Podcast appearances and mentions of rafael toral

Wir gehen Perlentauchen in den Untiefen der Musik-Ozeane. Redaktor Claudio Landolt brennt für Sounds, die der gängigen Klassifizierung trotzen. Hier wird Musik eingefangen, zerlegt und neu gemacht. Spannend an den Fundstücken: Dieser Experimentaljahrgang ist näher am Pop als gedacht. +++ PLAYLIST +++ · 22:56 - 3500M AUF 4017M von JULIAN SARTORIUS · 22:51 - ARRAYED ON THE BATTLEFIELD von BUKUN SUNDAY · 22:46 - A FRAGILE THING (RS24 REMIX) von THE CURE · 22:41 - LIGHTHOUSE von ANNA B SAVAGE · 22:39 - YOU'RE THE ONLY ONE WATCHING von MIKE · 22:35 - TV OFF von KENDRICK LAMAR FEAT. LEFTY GUNPLAY · 22:29 - STICKY von TYLER, THE CREATOR FEAT. GLORILLA & SEXYY RED & LIL WAYNE · 22:23 - LOTUS von L'ECLAIR & KLAUS JOHANN GROBE · 22:21 - 360 von CHARLI XCX · 22:17 - ARE YOU LOOKING UP von MK.GEE · 22:14 - CONTINUUM 9 von NALA SINEPHRO · 22:09 - WHISKEY von AROOJ AFTAB · 21:55 - 0-88KM von VASCO ALVES · 21:52 - SECOND SHORT SPACE von RAFAEL TORAL · 21:49 - WORK von DAWUNA · 21:45 - JUNI von SEINA · 21:40 - GUIDING LIGHT von GOOD SAD HAPPY BAD · 21:31 - SMALL ZHUZH von HOOSON & JOHNSON · 21:28 - THE CANDY HOUSE von KIM GORDON · 21:23 - KRAVITZ von MABE FRATTI · 21:15 - BIG MONSOON von JACK NAME · 21:11 - KINGDOM COME von CINDY LEE · 21:04 - COAGULE von ORCHESTRE TOUT PUISSANT MARCEL DUCHAMP · 20:57 - THE LAST YEAR von JESSICA PRATT · 20:52 - ARE YOU MINE von KIM DEAL · 20:49 - NOTHING MATTERS von THE LAST DINNER PARTY · 20:43 - SHE CLEANS UP von FATHER JOHN MISTY · 20:38 - ROTOR HEART von LEECH · 20:33 - MELIDE von LEECH · 20:28 - SOUTHERN LIFE von SHARON VAN ETTEN AND THE ATTACHMENT THEORY · 20:25 - JERKIN' von AMYL AND THE SNIFFERS · 20:20 - OLD SCRATCH BLUES von JACK WHITE · 20:16 - THE REASON von MOUNT JACINTO · 20:09 - TURNING BACK von MOUNT JACINTO · 20:05 - PURE LOVE von DJ KOZE & DAMON ALBARN Sounds! macht den grossen musikalischen Jahresrückblick. Diese Woche mit den Favoriten unserer Genre-Experten, nächste Woche mit den besten Songs und Alben des Jahres.

Primera parte de nuestro viaje a Portugal, al 32º Curtas Vila do Conde, Festival Internacional de Cine. Con uno de sus directores y fundadores, Nuno Rodrigues. Y con Pablo de María, que nos presenta la sección Stereo, en la que se encuentran la música y el cine. Y la música de Lula Pena, HHY& The Macumbas y Rafael Toral, participantes en la misma.Escuchar audio

This conversation between composers Rafael Toral and Samuel Andreyev was conducted on 25 March 2024.==RAFAEL TORAL'S WEBSITEhttps://rafaeltoral.net/PRIVATE LESSONS IN COMPOSITION AND ANALYSISContact me via samuel.andreyev (at) gmail (dot) comNEW ALBUM COMING 17 NOVEMBER 2023!!Order yours today: https://divineartrecords.com/recording/samuel-andreyev-in-glow-of-like-seclusion/SUPPORT THIS PODCASTPatreonDonorboxSAMUEL ANDREYEV'S NEW ALBUMhttps://divineartrecords.com/recording/samuel-andreyev-in-glow-of-like-seclusion/LINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPost production: Arkadiusz BuchalaPodcast artwork photograph © 2019 Philippe StirnweissSupport the Show.

On today's episode, I talk to musician Rafael Toral. Born in Lisbon in 1967, Rafael has been intrigued by the potential of sound and the functions of music since he was a teenager. Working with electric guitar and electronics, in the 1990's he pioneered a blend of Ambient and Rock and recorded acclaimed albums like Wave Field or Violence of Discovery and Calm of Acceptance. In 2004, he began the ambitious 15-year project entitled Space Program, which used experimental instruments to explore an approach to electronic music based on silence. Rafael has performed and recorded with everyone from Jim O'Rourke to Alvin Lucier, Phill Niblock, Sonic Youth and so many more, and his latest album, Spectral Evolution, a synthesis of everything he's explored over the course of his career, was just released in February on Drag City. This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Der deutsche Jazzpianist Joachim Kühn feierte vor einigen Tagen seinen 80. Geburtstag und wurde zudem mit dem deutschen Bundesverdienstkreuz ausgezeichnet. Wir werfen einen Blick auf sein bisheriges Werk und hören in sein neues Album «Duo» rein. Dazu gibt es neue Musik zu entdecken: Lucia Cadotsch singt in ihren Songs aus der Perspektive von verschiedenen historischen und mythologischen Frauen. Der junge Genfer Gitarrist Louis Matute kreiert auf seinem Album eine ganz eigene Fantasiewelt voller südamerikanischer Sounds. Und der portugiesische Komponist Rafael Toral lässt in seinem neuen Klangwerk wunderliche Töne aus Akkorden spriessen. (00:01:09) Sandmans Calling (00:06:34) Julian Sartorius «Hidden Tracks» (00:10:34) Lucia Cadotsch «AKI» (00:22:54) Louis Matute Large Ensemble (00:38:19) Lizz Wright (00:42:35) Rafael Toral  (00:50:10) Joachim Kühn Die gespielten Titel / Interpret:innen (Album | Label) Three Strings / Sandman's Calling, Julian Sartorius (Bern | Eigenvertrieb) 272m auf 500m - 2000m auf 2500 m - 3500 auf 4017m / Julian Sartorius (Hidden Tracks: Domodossola - Weissmies | Everest Records) Bitter Long Lying Leisure - Ballad of the Drowned Girl - Medusa's Champagne / Lucia Cadotsch, Kurt Rosenwinkel (AKI | Heartcore Records) Movie Star - A Voz De Deus - Narcissus - Vue Soleil - Marcovaldo / Louis Matute Large Ensemble (Small Variations from the Previous Day | Neuklang) Spectral Evolution / Rafael Toral (Pectral Evolution | -) Para / Joachim Kühn, Daniel Humair, J.f. Jenny-Clark (Live Théâtre de Ville, Paris 1989 | CMP Entertainments) Faaxing / Ornette Coleman, Joachim Kühn (Colors: Live from Leipzig | Harmolodic) My Brother Rolf / Michael Wollny, Joachim Kühn (Duo | ACT)

Episode 672: January 25, 2024 playlist: Maya Shenfeld, "Analemma" (Under the Sun) 2024 Thrill Jockey Four Tet, "Loved" (Loved) 2024 Text Nick Schofield, "Picture Perfect" (Ambient Ensemble) 2024 Backward Music Julia Holter, "Sun Girl" (Something in the Room She Moves) 2024 Domino Hyperculte, "Les malheurs du siecle" (La Pangee) 2023 Bongo Joe Neville Brown, "Prophetic Dub" (Prince Fatty Meets The Gorgon In Dub) 2023 VP the volume settings folder, "a dim flare" (Oostende) 2023 [self-released] Jandek, "Twenty-Four" (Telegraph Melts) 1986 Corwood High Llamas, "Hey Panda" (Hey Panda) 2024 Drag City Rafael Toral, "Fifths Twice" (Spectral Evolution) 2024 Moikai Nurse With Wound, "She And Me Fall Together Like Free Death [phosphorous mix] (edit)" (She And Me Fall Together In Free Death) 2004 Beta-Lactam Ring MJ Guider, "Grand Couteau" (Youth and Beauty) 2024 Modemain Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episode 94 Electronic Drone Music   Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Con el verano ya tocando a la puerta, nos sumergimos en sonidos ensoñadores y sugerentes. Escucharemos a Rafael Toral, Peter Zirbs, Leafcutter John y Blanca Regina, Orphax o la deliciosa unión Atom Tm+Lisokot. Escuchar audio

La variedad sonora será la protagonista esta semana y también las propuestas nacionales. Escucharemos a Strafe F.R, Rafael Toral, Tim Linghaus, Nick Wave, Traje de Saliva, el Recopilatorio Nº5 de Sin Hilo Records y terminaremos nuestra primera hora de programa con Sign Libra Escuchar audio

8e émission de la 39e session... Cette semaine, hardbop, jazz moderne et un brin de free! En musique: Rolland Hanna sur l'album The New York Jazz Quartet in Chicago  (Bee Hive, 1982); Onyx Collective sur l'album Lower East Suite Part Three  (Big Dada, 2018); P.E. Quartet sur l'album Cokolwiek  (Multikulti Project, 2018); Lande sur l'album La Caverne  (Indépendant, 2017); Bobby Bradford, Hafez Modirzadeh, Ken Filiano, Royal Hartigan sur l'album Live at the Magic Triangle  (NoBusiness, 2017); Rafael Toral sur l'album Space Quartet  (Clean Feed, 2018); Subtle Degrees sur l'album A Dance That Empties  (New Amsterdam, 2018)...

8e émission de la 39e session... Cette semaine, hardbop, jazz moderne et un brin de free! En musique: Rolland Hanna sur l'album The New York Jazz Quartet in Chicago  (Bee Hive, 1982); Onyx Collective sur l'album Lower East Suite Part Three  (Big Dada, 2018); P.E. Quartet sur l'album Cokolwiek  (Multikulti Project, 2018); Lande sur l'album La Caverne  (Indépendant, 2017); Bobby Bradford, Hafez Modirzadeh, Ken Filiano, Royal Hartigan sur l'album Live at the Magic Triangle  (NoBusiness, 2017); Rafael Toral sur l'album Space Quartet  (Clean Feed, 2018); Subtle Degrees sur l'album A Dance That Empties  (New Amsterdam, 2018)...

Programme de C Spencer YEH pour webSYNradio : UbuWeb Organized Sound 9-13-11. Avec des sons de New Humans, Anton Bruhin, Demetrio Stratos, Mike Kelley/Paul McCarthy/Violent Onsen Geisha, Rafael Toral, Gerogerigegege, François Dufrêne, Walter DeMaria, Mick Jagger, Marie Osmond, John Wiese, Delia Derbyshire, Laurie Anderson, Ghedelia Tazartes, Jaap Blonk, Arnold Dreyblatt, Jack Goldstein, Greg Kelley, Yoshi Wada, Phil Minton & Dylan Nyoukis, Toshimaru Nakamura, Ellen Fullman, Tod Dockstader

Sheikh Ahmed, SND, Rafael Toral, Tim Exile, Frescoe, Harmonic 313, Uniform, FFWD Vs Peter Schumann, Dave Aju, Louderbach, Byetone, Alva noto, To Rococo Rot and more....

Sheikh Ahmed, SND, Rafael Toral, Tim Exile, Frescoe, Harmonic 313, Uniform, FFWD Vs Peter Schumann, Dave Aju, Louderbach, Byetone, Alva noto, To Rococo Rot and more....

Popol Vuh, Fennesz, Mr. G, JPLS, Ricardo Villalobos, Secondo, Modeler, Tod Dockstader, Clark, Flying Lotus, Harmonic 313, Rafael Toral, Haswell & Hecker and more....

Popol Vuh, Fennesz, Mr. G, JPLS, Ricardo Villalobos, Secondo, Modeler, Tod Dockstader, Clark, Flying Lotus, Harmonic 313, Rafael Toral, Haswell & Hecker and more....

Performed in a garden at the top of a hill in Foz Coa, at the remote northeast of Portugal. Overlooking the valley and the far slope of the opposite hill, at dusk, Pita, Fennesz (computers) and Rafael Toral (modular synth) played as Joo Paulo Feliciano mixed live into a sound-modulated light generating cube. The scale of the cube, the throbbing, rich colors emanating from it and the electronics setting gave the event an otherwordly feel, pretty much as if an alien spaceship had landed there.