Podcasts about louis daguerre

Wir befinden uns im Jahr 1839: Am 7. Jänner stellt Louis Daguerre das nach ihm benannte Fotografie-Verfahren in der Académie des sciences de l'Institut de France in Paris erstmals vor. Im selben Jahr trifft die französische Regierung eine folgenreiche Entscheidung: Sie kauft die Rechte an dem Verfahren und macht sie – quasi als Geschenk an die Welt – gemeinfrei. Das ist der Startschuss für die Entwicklung der Fotografie zum Massenmedium. Doch wie lange dauerte es eigentlich, bis es das neue Medium bis nach Salzburg geschafft hat? Es mag erstaunen, aber es dauerte gar nicht so lang. Herzlich willkommen bei Museum am Sofa, dem Podcast des Salzburg Museum. Mein Name ist Josef Kirchner und wir begeben uns auch heute wieder gemeinsam in die Geschichte Salzburgs.

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Francouzská akademie věd v Paříži oznámila objev daguerrotypie 9. ledna 1839. Ještě téhož roku ji bezplatně věnovala světu. První komerčně úspěšný fotografický proces, který vynalezl Louis Daguerre, měl v začátcích své mouchy. Největším nedostatkem byla dlouhá expoziční doba. Zobrazované osoby se nesměli až třicet minut ani hnout, aby na snímku nebyly rozmazané. Jak se toho dalo docílit? Zpočátku bylo nutné zájemce o portrét upínat do speciálních držáků hlavy, rukou i nohou.Všechny díly podcastu Příběhy z kalendáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

A lo largo de la historia los seres humanos han deseado capturar la realidad para inmortalizar un momento, el aspecto de una persona o el mundo que les rodea. Así nació la pintura, cuyos orígenes hay que buscarlos en el paleolítico. Pero la pintura tiene sus particularidades. Pasa por el tamiz del artista y que sea más o menos fidedigna depende de los consensos culturales de cada época y de la habilidad y el instrumental que emplee el pintor. En la pintura la imaginación juega un papel primordial, ya que se puede pintar lo que se desee. Es un modo un tanto libre de plasmar la realidad circundante y, como tal, puede estar sometido a todo tipo de alteraciones. El primer paso hacia la captura fiel del mundo exterior lo dio un químico alemán llamado Johann Heinrich Schulze a principios del siglo XVIII, en plena revolución científica. Schulze empleó una suspensión fotosensible para capturar imágenes temporales de letras, aunque sin conseguir conservarlas permanentemente. Décadas más tarde, y tras una serie de infructuosas pruebas, el británico Thomas Wedgwood intentó sin éxito fijar imágenes de manera permanente, creando fotogramas detallados pero efímeros. Schulze y Wedgwood habían conseguido la captura, pero no que ésta permaneciese. Los avances en la industria química permitieron al francés Nicéphore Niépce en 1826 fijar de forma indeleble la primera imagen captada por una cámara, aunque, eso sí, tras efectuar una exposición muy larga. Su colaboración con Louis Daguerre llevó al desarrollo del daguerrotipo en 1839, el primer método fotográfico comercialmente viable. Este proceso utilizaba una placa de plata yodada que reducía el tiempo de exposición a unos pocos minutos y ofrecía una claridad y detalle sin precedentes. Paralelamente, en Inglaterra, William Henry Fox Talbot inventó el calotipo, que permitía la creación de negativos de papel de los cuales se podían hacer múltiples copias positivas. Esto permitió abaratar el proceso y hacerlo más accesible. La competencia entre estos dos métodos iniciales impulsó más innovaciones, como el proceso de colodión en la década de 1850, que combinaba la calidad de imagen del daguerrotipo con la reproductibilidad del calotipo. La fotografía continuó evolucionando con la introducción de la película flexible por George Eastman en 1888 y su cámara Kodak, que democratizó la fotografía con un lema publicitario que decía "Usted presiona el botón, nosotros hacemos el resto". Este avance simplificó enormemente el proceso y, sobre todo, lo popularizó. A principios del siglo XX la fotografía se había convertido ya en algo muy común al alcance de prácticamente todo el mundo. Pero esas fotografías de los primeros tiempos eran en blanco y negro. Los seres humanos vemos en color por lo que aparecieron especialista en coloreado. Los químicos, entretanto, se concentraron en conseguir capturas en color, algo que consiguieron en 1907 con el proceso Autochrome de los hermanos Lumière. Las fotos en color eran costosas al principio. Hasta mediado el siglo XX no se popularizaron gracias a películas para el gran público como la Kodachrome y la Agfacolor. Esta tecnología permitió capturar y reproducir el mundo en todo su espectro cromático, expandiendo así las posibilidades artísticas y documentales de la fotografía, que para finales del siglo XX era ya omnipresente. Fue en ese momento cuando se produjo la revolución digital. Steven Sasson de Eastman Kodak creó el primer prototipo de cámara digital en 1975, dando comienzo a una transición que en unos años haría obsoletas las técnicas fotoquímicas tradicionales. La fotografía digital no solo permitió la edición y manipulación de imágenes de formas antes impensables, sino que extendió aún más la práctica, especialmente con la incorporación de cámaras en los teléfonos inteligentes y la conexión de estos a internet a principios del siglo XXI. En El ContraSello: 0:00 Introducción 4:20 Breve historia de la fotografía 1:24:42 La imprenta de Juan de la Cuesta 1:28:57 El canal de Kiel en la primera guerra mundial Bibliografía: - "Fotografía" de Tom Ang - https://amzn.to/4gS3sYl - "Historia de la fotografía" de Marie Loup-Sougez - https://amzn.to/4hamw4r - "Fotografía, toda la historia" de Juliet Hacking - https://amzn.to/40l4mHD - "Breve historia de la fotografía" de Ian Haydn Smith - https://amzn.to/4fQGDUd · Canal de Telegram: https://t.me/lacontracronica · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #fotografia Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Louis Daguerre was an early pioneer of photography. While he didn't invent the medium, he did come up with a method that was workable, and perhaps most importantly, he made his method open source, so others could build off of his findings. In his early photograph, The Artist's Studio, from 1837, Daguerre wanted to show the potential for photography as not only a science but an art. He arranged a still life filled with symbols alluding to mythology demonstrating that his new method was well suited to capturing traditional subjects. Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever wondered how to cook McDonald's Chicken McNuggets in excruciating detail? I know you have. Well, Episode 127 has the answer. It comes in the form of a wacky McDonald's training video from 1983 complete with classic food item puppets, ominous music, cheesy jokes, and stereotypes galore.Healthcare and hospitals are a 24-hour business in the 2020s. A century ago it was a far different story. On Cape Cod in the early 20th century it was common for the Hyannis Hospital to close during the winter with people needing to find ways off-Cape for their needs in the off-season. This week we tell the story of how Cape Cod Hospital came to be and the people that made it possible.Children of the 1980s rejoice. On this week's Top 5 we are going to unearth some forgotten 80s cartoons. Whether you haven't watched them in decades, watched them this morning, or have never heard of them, these are bound to give you a tasty dose of nostalgia.There will be a brand new This Week In History and Time Capsule looking back at the dawn of photography and Louis Daguerre unveiling his Daguerreotype process in 1839.For more great content become a subscriber on Patreon or Buzzsprout!Helpful Links from this EpisodeThe Lady of the Dunes.comPurchase My New Book Cape Cod Beyond the Dunes!In My Footsteps: A Cape Cod Travel Guide(2nd Edition)Kiwi's Kustoms - EtsyDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreNighttime Photography (Mis)Adventures - YouTubeSubscribe on YouTube!Chicken McNuggets: McDonald's Training VideoDaguerreotype Image Collection: Library of CongressListen to Episode 126 here Support the show

1- ¿Una persona con hígado graso puede comer huevo sancochado? ¿Puede comerse la yema y comer aguacate? 2- ¿Qué tiene que ver la altura sobre el nivel del mar en el consumo de motor de una moto? 3- ¿Qué idioma se hablaba en Roma en los tiempos de Jesucristo? 4- Quisiera conocer la historia de la primera fotografía a un ser humano en la historia, captada por Louis Daguerre. 5- ¿Podrían decirme cómo funciona un vehículo híbrido? 6- ¿Será que tenemos un origen bueno o tenemos un origen malo o dependerá de nosotros hacer lo bueno o malo? Búsquenos, síganos y envíenos sus preguntas por estos medios: Facebook: https://www.facebook.com/oigamoslarespuesta/ Envíenos un mensaje https://wa.me/50684855453 Web: https://www.icecu.org Correo electrónico: icecu@icecu.org

This week we travel with Neil to Paris in 1838 as Louis Daguerre exposes human nature and it's consequences like never before.To help support this podcast & get exclusive videos every week sign up to Neil Oliver@Patreon.comhttps://www.patreon.com/neiloliver Websitehttps://www.neiloliver.com Shop - check out my shop for t-shirts, mugs & other channel merchandise,https://neil-oliver.creator-spring.com Instagram – series Instagram account is called, ‘NeilOliverLoveLetter'https://www.instagram.com/neiloliverloveletter Neil Oliver History Podcasts,Season 1: Neil Oliver's Love Letter To The British IslesSeason 2: Neil Oliver's Love Letter To The WorldAvailable on all the usual providershttps://podcasts.apple.com/gb/podcast/neil-olivers-love-letter-to-the-british-isles Hosted on Acast. See acast.com/privacy for more information.

In continuing our research on the history of photography, Stacy fills us in on the life of Louis Daguerre. Credited with inventing one of the first forms of photography, Daguerre would go down in history as a scientist who brought the worlds attention to this new concept. Using iodine, mercury vapor and a highly polished silver plate, Daguerre was able to not only capture an image but keep it from disappearing. This would springboard the development and bring photography to the masses. Not only was Daguerre an inventor, he also created many details diorammas and was a phenominal painter and sculpter of light.  If you enjoyed this episode please consider becoming a guest sponsor! Visit our Patreon for more details.  https://www.patreon.com/phxfilmrevival Don't forget to follow us on our socials!

O pioneiro da fotografia morreu há 172 anos.

Hot off our 50th episode, the Camerosity Podcast goes back to the roots of our name, exploring the rich history of Eastman Kodak, one of the most influential companies in the photographic world.  You can't talk about the history of Kodak without George Eastman and what better way to explore that history than with Todd Gustavson, curator of the George Eastman Museum in Rochester, NY. Todd has been on the show before, but in this the 51th episode, he gets center stage, talking of his role at the Eastman Museum, the origins of George Eastman and how his company got started.  In this episode, you'll learn about George Eastman making dry plates in his mother's kitchen, his motivation for making the original 1888 Kodak, where the name "Kodak" comes from, early 20th century Kodaks, prewar, postwar, and everything in between. Also joining us on the show is the only person in the US I would trust with Kodak Retina repair, Paul Barden.  Back in 2022, long time Retina guru Chris Sherlock hung up his lens spanners and retired from Retina repair.  Not willing to leave a void in quality Retina service, Chris passed on his knowledge to Paul, who lives on the west coast of the United States.  This not only means that there is still a quality option for Retina repair, but for those of you in the US, shipping rates are much cheaper than to New Zealand!  Listen to this episode as Paul talks about his work repairing Retinas, what some of his favorite models are, and what models he does and doesn't repair. In addition to Todd and Paul's massive amount of Kodak knowledge, we go deep into some of the best Kodak cameras ever made, the Kodaks Ektra, Medalist, Monitor, and Regent get discussed here.  We talk about Walter Dorwin Teague, Dr. August Nagel, and Hubert Nerwin.  Mike shares what his all time favorite Retina is to shoot, Anthony discusses his nomination for a medium format Retina, Todd and Mike talk about Joe Mihayli and his contributions to Kodak's legacy. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode of the Camerosity Podcast will be our widest ever, as the gang discusses panorama photography and panoramic cameras.  If you've ever wanted to know what it's like to shoot a Hasselblad XPan, Soviet Horizont, Noblex, or a Widelux camera, this is the episode for you!  Episode 52 will be recorded on Friday, June 30th.  We hope to see you there! This Week's Episode What is the George Eastman Museum and Why Should Anyone Go There? Largest Collection of Nitrate Film / Over 10,000 Cameras / Not Just Kodak Is on Display / One of Louis Daguerre's Original Cameras Paul Once Got Liquored Up in the George Eastman Museum / The Museum Has an Impressive Music Room George Eastman's Early Years / Eastman Dry Plate Company / Eastman's First Film Wasn't Actually Film The 1888 Kodak / Origins of the Kodak Name / Variations of the Original Box Kodaks George Eastman Pioneered Dental Care and Donated a Ton of Money to Local Schools What Caused Kodak to Move Away from Simple Box Cameras to More Complex Folding and Other Camera Designs? Early Color Film Was a Two Color Film / Kodachrome Was a 6 Layer Black and White Film with Color Filters Super Kodak Six-20 / How Many Were Made? Kodak's Priority Was to Manufacture World Wide / Kodak Canada and UK Kodak Film Was One of the Most Complicated Consumer Products Ever Made Was It a Coincidence that Kodak Started Producing Much More Advanced Cameras Right After Eastman Died? Kodak 50th Anniversary Brownie Camera Was Given Away to Children for Free Why Did Kodak Hire Dr. August Nagel to Make Cameras For Them? The Original 35mm Type 135 Cassette is Slightly Different Than the Ones Today Introducing Paul Barden Who Studied Under Chris Sherlock to Repair Retinas Paul Does Not Repair the Retina Reflexes or All the Models Chris Repaired Disabling Dead Meters on the Later Retinas Actually Improves their Usability As There's Less Parts to Move Which Retinas are the Most Dependable Shooters After Receiving a CLA? Mike is Working on a Review of the Retina IIIC /  Mike's Favorite Retina to Use is the Retina IB Not Having a Rangefinder is Not Always a Bad Thing / The Retina Accessory Lenses Aren't Very Easy to Use Besides the Retinas, What Other Great Kodak Cameras Were Made After the War? Kodak Signet 35 / Kodak Ektra / The Ektra's Focal Plane Shutter Was Like No Other Anthony Loves the Kodak Medalist / The Kodak Chevron is Not a Replacement for the Medalist How Much Influence with Walter Dorwin Teague Have on Kodak? Kodak Was Always a Film First Company / The Profit Margins Making Film Was 10x Higher Than Making Cameras Kodak Tourist and Monitor Folding Cameras / Series III Pocket Folding Kodak The Problem with Nearly All Folding Kodaks Are the Bellows, They All Leak Light Kodak Retina Bellows Usually Do Hold Up To Time and Rarely Leak Light The Kodak Duo Six-20 Is Like a Medium Format Retina / Kodak Regent Mike Summarizes Other Great Kodaks to Shoot / Kodak Signet 35 Kodak Dated Their Lenses and Cameras Using a Code Inspired by the CAMEROSITY Podcast! / UK Lenses Used CUMBERLAND What Was Kodak's Motivation With Instamatics and Disc Film? / Kodak Disc Film Was Better Than People Gave it Credit For Hubert Nerwin, Designer of the Zeiss-Ikon Contax II and III Designed the Kodak Instamatic Type 126 Cassette A Kodak Designer That Doesn't Get Talked Much About is Joeseph Mihayli / Mihayli Designed the Super Kodak Six-20, Ektra, Medalist, and Much More What Are Some Good Kodak Reference Books Out There? / Robert Shanebrook, Brian Coe, and Douglas Collins's Books Kodak's Major Developments in New Apparatus / Kodak Prototypes of the 1930s / Kodak's Crazy System TLR Kodak Super 35 and Kodak Technar Prototypes are in the Eastman Collection Anthony Was Heavily Inspired by The Art of Fixing the Shadow Paul Barden Can Repair Your Kodak Retinas (Excluding the Retina Reflexes) Always RTFM Before Shooting a Retina / Also Always Check the Exposure Counter Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ George Eastman Museum - https://www.eastman.org/ Todd Gustavson - https://www.youtube.com/watch?v=KkDCZrTKQaI Paul Barden's Retina Repair - https://kodakretina.exposure.co/the-story-of-the-kodak-retina-camera and https://www.flickr.com/photos/paulbarden/ Episode 8: Making Kodak Film with Robert Shanebrook Episode 25: Steve Sasson and the First Digital Camera Keppler's Vault 42: George Eastman Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

The Engines of Our Ingenuity Episode #2604 John Draper's Sister

In this episode, I share a little bit of the history of how film developed with early pioneers of motion pictures. For my interview, I spoke with Stefanie Hubbard, an independent film producer and owner of Pure Magic Pictures. Check out Pure Magic Pictures: IG: @puremagicpictures www.skyehoshi.com www.puremagicpictures.com In this episode, I referenced an episode of my other show Who ARTed. Listen to that episode about Louis Daguerre and The World's First Photobomb Fill out the Airwave Media Network survey to give me feedback and get a chance to win a $500 gift card: www.surveymonkey.com/r/airwave Art Smart is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Connect with me: Website | Twitter | Instagram | Tiktok Learn more about your ad choices. Visit megaphone.fm/adchoices

The first photograph of a living person was taken by Louis Daguerre in 1838. The photo depicts a figure on an otherwise empty avenue in Paris in the middle of an afternoon. But there’s an apparent mystery about it; the street and sidewalks should have been bustling with the traffic of carriages and pedestrians at that time of day, yet none can be seen. The man wasn’t alone. People and horses were there on the busy Boulevard du Temple, the popular area where the photo was taken. They just didn’t show up in the picture. The exposure time to process the photograph (known as a Daguerreotype) took seven minutes to capture an image, which had to be motionless during that time. It appears that the man on the sidewalk was the sole person photographed because he was the only one standing still—he was having his boots shined. Sometimes stillness accomplishes what motion and effort can’t. God tells His people in Psalm 46:10, “Be still and know that I am God.” Even when nations are “in uproar” (v. 6) and “the earth” shakes (v. 2), those who quietly trust in God will discover in Him “an ever-present help in trouble” (v. 1). The Hebrew words “be still” can also be translated “cease striving.” When we rest in God instead of relying solely on our limited efforts, we discover Him to be our lasting, unassailable “refuge and strength” (v. 1).

Louis Daguerre announced his early photographic process, the Daguerreotype, at a French Academy of Sciences meeting on Jan 9, 1839.

Fans voted Louis Daguerre as one of the most popular subjects covered in 3 years of Who ARTed, so I made a mashup of my two mini-episodes about Daguerre and the early days of photography. The history of photography has some really interesting and surprising facts. For example, the camera is about 2000 years older than photography. The earliest known camera obscuras were documented as far back as the 4th century BCE in China, while photography didn‘t really come about until the 18th Century. In the early 19th century, Louis Daguerre was working hard to improve the photographic method. His innovations helping to develop a latent image drastically cut down on exposure times making photography much more practical. Of course, while I say it drastically cut down exposure times, it cut the times down from hours to minutes, but it was still too long to be practical for most people to be captured in a photo. The first photograph of people actually happened by accident as one man‘s decision to get his shoes shined in 1838 led to his likeness being captured in an image that would make history. Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Graham Nash is a true visionary. Whether in the lyrics he writes, the music he plays, the songs he sings, or the photographs he captures, he sees things a little differently and—most important—he sees beauty everywhere. As he describes it during our podcast, “It's just energy. I see my life facing a column of energy every day. Where do I want to plug in today?” Listen in as Nash regales us with how multidisciplinary interests help him avoid writer's block, his fascination for early Daguerreotypes, his historic role as a digital printing pioneer, his deep respect for Epson products, and much more. Stay to the end for Nash's honest assessment of his singing voice, and to learn his secret to staying passionate and making the most of a creative life. Guest: Graham Nash Photos by Graham Nash, excerpted from A Life in Focus: The Photography of Graham Nash, and provided courtesy of Insight Editions. Cover photo © Joel Bernstein  For further details about our guest, his gear, and a selection of his historic photographs, find this episode on the B&H Explora blog at: https://www.bhphotovideo.com/explora/podcasts/photography/graham-nash-ace-photographer-digital-printing-pioneer-music-legend-the-bh Guest Bio: English singer-songwriter and musician Graham Nash is known for his light tenor voice and his iconic status as a founding member of the Hollies, Crosby, Stills & Nash, and later Young. A two-time Rock and Roll Hall of Fame inductee and the recipient of four honorary degrees, Nash was appointed an Officer of the Order of the British Empire (OBE) for his services to music and to charity. A lesser-known detail is that Nash's long held passion for images even predates his start in music. An avid photographer since the age of 10, Nash began collecting photographs in the early 1970s. In 1990, he chose to auction off his 2,000-print collection to help fund Nash Editions, the pioneering fine art digital printing company he co-founded, using an IRIS Graphics 3047 printer that is now in the collection of the Smithsonian's National Museum of American History, At the tender age of 80, Nash is still busy creating both pictures and music, while also maintaining a hectic tour schedule. A book of his photographs, A Life in Focus: The Photography of Graham Nash, was recently released by Insight Editions and is widely available in bookstores and online. Stay Connected: Personal Website: https://grahamnash.com/ Instagram: https://www.instagram.com/officialgrahamnash/ Twitter: @TheGrahamNash Facebook: https://www.facebook.com/OfficialGrahamNash/ Episode Timeline 3:10: Graham Nash's photo collection and the objects he collects today 4:10: How and where his musical and photographic paths cross 4:58: Nash's work as a sculptor 6:34: The ability to hear photographs, see music, and talk in colors 8:14: Nash's introduction to photography at 10-years-old 9:50: Nash's first camera: an Agfa with a small bellows 10:10: Being invisible when taking pictures and blending into the woodwork 12:42: Nash's favorite music photographers 13:52: It doesn't matter what camera he uses 14:30: A 1980's digital camera and an early awareness of the digital world 15:32: Both ends of the photographic spectrum—digital to Daguerreotypes 17:45: From a sense of history to modern Daguerreotypists 18:58: A personal phone number for Louis Daguerre 25:20: Episode break 20:44: Nash's pioneering work in digital printing   22:18: Iris printers and the issue of ink longevity 25:04: The transition to Epson printers and ink 26:14: An Iris print fades during an hour lunch 27:56: Nash's preference between black and white and color 28:22: Recommended printers and number of color channels   30:50: Nash's paper choice: Epson Legacy Fiber 31:22: Coordinate paper, coatings, and inks for optimal results 32:42: Nash's new book A Life in Focus, and recording music remotely during the pandemic 33:59: Nash's singing voice and how it's held up over time 35:08: Two things Nash wants his audience to know 36:22: Nash's secret to remaining passionate: Keep your eyes open—360 degrees      

Es gibt sie überall, im Zeitalter der Handykamera: Menschen, die eine ungeheure Leidenschaft für's Fotografieren haben. Möglich wurde das erst durch die Pioniere der Fotografie, besonders Louis Daguerre, den Erfinder der sogenannten Daguerreotypie. Durch ihn wurde Fotografie letztlich der Allgemeinheit zugänglich.

The history of photography has some really interesting and surprising facts. For example, the camera is about 2000 years older than photography. The earliest known camera obscuras were documented as far back as the 4th century BCE in China, while photography didn‘t really come about until the 18th Century. In the early 19th century, Louis Daguerre was working hard to improve the photographic method. His innovations helping to develop a latent image drastically cut down on exposure times making photography much more practical. Of course while I say it drastically cut down exposure times, it cut the times down from hours to minutes, but it was still too long to be practical for most people to be captured in a photo. The first photograph of people actually happened by accident as one man‘s decision to get his shoes shined in 1838 led to his likeness being captured in an image that would make history. Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

I read from daedo to dahlia.     The (original) Gameboy game I had! https://en.wikipedia.org/wiki/Daedalian_Opus       My silly video! https://www.youtube.com/watch?v=Fc6IZTm0PAI     "Louis-Jacques-Mandé Daguerre" is his name and don't you forget it.  https://en.wikipedia.org/wiki/Louis_Daguerre     The word of the episode is "daffy".     Theme music from Jonah Kraut https://jonahkraut.bandcamp.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Trigger Warning: The following episode discusses a mass shooting. I've left all the foley sounds out and do my best to treat the subject matter with reverence - but if in doubt it's fine to miss this one - I'll be back in a fortnight with a tale of some big cats…  This week we travel from 1835 France, to Paris' Boulevard du Temple (made famous in 1839 by Louis Daguerre for a different type of shooting), to The US Civil War, to the British seaside town of Southampton in the late 1870s. The one thread between these tales? An Infernal Machine….    The blog post of the episode is here. Support the show on Patreon for just $2 a month and get access to exclusive content.     Please leave a like and review wherever you listen. The best way you can help support the show is to share an episode with a friend - Creative works grow best by word of mouth. I post episodes fortnightly, Wednesdays. Tales of History and Imagination is on Facebook, Twitter, Pinterest and now an Instagram. The show has a YouTube Channel, for Audiogram advertisements. I'm not big into Social Media but if you drop by and say hi I'll shout back.        Music, writing, narration, mixing all yours truly. For more information on Simone click here.   

Welcome to June 29th, 2022 on the National Day Calendar. Today we celebrate capturing the moment and a breakfast favorite that inspired a shoe.  In 1838, Louis Daguerre set up his camera near the Boulevard du Temple in Paris. Then he took a picture. Today we are used to instant photos. Touch the button on your phone or camera and the picture is taken. But for Daguerre, the exposure time was nearly 10 minutes. This meant that if the subject wasn't standing perfectly still it wouldn't appear in the frame. For this reason, the busy Paris streets look abandoned in the photo. Except for one solitary figure in the lower left-hand corner: a man getting his boots shined. And this is the very first image of a human being caught on camera. On National Camera Day, be thankful that technology can now capture the moment. The waffle iron got its start in the Low Countries of the 14th century. These early metal plates heated over an open flame pressed images such as a coat of arms into batter. Something about all those extra nooks and crannies soaking up melted butter, syrup and jam can turn ordinary pancake batter into a special occasion. And for Nike Co-Founder Bill Bowerman, his wife's waffle iron inspired a shoe. Bill used the pattern to design a running shoe that would grip the road while remaining lightweight. The “Moon Shoe” and “Waffle Trainer” set Nike apart in the 1970s and they've been out in the lead ever since. On National Waffle Iron Day, cook up your own inspiration.   I'm Anna Devere and I'm Marlo Anderson. Thanks for joining us as we Celebrate Every Day! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sais-tu comment on faisait pour prendre des photos quand les téléphones portables n'existaient pas ? Julien t'emmène au tout début du 19e siècle pour te le raconter et te faire découvrir l'invention de Joseph Nicéphore Niépce… C'est quoi, une chambre noire ?  L'invention de la photographie remonte au tout début du 19e siècle, il y a 200 ans environ. À cette époque, on tente d'améliorer ce qu'on appelle la “chambre noire”. C'est un instrument d'optique qui utilise un principe naturel : la trajectoire de la lumière. Julien t'explique comment cela fonctionne.  La chambre noire, c'est une boîte dans laquelle on a percé un petit trou pour laisser entrer la lumière. Lorsque la lumière du soleil éclaire les objets, elle rebondit dessus. Le petit trou de la chambre noire capture ces rayons lumineux qui proviennent des objets et une image apparaît au fond de la boîte. Elle est plus petite et inversée : le haut en bas, la gauche à droite et inversement.   Ce système était utilisé par les artistes, pour projeter sur une feuille l'image qu'ils souhaitaient peindre : ils n'avaient plus qu'à dessiner par-dessus.  Les recherches de Nicéphore Niépce pour capturer la lumière   Projeter un paysage, une vue, au fond d'une chambre noire, c'est bien. Mais Joseph Nicéphore Niépce, un ingénieur passionné d'optique et de chimie, va essayer de fixer cette image. Il veut “capturer la vue” et réussir à imprimer les rayons lumineux.  Pendant des années, Niépce effectue d'innombrables essais. Il commence par utiliser des sels d'argent, un produit naturel qui a la particularité de noircir à la lumière. Lors d'une expérience, il enduit une feuille de papier avec des sels d'argent et la place au fond de la chambre noire. Il pose ensuite la boîte sur le rebord de sa fenêtre, le petit trou face au paysage, et attend…  Le premier négatif de l'Histoire  Hourra ! En 1816, Niépce parvient, en quelque sorte, à “imprimer” la lumière. Il obtient une reproduction sur papier de la vue depuis la fenêtre de sa chambre : une vue en noir et blanc, presque identique, sauf que le ciel est noir, et le toit d'ardoise est blanc.   Les zones blanches d'un paysage renvoient en effet beaucoup de lumière, et cette lumière fait noircir le sel d'argent. Au contraire, les zones sombres d'un paysage renvoient peu de lumière, donc elles ont peu d'effet sur le sel d'argent, qui reste clair. Niepce a obtenu une image inversée de son paysage !  C'est le premier négatif de l'Histoire.  Comment fixer les images ?  Le véritable souci, c'est qu'en sortant la feuille de la chambre noire, les sels d'argent continuent de réagir à la lumière. Au bout de quelques heures, la feuille est totalement noircie.  Pendant une vingtaine d'années, Niépce teste différents supports pour parvenir à fixer les images définitivement : des plaques de pierre à la place de la feuille, puis des plaques en métal… Il découvre aussi d'autres produits qui réagissent à la lumière.  Niépce arrive enfin à obtenir une vue bien figée, mais pour y parvenir, il faut exposer la plaque à la lumière pendant des heures, parfois toute une journée. C'est bien trop long ! Et puis l'image n'est pas très nette.  Pour réduire le temps de pause, et améliorer la netteté de l'image, Niépce fait appel à un certain Louis Daguerre, un décorateur de théâtre qui travaille sur la chambre noire. Ensemble, ils vont améliorer l'invention de Niépce. Ils parviennent à obtenir des images sans négatif et avec des temps de prise de vue beaucoup plus courts.  Le daguerréotype, premier appareil photographique  Niépce meurt en 1833 et c'est Louis Daguerre qui, en 1839, présente devant l'Académie des Sciences le premier appareil photographique qu'il appelle… le daguerréotype.  Après la mort de Niépce, Daguerre a poursuivi ses recherches et s'est couvert de gloire. Il a fallu des décennies avant que Joseph Nicéphore Niépce soit reconnu comme le véritable inventeur de la photographie. 

I have talked a bit about Daguerre and his photographic methods in a previous episode about the world's first photobomb. Listeners may recall that the first photograph to feature a human happened by accident as Daguerre was taking a photograph of the view out his window. Those early photographs needed a long exposure. I'm talking around 15 minutes and few subjects could sit still for that long. This is why the first subjects of photos tended to be landscapes or still lives, you know, things that will be still for a long time. The plaster casts were a practical subject. They were also intended to send a message that photography was a new medium but it could handle the traditional subject matter. In this collection, we see an arrangement of casts of Venus, cupid, the wings, and heads of two cherubs. Above the cherub or putti heads which would have been associated with Phaethon son of Helios, we see the rams head, and the golden Ram in Greek mythology was a descendant of Helios, the sun god. Central to the composition, we see these references to Greek mythology making a connection between the new medium and classic subjects but more specifically, we are seeing references to the sun. When we break down photography, photo means light. Graphy is writing, The photographic process is making a picture with light. The sunlight triggers a chemical reaction causing silver compounds to darken. If you want to learn more about Daguerre and early photography, listen to my previous mini-episode about The World's First Photobomb. This week's Friday Follow recommendation is Art Ed Radio from The Art of Education University. This segment is not paid promotion. I simply want to share some of the things that I love. If you have a recommendation for something good I should check out, email me or reach out on social media. Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Buy me a coffee As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

In ArtiFact #20, Joel Parrish and Alex Sheremet went through the history of photography from Louis Daguerre (the creator of the daguerreotype) to contemporary photographers. In ArtiFact #25, there are fewer technicals to address and more emphasis on ‘forgotten' and misunderstood photographers, with more connections to the art world as a whole. Among the questions asked: how can artists understand the techniques of one medium and apply it to their own art? What should the viewer look for in a photograph, anyway? What are the unique advantages and drawbacks of photography, especially in light of “borrowed” tropes such as painting's still life genre? What do ‘timeless' photographic shots look like, and is there a difference between those and documentary-style photography? Photographers covered: Josef Sudek, Zdzisław Beksiński, Francesca Woodman, Hengki Koentjoro, Gordon Parks, Harry Callahan, Josephine Sacabo, Sebastiao Selgado, Laura Macabresku, William Eggleston, Pete Turner You can also watch this conversation online: https://www.youtube.com/watch?v=au4d8fjlmhQ Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D Apple Podcasts: https://apple.co/3wLpqEV Google Podcasts: https://bit.ly/3dSQXxJ Amazon Music: https://amzn.to/2SVJIxB Podbean: https://bit.ly/3yzLuUo iHeartRadio: https://ihr.fm/3AK942L ArtiFact #25: Photography From Josef Sudek To Laura Makabresku | Joel Parrish, Alex Sheremet Timestamps: 0:24 – introduction; why there has been such a glut of good (and terrible) photography the past half-century; Joel on the popularization of photography over time 6:12 – Josef Sudek (1896 – 1976) – his strengths & influence; the use of light, color, motifs, and inversions of expectation; an example of a great cityscape; Sudek's use of abstraction; some issues with still life photography 53:29 – Zdzisław Beksiński (1929 – 2005) – a look at his paintings, surrealism, & comparisons with his photography; an excellent video montage of his photos; how photography naturally lends itself to a ‘softer' or more muted surrealism; how to apply these principles across art forms & disciplines 01:26:06 – Francesca Woodman (1959 – 1982) – a young photographer who was known for her selfies; how Woodman was able to subvert the “nude in a dilapidated building” cliché; a (rare) excellent photographic still life; responding some flaws in The Woodmans (2010) documentary 01:48:32 – Hengki Koentjoro – a still-living Indonesian photographer known for his landscapes, oceanscapes, and more minimalist shots; Koentjoro's subtle use of time-lapse photography 02:50:45 – Harry Callahan (1912 – 1999) – a Detroit-based photographer who was excellent in a number of styles, techniques, and photographic genres 03:06:08 – Gordon Parks (1912 – 2006) – a black American photographer who excelled at everything from fashion photography, to the documentary style, to breaking conventions across genres; how his Red Jackson series on Harlem captures the basis for art's longevity 03:29:00 – Sebastiao Selgado (b. 1944) – a contemporary Brazilian photographer who is most known for his documentary-style photography, even as he pushed boundaries and tropes far outside of the range of more typical documentary snapshots 03:45:35 – Josephine Sacabo – a contemporary photographer with some of the richest uses of analog-style editing techniques; her dipping into ‘painterly' processes; Josephine Sacabo as a technician 04:06:14 – Laura Makabresku – a contemporary photographer with a tremendous work ethic & an emphasis on symbolism, folklore, religious imagery 04:30:03 – William Eggleston (b. 1939) – a modern photographer who was a pioneer in the use of color, seemingly “unartistic” or banal shots, & documenting the American South at a time when it was out of vogue 04:42:32 – Pete Turner (1934 – 2017) – a photographer across genres and styles anchored by his expert use of color, whether it's the depiction of New York City in the 1950s using a now-unexpected palette, his travel photography in Africa & beyond, or his more symbolic work Video thumbnail © Joel Parrish Joel's website: https://poeticimport.com Read the latest from the automachination universe: https://automachination.com Read Jessica Schneider's review of The Woodmans: https://www.automachination.com/so-mu... Read Alex's (archived) essays: https://alexsheremet.com

லூயி டாகர் பிரான்சைச் சேர்ந்த நிழற்படக் கலைஞர் ஆவார். இவர் நேர்காட்சி போல தோன்றும் ஓவியங்களைக் கொண்ட டயோராமா எனப்படும் ஓவிய முறையைக் கண்டுபிடித்தார். உலகக் காட்சிகளை வண்ணமும் துரிகையும் இல்லாமல் அப்படியே படம் பிடிக்கும் ஒளிப்படக் கருவியை உருவாக்க ஆவல் கொண்டு, அம்முயற்சியில் ஈடுபட்டார். நடைமுறைக்கு உகந்தவாறு டாகுவேரியோவகை என்ற நிழற்படக் கருவியை முதன் முறையாக உருவாக்கியவர். உலகை மாற்றிய விஞ்ஞானிகள் Presented by Abdul Credits, ஆசிரியர்: திரு. ஆயிஷா இரா. நடராசன் அவர்கள் வெளியீடு: பாரதி புத்தகாலயம்

Daguerre comes up almost any time we mention photography, but we've never covered his life story. Well before he figured out how to capture images through a camera obscura, he was an artist and innovator in entertainment. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Photography in its infancy made its way to Philadelphia in 1839, literally weeks after Louis Daguerre invented the technique that carries his name.  Lampmaker Robert Cornelius was interested and took what is now recognized as the first “selfie.”  Frederick Gutekunst opened a studio where people flocked to have their picture taken.  Mathew Carey Lea helped photography make giant strides forward through his knowledge of photochemistry and then invented an entirely new branch of chemistry almost through serendipity.  Coleman Sellers II was a nationally renowned mechanical engineer for whom photography was a hobby, yet he managed to produce what is now acknowledged as the first motion picture.  All four of these photography pioneers are buried at Laurel Hill Cemetery or West Laurel Hill Cemetery.

Like cinema, photography is a recent art form which has had to “prove itself” to a skeptical audience. After Louis Daguerre created the daguerreotype, photographers grew increasingly sophisticated, experimental, and art-minded, and soon a photographic language developed. Early photographers like Alfred Stieglitz and Robert Demachy were surprisingly modern, while contemporary photographers, like Fan Ho, Vivian Maier, and Alexey Titarenko, continued to innovate into the 21st century. What are some cues for better adjudicating photographs and photographic art? What is the relationship between cinema and photography? Can (or should) cinematic stills be great photographs? What is the “discretionary” part of the artistic process, and what does photographer Joel Parrish have to say about the thought process behind his own work? Alex Sheremet and Joel Parrish discuss this, ending with the photography and films (Once Upon A Time In Anatolia, Winter Sleep) of Nuri Bilge Ceylan. Photographers covered: Alfred Stieglitz, Robert Demachy, Fan Ho, Masahisa Fukase, Vivian Maier, Sohei Nishino, Alexey Titarenko, Edmund Teske, Nuri Bilge Ceylan, Joel Parrish. You can also watch ArtiFact #20 on the automachination YouTube channel: https://youtu.be/CHcy2nQRTiA Timestamps: 0:24 – introduction; Joel Parrish as photographer; claims for greatness among the earliest photographers; does art have a self-regulating function? 9:52 – Joel on the history of photography, tension + fear between the world of painting and photography, & how photography demanded that it be taken seriously as an art-form 28:20 – how should we look at photographs? what makes it a viable art-form? Alex and Joel offer abstract and pragmatic answers from cinema, painting, and more; why cinema stills are a good short-cut for understanding photography; the “discretionary” artistic process & what this entails 53:21 – Alfred Stieglitz (1864 – 1946): one of the breakout “art-first” photographers; married to George O'Keeffe & involved with High Modern artistic circles; good title conventions; landscapes, portraiture, lite abstraction, borrowings from Impressionism & other diverse work 01:16:45 – Robert Demachy (1859 – 1936): highly modernist in approach; pioneered post-editing with painterly, sfumato, and other effects; portraiture, staged and unstaged shots, and other artistic techniques; why staging works much better with highly edited shots; Joel presents Demachy's lesser-known work from his photography books 01:40:14 – Fan Ho (1931 – 2016): Alex's (new) favorite photographer & one of the greatest photographers ever; documenting life in Hong Kong; stark use of black/white contrasts for unexpected effects; great use of abstraction, geometry, conceptualization, and symbolism 02:07:07 – Masahisa Fukase (1934 – 2012): similar to our take on Hokusai's 36 Views of Mt. Fuji, Fukase's “raven” photo series offers increasingly clever takes and inversions on a single subject: the raven; plus, a novel take on the concept of the photographic self-portrait 02:23:17 – Vivian Maier (1926 – 2009): recently discovered photographer who lived her life in obscurity; thousands of undeveloped photographs in documentary, self-portrait, abstract, and symbolic styles; Joel Parrish: ever since she's been popularized, lesser photographers have ripped off her style and innovations 02:39:14 – Sohei Nishino (b. 1982): a photographer using innovative techniques to create “dioramas” and “dioramamaps” of cities; Joel Parrish explains just how much work this process entails 02:45:37 – Alexey Titarenko (b. 1962): most prominent for his depictions of Russia's post-USSR collapse; how Titarenko uses time-lapse to make statements; why tapping Cuba and Havana makes sense as analogues to post-Soviet Russia, as if frozen in time 03:05:09 – Edmund Teske (1911 – 1966), Andre Kertesz (1894 – 1985), Josephine Sacabo, Michael Ackerman & Alec Soth 03:32:00 – Joel Parrish on his own photography, thinking process, artistic decisions, & more 03:58:08 – Chris Marker's La Jetee (1962); how a movie can be shot using still images only; why there is still a great deal of cinematic scope in still images; La Jetee is full of individually great shots, irrespective of the broader film; why a great script is essential to a film like this 04:21:32 – Nuri Bilge Ceylan's Once Upon A Time In Anatolia (2011) and Winter Sleep (2014); Ceylan as cinematographer & photographer; how cinematography ought to be tapped and discussed outside of comments re: a film's “beauty”   Read the latest from the automachination universe: https://automachination.com   Read Alex's (archived) essays: https://alexsheremet.com   Joel's website: https://poeticimport.com   Tags: #photography, #NuriBilgeCeylan, #frenchfilm

Die Welt ist ungerecht, das wissen wir alle. Für alle, die noch ein Beispiel suchen: Ein Foto eines Käsebrotes hat ähnliche viele Megabyte wie ein seitenlanger wissenschaftlicher Text. Das würde sicherlich auch Louis Daguerre empören, dessen Fotografie-Technik heute vor 180 Jahren der Öffentlichkeit präsentiert wurde.

The Very First Photograph Was Anything But Instant! Welcome to June 29th, 2021 on the National Day Calendar. Today we celebrate capturing the moment and one giant leap for sneakers.  In 1838, Louis Daguerre set up his camera near the Boulevard du Temple in Paris. Then he took a picture. Today we are used to the almost instantaneous photo process. Touch the button on your phone or camera and the picture is taken. But for Daguerre, the exposure time was nearly 10 minutes. This meant that nothing in frame would appear in the photo if it weren't standing perfectly still. For this reason, the busy Paris streets look abandoned in this photo. Except for one solitary figure in the lower left-hand corner: a man getting his boots shined. And this is the very first image of a human being caught on camera. On National Camera Day, get out your phones and start clicking away.  And be thankful that technology has slowed things to the speed of the present.  The waffle iron got its start in the Low Countries of the 14th century.  These early metal plates heated over an open flame pressed images such as a coat of arms into batter.  And the waffle pattern still inspires us today!  Something about all those extra nooks and crannies soaking up melted butter, syrup and jam can turn ordinary pancake batter into a special occasion.  And for Nike Co-Founder Bill Bowerman, his wife's waffle iron inspired a shoe.  Bill used the pattern to design a running shoe that would grip the road while remaining lightweight.  The “Moon Shoe” and “Waffle Trainer” set Nike apart in the 1970s and they've been out in the lead ever since.  On National Waffle Iron Day, cook up your own inspiration.  Jogging afterwards is optional.   I'm Anna Devere and I'm Brian Reinbold.  Thanks for joining us as we Celebrate Every Day.

Louis Daguerre fue el primer divulgador de la fotografía, tras inventar el daguerrotipo, y trabajó además como pintor y decorador teatral. Louis Daguerre pasará a la historia por inventar el diorama, instalación mediante la que se proporciona sensación de profundidad a las imágenes. Este invento despertó la atención del público parisino en un espectáculo que consistía en crear la ilusión al espectador de que se encontraba en otro lugar a través de imágenes enormes, que se podían mover y que se combinaban con un juego de luces y sonidos, para que pareciese que el espectador estaba en situaciones como una batalla, una tempestad, etc.

THOMAS Sutton James Clark Maxwell Josef Maximilian Petzval's lens Louis Daguerre's daguerrotype

durée : 00:03:05 - Mômes trotteurs - par : Ingrid Pohu - Cap sur le 14e arrondissement de la capitale, nous partons flâner dans la très commerçante rue Daguerre, qui relie l’avenue du Général-Leclerc à l’avenue du Maine. Son nom rend hommage à Louis Daguerre, inventeur au XIXe siècle de l’ancêtre de l’appareil photo.

durée : 00:03:05 - C'est mon week-end - par : Ingrid Pohu - Cap sur le 14e arrondissement de la capitale, nous partons flâner dans la très commerçante rue Daguerre, qui relie l’avenue du Général-Leclerc à l’avenue du Maine. Son nom rend hommage à Louis Daguerre, inventeur au XIXe siècle de l’ancêtre de l’appareil photo.

Photographie réalisée en daguerréotype - par l'inventeur du procédé Louis Daguerre, en 1838 - "Boulevard du Temple" serait en fait une des premières représentations d'un être humain sur un cliché photographique. En effet, en regardant attentivement, on peut observer... un homme qui se fait cirer les bottes en pleine rue de Paris... See acast.com/privacy for privacy and opt-out information.

The history of photography has some really interesting and surprising facts. For example, the camera is about 2000 years older than photography. The earliest known camera obscuras were documented as far back as the 4th century BCE in China, while photography didn't really come about until the 18th Century. In the early 19th century, Louis Daguerre was working hard to improve the photographic method. His innovations helping to develop a latent image drastically cut down on exposure times making photography much more practical. Of course while I say it drastically cut down exposure times, it cut the times down from hours to minutes, but it was still too long to be practical for most people to be captured in a photo. The first photograph of people actually happened by accident as one man's decision to get his shoes shined in 1838 led to his likeness being captured in an image that would make history. For images and more resources, check out www.WhoArtEdPodcast.com 

We have been learning a lot about the various country and their inventions but some of the most popular things ever invented in France. In this episode, we will talk about some of these popular French inventions. We all know about Parachute right? A balloon-like mode of travel in the air. Yes, Parachute, the entertaining ride was a French invention invented by Louis Sebastian in the 18th century. The word Parachute came from the french word “parasol” and “shoot” means to protect from falling. The 1st parachute jump was done in the year 1783. Amazing, right? How many of you love clicking photographs? Most of us do, right? We often showcase our creativity through the photographs we click. But do you know the story behind the invention of photographs? The world’s first photograph was invented by Nicéphore Niépce, from a window. The first black and white photograph took 8-9 hours to process before it gave a final result. Louis Daguerre, a French artist reduced this long processing time of developing a photograph, and thus in the year 1838, the world had its first confirmed photograph. Did you know, a single frame is known as a “still photograph” but when a number of frames are watched in motion, it is known as “Cinema”. France contributed to inventing the first video camera in the world. It was invented by a Frenchman named Louis Le Prince in 1888. He was also the first man to shoot the first moving sequence of a film from his invention. Right after that, the Lumiere Brothers of France were the first to announce the first public screening in December 1985. In the year 1816, physician Rene Theofield invented the Stretoscope, an instrument to analyze the sound of the human body like our heartbeat. Though this instrument is very advanced these days but back in 1816, it was just like a plastic pipe when used the first time ever. So hope you liked this episode and we will bring the inventions from another country next time. www.chimesradio.com http://onelink.to/8uzr4g https://www.facebook.com/chimesradio/ https://www.instagram.com/vrchimesradio/Support the show: https://www.patreon.com/chimesradioSee omnystudio.com/listener for privacy information.

In this episode of the fine art photography podcast: a quick followup to my discussion of daguerreotypes from my previous episode (number 23 Southworth & Hawes) -- just how fragile were they? There's a common perception, supported by much early documentation, that daguerreotypes are easily wiped off the plate. But modern science seems to contradict that. The Daguerreotype: Nineteenth Century Technology and Modern Science by M. Susan Barger and William B. White, (Available new and used on Amazon) Cover art: Daguerreotype portrait of Louis Daguerre, inventor of the process, photographed in 1844 by Jean-Baptiste Sabatier-Blot. Note: This description contains an Amazon Affiliate link. I may earn a small commission on qualifying purchases. --- Support this podcast: https://anchor.fm/keith-dotson/support

In this episode of the fine art photography podcast: a quick followup to my discussion of daguerreotypes from my previous episode (number 23 Southworth & Hawes) -- just how fragile were they? There's a common perception, supported by much early documentation, that daguerreotypes are easily wiped off the plate. But modern science seems to contradict that. The Daguerreotype: Nineteenth Century Technology and Modern Science by M. Susan Barger and William B. White, (Available new and used on Amazon) Cover art: Daguerreotype portrait of Louis Daguerre, inventor of the process, photographed in 1844 by Jean-Baptiste Sabatier-Blot. Note: This description contains an Amazon Affiliate link. I may earn a small commission on qualifying purchases. --- Support this podcast: https://anchor.fm/keith-dotson/support

Louis Jacques Mandé Daguerre demonstra o daguerreótipo diante da Academia de Ciências em Paris em 19 de agosto de 1839. Este primeiro processo fotográfico é resultado dos trabalhos de Nicéphore Niépce e Daguerre. Eles produziram uma imagem sem negativo sobre uma superfície em prata, polida como um espelho, exposta diretamente à luz. A partir de 1850, o daguerreótipo seria substituído pelo processo negativo/positivo sobre papel, o que permitia reproduzir a imagem. Niépce morreu na miséria seis anos antes da demonstração de Daguerre, a quem estava associado.★ Support this podcast ★

Si les débuts de la photo remontent à 1839, il ne faut pas attendre très longtemps avant que cette nouvelle technologie débarque dans la Cité de Champlain. En effet, l'année 1840 voit arriver des daguerréotypes – procédé photographique inventé par Louis Daguerre – dans la Capitale, pour la plus grande joie des curieux. Dans les décennies qui suivront, un milieu de la photographie se développe à Québec, milieu auquel un Livernois, un Vallée ou un Notman joueront une influence marquante. Lorsque le siècle se termine, on peut véritablement parler d'une « signature visuelle de la ville française ». Cette semaine, nous avons la chance de nous entretenir avec Pierre Lavoie, commissaire à l'entreprise de la Ville de Québec, et Patrick Altman, photographe, tous deux coauteurs de « Québec éternelle. Promenade photographique dans l'âme d'un pays ». Une heure durant, ils nous parleront certes de cette magnifique synthèse parue l'automne dernier aux Éditions de l'Homme, mais nous ferons également découvrir le milieu de la photographie dans la ville de Québec du XIXe siècle. Enregistré sur les ondes de CHYZ 94.3 FM le 23 janvier 2014. Image : La rue Saint-Jean en hiver, vers 1890. Jules-Ernest Livernois.

Who worked with Louis Daguerre to make the daguerreotype? Who invented telly? In which medium is Amanda Holden best witnessed? Jake Yapp & Natt Tapley & Lizzie Roper find out in today's Date Fight!

It's widely written that photography was "invented" by Louis Daguerre in 1839; however, nothing has such a clear or clean origin story. Join our hosts as they dissect the very beginnings of photography: how it was invented when it was, who used this new medium, why that matters and who actually invented it.

Bienvenue dans 36 POSES, le podcast qui vous parle de photographie. Comme promis, voici les liens des copains qui m'ont aidé à réaliser ce premier épisode ainsi que la mise en place globale du podcast : Louis - SPATIUM : https://feed.ausha.co/yA8rjCDJPqx0 Niko - Le streetcast de Niko : www.blablahightech.fr/feed/podcast/streetcast-blablahightech Kevin - Pas de podcast mais son Instagram est super cool : www.instagram.com/kvnhikari/ N'hésite pas à t'abonner au podcast et à me suivre sur les réseaux sociaux pour ne pas louper les prochains épisodes ! Instagram : https://www.instagram.com/lephotographe_/ Twitter : https://twitter.com/lephotographe_ Transcription de l'épisode : On attribue la naissance de la photographie au début du 19e siècle plus précisément au alentours de l’année 1827 en France et plus précisément à Chalon-sur-Saône quand un inventeur Français Joseph Nicéphore Niépce combine 3 procédés chimiques découverts dans les décennies précédentes pour arriver aux débuts de la photographie telle qu’on la connaitra par la suite. Nicéphore meurt en 1833 et Louis Daguerre reprends tous ses travaux pour continuer à améliorer le procédé pour arriver à la création conventionnelle de la photographie le 7 janvier 1839 sous le nom de Daguerréotype,  Alors oui, la technique photographique à connu de nombreuses évolutions : les débuts sur plaque de cuivre, puis en verre jusqu’au détournement des films cinéma 70mm coupé en deux sur la longueur pour obtenir le format 35mm, par un certain George Eastman qui se trouvera être le fondateur de Kodak par la suite. C’est avec le Kodak Brownie n°1 que la photographie allait devenir un loisir ouvert à tous, et c’est avec le Brownie n°2 qu’apparait un nouveau format de film : le 120 (ou moyen format) que l’on connait encore aujourd’hui, introduit en 1901 il est toujours utilisé aujourd’hui par une communauté très active, comme son petit frère le 35mm ou 135 introduit sous la forme de cartouches en 1934. Depuis cette époque la, très peu de mouvement coté tailles de film jusqu’à ce que des géants photographiques dans le courant de l’année 96 sentent le vent des nouvelles technologies tourner et se décidèrent à introduire un nouveau format que vous connaissez tous aujourd’hui : l’APS !  Et oui, les capteurs APS-C de la plupart de reflex numériques que l’ont connait son basés sur cette taille de film, plus petit qu’un capteur dit plein format 24x36 puisqu’un film APS mesure «seulement» 16x32mm.  si ce format n’a jamais plu au grand public malgré une armée commerciale pour en venter les mérites, il comportait pourtant sur le papier une réelle avancée, il vous laissait le choix de faire des photos dans les formats que vous souhaitiez, classique, 16/9 ou encore panoramique.  Du à sa taille plus petite que le 35mm, la qualité d’image perçue était moins bonne, le développement plus compliqué pour les laboratoire et le fait que le film reste après développement dans la cartouche contrairement au 35mm on fait que ce type de film n’a eu qu’une durée de vie très courte, mais elle à pourtant influencé les constructeurs à l’heure du passage au numérique, puisqu’ils se sont basés sur cette taille pour réaliser leurs premiers capteurs numériques ..  L’arrivée du numérique en photographie a permis une notion qui n’était pas présente jusqu’à la : la réussite par l'échec .. je m’explique, en argentique, il fallait attendre plusieurs jours après sa photo pour avoir le résultat, en tirage papier impossible à retoucher ou modifier, il fallait donc être sur de ce que l’on faisait avant même d'appuyer sur le déclencheur ! En numérique, l’instantanéité offre la flexibilité de rater des photos et de s’en rendre compte de suite pour adapter ses réglage de prise de vues et essayer à nouveau dans la foulée !

För 180 år sedan fick fotografin sitt genombrott. Idag tar alla bilder på allt och alla hela tiden. Fotohistorien utmärks av tekniksprång som efter hand gjort det allt enklare att fotografera. Vi möter fotohistorikern Björn Axel Johansson som skrivit flera böcker i fotohistoriska ämnen. Han är som rådgivare knuten till Tekniska museet i Stockholm som även är ett slags nationalmuseum för fotografi, då där finns samlingar av såväl kameror, annan fototeknisk utrustning och även bilder från en rad olika epoker. I programmet, inspelat i museets fotografica-magasin, berättar Johansson bland annat om märkesåret 1839, när fransmannen Louis Daguerre lanserade det första praktiskt användbara systemet för att ta fotografiska bilder. Programledare: Mats Carlsson-Lénart Producent: Camilla Widebeck camilla.widebeck@sverigesradio.se

LOUIS DAGUERRE raccontato da Alessandra Mauro

Melvyn Bragg and guests discuss the development of photography in the 1830s, when techniques for 'drawing with light' evolved to the stage where, in 1839, both Louis Daguerre and William Henry Fox Talbot made claims for its invention. These followed the development of the camera obscura, and experiments by such as Thomas Wedgwood and Nicéphore Niépce, and led to rapid changes in the 1840s as more people captured images with the daguerreotype and calotype. These new techniques changed the aesthetics of the age and, before long, inspired claims that painting was now dead. With Simon Schaffer Professor of the History of Science at the University of Cambridge Elizabeth Edwards Emeritus Professor of Photographic History at De Montfort University And Alison Morrison-Low, Research Associate at National Museums Scotland Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the development of photography in the 1830s, when techniques for 'drawing with light' evolved to the stage where, in 1839, both Louis Daguerre and William Henry Fox Talbot made claims for its invention. These followed the development of the camera obscura, and experiments by such as Thomas Wedgwood and Nicéphore Niépce, and led to rapid changes in the 1840s as more people captured images with the daguerreotype and calotype. These new techniques changed the aesthetics of the age and, before long, inspired claims that painting was now dead. With Simon Schaffer Professor of the History of Science at the University of Cambridge Elizabeth Edwards Emeritus Professor of Photographic History at De Montfort University And Alison Morrison-Low, Research Associate at National Museums Scotland Producer: Simon Tillotson.

Dominic grew up in Sydney, Australia and now lives in Austin, Texas. He is the author, most recently, of The Last Painting of Sara de Vos, a New York Times Bestseller and a New York Times Book Review Editors' Choice selection. His short fiction has been nominated for a Pushcart Prize and appeared in numerous journals and magazines, including The Atlantic Monthly, Texas Monthly, and the Chicago Tribune. His other novels are: The Mercury Visions of Louis Daguerre, The Beautiful Miscellaneous, and Bright and Distant Shores.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wichita Art Museum has unveiled their newest exhibition Photographic Wonders: American Daguerreotypes from the Nelson-Atkins Museum of Art. A Daguerreotype is one of the earliest forms of photography. Invented in France by Louis Daguerre in 1839, Daguerre revolutionized scientific observation as well as art. He discovered how to fix an image on to a silver plate with out it fading away – something his predecessors had not yet solved.

En el programa de esta semana de Ágora Historia en Gestiona Radio, tendremos los siguientes contenidos: - David Benito entrevista a la periodista y escritora Mónica González Álvarez, autora del libro "Las claves de Inferno de Dan Brown", que nos hablará sobre la figura del poeta italiano Dante Alighieri (Florencia, 29 de mayo de 1265 – Rávena, 14 de septiembre de 1321). Su obra maestra, La Divina Comedia, es una de las obras fundamentales de la transición del pensamiento medieval al renacentista, considerada como la obra maestra de la literatura italiana y una de las cumbres de la literatura universal. En italiano es conocido como il Sommo Poeta («el Poeta Supremo»). A Dante también se le considera el «padre del idioma» italiano. - Alfonso Benito, en su sección "La Historia en imágenes" patrocinada por AV Proyectores, nos trae la foto de la primera fotografía que se tomó de un ser humano en la historia. Tomada en el Boulevard du temple, en París, por Louis Daguerre, entre 1838 y 1839, como curiosidad, para ser captada, debió haber estado expuesta unos 10 minutos para lograr la impresión de la imagen. - Conoceremos las principales noticias acaecidas en torno a la Historia, de la mano de David Benito y Gema García Ruipérez. Os recordamos que también nos podéis seguir a través de: Twitter: https://twitter.com/agorahistoria Facebook: www.facebook.com/agorahistoriaprograma www.agorahistoria.com