Podcast appearances and mentions of Michael Brecker

Send us a textEpisode 014From the groundbreaking Lyricon of the 1970s to today's Roland Aerophone, Tom's distinctive electronic wind sounds have shaped countless recordings across jazz, pop, and film scores for decades.The continuation of our in-depth conversation with this legendary musician reveals fascinating insights about his approach to technology and musicianship. "What would best benefit the music?" Tom asks, explaining that wind controllers have always been just another tool in his arsenal, alongside saxophones and other woodwinds. This pragmatic philosophy has guided his five-decade career, allowing him to bring precisely the right sound to each musical situation.Tom shares colorful stories about watching Michael Brecker perform with the EWI at the Hollywood Bowl, his collaboration with Herb Alpert (who Tom credits with "reintroducing horns back into pop music" in the 1960s), and his ongoing quest to recapture the magic of his original Lyricon sound with modern technology. His description of searching for authentic expression amid endless digital possibilities will resonate with electronic musicians of all stripes.What truly distinguishes Tom's approach is his focus on musical expression rather than technological novelty. As he explains, of the hundreds of available sounds on modern wind controllers, he only cares deeply about the handful that allow him to express himself authentically. This quality-over-quantity philosophy serves as a valuable compass for musicians navigating today's overwhelming array of digital options.The conversation also delves into practical territory, with Tom and hosts Matt and Alistair exchanging tips on customizing Aerophone settings, adjusting key functions, and solving common playability challenges. These technical insights offer immediate value for wind controller players seeking to optimize their instruments.Ready to dive deeper into Tom Scott's world? Follow his podcast "Tom Scott's Podcast Express," tune into his weekly radio show "Hang Time with Tom Scott" on KJAZZ (www.kkjz.org), or connect with him on social media @TomScottJazzman. His website tomscottmusic.com serves as a hub for all his creative endeavors. Subscribe now and join us for future episodes exploring the wonderful world of wind controllers!If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

Today, the Spotlight shines On Claire Cope. This British composer crafts music that combines the freedom of jazz with the precision of classical music, drawing inspiration from women whose stories are often overlooked in history books.Caire's new album Every Journey dropped in March to coincide with International Women's Day. On it, she expanded her original septet to an 11-piece band, giving her more colors to paint with as she tells stories of female explorers and their brave first steps.Claire's writing has been described as “beautiful and reflective,” earning praise for how she creates space for each musician to shine within these rich musical landscapes.(The musical excerpts heard in the interview are from Ensemble C's album Every Journey)–Dig Deeper• Visit Claire Cope's official website at clairecopemusic.com• Listen to Claire Cope's Ensemble C on Bandcamp, Qobuz, and your streaming platform of choice• Claire's new album Every Journey was released on March 7, 2025 via Adhyâropa Records• Listen to Michael Brecker's "Wide Angles" album that influenced Claire's approach to ensemble composition• Follow vocalist Brigitte Beraha, a key collaborator in Ensemble C• Listen to tenor saxophonist Matt Carmichael's "Dancing with Embers" album that Claire recommends• Explore composer Mark-Anthony Turnage's "Blood on the Floor", which combines classical and jazz elements• Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Claire Cope. This British composer crafts music that combines the freedom of jazz with the precision of classical music, drawing inspiration from women whose stories are often overlooked in history books.Caire's new album Every Journey dropped in March to coincide with International Women's Day. On it, she expanded her original septet to an 11-piece band, giving her more colors to paint with as she tells stories of female explorers and their brave first steps.Claire's writing has been described as “beautiful and reflective,” earning praise for how she creates space for each musician to shine within these rich musical landscapes.(The musical excerpts heard in the interview are from Ensemble C's album Every Journey)–Dig Deeper• Visit Claire Cope's official website at clairecopemusic.com• Listen to Claire Cope's Ensemble C on Bandcamp, Qobuz, and your streaming platform of choice• Claire's new album Every Journey was released on March 7, 2025 via Adhyâropa Records• Listen to Michael Brecker's "Wide Angles" album that influenced Claire's approach to ensemble composition• Follow vocalist Brigitte Beraha, a key collaborator in Ensemble C• Listen to tenor saxophonist Matt Carmichael's "Dancing with Embers" album that Claire recommends• Explore composer Mark-Anthony Turnage's "Blood on the Floor", which combines classical and jazz elements• Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Spyro Gyra – Catching the Sun – 4:41 Gary Husband Hadrien Feraud James Morgan – On the Edge – 5:57 Michael Brecker – Escher Sketch (A Tale Of Two Rhythms) – 5:26 Simon Oslender; Wolfgang Haffner; Will Lee – Healing – 6:50 Greg Howe – Jump Start – 4:42 Peter White; Ernie Watts – Enchanted […]

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Esta edición especial de nuestro podcast está dedicada al sonido del EWI (Electronic Wind Instrument), un instrumento musical de sonido peculiar que en esta edición escuchamos utilizado por conocidos saxofonistas como Jeff Kashiwa, Michael Brecker, Tito Hinojosa, Everette Harp, Darren Rahn, Art Sherrod Jr. y Richard Elliot.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Today on Too Opinionated we sit down with multi-Grammy winning keyboardist George Whitty to talk about his new musical endeavour WHAT!!!! In addition to playing live with the likes of The Brecker Brothers, Herbie Hancock, the late David Sanborn and Chaka Khan, as producer and session keyboardist, Whitty's credits include Santana's blockbuster Supernatural (with Dave Matthews), Celine Dion's Falling Into You and These Are Special Times, Hancock's The Imagine Project and hundreds of others. He has won four Grammys for his work on Chaka Khan's The Woman I Am, Randy Brecker's 34th and Lex, Michael Brecker's Tales From the Hudson and the Brecker Bros.' Out of the Loop. Amidst all the searing soul balladry, deep spirituality, insightful and impactful social consciousness and rousing funk on their infectious dual album In the World, legendary, world-wise cats George Whitty and Ellis Hall – collectively pooling their decades of musical passion as Whitty Hall Artistic Team, aka WHAT!!!! - infuse a beloved, inevitable R&B classic into the enticing mix. Driven by Hall's trademark rousing vocals, their fiery, tight groovin' and brass fired twist on Isaac Hayes' co-penned “I Thank You” takes the 1968 Sam & Dave classic to fresh, exciting heights. It's a way for the duo to express gratitude for their incredible individual careers and all the serendipitous events that led them to this epic moment.   One of many potential hit singles and film licensing opportunities from the 10-track collection, “Die Living” is a simmering blues-soul anthem whose title came to Whitty out of the blue one day and led him to create a powerfully rhythmic gospel-influenced song with a bit of a raw front porch vibe. Hall's combination of vocals and organ drive the track, and he also adds various guitar tracks. In part inspired by a cool response Willie Nelson once gave a journalist who dared to ask if he would ever think of retiring, “Die Living” offers dynamic food for thought about wringing as much meaningful life experience we can during our time on this planet.  WHAT!!!!'s new album In the World releases on February 14th, 2025.  Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this engaging conversation, Tracy Rigdon and Jim Alabiso welcome cellist *Dave Eggar, who shares his unique journey through music, including his experiences with renowned artists and his fusion of classical and bluegrass styles. We were also joined by flat pick guitarist Phil Faconti. *You may recognize Dave from his cello leading the way at the top of Coldplay's "Viva La Vida". A virtuoso in many styles on both piano and cello, Eggar has performed, recorded, and arranged for artists in many genres including Phillip Phillips, Tony Bennett, Andrea Bocelli, Frank Ocean, Evanescence,  Fall Out Boy, Patti Smith, Michael Brecker, Dave Sanborn, Amy Winehouse, Foreigner, Harry Belafonte, Meryl Streep, Paul Simon, James Taylor, Beyoncé, Imagine Dragons, John Legend, Taylor Swift, Coldplay, Five for Fighting, The Manhattan Transfer, Roberta Flack, Josh Groban, Trans-Siberian Orchestra, more. Eggar also reflects on his collaborations with various artists and the storytelling aspect of music, providing insights into the emotional and structural elements that shape his compositions. Takeaways Music can create a sense of community and connection. The fusion of bluegrass and classical music presents unique challenges. Collaboration during the pandemic led to new musical projects. The 'Dragonfly' album explores themes of metamorphosis and change. Dave's creative process involves improvisation and narrative structure. Performing with notable artists has shaped his musical journey. Music can serve as a form of storytelling and emotional expression. The importance of adapting music for different contexts and audiences. - - Dave's unexpected call from Coldplay changed his career trajectory. Collaborating with talented artists creates a personal and intimate experience. Live music has a profound emotional impact on audiences. Art and music influence each other in powerful ways. The importance of community support for local artists is crucial. Live performances foster togetherness and connection among people. Music can elevate positivity and human interaction. The nuances of playing a fretless instrument require dedication and practice. The reactions of audiences reveal the deeper significance of music. Music serves as a spiritual connection in a fractured world. Thank you for tuning in to today's episode! We're here to challenge your perspectives, spark meaningful conversations, and maybe even make you laugh along the way.

DIZZY GILLESPIE / SONNY STITT / SONNY ROLLINS “SONNY SIDE UP” New York, December 19, 1957The eternal triangle, On the sunny side of the street (dg vcl)Dizzy Gillespie (tp,vcl) Sonny Stitt, Sonny Rollins (ts) Ray Bryant (p) Tommy Bryant (b) Charlie Persip (d) ESPERANZA SPALDING “CHAMBER MUSIC SOCIETY” Englewood, N.J., October 8-10, 2009 & January 14-19, 2010Little fly, Chacarera, Wild is the wind, Inutil paisagem (gp vcl) Esperanza Spalding (vcl,b) acc by Leo Genovese (p,melodica) Ricardo Vogt (g) Entcho Todorov (vln) Lois Martin (viola) David Eggar (cello) Terri Lyne Carrington (d) Quintano Cinalli (perc) Gretchen Parlato (vcl) JEFF “TAIN” WATTS “BAR TALK” New York ?, December 3-5, 2001JC is the man, …Like the roseRavi Coltrane (sop,ts) Branford Marsalis, Michael Brecker (ts) Gregoire Maret (hca) David Budway, Joey Calderazzo (p) Henry Hey (keyboards) Paul Bollenback, Hiram Bullock (g) James Genus, Eric Revis (b) Jeff “Tain” Watts (d) Robert Thomas (perc) Continue reading Puro Jazz 26 de diciembre, 2024 at PuroJazz.

DIZZY GILLESPIE / SONNY STITT / SONNY ROLLINS “SONNY SIDE UP” New York, December 19, 1957The eternal triangle, On the sunny side of the street (dg vcl)Dizzy Gillespie (tp,vcl) Sonny Stitt, Sonny Rollins (ts) Ray Bryant (p) Tommy Bryant (b) Charlie Persip (d) ESPERANZA SPALDING “CHAMBER MUSIC SOCIETY” Englewood, N.J., October 8-10, 2009 & January 14-19, 2010Little fly, Chacarera, Wild is the wind, Inutil paisagem (gp vcl) Esperanza Spalding (vcl,b) acc by Leo Genovese (p,melodica) Ricardo Vogt (g) Entcho Todorov (vln) Lois Martin (viola) David Eggar (cello) Terri Lyne Carrington (d) Quintano Cinalli (perc) Gretchen Parlato (vcl) JEFF “TAIN” WATTS “BAR TALK” New York ?, December 3-5, 2001JC is the man, …Like the roseRavi Coltrane (sop,ts) Branford Marsalis, Michael Brecker (ts) Gregoire Maret (hca) David Budway, Joey Calderazzo (p) Henry Hey (keyboards) Paul Bollenback, Hiram Bullock (g) James Genus, Eric Revis (b) Jeff “Tain” Watts (d) Robert Thomas (perc) Continue reading Puro Jazz 26 de diciembre, 2024 at PuroJazz.

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Send us a textEpisode 11Unlock the expressive power of wind synth sounds. We celebrate pioneers like Nyle Steiner, whose work with the analog Steinerphone paved the way for a new era of musical expression. Tune in to hear a remarkable clip from 1983, demonstrating the acoustic depth achievable with simple waveforms and the artistic freedom available to wind synth players.We listen to legends like Bob Mintzer and Michael Brecker, whose innovative integration of electronic sounds into jazz ensembles has inspired countless musicians. Reminisce about Michael Brecker's unforgettable EWI solos from the 1980s, showcasing the evolution of wind synthesizers and their transformative impact on the jazz scene. These artists exemplify the pioneering spirit that continues to drive the genre forward.Explore the intricacies of sound design, where preset sounds and focused practice reveal the unique qualities of wind controllers. Hear about timeless figures like Judd Miller and Lyle Mays who have shaped contemporary sound design. Whether you're intrigued by the nuanced bends and vibratos of wind instruments or the joy of layering synthesizer sounds, this episode invites you to explore the endless possibilities at your fingertips.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

На лейбле Butman Music вышел дебютный альбом Eliza's Band под названием I Don't Care - Мне все равно. Коллектив стал победителем Всероссийского конкурса джазовых композиторов JAZZПРОМ. Конкурс был проведён Газпромбанком и Фондом Игоря Бутмана в рамках III Московского Джазового Фестиваля и I Saint Petersburg Jazz Festival. Главным призом конкурса стало выступление на одном из Фестивалей, а также запись альбома.  Eliza's Band - проект московской саксофонистки Елизаветы Юргиной. Коллектив исполняет современный, стильный джаз, объединяющий фанк, блюз, латину, традиционный и легкий джаз. Релиз представляет собой неординарный, виртуозный джаз нового поколения, где энергия бибопа, фанка и латинских ритмов сочетается с мелодичностью блюза и традиции в инструментально-вокальном прочтении. Альбом состоит исключительно из авторских композиций, вдохновленных такими мэтрами как: Dave Weckl, Phil Woods, Michael Brecker, Stan Getz, Marcus Miller, Candy Dulfer, Michel Camilo. Богатое наследие джазовой истории в альбоме перевоплощается в творчестве коллектива, создавая своего рода мост между прошлым и будущим. Все музыканты отличные, особенно женские нежные ручки на клавишах и саксофоне. Это хорошо слышно на My Blues, где звучит орган. Очень понравились треки с голосом - Vacation - Отпуск. Начинается со скета, затем идет инструментальная часть и только в самом конце короткий текст на английском - это интересная новинка, где нет куплетов и припевов. Следующий трек еще интереснее, в нем также нет куплетов и припевов, но есть женский рэп и причем только в самом конце и с поддержкой бэквокала. Еще вокал и приятный саксофон отлично сочетаются в треке Ночной полет. Понятно, что молодые джазмены стремятся быть похожими на своих кумиров и это хорошо, но все равно придется искать и работать над своим стилем. Считаю в этом дебютном альбоме он уже есть - молодцы ребята. Думаю большим плюсом было бы пение на родном языке. Ведь вам в первую очередь необходимо завоевать сердца русских и сделать джаз более популярным у себя на Родине. Он может стать популярным именно благодаря таким как вы. СЛУШАТЬ АЛЬБОМ - https://link.label.mts.ru/jrN8c Лучший трек альбома в плей-листе JAZZ по-русски 8 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #rusjazz #contemporaryjazz

Send us a textEpisode 10 The second part of our interview with musician Judd Miller, a true innovator in the world of wind controllers. You'll be inspired by his extraordinary journey alongside legends like Michael Brecker, Vince Mendoza, Peter Erskine, Jimmy Haslip, John Patitucci, and Charlie Haden. Discover how Judd's creativity shines through his use of analog synthesizers, crafting unique sounds that have left a lasting impact on the music industry. Hear firsthand anecdotes from his collaborations and the remarkable legacy he continues to build.Through Judd's experiences, gain insights into the challenges and triumphs faced while working with esteemed figures such as Bob Mintzer and Mark Shaiman. Get a behind-the-scenes look at Oscar-winning movie score projects like "Unforgiven," where creative sound manipulation played a pivotal role, and delve into the blend of traditional and modern techniques that bring iconic scores to life with artists like Ute Lemper.From a serendipitous meeting with legendary Tijuana Brass trumpeter Herb Alpert to humorous exchanges with Zubin Mehta, these experiences are beautifully captured in this intimate conversation. We examine the role of technology in music creation, with software instruments like Native Instruments' Reaktor and Kontakt to push boundaries and inspire innovation. With a focus on spontaneity and the art of controlled randomness in music, you'll leave with a renewed appreciation for the intricate interplay of creativity and technology in the world of sound.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

Chris Botti is renowned trumpeter with lots of crossover appeal and a penchant for recording ballads. In this conversation with Jazz88's Peter Solomon, Botti discusses his musical inspirations, discusses studying with legendary post-bop trumpeter Woody Shaw, recalls his days touring with the temperamental drum legend and bandleader Buddy Rich, and speaks on the varying approaches he takes to live shows verses albums, he also talks about getting to know Michael Brecker. Botti is playing a residency at the Dakota from October 28 - October 30.

Chris Botti is renowned trumpeter with lots of crossover appeal and a penchant for recording ballads. In this conversation with Jazz88's Peter Solomon, Botti discusses his musical inspirations, discusses studying with legendary post-bop trumpeter Woody Shaw, recalls his days touring with the temperamental drum legend and bandleader Buddy Rich, and speaks on the varying approaches he takes to live shows verses albums, he also talks about getting to know Michael Brecker. Botti is playing a residency at the Dakota from October 28 - October 30.

Kind of a random playlist of music I have been listening to this week. Of particular interest are the tunes that feature McCoy Tyner, including a Michael Brecker piece (composed by Metheny). Also a track from Immanuel Wilkins' new release Blue Blood has some interesting vocals. Playlist  Artist ~ Name ~ Album Andrew Renfroe ~ SPRINGS ~ Big Country EP Michael Brecker ~ Song for Bilbao ~ Tales from the Hudson McCoy Tyner ~ When Sunny Gets Blue ~ Today and Tomorrow McCoy Tyner ~ Sama Layuca ~ Sama Layuca Dan Pugach ~ My Favorite Things (feat. Nicole Zuraitis) - Single Immanuel Wilkins ~ MOTION (feat. June McDoom) ~ Blues Blood Billy Childs ~ Upstairs by a Chinese Lamp ~ Map to the Treasure: Reimagining Laura Nyro Bill Bruford's Earthworks & Tim Garland ~ Tramontana ~ Random Acts of Happiness Larry Goldings, Peter Bernstein & Bill Stewart ~ FU Donald ~ Perpetual Pendulum

Send us a textEpisode 009 Join us for an electrifying experience with the legendary Judd Miller, a maestro of the Electronic Valve Instrument (EVI). In this first part, Judd takes us through his transformative journey from being a traditional trumpet player to becoming a pioneer in the world of electronic music. You'll gain insight into how his early influences and a vibrant West Coast jazz scene shaped his path, leading him to collaborate with iconic composers like James Horner and Maurice Jarre, and work on monumental film scores. As Judd reminisces, he shares the pivotal moments that marked his career, from intense studio sessions to the exhilarating challenge of sight-reading in front of orchestras. Hear first-hand about the serendipitous encounter with Terry Harrington that led Judd to embrace the EVI, rekindling his passion and setting the stage for groundbreaking collaborations. With anecdotes about his time with the Yellowjackets and creative experiences with Michael Brecker, discover the intricate art of integrating electronic instruments into traditional settings during a time of musical revolution. Prepare for a joyous ride through the lighter side of studio life, where camaraderie and humor add flavor to Judd's stories. From humorous pranks in recording sessions to the unforgettable live performances with legends like Barbra Streisand, Judd's tales offer a charming glimpse into a bygone era of music-making. Through it all, this episode celebrates not just a career but a lifetime of musical innovation and memories, promising to captivate fans of film music, jazz, and the art of sound design alike.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

This week, Joe is featuring Saxophonist Michael Brecker and Trumpeter Randy Brecker from their 1992 GRP Records recording, “Return of the Brecker Brothers.”    

Meg Okura is an award-winning Jazz composer and brilliant Grammy-nominated violinist, and the leader and founder of the  Pan Asian Chamber Jazz Ensemble. This episode features several excerpts from Meg's wonderful recent duo album “Lingering” with the Grammy Award-winning jazz pianist and composer  Kevin Hays. This  was a wide-ranging conversation, including Meg's musical tribute to Ryuichi Sakamoto, her experiences playing for Cirque du Soleil,  some of the challenges she's faced, and about her search for a new spiritual community.  She shared with me her thoughts on mentorship and the power of music to create real understanding and connection.   Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/meg-okura Album Lingering: https://megokurakevinhays.bandcamp.com/album/lingering Meg Okura Website https://www.megokura.com/home Phantasmagoria: https://open.spotify.com/track/4YG1HjeJF3qgK2AsmiqcXh Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ Timestamps:  (00:00) Intro (02:19) meeting Kevin Hays, album “Lingering” (06:49) Again and Again (10:18) intro to Maim Korim  (11:25) Maim Korim (15:07) Meg's classical training, early interest in composing was discouraged, Pan-Asian Youth orchestra experience (19:56) commentary on Will You Hear My Voice  (21:56) excerpt from Will You Hear My Voice  (23:06)  finding her own path into jazz in New York, influences and opportunities (27:41) BMI Jazz composers workshop (29:30) founding the Pan Asian Chamber Jazz Ensemble  (40:38) excerpt from Tomiya Pan Asian Chamber Jazz Ensemble from album Ima Ima (42:09) Ryuichi Sakamoto tribute project (47:02) Michael Brecker, new album with Randy Brecker (48:54) ISJAC prize, Silent Screams: an Anthem for the Unheard  (50:18) commission to write trio Phantasmagoria for Tasha Warren and Dave Eggar, writing for classical ensembles (56:00) excerpt from Phantasmagoria  (57:23) parenting decisions, importance of education and community, decision to convert to Judaism (01:08:42) changes with education and music online (01:11:36) coommentary on Shamaim  (01:13:28) excerpt from Shamaim (01:15:50) different ways you can support this independent podcast (01:16:43) the importance of intuition and emotion in musical composition and improvisation (01:23:06) commentary on Lingering, nostalgia and changing sense of self as we age (01:26:10) excerpt from Lingering (01:28:02) use of electric violin as a tool for composition and in performances (01:29:54) Scorchio Quartet, David Bowie, Sirius quartet, Pharaoh's Daughter (01:35:10) Cirque du Soleil, decision to return to New York, marriage to Sam Newsome, learning jazz (01:43:19) the importance of mentorship, community, the healing power of music

Ep. 159: Dhruv Chopra, co-founder/CEO of Brooklyn venue Elsewhere, joins Joe Sparrow to talk about finding new ways of running local independent venues. Dhruv and Elsewhere are reaching around to find a new business model in a new gig-going world. Today, music is consumed, created, performed, played, discovered, experienced and valued differently – and yet, the basics of live music are the same: a group of people in a room while some music happens.  So Elsewhere is trying something that is both the same, and yet different – by exploring what a local live music venue can be in 2024, and how it can make money. The model that they have landed on involves a subscription membership, a digital Discord community, and a real-life “cultural epicentre”. It's perhaps all the things that local venues have always been, but with more explicitly-defined models and platforms. Dhruv also talks about the state of the small venue ecosystem in a post-pandemic era, when young consumers are demanding more from their live experiences than cheap beer, and $150 stadium show tickets are monopolising the budget of gig-goers. Elsewhere: https://www.elsewhere.club Dhruv's music pick: Herbie Hancock, Michael Brecker & Roy Hargrove - Directions In Music - Live At Massey Hall https://www.youtube.com/watch?v=g8nB_kzUf2w ------

In this episode Dr. David Demsey, Coordinator of Jazz Studies and Curator of the Living Jazz Archives at William Paterson University talks about how the archive came to be, the genius of Michael Brecker, and playing with the NY Philharmonic.

Larry Goldings is an internationally respected pianist, organist and composer, whos has worked with a wide array of artists such as John Scofield, Michael Brecker, Pat Metheny, and James Taylor. He also has his own trio and solo works, as well as his contributions to numerous film and television soundtracks. Then there's his  comedic alter... The post Larry Goldings, Pianist and Composer (Part 2) appeared first on The Keyboard Chronicles.

Larry Goldings is an internationally respected pianist, organist and composer, whos has worked with a wide array of artists such as John Scofield, Michael Brecker, Pat Metheny, and James Taylor. He also has his own trio and solo works, as well as his contributions to numerous film and television soundtracks. Then there's his  comedic alter... The post Larry Goldings, Pianist and Composer (Part 1) appeared first on The Keyboard Chronicles.

Send us a Text Message.My guest is my old friend and legendary drummer, the great Adam Nussbaum! We played the Michael Brecker track "Suspone." Adam talks about his early influences like Mitch Mitchell, who led him to Elvin Jones, his relationship with Mel Lewis, going on the road with John Scofield, the importance of listening, his brush technique and much more! So come along for the ride, and please subscribe! Adam is also the co-host of the podcast Drummer Nation - check it out! @DrummerNationNow  Live From My Drum Room T-shirts are available now! Made of soft 60%cotton/40% polyester. Available in sizes XS-3XL$25 including shipping in the contiguous US! Payment with Venmo: @John-DeChristopher-2For orders outside the US or questions email me for more info: livefrommydrumroom@gmail.comLive From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher" gives the audience an insider's view that only John can offer. And no drummers are harmed during any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Tonight's Jazz Feature is a latter day classic and one of the finest outings by pianist/composer Chick Corea. It consists of three extended compositions hence the title "Three Quartets" The late Mr. Corea needs no introduction to the Jazz listening public of course but the band he has chosen for this date done in early 1981 is exceptional. On tenor saxophone is the late, great Michael Brecker and on bass is the accomplished Eddie Gomez and on drums is the phenomenal Steve Gadd. Fortunately Gadd and Gomez are still alive and active. This album was produced by Chick Corea for his own label and is a valuable music document of four wonderful artists. "Three Quartets" is tonight's Jazz Feature.

In this episode Ryan and Dave hang with the best selling instrumentalist of all time, Kenny G! He talks about how he deals with the "jazz police," what Miles Davis thought of his music, performing at Kanye West and Kim Kardashian's house, and so much more! 00:00 Just play the right notes! 00:17 Welcome Kenny G! 02:14 Kenny's Cameo 03:44 Putting out the best product possible 04:47 Playing with Jeff Lorber 06:20 His first gig was with Barry White 07:50 Practicing EVERY day 09:40 Wrong notes only 12:20 Everybody has an opinion 14:07 The Jazz Police 18:41 Miles Davis loved Songbird 22:16 500bpm vs. beautiful melody 24:44 Playing with Michael Brecker 28:42 Dream collaboration 31:52 Ryan/Dave/Kenny collaboration 34:20 Kenny's gig horror story 47:23 Playing oboe with Liberace 48:21 Hobbies outside of music 58:08 What to teach students? 1:03:13 Being self-taught 1:05:57 Transcribing as a tool 1:08:32 Creating the "perfect" solo 1:13:22 Practice routines 1:23:59 Kenny's 4-hour workday 1:25:04 Wrong Notes Only coffee 1:27:05 One of the first Starbucks investors 1:30:13 My imaginary friend is Kenny G 1:33:05 Playing for Kanye West and Kim Kardashian 1:38:35 Streaming vs. physical albums? 1:40:48 How Kenny opened for George Benson 1:45:55 Is there a formula write a hit song? 1:47:05 Kenny is the reason Ryan exists 1:48:15 Dave and Kenny singing "In the Rain" 1:50:26 Kenny G is a normal person 1:53:35 Just keep playing 1:58:27 Dedicate yourself to getting GREAT

Bone2pick is back up and running with a fantastic sit down featuring one of the most respected and in demand bass players on the international jazz scene, the great Jay Anderson. Jay generously shares his thoughts and memories of growing up in Southern California, his early professional years with Woody Herman and Carmen McRae, his many years anchoring the bass chairs of the Grammy Award winning Maria Schneider Jazz Orchestra and Bob Mintzer Big Band, his longtime association with Joe Sample and his vast amounts of touring and recording with the likes of Michael Brecker, John Scofield, Kenny Wheeler, Michael Franks, Frank Zappa, David Bowie, Allen Ginsberg, among many others. Enjoy!

Ga Ga Ti Ga, Ga Ga Ga Ti Ga... John talked about the Samba sing-a-long, studying in India, and Brazil, recording vibes and various percussion instruments, the importance of cultural context in music, and bringing your A-game to every studio session! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is John Arrucci, an acclaimed master artist in Classical, Jazz, North Indian, Afro-Cuban, Afro-Brazilian and other indigenous traditions and someone I first met when he moved to Nashville to build his studio. Having composed, performed, and instructed for over 40 years, John has studied on three continents and received numerous honors.  His work as drummer and percussionist is featured on scores for feature films, television, commercial spots and recordings including on Sony, Polygram, Mercury, Chesky, Koch Jazz, Chiaroscuro, Rykodisc and other labels. He has performed and/or recorded with Michael Brecker, John Patittucci, Mariah Carey, David Byrne, Philip Glass Ensemble, and for Dalai Lama, Bishop Desmond Tutu and many other dignitaries and has performed at notable venues such as Carnegie Hall, David Geffen Hall, Jazz at Lincoln Center, Town Hall, Merkin Hall and United Nations. His percussion can be found on programs including Patriot, Late Show with Stephen Colbert, Oprah Winfrey and Rosie O'Donnell.  As a composer, John has received numerous commissions, grants and awards from members of The New York Philharmonic, The Manhattan Marimba Quartet, The Mannes College of Music and many others. His acclaimed 2011 release “Metaphors” features 9 of his compositions and performances on Drum Set, Vibes, Marimba and Percussion. John taught for over 20 years at Princeton University, the City University of New York, and many other prominent institutions including an Eastman School of Music where he graduated with distinction. The Smithsonian Institution awarded him a Post-Doctoral level research fellowship to study Tabla in Benares, India with Pandit Sharda Sahai. He has also studied music in Brazil, and Shekere and Agbe with the renowned Chief James Hawthorne Bey, and Conga and Afro-Cuban drumming with Frank Malabe and Tabla with Robert Becker. He has basically done a tremendous amount of music and finally landed in Nashville, Tennessee making himself available for in-studio and remote recording, live performances, touring, commissions and Master Classes, one of which I recently took to learn Samba drumming which was amazing! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/79yhhF3Yr5dp4a9iMhkqBn?si=6869fa6d30e44433 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/442

DON BYRON / ARUÁN ORTÍZ “RANDOM DANCES AND (A)TONALITIES” Zurich, Switzerland, December 7 & 8, 2017Tete's blues, Black and tan fantasy, Violin partita no. 1 in B minor, BWV 1002Don Byron (cl,sax) Aruan Ortiz (p) ALAN PASQUA “DEDICATIONS” New York, September 12 & 13, 1995Homage (1,3), San Michele (2), The emergence (2,3)Randy Brecker (tp-3) Gary Bartz (as-1) Michael Brecker (sop-2,ts-2) Alan Pasqua (p) Dave Holland (b) Paul Motian (d)Todd Marcus “Inheritance” – Hampton, NJ, 2011 Bye bye blackbird Todd Marcus (b-cl) George Colligan (p) Eric Wheeler (b) Warren Wolf (d) TODD MARCUS “INHERITANCE” Hampton, NJ, 2011 Herod, part 1 & 2Todd Marcus (b-cl) Don Byron (b-cl-1) Xavier Davis (p) Eric Wheeler (b) Warren Wolf (d) Continue reading Puro Jazz 07 febrero 2024 at PuroJazz.

This week's guest is Brian Dunne. Brian is the current drummer for Hall & Oates as well as the house drummer for Live From Daryl's House. Everything Brian plays sounds like a pre-produced groove and it's no wonder that he's held the throne behind so many incredible musicians…including but certainly not limited to Joe Walsh, Ben Folds, Allen Stone, Average White Band, Cee Lo Green, Sting, Michael Brecker, Chaka Khan, Hesekiah Walker and many more. His pocket is insane and all of the information in today's episode is coming from someone who KNOWS about studio drumming. I hope you enjoy the 5 records that helped shape Brian Dunne into the drummer he is today. Cheers! BRIAN'S BIG FAT FIVE  Album - What We Do Artist - John Scofield Release Year - 1993 Key Track(s) - Camp Out Drummer - Bill Stewart - Album - Upfront Artist - David Sanborn Release Year - 1992 Key Track(s) - Snakes Drummer - Steve Jordan - Album - Plantation Lullabies Artist - Meshell Ndegeocello Release Year - 1993 Key Track(s) - I'm Diggin' You - Like an Old Soul Record Drummer - Programmed David Gamson - Album - The Best of Earth Wind and Fire Artist - Earth Wind and Fire Release Year - 1978 Key Track(s) - Fantasy Drummer Maurice White, Fred White, Ralph Johnson - Album - Stomping at the Savoy Artist - Rufus and Chaka Khan Release Year - 1983 Key Track(s) - Tell Me Something Good Drummer - JR Robinson - HONORABLE MENTION: Album - Closer To The Light Artist - Leni Stern Release Year - 1990 Key Track(s) - Sandbox Drummer - Zack Danziger / Dennis Chambers For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok.

Hein van de Geyn  is jazz double bassist, composer, teacher and band leader from the Netherlands.  His groundbreaking Comprehensive Bass Method has influenced a generation of bassists and is widely regarded as one of the leading pedagogical works for jazz double bass. We talk about Hein's remarkable career, his time in San Francisco, writing his bass method, what life in South Africa has been like these last several years, and much more.  Enjoy!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music theme music by Eric Hochberg Time Stamps 00:00 Introduction and Guest Background 01:28 Getting to Know Hein van de Gein 01:50 Reminiscing About San Francisco's Jazz Scene 03:17 Exploring the Jazz Scene in South Africa 04:35 The Importance of Practice and Mastery 10:17 The Role of a Music Teacher 14:10 The Art of Improvisation and Composition 18:12 The Value of Consistent Practice 22:33 The Journey of Learning and Teaching Music 26:58 Closing Thoughts and Reflections 28:50 Discovering Pablo Records and Dreaming of Playing 29:09 Memories of Performing with Joe Pass 30:07 The Art of Musical Language and Influence of Charlie Hayden 31:14 The Impact of Michael Brecker and the Role of Charlie Hayden 32:03 Reflections on Early Musical Influences and Evolution 32:56 The Shift in Bass Playing and Amplification Over the Years 33:33 The Unexpected Impact of Jaco Pastorius 34:57 The Evolution of Bass Amplification and Sound 36:56 Memories of Playing with Jazz Legends 39:00 The Importance of Technique and Style in Bass Playing 42:10 The Transition from Jazz Musician to South African Entrepreneur 47:32 The Enduring Passion for Music and Jazz 52:31 Lessons Learned from Playing with Jazz Greats 53:55 Closing Thoughts on the Global Jazz Community

durée : 00:59:40 - Banzzaï du mardi 28 novembre 2023 - par : Nathalie Piolé -

Kris Davis, Tineke Postma, Veronica Swift, Kavita Shah, Shuteen Erdenebaatar, Ute Lemper, Claudia Villela, Ivan Lins, Michael Brecker, Rubim de Toledo, Mark Godfrey, Elizabeth Shepherd, Ruiqi Wang, Salome Perli, Blanche Baillargeon, and Josh Cole.Playlist: Kris Davis, featuring Terri Lyne Carrington, Val Jeanty, Julian Lage and Trevor Dunn - VWTineke Postma - SankalpaVeronica Swift - Chega de SaudadeKavita Shah, featuring Bau - SodadeShuteen Erdenebaatar - SaudadeUte Lemper - Time TravelerClaudia Viella - BatucadorIvan Lins, featuring Randy Brecker - Missing MilesMichael Brecker - Modus OperandyRubim de Toledo, featuring Karimah - Equal GroundMark Godfrey - Forty Minutes or MoreElizabeth Shepherd - Right NowRuiqi Wang - A Descent of LiliesSalome Perli - IgnoranceBlanche Baillargeon - Le nidJosh Cole - the bar

Four-time Grammy Award winner Antonio Sánchez joins Alex to talk about his latest release, Shift, and how he connected with the incredible list of musicians who contributed to the album. The two discuss Antonio's recent move to Spain, his approach to building drum parts, and where he got the inspiration to use the term “Bad Hombre”. Antonio Sanchez began playing the drums at age five and performed professionally in his early teens in Mexico's rock, jazz and latin scenes. Since moving to New York City in 1999, Antonio has become one of the most sought-after drummers in the international jazz scene. One of the most revered collaborators with guitarist/composer Pat Metheny, Antonio has also recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielmans.  Sánchez's new album SHIFT (Bad Hombre Vol. II) on Warner Music features Sánchez playing virtually every instrument on the album — in addition to being its producer. SHIFT features Trent Reznor, Dave Mathews, Kimbra, Ana Tijoux, Meshell Ndegeocello and more.. Follow Antonio at AntonioSanchez.net and @antoniodrums1 Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.

YOUTUBE CHANNEL ⁠https://www.youtube.com/@CliffordMartinOnline Sher.co BOOK LINK: https://www.shermusic.com/9780991077359.php WEB PAGE: https://jazzimproviser.com/2023/07/17/the-practice-notebooks-of-michael-brecker-book-review/ MY WEBSITE: https://jazzimproviser.com Book Review: "The practice notebooks of Michael Brecker" [Sher Music] 2023. The legendary saxophonist Michael Brecker kept extensive notes on things to practice over the whole span of his career. This book contains over 700 entries, beautifully re-engraved from his hand-written notebooks. For All Treble Clef Instruments (since Michael often advised "Play in all keys") 35 years of Michael Brecker's musical inspirations at your fingertips! First-hand accounts of how Michael actually worked on these ideas from his bandmates Joey Calderazzo, John Patitucci, Richie Beirach, Steve Khan, Dave Liebman, etc. An appendix of his saxophone-specific ideas on fingerings, multiphonics, etc. For intermediate as well as advanced musicians - you don't have to be a genius to learn from a genius! 141 pages, $32 list price, $21 for PDF version.e legendary saxophonist Michael Brecker kept extensive notes on things to practice over the whole span of his career. This book contains over 700 entries, beautifully re-engraved from his hand-written notebooks. #PracticenotebooksofMichaelBrecker #MichaelBreckernoteboosreview

It was great to catch up with world renowned drummer/musician and educator, Clarence Penn to talk about pursuing his dream of a career in music, his life's journey, and operating and living his purpose. Of course we talked about music, and so much more. Clarence's bio: Clarence Penn is one of the busiest jazz drummers in the world, a leader of multiple bands, a composer, a prolific producer, and an educator.Since 1991, when he arrived in New York City, Penn has placed his unique blend of mega-chops, keen intellect, and heady musicianship at the service of a staggering array of A-list artists—a chronological short-list includes Ellis and Wynton Marsalis, Betty Carter, Stanley Clarke, Steps Ahead, Makoto Ozone, Michael Brecker, Dave Douglas, Maria Schneider, Luciana Souza, Richard Galliano, and Fourplay. Penn's impressive discography includes several hundred studio albums (including the Grammy-winning recordings 34th and Lex by Randy Brecker and Concert in the Garden and Sky Blue by Maria Schneider) representing a 360-spectrum of jazz expression, and he's toured extensively throughout the United States, the Americas, Europe, Japan, and Southeast Asia. He's composed music for films and commercials, and produced tracks for numerous singers in the pop and alternative arenas. He earned a “Ten Best of 1997” accolade from the New York Times for his first leader recording, Penn's Landing.A graduate of Virginia Commonwealth University, where he was a protégé of Ellis Marsalis, Penn is active as an educator and drum clinician. From 2004 to 2012, he taught on the faculty of the Banff International Workshop in Jazz and Creative Music. He's also served on faculty at the Stanford Jazz Workshop, the Saint Louis College of Music in Rome, Italy, and the Jazz at Lincoln Center Intensive Jazz Institute.Penn currently leads several ensembles. His most recent “rhythmically intoxicating” recording is 2014's “Monk The Lost Files”arrangements of the music of Thelonious Monk. Released on the Origin record lable, an amazing quartet comprising saxophonist Chad Leftkowitz-Brown, Pianist Gerald Clayton/Donald Vega, and bassist Yasushi Nakamura performing the music of Thelonius Monk with today's modern jazz sensibility. Near completion is a “world music” studio project of songs and instrumentals that melds background voices—including his own—with a world class band.Whether Penn is leading his own band or performing as a sideman, he brings to the table unfailing versatility and professionalism, an ability to find creative ways to interpret a global array of styles and idioms, and a stated intention “to play music that's warm and organic for the people and for myself.”His motto: “When people hear my name, I want them to think, ‘I don't know what band he's playing with tonight or what he'll be doing, but it's going to be good, it's going to be musical.'”

We'll begin this episode with straight up hard bop from Cannonball, followed by another late great saxophonist Michael Brecker. Then we will explore new releases from Rosenwinkel, David Borgo (from San Diego) and Lakecia Benjamin. We wrap it all up with a mellow Miles fusion. Playlist Artist ~ Name ~ Album Cannonball Adderley Quintet ~ Exodus ~ At the Lighthouse Michael Brecker ~ Slings and Arrows ~ Tales from the Hudson Kurt Rosenwinkel ~ Our Secret World (feat. Aaron Parks, Eric Revis & Greg Hutchinson) [Live at the Village Vanguard] ~ Undercover (Live at the Village Vanguard) [feat. Aaron Parks, Eric Revis & Greg Hutchinson] David Borgo ~ Curiouser and Curiouser ~ Cautiously Optimistic Lakecia Benjamin ~ Basquiat ~ Phoenix Miles Davis ~ Shhh / Peaceful (LP Mix) ~ In a Silent Way

This week's guest is Ian Froman - an incredible jazz drummer based in New York City. Ian has taught at Berklee College of Music, Drummers Collective, New School University, City College of New York in addition to private lessons. He has toured the world with so many of the greatest players in the genre including (but CERTAINLY not limited to) John Abercrombie, Dave Holland, Michael Brecker, Gary Burton, and Matthew Garrison. This is easily one of my favorite conversations I've ever had…and not just on the podcast. Ian is such a fun story teller and he's got A LOT of stories. Also, a big shoutout to Mike Powers from Boston who suggested I reach out to Ian! Alright, here is Ian Froman's Big Fat Five. Cheers!  Call / Text Me your picks @ (424) 253-6676 Just state: ⁃            Your name ⁃            Where you're calling from  ⁃            A little backstory of yourself as a drummer (whatever you feel comfortable  with…but do some self promotion, we all want to support you!) IAN'S BIG FAT FIVE

The weather is beautiful in Chicago and Jake is going to the movies.Music recommendations are “Michael Brecker” by Michael Brecker, and “Future's Shadow Part 1: The Clandestine Gate” by Bell Witch.Wake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

This episode presents something special: music that is beyond category. Here we take a look at 12 saxophonists who are post-bebop and post-hard bop, but are discussed very little in comparison to other saxophonists (Ornette Coleman, John Coltrane, Albert Ayler, Michael Brecker, Chris Potter, etc). Each have their own style and sound that draws from various sources and the results are truly amazing! Give this episode a shot - it's not one to be missed!

In this segment Larry tells about us how the Seawind horn section worked with Quincy Jones on I heard That and The Wiz, his first job playing keyboards, being inspired by Michael Brecker and learning from Quincy how to get the best out of each musician. Visit: www.storiesintheroom.comSupport this podcast at — https://redcircle.com/stories-in-the-room/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

LISTEN TO THE PODCAST TO THE END A THERE IS A SPECIAL VIDEO PERFORMANCE OF MATTHEW ALEC and the SOUL ELECTRICSaxophonist Matthew Alec whose style is JAZZ and POPULAR MUSIC joins us on the podcast to talk about his career as a Saxophonist.  His band is a high energy jazz fusion group called MATTHEW ALEC and the SOUL ELECTRIC. You really got to check out his music as you will be blown away by his Sax playing and his videos as much as we were.  Matthew is also an executive producer and his company is called Cleveland Time Records. He has over 20 years experience playing the Saxophone. Be sure to check out Matthew's music as he is one of the most talented Saxophonist's we have ever heard and make sure to subscribe to his YouTube PageMatthew Alec Websitehttps://www.matthewalec.com/Matthew Alec YouTubehttps://www.youtube.com/@UCMfeh1w1mNFzZKB4dBLJVJw Matthew also talks about the best Saxophonist of all time Michael Brecker. Here is an incredible video of him playing the EWI which was discussed on the podcast. https://www.youtube.com/watch?v=xYiwZYGokdQGrab a Mark 2.0 SHIRT and other MERCH-  https://daddy-brians-merch-2.creator-spring.com/SUBSCRIBE for more great PODCASTS and PODCAST CLIPS with ACTORS, MUSICIANS and others in ENTERTAINMENT. Be sure to check out our recent EPISODES too.-----------------------------------------------------------------------------------follow MARK 2.0 on SOCIAL MEDIAInstagram- https://www.instagram.com/mark2.0_podcast/TikTok- https://www.tiktok.com/@mark2.0podcastTwitter- https://twitter.com/M20podcastFacebook- https://www.facebook.com/mark2.0podcastofficial------------------------------------------------------------------------------------

durée : 00:54:11 - Mickael Brecker - par : Alex Dutilh - “Live At Fabrik Hamburg 1987” du Michael Brecker Band paraît chez Jazzline.

On this Wayne Krantz Interview: Wayne talks about playing with Donald Fagen, Pino Palladino & Vinnie Colaiuta… moving to NYC, having faith he had something to say with his playing… big lesson he learned from watching Mike Stern book a gig… how he developed his improvisational style of playing, pizza, family, relationships, respecting your needs and more cool stuff Cool Guitar & Music T-Shirts, ELG Merch!: http://www.GuitarMerch.com A solo artist with 10 LPs, Wayne's also been a successful sideman playing with Donald Fagen, Steely Dan, Michael Brecker, Billy Cobham, Chris Potter, David Binney, Carla Bley. Featured on his own records are people like Pino Palladino, Dennis Chambers, Keith Carlock, John Patitucci, Tal Wilkenfeld, Vinnie Colaiuta, Anton Fig   Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Support this show: http://www.everyonelovesguitar.com/support

A Series of Circumstances Album https://www.ryandevlinmusic.com/albums on Spotify https://open.spotify.com/album/4i8w1Eh3J15p3sIJEqd6WD YouTube channels: @Steve Kortyka @Ryan Devlin Tour Dates: https://www.ryandevlinmusic.com/upcoming-shows In the Band: Mike Bond - Piano (Savion Glover, Conrad Herwig) https://www.mikebondmusic.com/ Gene Perla - Bass (EVERYBODY, Woody Herman, elvin Jones, Sonny Rollins, Miles Davis) www.perla.org Adam NUSSBAUM - Drums (John Abercrombie, Michael Brecker, Steve Swallow) http://www.adamnussbaum.net/ Album was recorded in NJ at 'Trading 8 Studios) in a 6 hour session on : -8 Tracks, 6 Originals by various band members -Mixed, mastered and produced by Gene Perla Recorded on March 14th and released on June 17th on PM Records (Gene's Record Company) Here is a Youtube playlist of the album videos released this far: https://www.youtube.com/watch? y=koRymDaleTo&list=PLucoQKe7YbtU3ItDrCHT-K2LAqZI;Pu-A

http://www.vitalinformation.com/ Steve Smith's drumming, while decidedly modern, can best be described as a style that embodies the history of U.S. music. Steve is active as a band leader (Steve Smith and Vital Information) as a featured sideman (Mike Stern Group, Zakir Hussain's Masters of Percussion, Steps Ahead, Hiromi-The Trio Project) and as an educator/clinician. Steve Smith grew up in the Boston area and started playing drums at the age of nine in 1963. He studied music at the Berklee College of Music from 1972 to 1976 with Alan Dawson and Gary Chaffee as his private instructors. Over the past 45 years he has toured and recorded with some of the biggest names in jazz and rock - appearing on recordings that have sold over 100 million copies worldwide - including Journey, Bryan Adams, Mariah Carey, Zucchero and Jean-Luc Ponty. Other notable jazz artists Smith has played with include Zakir Hussain, Buddy DeFranco, Benny Golson, Ahmad Jamal, Dave Liebman, Randy Brecker, Michael Brecker, Bill Evans and Hiromi. Smith produced and played on a series of sixteen jazz albums for the Tone Center label featuring players such as Frank Gambale, Stu Hamm, Oteil Burbridge, Larry Coryell, Jerry Goodman, Howard Levy, Steve Marcus, Scott Henderson and Victor Wooten. His release The Best Of Steve Smith – The Tone Center Collection is a sample of some of his favorite tracks from those collaborations. Smith is currently touring with his own all-star band Vital Information featuring Manuel Valera (keyboards) and Janek Gwizdala (bass). The lastest Vital Information release is titled Heart Of The City. Vital Information is approaching its 40th Anniversary, as the first Vital Information album was released in 1983. Wounded Bird Records is starting the celebration with the 2022 release of The Complete Columbia Recordings, a four CD set of the first four Vital Information albums. From 2016-2019 Steve Smith toured with the iconic rock band Journey, the group in which he recorded nine albums with massive hits. In 2017 Smith was inducted into the Rock and Roll Hall of Fame. Contact Counterparts through the website: www.counterpartsshow.com

http://www.vitalinformation.com/ Steve Smith's drumming, while decidedly modern, can best be described as a style that embodies the history of U.S. music. Steve is active as a band leader (Steve Smith and Vital Information) as a featured sideman (Mike Stern Group, Zakir Hussain's Masters of Percussion, Steps Ahead, Hiromi-The Trio Project) and as an educator/clinician. Steve Smith grew up in the Boston area and started playing drums at the age of nine in 1963. He studied music at the Berklee College of Music from 1972 to 1976 with Alan Dawson and Gary Chaffee as his private instructors. Over the past 45 years he has toured and recorded with some of the biggest names in jazz and rock - appearing on recordings that have sold over 100 million copies worldwide - including Journey, Bryan Adams, Mariah Carey, Zucchero and Jean-Luc Ponty. Other notable jazz artists Smith has played with include Zakir Hussain, Buddy DeFranco, Benny Golson, Ahmad Jamal, Dave Liebman, Randy Brecker, Michael Brecker, Bill Evans and Hiromi. Smith produced and played on a series of sixteen jazz albums for the Tone Center label featuring players such as Frank Gambale, Stu Hamm, Oteil Burbridge, Larry Coryell, Jerry Goodman, Howard Levy, Steve Marcus, Scott Henderson and Victor Wooten. His release The Best Of Steve Smith – The Tone Center Collection is a sample of some of his favorite tracks from those collaborations. Smith is currently touring with his own all-star band Vital Information featuring Manuel Valera (keyboards) and Janek Gwizdala (bass). The lastest Vital Information release is titled Heart Of The City. Vital Information is approaching its 40th Anniversary, as the first Vital Information album was released in 1983. Wounded Bird Records is starting the celebration with the 2022 release of The Complete Columbia Recordings, a four CD set of the first four Vital Information albums. From 2016-2019 Steve Smith toured with the iconic rock band Journey, the group in which he recorded nine albums with massive hits. In 2017 Smith was inducted into the Rock and Roll Hall of Fame. Contact Counterparts through the website: www.counterpartsshow.com

// ABOUT ANDY MILNE AND UNISON A fearless, versatile explorer as a pianist and composer, Andy Milne has been a distinct and respected voice at the heart of New York's creative jazz scene for almost 30 years, collaborating with dancers, visual artists, poets and musicians spanning jazz, classical, pop, folk, and world music. At the piano, he skillfully blends poetic gravitas with a playful sense of order. He has recorded and toured throughout the world with Ravi Coltrane, Ralph Alessi, Carlos Ward and Carla Cook, and has collaborated with a range of artists including Andrew Cyrille, Sekou Sundiata, Avery Brooks, Bruce Cockburn, Fred Hersch, Ben Monder, Dianne Reeves, Jen Shyu, Tyshawn Sorey and Jamie Baum. A former student of Oscar Peterson, Milne was at the center of the M-BASE Collective as a core member of saxophonist Steve Coleman's bands, as well as performing with Cassandra Wilson and Greg Osby. Milne composed and produced the scores for seven documentary films by acclaimed director William Shatner and has now released eleven recordings as a leader or co-leader. Milne is presently an assistant professor of music at the University of Michigan in their Department of Jazz & Contemporary Improvisation.  Originally from New Orleans, John Hébert, has been a highly sought-after New York bassist since the mid-1990s. A former student of Rufus Reid, he has collaborated extensively with pianists Fred Hersch and Andrew Hill, appearing on celebrated recordings from each pianist. He has also performed with Lee Konitz, Paul Bley, John Abercrombie, Kenny Wheeler, Paul Motian, Uri Caine, Bill Stewart, Mary Halvorson, Tomasz Stanko, David Liebman, and Toots Thielemans, among many others. An accomplished bandleader, Hébert's 2015 Sunnyside release Rambling Confessions — his quartet featuring Milne — received critical acclaim, including 4.5 stars from Downbeat. Over the past decade, he has been named multiple times as a “Rising Star Acoustic Bassist” in Downbeat's Critics Poll and has received multiple GRAMMY Award nominations. Hébert is a full-time professor of bass at Western Michigan University. Clarence Penn is one of the most in-demand jazz drummers in the world. A composer, bandleader, and prolific producer, he performs regularly with Maria Schneider, Dave Douglas and Uri Caine. Since 1991 when he arrived in New York City, Penn has placed his unique blend of mega-chops, keen intellect, and heady musicianship at the service of a staggering array of A-list artists including Ellis and Wynton Marsalis, Betty Carter, Stanley Clarke, Steps Ahead, Makoto Ozone and Michael Brecker. His impressive discography includes several hundred studio albums, including GRAMMY Award-winning recordings from Randy Brecker and Maria Schneider, representing a 360-degree spectrum of jazz expression. He has toured extensively throughout the United States, the Americas, Europe, Japan, and Southeast Asia, as well as composed music for films and commercials, and produced tracks for numerous singers in the pop and alternative arenas. #andymilne #junoawardwinner #jazz

We're back with another classic episode from the archive in honor of the new partnership between this podcast and listener supported WBGO Studios. All month I'm revisiting some of my favorite episodes from over the years, and starting in June I'll be back with all new fresh episodes. You can find these at www.wbgo.org/studios where you will also discover their ever expanding selection of hipster content. And if you want to dig on the full Third Story archive, you can find that at www.third-story.com where we've always been.  Eric Harland thinks about time. He thinks about taking time, he thinks about giving time, and he thinks about sharing time.  He'll tell you: “Time is a joint effort. It's everybody at once. You want to talk about synergy, alliance, brotherhood and sisterhood? Just watch people getting together and having to play time. So much shows up in that. There's so much judgment, so much blame. But then you get to these points of surrender and ecstasy. Something wonderful happens because you went on this journey together. It's so revealing and it's so fulfilling.” Eric Harland is one of the most in demand jazz drummers of his generation. He has played with everybody. Betty Carter, McCoy Tyner, Joe Henderson, Michael Brecker, Terrence Blanchard, Wayne Shorter, Wynton and Branford Marsalis, Esperanza Spalding, Taylor Eigsti, Julian Lage, Robert Glasper, Joshua Redman, Dave Holland, Chris Potter, Charles Lloyd, John Mayer, and on and on and on. He has appeared on over 400 recordings, and continues to appear at the top of critics' and readers' polls. Plus he once played a solo so intense that it sent my wife to the hospital.  Here he shares his incredible story of growing up in Houston and how he came to weigh 400lbs by the time he was 16 (he eventually lost the weight in college), attending the Manhattan School of Music, becoming an ordained minister, living with singer Betty Carter (“not like that”), learning from legendary mentors, and exploring “time”.  He also shares his thoughts on practice, community, natural wine, and what you can learn about a person by how they drive. 

We're taking a look at 4 of my favorite solo breaks of all time featuring Michael Brecker, Lee Morgan, Pat Metheny, and Nat Adderley. It's incredible how much these sounds and phrases have stuck with me throughout my career and informed what I do today, even if I don't write, play, or record in the style of any of these artists. It's all about time and sound informing nuance. I also give an update on the pre-production progress for the new album, and report on yesterday's pedal test session at the rehearsal studio in Los Angeles.