Podcasts about american poets

Recorded by Jen DeGregorio for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 12, 2025. ⁠⁠⁠⁠⁠www.poets.org

Recorded by Fatima Malik for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 11, 2025. ⁠⁠⁠⁠⁠www.poets.org

Recorded by Stephanie Colwell for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 10, 2025. ⁠⁠⁠⁠⁠www.poets.org

David Wojahn grew up in St. Paul, Minnesota. He studied at the University of Minnesota and the University of Arizona. Ever since his first collection, Icehouse Lights, was chosen for the Yale Series of Younger Poets award in 1981, Wojahn has been one of American poetry's most thoughtful examiners of culture and memory. His work often investigates how history plays out in the lives of individuals, and poet Tom Sleigh says that his poems “meld the political and personal in a way that is unparalleled by any living American poet.”Wojahn's book World Tree (2011) received the Lenore Marshall Poetry Prize from the Academy of American Poets. His collection Interrogation Palace: New and Selected Poems 1982–2004 (2006), which Peter Campion called “superb” and “panoramic” in a review for Poetry, showcases Wojahn's formal range, the scope of his personal narratives, and his intense, imaginative monologues and character sketches, such as his sonnets on pop culture icons and rock-and-roll musicians in Mystery Train (1990). He is also celebrated for the emotional resonance of his poetry—the ability to, in the words of poet Jean Valentine, “follow … tragedy to its grave depths, with dignity and unsparingness, and egolessness.”In addition to his books of poetry, Wojahn is the author of From the Valley of Making: Essays on the Craft of Poetry (2015) and Strange Good Fortune (2001), a collection of essays on contemporary poetry. He coedited A Profile of Twentieth Century American Poetry (1991), and edited a posthumous collection of his wife Lynda Hull's poetry, The Only World (1995).Wojahn has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Illinois Arts Council, and the Indiana Arts Commission. He teaches poetry at Virginia Commonwealth University and in the low residency MFA in Writing program at the Vermont College of Fine Arts.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Recorded by Mckendy Fils-Aime for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 9, 2025. ⁠⁠⁠⁠⁠www.poets.org

Matt Mason served as the Nebraska State Poet from 2019-2024 and has run poetry workshops in Botswana, Romania, Nepal, and Belarus for the U.S. State Department. His poetry has appeared in The New York Times and Matt has received a Pushcart Prize as well as fellowships from the Academy of American Poets and the Nebraska Arts Council. His work can be found in Rattle, Poet Lore, Prairie Schooner, and in hundreds of other publications. Mason's 5th book, Rock Stars, was published by Button Poetry in 2023. Find more at Matt's website: https://midverse.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a different kind of haibun than you ever have before that features a big leap. Next Week's Prompt: Find a song lyric from a genre you don't normally listen to, and use that as an epigraph to a poem. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Recorded by staff of the Academy of American Poets for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 8, 2025. ⁠⁠www.poets.org

Recorded by staff of the Academy of American Poets for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 7, 2025. ⁠www.poets.org

Recorded by Deborah Hauser for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 6, 2025. ⁠⁠⁠⁠⁠⁠www.poets.org

Recorded by Keisha-Gaye Anderson for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 5, 2025. ⁠⁠⁠⁠⁠⁠www.poets.org

Recorded by Maya Marshall for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 4, 2025. ⁠⁠⁠⁠⁠⁠www.poets.org

Day 3: Marcelo Hernandez Castillo reads his poem “Eclogue: A Field Guide and Cure.” The poem was published in the recent anthology Like A Hammer: Poets on Mass Incarceration (Haymarket Books, 2025). Marcelo Hernandez Castillo is the author of Children of the Land: a Memoir (Harper Collins); Cenzontle (BOA Editions), winner of the A. Poulin, Jr. prize; Dulce (Northwestern University Press), winner of the Drinking Gourd Prize; and, most recently, he is the co-editor of the anthology Here to Stay: Poetry and Prose from the Undocumented Diaspora (Harper Perennial). He is the 2025 guest editor of the Michigan Quarterly Review and has also curated the Academy of American Poet's Poem-A-Day Series. His work has been long listed for the California Book Award, the Foreword Indies Prize, and the Lambda Literary Award, among other recognitions. He was the first undocumented student to graduate from the Helen Zell Writers Program at the University of Michigan and co-founded the Undocupoets, which eliminated citizenship requirements from all major poetry book prizes in the U.S., and for which he was recognized with the Barnes and Noble Writers for Writers award. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Recorded by Dior J. Stephens for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 3, 2025. ⁠⁠⁠⁠⁠⁠www.poets.org

Recorded by Ama Codjoe for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 2, 2025. ⁠⁠⁠⁠⁠⁠www.poets.org

Recorded by Mónica Gomery for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 1, 2025. ⁠⁠⁠⁠⁠www.poets.org

Recorded by Mary Sutton and Omotara James for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 31, 2025. ⁠www.poets.org

Recorded by Kirun Kapur for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 31, 2025. ⁠⁠⁠⁠www.poets.org

Recorded by Staff of the Academy of American Poets and Garrett Hongo for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 30, 2025. ⁠⁠⁠⁠www.poets.org

Recorded by Brandy Nālani McDougall for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 29, 2025. ⁠⁠⁠⁠www.poets.org

Recorded by Major Jackson for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 28, 2025. ⁠⁠⁠⁠www.poets.org

Recorded by Christopher Buckley for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 27, 2025. ⁠⁠⁠⁠www.poets.org

Join Stephanie and Matt as they discuss the intersection of writing, advocacy and physician wellbeing. Matt Mason served as the Nebraska State Poet from 2019-2024 and has run poetry workshops in Botswana, Romania, Nepal, and Belarus for the U.S. State Department. His poetry has appeared in The New York Times and Matt has received a Pushcart Prize as well as fellowships from the Academy of American Poets and the Nebraska Arts Council. His work can be found in Rattle, Poet Lore, Prairie Schooner, and in hundreds of other publications. Mason's 5th book, Rock Stars, was published by Button Poetry in 2023. Join NAPA and Matt Mason as we partner for an exercise in ode-writing to foster community around advocacy for our first in person event! Details on our social media for making a reservation for this June 28th event.Find more at: https://matt.midverse.com/ and join his Patreon page for monthly releases: patreon.com/MattMasonWe rely on your donations to keep producing this podcast content and to support physician advocacy in Nebraska. If you would like to support Nebraska Alliance for Physician Advocacy, a 501(c)(3) organization in Nebraska please click to DONATE NOW.  If you have questions or answers, please email us at contact@nebraskaallianceforphysicianadvocacy.org Please check out our website at: Nebraska Alliance for Physician Advocacy Follow on social media:@NEAllianceforPhysicianAdvocacy on Instagramhttps://www.facebook.com/neallianceforphysicianadvocacy on Facebook

Recorded by Mark Jarman for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 26, 2025. ⁠⁠⁠⁠www.poets.org

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Recorded by Joy Ladin for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 25, 2025. ⁠⁠⁠⁠www.poets.org

Recorded by Pramila Venkateswaran for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 24, 2025. ⁠⁠⁠www.poets.org

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Recorded by Julia Kolchinsky for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 23, 2025. ⁠⁠⁠www.poets.org

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Naomi Shihab Nye opens the talk reading a new, recently penned poem, Current Affairs. Dr. Izzeldin Abuelaish then introduces himself and segways into the realities of his experiences growing up in Gaza, the Jabalia Camp, what he has seen and witnessed, the loss of his three daugthers and niece in 2009 from an Israeli tank shell (i.e., I Shall Not Hate) and his pride in his Palestinan heritage, family, and community. He shares his deep belief and conviction 'nothing is impossible in life.' He also expresses: Medicine as a great human equalizer Toward human rights, once people step away from the border of the hospitals, they become categorized and labeled 'Palestinian' or 'Israeli' If you believe in Humanity, we must all stand for all Human Rights is deeply tested in Gaza, people must stand up for human rights Advocate not for peace but for dignity, justice, freedom, and human rights for all: peace will follow when these conditions are cultivated Naomi shares her family history and the experiences of relocating after the Nakba. Naomi also shares: As a poet, every voice is important in the world, every voice represents humanity. Regarding Gaza, this is an overwhelming tragedy of sorrow The importance of actions based on one's convictions The power of the military industry complex to overide the voice of the majority and humanity's collective voice How can we be heard, how can we be listened to? Who is listening? The idea, our obligation is to our humanity, looking within our selves we recognize our humanity Dr Abuelaish shares his experiences as an author. The priority of Palestinians toward education. Human Rights, respect and dignity for all. What is our modern sense of responsibility and obligation toward our fellow humans, what is our modern sense of meaning, mission, and purpose. A human being is a human being [only] through another person. Truth telling as means of healing. The situation is Gaza and West Bank harms Israel deeply as well. Naomi shares Hibu Abu Nabab's poem, Not Just Passing. The political power and politics contrbuting to the crisis in Gaza and the West Bank. Dr. Abuelaish reviews the history of Gaza since 2000. And, Naomi closes with her poem, For Gaza The children are still singing They need & want to sing They are carrying cats to safe places Holding what they can hold Red hair brown hair yellow They will wear the sweater Someone threw away They will hope for something tasty You won't be able to own them Their spirits fly to safer worlds They planted seashells in the sand They never committed a crime A president pardons turkeys He pardons his own son He doesn't pardon children The children are still singing. Naomi Shihab Nye was born in St. Louis, Missouri. Her father was a Palestinian refugee and her mother an American of German and Swiss descent, and Nye spent her adolescence in both Jerusalem and San Antonio, Texas. She earned her BA from Trinity University in San Antonio. Nye is the recipient of numerous honors and awards for her work, including the Ivan Sandrof Award for Lifetime Achievement from the National Book Critics Circle, the Lavan Award, the Paterson Poetry Prize, the Carity Randall Prize, the Isabella Gardner Poetry Award, the Lee Bennett Hopkins Poetry award, the Robert Creeley Prize, and many Pushcart Prizes. She has received fellowships from the Lannan Foundation, the Guggenheim Foundation, and she was a Witter Bynner Fellow. From 2010 to 2015 she served as a Chancellor of the Academy of American Poets. In 2018 she was awarded the Lon Tinkle Award for Lifetime Achievement from the Texas Institute of Letters. Nye was the Poetry Foundation's Young People's Poet Laureate from 2019-2022. Dr. Izzeldin Abuelaish, MD, MPH, is a Palestinian medical doctor who was born and raised in Jabalia Refugee Camp in the Gaza Strip. He is a passionate and eloquent proponent of peace between Palestinians and Israelis and has dedicated his life to using health as a vehicle for peace. He has succeeded despite all odds through a great determination of spirit, a strong faith, and a stalwart belief in hope and family. He has received a number of awards and nominations in recognition of his promotion of peace through health, and has been given seven honorary degrees. He has been nominated three years consecutively for the Nobel Peace Prize, and support for his candidacy keeps growing exponentially every year. He is the recipient of the Stavros Niarchos Prize for Survivorship, and was also nominated for the Sakharov Prize for Freedom of Thought. Since 2010 Dr. Abuelaish has also been named one of the 500 Most Influential Muslims by the Royal Islamic Strategic Studies Centre in Amman, Jordan for three consecutive years, and was the first ever recipient of the Mahatma Gandhi Peace Prize. Dr. Abuelaish's book, I Shall Not Hate: A Gaza Doctor's Journey, an autobiography inspired by the loss of his three daughters Bessan, Mayar, and Aya and his niece Noor to Israeli shelling on January 16, 2009, has achieved critical acclaim. Published in 2010, it has become an international best-seller and has been translated into 23 languages. The book has become a testament to his commitment to forgiveness as the solution to conflict, and the catalyst towards peace. Naomi Shihab Nye's poem Current Affairs I don't want to be one of those modern people who reads about Gazans being crushed wholesale entire blocks extended families invisible kitchens then continues scrolling. We will not delete you. We would give you anything we have. Your pain is not money. Feel us from a far place. Howling in darkness. What are you supposed to? No one should have to bear. I love you so much I can smell the garlic in your shirt, the dirt on your shoes, the smoke in your air.

Recorded by Tarfia Faizullah for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 22, 2025. ⁠⁠⁠www.poets.org

Recorded by Naomi Shihab Nye for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 21, 2025. ⁠⁠⁠www.poets.org

Recorded by Vievee Francis for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 20, 2025. ⁠⁠⁠www.poets.org

Recorded by Robin Coste Lewis for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 19, 2025. ⁠⁠⁠www.poets.org

Recorded by Gloria Gervitz and Mark Schafer for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 18, 2025. ⁠⁠⁠www.poets.org

Recorded by Varsha Saraiya-Shah for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 17, 2025. ⁠⁠www.poets.org

Recorded by Edward Hirsch for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 16, 2025. ⁠⁠www.poets.org

Recorded by David St. John for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 15, 2025. ⁠⁠www.poets.org

Recorded by T. R. Hummer for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 14, 2025. ⁠⁠www.poets.org

Recorded by Nicholas Christopher for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 13, 2025. ⁠www.poets.org

Recorded by Sally Wen Mao for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 12, 2025. ⁠www.poets.org