Podcasts about poetry unbound

This episode was recorded on March 2, 2025 at the Phillis Wheatley Heritage Center in St. Louis., Missouri. In this conversation, Pádraig Ó Tuama reads several poems from Kitchen Hymns (https://www.coppercanyonpress.org/books/kitchen-hymns-by-padraig-o-tuama/) (Copper Canyon Press, 2024), his newest collection. We discuss subversive speech, belief and doubt, lyrical poetry, the psychology of poetic forms, and the power of ancient myths. Pádraig Ó Tuama is a poet with interests in conflict, language and religion. He presents Poetry Unbound (https://onbeing.org/series/poetry-unbound/) from On Being Studios, and has published two anthologies (2022, 2025, both with WW Norton) from that podcast. A freelance artist, one of Ó Tuama's projects is poet in residence with the Cooperation and Conflict Resolution Center at Columbia University. He splits his time between Belfast and New York City. To learn more about Ó Tuama, you can visit his website (https://www.padraigotuama.com/).

Have you ever gotten consumed by watching a couple argue in public and trying to decipher what's really going on between them? Denise Duhamel's deliciously entertaining “How It Will End” offers us that experience. Come for the voyeurism, stay for the awareness it stirs up. Why are we so captivated by other people's disagreements? And how can what we notice about them teach us about ourselves?Denise Duhamel is a distinguished university professor in the MFA program at Florida International University in Miami. She is the author of several poetry collections, including Pink Lady, Scald, and Blowout. She is a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts.Find the transcript for this show at onbeing.org.We're pleased to offer Denise Duhamel's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

Even though Palestinian-American Fady Joudah's poem is sparingly titled “[...],” an ellipsis surrounded by brackets, this work itself is psychologically dense. Through crisp lines and language, it wrestles with the nature of human ambivalence — about things like fear, desire, disaster, liberty — and it finds certainty only in the shaky universal ground of that ambivalence.Fady Joudah is the author of […]. He has also published five other collections of poems, including Textu, a book-long sequence of short poems whose meter is based on cellphone character count; Footnotes in the Order of Disappearance; and Tethered to Stars. He has translated several collections of poetry from Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received the Jackson Poetry Prize, a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, a Guggenheim Fellowship, and the Arab American Book Award. He lives in Houston, Texas, with his wife and children, where he works as a physician in internal medicine.Find the transcript for this show at onbeing.org.We're pleased to offer Fady Joudah's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

Benjamin Zephaniah's urgent, imperative “To Michael Menson” was written when he was a poet in residence at a human rights barrister in England. His poem resonates with his repeated calls for justice for a murdered Black musician — not a justice that is gullible, impotent, or hopeless but one that is clear-eyed, collaborative, and mighty.Benjamin Zephaniah was born and raised in Birmingham, England. He is the author of several collections of poetry, including City Psalms, Propa Propaganda, and Too Black, Too Strong. In 2000, he was poet in residence for the chambers of human rights barrister Michael Mansfield, where he worked on numerous cases, including the murder of Stephen Lawrence. Zephaniah appeared on the TV show Peaky Blinders and is also known for his poetry books for children.Find the transcript for this show at onbeing.org.We're pleased to offer Benjamin Zephaniah's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

Carmen Giménez's poem “Ars Poetica” is a stunning waterfall of words, a torrent of dozens of short statements that begin with “I” or “I'm.” As you listen to them, let an answering cascade of questions fill up your mind. What does this series of confessions reveal to you about poetry? The poet? And yourself?Carmen Giménez is the author of numerous poetry collections, including Milk and Filth, a finalist for the NBCC Award in Poetry, and Be Recorder (Graywolf Press, 2019), a finalist for the 2019 National Book Award in Poetry, the PEN Open Book Award, the Audre Lorde Award for Lesbian Poetry, and the Los Angeles Times Book Prize. She was awarded the Academy of American Poets Fellowship Prize in 2020. A 2019 Guggenheim fellow, she served as the publisher of Noemi Press for 20 years. She is the Publisher and Executive Director of Graywolf Press.Find the transcript for this show at onbeing.org.We're pleased to offer Carmen Giménez's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

Rick Barot's poem “The Singing” takes place in the humdrum, relatable setting of the waiting room at a car dealership. But the unexpected occurs when one woman's soft humming builds into strange, full-throated singing. Curiosity, wonder, anger, and dread spill over, forcing you to face the same dilemma as the narrator: What can you do when reality defies your control?Rick Barot was born in the Philippines, grew up in the San Francisco Bay Area, and attended Wesleyan University and The Iowa Writers' Workshop at the University of Iowa. Barot teaches at Pacific Lutheran University and is the director of the Rainier Writing Workshop, the low-residency MFA in Creative Writing at Pacific Lutheran University. His fourth book of poems, The Galleons, was published by Milkweed Editions in 2020, and his most recent collection is Moving the Bones.Find the transcript for this show at onbeing.org.We're pleased to offer Rick Barot's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

“You would've made a lousy nun.” The narrator of Diannely Antigua's “Another Poem about God, but Really It's about Me” overhears these words, and they jolt her into contrasting her life experience with the limited archetypes offered by her church — good daughter, good sister, holy woman, whore. Which of these has she been? Where does her devotion lie? And what virtue can she claim?Diannely Antigua is a Dominican-American poet and educator who was born and raised in Massachusetts. Her debut collection, Ugly Music, won a 2020 Whiting Award and the Pamet River Prize. She received her MFA in Creative Writing from NYU, where she was awarded a Global Research Initiative Fellowship to study in Florence, Italy. She was a finalist for the 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship and the recipient of fellowships from CantoMundo, Community of Writers, and the Academy of American Poets. Her work has appeared in the Best of the Net Anthology and has been nominated for the Pushcart Prize. She currently serves as the poet laureate of Portsmouth, New Hampshire, and is the host of the podcast Bread & Poetry. Her most recent poetry collection is Good Monster.Find the transcript for this show at onbeing.org.We're pleased to offer Diannely Antigua's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Don McKay's poem “Neanderthal Dig” begins with the discovery of an ancient, child-sized skeleton placed on the wing of a swan and then takes flight, showing us how love and death are riddled with paradoxes — mixing the earthbound and the sacred, the personal and the universal, the time-stamped and the never ending.Don McKay is the multi-award-winning author of multiple books of poetry, including Lurch, Paradoxides, Strike/Slip (winner of the Griffin Poetry Prize), and Camber: Selected Poems (finalist for the Griffin Poetry Prize and a Globe and Mail Notable Book of the Year). McKay has taught poetry in universities across Canada. He currently lives in St. John's, Newfoundland.Find the transcript for this show at onbeing.org.We're pleased to offer Don McKay's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

When dictatorial leaders use talk of peace as a smokescreen to conceal their plans for war and  destruction, what are the people to do? Believe in a vision of peace and freedom that is muscular, sturdy, and protective — and pray that it holds, as Ernesto Cardenal does in his poem “Give Ear to My Words (Psalm 5),” translated by Jonathan Cohen.Ernesto Cardenal (1925–2020) was a Catholic priest and poet who was born in Nicaragua. From 1979 to 1988, he served as the Minister of Culture there. Cardenal was the author of several volumes of poetry, including Pluriverse, Zero Hour, Apocalypse, and In Cuba.Jonathan Cohen is an award-winning translator of Latin American poetry and a scholar of inter-American literature. He has translated Ernesto Cardenal, Enrique Lihn, Pedro Mir, and Roque Dalton, among others, and his own poems and essays have been widely published. He is the author of pioneering critical works on Pablo Neruda and Muna Lee.Find the transcript for this show at onbeing.org.We're pleased to offer Jonathan Cohen's translation of Ernesto Cardenal's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Many people say their experience of time changes after they have children, a phenomenon that Diego Báez captures in “Inheritance.” In this poem, a past, present, and future starring the same child shift ceaselessly in a parent's mind, like photos flipped through in an album, dots placed on a timeline, moments that one wishes they could build monuments for.Diego Báez, is a writer and educator in Chicago, where he teaches at the City Colleges of Chicago. He earned an MFA in Creative Writing from Rutgers University - Newark. A writer of fiction, nonfiction, and poetry, Báez's work has been published in Freeman's, The Rumpus, The Georgia Review, The Thing Itself Journal, Number Eleven Magazine, and Hobart. His poetry has appeared in Luna Luna, la fovea, Granta, and elsewhere. He serves as a Director of the Board for the National Book Critics Circle and the International David Foster Wallace Society. Báez was an inaugural fellow at CantoMundo in 2010. Yaguareté White, published in 2024 by The University of Arizona Press, is his debut poetry collection.Find the transcript for this show at onbeing.org.We're pleased to offer Diego Báez's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Xochitl-Julisa Bermejo is the daughter of Mexican immigrants and the author of Incantation: Love Poems for Battle Sites (Mouthfeel Press) and Posada: Offerings of Witness and Refuge (Sundress Publications). A former Steinbeck Fellow and Poets & Writers California Writers Exchange winner, she's received residencies from Hedgebrook, Ragdale, Yefe Nof, Jentel, and National Parks Arts Foundation in partnership with Gettysburg National Military Park and Poetry Foundation. Her poem “Battlegrounds” was featured at Academy of American Poets' Poem-a-Day, On Being's Poetry Unbound, and the anthology, Poetry Unbound: 50 Poems to Open Your World (W.W. Norton). Her poetry and essays can be found at Acentos Review, Huizache, LA Review of Books, The Offing, [Pank], Santa Fe Writers Project, and other journals. She is the director of Women Who Submit. Inspired by her Chicana identity, she works to cultivate love and comfort in chaotic times. At the heart of Incantation: Love Poems for Battle Sites (Mouthfeel Press 2023) lies an exploration of love in its many forms. Bermejo crafts poems that celebrate the enduring bonds of family, the unwavering strength of compassion, and the necessity for defiance. "Bermejo's Incantation do more than conjure hope for a vague future; they demand accountability and enact the healing we need now," writes award-winning author Carribean Fragoza. These poems dance like flames in rituals of resistance and resilience, casting light on paths that lead to a future unburdened by the chains of misogyny, white supremacy, and state-sanction violence.

Wonder and strangeness commingle with the commonplace and universal in Danielle Chapman's “Trespassing with Tweens.” In a not-quite mirroring, a human mother and her children stand and watch together in awe as a great blue heron flaps in and feeds its two offspring. The pleasures found here are profound and multiple – the joys in seeing, in sharing an experience of seeing, in seeing with fresh eyes, and in being seen.Danielle Chapman is a poet, essayist, and lecturer in English at Yale University. Her most recent collection of poetry, Boxed Juice, was published in 2024 by Unbounded Edition Press. Her previous collection of poems, Delinquent Palaces, was published by Northwestern University Press in 2015, and her memoir, Holler: A Poet Among Patriots, was released by Unbound Edition Press in 2023. For several years, Chapman served as the Director of Literary Arts and Events for the City of Chicago, and she was also an editor at Poetry Magazine. She currently teaches Shakespeare and creative writing and lives in Hamden, Connecticut, with her family.Find the transcript for this show at onbeing.org.We're pleased to offer Danielle Chapman's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

In Richard Langston's poem “Hill walk,” he proffers a handful of things that move us over the course of a day — words said or read, notes played, the sight of halting steps taken by a sibling. We marvel at the sound of an unfamiliar bird call, but there's a startling mystery to the human heart and what it responds to (or doesn't) and one that we don't always mark.Richard Langston is a veteran broadcast journalist and director. He comes from Dunedin, New Zealand, and was a driving force in the city's music scene in the 1980s. He now lives in Wellington and is a proud member of the three-person South Wellington Poetry Society. His poetry collection, Five O'Clock Shadows, was published in 2020 by The Cuba Press.Find the transcript for this show at onbeing.org.We're pleased to offer Richard Langston's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

What sacrifices were made by your parents when you were a child? How did you think about them as they were happening? And how do you think about them now? In his poem “Those Winter Sundays,” Robert Hayden holds space for a weighted childhood memory and the regret, love, and pain it evokes.Robert Hayden (1913-1980) was the first Black American poet to be appointed the Consultant of Poetry to the Library of Congress (now known as the U.S. Poet Laureate); he held this role from 1976 to 1978. Hayden was the recipient of numerous awards, including a Hopwood Award, Academy of American Poets Fellowship, Grand Prize for Poetry at the First World Festival of Negro Arts, and Russell Loines Award for distinguished poetic achievement from the National Institute of Arts and Letters.Find the transcript for this show at onbeing.org.We're pleased to offer Robert Hayden's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books. 

When you look at people who are younger than you — particularly teenagers — does your mind ever take you back to yourself at their age? Taylor Johnson's poem “Pennsylvania Ave. SE” performs this feat of time travel, going from a glimpse of two boys on bicycles to a haunting sense memory of what was once so yearned for: to be seen, to be wanted, to be free.Taylor Johnson is proud of being from Washington, D.C. He has received fellowships and scholarships from CALLALOO, Cave Canem, Lambda Literary, VONA, Tin House, Vermont Studio Center, Yaddo, Conversation Literary Festival, Bread Loaf Writers' Conference, and Bread Loaf Environmental Writers' Conference, among others. In 2017, Johnson received the Larry Neal Writers' Award from the D.C. Commission on the Arts and Humanities. His poems appear in The Baffler, Indiana Review, Scalawag, and The Paris Review, among other journals and literary magazines. His first book, Inheritance, was published in November 2020 by Alice James Books.Find the transcript for this show at onbeing.org.We're pleased to offer Taylor Johnson's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

In Kinsale Drake's poem “Put on that KTNN,” she writes about driving to a hometown as a familiar station crackles to life on the car radio. From this corner of America, she creates her own country music — of Navajo voices alongside Johnny Cash and Loretta Lynn, of drumbeats and guitar licks, of things wrought by nature and things made by humans, all of them rooted in the desert sand.Kinsale Drake (Diné) is a poet, playwright, and performer based out of the Southwest U.S. She is a winner of the 2023 National Poetry Series Competition. Her poetry collection, The Sky Was Once a Dark Blanket, was published by The University of Georgia Press in 2024. Drake's work has appeared in Poetry Magazine, Poets.org, Best New Poets, Black Warrior Review, Nylon, MTV, Teen Vogue, Time, and elsewhere. She recently graduated from Yale University, where she received the J. Edgar Meeker Prize, Academy of American Poets College Prize, Young Native Playwrights Award, and the 2022 Joy Harjo Poetry Prize. She is the founder of NDN Girls Book Club.Find the transcript for this show at onbeing.org.We're pleased to offer Kinsale Drake's poem and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Poetry Unbound with host Pádraig Ó Tuama is back on Monday, December 2. Featured poets in this season include Robert Hayden, Kinsale Drake, Danielle Chapman, Diannely Antigua, and many more. New episodes every week through March 3.Follow us on Apple Podcasts, Spotify, Pocket Casts, Overcast, or wherever you listen.Find the transcript for this show at onbeing.org.

Practical advice from Irish poet Pádraig Ó Tuama on writing and editing poetry and expanding your world with poetry. Highlights from a previous episode. For the full episode, listen to interview episode #103*ABOUT PÁDRAIG Ó TUAMA​Pádraig Ó Tuama is a theologian, writer, and conflict transformation practitioner. His books include In the Shelter: Finding a Home in the World; Daily Prayer with the Corrymeela Community; Sorry For Your Troubles; Borders & Belonging and Poetry Unbound: 50 Poems to Open Your World. He hosts the On Being Studios podcast Poetry Unbound with Krista Tippett's studio.*RESOURCES & LINKSThe Butcher Of Eden - Feed The BeastPoet Victoria RedelToni Morrison - ParadiseFollow PádraigPádraig's Substack, Poetry Unbound  For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

A taste of a special mini-season of Poetry Unbound — bringing contemplative curiosity and the life-nurturing tether of poetry to the very present matter of conflict in our world. In this first offering, Pádraig introduces the intriguing idea of poems as teachers and ponders Wisława Szymborska's “A Word on Statistics," translated by Joanna Trzeciak. This poem covers statistics of the most human kind — like the number of people in a group of 100 who think they know better, who can admire without envy, or who could do terrible things. Listen, and ask yourself: Which categories do I belong to? Which do I believe?Find the transcript for this show at onbeing.org.All seven parts of the series are ready for listening now in the Poetry Unbound feed and at onbeing.org. Read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all of our episodes.

Being right may feel good, but what human price do we pay for this feeling of rightness? Yehuda Amichai's poem “The Place Where We Are Right,” translated by Stephen Mitchell, asks us to answer this question, consider how doubt and love might expand and enrich our perspective, and reflect upon the buried and not-so-buried ruins of past conflicts, arguments, and wounds that still call for our attention.Yehuda Amichai was an Israeli poet and novelist born in Würzburg, Germany, and he lived from 1924 to 2000. His poetry is collected in numerous works, including Open Closed Open, The Selected Poetry of Yehuda Amichai, and The Poetry of Yehuda Amichai.Stephen Mitchell is an author, poet, and translator. His works of translation include The Selected Poetry of Rainer Maria Rilke, Gilgamesh, and Full Woman, Fleshly Apple, Hot Moon: Selected Poems of Pablo Neruda. Mitchell translated The Selected Poetry of Yehuda Amichai with Chana Bloch.Find the transcript for this show at onbeing.org.This is the sixth episode of "Poems as Teachers," a special seven-part miniseries on conflict and the human condition.We're pleased to offer Yehuda's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

In this concluding episode of "Poems as Teachers," our special miniseries on conflict and the human condition, host Pádraig Ó Tuama says the poems discussed in this offering are a different kind of teacher: “not as teachers that give us rules to follow — more so teachers that share something of their own intuition.” And for a final reflection, he offers Kai Cheng Thom's “trauma is not sacred,” which speaks directly, fiercely, and lovingly to the pain, scars, and violence that we humans carry and inflict upon one another.Kai Cheng Thom is a writer, performance artist, and community healer. Kai Cheng is the author of the novel Fierce Femmes and Notorious Liars: A Dangerous Trans Girl's Confabulous Memoir; the essay collection I Hope We Choose Love: A Trans Girl's Notes at the End of the World (an American Library Association Stonewall Honor Book); the poetry collection a place called No Homeland (an American Library Association Stonewall Honor Book); and the children's books From the Stars in the Sky to the Fish in the Sea (illustrated by Kai Yun Ching and Wai-Yant Li) and For Laika, the Dog Who Learned the Names of the Stars (illustrated by Kai Yun Ching). She won the Writers' Trust of Canada's Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers in 2017.Find the transcript for this show at onbeing.org.This is the final episode of "Poems as Teachers," a special seven-part miniseries on conflict and the human condition.We're pleased to offer Kai's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

In “Hebrews 13” by Jericho Brown, a narrator says: “my lover and my brother both knocked at my door.” The heat is turned on, scalding coffee is offered and hastily swallowed, and silence is the soundtrack. What an exquisitely awkward triangle it is, and what a human, beautiful, and loving shape that can be.Jericho Brown is the Charles Howard Candler Professor of English and Creative Writing at Emory University, where he also directs the university's creative writing program. His books of poetry are The New Testament, Please, and The Tradition, for which he won the Pulitzer Prize in 2020.Find the transcript for this show at onbeing.org.This is the fifth episode of "Poems as Teachers," a special seven-part miniseries on conflict and the human condition.We're pleased to offer Jericho Brown's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

In Mosab Abu Toha's “Ibrahim Abu Lughod and brother in Yaffa,” two barefoot siblings on a beach sketch out a map of their former home in the sand and argue about what went where. Their longing for return to a place of hospitality, family, memory, friends, and even strangers is alive and tender to the touch.Mosab Abu Toha is a Palestinian poet, scholar, and librarian who was born in Gaza and has spent his life there. He is the founder of the Edward Said Library, Gaza's first English-language library. Things You May Find Hidden in My Ear is his debut book of poems: it won an American Book Award and a 2022 Palestine Book Award, and was named a finalist for the National Book Critics Circle Award in Poetry as well as the 2022 Walcott Poetry Prize. His writings from Gaza have appeared in The Nation and Literary Hub, and his poems have been published in Poetry, The Nation, the Academy of American Poets' Poem-a-Day, Poetry Daily, and the New York Review of Books, among others.Find the transcript for this show at onbeing.org.This is the fourth episode of "Poems as Teachers," a special seven-part miniseries on conflict and the human condition.We're pleased to offer Mosab Abu Toha's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

We ask questions to find out the facts, but what if you can't trust the answers, the questions, or the person who's asking the questions? In Constantine P. Cavafy's “Waiting for the Barbarians,” translated by Evan Jones, leaders exercise a sinister kind of violence — they've taken over people's imaginations with showy displays of wealth and privilege, time-wasting ceremony, and fear coursing beneath it all.Constantine P. Cavafy was a Greek-language poet born in Alexandria, Egypt, and he lived from 1863 to 1933. His poetry has been published in numerous collections, including The Complete Poems of Cavafy, The Collected Poems, and The Barbarians Arrive Today.Evan Jones is a Greek-Canadian poet based in Manchester, England. His first collection, Nothing Fell Today But Rain, was a finalist for the Governor General's Literary Award for Poetry, and his British debut, Paralogues, was published in 2012. He is the translator of Constantine Cavafy's The Barbarians Arrive Today: Poems & Prose, and his most recent poetry collection is Later Emperors.Find the transcript for this show at onbeing.org.This is the third episode of "Poems as Teachers," a special seven-part miniseries on conflict and the human condition.We're pleased to offer Constantine P. Cavafy's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

As appealing as it may sound, is it really possible to live in a world completely free of conflict? No. And since differences and disagreements are inevitable and natural, Joy Harjo gives ground rules in “Conflict Resolution for Holy Beings.” Her call to us echoes across time and space — a call to listen, to humility, to justice, and to recognizing the land, the living, the dead, the not-yet-living.Joy Harjo is a member of the Muscogee Creek Nation and the 23rd Poet Lau­re­ate of the Unit­ed States. She is the author of 10 books of poet­ry, including An American Sunrise, Conflict Resolution for Holy Beings, and She Had Some Horses, and the memoirs Crazy Brave and Poet Warrior. Her most recent poetry collection is Weav­ing Sun­down in a Scar­let Light: Fifty Poems for Fifty Years. She's also produced several award-winning albums of music, including her most recent, I Pray for My Ene­mies.Find the transcript for this show at onbeing.org.We're pleased to offer two sections of Joy Harjo's longer poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Host Pádraig Ó Tuama gives an overview of this Poetry Unbound mini season that's devoted to poems with wisdom to offer about conflict and humanity. He also brings us Wisława Szymborska's “A Word on Statistics,” translated by Joanna Trzeciak, which covers statistics of the most human kind — like the number of people in a group of 100 who think they know better, who can admire without envy, or who could do terrible things. Listen, and ask yourself: Which categories do I belong to? Which do I believe?Wisława Szymborska was a Polish poet and recipient of the 1996 Nobel Prize in Literature, and she lived from 1923 to 2012. Her poetry is collected in numerous volumes including View with a Grain of Sand, Poems New and Collected, Miracle Fair, and Map.Joanna Trzeciak is professor of Russian and Polish Translation and Translation Studies at Kent State University. She has translated two poetry collections: Miracle Fair: Selected Poems of Wisława Szymborska, which was the winner of the Heldt Prize for translation, and Sobbing Superpower: Selected Poems of Tadeusz Różewicz, which was shortlisted for the Griffin Poetry Prize and winner of the Found in Translation Award and the AATSEEL Award for Best Scholarly Translation.Find the transcript for this show at onbeing.org.We're pleased to offer Wisława Szymborska's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

The poet and theologian Pádraig Ó Tuama tells us about his journey into poetry, how he knows a poem is complete and how poets might practice noticing. He also reads from his collection and deconstructs his poetry. We also discuss what it means to make a living as a poet.*ABOUT PÁDRAIG Ó TUAMA​Pádraig Ó Tuama is a theologian, writer, and conflict transformation practitioner. His books include In the Shelter: Finding a Home in the World; Daily Prayer with the Corrymeela Community; Sorry For Your Troubles; Borders & Belonging and Poetry Unbound: 50 Poems to Open Your World. He hosts the On Being Studios podcast Poetry Unbound with Krista Tippett's studio.*RESOURCES & LINKS

This is our unabridged interview with Pádraig Ó Tuama. What if, to be a peacemaker, one might have to wade into trouble and stir the waters oneself? What if, to be a theologian, one might have to leave some of the most troubling questions about God unanswered? What if, to be a poet, one might have to do away with flowery abstraction and accept the nitty-gritty of real life? Pádraig Ó Tuama, host of the podcast Poetry Unbound from On Being Studios, is all of these things - peacemaker, theologian, poet. In this episode, he shares beautiful and troubling stories from his peacemaking work in Northern Ireland, discusses why one must be ready to accept nuance as a condition for any fruitful outcome, and offers observations about the makings of a good life. Show Notes: Similar episodes John Dear: How to Be Nonviolent Michael T. McRay: I Am Not Your Enemy Poetry as Politics: Poet Laureates Tracy K. Smith and Marie Howe Azim Khamisa: Ending Violence Through Forgiveness Resources mentioned this episode "The Facts of Life" - Pádraig Ó Tuama Being Here by Pádraig Ó Tuama Sorry for Your Troubles by Pádraig Ó Tuama Readings from the Book of Exile by Pádraig Ó Tuama Poetry Unbound Corrymeela's website PDF of Lee's Interview Notes Link to Transcript for Abridged Episode JOIN NSE+ Today! Our subscriber only community with bonus episodes, ad-free listening, and discounts on live shows Subscribe to episodes: Apple | Spotify | Amazon | Google | YouTube Follow Us: Instagram | Twitter | Facebook | YouTube Follow Lee: Instagram | Twitter Join our Email List: nosmallendeavor.com See Privacy Policy: Privacy Policy Amazon Affiliate Disclosure: Tokens Media, LLC is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.

What if, to be a peacemaker, one might have to wade into trouble and stir the waters oneself? What if, to be a theologian, one might have to leave some of the most troubling questions about God unanswered? What if, to be a poet, one might have to do away with flowery abstraction and accept the nitty-gritty of real life? Pádraig Ó Tuama, host of the podcast Poetry Unbound from On Being Studios, is all of these things - peacemaker, theologian, poet. In this episode, he shares beautiful and troubling stories from his peacemaking work in Northern Ireland, discusses why one must be ready to accept nuance as a condition for any fruitful outcome, and offers observations about the makings of a good life. Show Notes: Similar episodes John Dear: How to Be Nonviolent Michael T. McRay: I Am Not Your Enemy Poetry as Politics: Poet Laureates Tracy K. Smith and Marie Howe Azim Khamisa: Ending Violence Through Forgiveness Resources mentioned this episode "The Facts of Life" - Pádraig Ó Tuama Being Here by Pádraig Ó Tuama Sorry for Your Troubles by Pádraig Ó Tuama Readings from the Book of Exile by Pádraig Ó Tuama Poetry Unbound Corrymeela's website PDF of Lee's Interview Notes Transcription Link JOIN NSE+ Today! Our subscriber only community with bonus episodes, ad-free listening, and discounts on live shows Subscribe to episodes: Apple | Spotify | Amazon | Google | YouTube Follow Us: Instagram | Twitter | Facebook | YouTube Follow Lee: Instagram | Twitter Join our Email List: nosmallendeavor.com See Privacy Policy: Privacy Policy Amazon Affiliate Disclosure: Tokens Media, LLC is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.

SHOW NOTES  Our texts this week are here  Our prayer this week is from Liturgies For Hope by Audrey Elledge and Elizabeth Moore – “A Liturgy For Those Embracing the Mystery of Faith”  Disability Theology: My Body is Not A Prayer Request, by Amy Kenny  N. T. Wright quote from Surprised By Hope: “Once we get the resurrection straight, we can and must get mission straight. […] People who believe in the resurrection, in God making a whole new world in which everything will be set right at last, are unstoppably motivated to work for that new world in the present” (Surprised by Hope 193, 214). […] And if we believe it and pray, as he taught us, for God's kingdom to come on earth as it is in heaven, there is no way we can rest with major injustice in the world. […] The final putting to rights of everything does indeed wait for the last day. We must therefore avoid the arrogance or triumphalism of… imagining that we can build the kingdom by our own efforts without the need for a further divine act of new creation. But we must agree… that doing justice in the world is part of the Christian task” (Surprised by Hope 213, 215, 216). Indeed, the prophet Micah reminds us: “He has shown you, O mortal, what is good. And what does the Lord require of you? To act justly and to love mercy and to walk humbly with your God” (Micah 6:8, NIV).  Padraig O'Tuama reads a poem from Illia Kaminsky on the Poetry Unbound podcast: “We Lived Happily During The War” Browse our curated booklists! Purchasing through this affiliate link generates a small commission for us and is a great way to support the show https://bookshop.org/shop/aplainaccount 

If your home were a museum — and they all are, in a way — what would the contents of your refrigerator say about you and those you live with? In his poem “Refrigerator, 1957,” Thomas Lux opens the door to his childhood appliance and oh, does a three-quarters full jar of maraschino cherries speak volumes. Thomas Lux was an American poet and professor. He was the author of several collections of poetry, including To the Left of Time (Ecco, 2016), Child Made of Sand (Houghton Mifflin, 2012), God Particles (Houghton Mifflin, 2008), and New and Selected Poems of Thomas Lux: 1975-1995 (Ecco Press, 1999). Lux taught for many years at the Georgia Institute of Technology, where he held the Bourne Chair in Poetry and directed the McEver Visiting Writers Program.Find the transcript for this show at onbeing.org.We're pleased to offer Thomas Lux's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

For many religious people, the pandemic accelerated a decline in institutional allegiance and trust that was already well underway. Many Catholics stopped attending Mass and still haven't returned. One figure who thinks deeply about the contemporary decline in religious practice and affiliation is Irish poet and theologian Pádraig Ó Tuama, host of the weekly podcast Poetry Unbound and author of the new book Being Here: Prayers for Curiosity, Justice, and Love. On this episode, he joins associate editor Griffin Oleynick for a conservation sparked by this collection of ‘anarchic' prayers. Touching on the Church's difficult relationship with women, LGTBQ people, and abuse victims, Ó Tuama testifies to the peace and freedom made possible by laying down “the burden of belief.” For further reading:  A collection of essays on staying in and leaving the Church Christian Wiman on poetry in the Bible A profile of the poet Fanny Howe

The word “flush” is a verb, as in an activity that we do umpteen times a day. It's also an adjective that conveys abundance. Fittingly, Rita Wong's poem “flush” offers a praise song to water's expansive and unceasing presence in our lives — from our toilets to our teacups, from inside our bodies to outside our buildings, and from our soil to our skies. Rita Wong is the author of several poetry collections, including monkeypuzzle (Press Gang, 1998), forage (Nightwood Editions, 2007), and undercurrent (Nightwood Editions, 2015). Wong is an associate professor at the Emily Carr University of Art + Design.Find the transcript for this show at onbeing.org.We're pleased to offer Rita Wong's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Bro — this is definitely not the “Beowulf” that you read back in school. Maria Dahvana Headley's gutsy, swaggering translation brings the Old English epic poem roaring into this century, showing you why this tale of fraught family ties, power plays and posturing, and mighty, imperfect people is as relevant as ever.  Maria Dahvana Headley is the New York Times-bestselling author of eight books, most recently Beowulf: A New Translation (MCD X FSG Originals, 2020). Her novel The Mere Wife (MCD X FSG, 2018), an adaptation of the Beowulf poem set in suburban America, was named by The Washington Post as one of its Notable Works of Fiction in 2018. Her essays on gender, chronic illness, politics, propaganda, and mythology have been published and covered in The New York Times, The Daily Beast, Nieman Storyboard, and elsewhere. She grew up in the high desert of Idaho on a survivalist sled dog ranch, where she spent summers plucking the winter coat from her father's wolf.Find the transcript for this show at onbeing.org.We're pleased to offer Maria Dahvana Headley's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

A horse race from the 1980s may not seem like the obvious inspiration for a poem that celebrates so many of the things that make our lives worth living — good company (human and animal), good books, good food, and honest work — and that is just part of the surprise, delight, and surging joy of Michael Klein's “Swale.” Michael Klein is a two-time winner of the Lambda Literary Award for poetry and is the author of five books of poetry and two memoirs. His work has appeared in many places, including Poetry, Tin House, The Paris Review, and Bennington Review. His newest book is The Early Minutes of Without: New & Selected Poems (Word Works, 2023). Find the transcript for this show at onbeing.org.We're pleased to offer Michael Klein's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

What holds our bodies together? Yes, there are the biological components, such as the cells, fluids, fibers, but what about the bone-deep stuff, the histories, myths, aches, resolves? In “Our Bird Aegis,” poet Ray Young Bear evokes an adolescent eagle to show how this blend of the visceral, the inherited, and the self-made abides in each of us, no matter our form, wherever we go. Ray Young Bear is a Meskawi poet and fiction writer. He is the author of several books of poetry including, The Invisible Musician (Holy Cow Press, 1990), The Rock Island Hiking Club (University of Iowa Press, 2001), and Manifestation Wolverine (Open Road Media, 2015). Young Bear is also the author of two novels, Black Eagle Child: The Facepaint Narratives (University of Iowa Press, 1995) and Remnants of the First Earth (Grove Atlantic, 1996).Find the transcript for this show at onbeing.org.We're pleased to offer Ray Young Bear's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

While disputes over contested lands result in damage that can be seen and documented, they also create countless unseen ruptures in the hearts, minds and souls of the humans caught in the chaos. By giving voice to yearning, Suji Kwock Kim's poem “Search Engine: Notes from the North Korean-Chinese-Russian Border” shows how bearing witness and asking the impossible are acts of profound courage, creativity, and defiance. Suji Kwock Kim is a poet and playwright. Her debut poetry collection, Notes from the Divided Country (Louisiana State University Press, 2003), was the recipient of the 2002 Walt Whitman Award from the Academy of American Poets and was also shortlisted for the 2004 Griffin Poetry Prize. Her most recent collection is Notes from the North (The Poetry Business, 2022). Find the transcript for this show at onbeing.org.We're pleased to offer Suji Kwock Kim's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

In “ROLL CALL: NEW TAROT NAMES FOR BLACK GIRLS,” Amber McBride treats us to a playful litany of language that twists and leaps and never stumbles. Flavored with old-time Christianity, old-time hoodoo, and a modern alchemy all her own, it talks back to prejudice, reclaims the words meant to take people down, and forges new identities that shimmer with strength and strangeness. Amber McBride is an English professor at the University of Virginia. She is the author of several books, including the forthcoming poetry collection, Thick with Trouble (Penguin Books/Penguin Random House, 2024). Her debut young adult novel, Me (Moth) (Square Fish/Macmillan Children's Publishing Group, 2023) was a finalist for the National Book Award, and it also won the 2022 Coretta Scott King - John Steptoe Award for New Talent. McBride low-key practices hoodoo and high-key devours books (100 or so a year keep her well fed). She is a bit of a book dragon; she collects more than she reads. In her spare time, she enjoys pretending it is Halloween every day, organizing her crystals, watching K-dramas, and accidentally scrolling through TikTok for 3 hours at a time. She believes in ghosts, and she believes in you.Find the transcript for this show at onbeing.org.We're pleased to offer Amber McBride's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

A fragile and wondrous technology that we all possess, the human breath powers any number of things in our lives — speeches, feats of music, athleticism, and more. Carl Dennis's powerful and meditative poem “Breath” calls on us to take a moment, give our breath our full attention, and celebrate it. Carl Dennis is the author of 13 works of poetry, including Earthborn (Penguin Books/Penguin Random House, 2022), as well as a collection of essays called Poetry as Persuasion (University of Georgia Press, 2001). In 2000, he received the Ruth Lilly Poetry Prize for his contribution to American poetry. His 2001 collection Practical Gods (Penguin Books/Penguin Random House) won the Pulitzer Prize. He lives in Buffalo, New York.Find the transcript for this show at onbeing.org.We're pleased to offer Carl Dennis's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Our lives are filled with distances, the physical spans that we travel but also the stranger, vaster expanses between our past and our present or between feeling anchored and connected and feeling terribly alone. A poem can capture all of those in a way that a map can't, as Elisa Gonzalez superbly demonstrates in “To My Twenty-Four-Year-Old Self.”Elisa Gonzalez is a poet, essayist, and fiction writer. Her work appears in the New Yorker, New York Times Magazine, Paris Review, and elsewhere. A graduate of Yale University and the New York University MFA program, she has received fellowships from the Norman Mailer Center, Bread Loaf Writers' Conference, Rolex Foundation, and the U.S. Fulbright Program. She is the recipient of a 2020 Rona Jaffe Foundation Writers' Award. Her debut poetry collection is Grand Tour (Farrar, Straus, and Giroux, 2023).Find the transcript for this show at onbeing.org.We're pleased to offer Elisa Gonzalez's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Most of us do our eavesdropping shyly and secretively, but Ofelia Zepeda's poem “Deer Dance Exhibition” welcomes us to listen in on an exchange between people as they watch a ceremonial dance. Along the way, we get the sense that what we're witnessing is more than a conversation — it's the sounds and sensations of life itself. Ofelia Zepeda is a poet, Regents Professor of Linguistics at the University of Arizona, and the recipient of a MacArthur Fellowship for her work in American Indian language education. She is the current editor of Sun Tracks, launched in 1971 and one of the first publishing programs to focus exclusively on the creative works of Native Americans. Her current poetry books include: Ocean Power: Poems from the Desert (The University of Arizona Press, 1995), Jewed ‘I-hoi/ Earth Movements (Kore Press, 2005), and Where Clouds are Formed (The University of Arizona Press, 2008). Find the transcript for this show at onbeing.org.We're pleased to offer Ofelia Zepeda's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Even in the most uneventful of human lives, uncertainty and doubts will inevitably intrude. When faced with those, what can you do to steady yourself? One suggestion: Turn to the poem “When in Doubt” by Sandra Cisneros, where she generously shares some of the wisdom that she's gleaned over the years. Sandra Cisneros is a poet, short story writer, novelist, essayist, performer, and artist. Cisneros's most recent collection is Woman Without Shame (Knopf Publishing Group 2022). Her numerous awards include NEA fellowships in both poetry and fiction, a MacArthur Fellowship, national and international book awards, including the PEN America Literary Award, and the National Medal of Arts. More recently, she received the Ford Foundation's Art of Change Fellowship, was recognized with the Fuller Award for Lifetime Achievement in Literature, and won the PEN/Nabokov Award for Achievement in International Literature. In 2022, she was awarded the Poetry Foundation's Ruth Lilly Poetry Prize. In addition to her writing, Cisneros has fostered the careers of many aspiring and emerging writers through two nonprofits she founded: the Macondo Foundation and the Alfredo Cisneros del Moral Foundation.Find the transcript for this show at onbeing.org. We're pleased to offer Sandra Cisneros's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

To be alive is to be in conversation with the dead. The ghosts of loved ones are always swirling around us, and sometimes we're lucky enough to catch a glimpse. In the poem “Three Mangoes, £1,” Kandace Siobhan Walker describes a surprising encounter with her late grandmother at a busy market, and an encounter with a stranger.Kandace Siobhan Walker is a writer and artist of Jamaican-Canadian, Saltwater Geechee, and Welsh heritage. Her poems have appeared in Magma, The White Review, Poetry Wales, and a number of anthologies. She is the author of the pamphlet Kaleido (Bad Betty, 2022). In 2021, she was both the recipient of an Eric Gregory Award and the winner of the White Review Poet's Prize. In 2019, she won the Guardian 4th Estate BAME short story prize. Cowboy, her debut full-length collection from CHEERIO Publishing, is shortlisted for the Forward Prize for Best First Collection in 2023.Find the transcript for this show at onbeing.org.We're pleased to offer Kandace Siobhan Walker's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

It is an intimate thing, to watch a lover while they sleep. In Francisco Aragón's translation of Francisco X. Alarcón's homoerotic poem, “Asleep You Become a Continent,” a man views his sleeping lover's body like it's a landscape: legs underneath sheets become mountains and valleys. The waking lover describes this view like an explorer might an unknown country; wondering what he will find.Francisco X. Alarcón was an award-winning Chicano poet and educator. He authored fourteen volumes of poetry, published seven books for children, and taught at the University of California, Davis, where he directed the Spanish for Native Speakers Program.Francisco Aragón is the son of Nicaraguan immigrants. His books include After Rubén (Red Hen Press, 2020), Glow of Our Sweat (Scapegoat Press, 2010), and Puerta de Sol (Bilingual Review Press, 2005).  He's also the editor of The Wind Shifts: New Latino Poetry (University of Arizona Press, 2007). A native of San Francisco, CA, he is on the faculty of the University of Notre Dame's Institute for Latino Studies, where he directs their literary initiative, Letras Latinas. His work has appeared in over twenty anthologies and various literary journals. He has read his work widely, including at universities, bookstores, art galleries, the Dodge Poetry Festival, and the Split This Rock Poetry Festival. He divides his time between South Bend, IN, and Mililani, HI.Find the transcript for this show at onbeing.org.We're pleased to offer Francisco Aragón's translation, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Conor Kerr's “Winter Songs” depicts a future scene: coyotes roaming through a rewilded city, digging up the bones of Indigenous ancestors who then regenerate and reclaim what was taken. Power is dismantled, something original is restored.Conor Kerr is a Métis/Ukrainian writer living in Edmonton. A member of the Métis Nation of Alberta, he is descended from the Lac Ste. Anne Métis and the Papaschase Cree Nation. His Ukrainian family are settlers in Treaty 4 and 6 territories in Saskatchewan. He is the author of the poetry collections An Explosion of Feathers and Old Gods, as well as the novel Avenue of Champions, which was shortlisted for the Amazon Canada First Novel Award, longlisted for the 2022 Giller Prize, and won the 2022 ReLIT award. Conor is an assistant professor at the University of Alberta where he teaches creative writing.Find the transcript for this show at onbeing.org.We're pleased to offer Conor Kerr's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Valencia Robin's poem portrays a tense relationship between mother and daughter; perhaps each resembling the other too much. In desperation — and shock — the daughter says the worst thing she can think of to her mother. What follows is like the fall of a dictator, a coup, an end, an opening.Valencia Robin is an interdisciplinary artist whose practice includes poetry, painting, collage, and sculpture. A recipient of a National Endowment of the Arts Fellowship, her debut poetry collection, Ridiculous Light, won Persea Books' First Book Prize, was a finalist for the Kate Tufts Discovery Award, and was named one of Library Journal's best poetry books of 2019. A co-founder of GalleryDAAS at the University of Michigan, Robin has an MFA in Art & Design from the University of Michigan and an MFA in Creative Writing from the University of Virginia. Robin currently teaches at East Tennessee State University and lives in Johnson City, Tennessee.Find the transcript for this show at onbeing.org.We're pleased to offer Valencia Robin's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

In a poem about how a small moment can help you make a wise decision, Eugenia Leigh finds the strength to go back home after storming out. No self-pity in the poem, just humor and brilliance. She had every reason to leave, and finds every reason to return. Eugenia Leigh is a Korean American poet and the author of two collections of poetry, Bianca (Four Way Books, 2023) and Blood, Sparrows and Sparrows (2014), winner of the Late Night Library's 2015 Debut-litzer Prize in Poetry, as well as a finalist for both the National Poetry Series and the Yale Series of Younger Poets. She currently serves as a poetry editor at The Adroit Journal and as the Valentines Editor at Honey Literary, a BIPOC-focused literary journal and literary arts organization.Find the transcript for this show at onbeing.org.We're pleased to offer Eugenia Leigh's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. 

Poetry Unbound with host Pádraig Ó Tuama is back on Monday, January 1. Featured poets in this season include Amber McBride, Eugenia Leigh, Francisco Aragón, Ray Young Bear, and many more. New episodes released every Monday and Friday through February 23.Follow us on Apple Podcasts, Spotify, Google Podcasts, Overcast, or wherever you listen.

Friends, Pádraig here — we are awakening your Poetry Unbound feed to share this brilliant episode from the newest season of On Being, which is well underway. Conversations on love and loss, comedy and ecology, social creativity, poetry, and more all await you in the On Being feed — subscribe now and don't miss out.And — Poetry Unbound Season 8 is in production and will be arriving this winter.  And now...This phrase recurs throughout Clint Smith's writing: "in the marrow of our bones." It is an example of how words can hold encrypted wisdom — in this case, the reality that memory and emotion lodge in us physically. Words and phrases have carried this truth forward in time long before we had the science to understand it.Clint Smith is best known for his 2021 book, How the Word Is Passed, but he is first and foremost a poet. He and Krista discuss how his various life chapters have been real-world laboratories for him to investigate the entanglement between language and the intelligence of the body — and the related entanglement between history and place. His poetic sensibility has singularly opened readers to approach a generative reckoning with American history — on whatever side of that history our ancestors stood. Clint Smith has a way of making reckoning possible at a humanizing, softening, bodily level — in the marrow, you might say, of our bones. Clint Smith is a staff writer at The Atlantic. His narrative nonfiction book, How the Word Is Passed: A Reckoning With the History of Slavery Across America, won the National Book Critics Circle Award for Nonfiction and many other honors. His poetry collections are Counting Descent and Above Ground.Find the transcript for this show at onbeing.org.

A central duality appears in the work of Henri Cole: the revelation of emotional truths in concert with a “symphony of language” — often accompanied by arresting similes. We are excited to offer this conversation between Pádraig and Henri, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they discuss the role of animals in Henri's work, the pleasure of aesthetics in poetry, and writing as a form of revenge against forgetting.Henri Cole was born in Fukuoka, Japan and raised in Virginia. He has published many collections of poetry and received numerous awards for his work, including the Jackson Poetry Prize, the Kingsley Tufts Award, the Rome Prize, the Berlin Prize, the Ambassador Book Award, the Lenore Marshall Award, and the Medal in Poetry from the American Academy of Arts and Letters. His most recent books are a memoir, Orphic Paris (New York Review Books, 2018), Blizzard (Farrar, Straus and Giroux, 2020), and Gravity and Center: Selected Sonnets, 1994-2022 (Farrar, Straus and Giroux, 2023). From 2010 to 2014, he was poetry editor of The New Republic. He teaches at Claremont McKenna College and lives in Boston.Find the transcript for this show at onbeing.org.