Podcasts about royal academy of music

Rose Galbraith is playing Young Viv in the UK revival of Spend Spend Spend by Steve Brown and Justin Greene.Directed by Josh Seymour, the musical comedy is being staged at the Royal Exchange in Manchester this Christmas. Rachel Leskovac, who was nominated for an Olivier Award for her portrayal of Young Viv in the original London production, is returning to the show to play the older version of Viv. Earlier this year Rose played Cecile in the London premiere of Cruel Intentions at The Other Palace. Rose trained at the Royal Academy Of Music and alongside her theatre work has worked across film and television. Recorded during a break from rehearsals, in this episode Rose discusses auditioning for Spend Spend Spend, how rehearsals have been and the conversations she has had with Rachel Leskovac about playing Young Viv. Rose also talks about Cruel Intentions, her path in the industry so far and lots more along the way. Spend Spend Spend runs at the Royal Exchange in Manchester 23rd November 2024 -  11th January 2025. Visit www.royalexchange.co.uk for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Kayla Carter returns to co-host The West End Frame Show! Andrew and Kayla discuss Redcliffe (The Other Palace Studio) and the Spring Awakening 15th Anniversary Reunion Concert (Victoria Palace Theatre) as well as the latest news about Audra McDonald, Calamity Jane, Your Lie In April, The 39 Steps and more. After graduating from the Royal Academy Of Music, Kayla made her professional debut in Rent at the Hope Mill Theatre. Her theatre credits also include Bedknobs and Broomsticks (UK & Ireland Tour) and The Color Purple (UK & Ireland Tour). Most recently Kayla originated the role of Bonnie in the premiere of I Should Be So Lucky (UK & Ireland Tour). Kayla has done countless workshops, including Lovestuck, Jubilee, SuperYou, Prom Fever and Fangirls. Follow Kayla on Instagram: @kaylacarter_ Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.   

Join us in this episode of our podcast as we dive into the captivating story behind one of Joe Jackson's iconic tracks, "Steppin' Out." Released in 1982, this song showcases Jackson's unique ability to blend genres and create a sound that resonates with listeners even decades later.The tale begins with the birth of David Ian Jackson in 1954, into a humble working-class family in the southern region of England. Growing up, David faced health challenges as he was diagnosed with asthma at the tender age of 3. Unable to participate in sports, he sought solace in the world of literature and music.At the age of 11, David began taking music lessons, learning to play the violin, percussion, and oboe. However, it was when his parents gifted him a second-hand piano that his true passion was ignited. From that moment, David was determined to become a composer.In this episode, we'll explore how Joe Jackson's early struggles and unwavering pursuit of his musical aspirations shaped the artist he became. We'll uncover the inspirations and influences that guided the creation of "Steppin' Out," a track that perfectly showcases Jackson's ability to blend various genres, creating a unique and timeless sound.Tune in as we unravel the story behind the song and gain insights into the life and career of Joe Jackson. Whether you're a fan of his music or simply intrigued by the stories behind iconic tracks, this episode is sure to captivate you.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Sarah deCourcy is living proof of how taking chances and change can be transformative. Already a successful producer/writer/musician she decided to pursue her dream of being an in demand film , tv and now game composer by packing up her London studio and moving to LA 3 years ago. A move that has paid dividends with huge success. She's worked with world class artists including Kylie, Little Mix and Christophe Willem as well as countless film and TV credits alongside being the first woman to score music for the Far Cry Ubisoft Game Franchise. We talk here about her her journey from child piano prodigy through studying at the Royal Academy Of Music and how discovering synths and falling in love with studios paved the way for an incredibly successful career driven by a passion for music and unflinching determination. More on Sarah here https://www.sarahdecourcy.com

In this episode of the Chasing Leviathan podcast, PJ and Dr. Alyn Shipton discuss Dr. Shipton's journey into the world of jazz as a historian, broadcaster, and musician. Throughout the conversation, Dr. Shipton shares little-known stories from the lives of some of the most accomplished jazz musicians of the 20th century. For a deep dive into Dr. Alyn Shipton's work, check out his book: On Jazz: A Personal Journey

For the best part of a decade, Jordan Broatch has already been performing up and down the country in various productions from Ellen Kent operas to playing in Oliver at Theatre Royal, Drury Lane. Since graduating however, Jordan has established themselves at one of the most exciting newcomers onto the London stage, starring in 2 stellar productions at Southwark Playhouse. Many musical theatre fans saw them redefine the role of J. Bowden Hapgood in Anyone Can Whistle, starring opposite Alex Young and Chrystine Simone. The show was one of the biggest Sondheim revivals since the composer's passing and critics hailed Jordan as a "blazingly engaging" performer. An openly non-binary performer, they have also been a vocal advocate for more diversity and representation of queer characters in the industry. It seemed particularly appropriate that in Lift, he got to play an Avatar - one that is not male or female. Whilst the role was less showy than Hapgood, Jordan remained enthusiastic about the time spent in the show and now proudly calls their company members friends.In this exclusive interview, Jordan Broatch sat down to reflect over the past year so far and expressed his gratitude for getting to make such an impressive debut. It doesn't seem surprising at all to learn that they've been involved in the industry for some time, albeit only recently graduating as an adult performer. Still, they are humble and insists they have more to learn and indeed, we should look forward to whatever Jordan has lined up next. They also describe to us their ambitions for their career, telling us their love for The Other Palace as well as Southwark Playhouse where they made their debut. Jordan also makes it clear they will only work on projects that make them happy and encourages others to do the same, hinting they would also be keen to explore work outside the realms of musical theatre too. It's a fascinating to hear the young graduate speak about his experience and we look forward to watching them continue to flourish in their career.

Presenter: Anna PicardProducer: Natalie SteedExecutive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht See acast.com/privacy for privacy and opt-out information.

Presenter: Anna PicardProducer: Natalie SteedExecutive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht See acast.com/privacy for privacy and opt-out information.

In conversation with the fabulous Jay Britton, talking about her work as a classically trained musician from the Royal Academy of Music, who brings to life a plethora of Tudor songs through her live and recorded performances at English heritage sites.

I continue my conversation with Dan by asking about the job of a music supervisor, and from there Dan then talks about why he ultimately left classical music. Since Dan is now the head of Musical Theater at the Royal Academy of Music in London, we discuss some of his ideas about teaching, method acting, and end this part of our conversation talking about his book "Auditions Undressed", and the various ways to approach taking an audition.

In the Bonus Room, Dan talks about the beginning of his career, how a chance audition for Cats got him into the field of musical theater, and the difference between acting for films, musicals and plays.

As the Head of Musical Theater at the Royal Academy of Music in London, Dan Bowling has worked with such musical luminaries as Andrew Lloyd Webber, Cameron Mackintosh, and Disney. He has several books to his credit and is sought after as a music supervisor, conductor and musical director. He has a vast and practical knowledge of musical theater and our conversation covers many areas of the musical theater scene.

During our Musicians' Injury Awareness Week, we interviewed Soft Tissue Therapist and Injury Rehabilitation specialist, Anil Umer about his experience of injury, as someone who has both suffered from one personally and treated others. We thank Anil for his openness and his wisdom!Anil is a freelance cellist, Injury Rehabilitation Specialist and Soft Tissue Therapist. He works both privately and in clinic, and has treated professional musicians, dancers and Olympic athletes. Having had to temporarily quit performing due to a shoulder injury, he has a passionate interest in helping people overcome chronic musculoskeletal issues. Anil Studied at Oxford University and was awarded a full postgraduate scholarship to the Royal Academy of Music where he was the winner of numerous awards, including the Philharmonia's Martin Musical Scholarship and the Countess of Munster Postgraduate Award. A committed ensemble musician, Anil now performs with the Morello Quartet.Follow us on instagram!Our websiteBuy our stickersOr buy us a coffee!

Joining Chris in this episode is the world's foremost solo percussionist, Dame Evelyn Glennie. Topics covered in the conversation include her idyllic childhood in the spacious rural countryside of Aberdeenshire followed by the move to noisy, crowded London to study at the Royal Academy Of Music. The duo also touch upon the difficulties of touring the world with a selection of her 2000+ percussion instruments, the glass harp and Evelyn's admiration for Ed Sheeran.

Rafał Supiński swoją karierę rozpoczął w wieku 21 lat. Studiował w Państwowej Wyższej Szkoły Teatralnej im. L. Solskiego w Krakowie i w Czechach na Janačkova Akademie Muzickych Uměni w Brnie. Jest stypendystą Royal Academy of Music w Londynie. Występuje w musicalach, operach i przedstawieniach dramatycznych, a także koncertach rozrywkowych. Od 2013 jest aktorem-śpiewakiem w Operze i Filharmonii Podlaskiej w Białymstoku, a od 2017 również aktorem Teatru Muzycznego „Roma” w Warszawie.

durée : 01:57:33 - En pistes ! du mardi 19 janvier 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : le premier album de l'Ensemble K sous la direction de Simone Menezes ; le 25ème volume de l'intégrale des sonates de Scarlatti par le pianiste Pascal Pascaleff ; la "Gran Partita" de Mozart et le concerto pour harpe d'Alexander Mosolov... - réalisé par : Emmanuel Benito

In this week's episode, we see Britain's oldest conservatoire, the Royal Academy of Music, face the fifth Cambridge college to compete this series, St John's! How will a team of skilled musicians fare against natural scientists and historians? Have a listen for our thoughts on what makes a good captain, the perils of over-specialization, and the fact that 'Seinfeld' aired very much before most of these contestants were even born. Stay tuned till the end for our best-dressed segment.

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The UK's National Health Service or NHS celebrates 72 years this week and Alex Aldren, a doctor and tenor whose singing in hospitals during the corona-virus epidemic inspired people as far afield as Argentina, joins me for a chat. We talk about his journey through medicine, his studies at the Royal Academy of Music in London, the impact of music on well-being and health, as well as the value of the arts and the need to maintain a constant two-way conversation between those who create the arts and those who fund it.https://www.alexanderaldren.com

This question was sent by Justina. And she writes, Hello, my name is Justina Pupeikytė and my dream is to get into the Royal Academy of music and after that become a professional organist. But there are few things that are keeping me down. I have very poor sight reading skills and weak transposition. I also learn musical pieces slowly. I am not talking about slow tempo while playing that concerns me, but the time that it takes for me to learn the piece and it's long. Can you help me? Thank you.

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Stuart Barr is the founder of nSpire Me and creator of the app 'Let's Play Violin', an app which helps children to practise their violin at home. Stuart's career highlights include conducting Dame Shirley Bassey for 6 years, teaching at the Royal Academy Of Music and leading the London Youth Choir. https://nspireme.co.uk/ The I Wish I Didnt Quit Podcast gets inside the minds of musicians and other creatives and is hosted by Nate Holder. Contact: info@iwishididntquit.com IG @iwishididntquitpodcast Twitter @iwishididntquit www.iwishididntquit.com

Encore Radio sits down with Katie Birtill, who has recently released her solo album Baby, Dream Your Dream, a celebration of Musical Theatre songs with her jazz quartet. We speak to Katie about leaving her medicine career with the Bristol University and heading The Royal Academy of Music. We speak about the many roles in her career so far including playing Kathy in Jason Robert Brown’s The Last Five Years to playing a Diva in the UK Tour of Priscilla Queen of the Desert. This episode is part of the Encore Radio Podcast series Post Show Drinks. Theme music by Simon Oskarsson and Alex Cardall for ACT Music Ldn.

In episode of #32 of Storytalking, Lakshya talks to Darwin Leonard Prakash, a 24 year old opera singer / performer/ music prodigy. Darwin shares stories of singing in his church choir as a kid, how he got ‘discovered’ by his future singing teacher, what it was like to train and audition for the Royal Academy Of Music in London, his love for opera singing, and how he deals with stress, uncertainty, and ambition.

In today’s What Next? podcast, students from the Royal Academy of Music‘s Open Academy talk about why they wanted to get involved in community music making as part of their training. This summer our What Next? series returns asking questions about what the future of the arts within society might look like. We’ve invited guest speakers to…

Institute of Musical Research Prof. Brian Ferneyhough is S T Lee Visiting Professorial Fellow at the School of Advanced Study, University of London in November 2013 & Christopher Redgate Brian Ferneyhough discusses the use of microtones in his ne...

Institute of Musical Research Prof. Brian Ferneyhough is S T Lee Visiting Professorial Fellow at the School of Advanced Study, University of London in November 2013 & Christopher Redgate Brian Ferneyhough discusses the title of his new work Schat...

Institute of Musical Research Prof. Brian Ferneyhough is S T Lee Visiting Professorial Fellow at the School of Advanced Study, University of London in November 2013 & Christopher Redgate Brian Ferneyhough discusses the use of multiphonics in his ...

London-based guitar duo, Eden-Stell stopped by my place in L.A. for a coffee and a chat during their last U.S. tour. Mark Eden and Chris Stell have been playing as a guitar duo for more than two decades and today have an impressive catalog of recordings encompassing a wide range of musical styles and time periods. They are frequently invited to give concerts and perform at festivals all over the world. They are the first guitarists since Julian Bream to receive Editor's Choice in Gramophone magazine for their album “Follow The Star,” a lovely set of works composed by Stephen Dodgson. While they were here we talked about their time studying with the Assad Brothers, about some of their newest projects, about their inspiring experiences with outreach, their particular take on playing duets, and lots more. During the show you will hear an excerpt of Stephen Dodgson's piece written specifically for Eden-Stell, his Concertino for Two Guitars and Strings “Les Dentelles,” as well as Sergio Assad's Baiao, works by Rameau and Couperin, and you'll get a sneak peak at Johaness Moller's new duet When Buds Are Breaking. Enjoy!

With Kirsty Lang. Jeff Wayne has made a new version of his 1978 hit album The War Of The Worlds, now starring Liam Neeson as the narrator, stepping into Richard Burton's shoes - with Ricky Wilson, Gary Barlow and Joss Stone taking on the roles sung originally by David Essex, Justin Hayward and Julie Covington. Jeff Wayne reflects on the original appeal of HG Wells' story, and the aspects of the show he has now changed. Gregory Doran's first production since taking over as Artistic Director of the Royal Shakespeare Company is a Chinese play called The Orphan of Zhao - which dates from 4th Century BC and has been described as the Chinese Hamlet. The production generated some debate, covered on Front Row, as the cast includes few Asian actors. Front Row sent critic Andrew Dickson to see the play, as it takes to the stage. Crime Stories is a new daily TV drama, which follows two detectives as they spend their day in a police station talking to witnesses and suspects connected to a particular crime. The dialogue is part-improvised, and one of officers is played by a retired real-life policewoman, making her acting debut. Crime writer NJ Cooper reviews. Five pianos - stripped bare and hanging above pools of water - play themselves while the voices of people such as William S Burroughs and Malcolm X echo within a vast concrete hall. This is Stifter's Dinge, a composition by German composer Heiner Goebbels, inspired by the Austrian author, painter, and poet Adalbert Stifter. Jeremy Summerly of the Royal Academy Of Music shares his impressions of his encounter with the work. Producer Rebecca Nicholson.