Podcasts about cctv

2009년 순천서 새참 막걸리 마신 여성 2명 사망사망 여성의 남편 백 씨와 막내 딸 공모 자백담당검사, 진술영상 없다 거짓말도…증거는 자백뿐알고보니 검사 윽박 두려워 부녀가 거짓 증언 ■ 방송 : CBS 라디오 FM 98.1 (07:10~09:00)■ 진행 : 김현정 앵커■ 대담 : 손수호 변호사(법학 박사)See omnystudio.com/listener for privacy information.

A five-part drama about a family - and a society - divided by far-right populist extremism.When Louise a senior officer in the Garda Síochána sees her brother Frank on the news, taking part in an aggressive far-right protest she is shocked. Not least because she is and she had no idea Frank had been influenced by the populist extremists who hurl accusations of being 'traitors' at police and politicians alike.In the aftermath, Frank's face doesn't show up on CCTV. But when she threatens to have him arrested, he accepts the deal she reluctantly offers - she will cover for him if he promises to stay away from demos and protests.But then Louise learns that Frank is connected to a much wider network. He's in touch with organised extremists throughout Europe, Louise realises that Frank is on a path that could bring Ireland, and other countries, to the brink of chaos. The time has come to break up his network, whatever the family consequences. LOUISE KENNY … Niamh Algar FRANK KENNY … Jonathan Forbes KEVIN … Stephen Hogan TONY … Aidan O'Callaghan DERVLA … Karen Ardiff MICHAEL GRIFFITHS … Jonathan Harden BASTIAN … Nicholas Murchie JOE … James Downie SORCHA … Amy McAllister MARYAM … Lara Sawalha Directed by Eoin O'Callaghan A Big Fish/BBC N Ireland Production for Limelight

What do you do when your favorite creator, YouTuber, or tiktoker stops posting? They just completely disappear. No warning, no community post. Just gone. Are you convinced they are sick?That they're just taking a break and coming back? Usually the first two are the natural internet reactions especially when creators go missing for too long. Sometimes the real reason is lot scarier than that… Mamaguy, a Korean tiktoker swears that it wasn't him who roundhouse kicked the woman in Busan on the CCTV. He swears that's NOT the reason why he took a few years off from the public eye. Which, to be fair, is true. The real assaulter who went viral for randomly round-housing a woman was found and charged with 20 years in prison. So then why was ‘Mamaguy,' absent from social media? Absent from society as a whole? Sometimes when creators go missing online it's completely nothing. They're taking a break. Or just decided to stop making content. Maybe they're burnt out. Or, it could be much more sinister than that.    Full show notes available at RottenMangoPodcast.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In March 2020, 18 year old Eloi Rolland left his homestay on Auckland's North Shore  just before dawn. He was a French exchange student - curious, soft-spoken,  and enchanted by New Zealand's beauty. That morning he opened Google Maps and searched the word Piha. A remote black-sand beach known for its cliffs, its isolation… and its danger. He caught a bus, then a train. CCTV caught him walking alone as the city woke up. By 9:18am, his phone pinged one final time along Piha Road in Waitakere Ranges -  and then… nothing.No more messages. No more movement. No more Eloi.  Police scoured the bushland - dense, silent, and endless - but no trace of him was ever found. What happened in the misty hills outside Auckland? Did Eloi wander off the track? Fall off the cliffs?  Or was something - or someone - waiting for him there? Listen as we dive into New Zealand, the case of Eloi Rolland, and how to stay alive on vacation. Do you have a story to share? Send your email to lasttrippodcast@gmail.com We're on YouTube: https://www.youtube.com/@TheLastTripPodcast Follow us on IG: https://www.instagram.com/thelasttripcrimepod/ And join our Patreon: https://www.patreon.com/TheLastTripPodcast Theme Music by Roger Allen Dexter Sources: https://www.thepress.co.nz/nz-news/360759600/parents-missing-french-teen-eloi-rolland-take-search-south-island https://www.stuff.co.nz/auckland/124382819/missing-french-teen-eloi-rolland-friends-and-family-still-have-no-answers-a-year-on?_ https://www.stuff.co.nz/national/120283016/french-national-eloi-jean-rolland-18-missing-in-auckland https://www.police.govt.nz/missing-persons/listings/eloi-rolland https://www.facebook.com/MISSINGELOIJEANROLLAND/ https://www.stuff.co.nz/national/120409689/french-teen-missing-from-auckland-had-troubled-state-of-mind https://www.stuff.co.nz/national/120511116/sister-of-fit-smiley-french-teen-missing-in-auckland-desperate-for-answers https://www.stuff.co.nz/national/120860887/chances-of-finding-missing-french-teen-eloi-rolland-alive-becoming-more-slim https://www.nzherald.co.nz/nz/family-of-french-teen-eloi-jean-rolland-missing-in-auckland-since-march-reveal-more/5GVRVY5ZNGMZMKKHJGV4YDB3R4/ https://www.stuff.co.nz/national/300097890/missing-french-teen-eloi-rolland-family-say-theyve-lost-hope-six-months-after-disappearance https://www.stuff.co.nz/national/crime/300189370/the-missing-people-of-piha-25-years-six-cases-no-answers https://www.stuff.co.nz/national/300201475/missing-french-teen-eloi-rolland-reportedly-sighted-13km-from-last-known-location https://www.20minutes.fr/faits_divers/4096164-20240621-disparition-eloi-rolland-nouvelle-zelande-va-declarer-mort-jeune-homme https://www.leparisien.fr/faits-divers/malgre-labsence-de-corps-la-nouvelle-zelande-va-prononcer-le-deces-deloi-rolland-18-ans-disparu-en-2020-24-06-2024-W2572J4WSNHH7F4NG2S7VJ573M.php https://www.youtube.com/watch?v=GwbEs-Xku8Y

Send Kris and Rob a Text Message!In 2008, a mother and her little girl rode an elevator to the 11th floor of a building in Yuanlin, Taiwan—left two red coats and their shoes—and stepped into a stairwell. They were never seen again. This is the cold case of Liu Huijun (劉惠君) and her daughter—often called the “Taiwanese Elisa Lam,” but stranger.We reconstruct the final minutes inside the Yuanlin Finance/Economics Building (員林財經大樓): the elevator ride, the clothing left behind, and the turn into a camera-free stairwell that may have led to a B2 vehicle exit—and total erasure from CCTV. We break down viable theories (assisted departure vs. coercion vs. on-site fatality), why building design matters, and what records could still blow this case open.We discuss:Timeline: domestic dispute, scooter with key left in ignition, elevator to 11F, entry to stairwellWhy the coats & shoes matter (misdirection, crisis ritual, or coercion)Blind spots in mixed-use high-rises (2008 surveillance limitations)Call for tips: If you lived or worked near Yuying Road, Yuanlin in January 2008 and remember a mother and small child who appeared without a backstory, please contact local authorities in Taiwan. Outside Taiwan, email our show—credible tips will be routed appropriately.Sources used for this podcastSupport the showJOIN THE HITCHED 2 HOMICIDE IN-LAWS AND OUTLAWSSTART KRIS CALVERT'S BOOKS TODAY FOR FREEH2H WEBSITEH2H on TWITTERH2H on INSTA

날 ▶ 복권 한 장이 불러온 비극 지난 일요일 오후 2시쯤, 서울 강북구 수유동의 한 식당에서 손님이 식당 주인 부부에게 흉기를 휘둘렀다. 흉기에 찔려 병원으로 이송된 아내는 다음 날 오전 숨졌고, 남편은 중태인 것으로 전해졌다. 흉기 난동의 원인은 다름 아닌 복권 한 장. 해당 식당에서 홍보 목적으로 복권을 증정했는데, 준비해둔 복권 재고가 부족해 복권을 줄 수 없었다. 그래서 주인 부부는 “복권 대신 음식 값을 깎아달라”는 가해자의 요구를 받아들였다. 하지만 결제 과정에서 다시 시비가 붙은 것으로 확인됐다. 피해자 부부를 성실하고 친절한 사람으로 기억하는 주변 상인들은 사건에 대해 안타까워하고 있다. 복권 한 장이 불러온 비극, 에서 취재했다. 이슈 후 ▶ 부천역을 점령한 ‘막장 유튜버' 부천역 앞 광장이 조회수 맛집으로 소문나며 스트리머들의 성지가 된지 오래. 부천시의 요청에 따라 숲TV에서 방송을 제한하도록 조치했지만, 스트리머들은 다른 플랫폼으로 옮겨 라이브를 진행한다. 광장 주변에 모인 스트리머의 모습이 참새가 앉은 전깃줄 같다 해서 ‘부천 전깃줄'로 불리는 이곳. 지난 9월 20일에는 부천 원미구의 한 상가 건물에서 남성 유튜버가 여성 유튜버의 흉기에 찔리는 장면이 라이브로 송출되기도 했다. 문제가 계속되자 거리로 나선 시민들. 매일 저녁 막장 유튜버 근절 캠페인을 벌이고 있다. 참다못해 거리로 나온 시민들과 버티는 스트리머들, 에서 취재한다. CCTV & 블랙박스로 본 세상 ▶ CCTV&블랙박스로 본 세상 지난달 25일 새벽, 경남 고성 앞바다의 한 어선 위에서 폭행사건이 발생했다. 사천 잠수기 어선 10척이 남해 잠수기 어선 한 척을 에워싸더니 배로 넘어와 피해자를 폭행하고 폭언을 쏟아 부은 것. 가해자들은 관행상 본인들의 조업구역인데 왜 여기 와서 조개를 잡냐며 따져 묻다가 벌어진 일이라고 주장했다. 피해자는 허가만 받으면 누구나 조업이 가능한 공동수면인데 왜 자기네 바다라고 우기냐는 입장. 해경이 출동한 후에야 끝난 폭행. 현재 가해자들은 현재 폭력과 특수상해 혐의로 조사 중이다. 피해자는 전치 8주에 어깨 수술까지 받았다. 조업구역을 두고 벌어진 폭행 사건, 에서 취재했다. 지난해 11월부터 6월까지, 7개월간 남양주 일대에서 오토바이와 승용차가 충돌하는 사고가 연이어 발생했다. 알고 보니 배달기사 11명이 서로 짜고 고의로 사고를 일으킨 것. 이들은 14차례에 걸쳐 치료비와 합의금, 휴대전화 파손비 등을 이유로 5천만 원 상당의 보험금을 편취했다. 보험사의 제보로 수사에 나선 경찰은 영상분석과 휴대전화 식별번호를 대조해 사기 정황을 밝혀냈다. 서울 성동구에서도 비슷한 수법으로 보험금을 노린 배달기사 16명이 적발됐다. 짜고 치는 보험사기, 다른 피해로 이어지진 않을까? 좌회전을 하기 위해 안전지대를 지나자마자 포켓차로로 진입하던 제보자. 그런데 갑자기 나타난 택시와 충돌했다. 택시는 제보자의 뒤차를 빠르게 추월한 뒤 안전지대를 침범해 달려오던 중이었다. 차량 수리비만 700만 원가량. 사고 후 택시 기사는 차선변경하던 제보자가 사고유발자라며 과실비율 7:3을 주장하고 있다. 안전지대를 침범해 달려오는 차를 예상하긴 어려웠다는 제보자가 정말 사고유발자일까? 도로 위 ‘안전지대' 침범은 문제가 없는 걸까? 에서 알아본다. 미스터리 M ▶ 수백 기의 이름 없는 무덤의 비밀 (옥산촌전투 동학농민군) 전남 장흥군 관산읍 남송리의 한 산자락. 언뜻 보면 평범한 산길로 보이지만, 자세히 보면 기묘한 풍경이 펼쳐진다. 작은 봉분들이 불규칙하게 늘어서 있고, 묘비 없는 무덤이 끝없이 이어진다. 이곳에 있는 무덤만 약 100여 기. 묘비는 거의 없고, 정리되지 않은 듯 방치된 모습이다. 대체 이 무덤은 누구의 것일까? 불규칙한 형태와 작은 규모를 보면, 이장묘로 보기는 어려운 상황. 알고 보니 이곳은 장흥 일대에서 숨진 동학농민군들의 무덤! 전문가들은 1894년 장흥 옥산촌 전투에서 희생된 동학농민군이 안장된 묘역으로 보고 있다. 수백 개의 이름없는 무덤의 비밀을 에서 파헤쳐본다. 카더라의 진실 ▶ 몇 분 만에 키 크는 방법? ‘팔굽혀펴기 10번 하면 키가 2cm 커진다'는 카더라가 등장했다. 동작을 통해 자세가 교정되고 근육이 늘어나 숨어있던 키를 찾아낼 수 있다는 것! 하지만 단순히 키를 잴 때 자세가 달라져 오차가 발생한 거 아니냐는 의문도 있는데. 정말 성장판 닫힌 성인도 운동으로 키가 클 수 있을까? ▶ 소리로 불을 끌 수 있다? 휴대전화를 촛불에 가까이 가져다 대자 불이 꺼지는 영상이 SNS에 올라와 화제가 됐다. 소리의 음파를 이용해 불을 끈다는 건데. 황당무계한 이야기처럼 들리지만 소리의 진동을 이용해 초기 화재를 진압하는 ‘소리 소화기'가 실제로 존재한다. 정말 소리만으로도 불을 끌 수 있는 걸까? 그리고 가정에선 소리 소화기를 사용할 수 있을까? 화제 ▶ 일상으로 파고든 산학연 혁신기술! 로봇 태권V부터 트랜스포머까지~ 어린 시절 꿈꾸던 로봇 세계는 어느덧 우리 일상으로 성큼 들어왔다! 전남의 한 대학교엔 이를 실현하는 학생들이 있다. 사람의 움직임을 인지해 이리저리 따라오는 로봇팔을 개발했는데, LED 패널이나 AI와 연동해 상용화하는 것을 목표로 하고 있다. 서울의 한 동물 병원, 중요한 수술을 앞둔 반려견 머리에 패치가 씌워진다. 말 못 하는 동물의 마취 정도를 확인하기 위해 동물용 마취심도 측정기기를 사용 중인 것! 이것 역시 산학연 연구 개발의 성과다. 이런 혁신 기술이 한 자리에 모였다. 산업계, 학계, 연구계의 눈부신 기술 혁신 성과를 선보이는 ‘2025 산학연협력 EXPO'. 우리 일상을 바꿀 혁신 기술엔 또 무엇이 있을지 직접 확인해 본다.

Spoilers, profanity, Jaime x Brienne. Jon's communication style has created a rancid corporate culture at the Night's Watch. Angry weirwood CCTV seems like a good idea. Bowen Marsh's performance review is just twenty minutes of us asking him why he's so bad at seeing the bigger picture. Apple or onion? You be the judge. A Song of Ice and Fire. A Dance with Dragons - Jon V. Close The Door And Come Here - Episode 606

Richard Heath Hyle, the new Sewer Collection Superintendent at the City of San Bernardino Municipal Water Department, who was recently promoted after serving as the sewer collection supervisor. Richard Heath Hyle explained that sewer collections transport waste through underground pipelines, and the San Bernardino system serves over 200,000 people with 500 miles of pipe and 10 lift stations. Richard Heath Hyle shared that his team of nine crew members manages the system with four trucks and a CCTV van, emphasizing the importance of drive, self-motivation, and strong interpersonal skills for a superintendent. The key discussion points included Richard Heath Hyle's career transition from water to wastewater, the value of trades, challenges in hiring and retaining talent, innovative training methods like a mock maintenance hole for spill response, and the need for continuous improvement and inter-departmental collaboration. Give the show a listen and remember to thank your local Public Works Professionals. 

날 ▶ 암표 미끼 중고거래 사기 2025 프로야구 한국시리즈의 열기가 최고조에 달하며 관중 수가 사상 최초로 1200만 명을 돌파한 요즘, 그 인기만큼 암표도 극성인데, 이 점을 노린 신종사기가 출현해 논란이다. 문제가 발생한 곳은 중고거래 플랫폼. 야구 티켓을 구매하고 싶던 제보자는 ‘구매 대행 사이트'로 유도당해 돈을 입금했지만, ‘결제 오류', ‘입금자명 오류' 등을 이유로 재입금을 요구받았고, 결국 수백만 원을 갈취당했다. 경찰에 신고했지만 해당 사이트는 여전히 운영 중이다. 피싱 사기로 볼 수 없어 피해 구제나 처벌이 어렵다는데, 문제는 이 같은 수법의 사기 피해를 당한 사람들이 더 있다는 것. 갈수록 교묘해지고 있는 사기행각, 그 실태를 에서 취재했다. HOT 키워드 ▶ 국립중앙박물관 유료화 논쟁 500만 관객을 돌파하며 세계적인 박물관으로 급부상 중인 국립중앙박물관. 이런 흐름 속에 입장료를 유료화해야 한다는 의견이 나오고 있다. 본래 유료였지만 2008년 이후 전면 무료로 전환해 운영해온 이곳. 하지만 최근 관람객이 급증하며 재정 부담과 시설 부족 등의 문제를 이유로 입장료 유료화 이야기가 불거지고 있는 상황. 일부에서는 “운영비가 부족해 전시 품질 유지가 어렵다”며 “유료화가 불가피하다”는 의견을 내는 반면 “국립기관은 국민 세금으로 운영되는 만큼, 입장료를 받는 것은 이중부담”이라는 반대 여론도 만만치 않다. 전문가는 “유료화는 단순히 돈의 문제가 아니라 문화 접근성과 공공성의 문제”라고 지적하기도 했다. 국립중앙박물관 유료화를 둘러싼 논쟁을 에서 짚어봤다. 알쓸신법 (*알아두면 쓸모있고 신기한 법률) ▶ 위험한 음료 최근 미국에서 특정 음료수를 마시는 SNS 챌린지가 유행 중. 해당 음료는 ‘마시면 기운과 활기를 되찾는다'는 광고로 젊은 세대 사이에서 빠르게 확산해, 클럽 등지에서 마시는 알코올 대체재로 자리 잡았다. 문제는 해당 음료 성분에 마약의 일종인 ‘크라톰' 성분이 함유돼 있다는 것. 실제로 마약을 끊은 이들이 해당 음료를 마시고 다시 마약에 중독되는 것은 물론, 사망에 이르는 경우까지 발생해 큰 사회적 문제로 떠올랐다. 해당 음료를 만든 회사 역시 피해자들로부터 집단소송을 앞둔 상황. 술이 아니므로 누구나 쉽게 살 수 있는 해당 음료를 만약 여행을 간 한국인이 마시면 어떻게 될까? 변호사는 ‘대한민국은 속인주의이므로 해외에서 해당 음료를 마셨을 경우 귀국해 마약 복용 죄로 처벌받을 수 있다'고 경고했다. 음료수의 탈을 쓴 마약, 그 위험성을 에서 밝힌다. ▶ 도플갱어 소송 2006년 미국 오리건주 포틀랜드에서 한 남성이 전설적인 농구 선수 마이클 조던을 고소하는 사건이 벌어졌다. 고소 당사자인 남성이 요구한 손해배상금은 무려 한화 1조 1,600억 원대 규모. 그는 자신의 외모가 마이클 조던과 너무 닮아, 어디를 가든 조던으로 오해를 받는다며 ‘평온한 일상을 방해받았다'라는 혐의로 그를 고소했음을 밝혔다. 당시 미국 법조계를 뜨겁게 달군 황당한 소송. 수많은 법조인은 ‘말도 안 되는 소송'이라고 일축했다. 마이클 조던 측 역시 ‘대응할 가치가 없다'며 법원에 소송 기각 요청서만을 제출한 상황. 결국 고소 당사자 남성은 ‘소송에서 승소할 가능성이 없고, 만약 패소하면 천문학적인 소송 비용을 물어야 한다'는 말에 자진 취하를 결정, 사건은 막을 내렸다. 변호사는 ‘그저 외모가 닮았다는 이유로 소송을 제기할 순 없고 그로 인해 발생한 피해를 입증할 수 있어야 한다'고 답했다. 유명인과 닮았다는 이유로 삶의 고충을 토로한 인물의 황당한 소송전의 전말을 소개한다. ▶ 나만 모르는 사망보험 타인의 감정에 무감각한 아내에게 염증을 느껴 별거를 택한 남편, 우연히 아내가 자신 명의로 수십억 원대 사망보험에 가입해 놓았다는 사실을 알게 됐다. 사망보험금 수혜자는 다름 아닌 아내. 남편이 ‘왜 내 동의 없이 고액의 사망보험에 가입했느냐'고 따져 묻자 아내는 ‘보험 판매 실적을 올리기 위해 그랬을 뿐'이라고 태연히 답했다. 문제는, 남편이 아내와 함께 시간을 보내던 중 우연히 목숨을 잃을 뻔했던 적이 두 차례 있었던 것. 남편은 아내가 사망보험금을 노리고 자신을 살해하려 한 것으로 확신, 아내를 살인미수죄로 경찰에 고발했으나 증거 불충분으로 인한 무혐의 처리로 종결됐다. 결국 이혼 소장을 접수한 남편. 하지만 1심 재판부는 ‘동의 없는 보험 가입은 명백한 이혼 유책 사유라고 보기 어렵다'며 이혼 청구를 기각했다. 포기하지 않은 남편은 아내가 사망보험 가입 시 자신의 서명을 위조했음을 확인, 아내를 사문서 위조죄로 고소한 뒤 재차 이혼 소송을 제기했다. 마침내 2심 재판부는 ‘혼인 중 형사 범죄를 저지른 것은 명백한 이혼 사유'라며 남편의 손을 들어줬다. 동의 없는 사망보험 가입이 부른 부부 관계의 종말, 사건의 전말을 에서 전한다. 대식가 (*대신 식사하러 가겠습니다) (UHD) ▶ 한옥에서 즐기는 모던 중식 특별한 음식이 있는 곳이라면 어디든 간다! 대신 식사하러 가겠습니다. ‘대식가' 오늘의 메뉴는? 연극의 메카 혜화역, 공연 관람 후 맛있는 한 끼 해결하기 좋은 식당이 즐비한 이곳. 든든한 한식 생각에 한옥으로 홀린 듯이 들어가 보는데~ 미술관 뺨치는 신비로운 조형물은 물론, 여기저기 감성 가득 인테리어에 식사 전부터 눈 호강은 기본! 게다가, 한옥 식당이라곤 믿을 수 없는 다양한 중화요리의 향연에 입 호강 제대로~ 이 집의 대표 메뉴, 산더미처럼 쌓아 올린 고기에 치즈가 눈처럼 뿌려진 치즈 마라 전골부터 독특한 풍미의 흑마늘 탕수육, 상큼 매콤한 유린기, 그리고 육즙 가득 머금은 6종 딤섬까지 통 크게 즐기는 중식 한 상~ 낮과 밤의 반전 분위기도 또 다른 매력, 고즈넉한 한옥에서 즐기는 중식을 먹어본다. 주소: 서울 종로구 창경궁로 258-5 ☎ 0507-1477-7225 세계는 ▶ 단 7분 만에 뚫린 파리의 심장 세계 3대 박물관으로 손꼽히는 프랑스의 루브르 박물관에서 도난 사건이 벌어지며 프랑스 전역이 발칵 뒤집혔다. 외제니 황후의 티아라, 18세기 마리 아멜리와 오르탕스 왕비의 사파이어 목걸이 등. 사라진 보석 8점의 가치는 약 1,400억 원. 그런데 절도범들이 이 보석들을 훔쳐 달아나는 데 걸린 시간은, 단 7분이었다. 당시 경보 시스템도 작동 중이었고, 보안 인력 또한 매뉴얼대로 움직이고 있었지만, 절도범들은 박물관 외부 CCTV 사각지대를 이용해 2층 아폴론 갤러리로 침입. 열에 취약한 방탄 진열장을 그라인더로 절단한 뒤 보석들을 훔치고 도주했다. 절도범들이 노란 형광 조끼를 입은 채 ‘작업자'로 위장해 초기에는 아무도 이상을 눈치채지 못했다는데. 프랑스 정부는 유럽 전역에 공조를 요청하고, 수사팀을 60명에서 100명으로 확대해 추적에 나선 상황. 모나리자 도난 사건 이후 최악의 굴욕이라 불리는 이번 사건, 현지 교민을 통해 알아본다. ▶ 초등학교 앞 묻지 마 차량 돌진 중국 후베이성의 한 초등학교 앞. 건널목에서 신호를 기다리던 사람들 사이로 별안간 흰색 차 한 대가 돌진하며 다수의 사상자가 발생했다. 목격자들은 SNS를 통해 최소 10여 명이 다쳤으며, 학생 한 명이 숨졌다고 전했다. 하지만 중국 당국은 구체적인 피해 규모나 사건 경위에 대해 아무런 설명도 내놓지 않고 있는 상황. 게다가 관련 게시물이 SNS에서 잇따라 삭제되고 있다는 사람들의 경험담까지 이어지고 있어 일각에서는 중앙 정부의 통치력에 흠이 될 만한 ‘무차별 범죄'를 당국이 통제하고 있는 게 아니냐는 의혹이 제기되고 있다. 최근 비슷한 사건들이 재조명되면서 논란은 일파만파로 번지고 있는 가운데, 현지 교민을 통해 그 실상을 전한다. ▶ 악명 높은 축구 팬 이스라엘 텔아비브에서 열릴 예정이던 마카비와 하포엘 프리미어리그 더비 경기에서 별안간 수십 개의 연막탄과 불꽃놀이 화약이 터지며 사상자가 속출해 킥오프 직전 경기가 취소되는 사태가 벌어졌다. 극성 훌리건으로 악명 높은 극우 성향의 마카비, 하포엘 훌리건이 맞붙으며 난동이 폭동으로 번진 것. 이에 다음 달 6일 영국에서 열릴 예정이던 유로파리그 경기에서도 영국 경찰이 마카비 원정 팬의 입장을 전면 금지하겠다고 발표해 논란은 더 커졌다. 현지 교민을 통해 축구장이 전장으로 전락한 그 날의 상황을 들어본다. ▶ 세계 황당 사건 1.중국에서 한 아이가 헐벗은 채 집 밖을 기어다니는 모습이 포착돼, 아동 학대 여론이 들끓고 있다. 2.폭우로 홍수가 난 상황에도 카약을 타고 무사히 피자 배달을 완료한 배달원의 사연이 미국에서 화제가 되고 있다. 화제 ▶ 서울시 공공 배달 서비스 땡겨요 코로나19를 기점으로 규모가 커진 국내 배달 앱 시장. 하지만 자영업자들의 수수료 부담이 가중되자 불만의 목소리가 높아지고 있다. 이에 소비자는 물론 자영업자의 부담감을 덜어주기 위해 서울시가 시행한 공공배달 서비스! 자영업자는 낮은 수수료로 배달 서비스를 이용할 수 있고, 소비자는 지역 화폐를 통해 최대 15%의 할인을 받고 이용할 수 있다는데, 자세한 내용을 모닝와이드에서 알아봤다. 주소: 서울시 관악구 낙성대로 22-1 ☎ 02-886-8555~6

I've just completed and worked alongside Ant Middleton and his Special Forces Elite Team on their incredible Special Forces Training CampAn experience that pushed me physically, mentally, and emotionally to my absolute limits. The lessons, breakthroughs, and mindset shifts I've taken from it have completely changed how I think, lead, and perform and they can do the same for you. In this podcast, I'm sharing my 10 Lessons to Leadership and Mindset, plus I'm inviting you to join me and Ant's Elite Team on the next Special Forces Training Camp if you're ready.WHAT YOU WILL LEARN AND KEY ACTIONS FROM THIS EPISODE:1) Discover how pushing past pain and fear unlocks your true potential.2) Learn to lead with calm, clarity, and confidence under extreme pressure.3) Steal the mindset and mental discipline of Special Forces operators.4) How to build emotional resilience when business chaos hits hard.5) Why true growth happens outside comfort zones and when you're tested most.Listen now and discover the dates to join Ant Middleton on his next Elite Special Forces Training Camp BECOME A MEMBER: Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Growth Club and get instant access⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to live marketing training, business coaching, courses and a thriving community of professional trades. Guaranteed to help you to achieve time and financial freedom. JOIN OUR FACEBOOK GROUP: Join our free and thriving ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group and community ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠APPLY TO JOIN OUR INNER CIRCLE: Apply to join our 12-month ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠business and marketing coaching programme ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LeadZilla - Marketing and Sales Software: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Start your 14 day free trial now⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ServiceM8 - Job Management Software: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Start your extended 28 day free trial and bonuses ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WHO WE HELP AND SUPPORTAt the Trades Freedom Club, we help tradesmen and tradeswomen such as Plumbers, Heating Engineers, Electricians, Renewable Energy, Plasterers, Builders, Joiners, Roofers, Flooring, HVAC, Glazing, Scaffolders, CCTV, Security companies and Sub Contractors to build, grow and scale their trades or construction businesses.

Drunk Biker Causes Bus Fire – 20 Dead | Plus: MC Protocol TalkToday on Black Dragon Biker TV, we're covering one of the most tragic motorcycle-related stories in recent memory — a devastating accident that led to the deaths of 20 innocent people. The Tragedy – Kurnool Bus Fire, 20 DeadIn Kurnool, India, police have filed charges against Shivashankar, the biker responsible for a horrific bus fire that claimed 20 lives — even though he himself died moments before the explosion.According to reports, Shivashankar and his passenger, Erriswami, had been drinking before getting on the bike. While riding in an intoxicated state, Shivashankar lost control, crashing into a road divider. The motorcycle then slid into the highway and was struck by a passing bus.Seconds later — an explosion erupted, caused by two 12KV batteries and a shipment of smartphones on board the bus. Within moments, the vehicle was engulfed in flames.Authorities have confirmed the following:The crash was caused by reckless and intoxicated driving.The explosion was intensified by the bus's electronic cargo.20 passengers were killed, and several others suffered severe burns.CCTV footage later surfaced showing Shivashankar riding erratically and unsteadily at a fuel station just before the crash.Police charged the deceased biker under Sections 281, 125(A), and 106(1) of the IPC for negligence and reckless driving.⚖️ What We'll DiscussHow one drunk rider's mistake became a national tragedyThe ripple effect of reckless biking and alcoholWhy accountability in motorcycle culture matters now more than everWhat lessons this holds for riders, club members, and the public

1부 [JB TIMES] 尹정부, 대통령실 '재난 컨트롤타워' 기능 축소 김건희, 국립고궁박물관 수장고도 들어갔다 독일·덴마크에 ‘영부인 전용 접견실' 설치? 문형배 “국무회의 CCTV 봤다면 한덕수 탄핵 인용 했을 것” 한화오션, 하청노조 간부 상대 470억 손배소 취하 혐중 정서에 '노차이니즈 카페'까지 등장 과도 든 ‘편의점 강도'…경찰, 수갑 대신 죽·영양수액 - 더 막내작가

On this week's episode of the Unnatural Selection Podcast, we discuss: East Wing of White House reduced to rubble as part of Trump's ballroom construction. Top House Democrats accuse Trump of illegal scheme to pilfer $230m in taxpayer money. Trump reacts to report that he's seeking $230M from DOJ over past cases. When Donald Trump was ready to take his pound of flesh, Kevin Rudd was here to help. Weapons maker Saab 'directly linked' to human rights harm over missile at Lake Hart. Over a dozen unis are using AI to catch AI — and getting it wrong. Louvre chief blames CCTV gaps for $150m jewellery heist. Suspects arrested over theft of crown jewels from Louvre heist The Unnatural Selection podcast is produced by Jorge Tsipos, Adam Direen and Tom Heath. Visit the Unnatural Selection website at www.UnnaturalShow.com for stuff and things. The views expressed are those of the hosts and their guests and do not reflect those of any other entities. Unnatural Selection is a show made for comedic purposes and should not be taken seriously by anyone. Twitter: @JorgeTsipos @UnnaturalShow Instagram: @JorgeTsipos @UnnaturalShow Threads: @tom.heath @JorgeTsipos @UnnaturalShow  

A five-part drama about a family - and a society - divided by far-right populist extremism.When Louise a senior officer in the Garda Síochána sees her brother Frank on the news, taking part in an aggressive far-right protest she is shocked. Not least because she is and she had no idea Frank had been influenced by the populist extremists who hurl accusations of being 'traitors' at police and politicians alike.In the aftermath, Frank's face doesn't show up on CCTV. But when she threatens to have him arrested, he accepts the deal she reluctantly offers - she will cover for him if he promises to stay away from demos and protests.But then Louise learns that Frank is connected to a much wider network. He's in touch with organised extremists throughout Europe, Louise realises that Frank is on a path that could bring Ireland, and other countries, to the brink of chaos. The time has come to break up his network, whatever the family consequences.LOUISE KENNY … Niamh Algar FRANK KENNY … Jonathan Forbes KEVIN … Stephen Hogan TONY … Aidan O'Callaghan DERVLA … Karen Ardiff MICHAEL GRIFFITHS … Jonathan Harden BASTIAN … Nicholas Murchie SUZANNE … Jane Slavin JOE … James Downie SORCHA … Amy McAllister Directed by Eoin O'Callaghan A Big Fish/BBC N Ireland Production for Limelight

This week on Headline Highlights: Shocking turns in both the Emmanuel Haro and Donna Adelson cases. A decades-old mystery unravels when a teen who vanished in the 1990s is discovered to have never been missing at all. A teenager allegedly abducted by the cartel sparks more questions than answers. In Brazil, a self-proclaimed glamorous serial killer reveals her chilling love for murder. A terrifying Ring camera video shows three masked suspects attempting to break into a home on Halloween night. And new evidence in the d4vd case may finally give investigators the timeline they've been searching for. If you're new here, don't forget to follow the show for weekly deep dives into the darkest true crime cases! To watch the video version of this episode, head over to youtube.com/@annieelise 

Celebrity interviews without substance seem to be officially out, as the reaction to Kim Kardashian's surprisingly flat Call Her Daddy episode proved last week, while thoughtful conversations about art (think Cillian Murphy and Stephen Graham) are in. We discuss! Also this week: Callum Turner's heart-melting Sunday Times interview about Dua Lipa, Lily Allen's candid Vogue comeback piece, Britney Spears' response to Kevin Federline's new memoir, as well as our reviews of Molly Mae: Behind It All S2 and the Austin Butler–Zoë Kravitz film. Plus two gripping true-crime recs: a podcast discovery courtesy of a hun, and Netflix's ‘revolutionary' new doc The Perfect Neighbor. Final tickets to our very special live recording at Curzon Hoxton on 19 November are available here :)Get 10% off our fave sofa brand Swyft with the code straightup10 at swyfthome.com. Stylish, comfy, flat-packed and no tools required.We love hearing from you, DM us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@straightuppod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, email at ⁠⁠hello@straightuppodcast.co.uk⁠ and follow us on TikTok @straightuppod too!Recs/reviewsWisecrack podcast The Perfect Neighbor, Netflix The Perfect Neighbor: How a 'revolutionary' CCTV film captures a shocking US killing, BBCCallum Turner: ‘Love? It's never not worth it' The TimesGwyneth's Second Coming: “I'm Much Easier On Myself, I Would Say”, Vogue‘It Was a Way for Me to Process What Was Happening': Lily Allen on Marriage, Motherhood, and Her Music Comeback, VogueBritney Spears: the brutal media shaming of America's teen dream, Straight Up You Thought You Knew, Kevin Federline Britney Spears, The Woman in Me Kim Kardashian on Call Her DaddyKim Kardashian's faux pubic hair thong is a patriarchal fever dream, ImpactDear Dickhead by Virginie Despentes, in all good bookshopsThe Beauty Queens of MAGA World, Wall Street JournalCaught Stealing, available to rent on Amazon Prime etc. Hosted on Acast. See acast.com/privacy for more information.

Residents of Crosshaven are urged to report incidents of break-in and share CCTV footage, PJ is joined by counsellor Audrey Buckley along with residents and victims. Hosted on Acast. See acast.com/privacy for more information.

날 ▶ ‘바퀴벌레 잡으려다가' 애꿎은 이웃 사망 20일 오전 5시 35분경 경기도 오산의 5층짜리 상가주택에서 불이 나 1명이 숨지고 8명이 다쳤다. 사망자는 5층에 살던 30대 여성으로, 아기를 먼저 대피시킨 뒤 본인도 대피하던 중 추락해 사망했다. 화재는 2층에 사는 20대 여성이 스프레이형 파스에 불을 붙여 바퀴벌레를 잡으려다 난 것으로 파악됐다. 스프레이형 제품에는 LP가스로 알려진 액화석유가스가 들어 있어 불씨와 닿기만 해도 폭발하거나 화재로 이어질 수 있다. 20대 여성은 이전에도 같은 방법으로 벌레를 잡은 것으로 전해졌다. 제품에 화재 위험성을 알리는 문구가 명시돼 있었지만, 안정성이 담보되지 않는 온라인 정보를 그대로 따라한 결과였다. 불을 낸 20대 여성은 구속됐다. 안일한 생각으로 소중한 생명을 잃게 만든 오산 주택 화재 사건을 에서 취재한다. CCTV & 블랙박스로 본 세상 ▶ CCTV&블랙박스로 본 세상 18일 오전, 중국 항저우에서 인천으로 향하던 여객기에서 보조배터리 폭발 사고가 발생했다. 이륙 후 약 한 시간 반이 지나 간식이 배포되던 중 ‘펑' 소리와 함께 기내가 순식간에 술렁였다. 제주도와 중국 사이 영공에서 발생한 화재. 원인은 선반 위 휴대 수하물 속 리튬이온 배터리의 자연발화였다. 승무원들이 즉시 소화기로 진화에 나서 불길은 5분 만에 잡혔지만, 탄 냄새와 연기가 한동안 기내를 뒤덮었다. 승객 일부는 두통과 공황증세를 호소했고, 오전 12시 10분 인천 도착 예정이던 항공기는 결국 상하이 푸둥공항으로 비상착륙했다. 하늘 위에서 벌어진 아찔한 폭발 사고, 긴박했던 순간을 에서 알아본다. 21일 오전, 춘천의 한 교차로에서 전동킥보드를 타고 가던 여고생이 군용차량에 치어 숨졌다. 목격자에 따르면 사고 당시 여고생은 헬멧을 쓰지 않았고, 군용차량을 보고 멈추다 넘어진 상황이었다고 한다. 이때 9.5톤 군용트럭이 여고생을 인지하지 못하고 보행자 신호에서 우회전을 했던 것. 안타까웠던 사고의 원인은 무엇이었을까, 에서 알아본다. 마른하늘에 날벼락 같은 사고를 당했다는 제보자. 점멸신호 교차로에서 대기하던 제보자 눈앞에서 빠른 속도로 달리던 차 두 대가 충돌했다. 놀란 것도 잠시, 그중 차 한 대가 제보자의 차를 향해 돌진했다. 교통법규를 지켰음에도 피할 수 없었던 사고. 제보자는 뇌진탕과 목디스크 진단을 받고 입원했고, 차량은 폐차됐다. 운전 중 자주 마주치는 점멸신호 교차로. 하지만 사고가 끊이지 않는다. 교통안전을 위해 설치된 점멸신호 교차로, 왜 사고로 이어지는 걸까? 점멸신호에서 어떻게 주행해야 할지 에서 알아본다. 이슈 후 ▶ 한밤의 침입자 불안에 떠는 피해자들 여성들의 주거지에 침입해 속옷을 뒤진 혐의를 받는 30대 남성. 경찰은 구속영장을 신청했지만 두 차례나 기각됐다. 인근 병원에서 근무하던 두 명의 피해자는 직장을 그만두고 고향으로 돌아간 상황. 두 사람 모두 한동안 정신과 치료를 받아야 했다. 주거 침입, 주거 수색, 스토킹 처벌에 관한 법률 위반 혐의로 송치된 가해자는 스토킹 관련 경고장과 100미터 접근 금지 명령만 받았다. 수사가 끝난지 석 달이 넘었지만, 아직도 가해자는 구속되지 않았다. 피해자들만 고통받는 스토킹 범죄 그 후를 취재했다. ▶ 어머니를 숨지게 한 이웃 지난 4월, 관광을 마치고 귀가하던 70대 여성이 SUV 차량에 치여 숨졌다. 가해자는 피해자와 불과 300미터 거리에 사는 이웃사촌. 사고 후 가해자는 목격자와 함께 구조활동을 하다가 현장을 벗어나 집으로 돌아갔다. 길에 차가 많아 통행에 방해될까 그랬다는 가해자. 경찰도 고의성이 없다는 입장이었다. 사고 당시 가해자는 알코올 수치 0.036%로 면허 정지 수준. 이번 사고로 면허는 취소됐고, 경찰은 구속영장을 신청했지만 검찰은 도주 우려가 없다며 영장을 기각했다. 그런데 지난 6월과 9월, 가해자가 또다시 운전하는 모습이 포착됐다. 가해자는 생계와 부인이 어지럼증 때문에 대신했다고 밝혔다. 반성 없는 이웃 에서 취재한다. 단신 ▶ 가을을 품은 문경사과축제 탐스럽게 익어가는 가을, 문경이 사과로 붉게 물들었다! 올해로 20주년을 맞은 가 지난 18일 화려하게 개막해 9일간 문경새재도립공원에서 펼쳐진다. 전국 각지에서 찾아온 사람들로 활기 넘치는 축제 현장. 1년에 딱 한 달만 맛볼 수 있는 문경의 대표 제철 품종 ‘감홍사과'는 물론, 다양한 품종의 사과를 직접 맛보고 구매까지 할 수 있다. 여기에 온 가족이 즐길 수 있는 다양한 체험 프로그램까지! 먹거리, 볼거리, 즐길 거리 모두 풍성한 올가을 가장 달콤한 축제 현장을 만나본다. 리뷰믿고 한 입 ▶ 문경의 3味를 찾아서 맛집 찾을 때 한 번씩은 꼭 본다는 리뷰를 검증해보는 ! 오늘은 청정자연의 도시, 문경으로 떠나본다. 문경을 대표하는 세 가지 음식! 첫 번째는 ‘약돌돼지'다. 거정석이라는 약돌을 섞어 만든 사료를 먹인 돼지 ‘약돌돼지'. 약돌 자체가 문경 일대에 분포 되어있기 때문에 문경에서만 맛볼 수 있는 독특한 돼지고기다. 이 고기를 보쌈으로 판매하고 있다는 가게. 삶을 때 문경 사과를 넣어 고기가 더욱 부드럽다는 게 특징이다. 때문에 리뷰에도 단골이 넘쳐난다. 또 문경을 대표하는 두 번째 음식은 ‘오미자'다. 고추장 삼겹살 석쇠구이를 판다는 이곳. 상큼한 맛이 포인트라는 이 집의 비결은 오미자 원액과 사과를 갈아 삼겹살에 바르는 것. 오미자와 사과가 고기의 잡내를 잡아주고 연육 작용을 해 고기가 더욱 부드럽다. 그래서 ‘이것 먹으려고 문경 온다'는 리뷰가 끊이지 않는다. 마지막으로 문경을 대표하는 음식은 바로 ‘사과'다. 문경하면 사과, 사과하면 문경이라는 말이 있을 정도로, 문경을 대표한다는 과일. 사과를 이용해 ‘사과빵'을 만든 곳이 있다. 사과 모양은 물론이고 앙금에도 말린 사과를 넣어 상큼한 맛이 포인트다. 사과 축제 즐기러 왔다가 사과빵 두둑이 챙겨간다는 맛집. 맛으로 기억될 도시 문경을 검증해본다! 주소 : 경북 문경시 문경읍 새재2길 36 ☎ 054-571-7972 주소 : 경북 문경시 문경읍 새재로 920-1 ☎ 054-571-3044 주소 : 경북 문경시 문경읍 새재로 896 ☎ 0507-1304-2678 카더라의 진실 ▶ 라면에 대한 무성한 소문들?! 대한민국 남녀노소 누구나 좋아하는 인류 최고의 음식 발명품, 라면! K-라면은 전 세계 SNS를 뒤덮을 만큼 글로벌 열풍을 누리고 있다. 한강에만 나가봐도 가족이나 연인, 친구들과 라면을 즐기는 모습을 쉽게 발견할 수 있다. 인기만큼이나 다양한 ‘카더라'도 많은 라면. 특히 요즘 SNS를 핫하게 달군 라면에 대한 첫 번째 ‘카더라'! 라면에 OO을 넣어 먹으면 혈당 스파이크를 잡을 수 있다?! 집집마다 있는 ‘이것' 하나면 라면을 먹은 뒤 혈당을 천천히 올리고 내려주는 데 도움이 된다고 한다. 라면은 ‘MSG 덩어리라 몸에 해롭다'는 고전적인 ‘카더라'. 그래서 라면 공장을 급습한 제작진! 알고 보니, 라면에 우골부터 양파, 대파까지 감칠맛 나는 천연 원물재료들이 아낌없이 들어가고 있다는데.. 점점 더 프리미엄화 되고 있다는 ‘라면에 관한 카더라'의 진실을 직접 파헤쳐본다.

Order my book here - https://geni.us/AtlasOfUFOs In this episode, Former US Air Force flight surgeon and NASA aerospace medicine specialist Dr. Gregory Rogers joins me to discuss his remarkable career and a 1992 encounter with a disc-shaped craft at a secure facility. From EG&G operations at Cape Canaveral and electromagnetic interference zones to CCTV evidence, harassment, and the push for congressional disclosure, Dr. Rogers' story is a rare insider's view of aerospace medicine and the UFO phenomenon. Check out Dr.Rogers book - https://a.co/d/8Qqw3z8

This week, a Hectorville man calls emergency assistance 70 times in 24 hours, gets arrested, released on bail and immediately calls them again. A woman is caught on CCTV stuffing erotic books down her pants and a council threatens a lawsuit just for being called 'wank stains'.Stay up-to-date with everything that's not happening in Adelaide at AdelaideMail.comSend us your news tips at hello@adelaidemail.comSubscribe to the Adelaide MAILing List and get news stories directly to your inboxJoin the Adelaide Mail Editorial Committee on FacebookFollow Adelaide Mail on whichever social media channel you fritter away most of your life:facebook.com/adelaidemailinstagram.com/adelaidemailyoutube.com/@adelaidemailtiktok.com/@adelaide.mailx.com/adelaidemailthreads.com/@adelaidemailYou can follow Dan on Instagram and Trent, also on Instagram Hosted on Acast. See acast.com/privacy for more information.

Police will use an abundance of CCTV and body-worn camera footage to identify those responsible for violent Melbourne protests that put two officers in hospital; The Israeli military says a ceasefire in Gaza has resumed after an attack killed two of its soldiers, prompting a wave of airstrikes killing 26 people; French authorities are investigating after thieves hit the Louvre Museum in Paris, stealing ‘priceless’ jewels; Callum Turner has shared new details about his meet-cute with fiancée Dua Lipa. Support independent women's media CREDITS Host/Producer: Ailish Delaney Audio Production: Lu Hill Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

On September 10, 2025, conservative activist Charlie Kirk, founder of Turning Point USA, appeared to have been fatally shot in the neck during an event at Utah Valley University in Orem, Utah, allegedly by 22-year-old Tyler James Robinson. The shot, we are told, was fired from a rooftop 142 yards away. The public narrative — spread by the FBI, TPUSA, and the mainstream media — is riddled with dubious details: Robinson's unexplained hours on campus, multiple clothing changes, undetected rooftop assembly and firing, a 15-foot jump escape, ditching a reassembled rifle with his DNA, incriminating texts and notes (one destroyed), and surrender after a 33-hour manhunt facilitated by his parents and a Republican activist, yet no confession. Skeptics online have highlighted improbabilities like Robinson's lack of marksmanship expertise, a massive security stand down at the UVU event, missing CCTV footage, possible evidence tampering by Kirk's team, and odd security guard movements moments before the shot — all suggesting the possibility that things aren't quite as they are being portrayed by authorities. Joined by longtime friend of the podcast, Kit Klarenberg, we look at all that plus the evidence of Kirk's evolving politics in the months leading up to his demise, including recent criticisms of Israeli influence and Zionist donors, and we consider the extraordinary media-fueled political division that followed the as-yet unexplained events at UVU.To find out more about the people and music featured in today's episode, visit the Assassinations Podcast website, www.AssassinationsPodcast.com While there, you can check out our Bookstore, where we recommend some great episode-related reading material, or shop our Merch Store to nab a logo tee or tote bag. You can also contact us through the website — we love to hear your comments, questions, corrections, and suggestions!You can find us on Twitter @AssassinsPodTo support the show and gain access to exclusive content, go to patreon.com/assassinationspodcastAssassinations Podcast was created by Niall Cooper, who researches and writes the show. Lindsey Morse is our editor and producer. Our theme music was created by Graeme Ronald. If you'd like to hear more from Graeme, check out his band, Remember Remember. You'll find them on iTunes.

A five-part drama about a family - and a society - divided by far-right populist extremism.When Louise a senior officer in the Garda Síochána sees her brother Frank on the news, taking part in an aggressive far-right protest she is shocked. Not least because she is and she had no idea Frank had been influenced by the populist extremists who hurl accusations of being 'traitors' at police and politicians alike.In the aftermath, Frank's face doesn't show up on CCTV. But when she threatens to have him arrested, he accepts the deal she reluctantly offers - she will cover for him if he promises to stay away from demos and protests.But then Louise learns that Frank is connected to a much wider network. He's in touch with organised extremists throughout Europe, Louise realises that Frank is on a path that could bring Ireland, and other countries, to the brink of chaos. The time has come to break up his network, whatever the family consequences.LOUISE KENNY … Niamh Algar FRANK KENNY … Jonathan Forbes KEVIN … Stephen Hogan TONY … Aidan O'Callaghan DERVLA … Karen Ardiff MICHAEL GRIFFITHS … Jonathan Harden BASTIAN … Nicholas Murchie SORCHA … Amy McAllister MARYAM … Lara SawalhaDirected by Eoin O'Callaghan A Big Fish/BBC Northern Ireland Production for Limelight

professorjrod@gmail.comWhat keeps a business alive when the lights flicker, a server drops, or an ISP blinks? We pull back the curtain on practical resilience—how continuity planning, capacity, and clear runbooks turn chaos into a minor hiccup—then pressure-test the plan with drills, documentation, and ruthless honesty.We start by grounding COOP in the messy reality of people and places: cross-training gaps, pandemic downsizing, and the strain of return-to-office on infrastructure that never fully grew back. From there, we break down high availability without fluff—hot, warm, and cold sites, plus cloud recovery that scales on demand. Testing gets real with load and failover exercises, because hope is not a strategy. We go deep on clustering choices (active-active vs. active-passive), health checks, and the power stack that actually carries you through outages: dual PSUs, smart PDUs, UPS coverage, and generators that are not just installed but tested.Security on paper fails at the door, so we layer physical controls that work in the real world: lighting, sight lines, bollards, access vestibules, badges, biometrics, CCTV, alarms, and trained guards who can respond when seconds matter. We add deception technologies to slow attackers and capture valuable telemetry. A blunt backup story drives the point home—retention policies, daily verification, and restoration drills aren't optional. Snapshots enable quick rollback; off-site copies protect against building-level incidents; simple file naming saves hours under pressure. We even share personal lessons on NAS setups, cloud sync, and the small frictions that derail good intentions.If you care about uptime, user trust, and sleeping at night, this conversation gives you a blueprint: map critical services, set real RPO/RTO goals, diversify dependencies, practice failover, and verify backups every day. Subscribe, share with a teammate who owns “the pager,” and leave a review with your best resilience win—or the failure that taught you most.Support the showIf you want to help me with my research please e-mail me.Professorjrod@gmail.comIf you want to join my question/answer zoom class e-mail me at Professorjrod@gmail.comArt By Sarah/DesmondMusic by Joakim KarudLittle chacha ProductionsJuan Rodriguez can be reached atTikTok @ProfessorJrodProfessorJRod@gmail.com@Prof_JRodInstagram ProfessorJRod

그녀들을 조심하세요 모녀는 왜 모텔을 떠나지 못하나? 지난 5월, 경상남도 통영의 한 모텔에 11개월간 묵었던 손님들이 퇴실했다. 모텔의 주인인 강 사장은 그 손님들이 퇴실한 방에 들어가 보곤 깜짝 놀랐다는데. 방이 그야말로 쓰레기장이 되어있었던 것. 화장실뿐 아니라 바닥, 침대까지 쓰레기와 오물이 가득했고, 1분도 머무르기 힘들 정도의 악취마저 진동했다. 이 방에서 지낸 손님은 ‘모녀'지간인 여성 2명이었는데. 결국 강 사장은 SNS를 통해 이 모녀 손님을 수배했고, 통영 내의 숙박업소에는 모녀 손님 주의보가 떨어졌다. “방을 그렇게 만들어 놓고 갔을 줄은 상상을 못 했죠. 그 방에서 75L 쓰레기봉투가 18개가 나왔어요.” - 모텔 사장 인터뷰 中 알고 보니 이 모녀 손님에게 피해를 본 모텔은 한두 군데가 아니었다. 심지어 그들이 퇴실한 지 1년이 지났음에도, 여전히 손님을 받을 수 없는 방도 있었는데. 1년간 봉쇄돼 있던 방엔 모녀가 남기고 간 짐과 쓰레기가 남아있었다. 다른 모텔 역시 그들이 묵고 난 방에는 냄새가 배어 3일간은 손님을 받을 수 없을 지경이라고 한다. 모텔 사장들은 냄새의 근원을 모녀가 소중히 들고 다니는 ‘봉투'라고 생각한다는데. 봉투 안에 들어있는 것을 세탁해 주겠다는 제안에 고함까지 치며 거절했다는 모녀. 도대체 그 안엔 무엇이 들어있는 걸까? “세탁해 줄게 이랬는데 고함을 빽 내지르더라고요. 봉투 안에 혹시 혹시나 사체 아닐까? 사체.” - 모텔 사장 인터뷰 中 모녀의 정체를 알아보던 중, 그녀들을 잘 안다는 한 모텔에서 충격적인 이야기를 들을 수 있었다. 모녀는 예기치 못한 사고 탓에 집을 떠나 모텔에서 살게 됐고, 그 생활이 벌써 6년째 이어지고 있다는 건데. 과연 이들에게는 어떤 사연이 있는 걸까? 이번 주 금요일 밤 8시 50분, SBS 에서 취재해 본다. 새벽의 수상한 침입 남자는 왜 옷을 벗었는가? 손님들의 발길이 끊이지 않는 한 무한 리필 돼지갈빗집, 그런데 가게 사장 민규 씨(가명)는 최근 당혹스러운 일을 겪었다고 한다. 어느 날 밤, 가게의 고장 난 문과 벽을 향해 돌아가 있는 CCTV를 발견한 것! 그제야 민규 씨는 도둑이 들었던 걸 직감하고 급히 가게를 살폈다고 한다. 그런데 현금이 아니라 각종 생고기와 소주가 사라졌다고?! 이상한 점은 이뿐만이 아니었다. 범인의 정체를 확인하기 위해 CCTV를 확인한 순간 민규 씨는 까무러치게 놀랐다는데…. “여기 화장실도 아니고 목욕탕도 아니고 발가벗은 사람이 CCTV에 왜 나오나 이 시간에?” - 무한 리필 돼지갈빗집 사장 민규 씨 INT 中- 지난달 28일 새벽 3시경, 주방의 작은 뒷문으로 침입해 바로 냉장고로 향했던 수상한 남성. 그는 속옷 한 장 걸치지 않았고, 심지어 얼굴도 가리지 않았다. 남성은 나체에 신발만 신고 들어와 주변을 배회하더니 CCTV의 불빛을 보곤 카메라 방향을 급히 돌렸다. 이를 뒤늦게 발견한 민규 씨는 경찰에 재빨리 신고했고, 해당 남성은 사건 발생 약 4일 만에 체포되었는데. 침입한 남성은 대체 누구이며, 왜 실오라기 하나 걸치지 않은 상태로 민규 씨의 가게에 나타난 것일까? “(문이) 있는 건 알았는데 나가본 적은 한 번도 없어요.” - 무한 리필 돼지갈빗집 매니저 INT 中- 남성이 몰래 침입한 주방 뒷문은 가게 매니저도 잘 모르는 출입구였는데?! 심지어 뒷문으로 가는 길에는 여러 구조물과 1미터 높이의 담장까지 있었다. 과연 남성이 뒷문으로 능숙하게 들어올 수 있었던 이유는 무엇일까? 그런데 제작진은 취재 도중 뜻밖의 소식을 알게 됐는데, 알고 보니 그가 과거 해당 가게의 직원이었다고! 대체 그는 어떤 이유로 자신이 일했던 곳에 나체로 방문해 생고기를 훔쳐 간 것일까? 이번 주 SBS 는 17일 오후 8시 50분에 방송된다.

VOV1 - Một công ty tại Bắc Kinh, Trung Quốc vừa bị xử phạt vì sử dụng hình ảnh của nữ MC Đài Truyền hình Trung ương Trung Quốc (CCTV) do trí tuệ nhân tạo (AI) tạo ra để quảng cáo sai sự thật cho một loại thực phẩm chức năng.

1-2부 [뉴스신세계] 1. 10.15 부동산대책 발표...집값 15억 초과시 주담대 한도 4억 2. 정부 합동대응팀, 오늘 캄보디아로 급파 3. 법사위 與 의원들 대법원 현장검증 시도…野 고성 항의 - 오마이뉴스 곽우신 기자 (출연) - 더불어민주당 김병주 의원 (전화) [이슈하이킥1] 박성재 구속영장 기각·계엄 CCTV 공개·김건희 녹취 논란… 핵심 쟁점은? - 더불어민주당 최민희 의원 (출연)

To celebrate 10 years since the show began, we're releasing remastered versions of season 1. Belinda and Peter continue their awkward dalliance in the lobby of 'The Horse and Jockey' in full view of the CCTV. And Peter reveals a shocking twist... Hosted on Acast. See acast.com/privacy for more information.

Alec Baldwin blames a massive garbage truck for why he crashed his wife's car into a "big fat tree" in the Hamptons, but the CCTV footage shows otherwise. Meanwhile, Portland leftists are blocking roads while holding a "NUDE DIE-IN" to "protest ICE".Thank you for supporting our sponsors that make The Dana Show possible…Boll&Branchhttps://BollandBranch.com/danashow Start building your sanctuary of comfort this fall with Boll & Branch. For a limited time get 20% off your first set of sheets plus free shipping.Webroothttps://Webroot.com/danaChange your October from cyber-scary to cyber-secure with 60% off Webroot Total Protection.AmmoSquaredhttps://AmmoSquared.comDon't get caught without ammo and be sure to tell them you heard about Ammo Squared on this show. PreBornhttps://PreBorn.com/DANA Or DIAL #250 Say the keyword BABY. That's #250, BABY. Together, we can save lives — one mom and one baby at a time.ChapterFor free and unbiased Medicare help from my partners Chapter, dial #250 and say keyword “My Medicare”Chapter and its affiliates are not connected with or endorsed by any government entity or the federal Medicare program. Chapter Advisory, LLC represents Medicare Advantage HMO, PPO, and PFFS organizations and stand-alone prescription drug plans that have a Medicare contract. Enrollment depends on the plan's contract renewal. While we have a database of every Medicare plan nationwide and can help you search among all plans, we have contracts with many but not all plans. As a result, we do not offer every plan available in your area. Currently, we represent 50 organizations which offer 18,160 products nationwide. We search and recommend all plans, even those we don't directly offer. You can contact a licensed Chapter agent to find out the number of products available in your specific area. Please contact Medicare.gov, 1-800-Medicare, or your local State Health Insurance Program (SHIP) to get information on all of your options.Keltechttps://KelTecWeapons.comKelTec builds every KS7 GEN2 right here in the USA with American materials and workers—upgrade your home defense today. All Family Pharmacyhttps://AllFamilyPharmacy.com/Dana Don't wait until flu season knocks at your door. Use code DANA10 at checkout to save 10%. Relief Factorhttps://ReliefFactor.com OR CALL 1-800-4-RELIEFTurn the clock back on pain with Relief Factor. Get their 3-week Relief Factor Quick Start for only $19.95 today! Byrnahttps://Byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana to receive 10% off. Patriot Mobilehttps://PatriotMobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAHumanNhttps://HumanN.comStart supporting your cardiovascular health with SuperBeets now available at your local Walmart. 

President Obama makes an official statement celebrating the release of the hostages and refuses to credit President Trump. Dana reacts to the body language of European leaders who almost derailed the entire peace deal as Trump spoke. CNN's Christiane Amanpour has to apologize after sparking outrage for saying the Israeli hostages were probably being treated better than the average Gazan. What's next after the ceasefire? Actress Cheryl Hines says she has to HIDE her snacking from her husband, RFK Jr. Speaker Johnson exposes some of the ridiculous projects Democrats want to fund in the CR. Multiple airports refuse to play Kristi Noem video that blames Democrats for the government shutdown. Portland leftists are blocking roads while holding a "NUDE DIE-IN" to "protest ICE". Alec Baldwin blames a massive garbage truck for why he crashed his wife's car into a "big fat tree" in the Hamptons, but the CCTV footage shows otherwise. Cincinnati's Police Chief tells criminals to “learn how to behave in our city” instead of doing her job. Hamas is already threatening to violate the peace plan. Obama's Presidential Library project in Chicago is facing massive backlash over design flaws and skyrocketing costs.Thank you for supporting our sponsors that make The Dana Show possible…Boll&Branchhttps://BollandBranch.com/danashow Start building your sanctuary of comfort this fall with Boll & Branch. For a limited time get 20% off your first set of sheets plus free shipping.Webroothttps://Webroot.com/danaChange your October from cyber-scary to cyber-secure with 60% off Webroot Total Protection.AmmoSquaredhttps://AmmoSquared.comDon't get caught without ammo and be sure to tell them you heard about Ammo Squared on this show. PreBornhttps://PreBorn.com/DANA Or DIAL #250 Say the keyword BABY. That's #250, BABY. Together, we can save lives — one mom and one baby at a time.ChapterFor free and unbiased Medicare help from my partners Chapter, dial #250 and say keyword “My Medicare”Chapter and its affiliates are not connected with or endorsed by any government entity or the federal Medicare program. Chapter Advisory, LLC represents Medicare Advantage HMO, PPO, and PFFS organizations and stand-alone prescription drug plans that have a Medicare contract. Enrollment depends on the plan's contract renewal. While we have a database of every Medicare plan nationwide and can help you search among all plans, we have contracts with many but not all plans. As a result, we do not offer every plan available in your area. Currently, we represent 50 organizations which offer 18,160 products nationwide. We search and recommend all plans, even those we don't directly offer. You can contact a licensed Chapter agent to find out the number of products available in your specific area. Please contact Medicare.gov, 1-800-Medicare, or your local State Health Insurance Program (SHIP) to get information on all of your options.Keltechttps://KelTecWeapons.comKelTec builds every KS7 GEN2 right here in the USA with American materials and workers—upgrade your home defense today. All Family Pharmacyhttps://AllFamilyPharmacy.com/Dana Don't wait until flu season knocks at your door. Use code DANA10 at checkout to save 10%. Relief Factorhttps://ReliefFactor.com OR CALL 1-800-4-RELIEFTurn the clock back on pain with Relief Factor. Get their 3-week Relief Factor Quick Start for only $19.95 today! Byrnahttps://Byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana to receive 10% off. Patriot Mobilehttps://PatriotMobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAHumanNhttps://HumanN.comStart supporting your cardiovascular health with SuperBeets now available at your local Walmart. 

20251014 [특집 4자 토론] 조희대 국감 대충돌 & 계엄의 밤 CCTV 속 한덕수? (박주민, 강성필, 김종혁, 김근식)

When Rishi moves into a cheap Mumbai flat, strange things begin to happen — a TV that turns on by itself, CCTV footage showing his own apartment… and someone standing right behind him. Flat No. 404 — a haunting reminder that some doors should never be reopened. Learn more about your ad choices. Visit megaphone.fm/adchoices

251014(1) [뉴스브리핑 아침 배송] (1) 국정감사 첫날 주요 장면들 정리 / (2) 여야, 민생법안 처리 합의…‘26일 일요일 본회의' 개최 / (3) 동부지검 "백해룡 등 수사팀 충원, 대검이 정해달라" 공문 / (4) 한덕수 재판에서 계엄일 CCTV 공개...법원, 중계 결정 / (5) 채상병 특검 "윤, 23일 출석 통보 예정…핵심 피의자" - 박현주

1부 [JB TIMES] 조희대, 국감 출석했지만 ‘90분 침묵'…짚을 점은 尹부부, 프랑스 순방 당시 ‘반려견 의전' 요구 12.3 계엄 당일 대통령실 CCTV 공개…주목할 점은 인도-말레이시아, 적극적인 ‘캄보디아 감금' 자국민 구조 - 더 막내작가

A quiet New Year's stroll at Miami's Bayside turns into a story you feel in your bones—a swell of bodies running, a ripple in the air that won't resolve, and a shape you can describe only in metaphors. We step into that moment on the linoleum, right where curiosity edges past fear, and bring you the first-person rush of a night that refuses to fit the official script. From the intimate details—the mojito glass, the banyan's hush, the tug of a partner's hand—to the jolt of gunshots and the flood of squad cars, we trace how a simple evening got swallowed by something stranger.Then we do the work: placing eyewitness memories alongside the city's statements, counting the cruisers, sorting rumors from records, and interrogating the vanishing act of footage that should exist. Fireworks and rowdy teens might explain noise, but how do you explain the scale of the response, the reports of phones checked and files deleted, the blackout stories, the helicopters, and the media's brief, incurious shrug? We weigh mundane answers—overreaction, face-saving, policy failure—against the theories that went viral: a portal opening, shadow entities slipping through, kids in goggles with gear they shouldn't have. Not to sensationalize, but to ask why our reality-testing fails where our pattern-recognition screams.What emerges is a study in ambiguity, fear, and narrative power. Memory warps under adrenaline; institutions often choose silence and snark over transparency; and the internet fills every gap with myth. Whether Bayside hosted aliens, errors, or a little of both, the deeper question remains: who gets to tell the story when the cameras go dark? Join us as we pull apart the threads—police response, witness contradictions, missing CCTV—and reckon with why we keep hoping the world is weirder than it admits. If this ride makes you think, laugh, or re-check your priors, tap follow, share it with a skeptic, and drop your theory in a review—we're reading every one.

A five-part drama about a family - and a society - divided by far-right populist extremism.When Louise a senior officer in the Garda Síochána sees her brother Frank on the news, taking part in an aggressive far-right protest she is shocked. Not least because she is and she had no idea Frank had been influenced by the populist extremists who hurl accusations of being 'traitors' at police and politicians alike.In the aftermath, Frank's face doesn't show up on CCTV. But when she threatens to have him arrested, he accepts the deal she reluctantly offers - she will cover for him if he promises to stay away from demos and protests.But then Louise learns that Frank is connected to a much wider network. He's in touch with organised extremists throughout Europe, Louise realises that Frank is on a path that could bring Ireland, and other countries, to the brink of chaos. The time has come to break up his network, whatever the family consequences. LOUISE KENNY … Niamh Algar FRANK KENNY … Jonathan Forbes KEVIN … Stephen Hogan TONY … Aidan O'Callaghan DERVLA … Karen Ardiff MICHAEL GRIFFITHS … Jonathan Harden MUSA … Amy McAllister MARYAM … Lara SawalhaDirected by Eoin O'CallaghanA Big Fish/BBC Northern Ireland Production for Limelight

On a cold, stormy night in Dublin, Trevor Deely left his office after a Christmas party and disappeared without a trace. Caught on CCTV one moment and gone the next, his case remains one of Ireland's most haunting unsolved mysteries. If you have any information about Trevor Deely, please contact Gardaí at Pearse Street station on 01 6669000 or information can also be given via the Garda Confidential Line on 1800 666111 or at any Garda station. Listen Ad Free And Get Access to Exclusive Journal Entries Episodes: Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/4HEzJSwElA7MkbYYie9Jin⁠⁠⁠⁠⁠⁠⁠ Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/themurderdiariespod⁠⁠⁠⁠⁠⁠⁠ Apple: Hit subscribe/ 1 week free trail available Sponsorship Links: Sign up for a one-dollar-per-month trial period and take your retail business to the next level today! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shopify.com/murderdiaries⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Resources: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://themurderdiariespodcast.com/episodes/wx7pm9967k95696-7gmam-sjfe8-5737y-3p233-2rmha-kac9n-69gzk-j6ctk-bkght-wx7ah-dwby7-xzfpf-r33cx-tcjde-xr48m-p5dn9-dlgc2-nnfkj-ef448-n2a25-a2zg3-ppy4e-ccjt6-majwr-y86t9-djgn3-6hh9s-p2eb3-fbg2x-whc4x Music Used: Walking with the Dead by Maia Wynne Link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://freemusicarchive.org/music/Maiah_Wynne/Live_at_KBOO_for_A_Popcalypse_11012017⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ License: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativecommons.org/licenses/by-nc-nd/4.0/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Glitter Blast by Kevin MacLeod Link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io/song/4707-glitter-blast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ License: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io/standard-license⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our Links: Link Hub: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://msha.ke/themurderdiaries⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/themurderdiariespod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Edited by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.landispodcastediting.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

James Ristas is filmmaker currently working outof Marlborough, MA. He attended the New YorkFilm Academy Director's Workshop class of '97and has a degree in Radio, TV and Film fromSouth Dakota State University.His short film, RAMGOG has been on the festivalcircuit for the last year and was nominated forThe Delta Award at the 2024 Festival ofFantastic Films in Manchester, UK.His animated series, PASSION OF RAMGOG will runthis Friday from 2:30 - 5PM on CCTV channel 8,and he's here to talk about THE EXHIBITION OFRAMGOG, a gallery showcase to be held atIndustry Lab in Cambridge on the evening ofSaturday, the 18th of October, 7PM-9PM. It's a free eventand will also be the premiere of his new shortfilm, RAMGOG VS GOGMAR.For more information on that, go towww.passionoframgog.org

Parents thought their babies were safe… until hidden CCTV revealed the horrific truth. Roksana Lecka, a trusted nursery worker, was caught on camera pinching, scratching, and kicking the very children she was meant to protect. How did no one notice sooner — and how many victims were there?

77 year old Trevor Elias vanished after leaving a social club in Senghenydd, Wales, on April 6, 2012. CCTV later showed him walking toward Abertridwr, but he never made it home. According to the footage, it appeared to take Trevor nearly half an hour to cover a distance that should have taken only two minutes. Several other people and cars were captured on CCTV in the same area that night, but none of them have ever been identified.Contact us at: weeknightmysteries@gmail.comInstagram - https://www.instagram.com/weeknightmysteriesTikTok - https://www.tiktok.com/@weeknightmysteries

This week on Skip the Queue, we're stepping into the turret and turning up the tension, as we explore one of the UK's most talked-about immersive experiences.Our guest is Neil Connolly, Creative Director at The Everywhere Group, who have brought The Traitors Live Experience to life. With over 10 million viewers watching every betrayal, backstab and banishment on the BBC show, expectations for the live version were nothing short of murderous.So, how do you even begin to transform a TV juggernaut into a thrilling, guest-led experience? Let's find out who's playing the game… and who's about to be banished…Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Show references: The Traitors Live website: https://www.thetraitorslive.co.uk/Neil's LinkedIn: https://www.linkedin.com/in/neil-connolly-499054110/Neil Connolly is a creative leader of design and production teams focused on development, production and installation of live theatre, entertainment, multi-media and attractions for the themed entertainment industry worldwide.Neil began his career as a performer, writer, producer & artist in Londons alternative theatre/art scene. It was during this time Neil developed a love and passion for story telling through the platform of interactive playable immersive theatre.Having been at the vanguard of playable & immersive theatre since 2007, Neil had a career defining opportunity in 2019 when he devised, wrote & directed an immersive experience as part of Sainsbury's 150th Birthday Celebrations. Making him the only immersive theatre & game maker in the world to have HRH Elizabeth Regina attend one of their experiences.In a distinguished career spanning 20 years, Neil has brought that passion to every facet of themed entertainment in the creative direction and production of attractions such as; Handels Messiah, Snowman & The Snowdog, Peppa Pig Surprise Party, Traitors Live, The Crystal Maze Live Experience, Tomb Raider Live Experience & Chaos Karts, an AR go-kart real life battle. Other clients and activations include: Harrods, Sainsbury's, Camelot/The National Lottery, Samsung, Blenheim Palace, Land Rover and Warner Brothers.Neil has worked across 4 continents for many years with private individuals; designing, producing and delivering live entertainment on land, sea & air. A world without boundaries requires freethinking.Neil is currently working with Immersive Everywhere on creative development of show and attraction content for projects across U.K, Europe, North America & Asia. Transcriptions:  Paul Marden: This week on Skip the Queue, we're stepping into the turret and turning up the tension as we explore one of the UK's most talked about immersive experiences.Paul Marden: Our guest is Neil Connolly, Creative Director at The Everywhere Group, who've brought The Traitor's live experience to life. With over 10 million viewers watching every betrayal, backstab and banishment on the BBC show, expectations for the live version were nothing short of murderous. So how do you even begin to transform a TV juggernaut into a thrilling guest-led experience? Let's find out who's playing the game and who's about to be banished.Paul Marden: So, we're underground. Lots of groups running currently, aren't they? How did you make that happenNeil Connolly: Yeah, so now we're two floors under us. There's a lower basement and some other basement. So the building that we are in, there's a family in the 1890s who owned all of the land around Covent Garden and specifically the Adelphi Theatre.Paul Marden: Right.Neil Connolly: And they wanted their theatre to be the first theatre in the UK to have its lights powered by electricity. So they built their own private power station in this building. Like, literally like, all this, this is a power station. But unfortunately for these the Savoy had taken to that moniker, so they quickly built their important institution. The family had this building until the 1980s when the establishment was assumed through the important UK network.Neil Connolly: And then it was sat there empty, doing nothing for 40 years. And so the landlord that is now started redeveloping the building 10 years ago, added two floors onto the top of the building. So now what we're in is an eight-storey structure and we've basically got the bottom four floors. Two of which are ground and mezzanine, which is our hospitality area. And the lower two floors, which are all in the basement, are our experience floors. What we're looking at right now is, if you look off down this way to the right, not you people on audio, but me here.Neil Connolly: Off this side is five of the round table rooms. There's another one behind me and there's two more upstairs. And then I've got some Tretters Towers off to the left and I've got my show control system down there.Neil Connolly: On the floor above me, we've got the lounges. So each lounge is connected to one of the round table rooms. Because when you get murdered or banished, one of the biggest challenges that I faced was what happens to people when they get murdered or banished? Because you get kicked out of the game. It's not a lot of fun, is it? Therefore, for me, you also get kicked out of the round table room. So this is a huge challenge I face. But I built these lounge concepts where you go— it's the lounge of the dead— and you can see and hear the round table room that you've just left. We'll go walk into the room in a while. There's lots of interactivity. But yeah, super fun. Neil Connolly: But unfortunately for these the Savoy had taken to that moniker, so they quickly built their important institution. The family had this establishment until the 1980s when the establishment was considered through the important UK network.Paul Marden: Yeah. So we've got 10 million people tuning in to Traitors per episode. So this must be a lot of pressure for you to get it right. Tell us about the experience and what challenges you faced along the way, from, you know, that initial text message through to the final creation that we're stood in now.Neil Connolly: So many challenges, but to quote Scroobius Pip on this, do you know Scroobius Pip? Paul Marden: No. Neil Connolly: Great, he's amazing. UK rapper from Essex.Neil Connolly: Some people see a mousetrap and think death. I see free cheese and a challenge.Neil Connolly: There's never any problems in my logic, in my thinking. There's always just challenges to overcome. So one of the biggest challenges was what happens to people when they get murdered or banished. The truth of the matter is I had to design a whole other show, which happens after this show. It is one big show. But you go to the Lounge of the Dead, there's more interactivity. And navigating that with the former controller, which is O3 Media and IDTV, who created the original format in the Netherlands, and basically designing a game that is in the world and follows the rules of their game with some reasonable adjustments, because TV and live are not the same thing.Neil Connolly: It takes 14 days to film 12 episodes of The Traitors. Paul Marden: Really? Okay. Neil Connolly: So I was like, how do I truncate 14 days of somebody's life down into a two-hour experience and still deliver that same impact, that same power, that same punch?Paul Marden: Yep.Neil Connolly: But I knew from the beginning of this that it wasn't about time. There is a magic triangle when it comes to the traitors, which is time, space, atmosphere. And time was the thing that I always struggled with. I don't have a Scottish cattle show, and I don't have two weeks. No. So I'm like, 'Cool, I've got to do it in two hours.' So our format follows exactly the same format. We do a breakfast scene, then a mission, then a roundtable banishment, then there's a conclave where the traitors meet and they murder somebody. And I do that in a seven-day structure, a seven-day cycle. But it all happens within two hours around this round table.Neil Connolly: I'm the creative director for Immersive Everywhere. We're a vertically integrated structure in the sense that we take on our own venues. So we're now standing in Shorts Gardens in the middle of Covent Garden. So we've leased this building. We've got a lease that is for a number of years and we have built the show into it. But we also identify the IP, go after that ourselves, we capitalise the projects ourselves. We seek strategic partners, promoters, other people to kind of come involved in that journey. But because we're also the team that are licensing the product, we are also the producers and I'm the creative director for that company. So I developed the creative in line with while also getting the deal done. This is incredibly unusual because other producers will be like, 'Hey, I've identified this IP and I've got it.' Now I'm going to approach a creative agency and I'm going to get them to develop the product. And now I've done all of that, I'm going to find someone else to operationally put it on, or I'm going to find a venue to put it on in, and then I'm going to find my ticketing partner.  But we don't do that. We have our own ticketing platform, and we have our own database, so we mark our own shoulders.Neil Connolly: As well as other experiences too. Back, we have our own creative industry, we are the producers, we are the female workers. So we cast it, we hire all the front of house team, we run the food and beverage, we run the bars. The operations team is our operations team because they run the venue as well as the show at the same time. So that's what I mean. We're a vertically integrated structure, which means we do it, which makes us a very unusual proposition within... certainly within the UK market, possibly the world. It makes us incredibly agile as a company and makes us to be able to be adaptive and proactive and reactive to the product, to the show, to the market that we're operating in, because it's all under one roof.Neil Connolly: This show started January 24th, 2023. Right. It's very specific because I was sitting on my sofa drinking a lovely glass of Merlot and I had just watched... UK Traitors, Season One. Yep. Because it came out that Christmas. Immediately I was like, 'Oh my God, this is insane.' And then I got a text message that particular night from our head of licensing, a guy named Tom Rowe, lovely man. And he was like, Neil, I'm at a licensing event with some friends of mine and everyone's talking about this thing called Traitors. I've not watched it. Have you watched it? Sounds like it might be a good thing. And so I sat back and drank my Merlot. And about five minutes later, I text him back and I was like, Tom, get us that license.Neil Connolly: And then I sent him a bunch of other details of how the show in my head would work, both from a commercial standpoint, but also from a creative standpoint, because I'm a commercially minded creative. Right. So I instantly took out my notebook and I started writing down exactly how I thought the show was going to do, the challenges that we would face and being able to translate this into a live thing. But I literally started writing it that night. And then he watched the first episode on the train on the way home. And then he texted me the next morning and he was like, 'I love it.' What do we need to do? And I was like, 'Get us in the room.' Two days later, we were in the room with all three media who own the format globally.Paul Marden: Okay.Neil Connolly: So we sat down and then they came to see one of our other shows and they were like, 'Okay, we get it now.' And then that was like two and a half years of just building the show, getting the deal done and facing the myriad of challenges. But yeah, sometimes it just starts with the text message.Paul Marden: So they get to experience all the key parts of the TV.Neil Connolly: All the key beats. Like right now, I'm holding one of the slates. They're not chalkboard slates. Again, this is... Oh, actually, this is a good challenge. So in the TV show, they've got a piece of slate and they write on it with a chalkboard pen. This seems so innocuous and I can't believe I'm talking about this on a podcast.Neil Connolly: Slategate was like six months of my life. Not in its entirety, but it was a six month long conversation about how we do the slates correctly. Because we do... 48 shows a day, six days a week. And those slates will crack. They will bash. And they're kind of a bit health and safety standards. I was like, can't have them. Also, they write on them with chalk pens, white ink chalk pens. But in the TV show, you only do it once a night. Yeah.Paul Marden: And then you have a producer and a runner.Neil Connolly: They just clean them very, very leisurely and set them back for the next day. And I was like, no, I've got to do a whole bunch of roundtable banishments in two hours. So we talked a lot about material, about style, literal viewership, because if you take a seat at the table. Yeah. If you're sitting at the table here, you'll notice that we've got a raised bit in the middle. If I turn mine around, the other person on the other side can't see it. So I was like, 'Okay, cool.' So we had to do a whole bunch of choreography. But also, the room's quite dark. Yes. At times, atmospheric. Yeah. In that magic triangle time-space atmosphere. So anything that was darker, or even that black slate, you just couldn't read it. And then there was, and then I had to— this is the level of detail that we have to go into when we're designing this kind of stuff. I was like, 'Yeah, but I can't clean off these slates with the white ink because everyone will have to have like a wet cloth chamois. Then I've just got loads of chamois around my venue that I just don't need.' And so then we're like, 'Oh, let's use real slates with real chalk.' And I was like, 'No, because dust will get everywhere.' I'll get chalk just all over my table. It'll just ruin everything. It'll ruin the technology that's inside the table because there's lots of hidden tricks inside of it. Paul Marden: Is there really? Yeah, yeah, yeah.  Neil Connolly: There's loads of hidden tricks inside the table. So after a while, going through many different permutations, I sat down with Christian Elenis, who's my set designer and my art director. And we were, the two of us were nearly in tears because we were like, 'We need,' and this only happened like.Neil Connolly: I would say two, three weeks before we opened. We still hadn't solved how to do the slate, which is a big thing in the show. Anybody who's seen the show and loves the show knows that they want to come in, they want to write somebody's name on the slate, and they want to spell the name incorrectly.Neil Connolly: Everyone does it on purpose. But I wanted to give people that opportunity. So then eventually we sat down and we were like, Christian, Neil. And the two of us in conversation went, why don't we just get a clear piece of Perspex, back it with a light coloured vinyl. And then Christian was like, 'Ooh,' and I'll make it nice and soft and put some felt on the back of it, which is what I'm holding. And then why don't we get a black pen? And we were like, 'Yeah,' like a whiteboard marker. And then we can just write on it. And then A, I can see it from the other side of the table. Thing one achieved. Two. Every marker pen's got an eraser on the top of it. I don't know why everyone thinks this is important, but it is. That you can just rub out like that, and I'm like, 'There's no dirt, there's no mess, and I can reuse this multiple times, like dozens of times in the same show.' And I know that sounds really weird, but that's the level of design I'm going to need.Paul Marden: I was just about to say, and that is just for the chalkboard. Yeah. Now you need to multiply that. How many decisions?Neil Connolly: How many decisions in each game. But also remember that there are eight round tables in this building. Each round table seats 14 people. And we do six sessions a day. So first ones at 10 a. m. Then we do 12, 2, 4, 6, and 8 p. m. So we do 48 shows a day, six days a week.Paul Marden: I love the concept that these are shows. This is not this is not visitor attraction. This is theater repeated multiple times a day for multi audience is concurrently.Neil Connolly: And I've just spent five minutes describing a slate to you. Yeah. But like, I haven't even got— it's like the sheer amount of technology that is in the show. And again, theatrical, like, look above our heads. Yeah. You've got this ring light above every seat. It's got a pin light. There's also microphones which are picking up all the audio in the room, which again is translating to the lounge of the dead. Every single one of the round table rooms has four CCTV cameras. Can you see that one in the corner? Each one of them is 4K resolution. It's quite high spec, which is aimed at the opposite side of the table to give you the resolution in the TV. In the other room. Then you've got these video contents. This is constantly displaying secret information through the course of the show to the traitors when they're in Conclave because everyone's in blindfolds and they took them off. They get secret instructions from that. There's also a live actor in the room. A live actor who is Claudia? They're not Claudia. They're not pastiches of Claudia. They are characters that we have created and they are the host of The Traitor's Game. Right. They only exist inside this building. We never have them portrayed outside of this building in any way whatsoever.Neil Connolly: They are characters, but they live, they breathe— the game of Traitors, the world of Traitors, and the building that we have designed and constructed here. And they facilitate the game for the people. And they facilitate the game for the people. One actor to 14 people. There are no plants, even though everyone tries to tell me. Members of the public will be convinced that they are the only person that's in that show and that everyone else is a plant. And I'm like, no, because that would be insane.Neil Connolly: The only actor in the room is the host.Paul Marden: 14 people that can sit around this table. How many of them are in the same group? Are you with your friends or is it put together where there are other people that you won't know in the room? If you book together, you play together.Neil Connolly: Yes. Okay, so if you don't book 14 people... Ah, we also capped the number of tickets that you can purchase to eight. Right. So you can only purchase a maximum of eight tickets unless you do want a full table of 14, at which point you have to then purchase a VIP package because you are booking out a whole table for yourselves. The game doesn't work if there's less than 10 people at the table. So there has to be 10, 11, 12, 13 or 14 people sat at a round table for the show to actually happen, for it to work. By capping the number of tickets that you book for eight, then that guarantees that strangers will be playing together. And that is the basis of strangers. Yeah, yeah. Like, you need to be sat around a table with people you know, you don't know, that you trust and you don't trust. Yeah. Fact of the matter. And do you see people turning on the others in their own group? Every single time. People think genuinely, and I love this from the public, you would think that if you're turning up as a group of eight and a group of four and a group of two, that the bigger group would just pick everybody off to make sure that someone in their group gets through to the end game.Neil Connolly: I'm sure they think that and they probably plot and plan that before they arrive on site. As soon as this game starts, gloves are off and everyone just starts going for each other. We've been open nearly two months now. I have seen, like, children murdered of their mothers.Neil Connolly: Husbands murder their wives, wives murder their husbands. I've seen, like, three generations—like, we get, because it's so intergenerational, like our lowest, the lowest age that you can play this is 12. Right. And then it's upwards. I've seen three generations of family come in and I've seen grandkids murder their own nan.Neil Connolly: Absolutely convinced that they're a traitor. Yeah, yeah, yeah. 100%. Or they banish them. Like, it's just mental. I've also seen nans, who are traitors, murder their grandkids.Neil Connolly: Like, and this is in a room full of strangers. They're just like, 'No, I'm not going to go for Barbara, who I met two hours ago in the bar. I'm going to go for my own grandson. It's mental.'Neil Connolly: The very, very first thing that I always think about whenever I'm creating an experience or whenever I'm designing a show is I put myself in the position of 'I'm a member of the public.' I have bought a ticketNeil Connolly: What's the coolest thing that I am going to do for my money? What is my perceived value of my ticket over actually what is the value of that ticket? I wanted to give people the experience of knowing what it was like to be sitting in one of these chairs at this table and feeling their heart. The pounding in their chest and I mean, the pounding in their chest, that rush of adrenaline from doing nothing— from sitting in a chair and all you were doing was sitting in a room talking to people and your heart is going.Neil Connolly: Because you're either being accused of being a liar. And trying to defend against it. And trying to defend against it. Or you actually are lying and you're trying to whittle your way out of it. And that feeling is the most alive that you will ever feel. Not ever. Like, I'm sure they're... No, no, no. But, like, give people that opportunity and that experience, as well as, like, access to the world of traitors and the law and everything else. But also, it's like any other theme park ride. People go on roller coasters because the imminent fear of death is always there. Yeah. And you feel alive. You're like, you've got such a buzz of adrenaline. Whereas, arguably, we do exactly the same thing as roller coasters, but in a much more longer-drawn format and multiple times. Yeah. And people do feel alive. When people walk out of the show, you see them go upstairs to the bar, and they are... Yeah.Paul Marden: You've said to me already that you don't use the word 'immersive,' but you know, I'm, I'm, I'm sat. The company is called 'immersive' everywhere. I'm sat behind the scenes. Okay. I'm sat in the room and the room is hugely convincing. It's like the highest fidelity escape room type experience that I've ever sat in. It feels like I'm on set, yeah, yeah. Um, I can totally believe that, in those two hours, you can slip. I sat on a game. It was only a two-minute game at iApple, but I was being filmed by one of the team. But within 30 seconds, I'd forgotten that they were there because I was completely immersed in the game. I can believe that, sitting in here right now, you could forget where you were and what you were doing, that you were completely submerged in the reality of the land that you're in.Neil Connolly: Yeah, 100%. Like, the world does not exist beyond these worlds. And for some people, like, I have my own definition. Everyone's got a different definition of what immersive is. I've got my own definition. But... I can tell you right now, as soon as people enter this building, they're in the bar, they're kind of slowly immersed in that world because the bar is a themed bar. It's done to the same, like we designed and built that bar as well. But as soon as they start descending that spiral staircase and coming into the gameplay floors, into the show floors, they just forget the rest of the world exists. And especially when they sit down at this table, it doesn't matter. I'm sat next to you here, but you could be sat at this table with your loved one, strangers, whatever. The gloves come off and just nothing exists apart from the game that you're about to go through.Paul Marden: You've been open now for a couple of months. More success than you were anticipating, I think. So pre-sales went through the roof? Yes. So you're very happy with the results?Neil Connolly: Yeah, yeah, we were. Yeah, well, we still are.Neil Connolly: We were very confident before we'd even started building the show, like the literal structural build, because we did very well. But then that set expectations quite high because I had a lot of people that had bought tickets and I was like, 'OK, I need to put on a good show for these people. And I need to make sure that they get satisfaction relative to the tickets that they bought.' But I don't feel pressure. I do feel anxiety quite a lot. Creatively? Yeah. I mean, I meditate every day.Paul Marden: But you've created this amazing world and you're inviting people into it. And as a creative, you're opening yourself up, aren't you? People are walking into the world that you've created.Neil Connolly: Yeah, this was said to me. This is not something that I came up with myself, and I do say this really humbly, but it was something that was said to me. It was on opening day, and a bunch of my friends came to playtest the show. And they were like, 'Oh, this is your brain in a building.'Neil Connolly: And I was like, 'Yeah, I hadn't thought about that.' But yeah, it is my brain in a building. But also that's terrifying, I think, for everybody else, because I know what happens inside my brain and it's really quite chaotic.Neil Connolly: But, you know, this I am. I'm so proud of this show. Like you could not believe how proud I am of this show. But also a huge part of my job is to find people that are smarter than me at the relative thing that they do, such as the rest of my creative team. They're all so much smarter than me. My job is vision and to be able to communicate that vision clearly and effectively so that they go, 'I understand.' The amount of times that people on the creative team turn around to me and go, 'Neil, that's a completely mental idea.' If people are saying to me, 'No one's ever done that before' or 'that's not the way things are done.'Neil Connolly: Or we can do that, but we're going to have to probably invent a whole new thing. If people are saying those things to me, I know I'm doing my job correctly. And I'm not doing that to challenge myself, but everything that I approach in terms of how I build shows is not about format. It's not about blueprints. It's not like, 'Hey, I've done this before, so I'm just going to do this again because I know that's a really neat trick.' I go back to, 'I made the show because I wanted people's heart to pound in their chest while they're sitting in a chair and make them feel alive.'Paul Marden: Is that the vision that you had in your head? So you're articulating that really, really clearly. Is that the vision that you sold to everybody on, not maybe day one, but within a couple of days of talking about this? No, it was day one.Neil Connolly: It was day one. Everyone went, that's a completely mental idea. But, you know, it's my job to try and communicate that as effectively and clearly as I can. But again, I am just one man. My job is vision. And, you know, there's lighting design, sound design, art direction, there's game logic. We haven't even gotten to the technology of how this show works yet, or how this room works.Neil Connolly: Actually, I'll wander down the corner. Yeah, let's do that. But, like, there's other, like, lots of hidden tricks. Like, this is one of the games, one of the missions. In the world and the lore of the show, the round table is sacrosanct.Paul Marden: Yes.Neil Connolly: Traitors is the game. The game is in other people. I can do so many missions and there's loads of missions and they're really fun in this show. But the game is in other people. It's in the people sat on the other side of the room. But also I wanted to do a thing where people could interact directly with the set. And so I designed one of the missions to be in the round table itself.Neil Connolly: So there's a course of these moon dials, which you basically have to align through the course of it. And there are sensors built into the table so that they know when they're in the correct position. How you find out the correct position is by solving a very, very simple puzzle and then communicating effectively to a bunch of strangers that you just met.Neil Connolly: And the sensors basically read it all. And when that all gets into position, the lights react, the sound reacts, the video content reacts, the whole room reacts to you. So I wanted to give people something tangible that they can touch and they make the room react to them. Yes, it's. I mean, I've designed, I've got background in escape rooms as well, right? Um, so I've done a lot of that kind of stuff as well. So I wanted people to feel in touch, same, but like, there's more tangible props over here. Um, yeah, that is a model box of the room that we are stood in, yeah. Also, there's an exact replica of it on the other side of it. There are very subtle differences between it, and that informs one of the missions. So that is two model boxes in this roundtable room. There's one of these in every single roundtable room. So there's 16 model boxes of the show that you're stood in on the set. And again, theatre. It's a show. But it's one of the missions, because I wanted people to kind of go, 'Oh, there's a live actor in front of me.' I'm having fun. Oh, look at all these lights and all the sound. Oh, there's a model box over here. That's in theatre land and blah, blah, blah. But that is also a really expensive joke. It's a really expensive joke. And there's other, like, lots of hidden tricks.Neil Connolly: Let's go look at backstage. Yeah, yeah, yeah, absolutely.Neil Connolly: I say backstage, like how we refer to it or how I always go. I use 'I' and 'we' very interchangeably. Like right now you're on the set. Like you're on the stage. Yes. We're just wandering around a long corridor. There are round table rooms off to either side. But like, you know, there's a green room upstairs where the actors get changed, where the front of house team are, where the bar team all are. But as soon as they go out onto the show floor, they're on stage—yes, completely. We'll very quickly have a look at the gallery—yes, show control. Hi, Robbo. Do you mind if I stand in your room for the purposes of the audio? I'm talking to the technical manager, Thomas Robson. We're recording a podcast.Paul Marden: Robbo, oh yeah, okay. My mind is absolutely blown. So you've got every single room up on screen.Neil Connolly: Yeah, so that's great. There's 164 cameras—something like that. But every roundtable room has four cameras in it. Each camera is 4K resolution. So we've got cameras on all of them. We've got audio into those rooms. That's two-way, so that if show control needs to talk directly to them, they just press a button here and they can talk directly to the room itself. Mainly just like, stop misbehaving, we're watching you.Neil Connolly: We've then got cameras into all of the lounges, all of the show spaces, all the front of house, all of the bar areas, the mezzanine and back of house. And then you've got QLab running across all of the different shows. We've got backups on all of these screens. So if one... of the computers goes down, we can very quickly swap it in for a backup that's already running. We've got show control, which is, there's a company called Clockwork Dog, who, they're an amazing company. What COGS, their show control system, is doing is pulling in all of the QLab from sound, all of the QLab from lighting, and also we built our own app. to be able to run the show. So there's a whole logic and decision tree based on the decisions that the public do through the course of the game. So yes, there is a beginning, a middle, and an end in terms of our narrative beats and the narrative story of the show that we're telling people. But also that narrative can go in. Hundreds of different directions depending on the actions and the gameplay that the people do during the course of the show. So, you haven't just learned one show— you have to learn like You have to learn a world, and you have to learn a whole game.Neil Connolly: Like, there's the server, stacks, which we had to build. You had to network and cable the entire building. So we have built an entire new attraction, which didn't exist before. And also we're pulling in information from the front of house system which is also going into the show itself because again, you put your name into the iPad when you arrive on site and then you tick a box very crucially to say, 'Do you want to be selected as a trader? Yes or No.' Because in the game, it's a fundamental rule. If you say no, you cannot be selected as a traitor by the host during traitor selection. That doesn't mean you can't be recruited.Paul Marden: By the traitors later on in the game. So you could come and do this multiple times and not experience the same story because there were so many different pathways that you could go down.Neil Connolly: But also, the game is in other people. Yes. The show is sat on the opposite side of the table to you because, like, Bob and Sandra don't know each other. They'll never see each other ever again. But Bob comes again and he's now playing against Laura. Who's Laura? She's an unknown quantity. That's a whole new game. That's a whole new show. There's a whole new dynamic. That's a whole new storyline that you have to develop. And so the actors are doing an incredible job of managing all of that.Paul Marden: Thanks, Robbo. Thank you. So you've worked with some really, really impressive leading IP, Traders, Peppa Pig, Doctor Who, Great Gatsby. What challenges do you face taking things from screen to the live experience?Paul Marden: Challenges do I face? We're wandering here.Neil Connolly: So we are in... Oh, we're in the tower.Neil Connolly: Excellent. Yep, so we're now in Traitor's Tower. Good time for you to ask me the question, what challenges do I face? Things like this. We're now stood in Traitor's Tower. Paul, let me ask you the question. Without the show lights being on, so we're just stood on a set under workers, what's your opinion of the room that we're stood in?Paul Marden: Oh, it's hugely impressive. It feels like, apart from the fact you've punched the fourth wall out of the telly, it does feel like you're on set.Neil Connolly: It's a really faithful reproduction of the set. So that's kind of one of the challenges is managing the public's expectations of what they see, do and feel on site. So that I don't change the show so that people come and play the game that they're expecting to play. But making reasonable adjustments within that, because TV and live are two very, very different things. So first and foremost was making sure that we get the format right. So the game that people play, which informs the narrative of the show and the narrative structure of the show. Breakfast, mission, round table, conclave. Breakfast, mission, round table, conclave. I've designed a whole bunch of new missions that are in this, taken some inspiration from missions that people know and love from the TV shows, whether that's the UK territory or other territories around the world. And also just other stuff is just clear out of my head. So there's original content in there. paying homage and respect to the world that they've built and allowing ourselves to also play and develop and build out that world at the same time. Other challenges.Neil Connolly: This is not a cheap project. No, no. I mean, the production quality of this is beautiful. Yeah, yeah, thank you. It is stunning. When people walk in here, they're like, 'Oh my God, this is... High end.' I am in a luxury event at a very affordable price.Paul Marden: Thank you. And then we're going back upstairs again. Yes. And in the stairwell, we've got the crossed out photos of all of those that have fallen before us.Neil Connolly: No, not quite. All of the people that are in this corridor, there's about 100 photos. These are all the people who built the show.Neil Connolly: So this is David Gregory. He's the sound designer. This is Kitty, who is Immersive Everywhere's office manager. She also works in ticketing. That is Tallulah and Alba, who work in the art department. Elliot, who's our lighting designer. So all of these people are the people who brought the show to life.Paul Marden: Amazing.Neil Connolly: And we wanted to pay homage to them because some of them gave years of their lives to building the show from literally the inception that I had in 2023. Through to now and others are the people who literally spent months of their life underground in these basements building hand-building this set and so we wanted to pay homage to them so we got all of their photos we did the iconic red cross through it yeah and we stuck them all up in the corridor just because we thought it'd be a nice thing to do.Paul Marden: You're in the business of trading and experiences and that ranges from art exhibitions to touring shows. There's always going to be a challenge of balancing innovation and profitability. What is the formula? What is the magic formula?Neil Connolly: I believe, first and foremost, going back to what I was telling you earlier about us being a collaborative organisation. We are not a creative crack that has been used for the show. We are also the producers of the show. And to make my point again, I'm a commercially minded creative. So I actually sit down with the producers and go, 'Okay, cool.' There are 112 seats in the show.Paul Marden: Yep.Neil Connolly: Therefore, how many shows do we need to do per day? How many shows do we need to do per week? How many shows do we need to do per year? Therefore, let's build out a P &L. And we build a whole business plan based around that.Paul Marden: By having everybody— that you need in the team— makes it much easier to talk about that sort of stuff. It makes it much easier for you to design things with the end result in mind. You don't have a creative in a creative agency going off— feeding their creative wants without really thinking about the practicalities of delivering on it.Neil Connolly: Exactly. So you've got to think like, literally, from the very, very beginning: you've got to think about guest flow. You've got to think about throughput. You've got to think about your capacities. Then you've got to basically build out a budget that you think— how much, hey, how much really is this going to cost? Yeah. Then you build out an entire business plan and then you go and start raising the money to try and put that on. And then you find a venue. I mean, like the other magic triangle, like the traitor's magic triangle is, you know, time, space, atmosphere. That's how you do a show. Like with my producer's hat on, the other magic triangle is show, money, venue.Neil Connolly: The truth of the matter, like I make no bones about it, I can design shows till the cows come home, but I'm always going to need money to put them on and a venue to put them in. Also, I want to stress this really important. I use the words 'I' and 'we' very interchangeably.Paul Marden: It's a team effort.Neil Connolly: You can see that in that corridor. I am not a one-man band. I am the creative director of a company. I am a cog that is in that machine, and everybody is doing... We are, as a team... I cannot stress this enough. Some of the best in the business are doing what we do. And everyone is so wildly talented. And that's just us on the producing side. That's immersive everywhere, limited. Then I've got a whole other creative team. Then we've got operations. Then we've got... It's just mad. It's just mad, isn't it? This is a job. Who would have thought, when you were at school, this was an opportunity? Not my principal or my maths teacher.Neil Connolly: So, sorry, just to balance the kind of economies of scale. That was the question, wasn't it?Paul Marden: Well, we were talking about what is the formula for making that an investment, but you know, the authority here is the effort you've put in to do this feels high, but at the same time, you have to find this thing. There is a lot of investment that goes into the front.Neil Connolly: But that comes back to creatives. Caring and I'm not saying the creatives don't, but I care. I care about building businesses. Yeah, not necessarily like building my own CV, like there's so many projects that across our desks. I'll be like, 'Yeah, that'd be really fun to work on.' But do I think that I can make that a touring product? Can it be a long-running location-based entertainment sit-down product? Can it be an art shop? Like you've kind of got a balance with what do you think is just creatively cool versus what can we do as a company that is a commercially viable and financially stable product? And so all that comes through in terms of the creative, but also in terms of the activities of how we run the building, how this model realizes. Because if you think about it, let's make Phantom of the Opera run in the West End. Yes. The show is very obvious, with many casts on a room, away, fruit team away, terrace, it's a big activity. If they haven't sold half that away, they have to use the whole show and play all those people.Neil Connolly: But if they haven't sold half that away from one of my shows... I only have to activate four of my rooms, not eight of them. Therefore, I don't have to call in four actors. I don't have to call in a bunch of the other front of house team and I can scale in the operations on the back. It's an entirely scalable process. Flexible, yeah, yeah, yeah. Oh, 100%. But also, like, we've got eight rooms here. If we decide to take this to another territory, and that territory demands a much higher throughput, then instead of eight rooms, I can do 20 rooms, 30 rooms. As long as we know that the market is there to be able to kind of get people through it.Neil Connolly: I love this show and I'm so proud of it. The main reason why I'm proud of it is when the show finishes, let's go into one of the lounges. Have you been into one of the lounges?Paul Marden: I've had a nose around a lounge.Neil Connolly: There are different shapes and sizes. We won't go into that one. We'll go into this one down here. That one, that one. It's always such a buzz when you're stood in the bar and the shows kick out, and you see tables and tables of 14 people going up into the bar.Neil Connolly: Area and before they've even gotten a drink, they will run straight over to their friends, families, strangers, whoever they were playing with in that table of 14, and instantly be like, 'Right, I need to know everything that was going on inside your head, your heart, and your soul over the last two hours of my life because this was my experience.'Neil Connolly: And they'll just go, and they'll be like, 'And this is what I was thinking.' And then I thought it was you because you did this and you touched your nose in a weird way. And then I thought you were sending secret signals. And then everyone's like, 'No, that's not what I was doing.' I was just trying to be a normal person. And they were like, 'Well, why did you say that thing?' It sounded super weird. And they're like, 'That's just what I do.' And it's just totally mental. And then they all get a drink from the bar. And we call it the bar tab chat.Neil Connolly: It's another revenue stream.Neil Connolly: I do talk about this like it's a show. And it is a show. You've walked around, do you think it's a show? Completely. I talk to established houses all the time. Like, you know, the big theatres of the land. Organisations that are national portfolio organisations who receive a lot of Arts Council funding. The thing that they want to talk to us about all the time is new audiences. They're like, 'How do I get new audiences through my door?' What can I do? And I'm like, 'Well, firstly, make a show that people want to go and see.'Neil Connolly: Again, they're like, 'But I've got this amazing writer and he's a really big name and everyone's going to come because it's that name.' And I'm like, 'Yeah, that's wicked. That's cool.' And they can all go pay reverence to that person. That's really wonderful. Whereas when you look at the attractions landscape or the immersive theatre landscape or like anything like... Squid Game, or The Elvis, Evolution, or War of the Worlds, which has also laid reality, or any of that kind of stuff, across the landscape, it is nothing but new audiences. Yeah, yeah, yeah. It is nothing but actual ticket-buying audiences.Neil Connolly: And they come from all different walks of life. And what I love is that they do come in to this experience and we hit them with this like secret theatre.Neil Connolly: And they're like, 'Oh my God.' And often it's a gateway to them being like, 'Oh, I didn't realise that.' Maybe I'll go see a Western show or maybe I will go to the National Theatre and see something. Because that's the level of archery. Because those organisations, I love them and I've worked in a few of them, but those buildings can be quite austere, even though they're open and porous, but it's still very difficult to walk through that threshold and feel a part of it.Paul Marden: Whereas coming in here, coming into an event like this, can feel like a thing that they do.Neil Connolly: Because it's the same demographic as theme park junkies. People who love going to theme parks love going to stuff like this because it's an experience, it's an otherness, it's an other nature kind of thing. Because modern audiences want to play and do, not sit and watch. But we all exist in the kind of same ecosystem. I'm not taking on the National Theatre.Paul Marden: Gosh, no. I always talk about that. I think the reason why so many attractions work together in the collaborative way that they do is they recognise that they're not competing with each other. They're competing with sitting on your backside and watching Netflix.Paul Marden: Yeah, yeah.Paul Marden: Our job for all of us is to drag people away from their screens and drag people off of their sofas to do something. And then that's the biggest challenge that we all face.Neil Connolly: I think then that kind of answers the question that you asked me earlier, which I didn't answer. And I'm very sorry.Neil Connolly: is about identifying different pieces of IP. Like, yes, we largely exist in the world of licensing IP. And how do we identify that kind of IP to be able to translate? Not just how do we do it, but like, actually, how do we identify the right thing that's going to... How do you spot the winner? Yeah, exactly. Yeah. And that is one of the biggest challenges to your point of we're talking directly to people who consume arts, culture and media and technology in a slightly more passive way, whether that's just at home and watching Netflix and then bringing that to life. In a very, very different way. If you have a very clear marketing campaign that tells people what it is that they're buying and what they're expected to see or do on their particular night out, because that's what modern people really care about, what they do with their money. Yeah. And they want to have a good night out. And I'm in the business of giving people a good night out. We also happen to be murdering a lot of people in the course of the show.Neil Connolly: Still a good night out. Still a good night out. But I'm in a place where the dead sit. Yeah, exactly. Lounge of the dead. And like, you know, this is a really cool space. Oh, it's just beautiful. You know, we've got the telephone really works. There's lots of information that comes through that. The radio works, that does different things. The TV screen on the wall, that has the actual live feed into the round table room that you've just left. And there's other little puzzles and hints and tricks in this room, which means that after you've been murdered or banished and you come to the Lounge of the Dead, you're still engaged with the game to a degree. You just don't directly influence the outcome of the game. But you're still involved in it. You're still involved in it. It's super fun. Oh, and you can have a drink in here.Paul Marden: I don't let people drink in the round table. Even more important. What's this?Neil Connolly: The dolls, the creepy dolls. What this is, this is the void. Creatively speaking, this is where all the gold goes when people win or lose it. And the creepy dolls are from the TV show. Ydyn nhw'r un gwirioneddol o'r sioe? Felly, gafodd studio Lambert, sy'n gwneud y sioe tebyg, llawer o brops o'r sioe tebyg i ni eu rhoi ar y ddispleiddio yma. Felly, mae gennych chi'r Dolls Creepy o'r lles 3 yno. Rydyn ni'n mynd i fyny. Yn ôl yma, mae'r peintiwch Deathmatch.Paul Marden: Which is from season three.Neil Connolly: And they get the quill and they write the names and got the quill upstairs. We've also got over here, the cards that they used to play the death match with. Excellent.Paul Marden: So you began your career in theatre. How did that evolve into the world of immersive live experiences?Neil Connolly: Life story. I am the son of a postman and a cook. And if you haven't noticed already, I'm from Ireland. There was no theatre in our lives, my life, when I was growing up. And I stumbled into a youth theatre. It's called Kildare Youth Theatre. And the reason why I joined that is because there was a girl that I really fancied.Neil Connolly: She had just joined this youth theatre and I was like, 'Oh, I'm gonna join that as well' and that kind of opened the world of theatre for me. At the same time, I then got spotted by this guy, his name's Vijay Baton, his real name's Om, but he converted to Hare Krishnanism in the 90s. And he set up a street theatre company in Ireland. He just taught me street theatre. So he taught me stilt walk, he taught me juggling, he taught me how to build puppets. And so I spent years building puppets with him and going around Ireland doing lots of different street theatre while I was a teenager. And doing street theatre and doing my youth theatre and then kind of all of that kind of came to a head when I had to decide what I was going to do with my life. I applied to go to drama school. And I applied to two drama schools. One was Radha. Didn't get in. Didn't even get an audition. And the other one was Rose Bruford. And they took me. And the reason why they took me— I probably wasn't even that good. But on the day that I was auditioning to get into Rose Bruford was the same day as my maths exam for my final exams at school. You call them your A-levels, we call them the leaving certificate.Neil Connolly: And while all of my friends were back in Ireland doing their maths exam, I was in an audition room pretending to be a tree or the colour black.Neil Connolly: Who knows? And they kind of went, 'Well, if I fail my maths exam, I don't get into university in Ireland.' Like, it's just a blanket thing. And so I was like, 'I literally sat across the panel' and I was like, 'eggs, basket.' And they were like, 'cool.' So they let me in based off of that. So I got a classical training. Then what happened is I came out of university. I was living with two of my friends, Natalie and Joe. And we had our own little production company called The Lab Collective. And we just started making shows. In weird ways, we joined a company called Theatre Delicatessen. Let's get away from this. Yeah, yeah, yeah.Neil Connolly: So Theatre Deli was a company set up to take over disused spaces in London and convert them into art spaces.Neil Connolly: Basically legalised squatting. It's the same as like a guardianship. But we weren't living in the buildings. We were just putting on shows and we put on art shows, we put on theatre shows. We did Shakespeare for a while. We wrote our own work and we just did lots of really, really cool stuff. And I worked in music festivals, classically trained actor. So I was trying to do shows. I did a lot of devising. I also joined an improvisation group. And kind of through all that mix, like those years at Delhi, which was making these weird shows in these weird buildings, were very, very formative years for us. The Arts Council wouldn't support the kind of work that we were making. We were like, 'Cool, how do we get space?Neil Connolly: How do we get or make money to support ourselves? And what are the shows? There's the magic triangle all over again. Space, show, money. And that's your apprenticeship, I guess, that brings you to here. Yeah, yeah, yeah. And like, again, I make no bones about it. 10 years ago, I was selling programs on the door of the Royal Festival Hall while doing all of that stuff. So in one of the Theatre Daily buildings, we did a show called Heist, which is you break into a building and steal stuff. That's what the public do.Neil Connolly: And a bunch of us did that. I mean, it's so much fun— kind of doing it. And off the back of that, somebody else basically tried to chase down the crystal maze. And then they went away, and then they called me up and they were like, 'Hey, I've got the rights. Do you want to make the crystal maze?' And I was like, 'Yeah, sounds like fun.' So I got involved with that, did that for a while. And then, from there, this is the end of a very long story. I'm so apologised. Yeah, from there, all of those different things that I've done through the course of my life in terms of operations, designing experiences, being a creative, understanding business.Neil Connolly: Building a P&L, building a budget, talking to investors, trying to convince them to give you money. All of that stuff kind of basically came together. And over the last few years, like the wildest ride is that pre-2020.Neil Connolly: We were just a bunch of people doing a bunch of weird things, making weird shows and weird attractions in kind of different ways. And then that year happened. And I don't know what happened, but literally every single major studio, film, TV production, game designer, licensor in the world, suddenly just went— brand extensions, world extensions, and they all just started calling us. And they were like, 'Hi, I've got this thing.' Can you develop it into a thing? Because I need to extend my brand or I want to build a world and extend that for the public. And we were like, 'Yeah, okay, cool.' And we were just lucky, serendipitously, to be in the right place at the right time. To be those people that people can approach. And we're always, we're very approachable.Neil Connolly: As you can tell, I talk a lot. And, you know, so the last five years, it's just been a mad ride.Paul Marden: So look, Neil, it's been amazing. I have had the most fun. Last question for you. What's next? Are you putting your feet up now because you finished this? Or on to the next? Neil Connolly: Very much on to the next thing. So we're already in production with our new show, which is called Peppa Pig Surprise Party. And that is opening at the Metro Centre in Gateshead next year. Oh, how exciting is that? It's very exciting.Paul Marden: So quite a different demographic.Neil Connolly: The demographic for Peppa Pig is two to five year olds. It's been a really fun show to design and create. To go back to a question that you asked me very early on, there is no blueprint, there is no format. I have embraced the chaos tattooed on my arm. And always when I approach things, any new show or any new creative, I am thinking of it from a ticket buying perspective: 'I have paid my money.' What is the coolest thing that I can possibly do with that money? And so therefore, I'm now looking at families and, like, what's the coolest thing that they can do for that ticket price in the world of Peppa Pig?Paul Marden: Let's come back in the new year, once you've opened Peppa Pig, let's go to Gateshead and see that. That sounds pretty awesome to me. I reckon there's a whole new episode of Designing Worlds for two to five-year-olds that we could fill an hour on.Neil Connolly: Oh yeah, 100%. It's a totally different beast. And super fun to design.Paul Marden: Oh mate. Neil, it has been so wonderful having a wander around the inside of your crazy mind.Paul Marden: If you've enjoyed today's episode, please like it and leave a comment in your podcast app. It really does make it so much easier for other people to find us. This episode was written by Emily Burrows from Plaster, edited by Steve Folland, and produced by Sami Entwistle from Plaster and Wenalyn Dionaldo. Thanks very much. See you next week.  The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Police have issued an international arrest warrant for Sydney rapper Harley Johan, known as 'YC EWZY', over the murder of Niddal Acherkouk who was shot dead at a Surry Hills petrol station in November. Johan fled Australia in January bound for Kuala Lumpur, prompting a global manhunt involving international law enforcement agencies. The victim had links to outlaw bikie gangs, and police have released fresh CCTV footage of the shooting as they work to identify both gunmen involved in the execution-style attack. Sponsor the channel by signing up for our channel memberships. You can also support us by signing up for our podcast channel membership for $9.99 per month, where 100% of the membership price goes directly to us at https://www.spreaker.com/podcast/the-dragon-s-lair-motorcycle-chaos--3267493/support. Follow us on: Instagram: BlackDragonBikerTV TikTok: BlackDragonBikertv Twitter: jbunchii Facebook: BlackDragonBiker Buy Black Dragon Merchandise, Mugs, Hats, T-Shirts Books: https://blackdragonsgear.com Donate to our cause: Cashapp: $BikerPrez PayPal: jbunchii Zelle: jbunchii@aol.com Patreon: https://www.patreon.com/BlackDragonNP Subscribe to our new discord server https://discord.gg/spKstbZ9Cj Subscribe to our online news magazine www.bikerliberty.com Get 20% off Gothic biker rings by using my special discount code: blackdragon go to http://gthic.com?aff=147 Join my News Letter to get the latest in MC protocol, biker club content, and my best picks for every day carry. https://johns-newsletter-43af29.beehiiv.com/subscribe Get my Audio Book Prospect's Bible an Audible: https://adbl.co/3OBsfl5 Help us get to 30,000 subscribers on www.instagram.com/BlackDragonBikerTV on Instagram. Thank you!Sponsor the channel by signing up for our channel memberships. You can also support us by signing up for our podcast channel membership for $9.99 per month, where 100% of the membership price goes directly to us at https://www.spreaker.com/podcast/the-.... Follow us on:Instagram: BlackDragonBikerTV TikTok: BlackDragonBikertv Twitter: jbunchiiFacebook: BlackDragonBikerBuy Black Dragon Merchandise, Mugs, Hats, T-Shirts Books: https://blackdragonsgear.comDonate to our cause:Cashapp: $BikerPrezPayPal: jbunchii Zelle: jbunchii@aol.com Patreon: https://www.patreon.com/BlackDragonNPSubscribe to our new discord server https://discord.gg/dshaTSTSubscribe to our online news magazine www.bikerliberty.comGet 20% off Gothic biker rings by using my special discount code: blackdragon go to http://gthic.com?aff=147Join my News Letter to get the latest in MC protocol, biker club content, and my best picks for every day carry. https://johns-newsletter-43af29.beehi... Get my Audio Book Prospect's Bible an Audible: https://adbl.co/3OBsfl5Help us get to 30,000 subscribers on www.instagram.com/BlackDragonBikerTV on Instagram. Thank you!We at Black Dragon Biker TV are dedicated to bringing you the latest news, updates, and analysis from the world of bikers and motorcycle clubs. Our content is created for news reporting, commentary, and discussion purposes. Under Section 107 of the Copyright

In Australia, a new government decision is attracting a lot of attention — and discussions: After a series of shattering cases of abuse in daycare centres, the government wants to introduce video surveillance across the country. A move that is quite unique on an international level — and that raises questions about privacy and data protection. - In Australien sorgt eine Entscheidung derzeit für viel Aufmerksamkeit – und für Diskussionen: Nach einer Serie erschütternder Missbrauchsfälle in Kindertagesstätten will die Regierung landesweit Videoüberwachung einführen. Ein Schritt, der international nahezu einzigartig ist – und Fragen zum Datenschutz aufwirft.

Shocking Update in Celeste Rivas Case: LAPD and D4vd's Team Break Silence! The silence around the death of 15-year-old Celeste Rivas Hernandez is starting to break — and what's coming out isn't helping D4vd's case. In this episode, we break down the latest developments in the investigation into how Celeste ended up dead in the trunk of a Tesla registered to music artist David Anthony Burke (aka D4vd). First, Josh Marshall, D4vd's manager, has finally spoken publicly — but not through press or legal channels. Instead, he dropped a series of TikTok comment replies, denying involvement, claiming he never lived at the Hollywood Hills house, and insisting he had no knowledge of Celeste's presence. His name was on the lease, but he says he worked remotely, lived out of state, and leased the house for “administrative reasons.” Then, we get key updates from LAPD, who now confirm that someone deliberately placed Celeste's body in the trunk. The case remains open, and while no one has been charged yet, officials say they're “looking into everything.” A separate police official even used the word “homicide” on-air — though the coroner's report still lists the cause of death as pending. We also discuss new footage, including CCTV of Celeste running away, and a viral video of D4vd freezing when approached by a fan who resembled her. Add in death certificate details, forensic questions, and the growing suspicion around silence — and this story keeps unraveling. No speculation, no spin — just confirmed developments and what they mean for accountability. HASHTAGS #D4vd #CelesteRivas #TrueCrime2025 #D4vdInvestigation #JoshMarshall #LAPDCaseUpdate #TeslaTrunkCase #JusticeForCeleste #ForensicBreakdown #HiddenKillers Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Shocking Update in Celeste Rivas Case: LAPD and D4vd's Team Break Silence! The silence around the death of 15-year-old Celeste Rivas Hernandez is starting to break — and what's coming out isn't helping D4vd's case. In this episode, we break down the latest developments in the investigation into how Celeste ended up dead in the trunk of a Tesla registered to music artist David Anthony Burke (aka D4vd). First, Josh Marshall, D4vd's manager, has finally spoken publicly — but not through press or legal channels. Instead, he dropped a series of TikTok comment replies, denying involvement, claiming he never lived at the Hollywood Hills house, and insisting he had no knowledge of Celeste's presence. His name was on the lease, but he says he worked remotely, lived out of state, and leased the house for “administrative reasons.” Then, we get key updates from LAPD, who now confirm that someone deliberately placed Celeste's body in the trunk. The case remains open, and while no one has been charged yet, officials say they're “looking into everything.” A separate police official even used the word “homicide” on-air — though the coroner's report still lists the cause of death as pending. We also discuss new footage, including CCTV of Celeste running away, and a viral video of D4vd freezing when approached by a fan who resembled her. Add in death certificate details, forensic questions, and the growing suspicion around silence — and this story keeps unraveling. No speculation, no spin — just confirmed developments and what they mean for accountability. HASHTAGS  #D4vd #CelesteRivas #TrueCrime2025 #D4vdInvestigation #JoshMarshall #LAPDCaseUpdate #TeslaTrunkCase #JusticeForCeleste #ForensicBreakdown #HiddenKillers Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

On 31 January 2019, 21 year old University of Hull student Libby Squire was refused entry to a nightclub, put in a taxi by friends, and dropped outside her home, but she never went inside. Minutes later, she was seen wandering Beverley Road, intoxicated, distressed, and without her phone or keys, before CCTV caught her getting into a silver Vauxhall Astra just after midnight. By 2:45 am she was reported missing, launching the biggest search in Humberside Police history, a hunt that ended with her body in the Humber Estuary and the exposure of serial sexual predator named Pawel Relowicz. Listen to our other podcast "FEARFUL" on your podcasting app of choice. https://open.spotify.com/show/56ajNkLiPoIat1V2KI9n5c?si=OyM38rdsSSyyzKAFUJpSyw MERCH:https://www.redbubble.com/people/wickedandgrim/shop?asc=u Patreon: https://www.patreon.com/wickedandgrim?fan_landing=true Youtube: https://www.youtube.com/@wickedlife Facebook: https://www.facebook.com/wickedandgrim/ Instagram: Instagram: https://www.instagram.com/wickedandgrim/?hl=en Twitter: https://twitter.com/wickedandgrim Website: https://www.wickedandgrim.com/ Wicked and Grim is an independent podcast produced by Media Forge Studios, and releases a new episode here every Tuesday and Friday.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Iceland, 2017: Birna Brjánsdóttir was only 20 years old, when a night out partying led to her scary disappearance. And despite almost her entire walk home being caught on CCTV, something still managed to happen, just off camera, just out of sight…In a matter of days, she became the centre of Iceland's biggest ever manhunt. A country known to be one of the safest in the world, but tragically on the very night Birna Brjánsdóttir lost her life, that safety would slip - in a truly horrific way.This brutal, random act of violence forced Iceland to ask the question no one ever wanted to face: If women aren't safe here… then where can they ever be safe?Resources:Women of Multicultural Ethnicity Network https://womeniniceland.is/en/we-are-w-o-m-e-n/https://linktr.ee/eleanornealeresourcesWatch OUTLORE Podcast:https://www.youtube.com/@EleanorNealeFollow Me Here for Updates & Short Form Content:InstagramTikTok