijo. Leta 2021 je uspešno opravila avdicijo in se pridružila Orkestru ljubljanske Opere.

Thank you Mark Ainley! Mark is THE go to guy when it comes to historical piano recordings. His knowledge and appreciation for the great artists of the past (and present) is top notch. This episode is special. Consider listening with a pen and paper so you can write down names and note the recordings that are mentioned here. It'll absolutely increase your appreciation and love for great piano music. Here are some recordings for you to reference: Ilona Eibenschütz talks and plays: Reminiscences of Brahms (1952) https://www.youtube.com/watch?v=mLGIRHCPqN4 Carl Friedberg teaches and plays Brahms Ballade in G Minor Op.118 No.3 https://www.youtube.com/watch?v=HLW-rO8fPuU Ignaz Friedman Mazurka, Op. 7,3 https://www.youtube.com/watch?v=tpmWQ6t5iTM Jan Smeterlin plays Chopin 3 Mazurkas https://www.youtube.com/watch?v=5pu9QUiGupA Josef Hofmann, piano - Beethoven - Sonata in C# minor, Op. 27 No. 2 ('Moonlight') (1936 - complete) https://www.youtube.com/watch?v=b0xMzbfy_1g Solomon plays Beethoven Moonlight Sonata (1945 recording) https://www.youtube.com/watch?v=HK__kS2R3-w Rachmaninoff plays Rachmaninoff: Newly Discovered Recording https://www.youtube.com/watch?v=L3Xp2Djqh3s Listen to a lecture given by Mark here (includes recording clips): https://www.youtube.com/watch?v=zKo6zBtg9QM Subscribe to his Facebook page here: https://www.facebook.com/ThePianoFilesWithMarkAinley/ His website is here: https://www.thepianofiles.com/ Mark Ainley is an internationally recognized authority on the art of piano playing and historical recordings of great pianists. His clear insights provide important details about the mastery of the pianists of the past and present through his magazine articles, blog and social media pages, CD productions and liner notes, and lecture-demonstrations. Mark’s work in the field of historical recordings began in his late teens, when his pre-university writing and research on this topic won the admiration of Pulitzer Prize-winning New York Times music critic Harold Schonberg. His first CD liner notes, for VAI’s release ‘Liszt: The 19 Hungarian Rhapsodies Played by 19 Great Pianists’, were co-authored in his early 20s with International Piano Archives founding president Gregor Benko, coinciding with Mark’s pioneering work in discovering previously unpublished recordings of the legendary pianist Dinu Lipatti. His internationally acclaimed efforts led to the world premiere award-winning release of over two hours of ‘unknown’ performances by Lipatti, among them piano concertos by Liszt and Bartok. Mark’s articles about Lipatti for International Piano Quarterly, International Piano, and Classical Record Collector magazines, as well as liner notes for the labels APR, archiphon, and Opus Kura, have debunked myths surrounding the life and art of this legendary musician, and he has received support for his work from some of the Rumanian biographers, diplomats, and producers who have worked for decades in publicizing this musician’s legacy. Mark has also written in both International Piano and Classic Record Collector magazines about the great French pianist Marcelle Meyer, the muse of Le Groupe des Six in 1920s Paris who additionally worked with Ravel, Debussy, and Stravinsky. Mark has given lectures at the Manhattan School of Music in New York, the Leschetitzky Society in Tokyo, and the San Francisco Conservatory, speaking about Great Historical Recordings in general and about Dinu Lipatti specifically, and was featured on WNYC radio in New York City in 1992 for the premiere broadcast of some rare Lipatti recordings. In September 2010, Mark co-chaired the panel discussion after the screening of a documentary about Dinu Lipatti at the Besancon International Music Festival, and the following month he opened the 2010 Great Romantics Festival with a presentation entitled “Schumann—The Poet of the Piano” for the bicentennial of Schumann’s birth. In 2016 the Romanian Cultural Institute in Bucharest sponsored a trip for Mark to visit Romania and lecture about Dinu Lipatti in conjunction with a new Lipatti website; Mark additionally appeared on Romanian TV and radio on this trip. He also presented at the Romanian Cultural Institute in Vienna in 2017 to mark the beginning of Lipatti’s centenary that year. Mark’s international research has led to meetings with many musical luminaries, among them Elizabeth Schwarzkopf, Yehudi Menuhin, Hugues Cuenod, Franziska Ackermann (widow of conductor Otto Ackermann), Stephen Hough (who has referred to Mark’s blog in his own for The Telegraph), Idil Biret, the family of Marcelle Meyer, Lake Como Piano Academy director William Nabore, and renowned artist manager Jacques Leiser. Mark has most recently written in International Piano about the evolution of Alfred Cortot’s playing as heard through his recordings, in addition to a centenary tribute to Dinu Lipatti. Previous articles in International Piano include features about the challenges facing young pianists as related by Jacques Leiser, an interview with British-Canadian pianist Valerie Tryon, and biographical articles about Dinu Lipatti and Marcelle Meyer. Mark has also published an extensive 9-page article about Dinu Lipatti for Classical Recordings Quarterly, and for Clavier Companion magazine has produced an article about recording producer Walter Legge, a feature on the ‘rediscovered Romantic’ pianist Jascha Spivakovsky, and interviews with Stephen Hough and Livia Rev. Mark continues his research into the life and recordings of Dinu Lipatti and has prepared a commemorative website devoted to the artist at dinulipatti.com . Mark has been a regular guest lecturer in both Sara Davis Buechner’s and Corey Hamm’s piano literature classes at the University of British Columbia in Vancouver, BC, and he guest lectured at Manhattan School of Music in April 2017. He is available for writing projects such as CD liner notes, articles, and interviews, as well as lecture-demonstrations on a variety of piano-related topics. Amongst his repertoire: In The Groove: An Introduction to Historical Recordings Dinu Lipatti, Prince of Pianists Marcelle Meyer, Muse of Les Six The Great Romantic Pianists Legendary Chopin Interpreters ‘Live, from New York…’ Fabulous French Pianists Unknown Greats Off The Record: Rare Unpublished Recordings Additional topics available on request. For booking inquiries, please write to mark@markainley.com

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición de El ContraPunto, el programa para quienes son algo más que oyentes, escucharemos a... - Loquillo - Political Incorrectness - Wolfgang Amadeus Mozart - "Non più andrai" de Las bodas de Fígaro - Ludwig van Beethoven - Sinfonía nº3 en mi bemol mayor "Heroica" - Ludwig van Beethoven - Sonata para violín y piano nº9 en la mayor "Kreutzer" - Paco de Lucía - Barrio la Viña - Leonard Cohen - Halleluja - Mili Balakirev - Obertura sobre el tema de una marcha española Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Join me for this wonderful conversation with Derek Vann!The day we recorded there were internet issues that affected the audio quality. As much as possible was done to correct the audio in post-production, but please be sure to click the links to listen to Derek's Top 5 Songs of Encouragement. Thank you for listening!Derek Vann began studying piano and composition with his mother, Gayle Vann,at the age of six. Derek has won numerous awards for composition, most notablyincluding winning the Lynn Freeman Olson Composition Contest in 2009. His entry,entitled “Sounds of Madrid” was published by FJH in 2010. This piece was later selectedin the 2014-2016 NFMC Bulletin.In March of 2009, Derek won the Atlanta-Bauru (Brazil) Piano Competition atGeorgia State University, whose prize involved touring 3 cities in Brazil in 2010 as aconcert performer. In 2013, Derek won GSU's Brumby Concerto Competition, and wasprivileged to perform Tchaikovsky's 2nd Piano Concerto with the Georgia StateSymphony Orchestra. In 2016, he was awarded a Scholarship for the Master PianoInternational Courses by the Chopin Society of Atlanta, whose prize funded a trip tostudy at Piano Courses in Paris, France and Valldemossa, Spain. In 2017, Derekcompleted his Bachelor's Degree in Classical Piano Performance at Georgia StateUniversity, studying with Dr. Sergio Gallo.In addition to his piano performance career, Derek started a family young:marrying his lovely wife, Stephanie in 2011 and starting a family to now include threebeautiful children: Ethan (9), Sydney (5), and Katelyn (1). Working at PianoWorks inDuluth since 2012, Derek now serves as their Lead Piano Sales Rep, Print MusicManager, and Web Store Manager. Complementing his work in sales, Derek also enjoysteaching a thriving independent studio of over 20 students, ranging from youngbeginners to adults and even fellow teachers seeking to enhance their knowledge ofadvanced repertoire. As a teacher, Derek is active in NFMC Festivals and serves as VP ofMembership for North Dekalb MTABe sure to visit www.pianoworks.com for your sheet music and piano needs.Derek's Top 5 Songs of Encouragement1) Beethoven's Piano Sonata No. 30, Opus 109 in E Majorhttps://www.youtube.com/watch?v=15EFrXnj49Q2) Rachmaninov's Prelude Op. 23, No. 4 in D Majorhttps://www.youtube.com/watch?v=_VCkuCVK2Pg3) Chopin Ballade No. 1 in G minorhttps://www.youtube.com/watch?v=xWJ4I-OXKd04) He Will Callhttps://www.jw.org/en/library/music-songs/sing-out-joyfully/151-he-will-call/?media=sjjc5) The New World to Comehttps://www.jw.org/en/library/music-songs/original-songs/the-new-world-to-come/Bonus: Here is a clip of Derek playing the Beethoven Sonata 109https://www.youtube.com/watch?v=4Vz1Tr8qZo4Keep this podcast Ad Free by going to https://www.buymeacoffee.com/Encouragement today to make a one-time donation or become a monthly member.Support the show (https://www.buymeacoffee.com/Encouragement)

Bag om København udkommer ikke med en normal episode i december. Jeg har brug for lidt luft til at forberede mig til de mange (og du er forhåbentlig enig med mig) interessante episoder, der er på vej i 2021. Den første den 4. januar.Men feedet står dog ikke tomt i den kommende måned – jeg udsender to ekstra/sær-episoder. Den anden episode er et lån fra en anden af de københavnske bibliotekers podcasts: Kundskabens Hotel. Men emnet er stadig historie.Erik Høy, manden bag bloggen Politivennen - fortæller om Danmarks første fængsler, hvor hverdagen var pisk, lus og trædemøller - og hvor man kunne sættes i lænker for at stjæle en spegepølse eller strejfe omkring på landevejene. Og det gør han til Hotellets Anne Jeppesen.Produktion: Anne JeppesenMedvirkende: Erik Høy og Jakob KjærKendingsmusik:  Eucrid Elms - I Just Saw The End of the World Musik i episoden: J.F. Händel - Concerto grosso no.4, European archiveMusik i episoden: L. Beethoven - Sonata no. 21, spillet af Paul Pitman 

BEETHOVEN: Cuarteto de cuerda nº 11 en Fa menor, Op. 95 “Serioso” (20.27). P. Borciani (vl.), E. Pegreffi (vl.), P. Farulli (vla.), F. Rossi (vc.), Cuarteto Italiano. BEETHOVEN/LISZT: Sinfonía nº 8 en Fa mayor, Op. 93 (arr. para p. de Franz Liszt S 464 R 128) (Segundo movimiento: Allegretto scherzando) (4.22). L. Howard (p.). BEETHOVEN: Sonata para piano nº 9 en Mi mayor, Op. 14 nº 1 (arr. para cuarteto de cuerda en Fa mayor) (Tercer movimiento: Allegro) (3.37). N. Brainin (vl.), S. Nissel (vl.), P. Schidlof (vla.), M. Lovett (vc.), Cuarteto Amadeus. Bagatela nº 1 en Mi bemol mayor (7 Bagatelas, Op. 33) (4.03). A. Brendel (p.). Escuchar audio

The victorious finale from Stravinsky's Firebird Suite is performed by a teenage pianist. He's joined by a talented 14-year-old performing Beethoven, and a young violinist whose musical roots span two continents.

The victorious finale from Stravinsky's Firebird Suite is performed by a teenage pianist. He's joined by a talented 14-year-old performing Beethoven, and a young violinist whose musical roots span two continents.

Con Ana Laura Iglesias | Como cada comienzo de mes, el auditorio de Clásica FM celebra ese gran aniversario que las circunstancias mundiales están camuflando: el 250 aniversario del nacimiento de Beethoven. Para ello descubrimos una de sus sonatas clave, su sonata para piano "Waldstein", una obra brillante y que describe el sonido del alemán sin palabras. ¡Imperdible!

BEETHOVEN: Sonata para violoncello nº 2 en Sol menor, Op. 5 nº 2 (22.59). J. Du Pré (vc.), D. Barenboim (p.). VIVALDI: Concierto para violoncello en Re menor RV 407 (8.47). M. Naddeo (vc.), Europa Galante. Dir.: F. Biondi. BEETHOVEN: Finale (Allegro) Hess 25 (Primera versión del Trío de cuerda Op. 3: IV. Finale) (6.52). E. Kim (vl.), S. Karasaki (vla.), L. DiBello (vc.). Escuchar audio

BEETHOVEN: Sonata para violoncello nº 1 en Fa mayor, Op. 5 nº 1 (21.28). Variaciones sobre "See the conqu´ring hero comes" de Judas Maccabeus de Händel, WoO 45 (12.19). J. Du Pré (vc.), D. Barenboim (p.). BACH/BEETHOVEN: Fuga nº 22 en Si bemol mayor BWV 867, El clave bien temperado I (arr. para quinteto de cuerda) (2.14). S. Kim (vl.), S. Kroh (vl.), S. Karasaki (vla.), H. Gudmunsdottir (vc.), L. DiBello (vc.). Escuchar audio

Contamos con las palabras de nuestra conversación previa con Stefano Russomanno. BEETHOVEN: Sonata para piano nº 3 en Do Mayor, Op. 2 nº 3 (21.33). A. Benedetti Michelangeli (p.). DEBUSSY: Reflets dans l´eau (Images I) (4.24). A. Benedetti Michalengeli (p.). SCARLATTI: Sonata en Si menor K. 27/L. 449 (2.46). A. Benedetti Michelangeli Escuchar audio

This memorial event celebrating the life and legacy of Lyndon LaRouche was held in New York City on June 8, 2019. More information can be found here: https://schillerinstitute.com/blog/2019/06/10/in-memoriam-the-triumph-of-lyndon-h-larouche-jr/ Introduction – Dennis Speed Prologue – Helga Zepp-LaRouche Lyndon LaRouche in His Own Words — Dennis Speed, narrator Hall Johnson (arr.): “When I Was Sinkin' Down” Hall Johnson (arr.): “I Don't Feel No-Ways Tired” Reginald Bouknight, tenor soloist Schiller Institute Festival Chorus Diane Sare, director J.S. Bach: “Jesu, meine Freude,” BWV 227 Schiller Institute Festival Chorus Andrés Vera, violoncello Bruce Director, contrabass John Sigerson, director INTERMISSION The Third Trial of Socrates Dennis Speed, narrator Roland Hayes: “They Led My Lord Away” Elvira Green, alto Roland Hayes: “Crucifixion” Frank Mathis, baritone Johannes Brahms: “Dem dunkeln Schoß der heil'gen Erde” Schiller Institute Festival Chorus John Sigerson, director Ludwig van Beethoven: Sonata for Violonello and Piano, Op. 69 I. Allegro ma non tanto II. Scherzo III. Adagio cantabile IV. Allegro vivace Andrés Vera, violoncello My-Hoa Steger, piano Ludwig van Beethoven: “Adelaide,” Op. 46 John Sigerson, tenor Margaret Greenspan, piano Johannes Brahms: “Immer leiser wird mein Schlummer,” Op. 105, No. 4 Elvira Green, alto My-Hoa Steger, piano The Triumph of Lyndon LaRouche Dennis Speed, narrator Epilogue — Helga Zepp-LaRouche Robert Schumann: Mit Myrthen und Rosen, Op. 24, No. 9 John Sigerson, tenor Margaret Greenspan, piano Wolfgang Amadeus Mozart: “Ave verum corpus,” K. 618 To be sung by everyone J.S. Bach: Chorale: “Wenn ich einmal soll scheiden” from St. Matthew Passion Schiller Institute Festival Chorus “Taps” for Lyndon H. LaRouche, Jr.

Novembra 2019 sta kot del cikla Ob klavirju Glasbene mladine ljubljanske nastopila pianista Ilonka Krivokapić in Klemen Šubic, ki sta izvedla vsak svojo polovico koncerta. Najprej je nastopila pianistka, potem pa še pianist in tako bomo tudi posnetka nastopov poslušali v oddaji. Ilonka Krivokapić Anton Lajovic: Sanjarija Isaac Albeniz: Malaguena iz suite Španija op. 165 Wolfgang Amadeus Mozart: Fantazija v d-molu, K 397 in Alla turca iz Klavirske sonate št. 11 v A-duru, K 331 Edvard Grieg: Metulj iz Lirične skladbe, op. 43 in Nokturno iz Lirične suite op. 54. Klemen Šubic Ludwig van Beethoven: Sonata za klavir št. 6 v F-duru, op.10, št. 2 Peter Iljič Čajkovski: Duma, prizori iz ruskega podeželja, op. 59 Frederic Chopin: Brilijantne variacije v B-duru, op.12

V oddaji bomo poslušali posnetek koncerta, ki je potekal januarja v Rdeči dvorani ljubljanskega Magistrata. Na njem sta nastopila klarinetist Benjamin Burger in violinistka Kaja Sešek, ki sta ob spremljavi pianistke Tee Andrijić izvedla vsak svojo polovico koncerta. program: Francis Poulenc: Sonata za klarinet in klavir, FP 184 Charles-Marie Widor: Introdukcija in rondo, op. 72 *** Ludwig van Beethoven: Sonata za violino in klavir št. 7 v c-molu, op. 30, št. 2

Our full performance of Beethoven’s Piano Sonata in F minor, Op. 2, No. 1, played by our host and pianist Eliana Zebro. Please enjoy, and let Beethoven’s beautiful dynamic contrast and wonderful themes carry you away. Subscribe at pianohistories.substack.com

Ludwig van Beethoven’s Piano Sonata in F minor, Op. 2 No. 1, one of his first opus numbered works, is a 4-movement piano sonata that together tell a tale of a revolution, departure from one’s hometown, and the great composer bending to the will of another. In our Premiere Episode, The Piano Histories Podcast will tell you that story, and the complete history, of Beethoven’s Op.2 No.1. Subscribe at pianohistories.substack.com

This week's episode features the Sonata for Cello and Piano in A major, Op. 69 by Ludwig van Beethoven performed by cellist Gary Hoffman and pianist David Golub in 1996.

A memorial event celebrating the life and legacy of American statesman, Lyndon H. LaRouche, Jr. was held in Manhattan, June 8th, 2019 with simultaneous satellite events watching across the country. See the full program below and at https://larouchepac.com/20190610/memoriam-triumph-lyndon-h-larouche-jr Introduction – Dennis Speed Prologue – Helga Zepp-LaRouche Lyndon LaRouche in His Own Words Dennis Speed, narrator Hall Johnson (arr.): “When I Was Sinkin’ Down” Hall Johnson (arr.): “I Don’t Feel No-Ways Tired” Reginald Bouknight, tenor soloist Schiller Institute Festival Chorus Diane Sare, director J.S. Bach: “Jesu, meine Freude,” BWV 227 Schiller Institute Festival Chorus Andrés Vera, violoncello Bruce Director, contrabass John Sigerson, director INTERMISSION The Third Trial of Socrates Dennis Speed, narrator Roland Hayes: “They Led My Lord Away” Elvira Green, alto Roland Hayes: “Crucifixion” Frank Mathis, baritone Johannes Brahms: “Dem dunkeln Schoß der heil’gen Erde” Schiller Institute Festival Chorus John Sigerson, director Ludwig van Beethoven: Sonata for Violonello and Piano, Op. 69 I. Allegro ma non tanto II. Scherzo III. Adagio cantabile IV. Allegro vivace Andrés Vera, violoncello My-Hoa Steger, piano Ludwig van Beethoven: “Adelaide,” Op. 46 John Sigerson, tenor Margaret Greenspan, piano Johannes Brahms: “Immer leiser wird mein Schlummer,” Op. 105, No. 4 Elvira Green, alto My-Hoa Steger, piano The Triumph of Lyndon LaRouche Dennis Speed, narrator Epilogue Robert Schumann: Mit Myrthen und Rosen, Op. 24, No. 9 John Sigerson, tenor Margaret Greenspan, piano Wolfgang Amadeus Mozart: “Ave verum corpus,” K. 618 To be sung by everyone J.S. Bach: Chorale “Wenn ich einmal soll scheiden” from St. Matthew Passion Schiller Institute Festival Chorus “Taps” for Lyndon H. LaRouche, Jr.

Con Ana Laura Iglesias | Nuevo concierto a la carta en Fila 01 protagonizado por una de las principales obras del repertorio para violín y piano: la sonata Kreutzer de Beethoven. Descubre esta complicadísima obra junto a la poco interpretada sinfonía nº2 del autor, ambas compuestas en 1803, punto de inflexión en la música del genio de Bonn.

CMS resident lecturer Bruce Adolphe discusses Beethovens's Sonata in G major for Violin and Piano, Op. 96 in this weeks episode. Featuring a performance by Sean Lee, violin; and Peter Dugan, piano.

Bruce Adolphe talks about Ludwig van Beethoven's fiery Sonata in A major for Violin and Piano, Op. 47, "Kreutzer" with musical examples performed by violinist Angelo Xiang Yu and pianist Gloria Chien. Also featuring a performance of the first movement by violinist Ida Kavafian and pianist Gilles Vonsattel.

It's Beethoven's birthday on December 16th! We celebrate with a studio performance featuring some of his more out-of-the way pieces. Beethoven: Sonata in F for Horn and Piano, Op. 17 William Purvis, horn; Mihae Lee, piano Beethoven: Three Irish and Welsh Songs     Cupid’s Kindness, WoO 155 No.2     The Kiss, Dear Maid, Thy Lip Has Left, WoO 153, No. 9     Come Draw We Round The Cheerful Ring, WoO 152, No. 8 William Hite, tenor; Gilles Vonsattel, piano; Brian Howard, cello; Bruce Milano, mandolin Beethoven: Two works for Mandolin and Fortepiano     Sonatina in C, Woo44a     Adagio in E flat, WoO 43b Bryce Milano, mandolin; Sylvia Berry, fortepiano Recorded at WGBH's Fraser Performance Studio on December 8, 2011.

In Ep. 11 - "The Sword in the Stone" we explore Beethoven's teenage years, the circumstance that would lead to his first trip to Vienna, and his mythologized meeting with Mozart. ---------------- For all things GCP Please rate, review, and subscribe on iTunes! The App!  https://apps.apple.com/us/app/the-great-composers-the-gcp/id1465809545?fbclid=IwAR0tQTElluT8I3jn6SYFcQst70IY0Ym52LjEz1Z3DR11oq5ZGDLV_URNyHk&ls=1 Like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/ A complete bibliography for all episodes can be found on my website: www.kevinnordstrom.com Works heard during the episode in order of appearance: - Beethoven Sonata for Piano op. 10 no. 3 in D major mvt. 1 (Schnabel) - Bach 'The Well Tempered Clavier' Prelude in C# major - Beethoven Sonata for Piano in D major op. 28 'Pastorale" mvt. 2 (Schnabel) - Berlioz 'Harold in Italy'... (The great William Primrose on viola) - Mozart 'Don Giovani' the famous Commendatore Scene - Beethoven String Quartet op. 18 no. 6 in B-flat major (Pascal String Quartet) Music found at https://archive.org

Works for solo piano by Beethoven, performed by Charlie Albright, piano on March 27, 2016.Beethoven: Sonata in E Major, Op. 109Beethoven: 15 Variations and Fugue in E-flat Major on an original theme "Eroica Variations" Op 35You know when you just can’t get a tune out of your head? Well, starting around 1800, Beethoven seems to have had the tune from the finale of his ballet, The Creatures of Prometheus, stuck in his head for quite some time. After first appearing in the ballet, the melody—which would come be known as his “eroica” or “heroic” theme—popped up repeatedly in his works in the early 1800s.As a sort of introduction to the variations, we’ll hear another Beethoven piano work: a late sonata, the Sonata in E Major, opus 109. Unlike many of Beethoven’s other late works, this one is quite compact. The piece has a slightly frenetic quality at times, hopping between different themes, different time signatures, different moods. The final movement is, again, a set of variations.Both performances we’ll hear are taken from a concert given by the young pianist Charlie Albright at the Gardner in March 2016.

A Live Performance at Emerald Valley Assisted Living.

A Live Performance at Emerald Valley Assisted Living.

Versión de 60 Minutos de la pieza "Sonata Claro de Luna" (Moonlight Sonata) de Beethoven con sonidos ambientales de fondo para una mayor tranquilidad y serenidad. Disfruta y relajate escuchando esta larga y calmada version. Es la musica perfecta para relajarse, estudiar, leer, hacer deberes, trabajar, dormir o simplemente como musica ambiental mientras se hace cualquier otra actividad.

con Giovanni Bietti

con Giovanni Bietti

Sonata n.7 in re maggiore op.10 n.3

con Giovanni Bietti

con Giovanni Bietti

con Giovanni Bietti

con Giovanni Bietti

con Giovanni Bietti

con Giovanni Bietti

con Giovanni Bietti

Electronic Underground episode 011 1) Mitis - Expose (Original Mix) [unsigned] 2) Lakes - Drops of Life (Squeezer Of Tears Remix)  [Messany] 3) Ylvis - The Fox (Zink's Only-The-Good-Parts Extended Mix) [unsigned] Trance Classic: 4) Narcotic Thrust - When the Dawn Breaks (Cicada's Club Mix) [Free2air] Artist Spotlight: Tamal&Ran 5) Tamal&Ran - Elysium (Original Mix) [unsigned] 6) ליאור נרקיס - .שגעת טרפת (Tamal&Ran Remix) [unsigned] 7) Brandon Williams - Light Through Darkness (Original) [unsigned] *World Premier* 8) Fog Raft - No Reason (Original Mix) [unsigned] 9) Mitis - Life Of Sin Pt.4 (Original Mix) [unsigned] 10) Mike Simon - Storm(Original Mix) [unsigned] 11) Faithless - We Come One (The Sinners Remix) [unsigned] *World Premier* 12) deadmau5 - Sparrows Made of Lead [unsigned] Downtempo Selection: 13) A.N.O. - Shivering Beauty [unsigned] 14) Kannamix ft. Veela (Elliot Berger Remix) - Cerulean [Heavy Artillary Recordings] 15) Orikami - Dead In The Water [unsigned] 16) Ott - Mr Balloon Hands [Witty Tunes] 17) Adeline - Unravel My Mind (Original Mix) [Culprit] Artist Spotlight: Elenne 18) Elenne - Kolibri (Original Mix) [unsigned] 19) Elenne - The Girl With The Stache [unsigned] 20) Carbyn & Ghost Approach - Gaboom Baboon [unsigned] 21) MitiS - Visible [unsigned] 22) Orkidea - Unity (Orion & J.Shore remix) [unsigned] 23) Ludwig van Beethoven - Sonata #14, "Moonlight" (Orchestral Arrangement by Trevor Zink) [unsigned]

Iain Burnside with a personal recommendation from the available recordings of Beethoven's fourth published piano sonata, Op.7

Works for solo piano and piano trio performed by pianist Paavali Jumppanen and the Claremont Trio.Beethoven: Sonata in E Major, Op. 109Beethoven: Trio in E-flat Major, Op. 1, No. 1Beethoven took the musical forms and vocabulary he inherited so far that there was nowhere left to go. We’ll take that conjecture as a jumping-off point for listening to two Beethoven works that demonstrate his innovation within the bounds of classical form. The trio concludes our program, but it comes first chronologically. The work has a firm foothold in the classical style espoused by his teacher, Haydn, but Beethoven’s interest in innovation is evident is the work’s unexpected harmonic shifts. We begin the program at the opposite end of Beethoven’s career, with one of his final piano sonatas, where we see the composer at the height of his compositional powers. In three movements, Beethoven explores familiar structures---sonata form, theme-and-variations, intricate counterpoint---but makes them sound entirely new, with adventurous harmonies, unexpected tempo shifts, and sublime melodies.

Beethoven: Sonata in D minor, Op. 31, No. 2 (“Tempest”) Beethoven: String Quintet in C Major, Op. 29 (“Storm”)Both of the pieces on today’s program come from the period of Beethoven’s life when he was beginning to seriously lose his hearing, and both bear the sorts of titles you might expect of music written during this time. Certainly a sort of emotional unrest is evident in both pieces, but just as notable are the musical innovations at work here, as we hear Beethoven moving towards the sort of harmonic and structural creativity that would characterize his later works, in spite of his deafness. In the “Tempest” sonata Beethoven takes a very simple idea—an arpeggio—and transforms it into a sort of backbone for the piece, creating structure and cohesiveness. The use of motive was one of Beethoven’s trademarks. In the second piece Beethoven plays with both tonality and meter, two other areas of experimentation in his music.

Beethoven: Sonata for piano in G minor, Op. 49, No. 1 (January 21, 2007)Beethoven: Sonata for piano in A Major, Op. 2, No. 2 (January 21, 2007)For years, music historians have fixated on dividing Beethoven’s works to fit neatly into three distinct periods: early, middle and late. In this program we’ll listen to two “early” sonatas for piano. Beethoven’s earliest music is about learning, in a lot of ways. He seems to be mastering the music around him, the style he’d grown up hearing, inherited from composers like Mozart. But there are also germs of the middle and late Beethoven: the composer revered for his musical discipline and structure, that architect of symphonic music.

In this episode we play the 2nd half of Sonata No.4 by Ludwig van Beethoven that we started in an earlier episode.  There is much care and detail that Beethoven put into this piece.  There are tempo changes, accented notes and complex rhythms.  The music gets suddenly louder or softer.This music is characteristic of Beethoven's later period where he combined a lot of structures and changed things around.  The movement starts with a slow section that is almost timeless in nature.  You can hear a quote of the theme from the first movement.  Later begins a faster more energetic section.  There are a lot of interruptions but eventually the music drives towards the end.  We hope you enjoy it.For feedback please e-mail cellojourney@gmail.com or leave comments.

In this episode we play the first half of Sonata No. 4 by Ludwig van Beethoven. First there is a tender slower section and then a lively faster section. For feedback please e-mail cellojourney@gmail.com or leave comments.

In this episode we play the first half of Sonata No. 4 by Ludwig van Beethoven. First there is a tender slower section and then a lively faster section. For feedback please e-mail cellojourney@gmail.com or leave comments.