Podcast appearances and mentions of Michael Brecker

Saxophonist/composer Michael Brecker (born March 29, 1949) was one of the most recorded saxophonists of all time. Over his four-decade career he appeared on over 900 recordings as a leader and sideman and received fifteen Grammys. His virtuoso saxophone technique and soulful expressiveness made him a clear favorite of a whole generation of players who fell under his influence, setting the bar extremely high for anyone trying to emulate his prodigious abilities.

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Toby Gad and Dave Eggar Interview (Eureka Concerts)Legendary German-born songwriter and producer Toby Gad and acclaimed crossover cellist/composer Dave Eggar have each spent decades redefining the boundaries between virtuosity, emotion, and modern popular music. Raised in a jazz-centered musical family in Munich, Gad combined classical piano training with jazz harmony and improvisation before becoming one of the most successful hitmakers of the modern pop era, writing and producing global hits including Beyoncé's “If I Were a Boy,” Fergie's “Big Girls Don't Cry,” and John Legend's “All of Me.” Eggar, a classically trained prodigy and adventurous improviser, built a remarkable career blending classical performance with jazz, rock, folk, film music, and contemporary crossover projects, collaborating with artists ranging from Coldplay, Pearl Jam, Amy Winehouse, Tony Bennett, Paul Simon and his mentor Michael Brecker.Together, their project Eureka Concerts captures the spontaneity and creative freedom that define both artists — a fully improvised musical dialogue where jazz intuition, classical sophistication, cinematic textures, and emotional storytelling collide in real time. The collaboration stands as a rare meeting of two fearless musical minds whose legendary careers continue to evolve through exploration and improvisation.For more info check out  Toby Gad at https://www.tobygad.com/ Dave Eggar https://www.domomusicgroup.com/daveeggar/Eureka Concerts https://open.spotify.com/album/0AqBO1SukqFI6SZ8IMbmni?si=eKdoOacNQMK32wplvahkSQ

Harvie S is a renowned jazz bassist with a distinctive style and virtuosic technique. Throughout his illustrious career, Harvie has recorded with a plethora of jazz luminaries including Michael Brecker, Paquito D'Rivera, Chick Corea, Kenny Barron, John Scofield, Sheila Jordan, James Moody, Yusef Lateef, and the Manhattan Transfer, just to name a few, leaving an indelible mark on the global jazz scene. His dynamic bass lines and innovative approach to rhythm have earned him widespread acclaim among critics and audiences alike. He has released 21 recordings as a leader on major labels, 20 as a co-leader and over 400 as a sideman. His most recent album is Bright Dawn. During our podcast, we feature a song from that recording, Voice in the Sky. Harvie's musical versatility knows no bounds, as he effortlessly traverses various jazz sub genres, from traditional, Afro-Cuban, Brazilian to avant-garde, infusing each performance with his unique musical perspective. In addition to his prowess as a performer, Harvie is also a dedicated educator, sharing his wealth of knowledge and experience with aspiring musicians. Harvie also has a podcast, Harvie S On Tap. Click here to listen.

Lots of new music in this week's episode. But first we begin with some funky 80's fusion from Steps Ahead with great tenor work from Michael Brecker. Perhaps two of the greatest jazz artists currently touring and making new music are on the playlist from Potter and Metheny. Also new music from today's modern creative forces Wilkins, Preminger and Turner. Playlist Artist ~ Name ~ Album Steps Ahead ~ Radio-Active ~ Modern Times Chris Potter ~ Into Africa ~ Alive With Ghosts Today Pat Metheny ~ Urban and Western ~ Side-Eye III+ Immanuel Wilkins ~ THE BIG COUNTRY ~ Immanuel Wilkins Quartet: Live at the Village Vanguard Vol. 2 Noah Preminger & Max Light ~ Smoke Gets In Your Eyes ~ Stitching Life Mark Turner ~ It Very Well May Be ~ Patternmaster

On this episode of The Bandwich Tapes, I sit down with Larry Goldings—keyboardist, organist, composer, and one of the most respected musical collaborators working today. Larry has built a career that stretches across jazz, pop, film, television, and session work, but what really stands out in our conversation is his deep commitment to serving the music first.We start by talking about some of the projects currently on his plate. From a new recording with his organ trio featuring Peter Bernstein and Bill Stewart, to an unexpected and joyful children's album with tap-dance legend Melinda Sullivan, Larry's creative world is constantly expanding. Whether it's instrumental jazz, singer collaborations, or more experimental projects, his curiosity keeps pushing him into new musical spaces.A major part of the conversation centers on his long-running role in James Taylor's band. Larry shares how he first connected with James in the early 2000s and what it takes to serve those songs night after night at the highest level. Playing alongside musicians like Steve Gadd, he reflects on what he's learned about feel, restraint, and the kind of deep musical trust that makes a rhythm section truly work.From there we head down the rabbit hole into Scary Goldings and Scary Pockets, the groove-driven projects that have introduced Larry to a whole new generation of listeners online. He talks about how those sessions began, why the format encourages spontaneity, and how collaboration and curiosity remain the driving forces behind the music.For the gearheads and music nerds—myself included—we also revisit a memorable moment from the Michael Brecker “Time Is of the Essence” sessions. Larry recalls the experience of playing alongside Elvin Jones, navigating the nerves of the session, and the unforgettable moment when the music suddenly locked into place.Along the way, we also get into the craft of organ playing itself—especially Larry's approach to left-hand bass, and why bass players have influenced his musical language just as much as other organists. At the end of the day, everything comes back to the same principle: serve the feel, serve the song.Key TakeawaysLarry Goldings's current creative projects, including a new organ trio record with Peter Bernstein and Bill Stewart.The unexpected collaboration with tap-dance legend Melinda Sullivan on a children's album.How Larry joined James Taylor's band and what he's learned from years on that stage.The musical philosophy of rhythm sections built on feel, restraint, and trust, especially alongside Steve Gadd.The origins of Scary Goldings and Scary Pockets and how those sessions reached a global audience online.A behind-the-scenes story from the Michael Brecker “Time Is of the Essence” recording sessions with Elvin Jones.Why Larry's organ language is shaped as much by bass players as by other keyboardists.Music from the EpisodeThe Shakes — Scary PocketsTimeline — Michael BreckerSolid Jack — The Larry Goldings TrioDisco Pills — Scary PocketsArc of the Pendulum — Michael BreckerAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Podcast Jazztime 712 – 17.03.26 Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE Anspiel ist : “Come Rain or come Shine“ – 1946 für das Musical „St. Louis Woman“ - von Harold Arlen komponiert. Folgende Titel sind zu hören : 1. Tea for two – Ella Fitzgerald 3:18 2. Lazy Afternoon – Wynton Marsalis 5:07 3. Blue Moon – Frank Sinatra 2:52 4. Song for Bilbao - Michael Brecker 5:44 5. Chan Chan – Buena Vista Social Club 4:18 6. Come Rain or come Shine – Natalie Cole 3:07 7. The Look of Love – Stan Getz 2:38 8. Smile – Lalah Hathaway 4:52 9. Under the double Eagle – Wilbur de Paris & His Rampart Street Paraders 5:12 Für Titelwünsche und Anregungen schreiben Sie gern an : jazztime.mv@ndr.de Keep Swingin' !!!

In this episode, I sit down with Taylor Eigsti, and this conversation goes everywhere I hoped it would. We talk about preparation versus spontaneity, writing music that leaves room for the present moment, and why the best ensembles feel more like carefully cast films than perfectly rehearsed machines.Taylor shares what it's been like working recently with Michael League, Ben Wendel, Kendrick Scott, Antonio Sánchez, and others, and we get deep into his compositional mindset—why quantity matters, why “bad ideas” are necessary, and how composition is a muscle that has to be exercised. We also talk about his Grammy-winning albums Tree Falls and Plot Armor, the long studio hours behind them, and why recognition doesn't always translate the way people expect.Along the way, we hit on collaboration, identity, touring life, teaching, football fandom, and what it really means to show up prepared and fully present for the moment that actually matters—the short window onstage when everything finally comes alive.Music from the Episode:Let You Bee (Taylor Eigsti)Bucket of F's (Taylor Eigsti)Look Around You (Taylor Eigsti)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Episode 19: Pete Christlieb is a legendary saxophonist whose powerful sound and fearless improvisation continue to shape both jazz and commercial music. He rose to international prominence as a longtime featured soloist with the Doc Severinsen–led Tonight Show Band, where his commanding tenor voice and electrifying presence became instantly recognizable. Christlieb's recording legacy includes some of the most iconic saxophone moments in popular music, including his lyrical solo on “Deacon Blues” by Steely Dan and his elegant playing on “Unforgettable” by Natalie Cole. Equally respected in the jazz world for his collaborations with Warne Marsh and Chet Baker, Christlieb continues to perform and inspire, embodying a rare blend of virtuosity, soul, and authenticity that resonates across generations.►about Pete Christlieb: https://petechristlieb.com/?utm_source=chatgpt.com►Key Moments:0:00 - Introductions1:47: Drag racing, Valley College (Los Angeles), First road gig with Si Zentner6:00: The art of playing dance music9:01: Gerry Mulligan, Chet Baker, Ray Brown…16:50: Las Vegas, Jerry Gray, Tex Beneke, Peggy Lee, Lou Levy26:00: Cannonball Adderley30:30: Louie Bellson, Woody Herman31:50: Tom Scott, Glenn Campbell Show, and Marty Paich…34:24: “Play horn, get check”41:20: Snooky Young, The Tonight Show…, and Steely Dan44:45: “Deacon's Blues”51:13: Warne Marsh collaboration1:00: Violin to saxophone…1:05:35: Saxophone sounds…Stan Getz, Sonny Rollins, Sonny Stitt…1:13:35: The pinnacle is the next gig, payola, and back to the Warne Marsh collaboration, back to Johnny Carson and The Tonight Show…1:26:00 New chapter of life in Washington1:28:00 Stravinsky, Schoenberg, Michael Brecker, and woodwind doubling…1:37:00 Closing graitude►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Capture: Yang YangAudio Capture: Yang YangVideo and Audio Editing: Izzi GuzmanGraphic Design: Izzi GuzmanRecorded in Coral Gables, FL, November 18, 2024Support the show►CreditsHost and Producer: John DaversaVideo: Max Nierlich Audio: Dudley MerriamAdditional Audio: Jake SondermanVideo and Audio Editing: Yang YangIzzi Guzman: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

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hr-Bigband feat. Michael Brecker cond. by Jörg Achim Keller, Südbahnhof, Frankfurt, April 2001 | Im April 2001 war Michael Brecker zu Gast bei der hr-Bigband. Jörg Achim Keller hatte Arrangements für einige der markantesten Stücke geschrieben, die zum Michael Brecker-Repertoire gehören. Die wirkten wie ein Booster oder Kompressor für die Performance des am 13. Januar 2007 im Alter von 57 Jahren verstorbenen Virtuosen Michael Brecker. Der war sichtlich gerührt von dem, was aus diesem Projekt entstand. (Sendung vom 21.12.)

Antonio Sanchez has become one of the most sought-after drummers in the international jazz scene. Following 18 years and 9 albums as one of the most revered collaborators with guitarist/composer Pat Metheny, he also has recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielemans. In 2014 Sanchez popularity soared when he scored Alejandro González Iñárritu's Birdman which ended up winning 4 Academy awards (including best picture) and for which Antonio won a Grammy award. He currently has many recordings as a leader and solo artist. Some recent recordings include Beatrio w/ Bela Fleck, Edmar Castaneda as well as his own group Migration. You can hear Anotino's masterful compositions and drumming on the award winning show The Studio on Apple TV In this episode, Antonio talks about  Why he calls Barcelona, Spain his home Creating a strong reputation The realities a seasoned pro has to contend with Antonio's journey into jazz and notoriety  Staying artistically and creatively curious  Using your own voice when making music Composing for the movie Birdman & the TV series The Studio Creating a counter culture to social media ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

What's up, dudes? There's nothing like a Christmas jazz house song to kick off a party. I've got Steve Beech of Uplifting House Sessions with me to dive into the opening track of Winter Warnerland! Yes, we're talking Jeff Lorber “God Rest the House!”Jeff Lorber is an American keyboardist and composer specializing in jazz and fusion. After attending the Berklee College of Music, he played with Michael Brecker and John Scofield. Eventually he started Jeff Lorber Fusion and released his first album in 1977. He frequently played on Rhodes, Minimoog, and Prophet 5 keyboards. He subsequently went solo and had several singles on Billboard Dance charts.As the Winter Warnerland liner notes state:“He's the guy who first brought you Karen White with their smash hit, The Facts of Love. Kenny G, his former sax player and right now is one of the hottest session cats out there. You can hear his magic touch on current hits from U2, Pebbles, New Edition, Giant Steps, New Shoes, The California Raisins, Sheena Easton and Jeffrey Osborne. Those are just the ones he's played on this month. And you know he's saving up the good stuff for his next WB LP due sometime in 89. Even though he's a busy guy, he managed to crank out a hot house mix version of God Rest Ye Merry, Gentlemen for us. Turn it up!”Driving bass line? Check. Syncopated version of the melody? Got it. Minor pentatonics, blues scale embellishments, and occasional chromatic triplets? Definitely! So grab your Yamaha GS-1, and jam out to this episode on Jeff Lorber “God Rest the House!”Uplifting House SessionsYouTube: @UpliftinghouseSessionsIG: @upliftinghousesessionsGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

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Durante 45 años permanecieron inéditas las grabaciones que Claus Ogerman produjo y orquestó en Nueva York para un disco de Joyce Moreno con Mauricio Maestro: hasta 2022 no se publicó 'Natureza', grabado con músicos como los brasileños Naná Vasconcelos y Tutty Moreno y los estadounidenses Joe Farrell, Mike Mainieri o Michael Brecker, y canciones como 'Moreno', 'Descompassadamente', 'Mistérios' o 'Feminina'. El pianista Brad Mehldau toca canciones de Elliott Smith ('Better be quiet now', 'Everything means nothing to me' o la que da título al disco) en 'Ride into the sun'. Un adelanto del disco brasileño de la cantante francesa Camille Bertault con 'Folhas secas'. Abren el clarinetista Gabriele Mirabassi y el acordeonista Simone Zanchini con 'Um tom para Jobim' de Sivuca y cierra el quinteto Beyond Brazilian Stories con 'Casa forte' de Edu Lobo. Escuchar audio

Episode 92: Joe Lovano. Joe Lovano is one of the greatest musicians of all time. A Grammy-winning saxophonist who's been on the cover of DownBeat magazine multiple times (as well as many others), a Blue Note Records legend with 25 releases, a Berklee alum, and he holds the Gary Burton Chair in Jazz Performance at Berklee College of Music, which he's had since 2001. He also happens to be my cousin and one of the biggest inspirations and mentors in my life. This was our first time ever doing something like this together. A 3-hour deep dive interview that covers (nearly) his entire career. We go into our family history, growing up in Cleveland, our Sicilian roots, his father Tony “Big T” Lovano, and how that shaped his sound and spirit. We talk about his time with Elvin Jones, Jack DeJohnette, John Scofield, Charlie Haden, Esperanza Spalding, Michael Brecker, McCoy Tyner, Paul Motian, Bill Frisell, Hank Jones, Dave Holland, Joshua Redman, Al Foster, and many more. Joe shares lessons from decades of leading bands, developing tone, mentoring young players, and living a full creative life with his wife of 50 years, Judi Silvano. Joe is one of the greatest musicians alive, a music historian, and an incredible educator and mentor. Here is my interview with one of my favorite people, Joe Lovano.The Music Settlement Scholarship Donation: https://www.themusicsettlement.org/donate?utm_source=Master+List&utm_campaign=a5cff9ca09-EMAIL_CAMPAIGN_JoeLovano2025&utm_medium=email&utm_term=0_1bd2f9c4a7-a5cff9ca09-434756824 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Joe: https://www.instagram.com/joelovanojazz/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Clarence rejoins Rick and Ron on the podcast. Clarence is one of the busiest jazz drummers in the world, a leader of multiple bands, a composer, a prolific producer, and a music educator.He's an accomplished jazz drummer, highly regarded for his impressive skills in music composition, production, and education. Since his arrival in New York City in 1991, Penn has worked with an extensive list of renowned musicians, including Ellis and Wynton Marsalis, Betty Carter, and Michael Brecker, among others. He has also toured extensively and recorded a myriad of studio albums, covering a wide range of jazz expressions.

Clarence Penn joins the Feeding the Starving Artist podcast. Clarence is one of the busiest jazz drummers in the world, a leader of multiple bands, a composer, a prolific producer, and an educator.He's an accomplished jazz drummer, is highly regarded for his impressive skills in music composition, production, and education. Since his arrival in New York City in 1991, Penn has worked with an extensive list of renowned musicians, including Ellis and Wynton Marsalis, Betty Carter, and Michael Brecker, among others. He has also toured extensively and recorded a myriad of studio albums, covering a wide range of jazz expressions.

In this episode of The Bandwich Tapes, I sit down with the legendary vocalist Arnold McCuller, whose voice has graced stages and recordings alongside artists such as James Taylor and Phil Collins, among others. While we reflect on some of his most iconic musical moments, our conversation centers on his current mission as a recovery coach and interventionist, as well as his involvement with Harmonium. This powerful organization supports creatives in recovery.We talk about the unique pressures musicians face, how addiction weaves into the culture of performance, and the courage it takes to rebuild a life and career on new terms. I also share some of my own journey of sobriety — nearing one year — and Arnold offers wisdom on moving past shame, reclaiming creativity, and finding freedom through community.This is a conversation about music, resilience, and hope — one that every artist (and human) will find something in.Music from the Episode:Witness (Arnold McCuller)Chances Are (Arnold McCuller)Hard Times (Arnold McCuller)You'll Never Leave Harlan Alive (Arnold McCuller)Above the Rain (Arnold McCuller)To learn more about Arnold and his incredible work, please visit his website. Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

Este monográfico está dedicado al saxofonista Michael Brecker, un artista fallecido en el año 2007. Repasamos sus apariciones en discos de artistas tan conocidos como David Garfield & Karizma, Tom Browne, Patti Austin, Chris Botti, Neil Larsen, Herbie Hancock, Everything But The Girl, Eliane Elias, Narada Michael Walden, Michael White, Pat Metheny y Jason Miles & Sting. Es el segundo programa especial que dedicamos a la figura de Michael Brecker. El primero lo puedes escuchar en la edición 950 de Cloud Jazz.

durée : 00:59:38 - Folie douce - par : Nathalie Piolé -

Chris Walden is a 7x Grammy nominated, German-born, composer, arranger and conductor. He's scored more than 40 feature and TV films. He's written more than 1,500 orchestral and big band arrangements for artists including Michael Buble, Aretha Franklin, Paul McCartney, SEAL, Stevie Wonder, Rihanna, Barbra Streisand and Josh Groban, and orchestras like the Chicago Symphony, the Los Angeles Philharmonic and the Boston Pops.He's worked with top producers David Foster, Tommy LiPuma and Phil Ramone. He's the founder and artistic director of the Pacific Jazz Orchestra. And he has served as lead arranger for the Academy Awards and as arranger for “American Idol” and “The Tonight Show with Jay Leno”. And he's worked as an arranger and bandleader for artists including Diana Krall, Herb Alpert, Michael Brecker, and the Count Basie Orchestra.My featured song is “Cakewalk For Debra” from the album Miles Behind. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CHRIS:www.chriswalden.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

This episode begins with Michael Brecker in some interesting situations with Paul Simon and James Taylor. We follow that up with new music from another tenor sax player, Jimmy Greene from his newest release. Playlist  Artist ~ Name ~ Album Michael Brecker ~ African Skies ~ Tales from the Hudson Paul Simon ~ Under African Skies ~ Graceland Michael Brecker ~ The Nearness of You ~ Nearness of You: The Ballad Book Jimmy Greene ~ Praises ~ As We Are Now Jimmy Greene ~ Speak Low ~ As We Are Now Sam Rivers ~ Beatrice ~ Fuchsia Swing Song Chick Corea ~ Friends ~ Friends Herbie Hancock ~ Maiden Voyage ~ Maiden Voyage

Cal Harris Jr. – Endless Summer – 3:55 Reggie Washington – Strange Meeting – 9:51 Michael Brecker – Don’t Let Me Be Lonely Tonight – 4:44 Miles Davis – Flamenco Sketches – Studio Sequence 2 – 1:09 Galliano – Prince Of Peace – 5:55 St Germain – Deep In It – 7:18 Stephanie McKay – […]

Send us a textEpisode 014From the groundbreaking Lyricon of the 1970s to today's Roland Aerophone, Tom's distinctive electronic wind sounds have shaped countless recordings across jazz, pop, and film scores for decades.The continuation of our in-depth conversation with this legendary musician reveals fascinating insights about his approach to technology and musicianship. "What would best benefit the music?" Tom asks, explaining that wind controllers have always been just another tool in his arsenal, alongside saxophones and other woodwinds. This pragmatic philosophy has guided his five-decade career, allowing him to bring precisely the right sound to each musical situation.Tom shares colorful stories about watching Michael Brecker perform with the EWI at the Hollywood Bowl, his collaboration with Herb Alpert (who Tom credits with "reintroducing horns back into pop music" in the 1960s), and his ongoing quest to recapture the magic of his original Lyricon sound with modern technology. His description of searching for authentic expression amid endless digital possibilities will resonate with electronic musicians of all stripes.What truly distinguishes Tom's approach is his focus on musical expression rather than technological novelty. As he explains, of the hundreds of available sounds on modern wind controllers, he only cares deeply about the handful that allow him to express himself authentically. This quality-over-quantity philosophy serves as a valuable compass for musicians navigating today's overwhelming array of digital options.The conversation also delves into practical territory, with Tom and hosts Matt and Alistair exchanging tips on customizing Aerophone settings, adjusting key functions, and solving common playability challenges. These technical insights offer immediate value for wind controller players seeking to optimize their instruments.Ready to dive deeper into Tom Scott's world? Follow his podcast "Tom Scott's Podcast Express," tune into his weekly radio show "Hang Time with Tom Scott" on KJAZZ (www.kkjz.org), or connect with him on social media @TomScottJazzman. His website tomscottmusic.com serves as a hub for all his creative endeavors. Subscribe now and join us for future episodes exploring the wonderful world of wind controllers!If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

Today, the Spotlight shines On Claire Cope. This British composer crafts music that combines the freedom of jazz with the precision of classical music, drawing inspiration from women whose stories are often overlooked in history books.Caire's new album Every Journey dropped in March to coincide with International Women's Day. On it, she expanded her original septet to an 11-piece band, giving her more colors to paint with as she tells stories of female explorers and their brave first steps.Claire's writing has been described as “beautiful and reflective,” earning praise for how she creates space for each musician to shine within these rich musical landscapes.(The musical excerpts heard in the interview are from Ensemble C's album Every Journey)–Dig Deeper• Visit Claire Cope's official website at clairecopemusic.com• Listen to Claire Cope's Ensemble C on Bandcamp, Qobuz, and your streaming platform of choice• Claire's new album Every Journey was released on March 7, 2025 via Adhyâropa Records• Listen to Michael Brecker's "Wide Angles" album that influenced Claire's approach to ensemble composition• Follow vocalist Brigitte Beraha, a key collaborator in Ensemble C• Listen to tenor saxophonist Matt Carmichael's "Dancing with Embers" album that Claire recommends• Explore composer Mark-Anthony Turnage's "Blood on the Floor", which combines classical and jazz elements• Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Claire Cope. This British composer crafts music that combines the freedom of jazz with the precision of classical music, drawing inspiration from women whose stories are often overlooked in history books.Caire's new album Every Journey dropped in March to coincide with International Women's Day. On it, she expanded her original septet to an 11-piece band, giving her more colors to paint with as she tells stories of female explorers and their brave first steps.Claire's writing has been described as “beautiful and reflective,” earning praise for how she creates space for each musician to shine within these rich musical landscapes.(The musical excerpts heard in the interview are from Ensemble C's album Every Journey)–Dig Deeper• Visit Claire Cope's official website at clairecopemusic.com• Listen to Claire Cope's Ensemble C on Bandcamp, Qobuz, and your streaming platform of choice• Claire's new album Every Journey was released on March 7, 2025 via Adhyâropa Records• Listen to Michael Brecker's "Wide Angles" album that influenced Claire's approach to ensemble composition• Follow vocalist Brigitte Beraha, a key collaborator in Ensemble C• Listen to tenor saxophonist Matt Carmichael's "Dancing with Embers" album that Claire recommends• Explore composer Mark-Anthony Turnage's "Blood on the Floor", which combines classical and jazz elements• Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Spyro Gyra – Catching the Sun – 4:41 Gary Husband Hadrien Feraud James Morgan – On the Edge – 5:57 Michael Brecker – Escher Sketch (A Tale Of Two Rhythms) – 5:26 Simon Oslender; Wolfgang Haffner; Will Lee – Healing – 6:50 Greg Howe – Jump Start – 4:42 Peter White; Ernie Watts – Enchanted […]

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Esta edición especial de nuestro podcast está dedicada al sonido del EWI (Electronic Wind Instrument), un instrumento musical de sonido peculiar que en esta edición escuchamos utilizado por conocidos saxofonistas como Jeff Kashiwa, Michael Brecker, Tito Hinojosa, Everette Harp, Darren Rahn, Art Sherrod Jr. y Richard Elliot.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Today on Too Opinionated we sit down with multi-Grammy winning keyboardist George Whitty to talk about his new musical endeavour WHAT!!!! In addition to playing live with the likes of The Brecker Brothers, Herbie Hancock, the late David Sanborn and Chaka Khan, as producer and session keyboardist, Whitty's credits include Santana's blockbuster Supernatural (with Dave Matthews), Celine Dion's Falling Into You and These Are Special Times, Hancock's The Imagine Project and hundreds of others. He has won four Grammys for his work on Chaka Khan's The Woman I Am, Randy Brecker's 34th and Lex, Michael Brecker's Tales From the Hudson and the Brecker Bros.' Out of the Loop. Amidst all the searing soul balladry, deep spirituality, insightful and impactful social consciousness and rousing funk on their infectious dual album In the World, legendary, world-wise cats George Whitty and Ellis Hall – collectively pooling their decades of musical passion as Whitty Hall Artistic Team, aka WHAT!!!! - infuse a beloved, inevitable R&B classic into the enticing mix. Driven by Hall's trademark rousing vocals, their fiery, tight groovin' and brass fired twist on Isaac Hayes' co-penned “I Thank You” takes the 1968 Sam & Dave classic to fresh, exciting heights. It's a way for the duo to express gratitude for their incredible individual careers and all the serendipitous events that led them to this epic moment.   One of many potential hit singles and film licensing opportunities from the 10-track collection, “Die Living” is a simmering blues-soul anthem whose title came to Whitty out of the blue one day and led him to create a powerfully rhythmic gospel-influenced song with a bit of a raw front porch vibe. Hall's combination of vocals and organ drive the track, and he also adds various guitar tracks. In part inspired by a cool response Willie Nelson once gave a journalist who dared to ask if he would ever think of retiring, “Die Living” offers dynamic food for thought about wringing as much meaningful life experience we can during our time on this planet.  WHAT!!!!'s new album In the World releases on February 14th, 2025.  Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this engaging conversation, Tracy Rigdon and Jim Alabiso welcome cellist *Dave Eggar, who shares his unique journey through music, including his experiences with renowned artists and his fusion of classical and bluegrass styles. We were also joined by flat pick guitarist Phil Faconti. *You may recognize Dave from his cello leading the way at the top of Coldplay's "Viva La Vida". A virtuoso in many styles on both piano and cello, Eggar has performed, recorded, and arranged for artists in many genres including Phillip Phillips, Tony Bennett, Andrea Bocelli, Frank Ocean, Evanescence,  Fall Out Boy, Patti Smith, Michael Brecker, Dave Sanborn, Amy Winehouse, Foreigner, Harry Belafonte, Meryl Streep, Paul Simon, James Taylor, Beyoncé, Imagine Dragons, John Legend, Taylor Swift, Coldplay, Five for Fighting, The Manhattan Transfer, Roberta Flack, Josh Groban, Trans-Siberian Orchestra, more. Eggar also reflects on his collaborations with various artists and the storytelling aspect of music, providing insights into the emotional and structural elements that shape his compositions. Takeaways Music can create a sense of community and connection. The fusion of bluegrass and classical music presents unique challenges. Collaboration during the pandemic led to new musical projects. The 'Dragonfly' album explores themes of metamorphosis and change. Dave's creative process involves improvisation and narrative structure. Performing with notable artists has shaped his musical journey. Music can serve as a form of storytelling and emotional expression. The importance of adapting music for different contexts and audiences. - - Dave's unexpected call from Coldplay changed his career trajectory. Collaborating with talented artists creates a personal and intimate experience. Live music has a profound emotional impact on audiences. Art and music influence each other in powerful ways. The importance of community support for local artists is crucial. Live performances foster togetherness and connection among people. Music can elevate positivity and human interaction. The nuances of playing a fretless instrument require dedication and practice. The reactions of audiences reveal the deeper significance of music. Music serves as a spiritual connection in a fractured world. Thank you for tuning in to today's episode! We're here to challenge your perspectives, spark meaningful conversations, and maybe even make you laugh along the way.

DIZZY GILLESPIE / SONNY STITT / SONNY ROLLINS “SONNY SIDE UP” New York, December 19, 1957The eternal triangle, On the sunny side of the street (dg vcl)Dizzy Gillespie (tp,vcl) Sonny Stitt, Sonny Rollins (ts) Ray Bryant (p) Tommy Bryant (b) Charlie Persip (d) ESPERANZA SPALDING “CHAMBER MUSIC SOCIETY” Englewood, N.J., October 8-10, 2009 & January 14-19, 2010Little fly, Chacarera, Wild is the wind, Inutil paisagem (gp vcl) Esperanza Spalding (vcl,b) acc by Leo Genovese (p,melodica) Ricardo Vogt (g) Entcho Todorov (vln) Lois Martin (viola) David Eggar (cello) Terri Lyne Carrington (d) Quintano Cinalli (perc) Gretchen Parlato (vcl) JEFF “TAIN” WATTS “BAR TALK” New York ?, December 3-5, 2001JC is the man, …Like the roseRavi Coltrane (sop,ts) Branford Marsalis, Michael Brecker (ts) Gregoire Maret (hca) David Budway, Joey Calderazzo (p) Henry Hey (keyboards) Paul Bollenback, Hiram Bullock (g) James Genus, Eric Revis (b) Jeff “Tain” Watts (d) Robert Thomas (perc) Continue reading Puro Jazz 26 de diciembre, 2024 at PuroJazz.

Send us a textEpisode 11Unlock the expressive power of wind synth sounds. We celebrate pioneers like Nyle Steiner, whose work with the analog Steinerphone paved the way for a new era of musical expression. Tune in to hear a remarkable clip from 1983, demonstrating the acoustic depth achievable with simple waveforms and the artistic freedom available to wind synth players.We listen to legends like Bob Mintzer and Michael Brecker, whose innovative integration of electronic sounds into jazz ensembles has inspired countless musicians. Reminisce about Michael Brecker's unforgettable EWI solos from the 1980s, showcasing the evolution of wind synthesizers and their transformative impact on the jazz scene. These artists exemplify the pioneering spirit that continues to drive the genre forward.Explore the intricacies of sound design, where preset sounds and focused practice reveal the unique qualities of wind controllers. Hear about timeless figures like Judd Miller and Lyle Mays who have shaped contemporary sound design. Whether you're intrigued by the nuanced bends and vibratos of wind instruments or the joy of layering synthesizer sounds, this episode invites you to explore the endless possibilities at your fingertips.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

Send us a textEpisode 10 The second part of our interview with musician Judd Miller, a true innovator in the world of wind controllers. You'll be inspired by his extraordinary journey alongside legends like Michael Brecker, Vince Mendoza, Peter Erskine, Jimmy Haslip, John Patitucci, and Charlie Haden. Discover how Judd's creativity shines through his use of analog synthesizers, crafting unique sounds that have left a lasting impact on the music industry. Hear firsthand anecdotes from his collaborations and the remarkable legacy he continues to build.Through Judd's experiences, gain insights into the challenges and triumphs faced while working with esteemed figures such as Bob Mintzer and Mark Shaiman. Get a behind-the-scenes look at Oscar-winning movie score projects like "Unforgiven," where creative sound manipulation played a pivotal role, and delve into the blend of traditional and modern techniques that bring iconic scores to life with artists like Ute Lemper.From a serendipitous meeting with legendary Tijuana Brass trumpeter Herb Alpert to humorous exchanges with Zubin Mehta, these experiences are beautifully captured in this intimate conversation. We examine the role of technology in music creation, with software instruments like Native Instruments' Reaktor and Kontakt to push boundaries and inspire innovation. With a focus on spontaneity and the art of controlled randomness in music, you'll leave with a renewed appreciation for the intricate interplay of creativity and technology in the world of sound.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

Chris Botti is renowned trumpeter with lots of crossover appeal and a penchant for recording ballads. In this conversation with Jazz88's Peter Solomon, Botti discusses his musical inspirations, discusses studying with legendary post-bop trumpeter Woody Shaw, recalls his days touring with the temperamental drum legend and bandleader Buddy Rich, and speaks on the varying approaches he takes to live shows verses albums, he also talks about getting to know Michael Brecker. Botti is playing a residency at the Dakota from October 28 - October 30.

Kind of a random playlist of music I have been listening to this week. Of particular interest are the tunes that feature McCoy Tyner, including a Michael Brecker piece (composed by Metheny). Also a track from Immanuel Wilkins' new release Blue Blood has some interesting vocals. Playlist  Artist ~ Name ~ Album Andrew Renfroe ~ SPRINGS ~ Big Country EP Michael Brecker ~ Song for Bilbao ~ Tales from the Hudson McCoy Tyner ~ When Sunny Gets Blue ~ Today and Tomorrow McCoy Tyner ~ Sama Layuca ~ Sama Layuca Dan Pugach ~ My Favorite Things (feat. Nicole Zuraitis) - Single Immanuel Wilkins ~ MOTION (feat. June McDoom) ~ Blues Blood Billy Childs ~ Upstairs by a Chinese Lamp ~ Map to the Treasure: Reimagining Laura Nyro Bill Bruford's Earthworks & Tim Garland ~ Tramontana ~ Random Acts of Happiness Larry Goldings, Peter Bernstein & Bill Stewart ~ FU Donald ~ Perpetual Pendulum

Send us a textEpisode 009 Join us for an electrifying experience with the legendary Judd Miller, a maestro of the Electronic Valve Instrument (EVI). In this first part, Judd takes us through his transformative journey from being a traditional trumpet player to becoming a pioneer in the world of electronic music. You'll gain insight into how his early influences and a vibrant West Coast jazz scene shaped his path, leading him to collaborate with iconic composers like James Horner and Maurice Jarre, and work on monumental film scores. As Judd reminisces, he shares the pivotal moments that marked his career, from intense studio sessions to the exhilarating challenge of sight-reading in front of orchestras. Hear first-hand about the serendipitous encounter with Terry Harrington that led Judd to embrace the EVI, rekindling his passion and setting the stage for groundbreaking collaborations. With anecdotes about his time with the Yellowjackets and creative experiences with Michael Brecker, discover the intricate art of integrating electronic instruments into traditional settings during a time of musical revolution. Prepare for a joyous ride through the lighter side of studio life, where camaraderie and humor add flavor to Judd's stories. From humorous pranks in recording sessions to the unforgettable live performances with legends like Barbra Streisand, Judd's tales offer a charming glimpse into a bygone era of music-making. Through it all, this episode celebrates not just a career but a lifetime of musical innovation and memories, promising to captivate fans of film music, jazz, and the art of sound design alike.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

This week, Joe is featuring Saxophonist Michael Brecker and Trumpeter Randy Brecker from their 1992 GRP Records recording, “Return of the Brecker Brothers.”    

Meg Okura is an award-winning Jazz composer and brilliant Grammy-nominated violinist, and the leader and founder of the  Pan Asian Chamber Jazz Ensemble. This episode features several excerpts from Meg's wonderful recent duo album “Lingering” with the Grammy Award-winning jazz pianist and composer  Kevin Hays. This  was a wide-ranging conversation, including Meg's musical tribute to Ryuichi Sakamoto, her experiences playing for Cirque du Soleil,  some of the challenges she's faced, and about her search for a new spiritual community.  She shared with me her thoughts on mentorship and the power of music to create real understanding and connection.   Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/meg-okura Album Lingering: https://megokurakevinhays.bandcamp.com/album/lingering Meg Okura Website https://www.megokura.com/home Phantasmagoria: https://open.spotify.com/track/4YG1HjeJF3qgK2AsmiqcXh Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ Timestamps:  (00:00) Intro (02:19) meeting Kevin Hays, album “Lingering” (06:49) Again and Again (10:18) intro to Maim Korim  (11:25) Maim Korim (15:07) Meg's classical training, early interest in composing was discouraged, Pan-Asian Youth orchestra experience (19:56) commentary on Will You Hear My Voice  (21:56) excerpt from Will You Hear My Voice  (23:06)  finding her own path into jazz in New York, influences and opportunities (27:41) BMI Jazz composers workshop (29:30) founding the Pan Asian Chamber Jazz Ensemble  (40:38) excerpt from Tomiya Pan Asian Chamber Jazz Ensemble from album Ima Ima (42:09) Ryuichi Sakamoto tribute project (47:02) Michael Brecker, new album with Randy Brecker (48:54) ISJAC prize, Silent Screams: an Anthem for the Unheard  (50:18) commission to write trio Phantasmagoria for Tasha Warren and Dave Eggar, writing for classical ensembles (56:00) excerpt from Phantasmagoria  (57:23) parenting decisions, importance of education and community, decision to convert to Judaism (01:08:42) changes with education and music online (01:11:36) coommentary on Shamaim  (01:13:28) excerpt from Shamaim (01:15:50) different ways you can support this independent podcast (01:16:43) the importance of intuition and emotion in musical composition and improvisation (01:23:06) commentary on Lingering, nostalgia and changing sense of self as we age (01:26:10) excerpt from Lingering (01:28:02) use of electric violin as a tool for composition and in performances (01:29:54) Scorchio Quartet, David Bowie, Sirius quartet, Pharaoh's Daughter (01:35:10) Cirque du Soleil, decision to return to New York, marriage to Sam Newsome, learning jazz (01:43:19) the importance of mentorship, community, the healing power of music

In this episode Dr. David Demsey, Coordinator of Jazz Studies and Curator of the Living Jazz Archives at William Paterson University talks about how the archive came to be, the genius of Michael Brecker, and playing with the NY Philharmonic.

Larry Goldings is an internationally respected pianist, organist and composer, whos has worked with a wide array of artists such as John Scofield, Michael Brecker, Pat Metheny, and James Taylor. He also has his own trio and solo works, as well as his contributions to numerous film and television soundtracks. Then there's his  comedic alter... The post Larry Goldings, Pianist and Composer (Part 2) appeared first on The Keyboard Chronicles.

Larry Goldings is an internationally respected pianist, organist and composer, whos has worked with a wide array of artists such as John Scofield, Michael Brecker, Pat Metheny, and James Taylor. He also has his own trio and solo works, as well as his contributions to numerous film and television soundtracks. Then there's his  comedic alter... The post Larry Goldings, Pianist and Composer (Part 1) appeared first on The Keyboard Chronicles.

Send us a Text Message.My guest is my old friend and legendary drummer, the great Adam Nussbaum! We played the Michael Brecker track "Suspone." Adam talks about his early influences like Mitch Mitchell, who led him to Elvin Jones, his relationship with Mel Lewis, going on the road with John Scofield, the importance of listening, his brush technique and much more! So come along for the ride, and please subscribe! Adam is also the co-host of the podcast Drummer Nation - check it out! @DrummerNationNow  Live From My Drum Room T-shirts are available now! Made of soft 60%cotton/40% polyester. Available in sizes XS-3XL$25 including shipping in the contiguous US! Payment with Venmo: @John-DeChristopher-2For orders outside the US or questions email me for more info: livefrommydrumroom@gmail.comLive From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher" gives the audience an insider's view that only John can offer. And no drummers are harmed during any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

In this episode Ryan and Dave hang with the best selling instrumentalist of all time, Kenny G! He talks about how he deals with the "jazz police," what Miles Davis thought of his music, performing at Kanye West and Kim Kardashian's house, and so much more! 00:00 Just play the right notes! 00:17 Welcome Kenny G! 02:14 Kenny's Cameo 03:44 Putting out the best product possible 04:47 Playing with Jeff Lorber 06:20 His first gig was with Barry White 07:50 Practicing EVERY day 09:40 Wrong notes only 12:20 Everybody has an opinion 14:07 The Jazz Police 18:41 Miles Davis loved Songbird 22:16 500bpm vs. beautiful melody 24:44 Playing with Michael Brecker 28:42 Dream collaboration 31:52 Ryan/Dave/Kenny collaboration 34:20 Kenny's gig horror story 47:23 Playing oboe with Liberace 48:21 Hobbies outside of music 58:08 What to teach students? 1:03:13 Being self-taught 1:05:57 Transcribing as a tool 1:08:32 Creating the "perfect" solo 1:13:22 Practice routines 1:23:59 Kenny's 4-hour workday 1:25:04 Wrong Notes Only coffee 1:27:05 One of the first Starbucks investors 1:30:13 My imaginary friend is Kenny G 1:33:05 Playing for Kanye West and Kim Kardashian 1:38:35 Streaming vs. physical albums? 1:40:48 How Kenny opened for George Benson 1:45:55 Is there a formula write a hit song? 1:47:05 Kenny is the reason Ryan exists 1:48:15 Dave and Kenny singing "In the Rain" 1:50:26 Kenny G is a normal person 1:53:35 Just keep playing 1:58:27 Dedicate yourself to getting GREAT

Ga Ga Ti Ga, Ga Ga Ga Ti Ga... John talked about the Samba sing-a-long, studying in India, and Brazil, recording vibes and various percussion instruments, the importance of cultural context in music, and bringing your A-game to every studio session! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is John Arrucci, an acclaimed master artist in Classical, Jazz, North Indian, Afro-Cuban, Afro-Brazilian and other indigenous traditions and someone I first met when he moved to Nashville to build his studio. Having composed, performed, and instructed for over 40 years, John has studied on three continents and received numerous honors.  His work as drummer and percussionist is featured on scores for feature films, television, commercial spots and recordings including on Sony, Polygram, Mercury, Chesky, Koch Jazz, Chiaroscuro, Rykodisc and other labels. He has performed and/or recorded with Michael Brecker, John Patittucci, Mariah Carey, David Byrne, Philip Glass Ensemble, and for Dalai Lama, Bishop Desmond Tutu and many other dignitaries and has performed at notable venues such as Carnegie Hall, David Geffen Hall, Jazz at Lincoln Center, Town Hall, Merkin Hall and United Nations. His percussion can be found on programs including Patriot, Late Show with Stephen Colbert, Oprah Winfrey and Rosie O'Donnell.  As a composer, John has received numerous commissions, grants and awards from members of The New York Philharmonic, The Manhattan Marimba Quartet, The Mannes College of Music and many others. His acclaimed 2011 release “Metaphors” features 9 of his compositions and performances on Drum Set, Vibes, Marimba and Percussion. John taught for over 20 years at Princeton University, the City University of New York, and many other prominent institutions including an Eastman School of Music where he graduated with distinction. The Smithsonian Institution awarded him a Post-Doctoral level research fellowship to study Tabla in Benares, India with Pandit Sharda Sahai. He has also studied music in Brazil, and Shekere and Agbe with the renowned Chief James Hawthorne Bey, and Conga and Afro-Cuban drumming with Frank Malabe and Tabla with Robert Becker. He has basically done a tremendous amount of music and finally landed in Nashville, Tennessee making himself available for in-studio and remote recording, live performances, touring, commissions and Master Classes, one of which I recently took to learn Samba drumming which was amazing! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/79yhhF3Yr5dp4a9iMhkqBn?si=6869fa6d30e44433 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/442

This week's guest is Brian Dunne. Brian is the current drummer for Hall & Oates as well as the house drummer for Live From Daryl's House. Everything Brian plays sounds like a pre-produced groove and it's no wonder that he's held the throne behind so many incredible musicians…including but certainly not limited to Joe Walsh, Ben Folds, Allen Stone, Average White Band, Cee Lo Green, Sting, Michael Brecker, Chaka Khan, Hesekiah Walker and many more. His pocket is insane and all of the information in today's episode is coming from someone who KNOWS about studio drumming. I hope you enjoy the 5 records that helped shape Brian Dunne into the drummer he is today. Cheers! BRIAN'S BIG FAT FIVE  Album - What We Do Artist - John Scofield Release Year - 1993 Key Track(s) - Camp Out Drummer - Bill Stewart - Album - Upfront Artist - David Sanborn Release Year - 1992 Key Track(s) - Snakes Drummer - Steve Jordan - Album - Plantation Lullabies Artist - Meshell Ndegeocello Release Year - 1993 Key Track(s) - I'm Diggin' You - Like an Old Soul Record Drummer - Programmed David Gamson - Album - The Best of Earth Wind and Fire Artist - Earth Wind and Fire Release Year - 1978 Key Track(s) - Fantasy Drummer Maurice White, Fred White, Ralph Johnson - Album - Stomping at the Savoy Artist - Rufus and Chaka Khan Release Year - 1983 Key Track(s) - Tell Me Something Good Drummer - JR Robinson - HONORABLE MENTION: Album - Closer To The Light Artist - Leni Stern Release Year - 1990 Key Track(s) - Sandbox Drummer - Zack Danziger / Dennis Chambers For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok.

Hein van de Geyn  is jazz double bassist, composer, teacher and band leader from the Netherlands.  His groundbreaking Comprehensive Bass Method has influenced a generation of bassists and is widely regarded as one of the leading pedagogical works for jazz double bass. We talk about Hein's remarkable career, his time in San Francisco, writing his bass method, what life in South Africa has been like these last several years, and much more.  Enjoy!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music theme music by Eric Hochberg Time Stamps 00:00 Introduction and Guest Background 01:28 Getting to Know Hein van de Gein 01:50 Reminiscing About San Francisco's Jazz Scene 03:17 Exploring the Jazz Scene in South Africa 04:35 The Importance of Practice and Mastery 10:17 The Role of a Music Teacher 14:10 The Art of Improvisation and Composition 18:12 The Value of Consistent Practice 22:33 The Journey of Learning and Teaching Music 26:58 Closing Thoughts and Reflections 28:50 Discovering Pablo Records and Dreaming of Playing 29:09 Memories of Performing with Joe Pass 30:07 The Art of Musical Language and Influence of Charlie Hayden 31:14 The Impact of Michael Brecker and the Role of Charlie Hayden 32:03 Reflections on Early Musical Influences and Evolution 32:56 The Shift in Bass Playing and Amplification Over the Years 33:33 The Unexpected Impact of Jaco Pastorius 34:57 The Evolution of Bass Amplification and Sound 36:56 Memories of Playing with Jazz Legends 39:00 The Importance of Technique and Style in Bass Playing 42:10 The Transition from Jazz Musician to South African Entrepreneur 47:32 The Enduring Passion for Music and Jazz 52:31 Lessons Learned from Playing with Jazz Greats 53:55 Closing Thoughts on the Global Jazz Community

Four-time Grammy Award winner Antonio Sánchez joins Alex to talk about his latest release, Shift, and how he connected with the incredible list of musicians who contributed to the album. The two discuss Antonio's recent move to Spain, his approach to building drum parts, and where he got the inspiration to use the term “Bad Hombre”. Antonio Sanchez began playing the drums at age five and performed professionally in his early teens in Mexico's rock, jazz and latin scenes. Since moving to New York City in 1999, Antonio has become one of the most sought-after drummers in the international jazz scene. One of the most revered collaborators with guitarist/composer Pat Metheny, Antonio has also recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielmans.  Sánchez's new album SHIFT (Bad Hombre Vol. II) on Warner Music features Sánchez playing virtually every instrument on the album — in addition to being its producer. SHIFT features Trent Reznor, Dave Mathews, Kimbra, Ana Tijoux, Meshell Ndegeocello and more.. Follow Antonio at AntonioSanchez.net and @antoniodrums1 Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.

We'll begin this episode with straight up hard bop from Cannonball, followed by another late great saxophonist Michael Brecker. Then we will explore new releases from Rosenwinkel, David Borgo (from San Diego) and Lakecia Benjamin. We wrap it all up with a mellow Miles fusion. Playlist Artist ~ Name ~ Album Cannonball Adderley Quintet ~ Exodus ~ At the Lighthouse Michael Brecker ~ Slings and Arrows ~ Tales from the Hudson Kurt Rosenwinkel ~ Our Secret World (feat. Aaron Parks, Eric Revis & Greg Hutchinson) [Live at the Village Vanguard] ~ Undercover (Live at the Village Vanguard) [feat. Aaron Parks, Eric Revis & Greg Hutchinson] David Borgo ~ Curiouser and Curiouser ~ Cautiously Optimistic Lakecia Benjamin ~ Basquiat ~ Phoenix Miles Davis ~ Shhh / Peaceful (LP Mix) ~ In a Silent Way