Podcasts about Anyone Can Whistle

Moving on with Sondheim B-Sides, we come to his very next show after Forum, namely the complete catastrophe that was Anyone Can Whistle. Co-written with Arthur Laurents, who also directed, the show was a massive flop, but it did give the world Broadway star Angela Lansbury, as well as an incredicle score. In this episode, we look at "With So Little To Be Sure Of," but not how it is in the show, necessarily. Curious? Listen and find out! All clips are from the 2020 online concert event Take Me to the World: A Sondheim 90th Birthday Celebration featuring Brandon Uranowitz and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Watch the performance! Watch the entire concert! Donate to ASTEP, the original concert's beneficiary! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

In 1964, Carol was bringing down the house as Dolly, Barbra was blowing the roof off as Fanny, and for 9 performances only, Angela Lansbury belted out Sondheim as Cora Hoover Hooper in ANYONE CAN WHISTLE. It's no surprise to hear that "flop" is not a curse word on "A Musical Theatre Podcast," but that goes double for a show with an incredible score and some of the biggest storytelling swings in musical history. (Some of which are brilliant!) Join special guest Mike Meaney (off-Broadway's Do Re Mi) as we explore this listener request with a larger cultural footprint than many musicals with 10 times as many performances. As promised, there will be plenty of cookies. ;) Head over to PATREON! where subscribers of $1 or more will find even more Sondheim as Mike also guests in our final installment of "Something Worth Singing About." Subscribers will also receive a Christmas gift to the theatre merch store Bubble Bard! Be sure to follow Mike on Instagram @realmikemeaney and look forward to a new season at J2 Spotlight in New York where he'll be serving as Associate Director. Don't forget to like and share our episodes on Instagram, TikTok, and X. We have holiday and episode playlists on Spotify. And be sure to check out our TeePublic Store where our profits from those designs are donated to Broadway Cares/Equity Fights AIDS at the end of this month! Most importantly, thank you for being part of this wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, host Casey Miko and special guest Amanda Mouzakes discuss the 1964 original Broadway production of “Anyone Can Whistle” the musical! Amanda is a NY-based actor and singer! You can find Amanda on Instagram @mousecakes and @mousecakescreates !If you would like to request that the podcast cover a certain production, please email flopfanpodcast@gmail.com or comment at @flopfanpodcast on Instagram.The data mentioned in this episode can be found at: https://playbill.com/production/anyone-can-whistle-majestic-theatre-vault-0000007843

Narrator: Joanna Gleason Cora Hoover Hooper: Vanessa Williams Faye Apple: Elizabeth Stanley Bowden Hapgood: Santino Fantana Comptroller Shub: Douglass Sills Treasurer Cooley: Eddie Cooper Police Commissioner Magruder: Michael Mulheren Conductor: Ted Sperling MasterVoices Carnegie Hall 10 March 2022 In-house recording

originally released: June 22, 2016 Roddy is the Executive Director for the U.S. House of Representative's LGBT Caucus. He is also our first guest drawn “from the house” and Patrick's brother. Roddy and Patrick gab about Angela Lansbury, intermissions, and the unbearable heaviness of this show's plot. Featured recording: ANYONE CAN WHISTLE - Original Broadway Cast Recording (1964) Twitter.com/OriginalCastPod Facebook.com/OriginalCastPod Email: OriginalCastPod@gmail.com

"Everybody Says Don't Everybody Says Don't Walk On The Grass Don't Disturb The Peace..." Grab your French Wig and strange plotting because this week we're diving into Sondheim's Sophomore Slump of a musical "Anyone Can Whistle!" WATCHCRY! Credits: Hosts: Jesse McAnally & Andrew DeWolf Podcast Edited By: Andrew DeWolf Theme Songs: Robyn Nash of IOU Music UK Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Check out this Etsy Shop Social Media: Our WEBSITE Musicals with Cheese on Twitter Musicals W/ Cheese on Instagram Email us at musicaltheatrelives@gmail.com Merch!! Jess Socials Jesse McAnally on Twitter Jess McAnally on Instagram Andrew Socials Andrew DeWolf on Instagram Andrew DeWolf on Twitter Use our Affiliate Link Learn more about your ad choices. Visit megaphone.fm/adchoices

Cayleigh Capaldi is fluent in Mandarin Chinese and has perfect pitch. What did you do today?? U Guys, this week's BroadwayWorld Recap has all the latest Bway casting announcements! Then I am joined by performer Cayleigh Capaldi to chat about her incredible journey as an artist, including her current run in the off-broadway smash, Titanique. Cayleigh shares her experience of being the daughter of two performers, and how her world view was shaped by the arts. We touch on how social media has influenced the way we go about our careers as performers, and how our artistic paths crossed in the creation of the world premiere album for the new musical, Figaro, by Ashley Jana and Will Nunziata. Cayleigh is one of the most talented people I have ever met, on top of being the loveliest. U don't wanna miss this episode! Follow Cayleigh on Instagram and TikTok: @cayleigh.capaldi Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Alex Young is currently appearing in Cold War at the Almeida Theatre.Based on Paweł Pawlikowski's film, Cold War is described as an epic love story spanning the decades and breadth of Europe at its most divided. The show features traditional Polish songs alongside music from Elvis Costello and is adapted by Conor McPherson with direction from Rupert Goold.Most recently Alex was part of the original cast of Standing at the Sky's Edge (Sheffield Theatres / National Theatre), receiving huge acclaim for her performance. Some of Alex's other theatre credits include Into the Woods (Theatre Royal Bath), Anyone Can Whistle and Promises Promises (Southwark Playhouse), South Pacific and Me & My Girl (Chichester Festival Theatre), Follies (National Theatre), Show Boat and I Can't Sing (West End), Coriolanus, She Loves Me, Guys & Dolls and Anything Goes (Sheffield Theatres) and Carousel (ENO).Cold War runs at the Almeida Theatre until Saturday 27th January 2024. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Katrina Retallick (Come From Away, Anyone Can Whistle) stars as Rona Lisa Peretti in 'The 25th Annual Putnam County Spelling Bee' at the Hayes Theatre. I was able to talk to Katrina about her previous roles in theatre, and her character (now a Teacher) in this new production (directed by Dash Kruck) and its impact. Tickets: Hayestheatre.com.au Watch performances: ~ Opening night curtain call Follow: Katrina Retallick Let Me Entertain You- Instagram | Twitter | Facebook | TikTok | Youtube

This is the third and final part of my conversation with Ben Francis whose amazingly compelling new book is titled Careful the Spell You Cast — How Stephen Sondheim Extended the Range of the American Musical. Just like the book, our discussion has been structured around Sondheim's collaborators. In this episode we discuss his work with George Furth, John Weidman, Hugh Wheeler & James Lapine. And, as always, Sondheim's mentor and surrogate father Oscar Hammerstein II plays a big role in this conversation as well. Along the way nearing everyone of Sondheim's musicals are discussed including A Little Night Music, Anyone Can Whistle, Assassins, Company, Do I Hear A Waltz?, Follies, Gypsy, Into the Woods, Merrily We Roll Along, Passion, Road Show, Sunday In The Park With George, Sweeney Todd, and West Side Story as well as Rodgers & Hammerstein's Allegro. Ben Francis' other works include contributions to the Oxford Handbook Of Sondheim Studies, the Oxford Handbook of British Musicals, and the Oxford Handbook of Shakespeare and Music, as well as Christopher Hampton: Dramatic Ironist. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Broadway Nation Patron Club members including our inaugural members Roger Kloresse, Neil Hoyt, and Chris Moad. My sincere thanks to all three of you for your loyal support! If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Linda Griffin is a tour guide at The Walt Disney Studios in Burbank, California, and that's where she and Scott met this past February. In talking with her, not only did Scott realize that they had several friends in common, he learned that Linda was in the full run of the LA company of Disney's Beauty and the Beast and did two national tours of that show along with her husband (who was a musician in the pit) and her son (who played Chip!) Scott also learned that Linda was in the original Broadway cast of one of his all-time favorite shows, Something Rotten, and was part of the Broadway company of The Drowsy Chaperone and the Encores! cast of Anyone Can Whistle starring Donna Murphy and Sutton Foster. Linda also toured the country in The Drowsy Chaperone, A Chorus Line, 42nd Street, and Wicked. Some of her television credits include General Hospital and the 2006 and 2016 Tony Awards. She was in the movie, The Prom, and her Disney movies include Shaggy Dog and Home on the Range. She's done other work for Disney and they get into that as well! Linda co-hosts a 2-hour radio show every Friday on the streaming platform boxofficeradio.co.uk. Known as Bert and Lindy, The Broadway Broads, Linda and her friend, Roberta, play musical theatre music from Broadway and the West End and songs from the movies. You can also listen on the Box Office Radio App. Be sure to follow Linda on her website: https://lindagriffinactor.weebly.com. Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support

Teddy Hinde is currently starring as Mike Teavee in the first ever UK and Ireland tour of Charlie and the Chocolate Factory.Based on the novel by Roald Dahl, Charlie and Chocolate Factory has a book by David Greig, music by Marc Shaiman and lyrics by Mark Shaiman and Scott Wittman. This new production is directed by James Brining and designed by Simon Higlett.Having graduated from Trinity Laban in 2022, Teddy made his professional debut in Anyone Can Whistle by Stephen Sondheim and Arthur Laurents at the Southwark Playhouse.Teddy is trans and proudly speaks up for trans rights whilst calling for better representation for trans people in theatre. In this episode, Teddy discusses landing the role of Mike Teavee and his path in theatre so far, as well as all things transness and queerness.Charlie and the Chocolate Factory is touring the UK and Ireland until January 2024, including a run at the New Wimbledon Theatre 21st June - 1st July.  Visit www.charlieandthechocolatefactory.co.uk for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Have more free time than usual this week? GOOD! We have two incredible guests for you, with lots and lots of stagey chat about favourite shows. Alex Young and Ellie Nunn are two of this country's finest interpreters of Stephen Sondheim, as well as being phenomenally talented in absolutely everything else they do. You may have seen Alex in Standing at the Sky's Edge or Follies at the National Theatre, or in any number of other much-discussed productions including Terry Gilliam's Into the Woods and Georgie Rankcom's Anyone Can Whistle. Ellie made her name in shows such as The Game of Love and Chance at the Arcola Theatre and Shakespeare in Love at the Noel Coward, on screen in the film Cracks, and is now a fixture of the London cabaret scene with her Ellie Nunn Sings Songs at People series. She is also hosting a Stephen Sondheim Society show called Merrily We Sing Along at Upstairs at the Gatehouse in Highgate Village, London on March 26th.Alex and Ellie have teamed up for an exciting new cabaret show that will debut at London's Crazy Coqs on April 16th. Plenty more details about that in the episode, plus lots of chat about their favourite musicals. Expect a lot of Sondheim and even more silliness!For tickets to the Ellie Nunn-hosted Merrily We Singalong, visit: https://upstairsatthegatehouse.ticketsolve.com/ticketbooth/shows/1173640366For tickets to Ellie and Alex's upcoming Crazy Coqs show, visit: https://www.brasseriezedel.com/events/ellie-nunn-and-alex-young/Follow Alex on twitter and instagram.Follow Ellie on twitter and instagram.Produced by Ian Bowkett (twitter: @ianbowkett) in association with https://musicaltheatrereview.com (twitter: @musicaltheatrer)Follow the podcast:Twitter: @MusicalMayorPodInstagram: @MusicalMayorPodTikTok: @MusicalMayorPodHosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Como os adelantamos en el podcast de la serie “Protagonistas” dedicado a Bernadette Peters, volvemos para entresacar algunos de los temas que defendió en Broadway liderando nada menos que SEIS de los musicales del maestro. En “SUNDAY IN THE PARK WITH GEORGE” fue Dot la enamorada del pintor George Seurat, en “INTO THE WOODS” fue la bruja, en “GYPSY” dirigida por Sam Mendes fue Mama Rose, en “ANYONE CAN WHISTLE” en una función benéfica que se hizo, ella fue la enfermera Fay, en “A LITTLE NIGHT MUSIC” fue Desire Armfeldt y en “FOLLIES” interpretó a Sally Durant. Ella creó los personajes de la bruja de “Into the Woods” y de Dot en “Sunday in the park with George”. Bernadette Peters estrenó las producciones originales y en ambas ocasiones fue nominada al Tony a la mejor actriz en un musical. Bernadette ha colaborado en grabaciones y protagonizado conciertos con las canciones de Sondheim como centro de los mismos. Os dejamos con algunas grabaciones de Bernadette Peters de temas de Sondheim, en que no todos tienen la calidad deseada ya que Bernadette no se ha prodigado en la grabación de discos y algunos temas los hemos encontrado en grabaciones en el teatro hechas por aficionados, que las han subido a la red. Esperamos disculpéis la escasa calidad, dado que no hemos encontrado otra fuente mejor. 00h 00’00” Presentación 00h 02’02” Cabecera 00h 02’39” ANYONE CAN WHISTLE (1964) 00h 02’39” There won’t be trumpets 00h 06’21” A LITTLE NIGHT MUSIC (1973) 00h 06’21” Send in the clowns (con Alexander Hanson) 00h 11’26” COMPANY (1970) 00h 11’26” Barcelona (con Richard Chamberlain) 00h 14’07” Being alive 00h 16’47” You could drive a person crazy 00h 19’30” DICK TRACY (1990) 00h 20’13” Sooner or later 00h 24’13” EVENING PRIMROSE (1966) 00h 24’13” I remember 00h 27’23” When (con Mandy Patinkin) 00h 31’51” Take me to the world (con Mandy Patinkin) 00h 36’22” FOLLIES (1971) 00h 36’22” Broadway baby 00h 39’37” Losing my mind 00h 44’08” Too many mornings (con Ron Raines) 00h 48’58” GYPSY (1959) 00h 48’58” Everything’s coming up roses 00h 52’30” Rose’s turn 00h 57’28” Some people 01h 00’53” You’ll never get away from me (con John Dossett) 01h 03’07” INTO THE WOODS (1987) 01h 03’07” Into the woods - Children will listen 01h 08’14” Lament 01h 10’17” Last midnight 01h 13’18” No one is alone 01h 17’37” Stay with me 01h 19’33” MERRILY WILL ROLL ALONG (1981) 01h 19’33” Not a day goes by 01h 23’17” PASSION (1994) 01h 23’17” Happiness 01h 27’09” SUNDAY IN THE PARK WITH GEORGE (1984) 01h 27’09” Children and art 01h 31’57” Everybody loves Louis 01h 34’44” Move on 01h 38’28” SWEENEY TODD (1979) 01h 38’28” Johanna 01h 41’13” Not while I’m around

Every career has highs and lows; Stephen Sondheim was no exception. Anyone Can Whistle proved to be a flop, while A Funny Thing Happened on the Way to the Forum was a smash. Sondheim successfully navigated the Broadway trends to take his career to the next level. This week, we end with one of his most notable works, Company. Check out the next episode on the great Stephen Sondheim, available now on the Rock and Roll Heaven Podcast! ATTEND ROCKNPOD!! https://nashvillerocknpodexpo.com/ Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Traemos otro musical de Stephen Sondheim, uno de los menos conocidos de su carrera que además fue su primer gran fracaso ya que tuvo que cerrar tras tan sólo nueve funciones y eso que contaba en el reparto con Angela Lansbury y Lee Remick. Desde 1964 cuando se estrenó, los fans de Sondheim lo han convertido en fenómeno de culto y siempre se ha estado esperando que volviera a los escenarios, pero sólo se ha hecho en contadas ocasiones por temporadas limitadas y en versión concierto semi-escenificado. Para el podcast hemos contado con la versión de estudio grabada en Londres, de la que Sondheim manifestó sentirse muy orgulloso y en la que contamos como narrador con Arthur Laurents, autor del libreto del musical, además de Julia McKenzie como la alcaldesa Cora Hoover, Bill Nolte como el controlador Schub, Maria Friedman como la enfermera Fay y John Barrowman como el recién llegado Hapgood. 00h 00’00” Anyone can whistle 00h 01’39” Presentación 00h 03’00” Cabecera 00h 04’11” Inicio 00h 04’39” Prelude Act One 00h 06’21” I’m like the bluebird 00h 08’17” Me and my town 00h 13’58” Miracle song 00h 20’50” Now point one 00h 24’04” There won’t be trumpets 00h 27’14” Excuse me (Hapgoods’s entrance) 00h 31’32” Simple 00h 45’33” Finale act one 00h 46’28” Prelude act two 00h 47’42” A One march 00h 49’33” The lady from Lourdes - Come play with me 00h 55’33” You’re my downfall 00h 59’50” Anyone can whistle 01h 04’04” A parade in town 01h 08’10” Everybody says don’t 01h 10’54” Don’t ballet 01h 20’54” I’ve got you to lean on 01h 28’53” See what it gets you 01h 32’10” The cookie chase 01h 43’12” It’s an old game - With so little to be sure of 01h 50’56” Now point one 01h 52’52” Finale ultimo 01h 53’42” Curiosidades y anécdotas 01h 56’26” The lame, the halt and the blind 02h 00’29” There’s always a woman 02h 04’23” With so little to be sure of 02h 07’55” Exit music

Mandy Bishop is a graduate of the West Australian Academy of Performing Arts. Known and revered for her deft impersonation of Australia's first female Prime Minister, Julia Gillard; Mandy is also an actor, comedian, musician and writer of considerable accomplishment. Commencing her career with the celebrated A cappella group Bite My Chilli, Mandy toured Australia performing concert and corporate entertainment, while also developing skills in producing and arts management. Her theatre credits are extensive and include a variety of of repertoire; The Pillowman, Boston Marriage, Fallen Angels, Vicious Streaks, Angry Penguins and Withering Heights. On television she has been seen in Heartbreak High, Blue Heelers, All Saints, Big Sky, My Place, Rake and Drop Dead Weird. Most recently she appeared in Anyone Can Whistle for Neglected Musicals. Mandy has collaborated with producer Michael Bourchier on two children's television series; The Upside Down Show, on which she played the role of Mrs. Foil in every episode, and Penelope K, by the Way, on which she played the title role. In 2011 Mandy co-wrote and created the four-part sitcom, At Home With Julia, in which she portrayed the sitting PM. She has acted in Sydney's legendary Wharf Revue since 2008, inhabiting a vast array of political and pop-culture characters. Each demonstrating a penetrating examination and superlative execution. Mandy joins the Wharf Revue team of Jonathan Biggins, Drew Forsythe and Phil Scott once again as Soft Tread Enterprises presents Looking for Albanese. This much anticipated event on our calendars commences its Sydney season at The Seymour Centre from November 12th and through December. “The world is grim - what better time to have a laugh?” Mandy examines the craft of humour, her artistic relationship with ‘Julia' and the joy of satire and revue in this sparkling episode of the STAGES podcast. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

The 8th episode in a series on the complete works of Stephen Sondheim. Rick Pender, the author of the The Stephen Sondheim Encyclopedia, is our musical guide. For this episode,, the 1964 musical Anyone Can Whistle. We discuss the show and play a number of songs from the Original Broadway production.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/J3vu4QyhCDU In an illustrious career that included notable stage, film, and television roles, Ms. Lansbury first performed on Broadway in 1957's Hotel Paradiso and throughout her many years performing on Broadway, she was nominated for seven Tony Awards, winning six for the following: Mame (1966); Dear World (1969); Gypsy (1975); Sweeney Todd (1979); Blithe Spirit (2009); and was the recipient of the 2022 Special Award for Lifetime Achievement. She also hosted or co-hosted The Tony Awards five times, more than any other individual. On Broadway Ms. Lansbury's credits include: Hotel Paradiso (1957); A Taste of Honey (1960); Anyone Can Whistle (1964); Mame (1966); Dear World (1969); Gypsy (1974 Revival); The King and I (1977 Revival); Sweeney Todd (1979); A Little Family Business (1982); Mame (1983 Revival); Deuce (2007); Blithe Spirit (2009 Revival); A Little Night Music (2009 Revival); Gore Vidal's The Best Man (2012 Revival). On Tour Ms. Lansbury's credits include: Mame (1968); Gypsy (1974 Revival); Sweeney Todd (1980); Blithe Spirit (2014 Revival). Some of the highlights of this celebration will include discussing Gaslight and The Manchurian Candidate, as well as the 1982 filmed production of Sweeney Todd. National Velvet, Dear Heart, The Harvey Girls, The Manchurian Candidate, etc.

Tyran Parke is a Director-Actor-Teacher whose work has garnered much admiration and triumph. As an actor, he has played roles professionally in musicals, contemporary plays, television and Shakespeare. As a teacher, he has worked for the National Institute of Performing Arts, (NIDA), The Western Australian Academy of Performing Arts (WAAPA) and the Victorian College of the Arts (VCA) but it is at The Australian Institute of Music (AIM) where he is currently course co-ordinator for the Melbourne campus. Professional Directing credits include the musicals; Rent, Jekyll and Hyde, Lovebites, Cheek to Cheek, King of the World, the plays; Great Expectations, Pool(no water), Thom Pain, Barnum, The Laramie Project, The Opera, The Fairy Queen and many concerts. He has worked at the Hayes Theatre several times both as both an actor and a director when he was the helm of The Goodbye Girl and Anyone Can Whistle for Neglected Musicals, Rob Mills is Surprisingly Good (and national tour) and Stalker- the musical. He has also directed the critically acclaimed ‘Big Fish' in Sydney and ‘Ordinary Days' at Chapel Off Chapel. And productions of Barnum starring Todd McKenney and One Flew Over The Cuckoo's Nest with Lachy Hulme. Tyran has a built a strong reputation for interpreting the work of Stephen Sondheim. These productions include, ‘Assassins', the all-star concert of ‘Follies', and ‘Into the Woods'. He directed the new Australian musical, ‘Crossroads' to great acclaim in Melbourne, the national tours of “From Broadway to La Scala' with Lisa McCune, Teddy Tahu Rhodes, David Hobson and Greta Bradman, and ‘Tapestry' starring Debra Byrne and Vika Bull. In 2023, Tyran directs Jonathan Larsen's tick, tick … BOOM! for seasons in Melbourne and Brisbane. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Kevin Adams shares developments in the craft of lighting, assembling his lighting department, and why he enjoys designing pop rock musicals specifically as it relates to A Beautiful Noise! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT KEVIN ADAMS Four-time Tony winner Kevin Adams has designed SpongeBob SquarePants (Tony nom.), Head Over Heels, Hedwig and the Angry Inch (Tony and Outer Critics Award), American Idiot (Tony Award), Spring Awakening (Tony Award; Olivier nom for the West End production), Next To Normal (Tony nom), The 39 Steps (Tony and Drama Desk Awards), Hair (Tony nom), Man And Boy, Everyday Rapture, Passing Strange, Take Me Out, A Class Act, Hedda Gabler with Kate Burton, solo shows by Eve Ensler and John Leguizamo. Off-Broadway he has worked on the original production of Hedwig and the Angry Inch, The Scottsboro Boys, Rent, Carrie, new work by Edward Albee, Eric Bogosian, Christopher Durang, Richard Greenberg, Tony Kushner, Terrence McNally, Neil Simon, Anna Deveare Smith and Paula Vogel. His work has also been seen at the Metropolitan Opera, Steppenwolf Theatre, Yale Rep, Berkeley Rep, Donmar Warehouse, and City Center Encores! On screen, he's worked on Mildred Pierce (HBO), Audra McDonald in concert (Town Hall, Joe's Pub, Lincoln Center), staged concerts featuring Patti Lupone (Gypsy, Candide, Anyone Can Whistle, Sunday in the Park with George and Regina) and Blue Man Group in Las Vegas and the Hollywood Bowl. For his work off-Broadway he has received an Obie for sustained excellence and two Lucille Lortel awards. MENTIONED IN THIS EPISODE: A Beautiful Noise on Instagram: instagram.com/abeautifulnoisemusical A Beautiful Noise on Facebook: facebook.com/ABeautifulNoiseMusical Get Your Tickets: abeautifulnoisethemusical.com ambermylar.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork YouTube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Marc is the host of the popular YouTube channel Broadway by Ghostlight and is here for a show that ran for 8 performances despite Barbra Streisand's best efforts. Topics include: selling merch at The Drowsy Chaperone, Lee Wilkoff v. Eddie Korbich, shows that should've gone out of town, Anyone Can Whistle, and Blue Pear Records. Broadway by Ghostlight - Drat! The Cat!: Broadway's Best 8-Performance FLOP Broadway by Ghostlight - The Outrageous Publicity Stunts Of David Merrick Featured recordings: Drat! The Cat! - Studio Cast Recording (1997) • My Name Is Barbra, Two... - Barbra Streisand (1965) MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where this year we're talking musical sequels and musical biopics! Patreon • Twitter • Facebook • Email

For the best part of a decade, Jordan Broatch has already been performing up and down the country in various productions from Ellen Kent operas to playing in Oliver at Theatre Royal, Drury Lane. Since graduating however, Jordan has established themselves at one of the most exciting newcomers onto the London stage, starring in 2 stellar productions at Southwark Playhouse. Many musical theatre fans saw them redefine the role of J. Bowden Hapgood in Anyone Can Whistle, starring opposite Alex Young and Chrystine Simone. The show was one of the biggest Sondheim revivals since the composer's passing and critics hailed Jordan as a "blazingly engaging" performer. An openly non-binary performer, they have also been a vocal advocate for more diversity and representation of queer characters in the industry. It seemed particularly appropriate that in Lift, he got to play an Avatar - one that is not male or female. Whilst the role was less showy than Hapgood, Jordan remained enthusiastic about the time spent in the show and now proudly calls their company members friends.In this exclusive interview, Jordan Broatch sat down to reflect over the past year so far and expressed his gratitude for getting to make such an impressive debut. It doesn't seem surprising at all to learn that they've been involved in the industry for some time, albeit only recently graduating as an adult performer. Still, they are humble and insists they have more to learn and indeed, we should look forward to whatever Jordan has lined up next. They also describe to us their ambitions for their career, telling us their love for The Other Palace as well as Southwark Playhouse where they made their debut. Jordan also makes it clear they will only work on projects that make them happy and encourages others to do the same, hinting they would also be keen to explore work outside the realms of musical theatre too. It's a fascinating to hear the young graduate speak about his experience and we look forward to watching them continue to flourish in their career.

This week we're joined by London's 15th anniversary Elphaba, Laura Pick! After training at Mountview, Laura understudied and played Maria in The Sound of Music at the Regent's Park Open Air Theatre. She went on to star in a tour of So This Is Christmas, completed a contract at sea with Belinda King Creative Productions and played Dr Osgood in Anyone Can Whistle at the Union Theatre.Laura first joined the West End production of Wicked at the Apollo Victoria Theatre as Standby Elphaba in Summer 2017. After standing by for Alice Fearn and Nikki Bentley, Laura took over the role full-time at the start of 2020 until theatres were shutdown at the start of the pandemic in March 2020. Laura returned to the role when Wicked reopened in September 2021, and played Elphaba for the production's 15th Anniversary performance. Laura played her final performance in Wicked in January 2022, and has been busy since with various concert work. Since leaving, Laura has returned to Wicked several times as an emergency cover Elphaba (we recorded this episode two days after her most recent return!). In this episode, Laura discusses her career pre-Wicked, her Elphaba journey and lots more!Follow Laura on Instagram to stay up-to-date with everything she's up to: @laurapick191 Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Nick and June, After the Fact. A Handmaid's Tale Podcast Are you a fan of the hit HULU series, The Handmaid's Tale, who ships Nick and June? Are...Listen on: Apple Podcasts Spotify Classic Conversations: Pop Culture InterviewsPop culture influencers, TV stars, film actors, comedians, and musicians share...Listen on: Apple Podcasts Spotify I Read Comic BooksA podcast for comic book fans. New episodes on Wednesdays. Comics are good, and so are youListen on: Apple Podcasts Spotify

En el twitch del mes de Mayo hemos estado hablando de "SOUTH PACIFIC", el musical de este mes en "Cuéntame un musical y dedicamos un bloque más extenso de lo normal a Stephen Sondheim ya que hablamos de sus musicales “PACIFIC OVERTURES" y “ANYONE CAN WHISTLE". Ademas contaremos todas nuestras impresiones del concierto homenaje que se le rindió el pasado día 3 de Mayo en Londres, con el título de "OLD FRIENDS" que tuvimos la fortuna de poder ver en directo. En el programa estamos David Sáiz, Miguel Casares, Paco Dolz, Sabina Farrés y como siempre a los mandos Unai Aizpurua.

President Joe Biden says the U.S. would intervene militarily if China were to invade Taiwan. It was one of the most forceful presidential statements in support of Taiwan's self-governing in decades. Biden spoke at a news conference in Tokyo and said the burden to protect Taiwan was “even stronger” after Russia's invasion of Ukraine. The U.S. traditionally has avoided making such an explicit security guarantee to Taiwan, with which it no longer has a mutual defense treaty. Biden's comments drew strong criticism from the mainland, which has claimed Taiwan to be a rogue province. A White House official said Biden's comments did not reflect a policy shift for the United States, a point echoed more firmly by Defense Secretary Lloyd Austin, asked by reporters if Biden's answer indicated the U.S. would do more to help Taiwan than it has done to help Ukraine and whether the U.S. was making a commitment to send troops to help Taiwan in the event of an invasion. A veteran Russian diplomat to the U.N. Office at Geneva says he handed in his resignation before sending out a scathing letter to foreign colleagues inveighing against the “aggressive war unleashed” by President Vladimir Putin in Ukraine. The 41-year-old Boris Bondarev confirmed his resignation in a letter delivered Monday after a diplomatic official passed on his English-language statement to The Associated Press. Bondarev confirmed to the AP in a phone call that he had resigned. He says the Russian invasion was a crime not only against the people of Ukraine, but against the people of Russia. He says the war has wiped out “hopes and prospects for a prosperous and free society” in Russia. Pfizer says three small doses of its COVID-19 vaccine protect kids under 5. The company released preliminary results on Monday and said it plans to give the data to U.S. regulators later this week. It's the latest step toward letting the littlest kids get the shots. Gov. Gavin Newsom met with leaders of the state's largest urban water suppliers Monday and implored them to step up efforts to get people to reduce water use as California's drought continues to worsen. He warned that if conservation efforts don't improve this summer, the state could be forced to impose mandatory water restrictions throughout the state. A law school student in Texas has been posting TikTok videos to help migrants navigate the immigration system. Health officials remain perplexed by mysterious cases of severe liver damage in hundreds of young children around the world. The best available evidence points to a fairly common stomach bug. That virus hasn't previously caused this kind of problem in otherwise healthy kids. Investigators in the U.S. and abroad are exploring a number of theories that might explain the mystery. One possibility that's not yet proven: that the stomach virus and the coronavirus are combining to provoke a liver-damaging immune system response. The folks who hand out Tony Awards believe five is not enough for Angela Lansbury. The Tony Awards Administration Committee announced Monday that the legendary actor will receive a 2022 special Tony for lifetime achievement in the theater, making it her sixth. Lansbury made her Broadway debut in 1957 in “Hotel Paradiso” and won Tonys for “Mame” in 1966, “Dear World” in 1969, “Gypsy” in 1974, “Sweeney Todd” in 1979 and “Blithe Spirit” in 2009. Other Broadway credits include “A Little Night Music,” “Gore Vidal's The Best Man” and “Anyone Can Whistle.” The head of the U.N.'s World Food Program is telling billionaires it's “time to step up” as the global threat of food insecurity rises because of Russia's war in Ukraine. Agency Executive Director David Beasley told The Associated Press at the World Economic Forum gathering on Monday that he's seen encouraging signs from some of the world's richest people, like Elon Musk and Jeff Bezos. The World Health Organization has identified close to 100 cases of monkeypox globally, including some here in the U.S. So exactly what is it and how does it spread? AP correspondent Julie Walker spoke with WHO advisor and virus expert Dr. David Heymann. —The Associated Press See omnystudio.com/listener for privacy information.

Dan Graham is a Theatre Director and a Disability Advocate with a particular interest in access support for neuro-diverse performing artists. Dan himself has a neurodiverse disability. His directing and access work have seen him travel all over Australia and the world to research and explore access and inclusion.Dan has engaged with companies across Australia such as Bell Shakespeare, Sydney Festival, Sydney Fringe, Antipode Theatre Company, and the Ensemble Theatre. His recent collaborations in the US include the Atlantic Theatre Company and Pasadena Playhouse, and in the UK the Globe Theatre.Dan is a fellow of the Australia Council's Future Leader's Program, an Ian Potter Foundation scholarship, and Create NSW Fellowship recipient. He has a stellar director resume and uses his success to advocate for other artists who identify as neurodiverse.Dan studied BA (Communication) and MCA (Theatre, specialising in directing) at the University of Tasmania and Honours in Performance Studies at the University of Sydney. His Honours paper focused on the playwright's intent and how this is realised in the director's vision. Dan also holds a Certificate IV in Training and Assessment.Dan is a board director of Arts Access Australia and a regular peer assessor for the Australia Council for the Arts. He is the co-chair of the Media, Entertainment and Arts Alliance's (MEAA) artists with Disability Board and on the LGBTQIA+ disability advisory group for ACON. He is a board member of the Hickson Road Group Accessible Arts, and a member of Accessible Arts NSW Artists Advisory Group. He is Access Consultant for Brand X.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Drag Queen Ella Vaday (Drag Race UK runner-up/The Book of Mormon) co-hosts The West End Frame Show!Andrew & Ella discuss Anyone Can Whistle (Southwark Playhouse) and & Juliet (Shaftesbury Theatre) as well as the latest news about the Olivier Awards, Cabaret, Annie Get Your Gun and lots more.Ella is the creation of Nick Collier. Nick started out as a musical theatre performer, with his credits including Cats, White Christmas, Once Upon A Time at the Adelphi, Fame, Salad Days and 42nd Street. He was a swing in Wicked (Apollo Victoria) for several years before going on to cover Joseph Smith in The Book of Mormon (Prince Of Wales) and the title role in Joseph and the Amazing Technicolor Dreamcoat (Kilworth House).Nick had been cast as Sketch and understudy Corny Collins in the 2020 West End revival of Hairspray. However, after the production was postponed to COVID, Nick turned his focus to drag and Ella Vaday.Ella was one of the stars of Drag Race UK season 3. After winning four maxi challenges (and showcasing top notch vocals along the way), Ella finished as a runner-up. Since drag race, Ella has been working non-stop. She is set to appear alongside Ed Sheeran in the film Sumotherhood and is touring Canada and Australia this summer, having toured in Pick N Mix with Vanity Milan, Chorizo May and River Medway earlier this year. Hosted by Andrew Tomlins. @AndrewTomlins32Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. 

The late great Stephen Sondheim's famous 1964 flop, Anyone Can Whistle is having it's first major revival in London at The Southwark Playhouse and we went along to find out if this show really deserved close after only nine performances in it's original broadway run! We also made two trips to Sadlers Wells recently, to see the new Ballet Boyz show "Deluxe", and then to see the "Forsythe Evening" by English National Ballet, which features choreography by the legendary William Forsythe set to the music of James Blake, Barry White, Khalid  and Natalie Cole to name a few. -Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License

Despite a mixed reception over the years, Southwark Playhouse is currently reviving Stephen Sondheim's early classic Anyone Can Whistle. The show which has light discussions of faith in miracles, corruption and mental illness has seen the likes of Angela Lansbury, Bernadette Peters and Rosalie Craig take on key roles in the show's history. In this final episode of the season, we are joined by Mayoress Cora Hoover Hooper herself: Alex Young. Here, we are treated listening to Alex's experience returning to Southwark Playhouse after playing in Promises, Promises and workshopping The A-Z of Mrs P.  After also starring in the National Theatre's revival of Follies, Alex Young also takes time to talk about the enduring legacy of Stephen Sondheim and why his work will continue to live through the years.Over recent years, Alex Young has helped recreate some iconic roles in the musical theatre cannon including Nellie Furbish in South Pacific, Amalia in She Loves Me and Sarah Brown in Guys & Dolls. During this time, Alex has firmly established herself as one of the most exciting leading ladies working on Britain's stages today, taking on leading roles in the West End, Chichester and of course Sheffield Crucible where she has starred in 6 different productions. Today as Mayoress Hoover, Alex is still continuing to receive praise from audiences for her energetic performance as deliciously wicked politician with an equally delicious soprano. In this interview, we hear her reflect over the success of her career in recent years and what it's been like working alongside a new generation of talents in this revival Anyone Can Whistle. We should expect to see Alex Young's name pop up on more theatre posters moving forwards and we hope you enjoy listening along to our conversation.Anyone Can Whistle is currently running until 7 May 2022 and tickets are available here: https://www.southwarkplayhouse.co.uk/show-homepage/anyone-can-whistle/

Synopsis On today's date in 1964, a new musical called “Anyone Can Whistle” opened at Broadway's Majestic Theater. The book was by Arthur Laurents, with music and lyrics by Stephen Sondheim. The show told the story of a town that's gone bankrupt because its only industry manufactured something that never wears out. To spark tourism, the town's Mayor fakes a miracle – water flowing from a rock – and when patients from a local mental hospital called the “Cookie Jar” escape and mix in with townspeople and tourists, chaos ensues. The only conventional thing about the new Sondheim-Laurent musical was the inclusion of a love story. The New York Daily News called the first act "joyously daffy," and the Journal-American reported that the opening night audience cheered several numbers. The New York Times, unfortunately, panned the new show, opening its review with this statement: "There is no law against saying something in a musical, but it's unconstitutional to omit imagination and wit." Ouch! It didn't help that the new Laurent-Sondheim musical's competition on Broadway that year included crowd pleasers like Hello, Dolly, Funny Girl, and Fiddler on the Roof. The show ran for just one week. But one person who liked the show happened to be a Columbia Record executive named Goddard Lieberson, who assembled the original cast the day after it closed to make an original cast recording that became something of a cult classic. Music Played in Today's Program Steven Sondheim (b. 1930) — Me and My Town, from Anyone can Whistle (Angela Lansbury; orchestra; Paul Gemignani, cond.) RCA Victor 60515

This week we chat with Alex Young about the London revival of Stephen Sondheim's Anyone Can Whistle.

James Marino, Michael Portantiere, and Jan Simpson review On Sugarland @ NYTW, Anyone Can Whistle, MasterVoices @ Carnegie Hall, WP Theater and Vineyard co-production of sandblasted, Coal Country @ Cherry Lane Theatre, This Space Between Us @ Keen Company, A Touch of the Poet @ The Irish Repertory Theatre, Sam read more The post This Week on Broadway for March 13, 2022 appeared first on BroadwayRadio.

Estavam com saudades do nosso podcast? Estamos de volta com um clássico: hoje é dia de episódio especial de flops! Na quinta edição da série, o Rafael Nogueira e a Alene Botareli convidaram o Vitor Chiari para um papo sobre três grandes fracassos da Broadway. Os escolhidos dessa vez foram “Anyone Can Whistle” (1964), “Flora the Red Menace” (1965) e “Dance of the Vampires” (2002). Vem ouvir pra saber um pouco mais sobre a história desses espetáculos e por que eles não fizeram sucesso na época do lançamento. Ajude o Musical Cast se manter vivo! Contribua no Catarse e assine […]

I am so happy to announce the release of Backstage Babble's 99th episode with Tony-winning musical director and  orchestrator Ted Sperling. In addition to his Broadway career, Ted is also the artistic director of Mastervoices, under whose auspices he will be presenting an all-star concert of Anyone Can Whistle at Carnegie Hall this Thursday, March 10, starring Vanessa Williams and Elizabeth Stanley. It's a must-see event for all theater fans, and tickets are available here:   Anyone Can Whistle   In the meantime, tune in today to hear Ted tell some of the stories of his illustrious career, including getting his start from Paul Gemignani, his long partnership with Victoria Clark, why he decided to leave Ragtime, the tense environment of Titanic, what it was like casting My Fair Lady, the uniqueness of William Finn, building his own circle of collaborators, the very strange experience of Roza, his collaboration with Stephen Sondheim, why Anyone Can Whistle is relevant today, and so much more.

Join John, Marla, and Special Guest, Connor McAndrews on our first Sondheim flop adventure. Find Connor on Insta @connormcandrews and @southphillybarefootcontessaAnyone Can Whistle- 1964- The MajesticMusic and Lyrics- Stephen SondheimBook- Arthur Laurents

Come play wiz us as we celebrate Stephen Sondheim's unique score with Ted Sperling, artistic director of MasterVoices. Angela Lansbury, Lee Remick, plus Madeline Kahn, Mandy Patinkin, Steve Lawrence and more.

Peter Filichia, James Marino, and Michael Portantiere talk with Elizabeth Stanley about the upcoming MasterVoices concert staging of Anyone Can Whistle on Thursday, March 10 at Carnegie Hall. In the review section, we talk about Black No More, English @ Atlantic Theater Company, The Daughter-in-Law @ Mint Theater Company, The read more The post This Week on Broadway for February 27, 2022: Elizabeth Stanley, “Anyone Can Whistle” appeared first on BroadwayRadio.

Join John, Marla, and Special Guest, Connor McAndrews on our first Sondheim flop adventure. Find Connor on Insta @connormcandrews and @southphillybarefootcontessaAnyone Can Whistle- 1964- The MajesticMusic and Lyrics- Stephen SondheimBook- Arthur Laurents

To celebrate the life of Harvey Evans we are re-airing our interview with Harvey which we conducted in 2018. A dancer's life on Broadway can be limited, but, if you are Harvey Evans, your abilities have no boundaries. Starting with his first Broadway credit in 1957's New Girls In Town, Harvey's incredible resume includes the original Broadway productions of West Side Story, Redhead, Gypsy, Hello Dolly, Anyone Can Whistle, George M, Our Town, The Boyfriend, Follies, Sextet, Barnum, Sunset Boulevard, and The Scarlet Pimpernel! Harvey pulls back the curtain on his career to discuss how he grew up watching Gwen Verdon dance and then became one of her partner, what it was like working for Jerome Robbins, and why his favorite time of day is AfterDark! Also, Harvey shines the spotlight on Hal Prince, Henry Fonda, and Larry Kert! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I'm speaking with international pop star and actress Vanessa Williams, who is currently serving as one of the celebrity judges on the new reality talent competition, "Queen of the Universe" streaming on Paramount+, where drag queens from around the world sing LIVE - no lip-syncing here - as they compete not only for the title of Queen of the Universe but a $250,000 cash prize. If anyone has the experience to dish out the appropriate advice, it's Vanessa Williams. A former Miss America - talk about a true queen! - she's a multi-platinum recording artist whose albums include The Right Stuff, The Comfort Zone, and The Sweetest Days, along with her chart topping number one hit “Save the Best for Last." Vanessa has also conquered Broadway making her debut in the title role of "Kiss of the Spider Woman," scored a Tony Award nomination for her turn as the Witch in the Broadway revival of "Into The Woods," and returned for acclaimed performances in "Sondheim on Sondheim," "After Midnight," and "The Trip To Bountiful." She's also had great success on television starring as Wilhelmina Slater on the ground-breaking "Ugly Betty" as well as Desperate Housewives and many more TV projects. I recently had the chance to talk with her about "Queen of the Universe," and her work as a founder of Black Theater United, which is working to bring inclusivity to theater communities across the country. Plus, she has starring role coming up in a staged concert of Stephen Sondheim's "Anyone Can Whistle" at Carnegie Hall. Full disclosure - as longtime listeners are aware, I've known Vanessa for years ever since we were music theater majors at Syracuse University. So, up front, you'll definitely hear our friendship in the chat. You can catch up on the first four episodes of “Queen of the Universe” now, and don't miss the grand finale streaming on Paramount+ on December 30, 2021.

In this episode I interview acting teacher and writer Carol Fox Prescott. She shares her unique and amazing acting technique which is all about the breath, and discusses her two books: "Breathing Awareness and Joy, The Art of Acting on the Breath," and "In The Voice Of Our Mothers." Carol also shares how her reawakening to Judaism at age 52, changed her life. I use a lyric from Born to Run to tie it all together.  To get information on Carol's acting classes or how to order her books visit www.carolfoxprescott.com   www.inthevoiceofourmothers.com Follow me www.instagram.com/greetingsfrommidlife or contact at info@marlenesusan.com Carol sings a verse from With So Little To Be Sure Of from the musical Anyone Can Whistle by Stephen Sondheim.  Born to Run can be found on the Born to Run album by Bruce Springsteen. 

On this week's 100th and final regular episode of the series, Jamie and Rob cap off their season-long theme of “our favorite things” by recounting and celebrating some of the great performances by great performers that they've been fortunate enough to see over a lifetime of theatergoing. Joining them in sharing their personal remembrances for this special milestone episode is a roster of former guests including Joel Grey, Donna Murphy, Betty Buckley, and more! Tune in for one final episode as live theatre begins again in New York and we celebrate theatre itself: the fabulous invalid. This week's music: “Dream Ballet”, from “Oklahoma! 2019 Broadway Cast Recording”, “Today”, and “Writing A Gospel Play”, from “A Strange Loop”. “Star and Slave”, from “Here Lies Love: Original Cast Recording”, “Audition”, from “42nd Street: 2001 Broadway Cast". “Too Much Exposition”, and “I See A River”, both from “Urinetown”, “Back to Before”, from “Ragtime, Original Broadway Cast”, “Party, Party”, from “Dreamgirls: In Concert”, “I Do Miracles”, from “Kiss of the Spiderwoman 1994 Cast Recording,”. “Parade In Town”, from “Anyone Can Whistle”, “Rose's Turn”, from “Betty Buckley An Evening At Carnegie Hall”, “Rose's Turn” from “Gypsy, 2008 Broadway Cast Recording”, “Betrayed”, from “The Producers”, “Together”, from “Gypsy, Broadway Cast Recording" (Tyne Daly), “Lot's Wife” from “Caroline or Change”, “Hard to Say Goodbye”, from “Dreamgirls Original Cast Recording”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: office@fabulousinvalid.com  Jamie DuMont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Learn more about your ad choices. Visit megaphone.fm/adchoices

Anyone Can Whistle but no one can make a short episode in this, our first two part episode at the UCC! Discussing both the 2012 Encores production and the 2005 Ravinia Festival production, we pit some of Broadway's greatest stars against each other comparing performances, production choices, and material omissions. A plethora of ideas pervade the show and our hosts as they discuss Mayoresses, Cookies, and Doctors - oh my! Tune in to next week's episode when we discuss Into the Woods; specifically, the Fiasco Theatre production's performance from July 27th, 2014! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

Anyone Can Whistle but no one can make a short episode in this, our first two part episode at the UCC! Discussing both the 2012 Encores production and the 2005 Ravinia Festival production, we pit some of Broadway's greatest stars against each other comparing performances, production choices, and material omissions. A plethora of ideas pervade the show and our hosts as they discuss Mayoresses, Cookies, and Doctors - oh my! Tune in to next week's episode when we discuss Into the Woods; specifically, the Fiasco Theatre production's performance from July 27th, 2014! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

Joshua and Dan find themselves at a rare critical crossroads discussing the Broadway production of Something Rotten. As our hosts duel their opinions of the Shakespeare-inspired musical, they go back and forth on the intentions of the show, the dangers of referential humour, and Dan introduces a new take on the pronunciation of "Christian Borle". Tune in to next week's first-ever two part episode when we discuss two different versions of Anyone Can Whistle; specifically, the Encores production's performance from April 11th 2011 and the Ravinia Festival production's performance from August 2005! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

On this week's show, Jamie and Rob decide to examine their shared love for Broadway posters by taking a closer look at the world of Broadway marketing. First up, they chat with Drew Hodges, founder of SpotCo (a marquee Broadway marketing, advertising, and branding firm) about his iconic ad campaigns for shows like “Rent” and “Chicago”. Then, they chat with Roger Puckett, founder of Triton Gallery, the world's only art gallery devoted exclusively to preserving and promoting the Broadway show poster as an art form. Tune in to discover the secret of what makes a good show poster, and to learn more about the fascinating history behind these beloved pieces of memorabilia. This week's music: “Razzle Dazzle” from “Chicago: The Musical, New Broadway Cast Recording, 1997”, “Rent” from “Rent”, “Entr'acte” from “Chicago: The Musical, New Broadway Cast Recording, 1997”, “Prologue” from “Follies, Original Broadway Cast”, “Anyone Can Whistle”, from “Anyone Can Whistle”, “Beautiful Girls” from “Follies, Original Broadway Cast”, “ Overture” from “ Cats, Broadway Cast Recording”, “Finale” from “Chicago: The Musical, New Broadway Cast Recording, 1997”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us: office@fabulousinvalid.com  Jamie DuMont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, Jamie and Rob dive into the world of famous (and infamous!) Broadway flop musicals with a special two-part show focusing on these flawed and fabulous gems. They kick it all off with a look back at “Carrie” (1988) with word from its original star, the incredible Betty Buckley, who provides a rare peak into that experience. Then, Rob and Jamie move on to discuss such musicals as “Kelly” and “Breakfast at Tiffany's”, and some less “successful” works by Rodgers & Hammerstein and Stephen Sondheim. Part two follows next week. This week's music: “Overture”, “Eve Was Weak”, “Carrie”, and “Out For Blood”, from “Carrie”. “Opening: Joseph Taylor, Jr.” and “The Gentlemen Is A Dope”, from “Allegro”, “Sweet Thursday”, “Overture”, from “Pipe Dream”, “Me And My Town” from “Anyone Can Whistle”, “Overture”, “Like It Was”, from “Merrily We Roll Along”, and “Who Needs Her” from “Breakfast at Tiffany's”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com    Jamie Du Mont Twitter: @jamiedumont  Instagram: @troutinnyc  Rob Russo Twitter/Instagram: @StageLeft_NYC  Jennifer Simard Twitter: @SimardJennifer  Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices

#LiveLoveThrive Show Host Catherine Gray interviews Actor, Singer, and Producer Joan Ryan. Winner of Broadway World's Top Female Cabaret Artist, Joan's four-octave range has led to numerous leading roles in Little Shop of Horrors, Joseph and the Amazing Technicolor Dreamcoat, Footloose, Les Miserables, Nunsense, Angry Housewives, Triumph of Love, Night Club Confidential, and the West Coast Premiere of Stephen Sondheim's Anyone Can Whistle. Don't miss a single episode of these #amazingwomen's #truestories. Subscribe today to our #YouTube channel! www.youtube.com/LiveLoveThrivePodcast You can also subscribe to our #ApplePodcast: https://podcasts.apple.com/us/podcast/live-love-thrive/id1134670723 Follow 360Karma Website: www.livelovetthrivepodcast.com Facebook: www.facebook.com/catherinegray1 Instagram: www.instagram.com/LiveLoveThrivePodcast