Podcasts about Hoffmeister

In Deutschland gründen sich rechtsextreme Jugendgruppen. Das liege auch an der Normalisierung solcher Positionen in der Gesellschaft, sagt Sozialwissenschaftler David Begrich. Jugendliche müssten wieder mehr Selbstwirksamkeit erfahren. Hoffmeister, Anna www.deutschlandfunkkultur.de, Tacheles

Franz Anton Hoffmeister - Double Bass Quartet No. 2: RondoNorbert Duka, double bassErno Sebestyen, violin Helmut Nicolai, viola Martin Ostertag, celloMore info about today's track: Naxos 8.572187Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

With returning guest Constantin von Hoffmeister to talk about his new book MULTIPOLARITY! about the dawn of a new global power structure in the wake of Trump. We talk about ethnopluralism, Dasein's, and the globalist mindset. It's sort of a sequel to my episodes with Aleksandr Dugin and Martin Sellner, which you can see here:The Carousel is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thecarousel.substack.com/subscribe

(Note: This episode is from Tonight with Dr. Steve's special Thursday livestream.)Feminists are finding yet another reason to freak out today! Move over manosphere, the woke legacy media is finding something else to get hysterical about. They're now panicking over what they're calling the rise of the ‘womanosphere' - a growing online movement of bold, unapologetically traditionalist women who are championing femininity, family, and faith. They have lost, and they have no idea how to process it. I'm going to show you exactly how the liberal left lost and how the womanosphere has won! You're going to love it! Also, Europe is on the brink of transformation as the European Union faces a crisis of identity, energy, and democratic legitimacy. In the second part of this episode, we break down how mass immigration, censorship, and globalist policies have fueled a populist uprising across the continent. Joined by geopolitical analyst Constantin von Hoffmeister, we explore why the EU is crumbling and what's rising in its place.Check out Constantin's Substack! www.eurosiberia.netCheck out his two books, “Esoteric Trumpism” and “MULTIPOLARITY”! Links Below:Esoteric Trumpism - https://www.amazon.com/dp/1915755468MULTIPOLARITY - https://www.amazon.com/dp/1917646070–Visit http://TNUSA.com/Turley or call 1-800-958-1000 for a free consultation. Their experts will walk you through a few simple questions to see how much you can save.Get Your Free Gold Report Now At http://turleytalkslikesgold.com.*The content presented by sponsors may contain affiliate links. When you click and shop the links, Turley Talks may receive a small commission.*--Thank you for taking the time to listen to this episode. If you enjoyed this episode, please subscribe and/or leave a review.FOLLOW me on X (Twitter): https://twitter.com/DrTurleyTalksSign up for the 'New Conservative Age Rising' Email Alerts to get lots of articles on conservative trends: https://turleytalks.com/subscribe-to-our-newsletter**The use of any copyrighted material in this podcast is done so for educational and informational purposes only including parody, commentary, and criticism. See Hosseinzadeh v. Klein, 276 F.Supp.3d 34 (S.D.N.Y. 2017); Equals Three, LLC v. Jukin Media, Inc., 139 F. Supp. 3d 1094 (C.D. Cal. 2015). It is believed that this constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the US Copyright Law.

Künstliche Intelligenz und Robotik sollten Fachkräfte in der Pflege unterstützen, aber nicht ersetzen, betont der Pflegewissenschaftler Manfred Hülsken-Giesler. Entscheidend sei ein echter Mehrwert - und die Zustimmung derjenigen, die Pflege erhalten. Hoffmeister, Anna www.deutschlandfunkkultur.de, Tacheles

Nesta edição, o maestro João Maurício Galindo respondeu às perguntas dos ouvintes. Ele esclareceu a origem do apelido Hoffmeister para um dos quartetos de cordas de Mozart, respondeu a uma dúvida sobre os títulos de algumas peças de Chopin, como O Prelúdio da Gota D'Água, A Polonaise Heroica e O Estudo Tristesse, e compartilhou a razão do nome do hino francês La Marseillaise, entre outras dúvidas. Descubra as respostas no resumo do Pergunte ao Maestro desta semana.

神を第一にする - Putting God First - Retreat Day 1 /4 Opening Morning Session - Hayama -Japan (Japanese translation).David Hoffmeister begins the Hayama 4-Day Japan Retreat by exploring the concept of undoing the self-concept—a conditioned expectation that obstructs our understanding of the world. He explains that the ego arises from the mind's pursuit of self-improvement, crafting illusory goals that keep the mind preoccupied and detached from its boundless nature.The ego's game is endless, as it neither begins nor concludes. The purpose of our practice, Hoffmeister suggests, is to abandon the pursuit of temporal goals and relinquish the false identity—the mask of the ego. In doing so, we experience the mind's all-encompassing nature, recognizing that the world, society, and everything once perceived as external are, in truth, within the mind. As the mind reaches a state of rest, the external world reflects this peace, becoming more harmonious. According to Hoffmeister, this practice is pivotal for attaining a profound understanding of the world and the true self.Listen to Davids's profound talk, the first of 4 days of retreat sessions.To participate in an online Movie Gathering, join our online community: https://programs.the-christ.net/courses/membership-weekly-online-movie-gatheringsFor more information about David Hoffmeister and Living Miracles events, visit https://circle.livingmiraclescenter.org/events.Recorded live on March 20, 2025, in Hayama, Japan.

Kinder mit Migrationshintergrund haben in Deutschland oft schlechtere Bildungschancen als Kinder ohne. Neben der Sprache spielt das Bildungsniveau der Eltern eine entscheidende Rolle, sagt die Migrationsforscherin Claudia Diehl. Hoffmeister, Anna www.deutschlandfunkkultur.de, Tacheles

Ben and Jordan talk creativity, modern culture, and about how Ben is a "Breath Wizard"

Frauen und Männer sind noch immer nicht gleichgestellt, sagt die Soziologin Jutta Allmendinger. Zentral sei dabei der Gender Pay Gap: Es fehle an echten Wahlmöglichkeiten bei Familie, Karriere und der Verteilung von unbezahlter Arbeit. Hoffmeister, Anna www.deutschlandfunkkultur.de, Tacheles

Deutschland wird kulturell von Kohle, Öl und Gas dominiert, sagt Aktivistin Luisa Neubauer. Das stehe für Wohlstand. In der Klimakrise sieht sie auch eine wachsende Hoffnungslosigkeit – und fordert ein Umdenken: Wie sieht erneuerbarer Wohlstand aus? Hoffmeister, Anna www.deutschlandfunkkultur.de, Tacheles

(Note: This episode is from Tonight with Dr. Steve's special Thursday livestream.) As we count down the days until the new Golden Age officially begins, I thought it would be fun to do a countdown of our own here. I want to countdown the top 10 things Trump will do, according to his own words, on Day 1 of his presidency. This is based on an NBC report that came out that talked about the Top 11 things Trump will do, I conflated two of them into one, but this will help anticipate Christmas Day in January - the top 10 things Trump will do to unleash the new golden age on day one, January 20th! In the second part of this episode, I chat with Constantin von Hoffmeister about his new book, “Multipolarity!”, how it puts Trump into a larger international context, and more. Get Constantin's book HERE: https://www.amazon.com/MULTIPOLARITY-Constantin-von-Hoffmeister/dp/1917646070 And Constantin's Substack here: https://www.eurosiberia.net/ – Head to http://twc.health/turley and use code TURLEY to SAVE $45 off plus Free Shipping.* Transform your sleep with Dream and save up to 35%! Just click https://shopbeam.com/turleytalks and use code TURLEY at checkout. Limited time offer!* *The content presented by our partners may contain affiliate links. When you click and shop the links, Turley Talks may receive a small commission.*  – Join my new Courageous Conservative Club and get equipped to fight back and restore foundational values.  Learn more at http://fight.turleytalks.com/join Thank you for taking the time to listen to this episode.  If you enjoyed this episode, please subscribe and/or leave a review. FOLLOW me on X (Twitter): https://twitter.com/DrTurleyTalks Sign up for the 'New Conservative Age Rising' Email Alerts to get lots of articles on conservative trends: https://turleytalks.com/subscribe-to-our-newsletter **The use of any copyrighted material in this video is done so for educational and informational purposes only including parody, commentary, and criticism. See Hosseinzadeh v. Klein, 276 F.Supp.3d 34 (S.D.N.Y. 2017); Equals Three, LLC v. Jukin Media, Inc., 139 F. Supp. 3d 1094 (C.D. Cal. 2015). It is believed that this constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the US Copyright Law.

I'm joined by Martin Sellner, leader of Identitäre Bewegung Österreich (Identitarian Movement of Austrian). His movement supports remigration out of Europe, what we would call mass deportations. Eery similarities pervade the overwhelming flood of immigrants into both of our countries, both inexplicably borderless, and the reactions are also quite similar, although America has perhaps more excuses for it than Austria.Crazily, the symbol of his movement has been literally banned from public display in Austria; displaying it could get you arrested in Vienna. This despite it being outwardly anti-Nazi and ethnopluralistic (e.g. not racist in the sense hand wrung over by globalists). He describes the ridiculousness of the iconoclastic symbol ban and much else in our fantastic conversation. Also joining us is Constantin von Hoffmeister of Arktos Media.The Carousel is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thecarousel.substack.com/subscribe

Winkelheide, Martin www.deutschlandfunk.de, Sprechstunde

Hoffmeister, Anna www.deutschlandfunkkultur.de, Tacheles

Discussing the many shifted vibes with Dudley Newright and Constantin von Hoffmeister. Which Luigi Mangione manifesto is real? Will Daniel Penny's exoneration lead to a cultural shift?Did Romania end democracy in the name of democracy? What's happening in Syria? Why have literary men disappeared?The Carousel is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.carousel.blog/subscribe

73 MinutesPG-13Constantin is the editor-in-chief at Arktos Publishing House.Pete is joined by Constantin to discuss his path to the right and some of the topics covered in his book, "Esoteric Trumpism."Arktos PublishingEsoteric TrumpismPete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

Hoffmeister, Anna www.deutschlandfunkkultur.de, Tacheles

Hoffmeister, Anna

First, he was likened to George Washington, and now even CNN calls Trump a conquering Caesar. What's going on here? Tune in to discover why these comments are more accurate than you could imagine, why many are comparing Trump to some of the greatest figures in history, and even more importantly, what it all means about you! – Go to https://ground.news/steve to see through media bias and become a smarter news consumer. Subscribe through my link for 50% off unlimited access. *The content presented by sponsors may contain affiliate links. When you click and shop the links, Turley Talks may receive a small commission.* Join my new Courageous Conservative Club and get equipped to fight back and restore foundational values.  Learn more at http://fight.turleytalks.com/join Highlights: “Trump is constantly depicted in all kinds of heroic and epic ways. As an emperor, as a king, and to bring it all full circle, as Rocky himself, as the champion of the world.” "The key here, as Hoffmeister brilliantly argues, Trump's mass appeal is mythic! We are in the very real realm of myth right now, precisely because more Americans than ever fear the destruction of our society and we see Trump in very ancient and very mythic heroic terms.” “Trump is our hero not merely because of what he has done for our nation, but what he has done for men. He's restored to us the dignity of what it means to be a true man, and as such, to rescue our nation from the forces that would destroy it together, as one.”  Timestamps: [00:21] Trump at the UFC event in MSG and CNN calling Trump a conquering Caesar [03:45] Why Trump is likened to mythical characters and some of the greatest figures in history [07:50] The 80's metal band Wasp has gone full MAGA [11:17] What is going on here and what it all mean about you  Resource Mentioned: Fight!: How Trump and the MAGA Movement are Changing the World Esoteric Trumpism by Constantin von Hoffmeister  – Thank you for taking the time to listen to this episode.  If you enjoyed this episode, please subscribe and/or leave a review. FOLLOW me on X (Twitter): https://twitter.com/DrTurleyTalks Sign up for the 'New Conservative Age Rising' Email Alerts to get lots of articles on conservative trends: https://turleytalks.com/subscribe/. **The use of any copyrighted material in this video is done so for educational and informational purposes only including parody, commentary, and criticism. See Hosseinzadeh v. Klein, 276 F.Supp.3d 34 (S.D.N.Y. 2017); Equals Three, LLC v. Jukin Media, Inc., 139 F. Supp. 3d 1094 (C.D. Cal. 2015). It is believed that this constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the US Copyright Law.

Talking About Mirror with our guest, cinematographer Florian HoffmeisterIn this captivating episode of Movies We Like, hosts Andy Nelson and Pete Wright are joined by renowned cinematographer Florian Hoffmeister to discuss his illustrious career and dive deep into Andrei Tarkovsky's cinematic masterpiece, Mirror. Hoffmeister, known for his work on projects such as TÁR, True Detective, and Antlers, shares his unique insights and experiences in the world of cinematography.Throughout the conversation, Hoffmeister delves into his journey as a cinematographer, from his early days at the German Film and Television Academy to his recent collaborations with acclaimed directors like Todd Field and Jay Roach. He discusses the intricacies of his craft, using the visual elements to create a cohesive and impactful story.The discussion also touches upon Hoffmeister's approach to different genres, from the constrained naturalism of TÁR to the visceral and atmospheric lighting in True Detective. He shares anecdotes from his time working on various projects, highlighting the importance of collaboration and the organic process of developing a film's visual language.As the conversation shifts to Tarkovsky's Mirror, Hoffmeister expresses his profound admiration for the film, describing it as a deeply cinematic and existential experience. The hosts and their guest explore the film's themes, its intimate and enigmatic nature, and the confidence with which Tarkovsky conveys his vision.Mirror is a film that demands contemplation and rewards repeated viewings. Hoffmeister's passion for the film is infectious, and his insights provide a deeper appreciation for Tarkovsky's masterful use of cinematography to convey emotion and meaning. This episode of Movies We Like is a must-listen for any cinephile or aspiring filmmaker, as it offers a rare glimpse into the mind of a talented cinematographer and celebrates the enduring power of Tarkovsky's timeless classic.Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Im September hatte ein Schulleiter alle Parteien bis auf die AfD zu einer Diskussion eingeladen. Ein Neutralitätsgebot für Schulen gebe es nämlich nicht, sagt Maike Finnern von der GEW. Vielmehr seien Schulen Orte der gelebten Demokratie. Hoffmeister, Anna www.deutschlandfunk.de, Kulturfragen

Hoffmeister, Anna www.deutschlandfunkkultur.de, Tacheles

01:00 Robert Stark interviews me about Stormy Daniels, https://robertstark.substack.com/ 05:00 My Stormy Daniels interviews, https://lukeford.net/blog/?p=155046 08:00 Who is Stormy Daniels? https://en.wikipedia.org/wiki/Stormy_Daniels 27:20 Matt Pegas's new book, The Black Album, https://robertstark.substack.com/p/robert-stark-talks-to-matt-pegas 28:45 Anatoly Karlin talks about his intellectual restructuring, https://robertstark.substack.com/p/anatoly-karlin-talks-about-his-intellectual 29:20 Robert Stark talks to Constantin von Hoffmeister about Esoteric Trumpism, https://robertstark.substack.com/p/robert-stark-talks-to-constantin 31:40 Esotericism, https://robertstark.substack.com/p/robert-stark-is-interviewed-about-eab 33:00 Robert Stark on life in California 47:30 The War in Gaza and the International Context with Aaron David Miller and Stephen Walt, https://www.youtube.com/watch?v=fusypoWb5TA 50:00 Against sunscreen absolutism, https://www.theatlantic.com/magazine/archive/2024/06/sun-exposure-health-benefits/678205/ 1:03:00 Resident Physicians' Exam Scores Tied to Patient Survival - New analysis finds tests for new doctors can measure what matters — the life and health of patients, https://hms.harvard.edu/news/resident-physicians-exam-scores-tied-patient-survival

Denne gang er det Wilhelm Hofmeister der kommer under lup hos podcastvært Stefan Kaas og hans medvært, Adam Estrup, der er så gammel han nok kunne have gået en årgang over Hoffmeister på Technischen Lehranstalt für Karosseriebau, Anhänger und Kraftfahrzeugbau i Hamborg dengang i 30´erne.I dette afsnit bliver sidstnævnte for en gangs skyld klogere, mens førstnævnte brillerer med viden hentet i internettets dybeste kaninhuller, og muligvis i hukommelsens afdeling for røverhistorier.   Wilhelm Hoffmeister bliver efter uddannelse ansat som tekniker hos BMW på fabrikken i Eisenach. Så arbejder han lystigt frem til han i 1955 bliver leder af BMWs karrosseriafdeling. Det er han så frem til 1970 og lægger i den periode grunden til det meste af det BMW vi kender i dag – ikke mindst med Neue Klasse.Hoffmeister slår dog ikke designstregerne selv, hvilket gør det lidt pudsigt, at han lægger navn til ”Hofmeister-knækket”. Der i BMW-regi var tegnet af Michelotti og i øvrigt en designfeature, der vist sås første gang på en Cadillac i 1940erne.Men hvad, det behøver store ånder ikke spekulere for meget over, for det er hævet over enhver tvivl, at Hofmeister var med til at få sat BMW på landkortet for bilsnobber og nørder verden over.Podcasten om Wilhelm Hofmeister er det sjette afsnit i Bilsnobbernes auditive bilenclykopædi, så lyt med, så risikerer du ikke længere at sidde mundlam tilbage, når talen falder på, hvem Tom Tjaarda er, om Pininfarina overhovedet har tegnet en eneste Ferrari eller hvorfor Gandini var genial – i sine unge år i alle fald.Tak fordi I lytter med, liker, og kommenterer, det er vi uendelig glade for!

“The Illusion of Time: Unraveling Ego, Guilt, and Unconditional Love” -  David Hoffmeister in a Tribe of Christ Movie Commentary.The realm of the ego is entrenched in the past, a catalyst for guilt's persistence. It is the ego that conjures the constructs of time and space, where guilt finds its perpetuation. In contrast, the Holy Spirit's creation exists beyond temporal bounds in the eternal now. The present moment stands pristine, unmarred by the shadows of what was or will be. Each instant is a fresh genesis, unblemished and pure. God transcends the confines of time, unassociated with the linear progression invented by human consciousness.Jesus embraced all individuals equally, engaging with various people, from Samaritans to priests, rabbis, and Romans, recognizing no one as other. Agape, or unconditional love, is love that expects nothing in return, devoid of judgment or preconditions. It is this love with which God embraces all creation. The ego populated the world, casting its shadow of guilt outward—a manifestation of fear and a covert yearning for oblivion. The mind's tenacious grip on the ego's narrative breathes life into these sentiments. Casting blame on entities like the government, family, culture, or leaders is a misguided effort to externalize guilt. Often, it is within the tapestry of our relationships, particularly familial ones, that guilt surfaces most acutely. Jesus's teachings remind us that our interactions are mirrors, reflecting the misplaced guilt of perceived separation from the divine.To participate online in a Tribe of Christ Movie Workshop with David Hoffmeister, join our online community: https://programs.the-christ.net/products/communities/tribe-of-christIf you want to know more about David Hoffmeister and Living Miracles events, here is more information: https://circle.livingmiraclescenter.org/events.Recorded, May 4, 2024, at La Casa Quantico, Chapala, Mexico.

Esoteric Trumpism (2024) promises to provide a Spenglerian reading of Donald Trump's life and leadership. Instead, it reads as a collection of strange Trump fanfics.VERY IMPORTANT INFORMATIONJack has published a novel!Amazon: https://www.amazon.com/Tower-Jack-BC-ebook/dp/B0CM5P9N9M/ref=monarch_sidesheetApple Books: http://books.apple.com/us/book/id6466733671Our Patreon: www.patreon.com/TheBookClubfromHellJack's website: www.jackbc.meLevi's website: www.levioutloud.comwww.thebookclubfromhell.comJoin our Discord (the best place to interact with us): discord.gg/ZMtDJ9HscrWatch us on YouTube: https://www.youtube.com/channel/UC0n7r1ZTpsUw5exoYxb4aKA/featuredTwitter: @bookclubhell666

Conta como é a Páscoa no Vaticano

Alerta sanitário para raiva herbívora na região da Fronteira Oeste do RS.

Tobias Hoffmeister has had the unique experience of being a global leader, working in many different countries. Today, he is President and CEO of MHP Americas, a Porsche Company. He and Brandon's conversation centers around the dynamic of running a country unit and maintaining the relationship with the home office, along with the essential competencies of global leaders today.

Here at NAVAS we spend a lot of time educating veterinary professionals on safe anesthetic practices, but what about the safety of the anesthetist? In today's episode, we are going to explore a mental health phenomenon known as second victim syndrome. Second victims are health care providers who are involved in an unanticipated adverse patient event, in a medical error, or in a patient-related injury and begin to feel personally responsible for the patient outcome, causing the provider to become traumatized by the event. As a result, veterinary professionals experience a tremendous amount of professional and personal suffering following these unanticipated clinical events. Anesthesia is a high-stakes field driven almost entirely by human decision making, and it is not surprising that errors, complications, or unexpected outcomes, although unintended, will occur and the patient may suffer. This makes anesthetists vulnerable to the second victim syndrome when medical errors occur. How can we help support ourselves and our peers following an adverse patient event and how can we learn to thrive after experiencing such a traumatic event? To help guide us through this important, but difficult topic, is Dr. Luiz Santos. He is a Senior Clinician of Veterinary Anesthesia at the University of Glasgow and he is currently obtaining his PhD in topics related to patient safety culture, burnout, and second victim syndrome as they relate to veterinary anesthetic practice.Dr. Santos will be one of the featured speakers at our NAVAS Virtual Spring Symposium on April 27th and 28th, 2024. Registration is free! As a warning, there will be mention of mass casualty events and suicide in this episode. Timestamps for these discuss are as follows:Discussion on gun violence/mass casualty event: 16:30-17:30Mention of suicide: 46:15-47:26Resources mentioned in today's episode: Dr. Hoffmeister's and Dr. Love's JAVMA article on patient safety culture in veterinary medicineDr. Ludder's book on medical errors in veterinary anesthetic practiceThe Second Victim Experience: Caring for our Own a presentation by Dr. Susan ScottIf you or someone you know is experiencing trauma related to second victim syndrome, please reach out to the US National Suicide Hotline (or dial or text 988).If you like what you hear, we have a couple of favors to ask of you:Become a member of NAVAS for access to more anesthesia and analgesia educational and RACE-approved CE content.Spread the word. Share our podcast on your socials or a discussion forum. That would really help us achieve our mission: Reduce mortality and morbidity in veterinary patients undergoing sedation, anesthesia, and analgesia through high-quality, peer-reviewed education.Thank you to our sponsor, Dechra - learn more about the pharmaceutical products Dechra has to offer veterinary professionals, such as Zenalpha.If you have questions about this episode or want to suggest topics for future episodes, reach out to the producers at education@mynavas.org.All opinions stated by the host and their guests are theirs alone and do not represent the thoughts or opinions of any corporation, university, or other business or governmental entity.The NAVAS Podcast is published monthly on or near the 15th of the month.Special thanks to Chris Webster for editing, producer Maria Bridges, and Saul Jimenez for IT support in making this podcast a reality.

of —“Making Anti-Globalism Global Since 2009”—takes a spin on The Carousel. His brand new book Esoteric Trumpism, foreworded by , explores the rise of anti-globalism in the context of Spengler's Decline of the West; Trump figures straining against “the tide of decline.”Constantin on TwitterConstantin on TelegramThe Carousel is a reader-supported publication. Get full access to The Carousel at www.carousel.blog/subscribe

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

Our buddy Haley Hoffmesiter stops by to talk witches, starting off as a super conservative Christian (her) to becoming... well, not. Please subscribe, tell a friend & leave us a 5-star rating! FIND US ONLINE! Web: www.scaryfunnyshow.com Twitter: www.twitter.com/scaryfunnyshow Instagram: www.instagram.com/scaryfunnyshow Facebook: www.facebook.com/scaryfunnyshow Patreon: www.patreon.com/thomtran Merch: https://www.teepublic.com/user/thomtran/albums/184668-scary-funny-the-podcast   Hosts & Guests: THOM TRAN Web: www.thomtran.com YouTube: www.youtube.comthomtranonline Instagram: www.instagram.com/_thomtran Facebook: www.facebook.com/RealThomTran Twitter: www.twitter.com/_thomtran   D'SEAN ROSS Instagram: www.instagram.com/iamdseamross   HALEY HOFFMEISTER Web: www.oldladybaby.com