Podcasts about william henry fox talbot

A lo largo de la historia los seres humanos han deseado capturar la realidad para inmortalizar un momento, el aspecto de una persona o el mundo que les rodea. Así nació la pintura, cuyos orígenes hay que buscarlos en el paleolítico. Pero la pintura tiene sus particularidades. Pasa por el tamiz del artista y que sea más o menos fidedigna depende de los consensos culturales de cada época y de la habilidad y el instrumental que emplee el pintor. En la pintura la imaginación juega un papel primordial, ya que se puede pintar lo que se desee. Es un modo un tanto libre de plasmar la realidad circundante y, como tal, puede estar sometido a todo tipo de alteraciones. El primer paso hacia la captura fiel del mundo exterior lo dio un químico alemán llamado Johann Heinrich Schulze a principios del siglo XVIII, en plena revolución científica. Schulze empleó una suspensión fotosensible para capturar imágenes temporales de letras, aunque sin conseguir conservarlas permanentemente. Décadas más tarde, y tras una serie de infructuosas pruebas, el británico Thomas Wedgwood intentó sin éxito fijar imágenes de manera permanente, creando fotogramas detallados pero efímeros. Schulze y Wedgwood habían conseguido la captura, pero no que ésta permaneciese. Los avances en la industria química permitieron al francés Nicéphore Niépce en 1826 fijar de forma indeleble la primera imagen captada por una cámara, aunque, eso sí, tras efectuar una exposición muy larga. Su colaboración con Louis Daguerre llevó al desarrollo del daguerrotipo en 1839, el primer método fotográfico comercialmente viable. Este proceso utilizaba una placa de plata yodada que reducía el tiempo de exposición a unos pocos minutos y ofrecía una claridad y detalle sin precedentes. Paralelamente, en Inglaterra, William Henry Fox Talbot inventó el calotipo, que permitía la creación de negativos de papel de los cuales se podían hacer múltiples copias positivas. Esto permitió abaratar el proceso y hacerlo más accesible. La competencia entre estos dos métodos iniciales impulsó más innovaciones, como el proceso de colodión en la década de 1850, que combinaba la calidad de imagen del daguerrotipo con la reproductibilidad del calotipo. La fotografía continuó evolucionando con la introducción de la película flexible por George Eastman en 1888 y su cámara Kodak, que democratizó la fotografía con un lema publicitario que decía "Usted presiona el botón, nosotros hacemos el resto". Este avance simplificó enormemente el proceso y, sobre todo, lo popularizó. A principios del siglo XX la fotografía se había convertido ya en algo muy común al alcance de prácticamente todo el mundo. Pero esas fotografías de los primeros tiempos eran en blanco y negro. Los seres humanos vemos en color por lo que aparecieron especialista en coloreado. Los químicos, entretanto, se concentraron en conseguir capturas en color, algo que consiguieron en 1907 con el proceso Autochrome de los hermanos Lumière. Las fotos en color eran costosas al principio. Hasta mediado el siglo XX no se popularizaron gracias a películas para el gran público como la Kodachrome y la Agfacolor. Esta tecnología permitió capturar y reproducir el mundo en todo su espectro cromático, expandiendo así las posibilidades artísticas y documentales de la fotografía, que para finales del siglo XX era ya omnipresente. Fue en ese momento cuando se produjo la revolución digital. Steven Sasson de Eastman Kodak creó el primer prototipo de cámara digital en 1975, dando comienzo a una transición que en unos años haría obsoletas las técnicas fotoquímicas tradicionales. La fotografía digital no solo permitió la edición y manipulación de imágenes de formas antes impensables, sino que extendió aún más la práctica, especialmente con la incorporación de cámaras en los teléfonos inteligentes y la conexión de estos a internet a principios del siglo XXI. En El ContraSello: 0:00 Introducción 4:20 Breve historia de la fotografía 1:24:42 La imprenta de Juan de la Cuesta 1:28:57 El canal de Kiel en la primera guerra mundial Bibliografía: - "Fotografía" de Tom Ang - https://amzn.to/4gS3sYl - "Historia de la fotografía" de Marie Loup-Sougez - https://amzn.to/4hamw4r - "Fotografía, toda la historia" de Juliet Hacking - https://amzn.to/40l4mHD - "Breve historia de la fotografía" de Ian Haydn Smith - https://amzn.to/4fQGDUd · Canal de Telegram: https://t.me/lacontracronica · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #fotografia Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Under a Red Glow Podcast Episode #87, "Happy Birthday Anna Atkins!" Show Notes: John and Christine discuss the contributions to the photographic community Anna Atkins and her friends Sir John Herschel and William Henry Fox Talbot made. Show Links: What would you do if this was in your camera? (Warning: SPIDERS) - https://petapixel.com/2022/03/17/photographer-finds-spider-living-in-his-cameras-viewfinder/ Show Support: Want to help support the show? Starting at $1 get episodes early, without ads and enjoy our supporter only after show! Supporters also get early access to creations such as YouTube videos, darkroom notes and creations and personal projects. Check out our great reward tiers with physical goodies starting at $3 and up. Thank you, your generosity helps us continue to create, demonstrate and share the art and history of photography with the world! Patreon: www.patreon.com/johnmilleker Giftable subscription: https://johnmilleker.com/store/printofthemonth/ Show Links: Website: www.underaredglow.com Facebook: www.facebook.com/underaredglow Patreon: www.patreon.com/johnmilleker YouTube: www.youtube.com/channel/UC1JlSQfaC_aFbB5t62fCn3Q Mailing List: https://us14.campaign-archive.com/home/?u=1acef2a47d235975b1cf211dd&id=732c90f600 Your host and co-host John Milleker Photography Website: www.johnmilleker.com John's Website: www.johnmilleker.com/aboutjohn Christine's Website: www.johnmilleker.com/aboutchristine --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/underaredglow/support

This week we're in the village of Lacock and this quaint medieval community might seem rather familiar.

Back in March, the artist Beeple sold a digital collage for $69 million. Photographers (and everyone else) suddenly took notice of this relatively new concept of blockchain-based ownership. In the past week, Phase One Ambassador Reuben Wu and longtime Sports Illustrated photographer Walter Iooss Jr sold pieces for nearly $60,000 each. Is it tulip mania or another mechanism for photographers to realize value from their work. In this episode of Vision Slightly Blurred, Sarah and Allen discuss the pros and cons of NFTs in the art world.Also, Sotheby's auctions off a set of William Henry Fox Talbot's photos for $1.9 million, publisher Wildsam releases a Texas BBQ edition travel guide, and Emiliano Granado denies being a millenial.

Join Dave as he goes on-site to Passerina Press in Punta Gorda, Florida, where he talks with Susan James in her expansive studio. They talk about printmaking techniques that mixes modern day photography with processes that adhere largely to 19th century plate and print making methods developed by William Henry Fox Talbot. Wondering what Photogravure is and how it's done? Well you came to the right podcast to find out. Dave and Susan cover all that and, as they wrap up, Susan parts with some wonderful advice on getting started on following your passion in life. You can check out Susan's work at passerinapress.com

Episode: 1839 Accentuate the negative: William Henry Fox Talbot.  Today, let us accentuate the negative.

With the holiday season upon us (and today's celebration of the 86th anniversary of the repeal of prohibition) we figured it a good time to revisit a wonderful episode on food photography. We will return next week with a new "Cameras of the Year" episode. ------------------------------------------------------------------------ Photographing food is far from being a new facet of photography. Whether for commercial or artistic purposes—think William Henry Fox Talbot, Edward Weston, Irving Penn—it can be found throughout eras and styles, but it sure seems like we are currently witnessing a boom in food photography. With the foodie culture exploding and the profusion of #foodstagramming, there is no shortage of photographed meals flying around the Internet. Our guests on today’s episode of the B&H Photography Podcast have a wealth of experience in this arena, having shot food photography for a combined total of... many years. Specifically, they join us to talk about their latest book, "Eating Delancey: A Celebration of Jewish Food", but while at it, we discuss food photography in general, from gear and technique to workflow for editorial and commercial assignments, and even for cookbooks. We also discuss the change in food photography styles over the years and ask their opinions on the proliferation of “food selfies.” Aaron Rezny has photographed major campaigns for Nestlé, Duncan Hines, Kellogg's, Russell Stover, Nabisco, and Applebee’s, and his work has appeared in Bon Appétit, Food & Wine, New York Magazine, and other publications. Jordan Schaps is an author, Professor of Photography at the School of Visual Arts, and the former Director of Photography at New York Magazine. He has produced shoots for inStyle, GQ, Lincoln Motors, and many other commercial and editorial clients. Together, they have produced a wonderfully engaging book. Join us for this educational and, at times, hilarious episode. Guests: Jordan Schaps and Aaron Rezny Photograph © Aaron Rezny www.rezny.com www.bhphotovideo.com/explora/podcast        

The acclaimed Ghanaian photographer Nii Obodai is renowned for his distinctive black and white hazy silhouettes of distant landscapes and his stark compassionate portraits. As a youngster he spent time in England and now he’s back as artist-in-residence in the East Riding of Yorkshire, where he’s working on a new exhibition on environmental themes. Nii is spending time in the marshes and woodland of the nearby nature reserve, photographing wildlife and the people who tend the landscape. But he’s not using the latest digital camera to take his pictures – instead he’s interweaving the techniques of the past by learning to photograph with an old-fashioned large format Deardorff camera, shooting in black and white and making prints. The work is based on techniques used by one of the founding fathers of British photography, William Henry Fox Talbot. Felicity Finch joins Nii as he explores the marshlands and prepares to take his pictures which will be displayed in the Beverley Art Gallery. She follows him through the process – which can take hours – of waiting for the birds to come into shot, pressing the shutter and reloading the films. She also watches as he takes portraits of the workers at the reservoir. Later in the seaside town of Scarborough we hear how Nii develops the films in the total darkness of an ad hoc darkroom and uses the traditional method of salt printing to create images in a variety of monochrome tones of rich earthy browns. It’s a learning process for Nii and while most of the images turn out the way he wants, others are less successful. We hear how he begins to make his final selections and how he is influenced by the potency of memory and landscape.

In this episode Gary Mansfield speaks to Mat Collishaw. Mat Collishaw was a key figure in Damien Hirst's legendary Freeze exhibition, as well as Charles Saatchi's controversial [at the time] Sensations exhibition at the Royal Academy. Mat has used the latest VR technology to recreate William Henry Fox Talbot's 1839 photography exhibition, even including the Chartist's protest. In his 2018 wor, Mask of Youth, Mat collaborated with cutting-edge special effect designers to create a 'truer' interpretation of what Queen Elizabeth I may have looked like around the time her Armada Portrait was painted (the two works sit opposite each-other at The Queens House, Greenwich, London).   For full line up of confirmed artists go to www.mizogart.com Email: podcast@mizogart.com Social Media: @mizogart

Welcome to the Outerfocus Podcast!So this week we seem to have resolved recording issues from last week - hooray! We also have a guest joining us for the ride so a warm welcome to Joao de Medeiros hailing from Portugal.We hear Joao delve into his take on photography, where he began, why wedding photography? and his future in photography as well as his take on the past, present and future of the industry. This weeks history of photography focuses on William Henry Fox Talbot, or shall we say ‘Foxy’ and we discuss the Calotype, as well as a few facts and insights on the history of Fox Talbot.Links:William EgglestonVictor Hamke (Muse & Mirror) Hasselbald Masters 2018Chuck CloseChuck Close - A Couple of Ways of Doing SomethingDye Transfer Printing Elliot Erwitt Fox TalbotCalotypeLens BallGuest Links:http://www.joaomedeirospamelaleite.comhttps://www.facebook.com/JoaoMedeiros.PamelaLeite/https://www.instagram.com/joaomedeiros.pamelaleite/Host Links:Bradley Hansonhttps://www.bradleyhanson.com

Photographing food is far from being a new facet of photography. Whether for commercial or artistic purposes—think William Henry Fox Talbot, Edward Weston, Irving Penn—it can be found throughout eras and styles, but it sure seems like we are currently witnessing a boom in food photography. With the foodie culture exploding and the profusion of #foodporn and #foodstagramming, there is no shortage of photographed meals flying around the Internet. Our guests on today’s episode of the B&H Photography Podcast have a wealth of experience in this arena, having shot food photography for a combined total of... many years. Specifically, they join us to talk about their latest book, Eating Delancey: A Celebration of Jewish Food, but while at it, we discuss food photography in general, from gear and technique to workflow for editorial and commercial assignments, and even for cookbooks. We also discuss the change in food photography styles over the years and ask their opinions on the proliferation of “food selfies.” Aaron Rezny has photographed major campaigns for Nestlé, Duncan Hines, Kellogg's, Russell Stover, Nabisco, and Applebee’s, and his work has appeared in Bon Appétit, Food & Wine, New York Magazine, and other publications. Jordan Schaps is an author, Professor of Photography at the School of Visual Arts, and the former Director of Photography at New York Magazine. He has produced shoots for inStyle, GQ, Lincoln Motors, and many other commercial and editorial clients. Together, they have produced a wonderfully engaging book. Join us for this educational and, at times, hilarious episode. Guests: Jordan Schaps and Aaron Rezny

Joe Wright directs Brecht's Life of Galileo at The Young Vic, reimagining it with a Chemical Brothers rave soundtrack... In science fiction black comedy Colossal, Anne Hathaway plays a woman coping with alcoholism whose alter ego just happens to be a giant space monster. It's a kaiju movie Jimmy McGovern's newest TV offering is Broken which stars Sean Bean as an inner city priest coping with escalating personal and parish pressures. Lucy Hughes-Hallett's novel Peculiar Ground deals with the construction and changing nature of the walls of a country estate across the centuries. Thresholds is an exhibition by Mat Collishaw at Somerset House, re-staging one of the earliest exhibitions of photography in 1839, when William Henry Fox Talbot showed his first prints. Tom Sutcliffe's guests are John Mullan, Laline Paull and Tiffany Jenkins. The producer is Oliver Jones.

Melvyn Bragg and guests discuss the development of photography in the 1830s, when techniques for 'drawing with light' evolved to the stage where, in 1839, both Louis Daguerre and William Henry Fox Talbot made claims for its invention. These followed the development of the camera obscura, and experiments by such as Thomas Wedgwood and Nicéphore Niépce, and led to rapid changes in the 1840s as more people captured images with the daguerreotype and calotype. These new techniques changed the aesthetics of the age and, before long, inspired claims that painting was now dead. With Simon Schaffer Professor of the History of Science at the University of Cambridge Elizabeth Edwards Emeritus Professor of Photographic History at De Montfort University And Alison Morrison-Low, Research Associate at National Museums Scotland Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the development of photography in the 1830s, when techniques for 'drawing with light' evolved to the stage where, in 1839, both Louis Daguerre and William Henry Fox Talbot made claims for its invention. These followed the development of the camera obscura, and experiments by such as Thomas Wedgwood and Nicéphore Niépce, and led to rapid changes in the 1840s as more people captured images with the daguerreotype and calotype. These new techniques changed the aesthetics of the age and, before long, inspired claims that painting was now dead. With Simon Schaffer Professor of the History of Science at the University of Cambridge Elizabeth Edwards Emeritus Professor of Photographic History at De Montfort University And Alison Morrison-Low, Research Associate at National Museums Scotland Producer: Simon Tillotson.