Podcasts about vanhal

Sophie Dervaux hat mit dem Mozarteumorchester Salzburg eine überzeugende Klangvorstellung gefunden - frisch und natürlich.

Seguimos avanzando por el inmenso campo de las sinfonías, aunque esta vez retrocedemos al período clásico para escuchar piezas creadas por compositores que nacieron en las actuales Chequia y Eslovaquia. Son autores que se hicieron fuertes en Viena con composiciones fenomenales al estilo de las de Haydn o Mozart, quienes llegaron incluso a admirar a algunos de ellos: Kozeluch, Vanhal o los hermanos Wranitzky tuvieron que germanizar sus nombres para integrarse completamente en la sociedad vienesa, donde la música era el pilar básico del entretenimiento. Esperamos que disfrutes de esta música fresca y ligera que te ofrecemos en la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Episode 8, 2021: Vanhal's Double Bass Concerto Friday 5 November 2021 Since the mid-18th century, the double bass has evolved considerably. One of the most prolific composers that are known for his Double Bass Concerto is Bohemian-born Johann Baptist Vanhal. During his time, there were different models of the double bass which made the degree of standardisation for the instrument a lot lower than it is today. Vanhal was writing for double basses tuned in the Viennese style, which is significantly different from the current-day style of tuning. The difference in configuration was one of the biggest challenges Ben Saffir (double bass, NSW) had to overcome when he was preparing for his first ANAM recital in 2020. In this episode of ANAM Radio, Ben talks to ANAM Music Librarian Phil Lambert about everything we need to know about the double bass and his own double bass created by Romeo Gabute in the Philippines in the mid-20th century. The performance video featured in this episode of ANAM Radio is from Ben's 2020 Recital in the Musica Viva studios in Sydney, NSW. To watch Ben's performance, visit https://www.youtube.com/watch?v=2Tp36cbf1Mk&list=PLbdnd7x5ydRe5IjD5fW0--WZZmey7832f&index=1

No programa de hoje Rodrigo Marques ( https://www.instagram.com/rodrigojotam ) recebe o músico, contrabaixista e compositor, Gustavo Mazon Finessi ( https://www.instagram.com/gustavofinessi ). Graduado pela Unicamp e com mestrados em música erudita e jazz pela Universidade do Texas (EUA) ele acaba de lançar seu primeiro disco solo, intitulado FUSION, onde o contrabaixo assume papel de protagonista, e mistura linguagens de música erudita e popular, com convidados especiais em todas as faixas. Gustavo também pesquisa música antiga e contrabaixo histórico, ele mesmo adaptando instrumentos modernos para executar com fidelidade o repertório de época. Ele dá uma breve aula sobre o violone, a gamba-baixo e o violone vienense - formatos, quantidade de cordas, afinações - bem como os arcos de época. Vale acompanhar o canal dele no YouTube ( https://www.youtube.com/user/gumazon ) pra assistir performances como Vanhal e Telemann. Gustavo também fez parte da Orquestra Tropical de Contrabaixos e o DVD completo - CARRANCAS BRASILEIRAS - está disponível no mesmo canal. No site oficial http://www.gustavofinessi.com/ você encontra todos os links para os trabalhos artísticos e acadêmicos. Muito Mais Baixo podcast muitomaisbaixo@gmail.com e https://www.facebook.com/muitomaisbaixo . Curta nossa página, compartilhe e ajude o podcast a crescer.

Pascale Delache-Feldman has been a frequently requested podcast guest, and it was such a pleasure to get a chance to connect with her!   Pascale enjoys a multifaceted career as a soloist, chamber and orchestral musician, and teacher.  She is the founder of the Boston Bass Bash and is co-founder of the co-founder of Duo Cello e Basso (formerly the Axiom Duo) with cellist Emmanuel Feldman.  She also teaches at Bard College, New England Conservatory, Tufts University, and Brown University.   We dig into all kinds of topics like: growing up in France attending the Paris Conservatory studying with Roger Scott at the Curtis Institute programming and commissioning music for Duo Cello e Basso differences between French and American double bass playing   Here’s a list of material that Pascale uses with her undergraduate students: Fred Zimmermann: a Contemporary Concept of Bowing Technique for the double bass Hal Robinson: Strokin' and Boardwalkin' Franco Petracchi: Simplified Higher Technique Marcos Machado: Tao of Bass Edouard Nanny: Caprice Etudes and Etudes of Virtuosity Storch-Hrabe: 57 Studies Kreutzer and Fiorillo Etudes Isaia Bille: 18 Studies Alain Weber: 10 Rhythmic and Melodic Etudes J.S Bach: Cello Suites Orchestral Excerpts by Mozart, Haydn, Beethoven, Brahms, Strauss...... Major Bass Concertos: Dittersdorf, Vanhal, Koussevitzky, Bottesini Sonatas by Vivaldi, Bach Viola da Gamba sonatas, Misek, Schubert Arpeggione, Hindemith Short pieces by Bottesini, Koussevitzky, Glière, Fauré......   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets.   A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools.   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Subscribe to the podcast to get these interviews delivered to you automatically!

Resources and links mentioned in this episode: We start this episode with a clip from Edna Chavez at the March for Our Lives, but the whole video is a must watch. Danny talks about “Taking on Gun Fundamentalism” [https://socialistworker.org/2018/02/27/how-do-socialists-take-on-gun-fundamentalism] in Socialist Worker, while Chicago activists Alex Vega-Byrnes and Todd St Hill talk about how Chicago high school students are Making the connections to stop gun violence. We quoted LA teacher, Gillian Russom, about the criminalizing and alienating impact of more cops in our schools. You can read her full article here. We talked about how important it is to bring the demands of #BlackLivesMatter into the debate on gun violence, particularly in the wake of the police murder of Stephon Clark. You can read Jesse Hagopian, one of the initiators of the Black Lives Matter in Schools week of action, discuss this and highlight the demands raised by students in Chicago, on his blog. We ended our intro segment with a tribute to Draylen Mason, a Black 17-year old high school student murdered by a package bomb in Austin, Texas. Draylen was a gifted musician who would have learned this week that he had been accepted into the highly selective conservatory at Oberlin. We ended with a clip of him playing bass in a performance of Vanhal’s Concerto and provide the link to the full video here. In our segment with Keeanga-Yamahtta Taylor, we talk about the West Virginia teachers strike, and you won’t want to miss this inspiring solidarity meeting in New York City about the West Virginia teachers strike. You can read more coverage of the strike at Socialist Worker, including Khury Petersen-Smith on How West Virginia Put Class Struggle Back on the Map. In this interview we talk about race, class and Trump in West Virginia—a theme Pranav Jani discusses in more detail in an article about talking socialism in Trump country. Keeanga-Yamahtta Taylor also weighed in on the new movement against gun violence—and especially the many potential linkages with the Movement for Black Lives. This is a theme she took up in a piece on anti-racism and the uprising against guns. If you enjoyed listening to Keeanga-Yamahtta Taylor, you can hear her speak at this year’s Socialism 2018 conference, a gathering of nearly 2,000 radicals and activists, featuring more than 100 meetings on topics like those we take up. You can also order both of her books at Haymarket Books. Thank you so much for checking out our first episode. If you liked what you heard, please leave us a review and rating at iTunes, share with your friends and consider subscribing so that you don’t miss any future episodes.

He may not be well-known today, but Vanhal was all the rage in 18th century Vienna.

This show covers the latest and greatest in the world of the double bass!  Learn more at http://contrabassconversations.com/news. George Mraz Rally for Recovery George Mraz, a world class bassist with decades of exceptional musical work as both a soloist and alongside others such as Stan Getz, Chet Baker, Oscar Peterson, Bill Evans, Dizzy Gillespie, Joe Henderson and many many more ( www.georgemraz.com). Surviving pancreatic surgery, George now has five months of recovery ahead. With the unexpected complications, bills and very costly medications we are setting a new goal to double the amount of contributors and reach a record 730 donors. https://www.gofundme.com/2ndyn24  DePaul University Scholarships for Undergrads The DePaul University School of Music is now offering high school juniors an opportunity to audition for conditional acceptance and as much as a 50% scholarship if pursuing a degree as a bass or viola performance major. https://music.depaul.edu/admission/auditions/Pages/high-school-junior-auditions.aspx  http://contrabassconversations.com/robkassinger  http://contrabassconversations.com/alexhanna  more details from DePaul: The opportunity to audition for the DePaul School of Music as a high school junior is only open to those students who wish to major in bass or viola performance. Any School of Music admission offer and/or scholarship award is contingent upon being accepted into DePaul University. High school juniors who audition in February of 2017 must then apply to the university through the Common Application in the fall of their senior year. Only after being accepted to DePaul will scholarship offers become valid. A high school junior who auditions in February 2017 and is offered a performance scholarship and is then accepted to DePaul University in the fall/winter of 2017, may choose to audition a second time in February 2018 to be considered for an increase in their scholarship award. A high school junior who auditions in February 2017 and is not accepted to the School of Music, is welcome to audition again in February of their senior year without any adverse consequence. Please email the admissions office with any further questions about this opportunity. D’Addario Strings http://contrabassconversations.com/daddario1  http://contrabassconversations.com/strings  10th Anniversary for Contrabass Conversations! Call 415-952-5643 and leave a message for my anniversary episode! SoCal Bass Days 2017 January 3-4 free and open to the public featuring special guests David Murray and Claus Freudenstein http://contrabassconversations.com/davidmurray  http://contrabassconversations.com/clausfreudenstein  http://bassforward.info/socal-bass-days-2017  contact Matt Hare for more information: me@matthare.com  http://matthare.com  Galicia Graves International Double Bass Festival & Competition http://www.galiciagraves.com  17, 18 & 19 February 2017 video from Thierry Barbe http://contrabassconversations.com/thierrybarbe  I will be doing a feature on this event with Gabriele Ragghianti two of the faculty members are David Heyes and Michael Klinghoffer, and I’ve featured both of them on the podcast previously http://contrabassconversations.com/davidheyes  http://contrabassconversations.com/michaelklinghoffer  Finland Awakes! March 12, 2017 FINLAND AWAKES! celebrates the centenary of Finland as an independent country. The concert will feature a wealth of Finnish music by alongside music composed for Teppo-Fest 2016 to celebrate the 75th birthday of the amazing and unique Teppo Hauta-aho. The concert is sponsored by Recital Music http://recitalmusic.net music composed by David Heyes (who recently dedicated a composition to me!), Bernard Salles, Teppo Hauta-aho, Simon Garcia, and many others https://www.facebook.com/events/1045165702279535  Hosting Provided by Bass Capos hosting for Contrabass Conversations is provided by Bass Capos, Bass Capos are an excellent choice for any bass player using or looking to implement a double bass extension. Easy to install and adjust, cheaper and more reliable than hand-built latches, also lighter and quicker in operation. Learn more at http://basscapos.com  MIDI Practice File Archive from elbsoundStudio dozens of pieces from Bach, Bottesini, Dittersdorf, Eccles, Vanhal, and others https://elbsound.studio/double-bass-midi-files.php  more links like this at http://doublebassblog.org/links  Make a Tax-Deductible Donation to the Bradetich Foundation 2017 will celebrate the 30th anniversary of the Bradetich Master Classes in June and holding the long awaited 2nd International Double Bass Solo Competition on Sept. 1st-5th. By donating to the Bradetich Foundation, you are supporting the double bass, music, arts and education. http://bradetichfoundation.org/index.php?page=supportForm&form=intFriends  http://contrabassconversations.com/jeffbradetich  Help Support Contrabass Conversations! http://contrabassconversations.com/support  FEEDBACK Terrance Fitzgerald, who lives in China and listens to the podcast through the app during practice breaks. He’s interested in hearing interviews with Al Laszlo, Hal Robinson, and Tim Pitts, and I am setting up a time with Tim right now. Hal and I have also talked about doing an interview, so expect that soon as well! Terrance also suggested interviewing people that have won multiple auditions - how did they balance an orchestra job and other responsibilities with audition preparation? Several people have also written in, including Kim Parillo, so ask about where to get a copy of David Allen Moore’s book Fractal Fingerings. This isn’t currently formally published, but you can contact David for more information, and be sure to check out my “round 2” with David at http://contrabassconversations.com/davidallenmoore  Marcio Bolzan also wrote in and said that he loves listening to the podcasts and also that he saw my coverage of Alex Ritter’s double bass festival, which I covered last week on the Weekly Update. If you’d like to check that episode, or any of the Weekly Update episodes, you can visit http://contrabassconversations.com/news. Daniel Kimbro also wrote in. Daniel is active in the neo-folk/newgrass/roots music world and listens to the podcast in the car driving between Knoxville and Nashville for recording sessions, flights, and rehearsals. Daniel also expressed interest in hearing more coverage in this world. Craig Butterfield, one of my recent guests and the bass professor at the University of South Carolina, is a great example of someone active in this world. http://contrabassconversations.com/craigbutterfield. This is a great idea, and I’m starting by actually talking with Daniel for the podcast. I love exploring different musical sub genres—I recently interviewed David White, who is active in the theatre scene in New York, and I also spoke with Pablo Aslan about tango bass, and I’d love to dig more into all of these sub genres going forward with the show. http://contrabassconversations.com/davidwhite  http://contrabassconversations.com/pabloaslan  Thanks also to Joe McFadden, Mike Gaisbacher, Lori Kaufman, Stephane Bihan, Kevin Feeney, Ted Botsford and all the other people who wrote in this week, and if you’d like to write in you can send me a message at feedback@contrabassconversations.com. LAST WEEK’S GUESTS http://contrabassconversations.com/benallison http://contrabassconversations.com/billmerchant   

Am 6. September fand das zweite Semifinale des ARD-Wettbewerbs 2016 statt: Sechs Musiker spielten im Fach Kontrabass um den Einzug ins Finale. Zusammen mit dem Münchener Kammerorchester kamen Solo-Konzerte von Vanhal, Sperger und Hoffmeister zur Aufführung. Ulrich Möller-Arnsberg war vor und beim Semifinale dabei

We're featuring San Francisco Symphony Principal Double Bass and University of Michigan faculty member Scott Pingel on this week's show.  In addition to holding down the principal bass chair for the San Francisco Symphony, Scott taught for several years at the San Francisco Conservatory, and he served as Principal Bass of the Charleston Symphony prior to his appointment in San Francisco. This was really a great interview, and it was a pleasure to connect again with Scott (we played together for the Spoleto Festival over a decade ago).  You'll learn a lot about how Scott approaches practicing for auditions, his interesting path to becoming a bass player, and the instruments and bows on which he has spent the last several years performing. About Scott: Scott Pingel began playing the double bass at age 17 because of a strong interest in jazz, Latin, and classical music. In 2004, at age 29, he became the principal bass of the San Francisco Symphony and was named by the San Francisco Chronicle as one of the most prominent additions to the ensemble. Previously, Pingel served as principal bass of the Charleston Symphony Orchestra, performed with the Metropolitan Opera, the Boston Symphony Orchestra at Tanglewood, the Metamorphosen Chamber Orchestra, and served as guest principal with the National Arts Center Orchestra in Canada. His solo performances with ensembles such as the San Francisco Symphony, the San Francisco Academy Orchestra, and the Charleston Symphony Orchestra, and in recitals frequently consisting of his own arrangements, have been met with high critical acclaim. As a chamber musician, he has collaborated with such luminaries as Yo-Yo Ma, Julia Fischer, Gilbert Kalish, Wu Han, Joseph Silverstein, Yefim Bronfman, and members of the esteemed Emerson, Miro, Pacifica, St. Lawrence, Danish, and Takacs Quartets. He can often be heard at the Music@Menlo and Music in the Vineyards festivals and on television and radio programs including NPR's Performance Today. Formerly active as a jazz musician and electric bassist, Pingel worked with greats including Michael Brecker, Geoff Keezer, and James Williams, and performed in venues from Birdland in New York to Fasching in Stockholm. Pingel has taught masterclasses at prestigious institutions such as the Curtis Institute of Music, The Julliard School, Colburn School, Boston University, Manhattan School of Music, Shanghai Conservatory, Beijing Central Conservatory, and the New World Symphony. Pingel's primary instructors were James Clute, Peter Lloyd, and Timothy Cobb. He earned a BM degree from the University of Wisconsin-Eau Claire, a MM degree from the Manhattan School of Music, and spent two years as a fellow at the New World Symphony. Outside of music, Pingel spent many years studying the ancient Korean martial art of Hwa Rang Do, in which he holds a black belt. He was an instructor at the Madison Academy of Hwa Rang Do and founded the University of Wisconsin-Eau Claire Hwa Rang Do/Tae Soo Do Program, which continues to this day. Pingel lives in Ann Arbor with his wife, Iris, and their daughters, Hannah and Sophia. Vanhal complete performance with San Francisco Academy Orchestra Scott's "dueling banjos" cadenza video email: feedback@contrabassconversations.com phone (call-in number--we'll play your message on the show!): 415-952-5643

Donald Macleod explores the work of Vanhal.

This week on Contrabass Conversations we bring you an interview with string teacher and double bassist Peter Tambroni. Peter has written a book titled An Introduction to Double Bass Playing, and he has many valuable ideas regarding double bass pedagogy. Arizona bassist Robert Matheson is also featured on this episode. Enjoy! About Peter Peter began playing the double bass at the age of 16 (after playing the clarinet since elementary school) when the director of his high school jazz ensemble asked if anyone would be interested in playing bass. After playing electric bass it was suggested that he learn the string bass and soon after he began orchestral studies. Within a year, he knew he wanted to go into the field of music, and becoming a music teacher was the perfect choice for him. He received his Bachelor's of Music in Music Education from the Crane School of Music in 1996. After that he taught strings in the public schools for grades 4 - 12 in Northern New York and was adjunct faculty for 'cello and double bass at the State University of New York at Plattsburgh. In 2000 he graduated from the University of Illinois at Urbana - Champaign with a Master's in Double Bass Performance, studying with Michael Cameron. He is currently a string teacher in suburban Chicago where he teaches string lessons in grades 3 - 8 and conducts the middle school concert and chamber orchestras. He also leads an Irish ensemble and a bass quartet. He performs around the greater Chicago area with many orchestra and rock bands around the city. In 2000, he appeared on the Bozo Super Sunday Show to give a presentation and performance on the double bass. In the spring of 2003 he was the guest soloist for District 212 (playing the Vanhal concerto) and in spring of 2004 he performed at Symphony Center's Orchestra Hall with the Polish American Symphony Orchestra of Chicago. He has attended classes with Michael Hovnanian of the Chicago Symphony, John Chiego, Hal Robinson of the Philadelphia Orchestra, Scott Haigh of the Cleveland Symphony, Stewart Arfman, and Erik Harris.  Peter has been published several in American String Teacher as well as websites around the world.

Ira Gold made his Carnegie Hall solo debut in 2011, performing the Vanhal Bass Concerto with the Catholic University of America Symphony Orchestra. Prior to joining the National Symphony in 2005, Mr. Gold performed with several American orchestras, as section bass with the Minnesota Orchestra and as guest principal bassist with the San Francisco Symphony and Detroit Symphony. He has attended festivals such as the Grand Teton Music Festival, Domaine Forget Music Academy, Bach Festival Leipzig, Aspen, and Tanglewood. Mr. Gold spent several summers at the International Festival Institute at Round Top both as a student and faculty. He is continually in demand for recitals and master classes, including recent visits at The Juilliard School, Boston University Tanglewood Institute, Penn State University, University of North Texas, the International Society of Bassists Convention, and the Manhattan School of Music. Mr. Gold maintains a studio of private students, has taught lessons and coached chamber music in the National Symphony Orchestra Youth Fellowship program, and has been a member of the double bass faculty at the Peabody Conservatory since 2009. He is also a co-founding member of Peabody Bass Works, a one-week bass camp held every July at Peabody. An active chamber musician, Mr. Gold has performed with the East Coast Chamber Orchestra, the NSO Millennium Stage Prelude Series, Peabody Conservatory faculty, and the New Orchestra of Washingon. He earned his Bachelor of Music degree at Boston University's College of Fine Arts, and his Master of Music degree at Rice University's Shepherd School of Music, where he won the strings division of the 2005 Concerto Competition. His primary teachers include Edwin Barker and Paul Ellison, and additional studies with Albert Laszlo, Kenneth Harper, Dennis Whittaker, Mark Shapiro, and Harry Lantz.