Podcast appearances and mentions of Robert Frost

✦ Atlanta Symphony Orchestra will perform a special one-night-only concert on Friday, September 19, and everything on the program is special. Superstar pianist Lang Lang will be the soloist for Beethoven's Majestic Emperor Concerto, and the internationally acclaimed conductor Gemma New will direct the ASO in two works by Mozart. WABE icon and City Lights Collective member Lois Reitzes recently spoke with New to discuss the exhilarating beauty of Beethoven's and Mozart's work. ✦ City Lights Collective member Shane Harrison spends his days at Arts ATL looking for cultural events to share with readers. He joins us weekly to share highlights, and today his mix includes the world premiere of Atlanta playwright Topher Payne's latest comedy, and four upcoming performances from the Atlanta Ballet at the Cobb Energy Performing Arts Centre. ✦ Atlanta's catching its annual case of mural mania once again with the upcoming Forward Warrior Festival. The all-day creative celebration is this Saturday, September 13, in Cabbagetown. Each year, the walls of Wylie Street, right by the Krog Street Tunnel, are transformed with works of new art. Atlanta artist Peter Ferrari founded the festival, and when he spoke with City Lights Collective co-host Kim Drobes, he discussed both the history and the future of community-driven events. ✦ Visual artist and music enthusiast Kosmo Vinyl bought his first LP when he was nine. He spent the next several decades immersed in music and began his professional career at London's pioneering indie label, "Stiff Records." In 1979, Kosmo started working exclusively with "The Clash," who were once billed as The Only Band That Matters, and stayed by their side until the punk icons disbanded in 1986. Over the years, Kosmo's record collection became legendary. In 2014, he began posting about his favorite releases on social media for his series, "Kosmo's Vinyl of the Week," and he joins us weekly to share the stories behind the records he treasures. Today, he shares the story behind the New Miles Davis Quintet's version of "Just Squeeze Me." ✦ Robert Frost once urged us to "take the road less traveled." Atlanta photographer Geo Gerard chose a different path—riding his bike along every road within the I-285 perimeter. From 2020 to 2022, he documented the journey, capturing everyday moments of awe, joy, and humor. The result is "All the Roads Taken," a new exhibit on view at Gallery 100 through September 25. WABE arts reporter Summer Evans spoke with Gerard about the project. ✦ Have you ever been curious about the people running in groups along the sidewalk or on the sidewalk or along the beltline? Well, City Lights Collective member and WABE Studios intern Oli Turner decided to lace up her sneakers and catch up with some of Atlanta's many run clubs. See omnystudio.com/listener for privacy information.

This hour, the conversation winds around to Robert Frost, bucket lists, the Supreme Court, spotted lantern flies, New England autonomy, and dating. … Anything. (Seemingly) everything. MUSIC FEATURED (in order): Sweet Love by Jen Allen The Second Time Around (The Dutch Heritage Series) by Fay Claassen & the Jazz Orchestra of the Concertgebouw Raised on Robbery by Kate Staples, Jesca Hoop, & Lail Arad Do (The City Winery Sessions) by Lawrence & Lake Street Dive Don't Let The Bastards Get You Down by Margo Price Jessie (The Sweater Sessions II) by Couch Ninho de Vespa by Dori Caymmi, MPB4, & Paulo Cesar Pinheiro You can now watch our calls shows on Connecticut Public’s YouTube. Subscribe and get notified when we go live. Or join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe, Jonathan McNicol, and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

For more positivity, good news, and uplifting messages visit:    In this episode we discuss one of my favorite quotes by Robert Frost and I take a closer look at what he is truly saying and what we can take away from it.  Would love to hear your thoughts! Email me at  Remember to subscribe wherever you like to listen to podcasts and thank you as always for listening!

Two roads diverged in a wood, and I—I took the one less traveled by, And that has made all the difference. –Robert Frost Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

You have probably encountered Robert Frost through his poems “Stopping by Woods on a Snowy Evening” or “The Road Not Taken.” But how much do you know about the man behind the poetry and the rest of his work? This hour, we learn about the life and poetry of Robert Frost and discover how he’s helped to inspire other poets. GUESTS: Sydney Lea: Former poet laureate of Vermont and the author of 16 poetry collections, seven collections of personal essays, and two novels Adam Plunkett: Literary critic and the author of Love and Need: The Life of Robert Frost’s Poetry The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, Dylan Reyes, and Kathy Wang contributed to this show, which originally aired February 24, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Daily Dose of Hope September 1, 2025   Scripture – Luke 13:22-35   Prayer:  Abba Father, We come to you today with gratitude.  Thank you for loving us.  Thank you for wanting a relationship with us. Thank you for never leaving our side.  Help us to follow you more closely, Lord.  We need your truth.  We need your guidance and direction.  With every fiber of our being, we need you.  As we read your Word today and reflect on it, Lord, speak to us.  Help us grow closer to you.  Let us know where we are falling short so that we can be the people you have called us to be.  In Your Name, Amen.   Welcome back to the Daily Dose of Hope, the devotional and podcast that complements the Bible reading plan for New Hope Church in Brandon, Florida.  Happy Monday!  We are currently working our way through the Gospels and Acts.  Today, we are finishing up Luke 13.   Jesus tells his listeners that the way to heaven is through the narrow door.  He doesn't directly answer the question about how many will be saved.  It's less an issue about how many (which is out of our control) but rather you will be saved (totally in our control).  The door is narrow because only a few choose to truly follow Jesus through it.  Most people would choose the wider door or the wider road; it's easier and most of the people are headed that way.    This Scripture always reminds me of Robert Frost's poem, The Road Not Taken.  Many of you probably know it.  I would close with the poem except for Frost was a complicated man who was never that clear about his faith.  He had some kind of belief but never professed Jesus as Savior.  I think he struggled with this narrow door/wide door issue.  And there really isn't anything more important in life, getting the doors and roads correct.  Yet, elements of Frost's work point to exactly what Jesus is saying, “Two roads diverged in a wood, and I—I took the one less traveled by, And that has made all the difference.”    Which door have you chosen?  Which road will you pursue? We close today's reading with Jesus' sorrow over Jerusalem.  This text has always touched me.  People are warning Jesus to leave Jerusalem.  Even Jewish leaders are warning Jesus that Herod is out to get him, although we have no idea if their concern is sincere. But most people know Jesus is no longer safe there.  The stark reality is that powerful people want him gone, as in dead.  But he continues to lament over his people, he laments over the city.  Keep in mind that to Jews, Jerusalem was the center of everything.  This is where the Temple resided.  This was God's city.  Jesus proclaims, “Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you, how often I have longed to gather your children together, as a hen gathers her chicks under her wings, and you were not willing. Look, your house is left to you desolate. I tell you, you will not see me again until you say, ‘Blessed is he who comes in the name of the Lord.'”  And when he says this, he is grieving over his city, God's city.  But he is also making a point.  Jesus knows his fate.  He tells them to warn the fox (Herod) that he already knows his fate.  Jesus knows what will happen and he knows that it will happen in Jerusalem.  He will be killed but he will rise in three days.  God will have the last word.   Blessings, Pastor Vicki    

Visit our website: https://www.thewealthwarehousepodcast.com/Welcome back to another episode of Wealth Warehouse!In this week's episode, Dave and Paul take a look at the central theme of the poem, “The Road Not Taken”, by Robert Frost – and why it's the perfect analog for IBC and controlling the banking function in your life.Additionally, the guys explore what control actually gets you, how you're able to not only “see” new opportunities, but also take part in them – to build your wealth and your family's for generations to come – and as Dave will explain: why you need to care about more money (and not just for yourself)Becoming Your Own Banker by Nelson Nash: https://infinitebanking.org/product/becoming-your-own-banker/ref/46/Episode Highlights:0:00 - Introduction1:16 - Episode beginning3:41 - “The Road Not Taken”10:49 - The unseen, and how “they” make it easy17:22 - What's the road ‘not taken' look like?25:24 - Controlling your own capital30:53 - Building your wealth (for others)34:44 - Closing thoughtsABOUT YOUR HOSTS:David Befort and Paul Fugere are the hosts of the Wealth Warehouse Podcast. David is the Founder/CEO of Max Performance Financial. He founded the company with the mission of educating people on the truths about money. David's mission is to show you how you can control your own money, earn guarantees, grow it tax-free, and maintain penalty-free access to it to leverage for opportunities that will provide passive income for the rest of your life. Paul, on the other hand, is an Active Duty U.S. Army officer who graduated from Norwich University in 2002 with a B.A. in History and again in 2012 with a MA in Diplomacy and International Terrorism. Paul met his wife Tammy at Norwich. As a family, they enjoy boating, traveling, sports, hunting, automobiles, and are self-proclaimed food people.Visit our website: https://www.thewealthwarehousepodcast.com/ Catch up with David and Paul, visit the links below! Website: https://infinitebanking.org/agents/Fugere494 https://infinitebanking.org/agents/Befort399 LinkedIn: https://www.linkedin.com/in/david-a-befort-jr-09663972/ https://www.linkedin.com/in/paul-fugere-762021b0/ Email: davidandpaul@theibcguys.com

Robert Frost ended his famous poem “The Road Not Taken” with the words:Two roads diverged in a wood, and I—I took the one less traveled by,And that has made all the difference.It just reminds me of the “two paths” motif we find in the biblical narrative, and the “Narrow Gate and difficult road” Jesus contrasted with the Broad and easy road most travel by. This Sunday, in our study of the Gospel of Matthew, we'll be reading chapter 8:18-22, where the story will give us examples of why the road of following Jesus is considered “narrow”.Jesus sure has an odd sense for how to achieve church-growth, doesn't he? I love how v18 reads in the Message: “When Jesus saw that a curious crowd was growing by the minute, he told his disciples to get him out of there to the other side of the lake.” Suddenly his ministry is becoming popular and attracting attention, and his response is to bail out immediately. Why do you think he did that?When faced with sudden popularity, Jesus doesn't begin the process of working the crowd and taking polls to see what will generate a greater favorability. He doesn't try to drum up as many supporters as he can by offering give-aways or doing his best to present himself as culturally hip. Nope. He does his best to evade the masses who have only a surfaced curiosity, and when some do seek to commit themselves to him, he does his best to dissuade them!Jesus was clearly not reading all the email articles that get sent to me. He's doing it all wrong, at least according to the experts. And they are experts – they seem to represent gigantic, massive and wealthy churches.v19-20 – Why do you think Jesus responds the way he does to the teacher of religious law who offers to join the cause? Jesus had places to sleep – he stayed with Lazarus in Bethany, he stayed at Peter's house in Capernaum…and Peter had a house to stay at. There is some hyperbole in this, but there is a sharp, deeply cutting message in it, especially to 21st Century American Christians. What message does this speak to you?V21-22 – On a scale of 1-10, with 1 being “not at all” and 11 being “this goes to 11”, how harsh does Jesus' response to the man who wants to bury his father seem to you? Why do you think Jesus would say that? What do you think the phrase “let the dead bury their dead” means? We'll take some time to gain a better understanding of his response by getting a clearer picture of the culture of that place and time, as well as some potential idioms that were in use.While this section of Scripture is challenging, my hope is that it will encourage us as well – persuading us to commit our all to the Savior of our lives.Click here for a pdf of the teaching slideshow.

The Search for Fulfillment is a new short series released each Friday where we uncover lessons of the greatest minds to help you live with purpose, passion, and peace. In today's episode, Brian asks, "What imperfections in your life can you embrace today, and how might accepting them lead to a deeper sense of fulfillment?" Enjoy Episode 29 of The Search for Fulfillment. #BeNEXT

Charles Douthat is a poet, retired litigator, and visual artist. Born and educated in California, he practiced law for many years in New Haven and began writing poems during a long mid-life illness. His first collection, Blue for Oceans, received the PEN New England Award, as the best book of poetry published in 2010 by a New England writer. Concerning Douthat's newest book, Again, the poet Alan Shapiro writes, “This book is impossible not to love.” Douthat lives in Weston, Connecticut, with his wife, the artist Julie Leff. Robert Frost was born in 1874 in San Francisco. When he was just ten years old, his father died, and Frost's family moved to Lawrence, Massachusetts to live with his paternal grandparents. Though Frost attended Dartmouth College and Harvard University, he never earned a formal degree. He spent much of his twenties and thirties farming and teaching. In 1912, he moved, with his wife and children, to England where publishers were more receptive to his work. But he moved back to the States in 1915 after the start of the First World War. He lived for the rest of his life mostly in Massachusetts and Vermont. Robert Frost won four Pulitzer Prizes and the Congressional Medal of Honor. He died in Boston in 1963. Links: Read "Polk Street" and "Mercy" by Charles DouthatRead "After Apple-Picking" by Robert FrostCharles DouthatCharles Douthat's website"Charles Douthat Unbound," Authors Unbound podcast"A Few Minutes After Nine" in The Los Angeles Review"The Planting" in The Nature of Our Times"Grounds" in Leon Literary ReviewRobert FrostBio and poems at Poets.orgBio and Poems at The Poetry Foundation's websiteMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

Charles Douthat is a poet, retired litigator, and visual artist. Born and educated in California, he practiced law for many years in New Haven and began writing poems during a long mid-life illness. His first collection, Blue for Oceans, received the PEN New England Award, as the best book of poetry published in 2010 by a New England writer. Concerning Douthat's newest book, Again, the poet Alan Shapiro writes, “This book is impossible not to love.” Douthat lives in Weston, Connecticut, with his wife, the artist Julie Leff. Robert Frost was born in 1874 in San Francisco. When he was just ten years old, his father died, and Frost's family moved to Lawrence, Massachusetts to live with his paternal grandparents. Though Frost attended Dartmouth College and Harvard University, he never earned a formal degree. He spent much of his twenties and thirties farming and teaching. In 1912, he moved, with his wife and children, to England where publishers were more receptive to his work. But he moved back to the States in 1915 after the start of the First World War. He lived for the rest of his life mostly in Massachusetts and Vermont. Robert Frost won four Pulitzer Prizes and the Congressional Medal of Honor. He died in Boston in 1963. Links: Read "Polk Street" and "Mercy" by Charles DouthatRead "After Apple-Picking" by Robert FrostCharles DouthatCharles Douthat's website"Charles Douthat Unbound," Authors Unbound podcast"A Few Minutes After Nine" in The Los Angeles Review"The Planting" in The Nature of Our Times"Grounds" in Leon Literary ReviewRobert FrostBio and poems at Poets.orgBio and Poems at The Poetry Foundation's websiteMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

An exploration of Robert Frost's poem "Directive" by poet, storyteller, and musician Jay Leeming.   www.JayLeeming.com

There may be no poet more integral to the American identity are more widely known among Americans than Robert Frost. Yet, his life and the extent of his influence are unfamiliar or misunderstood by many. In the new book “Love and Need: The Life of Robert Frost's Poetry” Adam Plunkett challenges previous biographers' interpretations of Frost's life and work breaking away from what he sees as “clichés” to construct an original portrait of the poet.

"Poetry in Times of Reverie" Sunday, July 27, 2025 Poetry is a moment distilled. Sometimes it is life pressed into the pages of a book or, more vividly, as Robert Frost said, it is a way of "taking life by the throat." And Alice Walker said, "Poetry is the lifeblood of rebellion, revolution, and the raising of consciousness." In the deep valley of summer, we will sit with some poetry. Rev. Vanessa Rush Southern, Senior Minister; Rev. Laura Shennum, Minister of Congregational Life; Kathleen McClung; Galen Workman, Moderator, Board of Trustees; Reiko Oda Lane, organist; Rami Bar-Niv, pianist; Mark Sumner, songleader Eli Boshears, Camera Operator; Jonathan Silk, Communications Director; Kelvin Jones, Jose Matias Pineda, and Francisco Castellanos, Sextons; Judy Payne, Flowers; Linda Messner, Head Usher

"Poetry in Times of Reverie" Sunday, July 27, 2025 Poetry is a moment distilled. Sometimes it is life pressed into the pages of a book or, more vividly, as Robert Frost said, it is a way of "taking life by the throat." And Alice Walker said, "Poetry is the lifeblood of rebellion, revolution, and the raising of consciousness." In the deep valley of summer, we will sit with some poetry. Rev. Vanessa Rush Southern, Senior Minister; Rev. Laura Shennum, Minister of Congregational Life; Kathleen McClung; Galen Workman, Moderator, Board of Trustees; Reiko Oda Lane, organist; Rami Bar-Niv, pianist; Mark Sumner, songleader Eli Boshears, Camera Operator; Jonathan Silk, Communications Director; Kelvin Jones, Jose Matias Pineda, and Francisco Castellanos, Sextons; Judy Payne, Flowers; Linda Messner, Head Usher

Free episode cross-over with the Bang-Bang Podcast. The question of “Which side are you on?” haunted me (Van Jackson) intermittently throughout the long Global War on Terror. It was a beat that I would hear during occasional moments of consciousness, which I tried to suppress or rationalize away…until I no longer could.On my other show, The Bang-Bang Podcast, I ended up having a surprising conversation with our guest, George Dardess. Before we started the actual episode, we talked at length about memoirs and stories of conversion.George is an expert in the lost art of close reading, which we get into. And his favored genre—which also happens to be mine—is the memoir. My co-host Lyle Rubin wrote a memoir, and his wife, Colette Shade, just came out with a memoir too (both are excellent). In that context, George started asking about my story, and the beginnings of my own memoir inadvertently came pouring out.The conversation has stuck with me everyday since. Although I have no shortage of distractions, I've begun putting pen to paper, reckoning with the slow-burning crisis of conscience that took me from being an agent of the national security state to one of its fiercest critics.As we discuss in this short episode, there are a few factors that might account for my political consciousness.Hip-hop not only acquainted me with the Black Freedom Struggle from an early age; it provided a soundtrack, a musical coda, to my life. And I think that made a difference.Spending time in Monterey, California, at the Defense Language Institute, was a pivotal experience. In a twisted way, so was my immersion in “hustle culture,” which was so strong that I basically lost my 20s to obsessive self improvement. When my humanity finally thawed in the 2010s, the world had changed dramatically and I started questioning my place in it.Physically getting out of Washington—an idea whose appeal grew during my alienation in Obama's second term—was almost certainly crucial too. It feels like I've always been on some Robert Frost shit. Few roads are less traveled by than New Zealand, and it has made all the difference!But I also grew up precarious working class. The lives of the people surrounding me had no connection to the foreign policy world I strived so hard to enter. At first, I saw that as a problem of social mobility. Eventually, I would see it as a problem of class antagonism—national security takes its legitimacy from the people but forsakes them in its every decision. The most generous thing I could say about foreign policy is that people like me faced problems growing up that were never made better by anything happening in national security.Anyway, I have a lot to work through. But if you're interested in memoir as a form, close reading as a practice, or some of the details in my personal evolution, you'll find this impromptu conversation as stimulating as I did.Subscribe to the Bang-Bang Podcast: https://www.bangbangpod.comSubscribe to the Un-Diplomatic Newsletter: https://www.un-diplomatic.com/

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.' So off we went.”It's a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He's also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn't just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he's one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

So, in the part 1 write-up, I referenced this speech class I took in the summer in high school. This is probably the closest in my experiences to doing something like a Project Runway or Top Chef-style reality show–where you are expected to pump out creation after creation on long hours with very little time to recoup or really think through the thing you're making. You're basically just getting a crash course, then expected to pop out some genius.  Unsurprisingly, I don't remember many of the presentations I put together for this class. Except for one. It starts out much like any episode of Project Runway or Top Chef–Heidi or Padma come out to the contestants, say a witty, scripted preamble, then go into the “Challenge” for the day: prepare a dramatic reading, complete with at least one physical prop. Must be at least three minutes in length. You have one day for this challenge. (I do not remember the teacher at all but am willing to bet she was not Heidi Klum or Padma Lakshmi levels of hot–few of us are.) So after sitting through the presentations from whatever nonsense was assigned yesterday, we are released and allowed to go work on what is due tomorrow.  I hear many people joke about snagging a skull from the science department to do Hamlet, in that sort of desperate way where they're trying to gauge how this would land, because no other ideas are coming and they're dying inside. The idea of trying to learn and be able to recite Shakespeare with one evening's worth of prep did not sound appealing. So like many successful competition-based reality show contestants, I thought about what I knew and how I could fit this challenge to it. Like most moody teens from the early 2000s, I did not know Shakespeare. I did not have Robert Frost or Henry David Thoreau committed to the dome. What did I have embedded in my brain? Song lyrics. The metaphorical lightbulb of genius clicked. I knew what I had to do. And what I had to do was walk over to the nearest Walgreens and buy a puzzle.  The next day, presentations began, and we saw a fair amount of fumbling through Hamlet and other Romantic poets. Someone recreated the space landing audio with a toy spaceship. It was a lot of uninspired mediocre dishes. It was a ton of napkin-style mini-dresses in the unconventional materials challenge. I started to panic–either I messed this up royal, or I've done this better than anyone ever has, and I won't know until I volunteer to get up there and present.  I finally get the nerve, go up there, quiet with my unopened puzzle, knowing I only had one shot at this. This was pre 8 Mile coming out, so I couldn't even mom's spaghetti to hype myself up. I just had to commit. What was I committing to? Well, ripping apart the box of a puzzle, throwing pieces around the room for a full minute before reciting the lyrics to Dashboard Confessional's song “This Ruined Puzzle”. I also apparently committed to giving myself a few gnarly cardboard cuts on the stupid box, but…it landed. I got a 100 on the assignment and Padma would've definitely named me the winner of the challenge. Heidi gave me immunity for next week's show, so I'm definitely not getting eliminated. Love that for me. Shout out to Claire from the last writeup, whose feedback included the joke “But not all of the pieces were face down :( ” which is still objectively hilarious, good job Claire.  What does this have to do with part 2 of our 2024 Musical Wrap-up conversation? You have to embrace who you are and let it drive you. If you are an emo teenage dirtbag, Shakespeare doesn't got you, Chris Carrabba does. Also, a healthy dash of chaos and Committing to the Bit ™ always helps. And that's the TLAT way. Enjoy the episode.

Streets Ahead's presenters, well at least two of them, have been gallivanting around Europe in recent weeks, coming back together in this episode as a trio to embark on an audio roam through some of the current topics in cycling. From the link between bike racing and everyday cycling, to the spending review's implications, to the rise of 'fake e-bikes', a recent report which Laura and Adam worked on, we have it all here.Links from the show:The Robert Frost poem, Stopping by Woods on a Snowy Evening: https://www.poetryfoundation.org/poems/42891/stopping-by-woods-on-a-snowy-eveningCycling superstar, Cat Ferguson: https://en.wikipedia.org/wiki/Cat_FergusonThe Spending Review: https://transportactionnetwork.org.uk/spending-review-cuts-active-travel-funding-by-40/Transport for New Homes' research on car dependency in new housing. https://www.transportfornewhomes.org.uk/the-project/building-car-dependency/ and its award for the Bath Riverside housing development: https://www.transportfornewhomes.org.uk/transport-for-new-homes-award-bath-riverside/And the recent e-bike report, by the All Party Parliamentary Group on Walking and Cycling, authored by Laura Laker: https://appgcw.org/resources/inquiries/unregulated-and-unsafe-the-threat-of-illegal-e-bikes/For ad-free listening, behind-the-scenes and bonus content and to help support the podcast - head to (https://www.patreon.com/StreetsAheadPodcast). We'll even send you some stickers! We're also on BlueSky and welcome your feedback on our episode: https://bsky.app/profile/podstreetsahead.bsky.social Hosted on Acast. See acast.com/privacy for more information.

It takes a village to make our favourite TV show and films....On this episode we get to indulge a little bit of our fandom as we get to dive into what made the 4th season of 'Slow Horses" streaming now on Apple+ tick.We sat down with the editing team of Robert Frost and Harrison Wall to get some insight on working on a season of a show like 'Slow Horses".  How soon are they involved in the process, how editing scratches creative itches and the joy of getting to be involved on a show like 'Slow Horses''Slow Horses' Season 4 is streaming on Apple+ now and we selfishly hope that both Robert and Harrison get nominated for Emmy's because we want to see more of their great work on the future episodes to come.'Slow Horses' is streaming on Apple+ now.

After a long 3-year hiatus, your favorite wine-reviewers and horoscope-tellers return! Erin and Jack try desperately to catch up on all the fads, news events, and milestones they missed since their last episode from June 2022. They do not succeed. Then, Jack makes Erin take his worst quiz yet (according to her) - is it a Panic! at the Disco song, a Fall Out Boy song, or a Robert Frost poem? Finally, Erin gives all you Geminis some hard truths in this week's horoscope reading - even if she has some trouble starting. Welcome back, haters!! Follow Erin and Jack on Instagram: https://www.instagram.com/2toesup/?hl=enhttps://www.instagram.com/jacksfilms/?hl=en To watch Erin Is The Funny One on YouTube: https://www.youtube.com/@jackisanerd Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/erinisthefunnyone Learn more about your ad choices. Visit podcastchoices.com/adchoices

​Daily QuoteI cannot choose the best. The best chooses me. (Rabindranath Tagore)Poem of the DayThe Road Not Takenby Robert FrostBeauty of WordsNorwegian WoodHaruki Murakami

Daily Dose of Hope June 2, 2025 Day 1 of Week 9   Scripture – Matthew 7:1-14   Prayer:  Abba Father, We come to you today with gratitude.  Thank you for loving us.  Thank you for wanting a relationship with us. Thank you for never leaving our side.  Help us to follow you more closely, Lord.  We need your truth.  We need your guidance and direction.  With every fiber of our being, we need you.  As we read your Word today and reflect on it, Lord, speak to us.  Help us grow closer to you.  Let us know where we are falling short so that we can be the people you have called us to be.  In Your Name, Amen.   Welcome back to the Daily Dose of Hope, a Deep Dive into the Gospels and Acts.  Happy Monday!  Yesterday, we had a big baptism celebration at New Hope and it was such an amazing event.  We had roughly 30 people get baptized or remember their baptisms between the English and Spanish-speaking congregations.  What a day of joy, as we celebrate new life in Christ!   Today and tomorrow we are finishing up the Sermon on the Mount.  Jesus has been teaching us that while outward actions matter, what really matters to God is our heart.  We are to behave and think fundamentally different from the world around us.  Up until this point, we have learned about the different groups that God honors, such as the poor in spirit, the merciful, and those who are persecuted for belief in Jesus.  We've learned about what it means to be salt and light in our world, pointing others to Jesus.  We have also talked a lot about how Jesus took concepts like divorce, adultery, giving to the needy, fasting, and prayer, and turned them on their heads.  Jesus is raising the bar for his people.    Today, the teaching is just as difficult and yet, critically important.  The first portion of the chapter deals with judging others.  Judgement is something that has gotten Christians in a lot of trouble with the world around us.  In fact, being judged by Christians is one of the main reasons people say they have avoided the church or left the church.  This should be heart-breaking to all of us.  Something has gone terribly wrong.    Jesus is saying you will be judged by the same measure you use to judge others. Think about this. How do you want to be judged? I can tell you that I want to be judged with mercy and compassion. Jesus talks about not trying to take the speck out of a friend's eye without taking the plank out of our own.  Why do we obsess over others' specks, over their short-comings? Well, because it's easier, it's more fun, but most of all we feel so much better about ourselves when we point out someone else's stuff. It distracts me from dealing with my own stuff.  I wonder if sometimes we don't even notice the plank hanging from our own eye. Maybe we just aren't very self-aware or we don't want to be self-aware. We are happy being ignorant about our own issues.    Jesus brings up hypocrisy again.  It's worth a review.  A hypocrite is someone who is more concerned with what's wrong with someone else than what's wrong with themselves. Urban dictionary has three definitions:1) A person who engages in the same behaviors he condemns others for. (2) A person who professes certain ideals, but fails to live up to them. (3) A person who holds other people to higher standards than he holds himself.  Sounds about right.  And as Christians, we have often been accused of hypocrisy.  Some of it has been fairly earned.   Jesus is saying, before you start pointing out other people's issues, examine yourself. Stop to see where you have traces of sin in your own life.  We all have it. Sometimes when we notice sin in the lives of other people, it's time to do a self-examination.  We need to examine our own behavior, speech, and thoughts.  We have to look deep in our own hearts and see what we need to fix. Just FYI – we all have something to fix.   So do we just stop there?  No.  Following Jesus means we never stop with what's in it for us. Sure, we've looked at someone else and seen their mess and it's been a big signpost to what's wrong in our lives. But that is not where it ends. Jesus says, “First get rid of the log in your own eye; THEN you will see well enough to deal with speck in your friend's eye.” This is where it gets really hard.   One of the main points of Jesus' ministry was teaching his followers to love each other. Love your neighbor. Love one other. John 13:34-35, So now I am giving you a new commandment: Love each other. Just as I have loved you, you should love each other. Your love for one another will prove to the world that you are my disciples.  This teaching on judgement is not just about letting people do whatever they want, about never confronting people. Judge not is not just about letting people live and think and speak in whatever way they want to because, well, Jesus said “Don't judge others.” It is so much more than that. It's not just about dealing with our own stuff either, although we do need to do that. When we see others' issues, it should be an impetus for us to look at ourselves and say, “Do I have that issue? Am I addressing it? What issues do I have that I need to address? What do I need to do to become more like the person Jesus wants me to me?” This is called being self-aware, knowing where your weaknesses are, and trying to deal with them.   But Jesus' lesson on not judging is more than that. We deal with the log in your own eye and then we may need to approach someone else about the speck in their eye.  Part of loving others well is holding other believers accountable.  We need each other.  Judge not does not mean care not.  It doesn't mean act not.  It doesn't mean don't get involved.  We need to keep our motives in check and be humble, but there will be times in Christian community where we truly need to get involved and let others know that while we care about them, they are off the mark.   Moving on in the passage, Jesus then teaches about praying expectantly.  This is the ask, seek, knock passage and many of you have probably heard this a lot.  It's powerful.  But does this mean that if we ask, God will give us whatever we want.  Not exactly.  But it does mean to pray expectantly; pray expecting that God will us an answer.   This can be a difficult scripture to teach. Some of you might be thinking, “Well, I prayed for my mother, or my son, or my husband to be healed and I prayed both persistently and expectantly, and it didn't work. They still died.” How do we make sense of this? I believe that part of it is understanding the context. Just as Jesus often used parables in his teaching he also used hyperbole in his speech, which is an overstatement or an exaggeration.  This was a really common way of explaining things at that time, in that culture, and it would have just made a lot of sense to first-century people. We, on the other hand, are products of twenty-first century modern life. In our culture, we tend to read everything very literally. And this isn't a bad thing–we just need to consider that Jesus was trying to make a point.   The reality is that this world would be even more chaotic if Jesus' words on prayer were actually meant to be taken literally. For instance, if we could just pray to have money and it appeared, well, then why work a job? If we could just pray to have an A on that Calculus test without studying for it, then everyone would have A's and grades wouldn't really have much meaning. That doesn't mean we don't pray, and it doesn't mean we don't pray boldly, because God intends for us to do so.  He says to pray without ceasing.  But it means we know that prayer isn't a get rich quick scheme or a way to get all our dreams to come true, but rather a way to get closer to God, a way for God to sustain us, a way to know that God is always with us. Pray expectantly because prayer does change things, but not always the way we want them to be changed. Pray expectantly because God always answers prayers, sometimes just not the way we want them to be answered.   The last few verses in today's reading are short but powerful.  Jesus tells his listeners to enter through the narrow gate.  This means following him and his ways.  Most people will enter through the wide gate.  On first glance, the wide gate seems easier.  It's the way of the world, it's living for yourself, it's doing what you want when you want and how you want.  Less people choose the narrow gate but it's that road that leads to Jesus which leads to life.   This Scripture always reminds me of Robert Frost's poem, The Road Not Taken.  Many of you probably know it.  I would close with the poem except for Frost was a complicated man who was never that clear about his faith.  He had some kind of belief but never professed Jesus as Savior.  I think he struggled with this narrow door/wide door issue.  And there really isn't anything more important in life, getting the doors and roads correct.  Yet, elements of Frost's work point to exactly what Jesus is saying, “Two roads diverged in a wood, and I—I took the one less traveled by, And that has made all the difference.”    Which door have you chosen?  Which road will you pursue?   Blessings, Pastor Vicki

Poetry, butterflies, and original music oh my! With some help from poets Emily Dickinson, Robert Frost, William Wordsworth, and John Keats, along with original music by composer Gabriel Ruiz-Bernal, Jacke tackles the topic of butterflies. Yes, yes, we all know that butterflies are symbols of beauty and transformation - but can great poets get beyond the clichés? Why did Keats imagine himself as a butterfly in his love letters? Did Robert Frost mansplain poetry to Emily Dickinson (and do we agree)? In this episode, we flit and float and fleetly flee and fly through literature, life, music, and poetry - like a butterfly, maybe? (Maybe so!) Additional listening: John Keats  More John Keats 700 Butterflies at Rest The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com . "Two Butterflies" performed by Gabriel Ruiz-Bernal and Allison Hughes. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature . Learn more about your ad choices. Visit megaphone.fm/adchoices

Love and Need: The Life of Robert Frost's Poetry is literary critic Adam Plunkett's first biography. His exploration of the life and creativity of one of America's favorite 20th-century poets was published […]

fWotD Episode 2940: Ezra Pound Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 23 May 2025, is Ezra Pound.Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem The Cantos (c. 1917–1962).Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as H. D., Robert Frost, T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling its cold".Angered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called "usury". He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit, wrote for publications owned by the British fascist Sir Oswald Mosley, embraced Benito Mussolini's fascism, and expressed support for Adolf Hitler. During World War II, Pound recorded hundreds of paid radio propaganda broadcasts for the fascist Italian government and its later incarnation as a German puppet state, in which he attacked the United States federal government, Franklin D. Roosevelt, Great Britain, international finance, munitions makers, arms dealers, Jews, and others, as abettors and prolongers of the war. He also praised both eugenics and the Holocaust in Italy, while urging American GIs to throw down their rifles and surrender. In 1945, Pound was captured by the Italian Resistance and handed over to the U. S. Army's Counterintelligence Corps, who held him pending extradition and prosecution based on an indictment for treason. He spent months in a U. S. military detention camp near Pisa, including three weeks in an outdoor steel cage. Ruled mentally unfit to stand trial, Pound was incarcerated for over 12 years at St. Elizabeths psychiatric hospital in Washington, D. C., whose doctors viewed Pound as a narcissist and a psychopath, but otherwise completely sane.While in custody in Italy, Pound began work on sections of The Cantos, which were published as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, causing enormous controversy. After a campaign by his fellow writers, he was released from St. Elizabeth's in 1958 and returned to Italy, where he posed for the press giving the Fascist salute and called the United States "an insane asylum". Pound remained in Italy until his death in 1972. His economic and political views have ensured that his life and literary legacy remain highly controversial.This recording reflects the Wikipedia text as of 00:31 UTC on Friday, 23 May 2025.For the full current version of the article, see Ezra Pound on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Salli.

Hello fellow humans! Thank you for your patience this last week as I finished up my work with the Santa Fe International Literary Festival, but guess what? I now have oodles of time to create beauty! (and podcasts). *You lucky ducks!* This time I get to introduce you to Ash Perrow, who has quite a story to tell! After suffering an NDE, Ash tells of what happened after, and the promise that he made in that diffuse and dark place, one which earned him the right to return to the land of the living! And as Robert Frost said, in his poem "The Road Not Taken," Ash's choice has made all the difference. It has meant that he is able to show up for those who need help, show up for all of us when he models what a true life looks like, and show up for my show, to inspire all of us who listen! To read a bit more about Ash and his work, click here! Your bit of beauty is this poem, by Robert Frost, one that urges all of us to live a life full of our uniqueness, and our unique choices...choices that will make all the difference. The Road Not Taken Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. Love you babes...have a beautiful week! xo

Hello fellow humans! Thank you for your patience this last week as I finished up my work with the Santa Fe International Literary Festival, but guess what? I now have oodles of time to create beauty! (and podcasts). *You lucky ducks!* This time I get to introduce you to Ash Perrow, who has quite a story to tell! After suffering an NDE, Ash tells of what happened after, and the promise that he made in that diffuse and dark place, one which earned him the right to return to the land of the living! And as Robert Frost said, in his poem "The Road Not Taken," Ash's choice has made all the difference. It has meant that he is able to show up for those who need help, show up for all of us when he models what a true life looks like, and show up for my show, to inspire all of us who listen! To read a bit more about Ash and his work, click here! Your bit of beauty is this poem, by Robert Frost, one that urges all of us to live a life full of our uniqueness, and our unique choices...choices that will make all the difference. The Road Not Taken Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. Love you babes...have a beautiful week! xo

Feeling stuck on the same road you've always walked? In this episode of the One Second of Strength Podcast, Tanner explores how habits shape our choices and how to break free from the familiar path to create real change. Inspired by Robert Frost's The Road Not Taken, this is your invitation to choose a new path—one that leads to growth, courage, and transformation.________SHARE – this episode with one other person who is on your mindSUBSCRIBE – Never miss another episodeFOLLOW – Follow Tanner on Instagram and share this episode to your stories and TAG @realtannercarkDo you have kids with social media? My digital course can help with that. Check out 4MParenting.com and use code PODCAST to save 25%.

In this episode, I sit down with João Esteves, founder of DiVERGE Sneakers, a brand that's rewriting the rules of footwear from the ground up.   We discuss why customization matters, how DiVERGE puts the customer's individuality front and center, and what it truly takes to build a business rooted in purpose, not just profit.   João opens up about his entrepreneurial journey, including the emotional resilience required to stay the course and the people who believed in him when the business needed it most. From launching a brand inspired by a Robert Frost poem to becoming a B Corp committed to people and the planet, João shares how DiVERGE is challenging mass production and the wasteful norms of the fashion industry. We also dive into the brand's incredible social impact program that helps underprivileged youth design their own shoes and share their stories with the world.

April 17, 2025 - "Stopping By Woods on a Snowy Evening" by Robert Frost, read by Richard Cogliandro by The Desmond-Fish Public Library & The Highlands Current, hosted by Ryan Biracree

Sabiduría, Karma y Autoconocimiento: El Camino hacia tu Mejor Versión ✨

Melanie St. Pierre-Bednis, Neil Bednis, and Fraser McClean from Casper Skulls discuss their new album Kit-Cat, the TV show character Frasier Crane, the significance of alt-rock radio and MuchMusic on young minds, Robert Frost poems and being goth, the Bunnies in Berlin record made at the Romano brothers' studio in Welland, moving from stark post-punk to heartfelt indie-rock, loving bands like Sonic Youth and Silver Jews, inspirations like “Rowdy” Roddy Piper, a Richard Hell biography, and There Will Be Blood, upcoming shows, writing new songs, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #958: Nels ClineEp. #910: The Hard QuartetEp. #734: Bonnie TrashEp. #713: Built to SpillEp. #677: PavementEp. #673: Sonic YouthEp. #481: David BermanSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

The poet Robert Frost famously talked about two roads diverging in a yellow wood. In Psalm 119:101, the psalmist talks about forks in the road of our life that we encounter every day.Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

It seems like such a simple question, but how to read a poem, like poetic interpretation itself, can be answered in many different ways. But what's the best way to go about reading a poem? Katie turns to art criticism for a process that guides the episode to a deep reading of poems by: Billy Collins, Wallace Stevens, Robert Frost, and John Ashbury.At the table:Katie DozierTimothy GreenJoe BarcaBrian O'SullivanDick WestheimerNate Jacob

Benjamin Franklin was a little bit of everything: inventor, diplomat, statesman, author, publisher, a Founding Father and a bad boy. He helped guide America through the growing pains of becoming a constitutional republic guiding its own destiny separate from Great Britain. Philadelphia became his home and the caretaker of the cemetery where he was buried in that city once said, "If Ben Franklin haunts the city and the streets of Philadelphia, he haunts it with his personality and his invention." And it might seem that he haunts a couple of places with his actual spirit as well. Join us for the history and hauntings of Benjamin Franklin. The Moment in Oddity features Pound Cake and This Month in History features a Robert Frost poem published.   Check out the website: http://historygoesbump.com Show notes can be found here:    Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode:  Main Theme: Lurking in the Dark by Muse Music with Groove Studios (Moment in Oddity) "Vanishing" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music: Happy Fun Punk by Muse Music with Groove Studios Other music used in this episode: Franklin Theme created and produced by History Goes Bump Licensed under Creative Commons: By Attribution 4.0 creativecommons.org/licenses/by/4.0/

Right now I'm reading a book titled “Star Splitter” written by Matthew J. Kirby. In the book they reference the poem “The Star-Splitter” written by Robert Frost. That's what we are going to read today.   Website: http://www.thefightingmoose.com/   Blog https://thefightingmoosepodcast.blogspot.com/   iTunes: https://itunes.apple.com/us/podcast/the-fighting-moose/id1324413606?mt=2/   Story (PDF): http://ww.thefightingmoose.com/episode444.pdf   Reading List: http://www.thefightingmoose.com/readinglist.pdf   YouTube: https://youtu.be/7tG4cE8dBmk/   Book(s): “New Hampshire” http://www.gutenberg.org/ebooks/58611   Music/Audio: Artist – Analog by Nature http://dig.ccmixter.org/people/cdk   National Aeronautics and Space Administration (NASA): http://www.nasa.gov   Song(s) Used: cdk - Sunday by Analog By Nature (c) copyright 2016 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/cdk/53755 

Philip Dusenberry once said, “I have always believed that writing advertisements is the second most profitable form of writing. The first, of course, is ransom notes.”I can testify that Dusenberry is correct. The best ad writers make more money than the most highly paid lawyers and heart surgeons.Great advertising makes an enormous difference in the top line revenue of a company. A reputation for being able to write great ads makes an enormous difference in your bank account. But only if you get paid according to the growth of the businesses you write for.Did you notice that I ended that sentence with a preposition? A pedantic will tell you that I should have said, “But only if you get paid according to the growth of the businesses for whom you write ads.” But I chose not to do that. If you can tell me why, you might have the makings of an ad writer.Do you have a friend who reads the books of the world's most famous authors?If you say, “Call me Ishmael,” and your friend says, “Moby Dick,” your friend has the ingredients to bake a wordcake.Say to your friend, “Two roads diverged in a yellow wood.”If your friend says, “Robert Frost,” he or she has the ability to lead people to places they have never been.Say, “The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.”If your friend looks at you and says, “Tom Robbins died last month,” they definitely have the makings of ad writer.“As you read, so will you write.”If the cadence and rhythm and unpredictable phrases singular to poets, screenwriters and novelists are echoing in your brain, your mind will spew rainbows of words like ocean water from the blowhole of a whale.Luke records Jesus as having said, “Out of the abundance of the heart, the mouth speaks.” If you want to know what is inside a person, listen to what they say and read what they write.The minds of great writers are filled with the music of other great writers. Music cannot flow from your fingertips if it does not live in your mind.I don't mean to be unkind, but most writers have no music in their mind.Tom Robbins told NPR in 2014, “I would tell stories aloud to himself, but always out in the yard with a stick in my hand. I would beat the ground as I told the story. And we moved fairly frequently. We would leave houses behind where one section of the yard was completely bare from where I had destroyed the grass. But I realized much later in life that what I was doing was drumming. I was building a rhythm. Even today as a writer I pay a lot of attention to the rhythm in my work.”When Tom Robbins died, hypnotic passages from his bestselling novels were quoted by NPR and The New York Times in their eulogies of his life.Character dialogue written by Aaron Sorkin is the standard by which all screenwriting is judged. Aaron says, “It's not just that dialogue sounds like music to me. It actually is music. Anytime someone is speaking for the purpose of performance, whether they're doing it from a pulpit in a church, whether it's a candidate on the stump or an actor on a stage, anytime they're speaking for the purposes of performance, all the rules of music apply.”The workload of my 81 Wizard of Ads partners will soon be at maximum capacity.I am looking for brilliant ad writers. Between now and the end of the year I will onboard a small group of writers who are worth a lot more money than they are currently being paid. They will attend the partner meeting this autumn.Selection, orientation, and enculturation requires diligence and patience on both sides.Our journey will begin when you send exactly 12

Merriam-Webster's Word of the Day for March 9, 2025 is: wend • WEND • verb Wend is a literary word that means “to move slowly from one place to another usually by a winding or indirect course”; wending is traveling or proceeding on one's way in such a manner. // Hikers wend along the marked trails to the top of the mountain, which provides a panoramic view of the area towns. // We wended our way through the narrow streets of the city's historic quarter. See the entry > Examples: “Otters do not like to share food.... There is a flickering movement of jaws before they swallow and dive again. For a moment I think they have left, then they surface once more and I make out two long shapes, one just ahead of the other. They wend their way further down the waterway before insinuating themselves back into the dark.” — Miriam Darlington, Otter Country: In Search of the Wild Otter, 2024 Did you know? “Out through the fields and woods / And over the walls I have wended …” So wrote poet Robert Frost in “Reluctance,” using the word's familiar sense of “to direct one's course.” By the time of the poem's publication in 1913, many other senses of wend had wended their way into and out of popular English usage including “to change direction,” “to change someone's mind,” “to transform into something else,” and “to turn (a ship's head) in tacking.” All of that turning is linked to the word's Old English ancestor, wendan, which shares roots with the Old English verb, windan, meaning “to twist” (windan is also the ancestor of the English verb wind as in “the river winds through the valley”). Wend is also to thank for lending the English verb go its past tense form went (as a past tense form of wend, went has long since been superseded by wended).

It seems like such a simple question, but how to read a poem, like poetic interpretation itself, can be answered in many different ways. But what's the best way to go about reading a poem? Katie turns to art criticism for a process that guides the episode to a deep reading of poems by: Robert Frost,  Carolina Ebeid, Alex Dimitrov, Ezra Pound, and Billy Collins. At the table:Katie DozierTimothy GreenJoe BarcaBrian O'SullivanDick WestheimerNate Jacob

Barry continues to think through how to get back to civil discourse, using Robert Frost's poem, The Gift Outright, to remind us of what we have in common. Simplifying our differences to one or the other side of a political divide does very little for either side and does no justice to our beautiful, complicated […]

You have probably encountered poet Robert Frost through his famous poems “Stopping By Woods on a Snowy Evening” or "The Road Not Taken." But how much do you know about the man behind the poetry, and the rest of his poems? This hour, we learn about the life and poetry of Robert Frost, and discover how he's helped to inspire other poets. You can hear Adam Plunkett talk about his new book on Monday, February 24 at 7 p.m. at The University of Saint Joseph. GUESTS: Adam Plunkett: Literary critic and author of Love and Need: The Life of Robert Frost’s Poetry Sydney Lea: Former Poet Laureate of Vermont, and a recipient of Vermont’s highest artistic distinction, The Governor’s Award for Excellence in the Arts. He is the author of sixteen poetry collections, seven collections of personal essays, and two novels Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

There may be no poet more integral to the American identity are more widely known among Americans than Robert Frost. Yet, his life and the extent of his influence are unfamiliar or misunderstood by many. In the new book “Love and Need: The Life of Robert Frost's Poetry” Adam Plunkett challenges previous biographers' interpretations of Frost's life and work breaking away from what he sees as “clichés” to construct an original portrait of the poet.

Another day in the last days of the "Grand Experiment" in liberal democracy. No One Elected this South African Sociopath Billionaire But here We Are. We discuss the madness. _________________________________ Head on with Robyn Kincaid is on 5 nights a week! https://headon.live/ Tarabuster is among the independent media voices at APSRadioNews.com Tarabuster is also on https://rokfin.com/tarabuster BECOME A "TARABUSTER" PATRON: www.patreon.com/taradevlin Join the Tarabuster community on Discord too!! https://discord.gg/PRYDBx8 Buy some Resistance Merch and help support our progressive work! http://tarabustermerch.com/ Contact Tarabuster: tarabustershow@maskedfort.com Buy some Resistance Merch and help support our progressive work! http://tarabustermerch.com/ Donate to Tarabuster: https://www.paypal.com/paypalme/taradacktyl 00:00:00 Introduction 00:04:50 Meet Boudica and Francis: Adorable Pets on Camera 00:09:00 The Concept of Soft Voter Suppression 00:13:03 The Debate Over Renaming West Virginia's River 00:16:49 Robert Frost's Influence on Modern Storytelling 00:20:57 No, Traitor Trump Does NOT have a Mandate 00:25:06 Political Stalemate: Senate Holds and Filibuster Debate 00:29:07 Traitor Trump is Enacting Project 2025 00:33:07 Political Discourse on Employment and Economic Decisions 00:37:07 A Psalm's Harsh Wishes and Modern Interpretations 00:42:15 Elon Musk and his Toddlers in the Oval Office 00:45:24 Discussion on Leadership and Democracy 00:50:53 Criticism of Elon Musk and Billionaires 00:54:09 Fundraising and Survival Tactics 00:57:38 Linguistic Origins of the Ligature 'Æ' and its Pronunciations 01:02:03 Speculation on Future Leadership Changes 01:06:02 Criticisms of Elon Musk and Donald Trump 01:10:09 Judge Limits on Executive Power 01:14:00 Controversy Over Nancy Mace's Hotline Initiative 01:18:19 Allegations and Accusations: A Closer Look at Controversies 01:21:53 Musk's Government Efficiency Layoffs 01:26:16 Understanding Internal Political Coups: A Fascist Perspective 01:29:39 Cost Overruns in Military Shipbuilding 01:33:50 Judge Temporarily Blocks OPM Buyout Plan 01:37:30 Critique on Donald Trump's Leadership and Censorship 01:41:38 GOP Response to Trump's Impeachments 01:44:49 The Historical Continuum of Political Figures 01:48:48 Critique of Government Corruption and Economic Inequality 01:52:31 European Security and the China Threat 01:57:00 Upcoming Show on Political Voices Channel 02:00:13 Reflections on Being on the Right Side of History

“How many things have to happen to you before something occurs to you," says Darice Auston, quoting Robert Frost. In Episode 206, Darice joins Cynthia and Susan to share some of the things that have occurred to her, and where those insights are leading her now. It's a conversation that illustrates the ways our unique experiences can shape and inform our spiritual life and church engagement, leading to a truer expression of our deepest personal beliefs.

Cranberries are the heart of Thanksgiving dinner. You don't want a gourmet dinner that distracts you from your life blessings, so you serve turkey, a profoundly average dish. Every turkey dinner is about as good as any other turkey dinner. Same with pumpkin pie. But cranberries are terribly exciting. They are the Robert Frost of fruits, the Flaubert, the Frank Lloyd Wright, the Gabriel Fauré. You can overcook the turkey and serve a pumpkin pie that is just pudding with a crust, but if you serve cranberries you're okay.Be happy, my dears. America will soon see the return of the dopiest president in our history. Anyone who nominates Matt Gaetz to be Attorney General and Bobby Kennedy Jr. to be Secretary of Health needs GPS to show him the way to the bathroom, but keep this in mind: many of America's cranberry growers voted for him and many people whose cranberry sauce has the power to make you stand on your tiptoes and yodel. Think about that for a moment. There is some good in all of us, maybe more than we know. And be happy on Thanksgiving. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe