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2 episodes with Wedgwood
2 episodes with Wedgwood
2 episodes with Wedgwood
2 episodes with Wedgwood
2 episodes with Wedgwood
2 episodes with Wedgwood
Michelle Lane's family landscaping business has been around for 75 years. But when she Googled herself during a presentation at Belgard University… she found three reviews.In this episode of The Landscaper's Guide, Jack Jostes talks with Michelle about something even the most established landscape companies get wrong—and how to fix it—with better branding, smarter marketing, and a whole lot more Google reviews.
Does thought leadership belong only to bold personalities and charismatic speakers? Christina Wedgwood doesn't think so. In her book, "Better: A More Authentic Path for the Reluctant Thought Leader", Christina explores how deep thinkers, perfectionists, and even those uneasy about taking center stage can still powerfully shape ideas and conversations. In this conversation, Christina explains that thought leadership isn't about how loudly you speak—it's about clarity, simplicity, and authenticity. She argues that true impact comes from quiet, deliberate thinkers whose insights might otherwise go unnoticed. Christina reveals why "better" does not mean "louder," encouraging thought leaders to embrace their unique strengths rather than fitting into preconceived molds. Christina and Bill also delve into the emotional journey of creating thought leadership content. They discuss perfectionism and the common barrier of feeling "not ready yet," offering strategies to move past these hurdles and confidently share ideas. Christina emphasizes the importance of thinking partners—trusted individuals who challenge your thoughts and help refine your message. Drawing from her extensive experience coaching authors and developing thought leadership content, Christina shares valuable lessons from writing her own book. She reflects on the vulnerability required to bring deep, authentic ideas to an audience and provides insights into sustaining impactful thought leadership over time. Whether you're reluctant or ready to embrace your role, this episode offers practical advice for creating meaningful, enduring thought leadership. Three Key Takeaways: • Thought Leadership Isn't Only for Extroverts. Christina emphasizes that thought leadership isn't exclusive to big personalities who dominate stages. Her book, Better: A More Authentic Path for the Reluctant Thought Leader, opens doors for quieter, more introspective thinkers, perfectionists, and those hesitant to step into the spotlight, empowering them to share their meaningful ideas. • Better Does Not Equal Louder. Authentic and powerful thought leadership is not about being the loudest voice in the room. Instead, it's about clarity, simplicity, and genuine insight. Christina challenges the myth that louder equates to better, advocating instead for thoughtful reflection and deliberate expression as essential traits of true thought leadership. • Embrace Imperfection and Take Action. Many aspiring thought leaders delay sharing their ideas because they're waiting for perfection—one more book, another certification, or additional case studies. Christina advocates for getting your ideas out of your head and into the world, embracing vulnerability, and taking actionable steps even when conditions aren't "perfect." If you found our discussion on authentic thought leadership engaging, you might also appreciate our episode featuring Simon Leslie, CEO and Founder of Ink Global. In "An Authentic Voice in Thought Leadership," Simon shares how publishing his book, There Is No F in Sales, transformed his business and personal growth. He delves into the importance of using one's authentic voice in thought leadership and the unexpected opportunities that arise from it. Tune in to explore how embracing authenticity can amplify your impact in the thought leadership arena.
Send us a textHillary sits down with Jason Lheureux, Director of Residential Programs at Wedgwood, to discuss the impact a single trusted adult can have on a child's life. They explore how safe, supportive relationships build confidence, and how it helps kids navigate life's challenges.Jason shares real-life examples and practical ways that parents, mentors, teachers, and community members can step into this vital role. Whether you're a caregiver, educator, or simply someone who wants to make a difference, this conversation will inspire you to be that one trusted adult for a child in need.For more information on the podcast, please visit: https://www.wedgwood.org/podcast/For more information on The State of the Child Conference, please visit: www.wedgwood.org/sotcTo learn more about Wedgwood, please visit: https://www.wedgwood.org/For podcast and/or Wedgwood merch, please visit: https://wcb.myprostores.com/Support the showDon't forget to subscribe to stay up-to-date on the latest episodes!
This week, Candace tells a harrowing story of the victims and survivors of the Wedgwood Baptist Church Shooting in Fort Worth, Texas in September of 1999. Instagram: @CousinsonCrimePodcast Email: CousinsonCrime@gmail.com Theme Music by AleXZavesa Join our new Patreon! https://www.patreon.com/CousinsOnCrime Check out our merch store! https://cousinsoncrime-shop.fourthwall.com/? Sources: https://www.wedgwoodbc.org/wedgwood-shooting.html https://fwtx.com/news/wedgwood-baptist-church-shooting-25-years/ https://www.findagrave.com/memorial/23861536/kristi-kathleen-beckel https://harold-hendrick.com/2009/03/16/browning-don/ https://mentalhealthconnection.org https://fortworthreport.org/2024/08/21/born-out-of-tragedy-mental-health-connection-builds-on-25-year-legacy-in-tarrant-county/ https://discipleallnations.org/members/wp-content/uploads/2017/12/NightofTragedyDawningofLight-1.pdf
Neil Brownsword is one of the most intriguing – and uncompromising – ceramic artists currently practicing in the UK. His work is inspired by the de-industrialisation of his home city, Stoke-on-Trent, and, appropriately enough, his career in ceramics began when he worked as an apprentice in the Wedgwood factory as a 16 year old in the mid 1980s. Subsequently, he went on to study at the University of Cardiff and the Royal College of Art. Neil's research examines the manufacturing histories of North Staffordshire's ceramic industry, and the effects globalisation has had upon people, place and traditional skills in recent decades. Over the years, he has won numerous awards and exhibited across the globe, while at the same time maintaining an important career in education. He is currently a professor of ceramics at the University of Staffordshire.In this episode we talk about: his latest show at the Crafts Study Centre in Farnham, Surrey; historical copying in the ceramics industry; inducing failure; working at Wedgwood on a YTS scheme; being good at art in school; creating his early, sexually-charged pieces; not selling pots; why his work changed radically at the turn of the century; escaping the ‘stranglehold' of narrative; becoming ‘a post-industrial factory manager'; bridling against ‘factory tourism'; putting industrial artisans on a cultural platform; investigating the ‘marginalised potential of the past'; and why it's important to safeguard rather than preserve skill.Support the show
Send us a textIn this Coffee Break Conversation episode, Dr. Dan Gowdy, President and CEO of Wedgwood Christian Services, shares his heart on what it means to lead with purpose and compassion. Drawing from his personal journey—including his education, missionary work, and extensive leadership experience—Dan emphasizes the power leadership in building empowered, engaged teams. He also discusses the importance of integrated mental and behavioral health care, reducing stigma, and increasing public awareness. Tune in to this inspiring conversation from an incredible leader!For more information on the podcast, please visit: https://www.wedgwood.org/podcast/To learn more about Wedgwood, please visit: https://www.wedgwood.org/To join the Wedgwood team, visit: www.wedgwood.org/join-our-team For podcast and/or Wedgwood merch, please visit: https://wcb.myprostores.com/Support the showDon't forget to subscribe to stay up-to-date on the latest episodes!
A lo largo de la historia los seres humanos han deseado capturar la realidad para inmortalizar un momento, el aspecto de una persona o el mundo que les rodea. Así nació la pintura, cuyos orígenes hay que buscarlos en el paleolítico. Pero la pintura tiene sus particularidades. Pasa por el tamiz del artista y que sea más o menos fidedigna depende de los consensos culturales de cada época y de la habilidad y el instrumental que emplee el pintor. En la pintura la imaginación juega un papel primordial, ya que se puede pintar lo que se desee. Es un modo un tanto libre de plasmar la realidad circundante y, como tal, puede estar sometido a todo tipo de alteraciones. El primer paso hacia la captura fiel del mundo exterior lo dio un químico alemán llamado Johann Heinrich Schulze a principios del siglo XVIII, en plena revolución científica. Schulze empleó una suspensión fotosensible para capturar imágenes temporales de letras, aunque sin conseguir conservarlas permanentemente. Décadas más tarde, y tras una serie de infructuosas pruebas, el británico Thomas Wedgwood intentó sin éxito fijar imágenes de manera permanente, creando fotogramas detallados pero efímeros. Schulze y Wedgwood habían conseguido la captura, pero no que ésta permaneciese. Los avances en la industria química permitieron al francés Nicéphore Niépce en 1826 fijar de forma indeleble la primera imagen captada por una cámara, aunque, eso sí, tras efectuar una exposición muy larga. Su colaboración con Louis Daguerre llevó al desarrollo del daguerrotipo en 1839, el primer método fotográfico comercialmente viable. Este proceso utilizaba una placa de plata yodada que reducía el tiempo de exposición a unos pocos minutos y ofrecía una claridad y detalle sin precedentes. Paralelamente, en Inglaterra, William Henry Fox Talbot inventó el calotipo, que permitía la creación de negativos de papel de los cuales se podían hacer múltiples copias positivas. Esto permitió abaratar el proceso y hacerlo más accesible. La competencia entre estos dos métodos iniciales impulsó más innovaciones, como el proceso de colodión en la década de 1850, que combinaba la calidad de imagen del daguerrotipo con la reproductibilidad del calotipo. La fotografía continuó evolucionando con la introducción de la película flexible por George Eastman en 1888 y su cámara Kodak, que democratizó la fotografía con un lema publicitario que decía "Usted presiona el botón, nosotros hacemos el resto". Este avance simplificó enormemente el proceso y, sobre todo, lo popularizó. A principios del siglo XX la fotografía se había convertido ya en algo muy común al alcance de prácticamente todo el mundo. Pero esas fotografías de los primeros tiempos eran en blanco y negro. Los seres humanos vemos en color por lo que aparecieron especialista en coloreado. Los químicos, entretanto, se concentraron en conseguir capturas en color, algo que consiguieron en 1907 con el proceso Autochrome de los hermanos Lumière. Las fotos en color eran costosas al principio. Hasta mediado el siglo XX no se popularizaron gracias a películas para el gran público como la Kodachrome y la Agfacolor. Esta tecnología permitió capturar y reproducir el mundo en todo su espectro cromático, expandiendo así las posibilidades artísticas y documentales de la fotografía, que para finales del siglo XX era ya omnipresente. Fue en ese momento cuando se produjo la revolución digital. Steven Sasson de Eastman Kodak creó el primer prototipo de cámara digital en 1975, dando comienzo a una transición que en unos años haría obsoletas las técnicas fotoquímicas tradicionales. La fotografía digital no solo permitió la edición y manipulación de imágenes de formas antes impensables, sino que extendió aún más la práctica, especialmente con la incorporación de cámaras en los teléfonos inteligentes y la conexión de estos a internet a principios del siglo XXI. En El ContraSello: 0:00 Introducción 4:20 Breve historia de la fotografía 1:24:42 La imprenta de Juan de la Cuesta 1:28:57 El canal de Kiel en la primera guerra mundial Bibliografía: - "Fotografía" de Tom Ang - https://amzn.to/4gS3sYl - "Historia de la fotografía" de Marie Loup-Sougez - https://amzn.to/4hamw4r - "Fotografía, toda la historia" de Juliet Hacking - https://amzn.to/40l4mHD - "Breve historia de la fotografía" de Ian Haydn Smith - https://amzn.to/4fQGDUd · Canal de Telegram: https://t.me/lacontracronica · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #fotografia Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Who else in literature today could be more interesting to interview than Brandon Taylor, the author of Real Life, Filthy Animals, and The Late Americans, as well as the author of popular reviews and the sweater weather Substack? We talked about so much, including: Chopin and who plays him best; why there isn't more tennis in fiction; writing fiction on a lab bench; being a scientific critic; what he has learned working as a publisher; negative reviews; boring novels; Jane Austen. You'll also get Brandon's quick takes on Iris Murdoch, Jonathan Franzen, Lionel Trilling, György Lukács, and a few others; the modern critics he likes reading; and the dead critics he likes reading.Brandon also talked about how his new novel is going to be different from his previous novels. He told me:I no longer really want to be starting my books, quote unquote, in media res. I want my books to feel like books. I don't want my books to feel like movies. And I don't want them to feel like treatments for film. And so I want to sort of bring back all of what a novel can do in terms of its structure and in terms of its form and stuff like that. And so it means starting books, you know, with this sort of Dickensian voice of God speaking from on high, sort of summing up an era. And I think also sort of allowing the narrators in my work to dare to sum up, allowing characters in my work to have ideologies and to argue about those ideologies. I feel like that is a thing that was sort of denuded from the American novel for a lot of millennials and just sort of like trying to put back some of that old fashioned machinery that was like stripped out of the novel. And seeing what of it can still function, seeing, trying to figure out if there's any juice left in these modes of representation.I have enjoyed Brandon's fiction (several people I recommend him to have loved Real Life) and I think he's one of the best critics working today. I was delighted to interview him.Oh, and he's a Dickens fan!Transcript (AI produced, lightly formatted by me)Henry: Today I am talking to Brandon Taylor, the author of Real Life, Filthy Animals, and The Late Americans. Brandon is also a notable book reviewer and of course he writes a sub stack called Sweater Weather. Brandon, welcome.Brandon: Yeah, thanks for having me.Henry: What did you think of the newly discovered Chopin waltz?Brandon: Um, I thought, I mean, I remember very vividly waking up that day and there being a new waltz, but it was played by Lang Lang, which I did not. I don't know that, like, he's my go-to Chopin interpreter. But I don't know, I was, I was excited by it. Um, I don't know, it was in a world sort of dominated by this ethos of like nothing new under the sun. It felt wonderfully novel. I don't know that it's like one of Chopin's like major, I don't know that it's like major. Um, it's sort of definitively like middle of the road, middle tier Chopin, I think. But I enjoyed it. I played it like 20 times in a row.Henry: I like those moments because I like, I like it when people get surprised into realizing that like, it's not fixed what we know about the world and you can even actually get new Chopin, right?Brandon: I mean, it felt a little bit like when Beyonce did her first big surprise drop. It was like new Chopin just dropped. Oh my God. All my sort of classical music nerd group texts were buzzing. It felt like a real moment, actually.Henry: And I think it gives people a sense of what art was like in the past. You can go, oh my God, new Chopin. Like, yes, those feelings are not just about modern culture, right? That used to happen with like, oh my God, a new Jane Austen book is here.Brandon: Oh, I know. Well, I mean, I was like reading a lot of Emile Zola up until I guess late last year. And at some point I discovered that he was like an avid amateur photographer. And in like the French Ministry of Culture is like digitized a lot of his glass plate negatives. And one of them is like a picture that Zola has taken of Manet's portrait of him. And it's just like on a floor somewhere. Like he's like sort of taken this like very rickety early camera machinery to this place where this portrait is and like taken a picture of it. It's like, wow. Like you can imagine that like Manet's like, here's this painting I did of you. And Zola's like, ah, yes, I'm going to take a picture to commemorate it. And so I sort of love that.Henry: What other of his photos do you like?Brandon: Well, there's one of him on a bike riding toward the camera. That's really delightful to me because it like that impulse is so recognizable to me. There are all these photos that he took of his mistress that were also just like, you can like, there are also photographs of his children and of his family. And again, those feel so like recognizable to me. He's not even like a very good photographer. It's just that he was taking pictures of his like daily life, except for his kind of stunt photos where he's riding the bike. And it's like, ah, yes, Zola, he would have been great with an iPhone camera.Henry: Which pianists do you like for Chopin?Brandon: Which pianists do I love for Chopin? I like Pollini a lot. Pollini is amazing. Pollini the elder, not Pollini the younger. The younger is not my favorite. And he died recently, Maurizio Pollini. He died very recently. Maybe he's my favorite. I love, I love Horowitz. Horowitz is wonderful at Chopin. But it's obviously it's like not his, you know, you don't sort of go to Horowitz for Chopin, I guess. But I love his Chopin. And sometimes Trifonov. Trifonov has a couple Chopin recordings that I really, really like. I tend not to love Trifonov as much.Henry: Really?Brandon: I know it's controversial. It's very controversial. I know. Tell me why. I, I don't know. He's just a bit of a banger to me. Like, like he's sort of, I don't know, his playing is so flashy. And he feels a bit like a, like a, like a keyboard basher to me sometimes.Henry: But like, do you like his Bach?Brandon: You know, I haven't done a deep dive. Maybe I should do a sort of more rigorous engagement with Trifonov. But yeah, I don't, he's just not, he doesn't make my heart sing. I think he's very good at Bach.Henry: What about a Martha Argerich?Brandon: Oh, I mean, she's incredible. She's incredible. I bought that sort of big orange box out of like all of her, her sort of like masterwork recordings. And she's incredible. She has such feel for Chopin. But she doesn't, I think sometimes people can make Chopin feel a little like, like treacly, like, like a little too sweet. And she has this perfect understanding of his like rhythm and his like inner nuances and like the crispness in his compositions. Like she really pulls all of that out. And I love her. She has such, obviously great dexterity, but like a real sort of exquisite sensitivity to the rhythmic structures of Chopin.Henry: You listen on CD?Brandon: No, I listen on vinyl and I listen on streaming, but mostly vinyl. Mostly vinyl? Yeah, mostly vinyl. I know it's very annoying. No, no, no, no, no.Henry: Which, what are the good speakers?Brandon: I forget where I bought these speakers from, but I sort of did some Googling during the pandemic of like best speakers to use. I have a U-Turn Audio, U-Turn Orbital record player. And so I was just looking for good speakers that were compatible and like wouldn't take up a ton of space in my apartment because I was moving to New York and had a very tiny, tiny apartment. So they're just from sort of standard, I forget the brand, but they've served me well these past few years.Henry: And do you like Ólafsson? He's done some Chopin.Brandon: Who?Henry: Víkingur Ólafsson. He did the Goldbergs this year, but he's done some Chopin before. I think he's quite good.Brandon: Oh, that Icelandic guy?Henry: Yeah, yeah, yeah. With the glasses? That's right. And the very neat hair.Brandon: Yes. Oh, he's so chic. He's so chic. I don't know his Chopin. I know his, there's another series that he did somewhat recently that I'm more familiar with. But he is really good. He has good Beethoven, Víkingur.Henry: Yeah.Brandon: And normally I don't love Beethoven, but like—Henry: Really? Why? Why? What's wrong with Beethoven? All these controversial opinions about music.Brandon: I'm not trying to have controversial opinions. I think I'm, well, I'm such a, I'm such, I mean, I'm just like a dumb person. And so like, I don't, I don't have a really, I feel like I don't have the robust understanding to like fully appreciate Beethoven and all of his sort of like majesty. And so maybe I've just not heard good Beethoven and I need to sort of go back and sort of get a real understanding of it. But I just tend not to like it. It feels like, I don't know, like grandma's living room music to me sometimes.Henry: What other composers do you enjoy?Brandon: Oh, of course.Henry: Or other music generally, right?Brandon: Rachmaninoff is so amazing to me. There was, of course, Bach. Brahms. Oh, I love Brahms, but like specifically the intermezzi. I love the intermezzi. I recently fell in love with, oh, his name is escaping me now, but he, I went to a concert and they sort of did a Brahms intermezzi. And they also played this, I think he was an Austrian composer. And his music was like, it wasn't experimental, but it was like quite, I had a lot of dissonance in it. And I found it like really interesting and like really moving actually. And so I did a sort of listening to that constantly. Oh, I forget his name. But Brahms, Chopin, Rachmaninoff, love Rachmaninoff. I have a friend who says that Rachmaninoff writes Negro spirituals. And I love that theory that Rachmaninoff's music is like the music of the slaves. It just, I don't know. I really, that really resonates with me spiritually. Which pieces, which Rachmaninoff symphonies, concertos? Yeah, the concertos. But like specifically, like I have a friend who said that Rach II sounded to her like the sort of spiritual cry of like the slaves. And we were at like a hangout with like mostly Black people. And she like stopped playing like Juvenile, like the rapper. And she put on Rach II. And we just like sat there and listened. And it did feel like something powerful had entered the room. Yeah, but he's my guy. I secretly really, really love him. I like Liszt, but like it really depends on the day and the time for him. He makes good folk music, Liszt. I love his folky, his folk era.Henry: What is it that you enjoy about tennis?Brandon: What do I enjoy about tennis? I love the, I love not thinking. I love being able to hit the ball for hours on end and like not think. And like, it's the one part of my life. It's the one time in my life where my experience is like totally unstructured. And so like this morning, I went to a 7am drill and play class where you do drills for an hour. Then you play doubles for an hour. And during that first hour of drills, I was just like hitting the ball. I was at the mercy of the guy feeding us the ball. And I didn't have a single thought about books or literature or like the status of my soul or like the nature of American democracy. It was just like, did I hit that ball? Well, did I hit it kind of off center? Were there tingles in my wrist? Yes or no. Like it was just very, very grounding in the moment. And I think that is what I love about it. Do you like to watch tennis? Oh, yeah, constantly. Sometimes when I'm in a work meeting, the Zoom is here and the tennis is like playing in the background. Love tennis, love to watch, love to play, love to think about, to ponder. Who are the best players for you? Oh, well, the best players, my favorite players are Roger Federer, Serena Williams, Stanislas Wawrinka, love Wawrinka. And I was a really big Davydenko head back in the day. Nikolai Davydenko was this Russian player who had, he was like a metronome. He just like would not miss. Yeah, those are my favorites. Right now, the guy I'm sort of rooting for who's still active is Kasper Rud, who's this Norwegian guy. And I love him because he just looks like some guy. Like he just looks like he should be in a seminary somewhere. I love it. I love, I love his normalness. He just looks like an NPC. And I'm drawn to that in a tennis player.Henry: It's hard to think of tennis in novels. Why is that?Brandon: Well, I think a lot of people don't, well, I think part of it is a lot of novelists. Part of it is a lot of novelists don't play sports. I think that they, at least Americans, I can't speak for other parts of the world, but in America, a lot of novelists are not doing sports. So that's one. And I think two, like, you know, like with anything, I think that tennis has not been subjected to the same schemes of narrativization that like other things are. And so like it's, a lot of novelists just like don't see a sort of readily dramatizable thing in tennis. Even though if you like watch tennis and like listen to tennis commentary, they are always erecting narratives. They're like, oh yeah, she's been on a 19 match losing streak. Is this where she turns it around? And to me, tennis is like a very literary sport because tennis is one of those sports where it's all about the matchup. It's like your forehand to my backhand, like no matter how well I play against everyone else, like it's you and me locked in the struggle. And like that to me feels incredibly literary. And it is so tied to your individual psychology as well. Like, I don't know, I endlessly am fascinated by it. And indeed, I got an idea for a tennis novel the other day that I'm hopefully going to write in three to five years. We'll see.Henry: Very good. How did working in a lab influence your writing?Brandon: Well, somewhat directly and materially in the case of my first book, because I wrote it while I was working in the lab and it gave me weirdly like time and structure to do that work where I would be pipetting. And then while I was waiting for an assay or a experiment to run or finish, I would have 30 minutes to sit down and write.Henry: So you were writing like at the lab bench?Brandon: Oh, yeah, absolutely. One thousand percent. I would like put on Philip Glass's score for the hours and then just like type while my while the centrifuge was running or whatever. And and so like there's that impression sort of baked into the first couple books. And then I think more, I guess, like spiritually or broadly, it influenced my work because it taught me how to think and how to organize time and how to organize thoughts and how to sort of pursue long term, open ended projects whose results may or may not, you know, fail because of something that you did or maybe you didn't do. And that's just the nature of things. Who knows? But yeah, I think also just like discipline, the discipline to sort of clock in every day. And to sort of go to the coalface and do the work. And that's not a thing that is, you know. That you just get by working in a lab, but it's certainly something that I acquired working in a lab.Henry: Do you think it's affected your interest in criticism? Because there's there are certain types of critic who seem to come from a scientific background like Helen Vendler. And there's something something about the sort of the precision and, you know, that certain critics will refuse to use critical waffle, like the human condition. And they won't make these big, vague gestures to like how this can change the way we view society. They're like, give me real details. Give me real like empirical criticism. Do you think this is — are you one of these people?Brandon: Yeah, yeah, I think I'm, you know, I'm all about what's on the page. I'm all about the I'm not gonna go rooting in your biography for not gonna go. I'm not I'm not doing that. It's like what you brought to me on the page is what you've brought to me. And that is what I will be sort of coming over. I mean, I think so. I mean, very often when critics write about my work, or when people respond to my work, they sort of describe it as being put under a microscope. And I do think like, that is how I approach literature. It's how I approach life. If there's ever a problem or a question put to me, I just sort of dissect it and try to get down to its core bits and its core parts. And and so yeah, I mean, if that is a scientific way of doing things, that's certainly how I but also I don't know any other way to think like that's sort of that's sort of how I was trained to think about stuff. You've been to London. I have. What did you think of it? The first time I didn't love it. The second and third times I had a good time, but I felt like London didn't love me back. London is the only place on earth I've ever been where people have had a hard time understanding me like I like it's the only place where I've like attempted to order food or a drink or something in a store or a cafe or a restaurant. And the waiters like turned to my like British hosts and asked them to translate. And that is an entirely foreign experience for me. And so London and I have like a very contentious relationship, I would say.Henry: Now, you've just published four classic novels.Brandon: Yes.Henry: George Gissing, Edith Wharton, Victor Hugo and Sarah Orne Jewett. Why did you choose those four writers, those four titles?Brandon: Oh, well, once we decided that we were going to do a classics imprint, you know, then it's like, well, what are we going to do? And I'm a big Edith Wharton fan. And there are all of these Edith Wharton novels that Americans don't really know about. They know Edith Wharton for The Age of Innocence. And if they are an English major, they maybe know her for The House of Mirth. Or like maybe they know her for The Custom of the Country if they're like really into reading. But then they sort of think of her as a novelist of the 19th century. And she's writing all of these books set in the 1920s and about the 1920s. And so it felt important to show people like, oh, this is a writer who died a lot later than you think that she did. And whose creative output was, you know, pretty, who was like a contemporary of F. Scott Fitzgerald in a lot of ways. Like, these books are being published around the same time as The Great Gatsby. And to sort of, you know, bring attention to a part of her over that, like, people don't know about. And like, that's really exciting to me. And Sarah Orne Jewett, I mean, I just really love The Country of the Pointed Furs. I love that book. And I found it in like in a 10 cents bin at a flea market one time. And it's a book that people have tried to bring back. And there have been editions of it. But it just felt like if we could get two people who are really cool to talk about why they love that book, we could sort of have like a real moment. And Sarah Orne Jewett was like a pretty big American writer. Like she was a pretty significant writer. And she was like really plugged in and she's not really read or thought about now. And so that felt like a cool opportunity as well to sort of create a very handsome edition of this book and to sort of talk about a bit why she matters. And the guessing of it all is we were going to do New Grub Street. And then my co-editor thought, well, The Odd Women, I think, is perhaps more relevant to our current moment than New Grub Street necessarily. And it would sort of differentiate us from the people, from the presses that are doing reissues of New Grub Street, because there's just been a new edition of that book. And nobody in America really knows The Odd Women. And it's a really wonderful novel. It's both funny and also like really biting in its satire and commentary. So we thought, oh, it'll be fun to bring this writer to Americans who they've never heard of in a way that will speak to them in a lot of ways. And the Victor Hugo, I mean, you know, there are Hugos that people know all about. And then there are Hugos that no one knows about. And Toilers of the Sea was a passion project for my co-editor. She'd read it in Guernsey. That's where she first discovered that book. And it really meant a lot to her. And I read it and really loved it. I mean, it was like Hugo at his most Hugo. Like, it's a very, it's a very, like, it's a very abundant book. And it's so wild and strange and changeful. And so I was like, oh, that seems cool. Let's do it. Let's put out Toilers of the Sea. So that's a bit of why we picked each one.Henry: And what have you learned from being on the other side of things now that you're the publisher?Brandon: So much. I've learned so much. And indeed, I just, I was just asked by my editor to do the author questionnaire for the novel that I have coming out next. And I thought, yes, I will do this. And I will do it immediately. Because now I know, I know how important these are. And I know how early and how far in advance these things need to be locked in to make everyone's life easier. I think I've learned a bit about the sometimes panicked scramble that happens to get a book published. I've learned about how hard it is to wrangle blurbs. And so I think I'm a little more forgiving of my publishers. But they've always been really great to me. But now I'm like, oh, my gosh, what can I do for you? How can I help you make this publication more of a success?Henry: Do you think that among literary people generally, there's a lack of appreciation of what business really involves in some of the senses you're talking about? I feel like I see a lot of either indifferent or hostile attitudes towards business or commerce or capitalism, late stage capitalism or whatever. And I sometimes look at it and I'm like, I don't think you guys really know what it takes to just like get stuff done. You know what I mean? Like, it's a lot of grind. I don't think it's a big nasty thing. It's just a lot of hard work, right?Brandon: Yeah, I mean, 1000%. Or if it's not a sort of misunderstanding, but a sort of like disinterest in like, right, like a sort of high minded, like, oh, that's just the sort of petty grimy commerce of it all. I care about the beauty and the art. And it's just like, friend, we need booksellers to like, sell this. I mean, to me, the part of it that is most to me, like the most illustrative example of this in my own life is that when I first heard how my editor was going to be describing my book, I was like, that's disgusting. That's horrible. Why are you talking about my race? Why are you talking about like my sexuality? Like, this is horrible. Why can't you just like talk about the plot of the book? Like, what is the matter with you? And then I had, you know, I acquired and edited this book called Henry Henry, which is a queer contemporary retelling of the Henry ad. And it's a wonderful novel. It's so delightful. And I had to go into our sales conference where we are talking to the people whose job it is to sell that book into bookstores to get bookstores to take that book up. And I had to write this incredibly craven description of this novel. And as I was writing it, I was like, I hope Alan, the author, I hope Alan never sees this. He never needs to hear how I'm talking about this book. And as I was doing it, I was like, I will never hold it against my editor again for writing this like, cheesy, cringy copy. Because it's like you, like, you so believe in the art of that book, so much that you want it to give it every fighting chance in the marketplace. And you need to arm your sales team with every weapon of commerce they need to get that book to succeed so that when readers pick it up, they can appreciate all of the beautiful and glorious art of it. And I do think that people, you know, like, people don't really kind of, people don't really understand that. And I do think that part of that is publishing's fault, because they are, they've been rather quick to elide the distinctions between art and commerce. And so like publishing has done a not great job of sort of giving people a lot of faith in its understanding that there's a difference between art and commerce. But yeah, I think, I think there's a lot of misapprehension out there about like, what goes into getting bookstores to acquire that book.Henry: What are the virtues of negative book reviews?Brandon: I was just on a panel about this. I mean, I mean, hopefully a negative book review, like a positive review, or like any review, will allow a reader or the audience to understand the book in a new way, or to create a desire in the reader to pick up the book and see if they agree or disagree or that they, that they have something to argue with or push against as they're reading. You know, when I'm writing a negative review, when I'm writing a review that I feel is trending toward negative, I should say, I always try to like, I don't know, I try to always remember that like, this is just me presenting my experience of the book and my take of the book. And hopefully that will be productive or useful for whoever reads the review. And hopefully that my review won't be the only thing that they read and that they will in fact, go pick up the book and see if they agree or disagree. It's hopefully it creates interesting and potentially divergent dialogues or discourses around the text. And fundamentally, I think not every critic feels this way. Not every piece of criticism is like this. But the criticism I write, I'm trying to create the conditions that will refer the reader always back to the text, be it through quotation, be it through, they're so incensed by my argument that they're going to go read the book themselves and then like, yell at me. Like, I think that that's wonderful, but like, always keeping the book at the center. But I think a negative review can, you know, it can start a conversation. It can get people talking about books, which in this culture, this phase of history feels like a win. And hopefully it can sort of be a corrective sometimes to less genuine or perceived less genuine discourses that are existing around the book.Henry: I think even whether or not it's a question of genuine, it's for me, it's just a question of if you tell people this book is good and they give up their time and money and they discover that it's trash, you've done a really bad thing to that person. And like, there might be dozens of them compared to this one author who you've been impolite to or whatever. And it's just a question of don't lie in book, right?Brandon: Well, yeah. I mean, hopefully people are honest, but I do feel sometimes that there is, there's like a lack of honesty. And look, I think that being like, well, I mean, maybe you'll love this. I don't love it, you know, but at least present your opinion in that way. At least be like, you know, there are many interpretations of this thing. Here's my interpretation. Maybe you'll feel differently or something like that. But I do think that people feel that there have been a great number of dishonest book reviews. Maybe there have been, maybe there have not been. I certainly have read some reviews I felt were dishonest about books that I have read. And I think that the negative book review does feel a bit like a corrective in a lot of ways, both, you know, justified or unjustified. People are like, finally, someone's being honest about this thing. But yeah, I think it's interesting. I think it's all really, I think it's all fascinating. I do think that there are some reviews though, that are negative and that are trying to be about the book, but are really about the author. There are some reviews that I have read that have been ostensibly about reviewing a text, but which have really been about, you don't like that person and you have decided to sort of like take an axe to them. And that to me feels not super productive. I wouldn't do it, but other people find it useful.Henry: As in, you can tell that from the review or you know that from background information?Brandon: I mean, this is all projection, of course, but like there have been some reviews where I've read, like, for example, some of the Lauren Oyler reviews, I think some of the Lauren Oyler reviews were negative and were exclusively about the text. And they sort of took the text apart and sort of dissected it and came to conclusions, some of which I agreed with, some of which I didn't agree with, but they were fundamentally about the text. And like all the criticisms referred back to the text. And then there were some that were like projecting attitudes onto the author that were more about creating this sort of vaporous shape of Lauren Oyler and then sort of poking holes in her literary celebrity or her stature as a critic or what have you. And that to me felt less productive as like a book review.Henry: Yes. Who are your favorite reviewers?Brandon: Ooh, my favorite reviewers. I really love Christian Lawrence. And he does my, of the critics who try to do the sort of like mini historiography of like a thing. He's my favorite because he teaches me a lot. He sort of is so good at summing up an era or summing up a phase of literary production without being like so cringe or so socialist about it. I really love, I love it when he sort of distills and dissects an era. I really like Hermione Hobie. I think she's really interesting. And she writes about books with a lot of feeling and a lot of energy. And I really love her mind. And of course, like Patricia Lockwood, of course, everyone, perhaps not everyone, but I enjoy Patricia Lockwood's criticism. You don't?Henry: Not really.Brandon: Oh, is it because it's too chatty? Is it too, is it too selfie?Henry: A little bit. I think, I think that kind of criticism can work really well. But I think, I think it's too much. I think basically she's very, she's a very stylized writer and a lot of her judgments get, it gets to the point where it's like, this is the logical conclusion of what you're trying to do stylistically. And there are some zingers in here and some great lines and whatever, but we're no longer, this is no longer really a book review.Brandon: Yeah.Henry: Like by the, by the end of the paragraph, this, like, we didn't want to let the style go. We didn't want to lose the opportunity to cap that off. And it leads her into, I think, glibness a lot of the time.Brandon: Yeah. I could see that. I mean, I mean, I enjoy reading her pieces, but do I understand like what's important to her at a sort of literary level? I don't know. I don't, and in that sense, like, are they, is it criticism or is it closer to like personal essay, humorous essay? I don't know. Maybe that's true. I enjoy reading them, but I get why people are like, this is a very, very strong flavor for sure.Henry: Now you've been reading a lot of literary criticism.Brandon: Oh yeah.Henry: Not of the LRB variety, but of the, the old books in libraries variety. Yes. How did that start? How did, how did you come to this?Brandon: Somewhat like ham-fistedly. I, in 2021, I had a really bad case of writer's block and I thought maybe part of the reason I had writer's block was that I didn't know anything about writing or I didn't know anything about like literature or like writing. I'd been writing, I'd published a novel. I was working on another novel. I'd published a book of stories, but like, I just like truly didn't know anything about literature really. And I thought I need some big boy ideas. I need, I need to find out what adults think about literature. And so I went to my buddy, Christian Lorenzen, and I was like, you write criticism. What is it? And what should I read? And he gave me a sort of starter list of criticism. And it was like the liberal imagination by Lionel Trilling and Guy Davenport and Alfred Kazin who wrote On Native Grounds, which is this great book on the American literary tradition and Leslie Fiedler's Love and Death in the American Novel. And I, and then Edmund Wilson's Axel's Castle. And I read all of those. And then as each one would sort of refer to a different text or person, I sort of like followed the footnotes down into this rabbit hole of like literary criticism. And now it's been a sort of ongoing project of the last few years of like reading. I always try to have a book of criticism on the go. And then earlier this year, I read Jameson's The Antimonies of Realism. And he kept talking about this Georg Lukács guy. And I was like, I guess I should go read Lukács. And so then I started reading Lukács so that I could get back to Jameson. And I've been reading Lukács ever since. I am like deep down the Lukács rabbit hole. But I'm not reading any of the socialism stuff. I told myself that I wouldn't read any of the socialism stuff and I would only read the literary criticism stuff, which makes me very different from a lot of the socialist literary critics I really enjoy because they're like Lukács, don't read in that literary criticism stuff, just read his socialism stuff. So I'm reading all the wrong stuff from Lukács, but I really, I really love it. But yeah, it sort of started because I thought I needed grown up ideas about literature. And it's been, I don't know, I've really enjoyed it. I really, really enjoy it. It's given me perhaps terrible ideas about what novels should be or do. But, you know, that's one of the side effects to reading.Henry: Has it made, like, what specific ways has it changed how you've written since you've acquired a set of critical principles or ideas?Brandon: Yeah, I mean, I think part of it is, part of it has to do with Lukács' idea of the totality. And, you know, I think that the sort of most direct way that it shows up in a sort of really practical way in my novel writing is that I no longer really want to be starting my books, quote unquote, in media res. Like, I don't want, I want my books to feel like books. I don't want my books to feel like movies. And I don't want them to feel like treatments for film. And so I want to sort of bring back all of what a novel can do in terms of its structure and in terms of its form and stuff like that. And so it means starting books, you know, with this sort of Dickensian voice of God speaking from on high, sort of summing up an era. And I think also sort of allowing the narrators in my work to dare to sum up, allowing characters in my work to have ideologies and to argue about those ideologies. I feel like that is a thing that was sort of denuded from the American novel for a lot of millennials and just sort of like trying to put back some of that old fashioned machinery that was like stripped out of the novel. And seeing what of it can still function, seeing, trying to figure out if there's any juice left in these modes of representation and stuff like that. And so like that, that's sort of, that's sort of abstract, but like in a concrete way, like what I'm kind of trying to resolve in my novel writing these days.Henry: You mentioned Dickens.Brandon: Oh, yes.Henry: Which Dickens novels do you like?Brandon: Now I'm afraid I'm going to say something else controversial. We love controversial. Which Dickens? I love Bleak House. I love Bleak House. I love Tale of Two Cities. It is one of the best openings ever, ever, ever, ever in the sweep of that book at once personal and universal anyway. Bleak House, Tale of Two Cities. And I also, I read Great Expectations as like a high school student and didn't like it, hated it. It was so boring. But now coming back to it, I think it, honestly, it might be the novel of our time. I think it might accidentally be a novel. I mean, it's a novel of scammers, a novel of like, interpersonal beef taken to the level of like, spiritual conflict, like it's about thieves and class, like it just feels like like that novel could have been written today about people today, like that book just feels so alive to today's concerns, which perhaps, I don't know, says something really evil about this cultural stagnation under capitalism, perhaps, but I don't know, love, love Great Expectations now.Henry: Why are so many modern novels boring?Brandon: Well, depends on what you mean by boring, Henry, what do you mean? Why?Henry: I mean, you said this.Brandon: Oh.Henry: I mean, I happen to agree, but this is, I'm quoting you.Brandon: Oh, yes. I remember that. I remember that review.Henry: I mean, I can tell you why I think they're boring.Brandon: Oh, yes, please.Henry: So I think, I think what you said before is true. They all read like movies. And I think I very often I go in, I pick up six or seven books on the new book table. And I'm like, these openings are all just the same. You're all thinking you can all see Netflix in your head. This is not really a novel. And so the dialogue is really boring, because you kind of you can hear some actor or actress saying it. But I can't hear that because I'm the idiot stuck in the bookshop reading your Netflix script. Whereas, you know, I think you're right that a lot of those traditional forms of storytelling, they like pull you in to the to the novel. And they and they like by the end of the first few pages, you sort of feel like I'm in this funny place now. And to do in media res, like, someone needs to get shot, or something, something weird needs to be said, like, you can't just do another, another standard opening. So I think that's a big, that's a big point.Brandon: Well, as Lukasz tells us, bourgeois realism has a, an unholy fondness for the, the average, the merely average, as opposed to the typical. And I think, yeah, a lot of it, a lot of why I think it's boring echoes you, I think that for me, what I find boring, and a lot of them is that it feels like novelists have abandoned any desire to, to have their characters or the novels themselves integrate the sort of disparate experiences within the novel into any kind of meaningful hole. And so there isn't this like sense of like things advancing toward a grander understanding. And I think a lot of it is because they've, they are writing under the assumption that like the question of why can never be answered. There can never be like a why, there can never be a sort of significance to anything. And so everything is sort of like evacuated of significance or meaning. And so you have what I've taken to calling like reality TV fiction, where the characters are just like going places and doing things, and there are no thoughts, there are no thoughts about their lives, or no thoughts about the things that they are doing, there are no thoughts about their experiences. And it's just a lot of like, like lowercase e events in their lives, but like no attempt to organize those events into any sort of meaningful hole. And I think also just like, what leads to a lot of dead writing is writers who are deeply aware that they're writing about themes, they're writing about themes instead of people. And they're working from generalities instead of particularities and specificities. And they have no understanding of the relationship between the universal and the particular. And so like, everything is just like, like beans in a can that they're shaking around. And I think that that's really boring. I think it's really tedious. Like, like, sure, we can we can find something really profound in the mundane, but like, you have to be really smart to do that. So like the average novelist is like better off like, starting with a gunshot or something like do something big.Henry: If you're not Virginia Woolf, it is in fact just mundane.Brandon: Indeed. Yeah.Henry: Is there too much emphasis on craft? In the way, in the way, in like what's valued among writers, in the way writers are taught, I feel like everything I see is about craft. And I'm like, craft is good, but that can just be like how you make a table rather than like how you make a house. Craft is not the guarantor of anything. And I see a lot of books where I think this person knows some craft. But as you say, they don't really have an application for it. And they don't. No one actually said to them, all style has a moral purpose, whether you're aware of it or not. And so they default to this like pointless use of the craft. And someone should say to them, like, you need to know history. You need to know tennis. You need to know business. You need to know like whatever, you know. And I feel like the novels I don't like are reflections of the discourse bubble that the novelist lives in. And I feel like it's often the continuation of Twitter by other means. So in the Rachel Kong novel that I think it came out this year, there's a character, a billionaire character who comes in near the end. And everything that he says or that is said about him is literally just meme. It's online billionaire meme because billionaires are bad because of all the things we all know from being on Twitter. And I was like, so you just we literally have him a character as meme. And this is the most representative thing to me, because that's maybe there's craft in that. Right. But what you've chosen to craft is like 28 tweets. That's pointless.Brandon: 28 tweets be a great title for a book, though, you have to admit, I would buy that book off the new book table. 28 tweets. I would. I would buy that. Yeah, I do think. Well, I think it goes both ways. I think it goes both ways. I somewhat famously said this about Sally Rooney that like she her books have no craft. The craft is bad. And I do think like there are writers who only have craft, who are able to sort of create these wonderfully structured books and to sort of deploy these beautiful techniques. And those books are absolutely dead. There's just like nothing in them because they have nothing to say. There's just like nothing to be said about any of that. And on the other hand, you have these books that are full of feelings that like would be better had someone taught that person about structure or form or had they sort of had like a rigorous thing. And I would say that like both of those are probably bad, like depending on who you are, you find one more like, like easier to deal with than the other. I do think that like part of why there's such an emphasis on craft is because not to sort of bring capitalism back in but you can monetize craft, you know what I mean? Like, craft is one of those things that is like readily monetizable. Like, if I'm a writer, and I would like to make money, and I can't sell a novel, I can tell people like, oh, how to craft a perfect opening, how to create a novel opening that will make agents pick it up and that will make editors say yes, but like what the sort of promise of craft is that you can finish a thing, but not that it is good, as you say, there's no guarantor. Whereas you know, like it's harder to monetize someone's soul, or like, it's harder to monetize like the sort of random happenstance of just like a writer's voice sort of emerging from from whatever, like you can't turn that into profit. But you can turn into profit, let me help you craft your voice. So it's very grind set, I think craft has a tendency to sort of skew toward the grind set and toward people trying to make money from, from writing when they can't sell a book, you know. Henry: Let's play a game. Brandon: Oh dear.Henry: I say the name of a writer. You give us like the 30 second Brandon Taylor opinion of that writer.Brandon: Okay. Yeah.Henry: Jonathan Franzen.Brandon: Thomas Mann, but like, slightly more boring, I think.Henry: Iris Murdoch.Brandon: A friend of mine calls her a modern calls her the sort of pre Sally Rooney, Sally Rooney. And I agree with that.Henry: When I'm at parties, I try and sell her to people where I say she's post-war Sally Rooney.Brandon: Yes, yes. And like, and like all that that entails, and so many delightful, I read all these like incredible sort of mid century reviews of her novels, and like the men, the male critics, like the Bernard Breganzis of the world being like, why is there so much sex in this book? It's amazing. Please go look up those like mid-century reviews of Iris Murdoch. They were losing their minds. Henry: Chekhov.Brandon: Perfect, iconic, baby girl, angel, legend. Can't get enough. 10 out of 10.Henry: Evelyn Waugh.Brandon: So Catholic, real Catholic vibes. But like, scabrously funny. And like, perhaps the last writer to write about life as though it had meaning. Hot take, but I'll, I stand by it.Henry: Yeah, well, him and Murdoch. But yeah, no, I think I think there's a lot in that. C.V. Wedgwood.Brandon: Oh, my gosh. The best, a titan, a master of history. Like, oh, my God. I would not be the same without Wedgwood.Henry: Tell us which one we should read.Brandon: Oh, the 30 Years War. What are you talking about?Henry: Well, I think her books on the English Civil War… I'm a parochial Brit.Brandon: Oh, see, I don't, not that I don't, I will go read those. But her book on the 30 Years War is so incredible. It's, it's amazing. It's second to like, Froissart's Chronicles for like, sort of history, history books for me.Henry: Northrop Frye.Brandon: My father. I, Northrop Frye taught me so much about how to see and how to think. Just amazing, a true thinker in a mind. Henry: Which book? Brandon: Oh, Anatomy of Criticism is fantastic. But Fearful Symmetry is just, it will blow your head off. Just amazing. But if you're looking for like, to have your, your mind gently remapped, then Anatomy of Criticism.Henry: Emma Cline.Brandon: A throwback. I think she's, I think she's Anne Beattie meets John Cheever for a new era. And I think she's amazing. She's perfect. Don't love her first novel. I think her stories are better. She's a short story writer. And she should stay that way.Henry: Okay, now I want you to rank Jane Austen's novels.Brandon: Wait, okay. So like, by my preference, or by like, what I think is the best?Henry: You can do both.Brandon: Okay. So in terms, my favorite, Persuasion. Then Mansfield Park. Sense and Sensibility. Pride and Prejudice. And then Emma, then Northanger Abbey. Okay.Henry: Now, how about for which ones are the best?Brandon: Persuasion. Pride and Prejudice. Mansfield Park. Emma,.Sense and Sensibility. Northanger Abbey.Henry: Why do people not like Fanny Price? And what is wrong with them?Brandon: Fanny Price is perfect. Fanny Price, I was just talking to someone about this last night at dinner. Fanny Price, she's perfect. First of all, she is, I don't know why people don't like her. She's like a chronically ill girl who's hot for her cousin and like, has deep thoughts. It seems like she would be the icon of literary Twitter for like a certain kind of person, you know? And I don't know why they don't like her. I think I'm, I am becoming the loudest Mansfield Park apologist on the internet. I think that people don't like Fanny because she's less vivacious than Mary Crawford. And I think that people are afraid to see themselves in Fanny because she seems like she's unfun or whatever. But what they don't realize is that like Fanny Price, Fanny Price has like a moral intelligence and like a moral consciousness. And like Fanny Price is one of the few Austen characters who actually argues directly and literally about the way the world is. Like with multiple people, like the whole, the whole novel is her sort of arguing about, well, cities are this and the country is this. And like, we need Parsons as much as we need party boys. Like, like she's arguing not just about, not just about these things like through the lens of like marriage or like the sort of marriage economy, but like in literal terms, I mean, she is so, she's like a moral philosopher. I love Fanny Price and she's so smart and so sensitive and so, and I guess like maybe it's just that people don't like a character who's kind of at the mercy of others and they view her as passive. When in fact, like a young woman arguing about the way the world should be, like Mary Crawford's, Mary Crawford's like kind of doing the above, not really, not like Fanny. But yeah, I love her. She's amazing. I love Fanny Price. And I also think that people love Margaret Hale from North and South. And I think that when people are saying they hate Fanny Price, what they're picturing is actually how Margaret Hale is. Margaret Hale is one of the worst heroines of a novel. She's so insufferable. She's so rude. She's so condescending. And like, she does get her comeuppance and like Gaskell does sort of bring about a transformation where she's actually able to sort of like see poor people as people first and not like subjects of sympathy. But Margaret is what people imagine Fanny is, I think. And we should, we should start a Fanny Price, like booster club. Henry, should we? Let's do it. It begins here. I just feel so strongly about her. I feel, I love, I love Fanny.Henry: She's my favorite of Austen's characters. And I think she is the most representative Austen character. She's the most Austen of all of them, right?Brandon: Yeah, I mean, that makes great deal of sense to me. She's just so wonderful. Like she's so funny and so observant. And she's like this quiet little girl who's like kind of sickly and people don't really like her. And she's kind of maybe I'm just like, maybe I just like see myself in her. And I don't mind being a sort of annoying little person who's going around the world.Henry: What are some good principles for naming literary characters?Brandon: Ooh, I have a lot of strong feelings about this. I think that names should be memorable. They should have like, like an aura of sort of literariness about them. I don't mean, I mean, taken to like hilarious extremes. It's like Henry James. Catherine Goodwood, Isabelle Archer, Ralph Touchett, like, you know, Henry had a stack pole. So like, not like that. But I mean, that could be fun in a modern way. But I think there's like an aura of like, it's a name that you might hear in real life, but it sort of add or remove, it's sort of charged and elevated, sort of like with dialogue. And that it's like a memorable thing that sort of like, you know, it's like, you know, memorable thing that sort of sticks in the reader's mind. It is both a name, a literary, a good literary name is both a part of this world and not of this world, I think. And, yeah, and I love that. I think like, don't give your character a name like you hear all the time. Like, Tyler is a terrible literary name. Like, no novel has ever, no good novel has ever had a really important character named Tyler in it. It just hasn't. Ryan? What makes a good sentence? Well, my sort of like, live and let live answer is that a good sentence is a sentence that is perfectly suited to the purpose it has. But I don't know, I like a clear sentence, regardless of length or lyric intensity, but just like a clear sentence that articulates something. I like a sentence with motion, a sense of rhythm, a sense of feel without any bad words in it. And I don't mean like curse words, I mean like words that shouldn't be in literature. Like, there's some words that just like don't belong in novels.Henry: Like what?Brandon: Squelch. Like, I don't think the word squelch should be in a novel. That's a gross word and it doesn't sound literary to me. I don't want to see it.Henry: I wouldn't be surprised if it was in Ulysses.Brandon: Well, yes.Henry: I have no idea, but I'm sure, I'm sure.Brandon: But so few of us are James Joyce. And that novel is like a thousand bodily functions per page. But don't love it. Don't love it.Henry: You don't love Ulysses?Brandon: No, I don't… Listen, I don't have a strong opinion, but you're not going to get me cancelled about Ulysses. I'm not Virginia Woolf.Henry: We're happy to have opinions of that nature here. That's fine.Brandon: You know, I don't have a strong feeling about it, actually. Some parts of it that I've read are really wonderful. And some parts of it that I have read are really dense and confusing to me. I haven't sort of given it the time it needs or deserves. What did you learn from reading Toni Morris? What did I learn? I think I learned a lot about the moral force of melodrama. I think that she shows us a lot about the uses of melodrama and how it isn't just like a lesion of realism, that it isn't just a sort of malfunctioning realism, but that there are certain experiences and certain lives and certain things that require and necessitate melodrama. And when deployed, it's not tacky or distasteful that it actually is like deeply necessary. And also just like the joy of access and language, like the sort of... Her language is so towering. I don't know, whenever I'm being really shy about a sentence being too vivid or too much, I'm like, well, Toni Morrison would just go for it. And I am not Toni Morrison, but she has given me the courage to try.Henry: What did you like about the Annette Benning film of The Seagull?Brandon: The moment when Annette Benning sings Dark Eyes is so good. It's so good. I think about it all the time. And indeed, I stole that moment for a short story that I wrote. And I liked that part of it. I liked the set design. I think also Saoirse Ronan, when she gives that speech as Nina, where she's like, you know, where the guy's like, what do you want from, you know, what do you want? Why do you want to be an actress? And she's like, I want fame. You know, like, I want to be totally adored. And I'm just like, yeah, that's so real. That's so, that is so real. Like Chekhov has understood something so deep, so deep about the nature of commerce and art there. And I think Saoirse is really wonderful in that movie. It's a not, it's not a good movie. It's maybe not even a good adaptation of The Seagull. But I really enjoyed it. I saw it like five times in a theater in Iowa City.Henry: I don't know if it's a bad adaptation of The Seagull, because it's one of the, it's one of the Chekhov's I've seen that actually understands that, like, the tragic and the and the comic are not meant to be easily distinguishable in his work. And it does have all this lightheartedness. And it is quite funny. And I was like, well, at least someone's doing that because I'm so sick of, like, gloomy Chekhov. You know what I mean? Like, oh, the clouds and the misery. Like, no, he wants you, he wants you to laugh and then be like, I shouldn't laugh because it's kind of tragic, but it's also just funny.Brandon: Yeah. Yes, I mean, all the moments were like, like Annette Bening's characters, like endless stories, like she's just like constantly unfurling a story and a story and a story and a story. Every scene kind of was like, she's in the middle of telling another interminable anecdote. And of course, the sort of big tragic turn at the end is like, where like, Kostya kills himself. And she's like, in the middle of like, another really long anecdote while they're in the other room playing cards. Like, it's so, it's so good. So I love that. I enjoy watching that movie. I still think it's maybe not. It's a little wooden, like as a movie, like it's a little, it's a little rickety.Henry: Oh, sure, sure, sure, sure. But for someone looking to like, get a handle on Chekhov, it's actually a good place to go. What is the best make of Fountain Pen?Brandon: That's a really good, that's a really, really, really good question. Like, what's your Desert Island Fountain Pen? My Desert Island Fountain Pen. Right now, it's an Esterbrook Estee with a needlepoint nib. It's like, so, I can use that pen for hours and hours and hours and hours. I think my favorite Fountain Pen, though, is probably the Pilot Custom 743. It's a really good pen, not too big, not too small. It can hold a ton of ink, really wonderful. I use, I think, like a Soft Fine nib, incredible nib, so smooth. Like, I, you could cap it and then uncap it a month later, and it just like starts immediately. It's amazing. And it's not too expensive.Henry: Brandon Taylor, thank you very much.Brandon: Thanks for having me. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe
Send us a textIn this episode, Hillary sits down with Alli Matthews, a physician assistant in Wedgwood's Outpatient Psychiatry Program. They discuss the vital role psychiatry plays in mental health care, how it complements therapy, and the personalized approach she takes when it comes to individual treatment. Alli addresses common misconceptions about mental health diagnoses and medications, providing helpful examples. Whether you're curious about how psychiatry works, seeking clarity on mental health treatments, or looking for hope and encouragement, this episode offers both practical information and compassionate support!For more information on the podcast, please visit: https://www.wedgwood.org/podcast/To learn more about Psychiatric Services at Wedgwood, please visit: https://www.wedgwood.org/psych-services/For podcast and/or Wedgwood merch, please visit: https://wcb.myprostores.com/Support the showDon't forget to subscribe to stay up-to-date on the latest episodes!
In recent years scientists have researched the phenomenon of Near Death Experiences (NDEs), and now have enough evidence to determine their validity. Dr Orson Wedgwood Ph.D., a medical scientist, walks us through this evidence, including research published up to end of 2023. In addition he discusses the common features reported by those who have experienced NDEs and what the implications are for the long term destiny of each human consciousness, or soul. As well as the positive aspects of NDEs so often described in other books and TV shows, Dr. Wedgwood also discusses the evidence suggesting that only 10-20% of souls survive death, and of those that do, not all are destined to reach heavenly realms. Is “Hell” real too? The good news is that NDE survivors provide us with guidance from their encounters with “God” or other “celestial beings”, on how we might safeguard the health of our souls to enable us to survive earthly death and reach the heavenly realm. It's all about Love. Put simply, reading this book, may prove vital to the eternal destiny of your soul.BioBorn in 1968 and now living in Sussex, England, I have spent my career in science. My undergraduate studies were in chemistry, and my PhD studies were in organic medicinal chemistry, during which I worked in a team that created a molecule that opened the door to a cure for Hepatitis C, as well as treatments for certain cancers, and HIV. In 1999, I began working in the pharmaceutical industry, for the first ten years helping to bring new drugs to market, and for the past ten years working alongside academic clinical investigators in designing, conducting, helping publish and interpreting clinical studies looking into the effects of exciting new compounds in diseases such as HIV, hematological malignancies, obesity, and, most recently, neurological disorders such as narcolepsy and Alzheimer's.As a medical scientist, I have become skilled in understanding, interpreting, and disseminating key findings from complex clinical studies, similar in some ways to the AWARE studies. It is a part of my day job to be able to critique scientific data and understand how design can affect outcomes, among other things. I also write a blog—awareofaware.com—exploring research into NDEs, which follows closely any developments in the AWARE studies. My blog focuses on the clinical data and the science. I also discuss possible “spiritual” implications that come out of the scientific research. In addition, I am the author of DNA: The Elephant in the Lab, a non-fiction book about the origin of life, and I also wrote the novel Deadly Medicine. Both are available in online bookstores.https://orsonw.com/https://www.amzn.com/dp/B08S43B83D/https://awareofaware.co/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlife
In recent years scientists have researched the phenomenon of Near Death Experiences (NDEs), and now have enough evidence to determine their validity. Dr Orson Wedgwood Ph.D., a medical scientist, walks us through this evidence, including research published up to end of 2023. In addition he discusses the common features reported by those who have experienced NDEs and what the implications are for the long term destiny of each human consciousness, or soul. As well as the positive aspects of NDEs so often described in other books and TV shows, Dr. Wedgwood also discusses the evidence suggesting that only 10-20% of souls survive death, and of those that do, not all are destined to reach heavenly realms. Is “Hell” real too? The good news is that NDE survivors provide us with guidance from their encounters with “God” or other “celestial beings”, on how we might safeguard the health of our souls to enable us to survive earthly death and reach the heavenly realm. It's all about Love. Put simply, reading this book, may prove vital to the eternal destiny of your soul.BioBorn in 1968 and now living in Sussex, England, I have spent my career in science. My undergraduate studies were in chemistry, and my PhD studies were in organic medicinal chemistry, during which I worked in a team that created a molecule that opened the door to a cure for Hepatitis C, as well as treatments for certain cancers, and HIV. In 1999, I began working in the pharmaceutical industry, for the first ten years helping to bring new drugs to market, and for the past ten years working alongside academic clinical investigators in designing, conducting, helping publish and interpreting clinical studies looking into the effects of exciting new compounds in diseases such as HIV, hematological malignancies, obesity, and, most recently, neurological disorders such as narcolepsy and Alzheimer's.As a medical scientist, I have become skilled in understanding, interpreting, and disseminating key findings from complex clinical studies, similar in some ways to the AWARE studies. It is a part of my day job to be able to critique scientific data and understand how design can affect outcomes, among other things. I also write a blog—awareofaware.com—exploring research into NDEs, which follows closely any developments in the AWARE studies. My blog focuses on the clinical data and the science. I also discuss possible “spiritual” implications that come out of the scientific research. In addition, I am the author of DNA: The Elephant in the Lab, a non-fiction book about the origin of life, and I also wrote the novel Deadly Medicine. Both are available in online bookstores.https://orsonw.com/https://www.amzn.com/dp/B08S43B83D/https://awareofaware.co/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlife
Send us a textUncover the true power of generosity and how it can transform lives—starting with yours.In this special end-of-year episode, Hillary sits down with Brooke, V.P. of Advancement, and Judy, a passionate supporter, to explore the many forms of generosity.Through personal stories, they share how 'giving' goes far beyond monetary gifts. From simple acts of service to moments of kindness and offering your time, discover how even the smallest gestures can create ripples of hope in someone's life.Tune in and be inspired to make a difference!For more information about this podcast, please visit: https://www.wedgwood.org/podcast/For merch, please visit:https://wcb.myprostores.com/Volunteer Opportunities at Wedgwood: https://www.wedgwood.org/get-involved/Your gift today creates hope for tomorrow. Make a gift: https://www.wedgwood.org/share-your-light/Venmo: https://www.venmo.com/wedgwoodcsSupport the showDon't forget to subscribe to stay up-to-date on the latest episodes!
Send us a textHillary sits down with Jacklyn, a clinician at Wedgwood who specializes in trauma, anxiety, and depression. Together, they explore the impact that social media has on mental health, particularly how "compare and despair" patterns can harm self-esteem and lead to anxiety.Jacklyn offers insights on recognizing when comparison becomes unhealthy, along with practical strategies to build a healthier relationship with social media. They also discuss how practicing gratitude can counteract the negative effects of comparison.For more information on the podcast, please visit: https://www.wedgwood.org/podcast/To learn more about Counseling at Wedgwood, please visit: https://www.wedgwood.org/counseling/For podcast and/or Wedgwood merch, please visit: https://wcb.myprostores.com/Support the showDon't forget to subscribe to stay up-to-date on the latest episodes!
Send us a textHillary talks with Emily Nykamp, a therapist within Wedgwood's Counseling Team, about her passion for helping clients—especially kids and teens—find creative ways to overcome challenges, build resilience, and grow.Emily explains burnout as a result of prolonged stress, especially in fields like healthcare, education, and caregiving, where people often feel overworked and undervalued, especially post-pandemic. They discuss recognizing burnout early and managing it through self-reflection, understanding triggers, social connections, and setting work-life boundaries.They also talk about how organizations can support employee well-being by providing mental health resources and a culture that promotes recharging.For more information on the podcast, please visit: https://www.wedgwood.org/podcast/To learn more about Counseling at Wedgwood, please visit: https://www.wedgwood.org/counseling/For podcast and/or Wedgwood merch, please visit: https://wcb.myprostores.com/Support the showDon't forget to subscribe to stay up-to-date on the latest episodes!
Send us a textHillary sits down with LeRae, the Director of Spiritual Formation, to explore the connection between faith and mental health. LeRae shares insights on how spiritual health can enhance mental well-being and offers practical advice for balancing faith with mental health challenges. Together, they discuss how spirituality can help find meaning in both joyful and difficult seasons, the importance of compassion, and how to navigate challenging conversations during stressful times like holidays and elections. Tune in for an enriching conversation that blends faith, emotional intelligence, and self-care strategies.For more information on the podcast, please visit: https://www.wedgwood.org/podcast/To learn more about Wedgwood, please visit: https://www.wedgwood.org/Support the showDon't forget to subscribe to stay up-to-date on the latest episodes!
Send us a textIn this episode, Hillary and Nick Bayer explore the rising trend of substance use disorders among adolescents, focusing particularly on marijuana use. They discuss the environmental and mental health factors contributing to this trend and highlight the importance of addressing these issues to provide effective support for individuals struggling with addiction. The conversation covers the complexities of addiction recovery, including recognizing signs of addiction, addressing underlying issues, and offering ongoing support to prevent relapses. Nick emphasizes that relapse is a common part of the recovery process and underscore the significance of continuous support and interventions. Join us for an insightful discussion on how to support teens through addiction and recovery, with practical tips and strategies for caregivers and community members.For more information on the podcast, please visit: https://https://www.wedgwood.org/podcast/podcast/For more information on Wedgwood's Counseling Services, please visit:https://www.wedgwood.org/counseling/For more information on Wedgwood's substance Use Treatment Services, please visit: https://www.wedgwood.org/substance-use/Support the showDon't forget to subscribe to stay up-to-date on the latest episodes!
Sunday sermons from Church Unlimited.
Send us a textIn this episode, Hillary and Brina Tiemeyer discuss the critical topic of framing suicide as a public health issue. They highlight the importance of using language that de-stigmatizes suicide and providing trauma-informed care. The conversation covers the need for understanding and intervening in suicidal thoughts, particularly among teenagers and adolescents, and emphasizes approaching the topic with empathy and sensitivity. Brina and Hillary address the challenges of discussing suicide and suicide prevention, including the stigma surrounding it, and the importance of open, honest conversations. Tune in for insights on how to approach these difficult conversations and strategies for supporting those who may be struggling with suicidal thoughts.For more information on the podcast, please visit: https://https://www.wedgwood.org/podcast/podcast/For more information on Wedgwood's Counseling Services, please visit:https://www.wedgwood.org/counseling/heFor immediate help if you are in distress or having suicidal thoughts, please call 988 or visit: https://988lifeline.org/Support the showDon't forget to subscribe to stay up-to-date on the latest episodes!
本期小历史节目，我们回到英国工业革命的早期，看企业家如何创造一门流行的消费生意。18世纪初，中国瓷器的秘密开始被欧洲人破解之后。伴随着英国贸易的重心转为茶叶，来自英国的Wedgwood（韦奇伍德）从一个创业作坊，一路发展成为了陶瓷餐具领域的佼佼者。关于这个品牌的创始人Josiah Wedgwood，大不列颠百科全书对他的评价是：“对陶瓷制造的卓越研究，对原料的深入探讨，对劳动力的合理安排，以及对商业组织的远见卓识，使他成为了工业革命的伟大领袖之一。”这个评价并不夸张。一个消费品牌的异常成功，必须依赖产品、生产、营销和利润空间所形成的合力。而Josiah Wedgwood在这四个方面的能力，都没有短板。虽然我们今天戏称他是“十八世纪的乔布斯”，但他的魅力可能比你想象中更强。| 主播 |肖文杰、约小亚| 时间轴 |00:44 关系亲密的达尔文和韦奇伍德家族08:16 让Wedgwood起飞的中英贸易红利14:56 如何在工厂里“让人成为机器”19:21 仿款波特兰花瓶与新古典主义风格24:39 皇室背书与贵族客户32:11 Wedgwood如今走向破产的原因| 延伸资料 |《献给皇帝的礼物》《欲求之物》看理想-从中国出发的全球史第三季：商品、贸易与物质交换Wikipedia-Josiah WedgwoodFT- Wedgwood and the shaping of modern BritainPlanet Money-How To Get A Celebrity Endorsement From The Queen Of EnglandNytimes-They Broke It《商业就是这样》鼓起勇气开设听友群啦。欢迎添加节目同名微信，加入听友群，一起讨论有意思的商业现象。微信号：thatisbiz为了营造更好的讨论环境，我们准备了两个小问题，请在添加微信后回答：1，你最喜欢《商业就是这样》的哪期节目？为什么？2，你希望听到《商业就是这样》聊哪个话题？期待与你交流！| 后期制作 |秋秋| 声音设计 |刘三菜| 收听方式 |你可以通过小宇宙、苹果播客、Spotify、喜马拉雅、网易云音乐、QQ 音乐、荔枝、豆瓣等平台收听节目。| 认识我们 |微信公众号：第一财经 YiMagazine联系我们：thatisbiz@yicai.com
Send us a Text Message.In this episode, Hillary and Gina Boscarino discuss the complex challenges of raising teenagers in the digital age. They discuss the importance of creating safe spaces for teens to talk about the issues they face and offer guidance on navigating social media and technology use. Emphasizing the need for strong relationships with teachers, classmates, and community members, they explore strategies to help teenagers build resilience. The conversation also highlights the importance of educating both parents and children about the dangers of teen substance abuse, including the increased potency of vaping and alcohol, and the role of peer pressure. Tune in for practical tips and insights on supporting teenagers in today's fast-paced, digital world.For more information on the podcast, please visit: https://www.wedgwood.org/podcast/For more information on Wedgwood's Positive Youth Development Program, please visit:https://www.wedgwood.org/services/community-programs/positive-youth-development/Support the Show.Don't forget to subscribe to stay up-to-date on the latest episodes!
This episode is a repost from The Working On Purpose PodcastCapitalism comes in for criticism, despite the fact that this economic system has resulted in substantially increasing global per capita income over the centuries, spurring economic growth and progress. Critics often criticize a kind of Aberrant Capitalism, one that is dominated in their minds by corporations, whose behavior is not always meritorious. But from the earliest times, it was Customer Capitalism, not corporate capitalism, that was the driver of individual prosperity and thriving. Companies such as Wedgwood & Bentley of Wedgwood China fame (founded 1759) set the original precedents by prioritizing customer needs and innovation, laying the foundation for contemporary business practices. The advent of these corporations facilitated large-scale entrepreneurship, promoting innovation and efficient responses to customer demands.Entropy has set into the capitalist system since the founding days, and there is some corporate behavior that needs reform. Dr. Alise Cortez is attentive to these concerns. We discussed the prospects for a revival of customer capitalismResources: Connect with Hunter Hastings on LinkedInConnect with Dr. Alise Cortez on LinkedInThe Value Creators WebsiteHunter Hasting's Blog Dr. Alise Cortez's websites: Gusto-Now.com and AliseCortez.comShow Notes: 0:00 | Intro3:25 | Capitalism: Bad Rap and the Purpose 08:07 | Standard Oil's Impact on Civilization09:52 | World War: Capitalism in the Next Era14:20 | The Post-War Capitalism: Command and Control19:50 | Period of Financialization 21:05 | Maximising Shareholder Value 22:14 | Government as the Customer 25:35 | The Promise of Customer Capitalism 28:30 | Current Landscape of Customer Capitalism 33:03 | Management Practices of Forward-Thinking Companies: Extremely Flat Organization35:33 | Cross-Functional Teams 37:45 | Short-Term Problem Solving vs. Long-Term Planning 39:50 | Long-Term Stock Exchanges: Role and Contribution40:30 | AI and Middle Management42:24 | Principles Over Rules 43:40 | Customer-Centric Business Models 45:13 | Idea of Subjective Value and Empathy48:37 | Wrap - Up
Send us a Text Message.In this episode, Hillary and Katrina discuss the unique challenges that back-to-school transitions pose for both kids and adults, particularly for children with autism spectrum disorder (ASD). Katrina offers practical tips for helping children prepare, such as communication, preparation, and setting expectations. The discussion emphasizes the importance of empathy, understanding, and support for raising neurodivergent children. They also touch on the need for accommodations in schools to create a welcoming environment for children with ASD. Tune in to learn actionable strategies and insights to make the back-to-school season smoother for everyone involved.For more information on the podcast, please visit: https://www.wedgwood.org/podcast/For more information on Wedgwood's Autism Center for Child Development, please visit:https://www.wedgwood.org/autismcenter/Support the Show.Don't forget to subscribe to stay up-to-date on the latest episodes!
August 3, 2024 - How to address all your insurance needs with Lacey Crickard of Wedgwood Insurance by VOCM
Send us a Text Message.In this episode of "Coffee Break Conversation," Hillary sits down with Asha to discuss the unique challenges faced by diverse communities in accessing mental health care. The conversation emphasizes the importance of cultural sensitivity, education, and community engagement. Asha shares her personal journey of becoming a mental health therapist, shedding light on the specific obstacles encountered by people of color within the foster care system and the mental health field.The discussion dives into the critical role of cultural competence in mental health care and encourages white community members to support mental health services in diverse communities. Tune in to gain valuable insights on how to better understand and address mental health disparities in marginalized communities.For more information on the podcast, please visit: https://www.wedgwood.org/podcast/For more information on Wedgwood's Counseling Services, please visit:https://www.wedgwood.org/counseling/Support the Show.Don't forget to subscribe to stay up-to-date on the latest episodes!
Join Hillary for a special episode of Wedgwood's Coffee Break Conversation as she sits down with Maranda, a beloved figure in the West Michigan community, and long time partner with Wedgwood. In this episode, Maranda shares her experiences and passion for empowering kids and families through her work in local media. With nearly 40 years of experience working for WOODTV8, Maranda discusses the evolving challenges children face today, from cultural shifts to mental health issues, and the importance of genuine communication and connection. We dive into her new initiative, "How's It Really Going?" is bridging the gap between families and essential resources, offering a "digital warehouse" for mental health resources and content. Tune in to hear inspiring stories, valuable insights, and practical tips on how to effectively connect with and support the children in our lives. Grab your coffee or tea, and join us for this meaningful conversation. If you would like to learn more about Wedgwood Christian Services, please visit www.wedgwood.org. Wedgwood's Coffee Break Conversation is available wherever you listen to podcasts. For more information on the podcast, please visit: https://www.wedgwood.org/podcastFor more information on Wedgwood's Counseling Services, please visit: https://www.wedgwood.org/counseling/Maranda's resources and mental health content: https://www.woodtv.com/abc4/maranda/hows-it-really-going/Don't forget to subscribe to stay up-to-date on the latest episodes!
In this episode, Hillary and Asu discuss what seeking professional help for your mental health can look like, the importance of breaking the stigma of therapy, and the benefits of counseling.Asu shares his experience with the cultural differences in mental health from where his family comes from (Rwanda). He also emphasizes that seeking help shows strength, not weakness. If you would like to learn more about Wedgwood Christian Services, please visit https://www.wedgwood.org/counseling/Wedgwood's Coffee Break Conversation is available wherever you listen to podcasts. For more information on the podcast, please visit: https://www.wedgwood.org/podcast/
Once upon a time, a daughter of privilege took her enormous intelligence, unfathomable bravery, and an entire set of Wedgwood china into the uncharted parts of the Middle East, making maps, discoveries and friends along the way. Her work helped pave the way for the establishment of the modern country of Iraq. This episode is brought to you, in part, by these advertisers: Blueland: cleaning products that are better for the planet; 15% off your first order, blueland.com/CHICKS Quince: Beautiful, clothing essentials; free shipping and 365-day returns at Quince.com/CHICKS Factor Meals: 50% off your first box, and 20% off your next month (while subscription is active) use code HC50 at factormeals.com/HC50 Lume Deodorant: Whole body deodorant products; 15% off with code CHICKS at lumedeodorant.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Coffee Break Conversation, host Hillary sits down with Jason Olvera, a Clinician at Wedgwood. Together they explore the true meaning of self-care. Beyond the buzzword, they discuss practical steps to incorporate self-care into your daily life, as well as how to balance life's demands while prioritizing your mental health. So grab your coffee (or tea) and join us for a meaningful conversation on taking care of yourself.If you would like to learn more about Wedgwood Christian Services, please visit www.wedgwood.orgWedgwood's Coffee Break Conversation is available wherever you listen to podcasts. For more information on the podcast, please visit: https://www.wedgwood.org/podcast/
In this Season 4 Premiere episode of Wedgwood's Coffee Break Conversation, Hillary and Kali discuss the importance of boundaries. Kali, a mental health expert from Wedgwood, emphasizes the unique and vital role boundaries play in personal and professional relationships. Together, they explore the necessity of clear communication, vulnerability, and problem-solving skills in maintaining healthy boundaries.If you would like to learn more about Wedgwood Christian Services, please visit www.wedgwood.orgFor more information on Wedgwood's Coffee Break Conversation, please visit: https://www.wedgwood.org/podcast/
Listen to Michael Fanning and Steve Loevastsu, a seasoned real estate agent starting in 1988 with Windermere Real Estate. Here are the key takeaways from Steve Laevastu: Steve Laevastu is a highly successful and experienced real estate agent who has been with Windermere for over 30 years. He is based out of the Greenwood office and primarily works in the neighborhoods around his home, within a 10-minute drive radius. Key Takeaways: 1. Consistency is key: Steve has been consistently sending out monthly newsletters to the same four neighborhoods (Wedgwood, Hawthorne Hills, Ravenna, and Mont Lake) for over 15-20 years, totaling around 7,500 newsletters per month. This consistent presence in his farm areas has been instrumental in his success. 2. Geographic Farming: Steve believes that geographic farming is the easiest way to make money in the real estate business. By focusing on specific neighborhoods close to his home, he has been able to establish a strong presence and reputation in those areas. 3. Relevant Content: Steve ensures that the content in his newsletters is relevant to the specific neighborhoods he targets. He includes information about local developments, real estate market updates, and happenings in the area, making the newsletters valuable to the recipients. 4. Systems and Templates: Steve emphasizes the importance of creating systems and templates to streamline processes and improve efficiency. He has templates for follow-up emails, letters, and other communications, saving time and ensuring consistency. 5. Focus on Listings: Steve has consciously chosen to focus primarily on listing properties rather than working with buyers. He finds listings to be more efficient and refers buyers to other agents or members of his team. 6. Open to Sharing: Steve is happy to share his knowledge and experience with other agents. He enjoys having lunch and discussing strategies to help others thrive in their real estate business. Contact Information: Steve Laevastu can be reached at 206-226-5300 or via email at sold@windermere.com.
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue. Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art. Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
We don't know where you grew up or where you call home, but we're from Stoke-on-Trent. Oatcakes, Port Vale, the friendliest and funniest people on Earth. Northern Soul and the rave scene. Shelleys, Kinetic, and Golden. And, of course, Wedgwood and Brindley. Have you never heard of it? As a kid, we'd tell people we were from Manchester because everyone knows Manchester, and it's cool. But Stoke? Pah. We're ashamed to say we never sang its praises. But what did we know? We left Stoke for Manchester, seeking our fortune. But that was many years ago. And we've recently returned to the area. We see Stoke with fresh eyes now and proudly tell people that's where we're from. Funny enough, we weren't the only ones with this attitude. Stoke has an unfair reputation, which is absurd given its affectionately known as The Potteries – a creative city that creates art from dirt and is now named the World Capital of Ceramics. But despite its incredible industrial heritage, the local and national news just seems to spout negative stories, and everyone talks about its decline. But one person is hoping to change all that. Simon Davies is an industrial and product designer and co-founder of Protect-a-Pet, a company that sells his inventions worldwide, which help protect cats from the risk of free roaming. Si has big ambitions for the city. He is hugely passionate about the region and believes it's on the brink of a resurgence. A rebirth. Fed up with seeing a place in post-industrial decline and driving past derelict buildings each day on his way to work, he and some others have set up a Community Interest Company called The Teapot Factory to bring people together and drive change. He's also behind a 'netwalking' event called the Teapot Tours, the first of which was attended by a few Chamber of Commerce members and some local artists. The idea was to bring together creatives and business people, something Stoke is famous for. The walks are guided by a local history expert and end at a venue with an interesting speaker or poet. We wanted to find out more about a city with so much potential, a proud history, a talented workforce and a network of local creatives determined to make the Potteries legendary once more. This season is proudly sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.
ADHD Coach Katherine Sanders Does building habits as someone with ADHD feel like you're herding cats? Join ADHD coach Katherine as she explores a playful, perfectly possible approach to "firing up" productive habits, inspired by the celebrated potter Josiah Wedgwood.You'll discover:Why habit formation is uniquely challenging for ADHD brainsThe power of celebrating small wins and allowing flexibilityUsing tools like AI assistants to design routines tailored for your neurodivergenceReconnecting to your deeper "why" when motivation wanesKatherine shares practical tips like starting tiny, using external cues, and finding meaningful rewards. Her key message?Embrace the journey - even Wedgwood's iconic glazes involved many "failed" experiments.Listen for an energising new perspective on habits and ways to make them stick while honouring your ADHD brain!Connect with Katherine here:WebsiteInstagramTiktokFacebookYoutubeLinkedINThreads Blog post: ADHD & Time 'Agnosia' (blindness): https://lightbulbadhd.com/blog/adhd-time-discounting-blindnessPodcast episode on time: https://pod.fo/e/20b52aLearn more about Josiah Wedgwood and his experiments: https://collections.vam.ac.uk/item/O1715422/trial-tray/My favourite AI tools to play with: this Canva link opens a PDF which you can save and download.Barkley, R. A. (1997). Behavioral inhibition, sustained attention, and executive functions: Constructing a unifying theory of ADHD. Psychological Bulletin, 121(1), 65–94. LinkLangberg, J. M., & Becker, S. P. (2012). Does long-term medication use improve the academic outcomes of youth with attention-deficit/hyperactivity disorder? Clinical Child and Family Psychology Review, 15(3), 215–233. LinkSolanto, M. V. (2018). Cognitive-behavioral therapy for adult ADHD: Targeting executive dysfunction. The Psychiatric Clinics of North America, 41(2), 255–267. LinkToplak, M. E., Connors, L., Shuster, J., Knezevic, B., & Parks, S. (2008). Review of cognitive, cognitive-behavioral, and neural-based interventions for attention-deficit/hyperactivity disorder (ADHD). Clinical Psychology Review, 28(5), 801–823.
Episode 249 of the InGoal Radio Podcast, presented by The Hockey Shop Source for Sports, features the informative return of Dallas Stars goalie Scott Wedgewood.In the feature interviews presented by NHL Sense Arena Wedgewood shares invaluable advice on everything from being a good goalie partner (in his case to Jake Oettinger), the importance of looking off the puck, or "head checks," when to do it and what specifically to look for, as well as invaluable hydration tips to help you avoid excessive weight loss and post game fatigue. Much like his first appearance two summers ago, Wedgewood is an open book as he digs into the details that matter to goalies everywhere in an informative and entertaining manner.In our Parents Segment, presented by GDI USA, we discuss a big question faced by hockey families at this time of year: “Should my goalie play Spring Hockey?”All that, plus a trip to The Hockey Shop Source for Sports for a look at an increasing list of certified cat eye cage options, including some that a few goalie coaches are sending their students in specifically to buy.__________________________In our feature interview Scott Wedgwood mentions nutritionist Angie Asche who he works with and her book Fuel Your Body: How to Cook and Eat for Peak Performance: 77 Simple, Nutritious, Whole-Food Recipes for Every Athlete which can be found here:Canada: https://amzn.to/3xoJLWwUSA: https://amzn.to/3J0iv3m He also refers to Dallas EBUG Chris Dudo posting a video of Wedgwood's head checks - count them for yourself!https://www.tiktok.com/@chrisxdudo/video/7342584041071250730
This week, Eleanor and Martin saunter to Staffordshire, home of Wedgwood china and their first Headless Horseman!After a brief chat about Jack O'Lent and some minor saints with silly names, they proceed on a macabre tour around the history and folklore of Staffordshire, talking about sites like Stafford Castle, Lichfield Cathedral, and Doxey Pool and legends including Jenny Greenteeth, Sauntering Ned, the Mermaid of Morridge, and much more besides. Then it's time for the main event: Eleanor's telling of "The Children of Cannock Chase."The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...With Bonus Episodes released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus a range of exclusive content on Patreon, audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
The Narcissist is a cosy crime novel with a gritty edge. When a famous actress is found dead from a gunshot wound in a small town, suspicion falls on her family and friends and it is revealed that there is more than one person who may have wanted Vanessa dead. As the characters close ranks and secrets are revealed, the book builds to a dramatic, action-packed conclusion.
P-Patches launched a modern agricultural movement in the 1970s, sprouting from a small family farm in Wedgwood. Seattle was once full of farms. But as the city developed, land-use regulation and other forces began to push farmers out. One farming family feeling the squeeze in Seattle in the 1970s helped launch a program that has had a profound impact on the city ever since. A piece of their land became the first of what is now a collection of about 90 public urban gardens, or “P-Patches.” Crosscut's resident historian Knute Berger dug into this history and what it represents in a recent episode of the Mossback's Northwest video series, but there is a lot more left to unearth. In this episode of Mossback, Berger joins co-host Stephen Hegg to discuss Seattle's early efforts at farm-to-table living, how the rise of supermarkets and other economic forces almost derailed them, the details of the first P-Patch and what these popular gardens now symbolize in an ever-changing city. For more on all things Mossback, visit crosscut.com/mossback. To reach Knute Berger directly, drop him a line at knute.berger@crosscut.com. And if you'd like an exclusive weekly newsletter from Knute, where he offers greater insight into his latest historical discoveries, become a Crosscut member today. --- Credits Hosts: Stephen Hegg, Knute Berger Producer: Seth Halleran Story editors: Sara Bernard and Sarah Menzies
Curators Jake Subryan Richards and Vicky Avery locate Cambridge within the transatlantic slave trade, connecting global commodities and local consumption, historic and contemporary art, to reveal how five hundred years of colonial resistance constructed new cultures, known as the Black Atlantic. Between 1400 and 1900, European empires colonised much of the Americas, transporting over 12.5 million people to these colonies from Africa as slaves. It's a history often recounted as something singular, concluded in the past - detached as happening ‘then, and over there' - else told from the perspective of imperial powers. But in their resistance of colonial slavery, people also produced new cultures that continue to shape our present. Black Atlantic, a new exhibition at Cambridge's Fitzwilliam Museum, reconnects the institution's collection, university, and city more widely with these global histories. Installed within the Founder's Galleries, part-funded by the profits from the transatlantic slave trade, it builds on the ‘grandeur and smugness' of the Fitzwilliam's architecture - an intervention which asks whether it is possible to decolonise museums, as imperial infrastructures. Co-curators Jake Subryan Richards and Vicky Avery consider contrasts and continuities between historic and modern works, with contemporary Black artists like Barbara Walker and Keith Piper, Alberta Whittle and Donald Locke commenting on visibility, racism, and colourism, and how visual representations of Black people have shifted over time. Vicky smashes stereotypes about abolitionism, ceramics, and popular culture, from the UK's largest pro-slavery punch bowl, to Jacqueline Bishop's new Wedgwood dinner set. Plus, with a botanical painting from a Caribbean plantation - one of the first signed works by a Black artist of a Black subject - we travel between environments in West Africa, North and South America, and Europe, finding examples of exploitation, agency, and self-liberation - and pathways to future ‘repair'. Black Atlantic: Power, People, Resistance runs at the Fitzwilliam Museum in Cambridge until 7 January 2024, the first in a series of exhibitions and gallery interventions planned until 2026. For more on the South Sea Bubble, listen to Dr. Helen Paul on The Luxborough Gallery on Fire (c. 18th Century): https://pod.link/1533637675/episode/c02b6b82097b9ce34d193c771f772152 Part of EMPIRE LINES at 90, exploring the legacies of the transatlantic slave trade through contemporary art. WITH: Dr. Jake Subryan Richards, Assistant Professor of International History at the London School of Economics and Political Science. Dr. Victoria Avery, Keeper of European Sculpture and Decorative Arts at the Fitzwilliam Museum. They are co-curators of Black Atlantic: Power, People, Resistance. ART: ‘The Coloureds' Codex, Keith Piper (2023); Vanishing Point 25 (Costanzi), Barbara Walker (2021); Breadfruit Tree, John Tyley (1793-1800); History of the Dinner Table, Jacqueline Bishop (2021)'. IMAGE: Installation View. SOUNDS: Jacqueline Bishop: History at the Dinner Table. Produced by Storya.co. With special thanks to the Paul Mellon Centre for Studies in British Art. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines
For this Tuesday show, we present Part 1 of the Hacks & Wonks 2023 Post-Primary Roundtable which was live-streamed on August 8, 2023 with special guests - journalists Daniel Beekman, Guy Oron, and Melissa Santos. In Part 1, the panel breaks down primary election results for the crowded Seattle City Council races in Districts 1 through 5 - looking at how vote shares, campaign finances, redistricting, candidate quality, endorsements, and more played a part in who came out as the top two. Stay tuned for Part 2 of the roundtable releasing this Friday for more election analysis! As always, a full text transcript of the show is available below and at officialhacksandwonks.com. You can follow Hacks & Wonks on Twitter at @HacksWonks. Find the host, Crystal Fincher on Twitter at @finchfrii and find today's special guests, Daniel Beekman at @DBeekman, Guy Oron at @GuyOron, and Melissa Santos at @MelissaSantos1. Resources Hacks & Wonks 2023 Post-Primary Roundtable Livestream | August 8th, 2023 Transcript [00:00:00] Shannon Cheng: Welcome to Hacks & Wonks. I'm Shannon Cheng, Producer for the show. You're listening to Part 1 of our 2023 Post-Primary Roundtable that was originally aired live on Tuesday, August 8th. Audio for Part 2 will be running this Friday, so make sure you stay tuned. Full video from the event and a full text transcript of the show can be found on our website officialhacksandwonks.com. Thank you for tuning in! [00:00:37] Crystal Fincher: Hello everyone - good evening. Welcome to the Hacks & Wonks Post-Primary Roundtable. I'm Crystal Fincher, I'm a political consultant and host of the Hacks & Wonks podcast and radio show. And today I'm thrilled to be joined by three of my favorite hacks and wonks - local reporters - to break down what happened in last week's primary election. We're excited to be able to livestream this roundtable on Twitter, Facebook and YouTube. Additionally, we are recording this roundtable for broadcast on KODX and KVRU radio, podcast, and it will be available with a full text transcript on officialhacksandwonks.com. Our esteemed panelists for the evening are: Politics and Communities reporter for The Seattle Times, Daniel Beekman. Staff Reporter for Real Change, covering local news, labor, policing, the environment, criminal legal issues and politics, Guy Oron. And Seattle Axios reporter, Melissa Santos. Welcome everyone. So I think we will get started talking about Seattle and all of these races for Seattle City Council. This is a year where we had some redistricted council districts in Seattle - we had a number of incumbents decide not to seek reelection, and a few who did - and some really interesting results. So I think we'll start in District 1, which is in the West Seattle area, where we see a result of Maren Costa with the lead - currently at 33.16% - and the second person getting through the primary, Rob Saka, with 24% here. So I guess just starting out - how are these candidates positioned, and what do you think this primary says about the state of the district and the state of this race going into the general? Starting with Daniel - what are your thoughts here? [00:02:47] Daniel Beekman: Oh, yeah, good questions - I'm interested to hear what the other folks have to say. I guess the one thing that strikes me about the race is that, like in - I think - every other race of the seven districts, we're going into the general election with a candidate who was endorsed by The Stranger's editorial board and one endorsed by The Seattle Times editorial board - which operates separately from our newsroom. And that's pretty typical for Seattle City Council elections. And maybe even without those endorsements, this race and others would have ended up the way they did - but I think that's something to note in this race and others. The other thing that struck me about this race is two pretty interesting candidates, background-wise - especially to some extent in Seattle politics with Costa. Doesn't really fit the - if there's a typical sort of Seattle candidate, especially in the left lane - the progressive, more progressive lane. I don't know if she fits quite into that. She doesn't come from a - she hasn't worked at the City Council, she doesn't come from the County or State Labor Council, she hasn't been steeped in local Democratic legislative district politics or anything like that, I don't think. She's from the tech world and was an activist in that world. So I don't know - I found that interesting, I don't know if that's a major takeaway - but it's something in that race that I think will be interesting to watch going forward. [00:04:41] Crystal Fincher: Go ahead, Melissa. What did you think? [00:04:42] Melissa Santos: I will be curious. It's really hard in a race where there's - what, we have eight candidates here again, or was it actually nine, eight in this one as well - to predict how the votes that the candidates didn't get will shake out. I'm really curious to see where Phil Tavel's votes go because - he ran last time too - and again, more one of the more business-friendly candidates in this race. And I'm just not sure that there'll be a one-for-one accounting for those votes, necessarily, when you come into November. Theoretically, those votes would go to the more central lane candidate, who is Rob Saka. But I don't know that that math is a direct line when there's a lot of time between here and November. And also, they're just - sometimes people are really attracted to someone's personal story in these races, right? We're focused as reporters and commentators sometimes on - who's the moderate, who's the lefty, or whatever. And sometimes I don't know that voters always are. Maybe there's one particular idea they had, that they talked about at the door, that people were into or a percentage were into. And there's also progressive candidates here that had some votes that are not making it to the primary, so I just don't know - I have zero idea how the votes for the non-winning candidates will shake out. [00:06:06] Crystal Fincher: What do you think, Guy? [00:06:08] Guy Oron: Yeah, I think to start - with all these Seattle races, I think the biggest message is that most people didn't vote. 64% of folks didn't vote in these elections. And it'll be interesting to see where those people land in the general. It did seem like a very competitive race - all these City Council races - but especially the open ones. And I think Maren was able to really use her credentials as an activist to get a lot of support among progressives, and while the more right-of-center lane was a little more split between Phil and Rob Saka. And it'll be interesting to see how it measures up. I think right-leaning candidates won just about 50%, compared to progressive ones that won about 45%. I was doing some rough arithmetic earlier - it is pretty narrow margin. It'll be interesting to see how it goes. [00:07:18] Crystal Fincher: Yeah, this is a race where it looks like this is going to be a competitive race in the general election. We did see an interesting role that donors played in this race where there were some substantial fundraising numbers from a number of candidates, even several who didn't make it through. I think there were a few who eclipsed $50,000 who did not make it through the general election. And then you have the two that did make it through raising a considerable amount of money, in addition to an independent expenditure on behalf of Rob Saka that made some news - for a Trump-supporting donor included in there and certainly more business-aligned candidate there. How do you see the role of donors and money and the way that the primary election shaped up, and what do you think that says about the general election? - starting with you, Guy. [00:08:15] Guy Oron: It'll be interesting to see. I think with Democracy Vouchers, it really changes the game and allows people who don't rely on corporate donations to run. And I think that gives Costa an edge there to fight at least an even battle. It'll be interesting to see if this election is more like 2019, where corporate donations sparked a big backlash, or more like 2021 when they got folks like Davison over the line. [00:08:49] Melissa Santos: The independent expenditures, I think, will be interesting to watch because theoretically the Democracy Vouchers do even the playing field. But once you get all that independent expenditure money in there, it's not limited in the same way. So I do think we'll see this huge flood of outside money going forward. And I am watching how - whether that kind of undermines the intent of the Democracy Voucher program. We've had a few years now where we've watched how this plays out. But particularly this year, I'm looking at that because I just think there will be a lot of outside money. And there already has been in this race in particular - maybe not a lot yet, but more than in other races, of city council races - and that can tip the scales. But like Guy said, there has been backlash before. We certainly saw that with the $1 million Amazon donation to the Chamber's PAC that kind of seemed to have that kind of resurgence of the progressive candidates in protest a few years ago. [00:09:53] Daniel Beekman: Yeah, I think it would be right to expect big outside spending in this race and some of the other races that look like they could be very competitive - that seems very likely. And one of the sort of quirks of this race in terms of spending in the primary was that there were some candidates - as you mentioned Crystal - like Stephen Brown got under 10%, spent money or raised quite a bit of money. But a fair chunk of that, I think - just looking, $34,000 or something like that was from himself, I believe. So that kind of tips the scales sometimes, or it can be confusing looking at the overall totals. But yeah, this is one of those races where I would be surprised if there wasn't a lot of independent spending in the general election. [00:10:52] Melissa Santos: You're saying bagels can't buy a City Council seat, Dan? Is that what you're saying? [00:10:57] Daniel Beekman: I'm just saying that this City - what was it? The mailer - This City deserves better bagels? [00:11:05] Melissa Santos: Bagels. Yeah, maybe that wasn't effective - maybe a different audience, maybe next cycle. [00:11:11] Crystal Fincher: Yeah, it's going to be interesting to see. And another race where sometimes people just have a ton of money and they think - I have a ton of money, I can loan myself money, donate to the campaign. But more often than not, we see those predominantly self-funders not necessarily finishing all that well. It actually does take the support of people in the community and those donations are basically a measure of support from people. And that seems to be important in overall results. I do want to talk about District 2 now, which includes the Rainier Valley, southeast Seattle. And that is where incumbent Tammy Morales is facing Tanya Woo, who will be proceeding through to the primary. And this is one of those races where in Seattle we see numbers shift from Election Night to others - this certainly was no exception, a race that shifted. And as we stand now, Tammy Morales - over 52% of the vote here, 52.26%. Tanya Woo with 42.58%, so about a 10-point spread. This is one of the races where people were wondering if there was going to be a backlash to the council that showed up. Lots of talk going in about - Oh, the council may not be popular or have high approval ratings. I've noted several times, similar to Congressional approval numbers, those don't really have much bearing to individual Congressional results. Here to individual city council results, this is seemingly a strong finish for Tammy Morales as an incumbent here. How did you see this race, Guy? [00:12:52] Guy Oron: Yeah, I think initially on Election Night - oftentimes media covers it as a definitive - especially not local media, but national media. It did seem close, but the fact that Tammy Morales won by 10% - got over 50% - that's huge for her. And I think it will be very, very hard for Tanya Woo to unseat her at this point. And it shows that Morales has a lot of support from a lot of the district. And so, especially considering the fact that Harrell went really hard supporting Woo and it looks like that didn't work out too well for him. [00:13:36] Crystal Fincher: Do you agree, Daniel? [00:13:38] Daniel Beekman: Yeah, I think to an extent. Definitely the race swung a lot - I think more than any other from Election Night to now - although other races did also have a leftward swing with the later ballots. It looks like to stand any kind of a chance, Tanya Woo will have to - she's a first-time candidate and raise her game, her candidate game, in the next couple months. And also it will be interesting to see - what I was looking for on Election Night - will that race be close enough for the people who fund those independent expenditures to decide that they want to get in? I don't know, but maybe they weren't necessarily expecting her to - Woo to come out on top, but maybe they're looking at - Well, is it close enough to make it worth our while to spend? And if I was her, I wouldn't want to hear the race described like that. But I think it's just reality as people are looking in from the outside and they're making decisions about where their money is best, would best be spent. So it'll be interesting to see if - what calculation those folks make - whether people think it was close enough to be worth pouring money in or not. [00:15:13] Melissa Santos: Because remember - this was one of the least crowded races. It was just Tanya Woo, Tammy Morales, and then Margaret Elisabeth who got less than 5% of the vote. So it's not one of those sort of mystery, how did the vote split situations as much. This one is more likely to be pretty predictive of the general election. And yeah, there's only so much money to spend - even though we talk about tons of money in politics, people don't want to just throw it at nothing. And I don't think it's a lost cause - I think Tanya Woo has a chance - it doesn't look as good as it did on the night of the election for her. [00:15:47] Crystal Fincher: Yeah, absolutely. This - to your point, Melissa - more than the others, I think - one, could be viewed through the lens of, Is this a referendum on Tammy Morales and/or the council? And also, this is one where it does pretty much reflect what the race is going to be in the general election. I don't think we've seen a situation before, barring a massive scandal, where an incumbent has finished with over 52% of the vote and lost. To your point, those trying to figure out - there are a number of open seats, there are certainly seats that some people want to pick up - Is it worth spending in those and this one? - is going to be part of the calculation that people make. But this is a harder one - it's hard to see incumbents losing in this kind of a position. How do you see the general election shaping up here, Daniel? [00:16:49] Daniel Beekman: I think we know what kind of a race Tammy Morales is likely to run because she's - I think she's run similar races to some extent, when she won her seat and then the race before that when she nearly unseated Bruce Harrell. So I think we know what that's going to look like. I think the question is more how Tanya Woo is going to try to make up the vote she didn't get or gain in the general - what that looks like, whether that means leaning into her, more into her sort of community work in the CID [Chinatown International District] , or if it means hammering on a particular issue like public safety or something like that. So I think that's - I don't know - but that's what I would be looking for is where this sort of question lies. But, yeah, I think it's - incumbents don't get knocked off very often. I was trying to think - I probably should have just looked it up, but I was trying to think before this about when's the last time the Seattle City Council incumbent was unseated and I was thinking about Jean Godden losing in the 2015 primary in a crowded race. But I think I could be totally spacing on a more recent one. But that seems like, in my mind, the most recent one and that's eight years ago now. [00:18:21] Crystal Fincher: Go ahead, Melissa. [00:18:22] Melissa Santos: I have a barking dog, so I'm trying to spare everyone from that. But yeah - now that I think about it - I was thinking - time is flat to me at this point, but Richard Conlin was a couple years before that. So what you're saying may be very well the most recent. We haven't seen a lot of incumbents go down and have those dramatic flips recently. It has happened, but not super recently. I will say - for Morales, since Sawant is leaving the council, she is, I think, the most - in this traditional lens of going back to who's left and who's center, right? Morales is the sort of furthest left member I think we have up for election this year. So the fact that she did get pretty good results in the primary, it suggests to me that there might not be this huge, huge upswell of being fed up with far-left City Council politics. There's certainly things people are unhappy with - we've seen polling that says people want more action on stuff - housing, homelessness. People want action. They want things to change, but they don't - necessarily voting out the most liberal candidates at this point. [00:19:31] Crystal Fincher: Yeah, I think that's a really good point. And I think, I've talked about it before in other places, but sometimes we hear about polling a lot and it's - Well, people are unhappy. And that's a reflection on people being unhappy with City councilmembers and approval ratings are low. And I think there are a lot of people who are unhappy with the state of things today, but I think sometimes we make assumptions about why that is and assume that that automatically means that they're unhappy with their councilmember. And that's not necessarily the case. I think that this is yet another example of that, where we need to go further and ask - Okay, so you're not happy with the state of things. Is it because - when it comes to public safety, do you want a more punitive and carceral approach, or do you want more intervention and community violence intervention and more addressing root causes? And I think if you look at the people on the ground in Seattle, they do want to do more to address some of the systemic issues that we have, to address some of the root causes, get more to prevention instead of trying to respond to so much after the fact. And I think that these results - almost in this race more than others - where there was a direct contrast between the two and a direct policy difference between the two. And we saw voters basically affirm that the direction Tammy Morales is heading is one that they're, that most are happy with. And especially in a lower turnout primary election, in an off-year, this is where you would expect unhappiness to really materialize if there was a desire to - kick all the bums out, that saying for people who are elected, but that didn't seem to materialize with two of the three incumbents finishing over 50%. And the third with the plurality of the vote there. How do you think this moves forward with that, Guy? [00:21:37] Guy Oron: Yeah, I do think it's a vindication for some of the people who were in the Solidarity Budget coalition, who are supporting decriminalization and defund, that maybe they see that one of the councilmembers that stood by their side got over 50%. I think they'll be reassured by that. I do think Tanya Woo got a lot of support in the CID and was able to really voice to that neighborhood that has been ignored a lot in the media by policymakers - or used as tokens, but not actually given proper seat at the table. So I think even if Morales wins the general election, that'll be something on the top of her priorities - is to better address the CID. And I think that was something that Woo was able to bring, even if she doesn't win in the general. [00:22:36] Crystal Fincher: Absolutely. Go ahead, Daniel. [00:22:39] Daniel Beekman: Oh, I was just going to say - and there's also sort of the differences district-to-district and candidate-to-candidate where - definitely Tammy Morales had a, looks like a strong result. On the other hand, you saw Dan Strauss trying to distance himself from some of his pro-defund advocacy from back in 2020 - I think I saw a mailer. And so whether he's right or not, he's obviously a little bit concerned about some of that coming back to bite him with voters in his district, so there's some differences district to district as well. [00:23:24] Crystal Fincher: Yeah, I agree with that. Another district - District 3, where Councilmember Kshama Sawant will not be seeking reelection, so this is for the person who will succeed Councilmember Sawant. And so in this race, we have the two making it through - Joy Hollingsworth with 36.89% right now and Alex Hudson being the second, making it through with 36.52%. Another very crowded race - this is a very close result, maybe the closest result. And two very different candidates than the current incumbent. What do you think this says about the district, and what do you think this says about the race? - starting with Melissa. [00:24:12] Melissa Santos: It is really close - you're less than a percentage point between these candidates now that we've seen the results shake out. And it is another situation where you have Joy Hollingsworth being the Seattle Times Editorial Board-endorsed candidate - not the newsroom, but the editorial board - and Alex Hudson being the Stranger-endorsed candidate up against one another. However, it's interesting to me because Alex Hudson is then - would be in the camp of being this more progressive candidate, right? - which in certain ways, she is. She's a long-time transit advocate and is - I remember, one time, her doing a video of confronting Tim Eyman, the anti-tax initiative pusher. And so she's done those sorts of things, but she's also someone who's worked a little bit more within the establishment than - certainly than Sawant, for instance - lobbying, building coalitions. So we're not seeing, and this has been said a lot about this race and I'm not the only one to say it, but we're not seeing anyone who wants to burn the barn down here in this race in the same way. We're not seeing a Socialist candidate in the same way even, and I'm actually - I haven't talked to these candidates as much as Dan and Guy probably have, but I actually think they're closer together on some issues than maybe it appears from those divergent endorsements. And I think some of that is likely to come to light during the general election, and it's possible that their positions don't as neatly line up necessarily with this sort of pro-business and labor/left activism, although in some ways they do. [00:25:45] Crystal Fincher: Do you agree, Guy? [00:25:48] Guy Oron: I definitely agree that it's a huge change from Kshama Sawant and either one of the candidates won't be Socialists. And so I think that'll be something for Seattle left to think about - how do you build momentum for a more broad base, long-term institutional victory - to get five council seats at least instead of just one. And that's - they have to go to the drawing board and think about that long-term. But in terms of Hudson and Hollingsworth, I think Hudson started off a little slow, but managed to snag some important endorsements - and that's credit to her and her long-time presence in the policy world in Seattle. And I think Hollingsworth also is a very compelling candidate - I've seen her at so many different events in the community. She really shows up - for example, when Nurturing Roots was closing back in March, not even in her district, but she was the only candidate to show up and show support. So I think that's credit to her and really cultivating her base in the CD [Central District] . And I definitely think it will be a tight race. Progressives did - all the progressive candidates together did win about 4 or 5% more than the more moderate candidates, so it'll be interesting to see if Hollingsworth can manage to build a coalition of moderate liberals and especially in the CD, turn out folks who aren't voting just to get over the line. [00:27:30] Crystal Fincher: Do you agree, Daniel? [00:27:32] Daniel Beekman: Yeah, I guess this is a race where Bruce Harrell has endorsed Joy Hollingsworth, right? So it'll be interesting to see what kind of impact that has, if any, that can be discerned - Mayor Bruce Harrell. Alex Hudson has a varied background, but coming out of the Transportation Choices Coalition - which is transit advocacy but labor-aligned - and in the world of the big players in Seattle politics and been a policy and politician factory. Rob Johnson, a councilmember, was the Executive Director there. And Jessyn Farrell, former state lawmaker, and other people - so it's been churning out folks into government, so that's interesting. But I think Melissa and Guy covered a lot of this, so I don't have a whole lot to add. I had noticed just on social media a little bit - and I should say that I'm not, I should shout out my coworker Sarah Grace Taylor, who's been doing a lot of the coverage of the City Council races this year for us rather than myself, so I'm not the expert - but just on observing on social media, I feel like I've seen a little bit of different emphases in how the two candidates are positioning themselves. Joy Hollingsworth trying to emphasize her community ties. And Alex Hudson - I just saw on the way over to do this - talking up transit as an issue. Obviously because she's - that's some of her background. But also she must think it will play well with voters saying - in that district that's pretty transit reliant. [00:29:32] Melissa Santos: In theory, Joy Hollingsworth would be the candidate who's newer to politics - in theory - if you look at them. However, Joy is coming from a family of sort of political legacies in a way as well. Her grandmother Dorothy was the first African American woman elected to the Seattle School Board - and I think that's part of her community story a little bit that Joy is playing up - being from the Central District, being part of the legacy of people making change and pushing forward, which is interesting since she's the more establishment candidate endorsed by the mayor. But that's why the dynamics of this race are a little interesting to me. Because the narrative is not as clean as what we've looked at - races in the past where it's, again, lefty versus more business friendly Democrat kind of races in Seattle. [00:30:26] Crystal Fincher: Yeah, I think that's spot on. And this is a district where there's a Socialist as an incumbent. This is arguably the most left district in the city that doesn't quite have a candidate that speaks to that far left end that Kshama Sawant does. And I do agree that there are potentially a number of overlaps or places where the policy differences may not be as clear from the very beginning. So I think this is going to be a race where it's going to be important to examine where the candidates stand. It's going to be important to understand where the differences are and to really understand what they're bringing in terms of - not just votes, but where they're willing to lead and push, perhaps, the council. What are going to be their signature issues? And what are going to be the issues where they may just be an additional vote? I think that there's a lot that people still don't know, and this is going to be one of the most interesting districts for trying to ferret out what those differences and contrasts are. Also notice that fundraising in this race - again, a lot of money raised throughout the district. This is a race - we saw the result being very close - also the amount raised, both raising about $94,000 there. And so this is another race where both seem to have a lot of fundraising capacity. Is this going to be a race where outside entities get involved? And I also think those outside entities are going to be listening for cues from each of those candidates. Who do funders see as their ally on the council? Who does labor see as a stronger ally on the council? I think that there's still more that they're figuring out here. And those donations, those types of donors and those endorsements, are also going to do a lot of speaking for these candidates about where they stand and how they're likely to govern. [00:32:26] Melissa Santos: I was surprised that - based on just fundraising - that Alex Cooley didn't do a little bit better because they raised $95,000 as well. I don't know if any of you can explain what happened there, because I expected a better showing for that amount of money - I thought, I don't know - just looking from the outside at it. [00:32:42] Daniel Beekman: Yeah, I didn't follow it close enough to know - was it mostly Democracy Vouchers? [00:32:46] Melissa Santos: Yes, must be. Yeah, it's a mystery to me. [00:32:50] Guy Oron: He was the only candidate to run on a platform of only taking Democracy Vouchers and he didn't accept private donations, which I think is an interesting platform and could prove compelling if you think about - I'm not beholden to any interests, only the people. But I think his ground game was strong, but he didn't have a lot of institutional support from people like The Stranger, and so that's why he fell short. [00:33:22] Daniel Beekman: Yeah, and to pick up on something that you mentioned when you introduced the race, Crystal - it's interesting to think about - Sawant won her seat in 2013, so 10 years ago. And to think about how much District 3 - those neighborhoods, like Capitol Hill and the CD, have changed in the last 10 years. And think about is that why we didn't get someone with Kshama Sawant's politics in this race? Or is it because people are tired of her personally and that's soured them? But they narrowly voted down a recall just recently, so they're not that sick of it. I don't know, I find that interesting to ponder on whether the fact that there are two very unlike-Sawant candidates and two non-Socialist candidates going into the general election has anything to do with her or not, has anything to do with changes in the electorate or not. I don't have the answer, but I'm intrigued by that question. [00:34:37] Crystal Fincher: I don't have the answer to that one either, but I do think this is a race where endorsements mattered a lot because it was hard, just on the face, to see some of the automatic differences between the candidates in a way that you can in some of the other districts perhaps. And so this is another one where we talk about the importance of The Times and The Stranger endorsements and that certainly carried through here, in people looking at The Stranger as a cue to see who is considered to be the most progressive. Lots of times people are doing the same thing with The Times on the other side, if they want a more moderate presence on the council. And so I think those endorsements really mattered - in this race in particular - but in several of them overall. Also want to talk about the District 4 election. Now this is a district where - we talk about change over the last 10 years - this is certainly a district where I think recent results that we're seeing there reflect an evolution of the district and a change in this district. And so both with redistricting here and in this race, probably one of the cleanest lines between what is considered traditionally someone in the progressive lane and those traditionally in a moderate to conservative lane. How did you see this race shaping up, Guy? [00:35:59] Guy Oron: Yeah, I think it echoes the last 2019 elections, but now Ron P. Davis is number one instead of Alex Pedersen, so that's a good sign for him. And he is the strongest non-incumbent candidate in Seattle, winning 45% of the vote. It does seem like, with more development and just growing density, there are changing demographics. So it could be an opportunity for a pretty dramatic swing towards the left in this district. But still, the more moderate conservative candidates won about 55% of the vote together - Wilson and Maritza Rivera. So it'll be very competitive, and I think it all relies on if Ron can turn out all the students to vote for him who tend to lean more progressive. [00:37:04] Crystal Fincher: How do you see this race, Melissa? [00:37:07] Melissa Santos: Theoretically, it would make sense to add together those sort of more centrist candidates and say - Oh, they got 55% - and I don't disagree with doing that, Guy. The thing that was weird to me is - and I wish I had in front of me at the moment - but there was a mailer that went out and Crystal, you saw this and I just think Dan, you also probably saw this - but where it didn't, it seemed like Wilson was going after Rivera, who was closer to him politically, than he was going after Davis. And there were checkmarks and it's like Davis got more checks being aligned with Wilson than Maritza Rivera did on this particular advertisement and mailer. And I don't know if that kind of communication is going to then make some people think that Davis is more aligned - people who voted for Wilson - if they're going to think, go forward thinking Davis is more their guy than Rivera. Or there's a lot of election communication still yet to happen, so I guess all of that can be reset. But it seemed like that was one of the primary communication that's happening in that district. And it may have disrupted the dynamic in a way of the sort of candidates and saying - Oh yeah, this is now my candidate since mine got knocked out since they're the most similar. And so I'm not sure how that will carry out forward going with this election into the general. [00:38:23] Daniel Beekman: Yeah, that's interesting - whether that mailer will stick in anyone's mind and sour them on Rivera when they might not otherwise be. I think probably what Ken Wilson was going for there was just looking and assuming that - Well, Ron Davis is getting through, it's between me and Maritza Rivera about who's getting through on the other lane, and so let's see if I can make that happen without - like we were talking about - one of these newspaper endorsements. And it didn't work as much as he needed to, at least. Yeah, District 4 is interesting. Shaun Scott ran - I think running as a Democratic Socialist to some extent in 2019 - ran Alex Pedersen really close in District 4 in that year. And I guess my sort of what I'll be watching for in this one is how Ron Davis moves forward - whether he tries to draw really sharp contrast between himself and Maritza Rivera and he thinks that's the key, or if he tries to tack to the center a bit to try to win over some of those maybe slightly more moderate voters or Ken Wilson voters in some way. And I'll just tell a sort of funny story. I went out on Election Day to do some just person-on-the-street voter reporting. And it was funny because I was in District 4 and District 5 for a while talking to voters. And I had two voters - one was this sort of like older boomer, typical Seattle boomer voter, and to some extent - whatever that is. And I said - What are you thinking about? And most of the people I talked to didn't have some sort of mega-narrative about the Seattle election cycle, like we're going to throw out the lefties or we're going to do this. It was more - they're kind of grasping at straws a bit in my little unscientific sample size. But this somewhat older voter said - Well, I care about trees and I went to this tree protest in Wedgwood for Luma the cedar tree. And Ken Wilson was there and he seemed to care, so I'm voting for him - that's a big reason. And then I talked to a voter - more lefty-seeming voter in her 20s, I think - elsewhere, I think in the U district. And they said - Well, I care about climate change and I went to this protest for the cedar tree. And Ron Davis was there, so I'm voting for him. So I don't know if that means anything, but it just goes to show - yeah, so it will be interesting to see, does Ron Davis lean into the tree protest? Or does he lean into let's densify and tax big business? [00:41:30] Crystal Fincher: Yeah, this is going to be interesting. And those anecdotes are always so interesting, and I think underscores just from the inside-a-campaign candidate perspective - three quarters of the job, three quarters of the work is in showing up, whether it's on someone's doorstep, whether it's at an event. People want to see that you're actively engaged in the community and in the issues that they care about. So I would just encourage all of the candidates to do that. And the more you can talk to regular voters, the better. But this is an interesting race here. This is another race where we also saw an independent expenditure on behalf of, or in favor of, Maritza Rivera here. And it is an interesting race where - I don't know that this race, these votes consolidate cleanly pre-mailer in the way that they would expect. On top of that, this is a district that, a similar district, just last year elected Darya Farivar. And you think that the general election electorate is going to look more similar to what we saw in an even-year election then - that certainly is more progressive than that district and that area has been for a while. So are we seeing a shift in the preferences of a district? Are we seeing a shift in the issues that are concerning people? Certainly housing affordability is a major issue throughout all of Seattle, but also playing out in this district where I think the previous calculus and assumption was that this is a district full of NIMBYs and they seem to be voting in the opposite direction now. So this is going to be a really interesting race to pay attention to and one that may attract a lot of outside money because there are clearer lanes with a moderate in the race seemingly and a progressive - and looking to really pick up the seat for one or the other. Also want to talk about the District 5 race, which is another interesting, exciting race and was a pretty close race. So we have Cathy Moore here - close overall, especially for the second and third place finisher here - so Cathy Moore finishing with 32.26% of the vote, ChrisTiana ObeySumner - they're finishing with 21.38% of the vote here. How did you see this vote shaping up in the primary? Nilu Jenks is finishing currently in third place, just outside of making it through the primary. Guy, how did you see this developing? [00:44:19] Guy Oron: Yeah, I think the District 5 race was by far the most fractured and we had, I think, tied for the most amount of candidates. And so people - I think a lot of people voted for their first choice and I think ChrisTiana was able to be a sort of dark horse and come out on top. I think a lot of people were expecting Nilu Jenks to win, and so now those voters will have to decide whether they prefer Moore or ChrisTiana - and I think that will decide which way the district goes. But I think North Seattle is not usually thought of as a progressive stronghold, but I think it is surprisingly pretty progressive in terms of where people are voting. And I think people have all sorts of politics, like chaotic politics, where they support trees and density - and how do you reconcile those two, and I think that's up to the candidates to show that they're more well-spoken and have a stronger vision about integrating these various contradictions. [00:45:32] Crystal Fincher: What do you think, Melissa? [00:45:34] Melissa Santos: I was just reviewing some of the candidates' sort of statements and where they're coming from - it does encapsulate to me a little bit - you have Cathy Moore talking about public safety. All the candidates are talking about safety and should be talking about public safety probably, but she's coming at - literally in her voter guide statement says - I'm the pragmatic solution - very much very focused on capturing that center lane, people who might want to see a little bit more timely police response is a huge part of her platform. And again, everyone wants the cops to probably, I think, to respond to emergencies probably. I don't think there's too many people saying - well, okay, I retract my statement. It's a very complicated issue, actually. But I mean emphasizing that - as opposed to emphasizing housing and upstream solutions to homelessness, which is where ChrisTiana was doing with her statements. I just think we have a lot of contrast between people talking about housing, to be honest - housing, housing, housing on one side and then people talk about public safety sometimes when you get - in the more traditional races where you get those center lane candidates. And housing is a message that's resonating with people. People, I think, want housing to be a thing. And again, for instance, we had this Social Housing measure pass earlier this year and I think that kind of - Tammy Morales, again, who is leading in her race and getting good, has really been supportive of that social housing measure and finding money to actually implement it. And as far as District - back to District 5 - I think ChrisTiana ObeySumner is also talking about those sorts of things more so than cops and hiring more police, and I think that there's people who want to hear them talk about that. And there certainly were other candidates in this race talking about different solutions to some of the sort of agreed upon crisis we see - maybe homelessness and housing - but I think those sort of holistic solutions, people are listening to that in an interesting way in some of these races. And this is an example of that to me. [00:47:48] Crystal Fincher: Yeah, this is a race where I think there was a broader range of viewpoints represented in this race across the spectrum that we see in Seattle. There was Tye Reed also in this race, who was very involved in the Social Housing initiative and that passing, and taking up a left mantle. But a number of progressive candidates - I think, yet again, this was another race where people were trying to figure out who was most aligned with their beliefs and that may have been not as easy as some people would have thought at first glance. And so another race where I think the endorsements from The Times and The Stranger were once again consequential. But I also think this is one where - a lot of times, I think we underestimate sometimes just individual candidate attributes, individual candidate performance, how people are connecting. And especially with how close this race was, particularly between the second and third place finishers - ChrisTiana ObeySumner and Nilu Jenks - I think ChrisTiana did a more effective job at clearly articulating where they stood on issues. And that was more of a challenge for Nilu Jenks, where some people left with some impressions based on what they said and they said things that gave other impressions to people. And so voters trying to reconcile who these candidates are and what kind of votes to expect, endorsing organizations trying to ferret out what kind of votes should they expect from these - I think that this is an example of being clear about where you stand is helpful in getting through to establishment people, getting through to voters, and making the kinds of connections that get you through to the general election. What do you think, Daniel? [00:49:50] Daniel Beekman: I was going to say - yeah, I don't have a lot to add, I don't think, about these particular two candidates. But I spent some time on Election Day - again, my very unscientific sample size, by the Lake City Library and a lot of people were talking about homelessness and people were talking about public drug use. And it will be interesting to see how these candidates navigate some issues like that. I do think that the questions about prosecuting people for using drugs in public - that has been in the headlines recently at City Hall, so that will likely in this race and others be something that is talked about. But Guy mentioned Darya Farivar's - or maybe you did, Crystal, or both of you - that election that she ran and won last year. And I would think that candidates in both District 4 and District 5 might want to be looking at that - and some of it is just about a candidate and their personality and what they have going for them. But if you're a smart candidate in those districts, you're looking at that race and - what did she do? And also just reminded me that - in terms of sort of some changes politically - is that on issues like criminal justice or the legal system, on issues around housing - both zoning, which is traditionally very much a city issue, but also on funding affordable housing - it seems like there are more of those conversations and more action happening in Olympia than there was some years ago. And I don't know if that sort of makes some of these City races feel a little bit less urgent for folks, but it's something that's occurred to me where - some years ago when there was just nothing happening in the State Legislature, when people are looking for help or for change, it made City elections that much more high stakes, but maybe that's been changing a little bit. [00:51:58] Crystal Fincher: Yeah, and I also think this is an interesting race just because of the expanded representation that could potentially be coming to the Council - non-binary person, disabled BIPOC person - and that kind of representation being really important. We're seeing so many other members of the community deal with challenges and access issues related to that, that some lived experience could be very enlightening and helpful in crafting solutions that meet the needs of everyone in the City. So I'll be interested to see that explored throughout the general election. And just figuring out, once again, where these candidates stand on issues. There's going to be a lot that the City Council is going to be dealing with over the next several years. And so I hope that there really is an attempt to figure out where the candidates stand and what solutions they feel - not just that they're willing to vote for, but that they're really willing to lean on and try and craft solutions with their colleagues on this for. [00:53:06] Shannon Cheng: You just listened to Part 1 of our 2023 Post-Primary Roundtable that was originally aired live on Tuesday, August 8th. Audio for Part 2 will be running this Friday, so make sure to stay tuned. Full video from the event and a full text transcript of the show can be found on our website officialhacksandwonks.com. The producer of Hacks & Wonks is Shannon Cheng. You can find Hacks & Wonks on Twitter @HacksWonks, and you can follow Crystal @finchfrii, spelled F-I-N-C-H-F-R-I-I. You can catch Hacks & Wonks on iTunes, Spotify, or wherever else you get your podcasts - just type "Hacks and Wonks" into the search bar. Be sure to subscribe to get our Friday almost-live shows and our Tuesday topical show delivered to your podcast feed. If you like us, leave us a review wherever you listen. You can also get a full transcript of this episode at officialhacksandwonks.com and in the podcast episode notes. Thank you for tuning in!
Good news for orcas, a CEO tax is floated for Seattle, and the Wedgwood cedar is saved
On this week-in-review, Crystal is joined by Chair of Sierra Club Seattle, long time communications and political strategist, Robert Cruickshank! They run through results from Tuesday's primary election for Seattle City Council, Seattle School Board & King County Council, and then take a look at Tacoma City Council, Spokane City elections, and the recall of gubernatorial candidate Semi Bird from the Richland School Board. The show concludes with reflection on the influence of editorial boards and their endorsements, particularly those of The Stranger. As always, a full text transcript of the show is available below and at officialhacksandwonks.com. Find the host, Crystal Fincher, on Twitter at @finchfrii and find today's co-host, Robert Cruickshank, at @cruickshank. Resources “RE-AIR: The Big Waterfront Bamboozle with Mike McGinn and Robert Cruickshank” from Hacks & Wonks “Backlash to City Council incumbents doesn't materialize in primary” by Melissa Santos from Axios “Seattle Public Schools primary election results 2023” by Dahlia Bazzaz and Monica Velez from The Seattle Times “3 things we learned from the Pierce County primary, from council races to tax measures” by Adam Lynn from The News Tribune “Voters favor recall of gubernatorial candidate Semi Bird from school board” by Jerry Cornfield from Washington State Standard Find stories that Crystal is reading here Transcript [00:00:00] Crystal Fincher: Welcome to Hacks & Wonks. I'm Crystal Fincher, and I'm a political consultant and your host. On this show, we talk with policy wonks and political hacks to gather insight into local politics and policy in Washington state through the lens of those doing the work with behind-the-scenes perspectives on what's happening, why it's happening, and what you can do about it. Be sure to subscribe to the podcast to get the full versions of our Tuesday topical show and our Friday week-in-review delivered to your podcast feed. If you like us, the most helpful thing you can do is leave a review wherever you listen to Hacks & Wonks. Full transcripts and resources referenced in the show are always available at officialhacksandwonks.com and in our episode notes. If you missed our Tuesday topical show, we re-aired an episode highlighting how the leaders we choose make consequential decisions that affect us all. Check out my conversation with Mike McGinn and Robert Cruickshank about how the SR 99 tunnel and today's Seattle waterfront came about. Today, we're continuing our Friday week-in-review shows where we review the news of the week with a co-host. Welcome back to the program, friend of the show and today's co-host: Chair of Sierra Club Seattle, long time communications and political strategist, Robert Cruickshank. Hey! [00:01:26] Robert Cruickshank: Thank you for having me on again, Crystal - excited to talk about election results this week. [00:01:30] Crystal Fincher: Yes, and we have a number to talk about. These have been very eagerly awaited results - lots of candidates and contenders, especially with the Seattle City Council elections - 45 candidates all whittled down now to two in each race going into the general election. We should probably go through the results here - District 1 and going through - what did we see and what did you think? [00:01:58] Robert Cruickshank: There are some trends you'll see as we look through these races and it's good to start district by district. And in West Seattle, in District 1, one of the trends you see is that some of the establishment candidates, the candidates Bruce Harrell's side, is really putting kind of anemic performances. You look at Rob Saka in West Seattle, who's barely ahead of Phil Tavel who's run for office several times before. And Maren Costa, the much more progressive candidate, labor candidate - is the one of the two women who was fired by Amazon for doing climate organizing before the pandemic - so she's a strong climate champion, Stranger-endorsed candidate. Maren Costa is in the low 30s and will probably go higher as more ballots come in this week. But Rob Saka is one of the two candidates who benefited from a independent expenditure by right-wing billionaires and corporate donors. The reason they targeted him in this race and Maritza Rivera in District 4, which we'll talk about in a moment, is they knew that those two candidates were struggling and needed that huge influx of cash to help convince voters to support them and not - maybe in this case - Phil Tavel over Maren Costa. So Rob Saka at 25% or so right now - it's not really a strong showing. Maren Costa in the low 30s - your progressive candidate, you'd like to be a little bit higher - she's in a great position right now. And one of the things you're seeing in this race - and you will see in the others - is in addition to the fact that the establishment candidates did worse than expected, in addition to incumbents doing well, you're also starting to see that a number of progressive candidates are surviving this supposed backlash that never actually happened. If you talk to or listen to Brandi Kruse, or watch KOMO, or read some of the more unhinged Seattle Times editorials, you would have assumed that coming into this election, there's going to be a massive backlash favoring genuinely right-wing candidates who really want to just crack down on crime, crack down on homelessness - that just didn't happen. What I see in District 1, and you'll see in all these other races, is a reversion to pre-pandemic politics between corporate centrists and progressive candidates. That's where you're starting to see the things shake out - you're not having right-wing candidates like Ann Davison getting traction. And candidates on the left, there weren't very many of them this year - had a little bit of traction, we'll see, in District 5, but otherwise it wasn't really a factor. So I think you're coming back to pre-pandemic politics where a progressive candidate like Maren Costa can do well in West Seattle. If you remember in 2015, when we first went to districts, the race in West Seattle was very close - Lisa Herbold only won by about 30 votes. Looking at the numbers in District 1 so far, I would not be surprised to see a very close race between Maren Costa and Rob Saka, but Rob Saka is not the strong candidate that his backers expected. And Maren Costa has a lot of momentum and energy behind her - in West Seattle, you're seeing voters responding to the message that she's giving. [00:05:06] Crystal Fincher: Yeah, I would agree with that. I also found it surprising to see how anemic the performance by some of those establishment moderate candidates - not only did they need that conservative PAC money to get through, but they were leading in fundraising by quite a significant bit - Rob Saka was far ahead of others in terms of fundraising, we saw the same in some other districts. So it was really interesting - it's hard to finish poorly in a primary or to not run away with the lead, really, in a primary when you have a significant fundraising lead - especially when you have additional money coming in. Seattle voters are starting to get a little wiser - still the challenge is there - but starting to get a little wiser at looking at whose donors are there and do those donors indicate how they're going to vote? Looks like in the history of Seattle politics - maybe drawing some conclusions on that. I think there are interesting conversations about the, whether this is a change election or stay the course election, whether people want something different or the same. And I think that's a more complicated answer than just change or different. One, we don't have a uniform city council. There's a range of positions and perspectives on the council, so to try and characterize it as "this progressive council" isn't necessarily correct. And now we're going to have a lot of turnover, we're going to see what this new composition is going to be, but it's hard to characterize that. And then you have the mayor on the other side - who is definitely a moderate, not a progressive there - and so the mayor is still dictating a lot of the policy in the city. Even some things that have been funded by the council, direction that has been moved has not been taken action on by the mayor. Saying that you want to stay the course really feels like a more moderate course these days, especially when looking at the approaches to public safety with a lot of criminalization of poverty - when you talk about homelessness and the outsize focus on sweeps, instead of trying to house people and connect them to services consistently. So that whole conversation is always interesting to me and feels a little bit reductive, a little too simplistic for what is actually going on. But we should probably talk about some of the other races, too. What did you see in District 2 with Tammy Morales and Tanya Woo, along with kind of an also-ran - another candidate who I don't think topped 5% - but that is a closer race than some of the others appear to be on their face, although there were a lot fewer candidates in this race. [00:07:34] Robert Cruickshank: Again, we can think back to 2015 where Tammy Morales nearly beat the incumbent Bruce Harrell, losing by a little less than 500 votes. She won by a larger margin when the seat was open after Harrell stepped down in 2019. A lot of the sort of conventional wisdom from the establishment class is that Morales was in real trouble, but she's hovering around 50% right now. Tanya Woo's close - it'll be a close election in the fall, but you have to say that Morales has the advantage here. Incumbency does matter. We need to look at the maps, but I know that there's been a lot of frustration in the Chinatown International District with Morales and with City Hall more generally, but the rest of District 2 seems to still have confidence in Tammy Morales' leadership, and still willing to send her back to City Hall for a second term. The exception to that was in noticing that the closer I get to Lake Washington, the Tanya Woo signs pop up a lot more. The closer I get to Rainier and MLK, more Tammy Morales signs. That's a typical split in terms of the electorate in the South End, and I think it favors Morales. She's done a great job on a lot of issues facing the community, she's been there for the community. Tanya Woo is running a strong campaign - Woo is not a right-wing candidate, Woo is much more of a center-left candidate who is really close to the Harrell administration. And again, it'll be a close race. If you're looking for a backlash, if you're looking for a rejection of a progressive city council, you are not seeing it in District 2. Morales, I think, has the advantage here going into November. [00:09:01] Crystal Fincher: I would agree. Now, District 3, coming on the heels of our announced departure of Councilmember Kshama Sawant from the council, there's going to be a new councilmember here. This is an open-seat race. We see Joy Hollingsworth and Alex Hudson making it through to the general election. What's your take on this? [00:09:22] Robert Cruickshank: Joy Hollingsworth has probably hit her ceiling - she's pulling around 40% right now. If you look back - ever since we went to districts in 2015, obviously being on the ballot changes the dynamics - you can get some pretty liberal people who are - I don't know if I like the socialism, 'cause they could get close. And so there's at least, you would assume, 40 to 45% for a more centrist candidate even in District 3, but not much beyond that. And what you're seeing is that as more ballots come in, Alex Hudson's numbers are growing, and there are quite a few other really good candidates in that race who also split the progressive vote. Hudson will almost certainly unite that progressive vote. I think very few of those voters are going to go from someone like Andrew Ashiofu or Ry Armstrong or Alex Cooley over to Joy Hollingsworth - a few might. But I think Alex Hudson is going to have the advantage here going in to the November election as well. [00:10:15] Crystal Fincher: This is an interesting race. There are eight candidates in this race, one - so very, very crowded race - number of progressive candidates in here. So there definitely was some splitting going on. This is a bit different than some of the open seat races that we see where oftentimes there is a candidate who feels like they're carrying on the same direction or philosophy or policy stance as the incumbent, but the incumbent decided not to go anymore. And so there're oftentimes as well, the choice of maintaining the same kind of policy direction or going different. I don't think that's the case here. And also to your point that Kshama Sawant not being in this race - yes, some people see the socialism in question, but Kshama had the ability to motivate a whole entire squad of volunteers that blanketed that district. And so looking at the absolutely impressive ground game - we've talked about it before on the program - lots to learn from for Democrats looking at that and others at how to expand the electorate and really get people to turn out to vote is something that Kshama and her campaign did extremely well. There's a different dynamic here, and it's going to be interesting to see if one of these candidates can motivate and galvanize younger people to a degree that comes close to what Kshama did. It looks like that was not the case in the primary, probably - we're still fairly early in the returns, but turnout looks concerning, especially among younger people here. So the entire dynamic of that race in that district just feels a lot more different than some of the other ones. And so this is going to be an interesting one to follow. [00:11:50] Robert Cruickshank: I agree - you're right to point to Sawant's just political genius. Sawant is one of the most effective candidates, campaigners, and politicians we see in the City in a long, long time. She has a really strong ability to speak to a broad progressive base in Capitol Hill. And in District 3, she speaks well to renters and people who are lower wage workers - they know she has their back. Her campaign operation is one of the best the City has had. Talking to people who live in District 3 - they would report every time Sawant's on the ballot, they had Sawant organizers at their doors almost every day until they turned in their ballots. They got the work done. They were really good at that. And that is a infrastructure that is unique to Sawant. Sawant always wanted to turn that into a movement, into an organization - was never quite able to. And so none of the other candidates have built that yet. As you point out with turnout, they're going to need to. Alex Hudson, looking like the more progressive candidate in this race, is going to have to figure out how to build something close to what Sawant had without having the sort of once-in-a-generation political charisma and skills that Sawant had. Now, Hudson is a great candidate. Hudson has a lot of experience at City Hall, knows the policy well. But to actually win the election, they're gonna have to figure out how to build some of that momentum and movement going for her to make sure that she wins. My guess is Hudson probably gets around 53% in November, but she's gonna have to work hard for it. [00:13:19] Crystal Fincher: Yeah, she's gonna have to work hard for it. I will say a couple things. One, just on legacy, I guess, moving forward - absolutely galvanized the public. I have seen several people say - Out of everyone, I know that I can count on Sawant to represent my interests. That's important. If you have a voter saying that, they are a loyal voter - unless you do something completely out of character, they're gonna be there for you like you've been there for them. There are questions about how well Sawant worked with her colleagues. There's ongoing debate about leading on an issue and pushing for progress versus how much to try and work with, potentially compromise with colleagues. And Sawant was not one who led with compromise. And that is something that a lot of people admired. I've said over and over again that a lot of times, especially speaking with more moderate people, they seem to always view Sawant's election as a fluke almost - Oh, some other condition, some other thing helped Sawant get in and that's the only reason why - which I think is why you saw so much energy around the recall elections and her re-elections. But she represents that district - there is no getting around - the people voted for her on purpose. She's a good example of looking at some people in some positions and saying - Hey, just move forward. Obviously $15 an hour minimum wage started in SeaTac, but then Kshama certainly picked up that mantle for Seattle and said - We need to get this done. Probably without her very direct and overt support for that, $15 an hour does not happen in Seattle when it did, how it did. If you follow me online, I often ask for mail or feedback from people in different districts. And I will say I had a couple people in District 3 who consistently showed me the mail that they receive - a couple of them in some harder to find places, harder to canvass places who don't get many canvassers - even with Sawant, they definitely did, but not as much as some of the other ones. Alex Hudson's campaign team made it there to drop off lit, made it there to knock on some doors. So that was encouraging. I'm always a big fan of candidates getting on those doors, talking to their constituents, their neighbors directly. Alex Hudson did a better job of that in the primary. And so hopefully that is something that can be built on and expanded upon. Want to talk about District 4, which is another interesting result. We had, in this race, a different dynamic where there was one clear progressive candidate and then a number of different shades of moderate to conservative candidates. This race even featured a self-described climate skeptic - just a number of different perspectives on the center to the right. And here we had Ron Davis with a pretty strong finish, considering the split in this race - we're sitting right about 42% right now - and as we record this on Thursday morning. And then Ken Wilson not making it through the primary, Maritza Rivera making it through - both of those fundraised pretty significantly. Maritza, another recipient of some PAC support. So looking at this race, how do you see the primary? And then how do you see the general shaping up between Ron Davis and Maritza Rivera? [00:16:31] Robert Cruickshank: The corporate PAC for Rivera was key because I think there's recognition that without it, Ken Wilson probably would have come in second. Wilson had a strong base of support - he raised, I think, the most Democracy Vouchers in the city, Ron Davis quickly caught up. Wilson had a genuine popular base of support among the NIMBYs and right wingers in District 4, which there are many. That's why you needed the right wing billionaires and corporate CEOs to come in and help drag Rivera up into second place. Going into the fall, I wanna acknowledge that there are people out there who take a more skeptical view of what this means for progressives - like Erica Barnett, for example - arguing that this isn't actually that great for progressives, they're getting into the upper 30s, low 40s, but things could unite against them in the fall. And we can look back at 2021 and say - Yeah, that's what happened in the mayor's race. I was looking at the numbers earlier this morning. After all is said and done in the August 2021 primary, Bruce Harrell had 34%, Lorena González had 32%. It looked like it was a real horse race. It turned out that was almost González's ceiling - she got, obviously, a little bit more than that, closer to 40%, but not quite. And Harrell scooped up almost everything else. I don't think that's gonna happen in District 4 and I don't think it's gonna happen elsewhere. For a few reasons - one, I think the mayor's race is a unique animal - citywide. I also think 2021 was a difficult moment for progressives in Seattle - they hadn't quite figured out how to handle this backlash to defund, concerns about crime and homelessness. Candidates are starting to figure that out a lot better. So Ron Davis is a very smart campaigner. He has really sensible answers on the issues that resonate even with more older conservative voters. He's got a real upside. I also think there are a non-zero number of Ken Wilson voters who might go over to Ron. Ken sent out a really interesting mailer in the last week of the election with a bunch of check marks about different positions - designed to contrast Ken with Rivera, but a lot of the check marks are for Ron as well. And what Ken's campaign was saying is that Rivera is the insider - she's been inside City Hall for several years, corporate backing, establishment backing. Ron doesn't have that. And I think a lot of Wilson voters will see in Ron someone who's also not of the establishment. I wouldn't want to overstate that, but a wider electorate in the fall, Davis getting a few votes here and there from Wilson - he's got a shot at winning. [00:18:58] Crystal Fincher: That's a really important point. And the way these votes consolidate is probably going to matter in this race - looking at how they stack up, this is going to be a competitive race. This is not one where the primary winner is automatically going to be the general election winner. Overall, looking at just how this district has trended over the past decade - the district is unquestionably moving left, which is really interesting. This is one of the districts that had been reliably moderate to conservative for a long time. That's not the case - we would not have seen even over about 42% right now - this result would not have happened half a decade back. This is just a different place. I think that is what's informed some of the odd policy choices of people like Gerry Pollet, who has received a lot of backlash, but I think he was counting on the composition of the district as it used to be and not as it is today. There were rumors of him potentially getting in the city council race - there weren't rumors, they were confirmed, I think, by someone close to him. Looking at it, he no longer really fits the district or provided a contrast that people felt comfortable moving to to support a candidacy. So it's going to be also interesting to see how things progress with him after considering and not deciding to do local stuff and going there. But this will be an interesting race. This is going to be one where we might see more of a focus and highlighting on the role of these donors, the role of the corporate support, how close Maritza is to the current administration. If people want a change, that really doesn't seem to include Maritza at all. She would be the last person you'd vote for if you wanted a change. So this is going to be a really interesting race to follow. [00:20:45] Robert Cruickshank: Yeah, and it's an interesting race also because it is a chance for progressives to pick up a seat on the City Council. The assumption, as we talked about going into this election from the conventional wisdom centrist pundit classes, that progressives are going to get dealt a pretty harsh blow here - these results suggest that's not necessarily going to happen. And in fact - Ron running a really strong campaign - he could flip that seat for progressives. He's a really sensible candidate for that district as well. He's a dad in his early forties. He's run a small business. He's been active in his neighborhood association. He knows the district well. He's a really good fit there. A lot of those voters, as you've said, are not much more overtly conservative, Pollet, Alex Pedersen types. They're there, clearly. But a lot of younger families are going to be there - ready to vote in November. And of course, in November, which you don't have in August, is a UW student body that is on campus - that's something that is in Ron's back pocket that can really give him a significant boost in the November election. [00:21:48] Crystal Fincher: Absolutely agree. We could change when we have this primary. We could change how we have this primary, frankly, and change our style of voting. We can move to even-year elections as the county has done and has voted to do. Why are we voting in August when people are away for the summer, when younger people are gone? [00:22:09] Robert Cruickshank: Yeah, to move up to where I live in District 5 - talking about what happened here - those changes would have made a huge difference. Ranked choice voting here would have gone a long way because we had quite an interesting field that didn't necessarily match what you see elsewhere. There isn't an obvious centrist-Harrell candidate. Cathy Moore seems closest to that, but she's also not the City Hall insider. Cathy is a much more traditionally liberal candidate, someone who sits between progressive and center - got around 30-something percent of the vote, not a huge showing. There were a number of progressive to genuinely left-wing candidates up here in the far northern reaches of Seattle, which 10 years ago is considered one of the most conservative parts of the city. We're seeing that's not necessarily the case - you have Tye Reed, who jumped in almost at the end of filing, presenting a very left-wing perspective. Christiana ObeySumner jumping in - they present a also-left perspective and appear to be the second place candidate - backed by, of course, a Stranger endorsement - narrowly edging out Nilu Jenks, who is a much more traditional progressive candidate running strong on climate issues. Nilu's campaign fell just short. I know that a lot of Nilu supporters are really frustrated at the way the Stranger handled this race. It is an example of where a ranked choice system, or having this in an even-numbered year, or having the primary at another time rather than at the dead of summer, could have produced a really interesting and fruitful conversation between these different candidates and campaigns about what it means to be progressive, especially up here in a part of the city that is often overlooked or neglected. I know the South End really has a pretty significant, legitimate beef on that front - but so does Lake City, so does Broadview, so does the far northern reaches of Aurora Avenue once you get past Green Lake. So it's gonna be interesting to see how this plays out here. I don't think that the race between Moore and ObeySumner is going to resemble races in other parts of the city. They're much more interesting and unpredictable candidates. [00:24:05] Crystal Fincher: It's too close to officially call right now, as of pre-drop on Thursday - we have Christiana ObeySumner at 22.1% and Nilu Jenks at 19%. It's hard to see this shift change. It's hard - as I'm looking at it, what I bet - that Christiana's the one that makes it through, I'd say that's likely. Would I say it's absolutely conclusive, we don't need to consider any more drops? No. But odds are, with the way that votes typically shake out, that this isn't going to change radically. There are a few different left candidates. It's not like there's consolidation to just one candidate. And because Christiana also got The Stranger endorsement, which a lot of late voters are relying more heavily on - they already don't have a formed opinion - so it's hard to see the vote shifting away from Christiana. As we look at this race in District 6, which does have an incumbent, Dan Strauss, who is over 50% - 50.7% right now, followed by Pete Hanning at 30%. This is another one where the moderates didn't seem to get a great bang for their buck. [00:25:17] Robert Cruickshank: And this is a race where it's clear that - one, the power of incumbency still matters. And two, the supposed backlash to the progressive city council is overstated. Dan Strauss getting above 50% is a big deal. He voted, I think, once for defunding the police in the summer of 2020, and then fairly quickly walked that back. But that didn't stop his opponents from sending a bunch of mailers to houses in District 6, explaining that Dan Strauss had voted to defund the police. That doesn't appear to have hurt him at all. The fact you have Pete Hanning, who is head of the Fremont Chamber of Commerce, small business guy - you would think that he would be a ideal candidate for that part of the city. It turns out he's not. He's languishing there at 30%. Strauss is above 50% before even more progressive ballot drops happen on Thursday afternoon and Friday afternoon in the dead of August summer. We're learning a couple things here - not just the power of incumbency, not just the fact the right wing backlash doesn't exist - we're also learning that Ballard and Fremont are more progressive than people assumed. It'll be interesting to see the map of where these votes come in. The Magnolia portions of the district, anything on the water, on the Sound, probably voted for Hanning or other candidates like that. Where the population base is - in Ballard, up to Greenwood, Fremont - I bet they're probably voting for Dan Strauss. And I think it is a endorsement of Strauss's attempt to straddle the fence. He gets a lot of criticism, I think justifiably so, for the way he flip-flops often. But appears to be working for Dan Strauss. Progressives have a bit of work cut out for us. I posted about this on Twitter - got a lot of people responding to me that Strauss is not a progressive. I would agree with that, but he's willing to listen to and vote for progressives if we organize him correctly. So I see it as an opportunity here. And also just the fact that the right-wing backlash didn't show up in this district at all is, I think, a big win. And I think it's a significant sign going forward that progressives have more of an opportunity than we thought. This race in particular reminds me of 2022. At the state level and especially the federal level - going into the November election, there was a lot of concern, worry, even predictions of doom that the Democrats were just gonna get wiped out. That didn't happen at the state level. In fact, Democrats picked up seats. At the federal level, barring a meltdown of the Democratic Party in New York State, Democrats could have held onto the House. They did hold onto the Senate. And I think you're seeing something similar here - that this assumption, I think, especially from the establishment media and that pundit class that - Oh, this is a center-right country, maybe a centrist city - it's not true. There is more support for a progressive agenda in the city, and in this country than is assumed. I think progressives need to internalize that and realize we have real opportunities here to move forward. And if we're making sure that we're listening to what voters are saying and bringing them along with us. [00:28:09] Crystal Fincher: That's a really important point. A lot of times people talk about - People are dissatisfied with the council, people think things are on the wrong track. Sometimes we use things like progressive and moderate - these broad labels - as a shorthand for policy. If you look at policy in practice in Seattle, it's hard to call a lot of it progressive on the issues that have been plaguing Seattle the most - on public safety, on homelessness, on issues of inequality. Policy has not been what progressives would call progressive. Moderates love to call things progressive. Moderates are extremely emotionally invested in being called progressive. And what we've seen is policy passed by those moderates with messaging calling it progressive - we've seen sweep after sweep after sweep, hot spot-focused policing, which doesn't seem to accomplish much in the longterm. And so when we just ask - Are you satisfied? And someone says - No. Somehow it's always characterized as - Well, people don't like progressive policy and they want something different. Or we're characterizing the council as progressive, which is not a clean label for that council - it's a lot more varied than that. And saying - Clearly, they want more moderate policy. And that's not true, especially in the City of Seattle - some people want to go to actual progressive policy and are thinking that - Okay, I hear this rhetoric, but I'm not seeing it in practice. I want what they talked about. I want what they're selling. That's also why you see so many candidates - who people who aren't moderate would call moderate, who progressives would call moderate - mirroring progressive messaging. Even though they're getting support from some really right-wing people, some people who traditionally support Republicans, are very opposed to taxation. Still, if you look at their mailers, if you look at different things - I'm a progressive champion. I believe in progressive policy. Sara Nelson ran on police reform. And you can see she was more aligned with her donors and different things - that's a lesson that Seattle is starting to learn. But just because there are some progressives on the council, a couple of progressives on the council, just because there's a label calling it that by people who most do not consider to be progressives - that's just a messaging trick. You have to follow up on that question - Why are you dissatisfied? Those answers are a lot more interesting and a lot more informative about why people are voting the way they are and why the reception to different councilmembers is the way that it is. [00:30:36] Robert Cruickshank: That's right. And I think it is going to be interesting to see who actually makes it onto the council because the fence sitters - we talked about one, Dan Strauss, we'll talk about the other, Andrew Lewis, in a moment. If there are other genuine progressives on the City Council - if we get people like Ron Davis and Maren Costa and Tammy Morales reelected, Alex Hudson elected - it becomes easier to pull those fence sitters in the direction of more progressive policy. We got to get them reelected. And this is where - you look at our last district here, District 7 - Andrew Lewis is ahead. He's in the low to mid 40% range. We'll see what happens over the next two ballot drops where he lands in the primary. It's good, it's not as strong as Dan Strauss. But Lewis, I think, understands what he needs to do to win and will do things that lead him down policy paths that progressives don't like. We saw this on Monday where - he signaled he would do this at the vote in June and he did - stood with Bruce Harrell to agree on a plan to pass the ordinance criminalizing drug possession in Seattle, incorporating the recently passed state law. And I'm not a fan of that ordinance, not a fan of that state law. I'm also not shocked at all that it played out here exactly the way it played out in the Legislature. Progressives and progressive-ish candidates and electeds said No, voted it down the first time. It came back. They won a few concessions, more money - but I think as Erica Barnett has pointed out, it's not new money. They won promises of diversion first, but they're promises - it's all going to be overseen by Ann Davison - we'll see what happens here. This is an example of Andrew Lewis trying to straddle the fence. And there's a political logic to that. Lewis won a very close race over former SPD chief Jim Pugel in 2019. It looks like he'll be up against Bob Kettle this year, who I think is running - clearly the strongest candidate of the people chasing Andrew Lewis, not surprised that Olga Sagan didn't really pan out - she got 14%, which is nothing to sneeze at. But again, the right-wing backlash is not real. We'll see what Andrew Lewis winds up doing. Lewis is someone who is clearly susceptible to being pressured by progressives - that's a good thing. I think those of us who are genuine progressives would love to see someone who's more progressive in that seat. We're not going to get that this year. It's not going to happen, nor in the District 6 seat. Most progressives I've talked to understand that and recognize that our interests are better served by the reelection of Dan Strauss and Andrew Lewis than by just abandoning them. Because sometimes you have to work with the electeds you've got - I think that's where it stands in those two districts. Lewis has a higher hill to climb than Strauss, but it's doable. We'll see how that plays out in the fall. [00:33:16] Crystal Fincher: Yep, I agree with that. I also want to talk about the school board races, which you have talked about, written about. How did you see this playing out? [00:33:24] Robert Cruickshank: It's interesting. The power of incumbency matters. There were two races on the ballot where there were genuine contests. District 1, which covers far northern Seattle - almost overlaps District 5 in the City Council - it'd be nice if these numbers matched. This is where Liza Rankin, the incumbent, is hovering around 60% of the vote - that's partly because she got the backing of The Stranger, it's also partly because she's the incumbent. It's also partly because - while there's a lot of discontent among parents in Seattle about the way the district is being run, that hasn't crystallized into any real organizing momentum yet. Rankin's main challenger, Debbie Carlsen, who is LGBTQ, has a LGBTQ family, has done a lot of work as an educator and nonprofit leader - Debbie's one of these candidates who files for school board during filing week - that is pretty common thing to happen and it takes you a little bit of time to get your feet underneath you as a candidate. Debbie's done that over the course of July, but a lot of the endorsement meetings were held in early June when she was still figuring it out - probably didn't give the greatest Stranger interview and is unusually closely allied with the current majority of the school board. Even if The Stranger had endorsed Debbie, Liza probably comes out well ahead. It's partly, again, the power of incumbency and the fact that a lot of voters just don't really know much about what's happening with the schools. That could change in a matter of weeks if the district does, as is expected, announce a list of schools they intend to close. That's the sort of thing that gets people's attention real quick. Similarly, you look over at District 3 where there's an opening - District 3 School Board overlaps District 4 City Council, so we're talking now about northeastern Seattle, Laurelhurst, Bryant, Ravenna, part of Wedgwood. That's a place where three really interesting candidates - Evan Briggs, who seems to have the most support so far at 38%, backing of The Stranger, backed by the incumbent majority in the school board. Ben Gitenstein, who's an interesting guy - running as a protest candidate, but has smart background in finance and understanding how districts work, backing of The Stranger - he's at 33%. Christie Robertson, I think, really ran a strong campaign - having the backing of Seattle Student Union, Seattle Education Association, MLK Labor, didn't get either of the newspaper endorsements, and I think that's why she's in a very close third place. That's a disappointment there, because I think she ran the best campaign she could, but coming in a close third. I thought she was the best candidate of the bunch. But August, where a lot of parents aren't paying attention - their kids are in camps or a lot of them are traveling. August also being a time of not great turnout. And people just don't know much about the schools - school board gets less coverage these days than it used to even seven, eight years ago. We'll see what happens in the fall if school closures are put on the table, with schools being named - that changes everything immediately. Now, it's also possible the school district recognizes this and wanting to protect their allies on the school board may punt that until after the election, which will merely infuriate everybody further. We'll see what happens in the fall. This is one of those where you see a 20% approval rating of the school district, but incumbency is a powerful thing. [00:36:31] Crystal Fincher: Incumbency is an extremely powerful thing. And one thing that we did not see in the King County Council races on the ballot was any incumbent in the race. There were two open seat races on the primary ballot. What was your take on those? [00:36:46] Robert Cruickshank: Unsurprisingly, Teresa Mosqueda doing very well in the District 8 seat - that's West Seattle, Vashon Island area. She's a great campaigner and is well-liked and well-respected. She won the city council race by 20 points in 2021, while Lorena González went down to defeat and Davison and Sara Nelson won. It's a clear fact that Mosqueda knows what she's doing - she connects well with the voters and she has a really strong record. Mosqueda has got a real clear advantage going into the fall. The District 4 seat for King County Council - we're talking about northwestern Seattle from roughly Queen Anne, Magnolia, up towards Ballard, Fremont, Greenwood - that's an open seat with a set of three very progressive candidates. Jorge Barón who's hovering around 50%, will be the clear front runner going into the fall. Sarah Reyneveld, who's at 30%. And then Becka Johnson Poppe, who had 20%. And that's gonna be interesting. Jorge, again, the clear front runner, but it's not a done deal by any stretch of the imagination. You had the other two candidates splitting the vote. I think Sarah has a really good shot of scooping up a lot of people who voted for Becka and that could be a very close race too. And I think this is one where - when you have two good progressives in a race, you want to see a good contest. You want to see them push each other to be better. You want to see them fight hard on key issues like who's gonna save Metro? The school district is talking about closing schools - Metro's talking about deleting routes. In a city this wealthy, that is this supportive of transit, that is this interested in doing climate action - for King County to be deleting routes is a huge problem. We need to be expanding the number of routes we have, the frequency on those routes. And so whoever of those candidates can really speak to the issues of transit in particular could have a real advantage going into November. [00:38:22] Crystal Fincher: I completely agree with that. The existing routes that are left is falling through the floor. I know people are calling them "ghost buses" just because of not showing up. People have bought cars that they can barely afford. But what they can afford even less is to not get to work on time, to lose the only source of income. They have to do better with Metro. I'm looking forward to that being discussed often and robustly in the general election. [00:38:49] Robert Cruickshank: We need to name it. Dow Constantine, King County Executive, is falling down at his job on transit. For most of the 2010s, he was seen as a leader on transit - he did good work to get ST3 on the ballot and approved for Sound Transit, he did good work getting more funding for Metro. But here in the 2020s, it's a different story. He has not provided the leadership or presence that we need to save these bus routes, to address their reliability concerns. This is unacceptable, right? For people to be going out and buying cars - we can't trust the bus system. In a city where we had more of our commuters riding buses than any other big city in America before the pandemic. Obviously the pandemic shakes things up - there are challenges recruiting and retaining operators, but it has to be a top priority for the King County Executive and right now it doesn't look like it is. And this city, this region, can't survive without strong transit. Our climate goals are never going to be met - transportation is the number one source of carbon emissions in our city and in our state. And that's why these King County Council races matter because we are not seeing the leadership we need to be seeing from the top. It's going to have to come from the County Council instead. [00:39:53] Crystal Fincher: Yeah, I agree with that. Both the executive and the council - because they had done the work to set it up, were just - Great, it's on autopilot and it runs. But there were signs of these shortages before the pandemic and the pandemic made it worse. And on the police side - Oh my goodness, there are shortages for police, we need to give bonuses, we need to give retention bonuses and recruitment bonuses and are doing everything we can - just a laser focus on these. I think a lot of people have noticed the lack of focus on so many shortages in so many other areas. From the school board perspective, the transportation situation, the bus drivers, a shortage there - just in so many areas, not having that kind of focus. This race in particular - speaking with a number of the candidates, they did say that they believe that we should be treating some of these other labor shortages with urgency and that we should consider the same kinds of bonuses - for example, transit drivers - that they have for sheriff's deputies, which I think would help. There needs to be active and involved management there - that's something that the council overall as a body needs to do a better job with. I hope this new injection of members with this election brings that about, helps to influence the other members. And I'm looking forward to a robust debate. The other thing about the Teresa Mosqueda and Sofia Aragon race that I thought was interesting was Teresa Mosqueda knew that helping renters, that helping small business owners, that helping people get affordable housing was an absolute critical need for Seattle. Even though at the time the conservative business interests were very opposed - they'll remain opposed, and that's an issue in this general election, that's motivating a lot of the conservative money in the race - she did it. It took a lot of know-how, it took a lot of budget smarts. And then ran on it. It's one of the most popular pieces of policy that has passed in Seattle in the past decade - it bailed the City out of this last budget cycle through the shortfall. Thank goodness that passed. Her ability to run on that and her expertise absolutely benefited her. On the flip side, Sofia Aragon, who's currently the mayor of Burien, who we've talked about before on this, is going through really a crisis in government. Recently there's another kind of letter of chastisement correcting errors in the record from the mayor and the deputy mayor in Burien, yet again, from the King County Regional Homelessness Authority. This is another candidate where their voter guide statement and their communication - defund has clearly failed. That's where people are at - people are tired of hearing people complain and just that reactionary backlash, and are looking for people who are engaged, and what's really going to help. What is really going to solve this issue? And what they really have not seen recently, especially with the mayor of Burien, is engagement and policy and solutions that will help. That hurt Sofia - for someone who is a mayor in a city that has a significant population in the district to perform so poorly. And someone who arguably is - certainly in Burien - better known than Teresa Mosqueda. That gamble just failed. Hopefully that's a reminder to stop the infighting, stop the one-upmanship focus thing there, the clique-iness that has happened there with the majority on that council, and to get to work just to focus on solving the problems that the people have. In Burien, there's money on the table that they can take to help that they're refusing - and we're going to pass another camping ban. And people want actual solutions, not just rhetoric and - We're going to drive them out of town. That's not where people are at, even in the suburbs. [00:43:21] Robert Cruickshank: I agree. It reminds me a lot of the LA mayor's race last year between Karen Bass and Rick Caruso, where Caruso's wealthy developer was betting that there'd be a huge backlash to visible homelessness and that he could ride that to defeat Karen Bass. And Karen Bass, being much smarter and a much better politician, understood no. Voters want to see solutions. They want to see candidates step forward and offer reasonable answers that are going to treat people who are in crisis humanely - 'cause that's what we should be doing anyway - and that will actually going to solve the problem. And I think that's what you're seeing in King County Council District 8 - Teresa Mosqueda comes along. Everyone knows she's reasonable, sensible, committed to the solutions, and wanting to get this done. Sofia Aragon is just grandstanding. There's not a path to victory, even in King County Council District 8, for right-wing grandstanding. Those results show that really clearly. [00:44:12] Crystal Fincher: I agree. Other results from around the region that I thought were interesting were the Tacoma City Council races. Looking at the Olgy Diaz race - Olgy making it through, I think that was expected - she is going through the general election, didn't have a primary, but in a strong position. Particularly looking at the results of the race with Jamika Scott making it through to the general election against a more conservative challenger. And an incumbent in that race getting 70% of the vote. This is a situation where, again, lots of people were prepared in Tacoma - it's not Seattle, there's absolutely going to be a backlash. They have had lots of conversations and consternation, like so many other cities, about how to address homelessness, how to address poverty, how to address public safety - a lot of controversies within that police department and reform that has been needed. How did you see these races in Tacoma? [00:45:08] Robert Cruickshank: They are really interesting examples of the same phenomenon we're seeing in Seattle. I know that Tacoma is different from Seattle - don't want anyone listening in Tacoma to think that we're implying they're the same. There are some similar trends. We are seeing in Jamika Scott's strong showing here in the primaries that there is a appetite in Tacoma for genuine, real, deeply progressive change. You're also seeing that some of the backlash politics aren't necessarily succeeding in Tacoma either. Another place that we're seeing interesting things play out is Spokane - we're just having a mayoral race this year. The incumbent Nadine Woodward is very much one of these - crack down on crime, crack down on homelessness, really picking fights with the state over visible homelessness. But Lisa Brown, former state senator, former head of the State Senate in the 2000s, is pretty much neck and in a really good position to knock off the incumbent mayor. Lisa Brown running - again, is a much more reasonable, not necessarily progressive candidate. I wouldn't say Lisa Brown's progressive, but much more traditional liberal candidate who wants to come in with sensible solutions. You're seeing all over the place - the right wing backlash is not necessarily either showing up, or performing very well, to polls. [00:46:15] Crystal Fincher: This is a situation where sometimes, especially in Seattle, we get very focused on progressive and moderate, progressive and conservative. I think because of where journalism has ended up and because The Times and Stranger are such consequential endorsements - and they typically are in a moderate, in a progressive lane - that influences how we look at and categorize things in policy. We're looking across the board in the state at every level of government - especially public safety, issues of poverty, issues of homelessness, being something that every jurisdiction has to manage. There are evidence-based solutions, and there are ones that aren't. It happens to be that the evidence-based solutions are usually those ones espoused by progressives. And the ones that are not, like doubling down on the War on Drugs, doubling down on so many things that have already failed - sweep after sweep, that just moves the problem and makes it worse and doesn't do anything to solve homelessness - that those are just failed solutions, that the data just isn't there. And so I think what we're seeing work in a lot of different cities - and usually what I focus on - is talk about the issue, talk about the solution. The label doesn't really matter to the average person on the ground. We're in politics, we talk about it a lot. The average voter is just sick and tired of hearing a lot of rhetoric and not seeing things change. They just want someone who will do something that has a shot at fixing the problem after doing the same thing over and over again and not getting great results. Even if a progressive is talking about - Hey, we need a Housing First model. That doesn't mean housing only model, but housing is necessary for those other things that may also be necessary - whether it's behavioral health assistance, whether it's assistance with substance use disorder, whether there are a variety of things - that housing is necessary for those other things to reliably work and to get this person stably housed again. That is what is working. And so it's evidence-based versus things that aren't. And we're putting these labels on them, but really it's about what is going to solve this problem. So many people in the establishment are so invested in the status quo, even though it's not working - hopefully they'll become more open to evidence-based solutions. If not, they're going to have progressive challengers and progressive candidates like Jamika Scott, who is winning the race in the primary right now at 38% over Chris Van Vechten, who is a more conservative challenger in Tacoma. We see Kristina Walker, the incumbent, who is proposing evidence-based solutions for a lot of these things at 70% - not looking at a backlash there. But also in Spokane - dealing with a lot of other issues - and I will say in a lot of areas, especially, Spokane has been a leader in the state on housing, has been a leader on the state in many issues. If you're looking at the progressive versus moderate conservative in policy and action, Spokane is looking more progressive than Seattle in a number of ways. A lot of Seattle suburbs looking more progressive if you're looking at how policy is traditionally talked about. So I really think that it's about who has a shot at actually fixing this problem. Voters have heard the other stuff for a long time and have seen it fail. That doesn't mean that every progressive candidate is automatically gonna be successful, but it does provide an opening. And I think that explains a lot of the backlash that people are expecting that did not turn up and translate. [00:49:36] Robert Cruickshank: I think that's right. And I think Erica Barnett doing a good job explaining that - yes, sweeps are popular in Seattle. That is true. And that's been true for a while. They're not true because people genuinely like sweeps. It's true because you ask voters to choose between doing nothing and a sweep - they'll pick the sweep because they want a solution. If you ask them to choose between a sweep and an actual solution - Housing First policies, permanent supportive housing, actually building housing that is affordable at all income levels - 9 times out of 10, they'll pick that. What the right-wing backlash folks were counting on is enthusiastic support for sweeps as the best solution. And that's not where the voters are at in this city at all, and I think you're seeing around the state, they're not there either. [00:50:19] Crystal Fincher: You mentioned before, which I think was very smart - two years back, four years back, candidates on the left and progressives were struggling to articulate that they were opposing sweeps or opposing criminalization of poverty and had a hard time breaking through because other people were maliciously mischaracterizing what they stood for. In order to get beyond that with people who have a lot of money to maliciously mischaracterize what you're doing was getting beyond the - No, we don't want to do nothing. We want to solve this thing. When we're advocating against sweeps, it's not like people are happy with encampments. It's not like people are happy with people living outside. We believe everybody should be housed. There are different solutions there. The answer is not nothing. We certainly heard a lot from Jenny Durkan, we heard from others - Oh, the alternative is nothing. They want to do nothing. When you have people attend your press conference every time you stand at a pulpit, that message is going to carry. What progressives are doing a better job of is articulating - No, we absolutely don't want to do nothing. We find crime unacceptable, and we actually want to do something to fix it. We find homelessness unacceptable, and we're tired of spinning our wheels and spending so much money and taking so much time to not improve the problem. We want to do different things that actually have a shot. That message is carrying through more, there are going to be a lot of competitive races - I don't know that that's going to carry the day, but certainly a more effective message this go around. [00:51:43] Robert Cruickshank: I think that's right. What these results overall show is that progressives have a real opportunity, but it's not a certainty. They got to use it effectively. [00:51:50] Crystal Fincher: Anything else that you think is interesting to look at on the electoral spectrum around the state? [00:51:55] Robert Cruickshank: One thing that is gleeful and a positive outcome is Semi Bird getting recalled along with two of his allies in Richland. Semi Bird is the right-wing, soon-to-be former school board director in the Richland Public Schools who tried to overturn the state's mask mandate - that led to a recall effort that has been successful. Bird is also a Republican candidate for governor in 2024 - it's pretty much him and Dave Reichert at this point. We'll see what happens. But seeing Bird get recalled in Richland, which is not a progressive hotbed by any stretch of the imagination, is another sign that this right-wing backlash is not as strong as folks thought it was. So we'll see what happens from there. [00:52:33] Crystal Fincher: Yeah, we will see what happens from there. And I wanted to mention that there are a lot of school board races that did not have more than two candidates across the state. Some races in the primary had Moms for Liberty candidates, aka people who are bringing in the desire to ban books, who are trying to overrule teachers and dictate what they can teach, and really attacking LGBTQ+ students - especially trans students - and really trying to bring hateful rhetoric and Christian nationalism into our education system. There's a Highline School District candidate that made it through to the general. There are others, like in University Place, several places across the state, that are going to have these general election match-ups with some candidates who are solutions-focused and others who are strictly running to basically sow chaos, is what it turns out to be in effect - to defund the schools, to strip standards-based education, fact-based education, to stop teaching history. They love what's going on in Florida, and they want to replicate what's going on there that is really hurting that state and community. I just want people to be aware that is a thing that is happening, and we can't afford to not be engaged in these school board races unless we want to provide a foothold for that kind of thing. Candidates that start on school boards wind up in city councils, in the Legislature, running for Congress. It is making sure that we're engaged in these very local races to make sure that we don't let someone in the door who's going to turn out to advocate for really fascist policies. [00:54:10] Robert Cruickshank: I think that's right. And we've seen Moms for Liberty candidates fail in Washington state before. We've seen some of them make it through. We saw a strong effort to try to repeal the state's new law that protects trans kids - they narrowly failed to make it to the ballot. So far so good - knock on all the wood that there is - that they're not getting more traction here in Washington state. They're working as hard as they can, and we have to work as hard as we can to push back against that. [00:54:33] Crystal Fincher: Absolutely agree. Wanted to wrap up with talking about the influence of endorsements in these elections. We've talked a lot about how consequential The Times and The Stranger endorsements have been over the past several years. I think there are a number of reasons why - I think that the thinning out of reporters covering government, covering politics on that regular beat is considerably less than it used to be, and that is impacting just how informed the public is in general on a regular basis - making these endorsements much more consequential. We also have fewer newspapers. And so those are just a couple of things making those much more important. The Stranger - looking last year - it had been at least a decade since a Stranger-endorsed candidate had not made it through a primary. The Times-endorsed candidate almost always makes it through also. So these have been and continue to be very consequential endorsements. How do you see this? [00:55:28] Robert Cruickshank: It's still the case that Stranger endorsement is essential if you're a progressive trying to get through to the general election. It confers more votes than The Times endorsement does. For those of us who are progressive, that's a good thing. It's also a double-edged sword. And you can see in Districts 3 and Districts 5 this year, some of the downsides of The Stranger endorsement. What it did is it winds up cutting off conversation, debate, and contests between the progressive candidates in the field. I like Alex Hudson - she'll make a great member of the city council. I also like the idea of seeing Alex and the other candidates in District 3, or Christiana, Tye, Nilu - the candidates in District 5 - really pushing each other hard to have to do a good job persuading progressive voters that they're the right one to carry the agenda forward. Instead, what seems to happen is Stranger makes their picks and that's the end of the discussion. You get a lot of - you alluded to this earlier - a lot of low-information progressive voters who wait until the very end, open their ballots, realizing - Oh my gosh, they're due, I've got to vote. What does The Stranger recommend? I'll vote that way. I get that. They're not stupid voters. They pay very close attention to federal politics, but they just don't know a whole lot about what's happening locally. And The Stranger is a trusted source. The Stranger is independent. They're not making endorsements usually based on relationship building. You have a clear agenda that you can trust, and they built that trusted brand over 20 years. But we have to start asking ourselves - I'm hearing more and more people asking the same question - Is it too influential? Is it too strong? Is it distorting the way campaigns are operating? Some of this is on The Stranger to ask themselves - do they want to be kingmakers or do they want to be the ones holding everybody's feet equally to the fire? I don't think you can always do both. It's also up to candidates and campaigns to figure out how do you overcome this? You can look around the country - there are lots of places in the country with strong endorsements, whether it's from an organization or an editorial board or whatever, but campaigns figure out how to get around that. I don't think progressive campaigns in Seattle have figured out how to win if The Stranger isn't backing them. I think it's time to try to get that answered - not as a slap at The Stranger, but it's unhealthy for one outlet to have that much influence. [00:57:36] Crystal Fincher: Yeah, I would definitely agree with that. I think that it is important just to have that conversation and cutting that off is problematic. The Stranger does a better job of actually trying to pin down candidates on answers and making it visible when someone is hedging. I think that's a very useful thing, especially in Seattle politics where lots of times people love giving a progressive impression - paint a rosy picture - Of course, I love trees and I love kids and all of that. And some people are satisfied with that, but we have to get to real specific policy answers - Would you vote yes or no on this? - to get an idea of who we're really voting for. I think The Times has really fallen down on that front. One important thing in races overall is just understanding where candidates do stand and where they're not taking a stand. And that is very predictive about how someone is going to vote and whether they're going to lean on issues, whether they can be pressured to taking a No vote on something that they may have indicated or given a nod to that they're broadly supportive of. So I hope we have robust conversations just about where candidates stan
People in Seattle have always cared about trees - we're the Emerald City, after all. One tree in the Wedgwood neighborhood has captured Seattle's attention in recent weeks, enough for vigils, tree sitters, and protests at city council meetings.KUOW Online Managing Editor Isolde Raftery is here to tell us more about Luma the tree, and those determined to keep it standing.And we want to hear from you! Follow us on Instagram at SeattleNowPod, or leave us feedback online: https://www.kuow.org/feedback We can only make Seattle Now because listeners support us. You have the power! Make the show happen by making a gift to KUOW: https://www.kuow.org/donate/seattlenowJoin us for a live taping in August! The conversation is all about Seattle's music scene. Tickets and more info: https://www.eventbrite.com/e/kuows-seattle-now-live-casual-friday-music-in-seattle-fremont-abbey-tickets-574989819027?aff=oddtdtcreator
What's Trending: Lake City car lot is facing repeated theft, Alki residents concerned about safety and it rain a little bit today.LongForm: Aaron Marshall (Seattle cop who is running against Andrew Lewis for city council) tackles the SPD staffing crisis and how he'd handle the tree occupiers in Wedgwood. Quick Hit: RFK Jr. says he takes more heat in the media than Trump.See omnystudio.com/listener for privacy information.
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