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6 episodes with Dayton Literary Peace Prize
8 episodes with Dayton Literary Peace Prize
6 episodes with Dayton Literary Peace Prize
6 episodes with Dayton Literary Peace Prize
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4 episodes with Dayton Literary Peace Prize
In this episode of The Archive Project, we feature a discussion on late writer Ursula K. Le Guin's legacy of pacifism and environmentalism. Our moderator is Theo Downes-Le Guin, Ursula's son and literary executor. Theo is in conversation with Oregon-based writers Juhea Kim, author of the novel Beasts of a Little Land, a finalist for the 2022 Dayton Literary Peace Prize, and Michelle Ruiz Keil, author most recently of the young adult novel Summer in the City of Roses, which was a finalist for the inaugural Ursula K. Le Guin Prize for Fiction. In her speech at the 2014 National Book Awards, accepting the Medal for Distinguished Contribution to American Letters, Ursula said: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.” Juhea Kim and Michelle Ruiz Keil are two of those voices that we need now. In this conversation, Juhea and Michelle discuss how they came—and returned—to Le Guin's work, her influence on their writing, and how they are carrying her legacy forward, including the responsibility of the artist as a humanitarian. This conversation was recorded in front of a live audience at Literary Arts on July 15, 2022. “It is good to have an end to journey toward; but it is the journey that matters, in the end.” ― Ursula K. Le Guin Ursula K. Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children's books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA's Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America. Michelle Ruiz Keil is an author, playwright, and tarot reader with an eye for the enchanted and way with animals. She is the author of the critically acclaimed young adult novels All of Us With Wings and Summer In The City of Roses. Her writing for adults can be found most recently in Bitch, Cosmonauts Avenue, and the anthology Dispatches From Anarres: Tales in Tribute to Ursula K. Le Guin. She is a 2021 Tin House Scholar and the recipient of residencies from Hedgebrook, The Sitka Center for Art and Ecology, and the Bloedel Reserve. Born in San Francisco, Michelle has lived in Portland, Oregon for many years where she curates the fairytale reading series All Kinds of Fur and lives with her family in a cottage where the forest meets the city. Juhea Kim is a writer, artist, and advocate based in Portland, Oregon. Her bestselling debut novel Beasts of a Little Land was named a finalist for the 2022 Dayton Literary Peace Prize and a Best Book of 2021 by Harper’s Bazaar, Real Simple, Ms., and Portland Monthly. Her writing has been published in Granta, Slice, The Massachusetts Review, Zyzzyva, Guernica, Catapult, Times Literary Supplement, The Independent, Sierra Magazine, and elsewhere. She is the founder and editor ofPeaceful Dumpling, an online magazine at the intersection of sustainable lifestyle and ecological literature. She has received fellowship support from the Bread Loaf Environmental Writers' Conference, the Regional Arts & Culture Council, and Virginia G. Piper Center for Creative Writing at Arizona State University. She earned her BA in Art and Archaeology from Princeton University.
Ben Fountain is the author of the novel Rasputin Swims the Potomac, available from Flatiron Books. It is the official June pick of the Otherppl Book Club. Fountain's work has received the National Book Critics Circle Award for Fiction, the PEN/Hemingway Award, the Los Angeles Book Prize for Fiction, and a Whiting Writers Award, and has been a finalist for the National Book Award and runner-up for the Dayton Literary Peace Prize. He lives in North Carolina. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit www.rula.com/otherppl to get started. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
“To explain the lives of people living in this moment, to look at the historical forces that are shaping all of us, you have to look at business and technology. In our period, what is it that's shaping us? I would suggest it's the long fallout from the 2008 financial crisis and the technology revolution that's been happening in California.” — Alexander Starritt How to write a novel about our times? For Alexander Starritt, it means juxtaposing friendship and ambition alongside the grand historical forces of the age. Just as George Eliot did in Middlemarch. Whereas for Eliot, those forces were the 1832 Reform Acts and the industrial revolution, Starritt's forces are the 2008 financial crisis and the digital revolution. His novel, Drayton and Mackenzie, longlisted for the Financial Times Business Book of the Year, follows two ambitious Gen X'ers through the first two decades of the twenty-first century. The 2008 crash, Starritt says, ruined the lives of many of his generation. Rather than being in a Gramscian interregnum, our brave new 21st century world is already visible. But in contrast with many progressive critics of our neo-liberalism age, Starritt isn't apocalyptic about the future. Think of Drayton and Mackenzie as Middlemarch and McKinsey. Revolutions will come and go, but, for Alexander Starritt, friendship and ambition are unchanging. Five Takeaways • The First Novel on the FT Business Book List in 15 Years: The Financial Times and Schroders Business Book of the Year longlist typically features books on China, AI, and tech giants. In 2025, for the first time in fifteen years, it included a novel. Starritt's reading of why: there's a gap. The literary and cultural worlds have become so estranged from the business world that very few writers are even attempting to write seriously about the forces that actually shape people's lives. That gap, he says, says as much about the cultural moment as any quality the book itself might have. • George Eliot's Method: Historical Forces as the Engine of Fiction: When George Eliot wrote Middlemarch, the historical forces she was dramatising were the Reform Acts and the industrial revolution. Starritt's equivalent: the 2008 financial crisis and the California tech revolution. His method is Eliot's — use a closely observed relationship (in his case, a male friendship rather than a marriage) as the engine through which the reader experiences history. The friendship gives the historical canvas an emotional charge. The historical canvas gives the friendship its full weight. Neither works without the other. • Male Friendship: The Most Important Relationship Nobody Writes About: We've all read too many books and seen too many films about romantic and sexual relationships. Starritt's observation: there is another type of relationship — friendship — that is incredibly important to almost all of us, and that gets almost no literary attention. Drayton and Mackenzie is his attempt to take it seriously. The friendship between James (straight-lined, disciplined, brilliant) and Roland (impulsive, self-sabotaging, charming) evolves from incomprehension to something described by the Financial Times as “unbreakable” — and the reviewer admitted that by the end, their vision wasn't the clearest. • The Post-Liberal World Is Already Here: Everyone quotes Gramsci's interregnum — the old world is dying, the new one hasn't been born yet. Starritt's counter: the new world has already been born. You can see it everywhere across the Western world. British jobs for British workers. Reshoring manufacturing. Keeping out undesirable foreigners. There is, he notes, quite a lot of consensus about these things, even if the discourse around them is contested. The post-liberal world is already here. The question is not whether it will arrive but what we do with it. • European Optimism: The Separation From America May Be for Europe's Own Good: Starritt's closing optimism, which he acknowledges may not be welcome news for American listeners: the painful separation from America that America is forcing upon Europe is probably, in the long run, for Europe's own good. Rather than relying on the White House, Europeans can take responsibility for themselves. David Runciman's idea: democracy needs to be renewed every generation. The external pressure of China, Russia, and an America that no longer wants to help may be the forcing function that produces that renewal. Maybe we can get some agency back. About the Guest Alexander Starritt is a Scottish novelist and entrepreneur. He was born in 1985 and is the author of Drayton and Mackenzie (Atlantic Monthly Press, June 2, 2026), We Germans (winner of the Dayton Literary Peace Prize), and The Beast (a 2017 Spectator book of the year). He was a founding team member of the policy platform Apolitical. He lives in London. References: • Drayton and Mackenzie by Alexander Starritt (Atlantic Monthly Press, June 2, 2026). • George Eliot, Middlemarch — Starritt's primary literary model, referenced explicitly. • Adrian Wooldridge, “Bring Back the Big Business Novel,” Bloomberg — the piece referenced at the opening. • David Runciman — referenced for his argument about democratic renewal. • Michael Chabon, The Amazing Adventures of Kavalier & Clay — the Financial Times comparison. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple PodcastsSpotify Chapters: (00:31) - Introduction: the FT Business Book longlist and the first novel in 15 years (02:03) - The gap in culture: literary and business worlds estranged (02:50) - Adrian Wooldridge: bring back the big business no...
My talk with Jim and Elliot starts at 16 mins Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous souls About 2084 and the co written book series In their novel 2034, decorated military officers and award-winning authors Elliot Ackerman and Admiral James Stavridis imagined a war between the US and China. In their follow-up novel, 2054, they envisioned a breakdown in American politics fueled by a radical advance in AI. Now they make their boldest, most astonishing, and arguably most necessary leap—imagining the consequences of a climate war. By the year 2084, the world is divided into the equatorial countries that bear the brunt of the climate crisis—led by Nigeria, Brazil, and Indonesia—and wealthier countries like China and the US, beset by their own problems after a series of civil wars. Tensions between the two sets of countries have reached a breaking point, until finally the so-called Reparationist nations of the equator decide that only military force can bring them justice. A fascinating and disturbingly plausible extrapolation from current realities, 2084, like other classics of the genre such as Kim Stanley Robinson's The Ministry for the Future and Neal Stephenson's Termination Shock, deploys a global cast of characters, all protecting their interests as the fate of human civilization hangs in the balance. Individuals often seem small in the face of the forces that drive global change, but in the end human agency proves surprisingly decisive. Big doors can swing on small hinges. We have it within ourselves to write a different destiny, if only we can imagine it. Elliot Ackerman is the author of several novels, most recently Red Dress In Black and White. His books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and non-fiction, and the Dayton Literary Peace Prize among others. His writing often appears in Esquire, The New Yorker, and The New York Times where he is a contributing opinion writer, and his stories have been included inThe Best American Short Stories and The Best American Travel Writing. He is both a former White House Fellow and Marine, and served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. He divides his time between New York City and Washington, D.C. Website: www. ElliotAckerman.com; Twitter: @elliotackerman Admiral James Stavridis, USN (Ret.) spent more than thirty years in the U.S. Navy, rising to the rank of four-star Admiral. He was the Supreme Allied Commander at NATO and previously commanded U.S. Southern Command, overseeing military operations in Latin America. At sea, he commanded a Navy destroyer, a destroyer squadron, and an aircraft carrier battle group in combat. He holds a Ph.D. from The Fletcher School of Law and Diplomacy at Tufts University, where he recently served five years as dean. He has published nine previous books and hundreds of articles and is a frequent national and international television commentator as well as a Bloomberg Opinion weekly columnist, and a monthly columnist for TIME Magazine. He is chairman of the Board of Counselors of McLarty Global Associates, an international consulting firm, and an operating executive of the Carlyle Group, an international private equity firm. Website: www.AdmiralStav.com ; Twitter:@stavridisJ Listen rate and review on Apple Podcasts Listen rate and review on Spotify Pete On Instagram Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on Twitter Pete Personal FB page Stand Up with Pete FB page Gift a Subscription https://www.patreon.com/PeteDominick/gift Send Pete $ Directly on Venmo All things Jon Carroll Buy Ava's Art Subscribe to Piano Tuner Paul Paul Wesley on Substack Listen to Barry and Abigail Hummel Podcast Listen to Matty C Podcast and Substack Follow and Support Pete Coe Hire DJ Monzyk to build your website or help you with Marketing
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
Chang-rae Lee reads his story “Standings,” from the May 11 & 18, 2026, issue of the magazine. Lee is the author of six novels, including “Native Speaker,” “The Surrendered,” which won the Dayton Literary Peace Prize in 2011, and “My Year Abroad.” His new novel, “A Tender Age,” will be published in August. Learn about your ad choices: dovetail.prx.org/ad-choices
On the latest episode of Now, Appalachia, Eliot interviews author Jordan Ritter Conn about his new book AMERICAN MEN. Jordan is the author of The Road From Raqqa: A Story of Brotherhood, Borders, and Belonging, runner-up for the 2021 Dayton Literary Peace Prize. He is a Senior Staff Writer for The Ringer and the host of the narrative podcasts What If: The Len Bias Story and Sonic Boom, named by The Atlantic as one of the best podcasts of 2019. He lives in Nashville, Tennessee, with his family.
On the latest episode of Now, Appalachia, Eliot interviews author Jordan Ritter Conn about his new book AMERICAN MEN. Jordan is the author of The Road From Raqqa: A Story of Brotherhood, Borders, and Belonging, runner-up for the 2021 Dayton Literary Peace Prize. He is a Senior Staff Writer for The Ringer and the host of the narrative podcasts What If: The Len Bias Story and Sonic Boom, named by The Atlantic as one of the best podcasts of 2019. He lives in Nashville, Tennessee, with his family.
On the latest episode of Now, Appalachia, Eliot interviews author Jordan Ritter Conn about his new book AMERICAN MEN. Jordan is the author of The Road From Raqqa: A Story of Brotherhood, Borders, and Belonging, runner-up for the 2021 Dayton Literary Peace Prize. He is a Senior Staff Writer for The Ringer and the host of the narrative podcasts What If: The Len Bias Story and Sonic Boom, named by The Atlantic as one of the best podcasts of 2019. He lives in Nashville, Tennessee, with his family.
Most people remember exactly where they were the week of March 11, 2020. Life suddenly stopped. The world went quiet. And for a brief moment, everything about our routines, priorities, and pace of life was thrown into question. Six years later, the world is loud and fast again. But the real question is: what were we supposed to learn from the moment when everything slowed down?In this episode, Ryan talks with award-winning author Chloe Dalton about the strange stillness of those early pandemic months and how one unexpected encounter with a wild hare during lockdown completely changed the way she thought about time, work, and the life she was building. Later in the episode, novelist Susan Straight joins the conversation to reflect on why it's important that we don't rush to forget that time and what remembering the pandemic can still teach us.
Susan Straight is the author of the novel Sacrament, available from Counterpoint Press. Straight has published nine previous novels, including Mecca, A Million Nightingales, and Highwire Moon, and one memoir, In the Country of Women. She's been a finalist for the Kirkus Prize, the Dayton Literary Peace Prize, the National Book Award, among other honors, and received the Lannan Prize, the O. Henry Award, the Edgar Award, a Guggenheim Fellowship, and the Robert Kirsch Award for lifetime achievement from the Los Angeles Times Book Prizes. Her fiction has been translated into ten languages. She was born in Riverside, California, where she lives with her family. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
I've recorded hundreds of conversations with incredible people working on the front lines of the future. People who've asked the most important question: what can I do? Who found their answer and followed it. But for today's conversation, we're going back to the front lines of the past because the past can tell us a whole hell of a lot about today and how tomorrow might go.But only if we tell the full story of how we got here, about who got us here, about how my great-great-grandparents got here. And how my grandma got here fleeing the Nazis, and how millions of Africans were forcibly brought here, over 35,000 trips across the middle passage over almost 300 years. The full story of the choices we made then, which was not so long ago, and continue to make now about wars and heritage and bondage and family and land and more.And how, if we can break from the stories we've been told and continue to tell ourselves to choose history over nostalgia, to choose facts over memory and infinite disinformation on demand, we can make different choices. My guest today is Clint Smith. Clint is the number one New York Times bestselling author of How the Word Is Passed: A Reckoning With the History of Slavery Across America, he's the winner of the National Book Critic Circle Award for nonfiction, the Hillman Prize for book journalism, the Stowe Prize, the Dayton Literary Peace Prize, and was selected by the New York Times as one of the 10 best books of 2021.And now in 2025, the Young Reader's Edition has just come out and it is wonderful. Clint is also the author two books of poetry, the New York Times bestselling collection Above Ground, as well as Counting Dissent. Both poetry collections were winners of the Literary Award for Best Poetry Book from the Black Caucus of the American Library Association, and both were finalists for NAACP Image Awards.Clint is a staff writer at The Atlantic and he has received fellowships for the Andrew W. Mellon Foundation, New America, the Emerson Collective, the Art for Justice Fund, Cave Canum, and the National Science Foundation. His essays, poems, and scholarly writing have been published in The New Yorker, New York Times Magazine, the New Republic, Poetry Magazine, the Paris Review, the Harvard Educational Review, and elsewhere. Clint is a former National Poetry Slam Champion, and the recipient of the Jerome Jay Shestack Prize from the American Poetry Review.-----------Have feedback or questions? Tweet us, or send a message to questions@importantnotimportant.comNew here? Get started with our fan favorite episodes at podcast.importantnotimportant.com.Take Action at www.whatcanido.earth-----------INI Book Club:How The Word Is Passed by Clint SmithHow The Word Is Passed Young Readers Edition by Clint Smith, Adapted by Sonja Cherry-PaulFind all of our guest recommendations at the INI Book Club:
Hala Alyan is the author of the debut memoir I'll Tell You When I'm Home, available from Avid Reader Press. Alyan is the author of the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Writer Files: Writing, Productivity, Creativity, and Neuroscience
Acclaimed debut novelist and English Professor Priscilla Morris spoke to me about finding her voice, and the germ of an idea that became her labor of love, acclaimed debut novel BLACK BUTTERFLIES. Priscilla Morris is a British author and lecturer whose debut novel, Black Butterflies, was shortlisted for a number of major awards. Critics described Black Butterflies as “a story of strife and hope set during the conflict in the Balkans in the early '90s,” and it was shortlisted in 2023 for: the Women's Prize for Fiction, the RSL Ondaatje Prize, among others, and chosen as an Indie Fiction Book of the Month. Black Butterflies is a finalist for the Dayton Literary Peace Prize 2025 (winners to be announced in September). Priscilla teaches creative writing in Ireland and studied Spanish, Italian and social anthropology at Cambridge University and creative writing at the University of East Anglia, where she earned her PhD. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Priscilla Morris and I discussed: How her Grandfather's funeral planted the seed that became her novel Why art helps overcome the tragedies of war Writing a love letter to the place she spent a part of her formative childhood How to cultivate a balanced disposition toward your work over time Why writing is a long game And a lot more! Show Notes: priscillamorris.org Black Butterflies: A Novel by Priscilla Morris (Amazon) Priscilla Morris on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices
What happens when politics becomes performance and politicians become influencers? In today's Part 2 episode, former Marine and NYT bestselling author Elliot Ackerman joins Ryan to talk about the idea that “everything's a racket,” the collapse of institutional trust, and why restraint used to define real leadership. They talk about how cancel culture morphed into shamelessness as a superpower, why we might be living in a post-shame society, Ambrose Bierce's wild literary exit, and why modern media feels more like professional wrestling than journalism.Elliot Ackerman is the New York Times bestselling author of the novels 2054, 2034, Halcyon, Red Dress in Black and White, Waiting for Eden, Dark at the Crossing, and Green on Blue, as well as the memoirs The Fifth Act: America's End in Afghanistan and Places and Names: On War, Revolution, and Returning. Elliot's books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and nonfiction, and the Dayton Literary Peace Prize, among others. He is a contributing writer at The Atlantic, a Senior Fellow at Yale's Jackson School of Global Affairs, and a veteran of the Marine Corps and CIA special operations, having served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. Be sure to check out Elliot's latest book, SHEEPDOGS. Apple Studios has actually bought the rights to develop the book as a series with Tom Hanks production company. Grab signed copies of Elliot's books 2054 and 2034 at The Painted Porch | https://www.thepaintedporch.com/Follow Elliot Ackerman on Instagram and X @elliot.ackerman
Former Marine turned novelist Elliot Ackerman sits down with Ryan to talk about what discipline really looks like in everyday life. From 100-degree runs to cold plunges and daily writing routines, they discuss what helps them stay steady, focused, and consistent even when it's hard.Elliot Ackerman is the New York Times bestselling author of the novels 2054, 2034, Halcyon, Red Dress in Black and White, Waiting for Eden, Dark at the Crossing, and Green on Blue, as well as the memoirs The Fifth Act: America's End in Afghanistan and Places and Names: On War, Revolution, and Returning. Elliot's books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and nonfiction, and the Dayton Literary Peace Prize, among others. He is a contributing writer at The Atlantic, a Senior Fellow at Yale's Jackson School of Global Affairs, and a veteran of the Marine Corps and CIA special operations, having served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. Be sure to check out Elliot's latest book, SHEEPDOGS. Apple Studios has actually bought the rights to develop the book as a series with Tom Hanks production company. Grab signed copies of Elliot's books 2054 and 2034 at The Painted Porch | https://www.thepaintedporch.com/Follow Elliot Ackerman on Instagram and X @elliot.ackerman
You can purchase your own copy of The Lives of the Muses: Nine Women and the Artists They Inspired HERE.Francine Prose is a renowned American author and critic. She has published several non-fiction books, including The Lives of the Muses, as well as several novels, essays, and short-stories. She has also contributed works to major publications such as The New York Times and The New Yorker. Her novel Blue Angel was a finalist for the National Book award, and her novel A Changed Man, won the Dayton Literary Peace Prize. Prose is also the former president of PEN American Center and holds the title of Distinguished Writer in Residence at Bard College, where she is currently a professor. If you have not yet listened to ArtMuse's episodes on Elizabeth Siddall and Gala Dali, you can find these episodes by searching for ArtMuse on all streaming platforms, as well as on our website: www.artmusepodcast.com. Be sure to follow ArtMuse on Instagram & TikTok. Donate to ArtMuse HERE.ArtMuse is produced by Kula Production Company.Today's episode was written by host Grace Anna.There are accompanying images, resources and suggestions for further reading on the ArtMuse website and Instagram.
Edwidge Danticat joins Deborah Treisman to read and discuss “Two Men Arrive in a Village,” by Zadie Smith, which was published in The New Yorker in 2016. Danticat, a MacArthur Fellow and a winner of the Vilcek Prize in Literature, has published six books of fiction, including “Breath, Eyes, Memory,” “The Farming of Bones,” “Claire of the Sea Light,” and “Everything Inside.” Her memoir “Brother, I'm Dying” won the National Book Award and the Dayton Literary Peace Prize, among others. She has been publishing fiction and nonfiction in The New Yorker since 1999. Learn about your ad choices: dovetail.prx.org/ad-choices
“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
In this episode of the Watchung Booksellers Podcast, authors Anne Berest and Claire Berest discuss their novel, Gabriële, with moderator Violaine Huisman during a partnership event with the Montclair Literary Festival, the Montclair Public Library, and the Montclair Campus of L'Alliance-New York. Anne Berest's first novel to appear in English, The Postcard (Europa, 2023), was a national bestseller, a Library Journal, NPR, and TIME Best Book of the Year, a Vogue Most Anticipated Book of the Year, winner of the Choix Goncourt Prize, and runner-up for the 2024 Dayton Literary Peace Prize. It was described as “stunning” by Leslie Camhi in The New Yorker, as a “powerful literary work” by Julie Orringer in The New York Times Book Review, and as “intimate, profound, essential” in the pages of ELLE magazine. Her new novel, Gabriële (Europa Editions, 2025) is based on the life of Gabriële Buffet, whose extraordinary impact on 20th century avant-garde art and whose remarkable life have largely been obscured. Berest lives in Paris.Claire Berest is the author of the novels Mikado (2009), The Empty Orchestra, Bellevue (2016), Rien n'est noir, winner of the ELLE Readers Grand Prize, and two works of nonfiction, Class Struggle: Why I Resigned from National Education, and Lost Children: An Investigation in the Minors Brigade. Her most recent novel is Artifices. Violaine Huisman was born in Paris in 1979 and has lived and worked in New York for twenty years, where she ran the Brooklyn Academy of Music's literary series and also organized multidisciplinary arts festivals across the city. Originally published by Gallimard under the title Fugitive parce que reine, her debut novel The Book of Mother was awarded multiple literary prizes including the Prix Françoise Sagan and the Prix Marie Claire. Resources:Francis Picabia Marcel Duchamp Paris Museum of Modern Art Albertine BookshopBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!
In today's episode, I'm joined by the extraordinary Juhea Kim to discuss her latest novel, City of Night Birds—a haunting and lyrical exploration of artistry, love, and redemption set against the backdrop of the Russian ballet world.The novel centers on Natalia Leonova, once the most celebrated ballerina of her generation. After a catastrophic accident ends her career, Natalia returns to St. Petersburg in 2019, grappling with addiction and the ghosts of her past. As she navigates the city that shaped her, she confronts memories of her complex relationships: her great love, Alexander, who transformed both her life and art; and Dmitri, a dark and treacherous genius whose actions contributed to her downfall. When Dmitri offers her a chance to return to the stage in her signature role, Natalia must decide whether she can face the people and the world that nearly broke her.In our conversation, Juhea and I explore themes of forgiveness, identity, and the transformative power of art. Juhea shares insights into her research process, her connection to the world of ballet, and how she crafted a narrative that resonates with both intimacy and grandeur. We talk about the moral responsibilities that authors have, literature as a work of art, the world around us and so much more. A bit about Juhea before we begin: she is the author of the acclaimed debut novel Beasts of a Little Land, which was a finalist for the Dayton Literary Peace Prize and the winner of the Society of American Historians Prize for Historical Fiction. Her writing has appeared in Guernica, Catapult, Zyzzyva, and The New York Times Modern Love. Born in South Korea and now based in Portland, Oregon, Juhea is also a passionate advocate for animal rights and environmental justice.This is a beautiful and deeply human conversation, and I can't wait for you to hear it.Support the show
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
Colm Tóibín reads his story “Five Bridges,” from the March 10, 2025, issue of the magazine. Tóibín, a winner of the Folio Prize and the Dayton Literary Peace Prize, among others, has published eleven novels, including “Brooklyn,” “The Magician,” and “Long Island,” which came out last year. Learn about your ad choices: dovetail.prx.org/ad-choices
: Riviera Sun is the author of several social protest novels, The Dandelion Insurrection, Steam Drills, Treadmills, and Shooting Stars and the award-winning Ari Ara Series. as well as nine theatrical plays and a book of poetry. In 2020, her novel The Lost Heir was nominated for the Dayton Literary Peace Prize. Rivera cohosts Occupy Radio with David Sierra Lupe, and cofounded the nationwide nonviolent study and action group network, the Love-inAction Network and is the founding editor of the prize-winning Nonviolent News. After six years working as a professional playwright. Rivera Sun serves on the board of the Backbone Campaign and the advisory board of World BEYOND War
Sabaidee and hello! Welcome to Season 3 of Thip Khao Talk Podcast. Sophia Tran-Vu, Legacies of War Board Member, sits down with Dr. Nguyễn Phan Quế Mai! Born and raised in Việt Nam, Dr. Nguyễn Phan Quế Mai is an award-winning writer in Vietnamese and English, author of twelve books of fiction, poetry and non-fiction. Her poetry in Vietnamese have been written into popular songs and has received Poetry of the Year 2010 Award from the Hanoi Writers Association, the Capital Award for Arts and Literature, as well as First Prize, the Poetry Competition about 1,000 Years of Hanoi. Her two novels in English, The Mountains Sing and Dust Child, are both international bestsellers and have been honored with Runner-up for the Dayton Literary Peace Prize, the PEN Oakland/Josephine Miles Literary Award, the International Book Awards, the BookBrowse Best Debut Award, and the Lannan Literary Fellowship in Fiction. Her writing has been translated into twenty-seven languages and has appeared in major publications including The New York Times. Quế Mai is the Peace Ambassador for PeaceTree Vietnam, an organization that works to remove unexploded bombs in Việt Nam, as well as an Ambassador for Room to Read, an organisation that aims to erase global illiteracy and promotes girls' education, She was named by Forbes Vietnam as one of 20 inspiring women of 2021. She has a Ph.D in Creative Writing with the U.K.'s Lancaster University. Theme song by Lao Jazzanova Learn more about Dr. Nguyễn Phan Quế Mai Learn more about Legacies of War
Creation Lake (Scribner, 2024) is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics, bold opinions, and clean beauty, who is sent to do dirty work in France. "Sadie Smith" is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by "cold bump"--making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her "contacts"--shadowy figures in business and government--instruct. First, these contacts want her to incite provocation. Then they want more. In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past. Just as Sadie is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Written in short, vaulting sections, Rachel Kushner's rendition of "noir" is taut and dazzling. Creation Lake is Kushner's finest achievement yet as a novelist, a work of high art, high comedy, and unforgettable pleasure. Rachel Kushner is the author of the novels CREATION LAKE, THE MARS ROOM, THE FLAMETHROWERS, and TELEX FROM CUBA, a book of short stories, THE STRANGE CASE OF RACHEL K, and THE HARD CROWD: ESSAYS 2000-2020. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, the James Tait Black Prize, the Dayton Literary Peace Prize, and is now three times a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Recommended Books: Cormac McCarthy, Child of God Vladimir Nabokov, Pale Fire Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Creation Lake (Scribner, 2024) is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics, bold opinions, and clean beauty, who is sent to do dirty work in France. "Sadie Smith" is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by "cold bump"--making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her "contacts"--shadowy figures in business and government--instruct. First, these contacts want her to incite provocation. Then they want more. In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past. Just as Sadie is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Written in short, vaulting sections, Rachel Kushner's rendition of "noir" is taut and dazzling. Creation Lake is Kushner's finest achievement yet as a novelist, a work of high art, high comedy, and unforgettable pleasure. Rachel Kushner is the author of the novels CREATION LAKE, THE MARS ROOM, THE FLAMETHROWERS, and TELEX FROM CUBA, a book of short stories, THE STRANGE CASE OF RACHEL K, and THE HARD CROWD: ESSAYS 2000-2020. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, the James Tait Black Prize, the Dayton Literary Peace Prize, and is now three times a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Recommended Books: Cormac McCarthy, Child of God Vladimir Nabokov, Pale Fire Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Creation Lake (Scribner, 2024) is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics, bold opinions, and clean beauty, who is sent to do dirty work in France. "Sadie Smith" is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by "cold bump"--making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her "contacts"--shadowy figures in business and government--instruct. First, these contacts want her to incite provocation. Then they want more. In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past. Just as Sadie is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Written in short, vaulting sections, Rachel Kushner's rendition of "noir" is taut and dazzling. Creation Lake is Kushner's finest achievement yet as a novelist, a work of high art, high comedy, and unforgettable pleasure. Rachel Kushner is the author of the novels CREATION LAKE, THE MARS ROOM, THE FLAMETHROWERS, and TELEX FROM CUBA, a book of short stories, THE STRANGE CASE OF RACHEL K, and THE HARD CROWD: ESSAYS 2000-2020. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, the James Tait Black Prize, the Dayton Literary Peace Prize, and is now three times a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Recommended Books: Cormac McCarthy, Child of God Vladimir Nabokov, Pale Fire Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Creation Lake (Scribner, 2024) is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics, bold opinions, and clean beauty, who is sent to do dirty work in France. "Sadie Smith" is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by "cold bump"--making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her "contacts"--shadowy figures in business and government--instruct. First, these contacts want her to incite provocation. Then they want more. In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past. Just as Sadie is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Written in short, vaulting sections, Rachel Kushner's rendition of "noir" is taut and dazzling. Creation Lake is Kushner's finest achievement yet as a novelist, a work of high art, high comedy, and unforgettable pleasure. Rachel Kushner is the author of the novels CREATION LAKE, THE MARS ROOM, THE FLAMETHROWERS, and TELEX FROM CUBA, a book of short stories, THE STRANGE CASE OF RACHEL K, and THE HARD CROWD: ESSAYS 2000-2020. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, the James Tait Black Prize, the Dayton Literary Peace Prize, and is now three times a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Recommended Books: Cormac McCarthy, Child of God Vladimir Nabokov, Pale Fire Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Rachel Kushner's fourth novel Creation Lake is a spy novel stacked with ideas. As our fast-thinking, gun-packing protagonist wends her way down to the south of France, charged—by forces unknown—with infiltrating and sowing chaos at a commune of eco-warriors, her mission leads her into exhilarating reflections on activism, on charisma, on neanderthals and other lost races of archaic humans, on the remodelling—some might say devastation—of rural France in the name of progress, on loss in its myriad forms, on the shadows loss leaves behind, on Guy Debord, on the apparently charmed life of Louis Ferdinand Céline, on Daft Punk's ubiquitous Get Lucky, on space, on time, on spacetime, and on the many paths she has and hasn't taken in her life… As that list hopefully demonstrates, the scope of Creation Lake is vast, stretching from the micro of the personal to the macro of the cosmos—and touching on everything in between. And yet incredibly, Creation Lake never feels weighed down by all this. Quite the opposite. It hurls forward at exactly the dizzying speed you'd expect from the wise-cracking secret agent at its heart. All in all, Creation Lake is quite the ride. Recorded in Paris in March 2024.Buy Creation Lake: https://www.shakespeareandcompany.com/books/creation-lake-3*Rachel Kushner is the author of the internationally acclaimed novels THE MARS ROOM, THE FLAMETHROWERS, and TELEX FROM CUBA, as well as a book of short stories, THE STRANGE CASE OF RACHEL K. Her new book, THE HARD CROWD: ESSAYS 2000-2020 will be published in April 2021. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, the James Tait Black Prize, the Dayton Literary Peace Prize, and was twice a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Her books have been translated into twenty-six languages. Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Patricia Engel is the author of five books including the newest collection of short stories, The Faraway World; Infinite Country, a New York Times Bestseller and Reese's Book Club pick; The Veins of the Ocean, winner of the Dayton Literary Peace Prize; It's Not Love, It's Just Paris, winner of the International Latino Book Award; and Vida, a finalist for the Pen/Hemingway and Young Lions Fiction Awards, and a New York Times Notable Book. She is a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts. Her stories appear in The Best American Short Stories, The Best American Mystery Stories, The O. Henry Prize Stories, and elsewhere. Born to Colombian parents, Patricia teaches creative writing at the University of Miami. Patricia Engel joins Barbara DeMarco-Barrett to discuss how ideas become short stories or novels, how Veins of the Ocean started as a short story and became a novel, how the ending a short story differs from the ending of a novel, why she likes first person, knowing what to leave out in a short story, and more. For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. Support the show by buying books at our bookstore on bookshop.org. We've stocked it with titles from our guests, as well as some of our personal favorites. You'll support independent bookstores and our show by purchasing through the store. Finally, on Spotify listen to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners. (Recorded on April 25, 2024) Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
On this week's episode of You Are What You Read, we are joined by literary sensation and incomparable storyteller, Margaret Atwood. Margaret is the author of more than fifty books of fiction, poetry, and critical essays, including the award-winning, The Handmaid's Tale, The Testaments, Cat's Eye, Alias Grace, The Blind Assassin, and more. Margaret has won the Booker Prize, the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award, and the Dayton Literary Peace Prize. In this conversation, we discuss Margaret's glorious and hilarious short story collection, Old Babes in the Wood, a deep look into family, marriage, loss and aging, and what it means to spend a life with those you love. Learn more about your ad choices. Visit megaphone.fm/adchoices
Francine Prose is the author of the memoir 1974: A Personal History, available from Harper. Prose is the author of twenty-two works of fiction including the highly acclaimed The Vixen; Mister Monkey; the New York Times bestseller Lovers at the Chameleon Club, Paris 1932; A Changed Man, which won the Dayton Literary Peace Prize; and Blue Angel, which was a finalist for the National Book Award. Her works of nonfiction include the highly praised Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer, which has become a classic. The recipient of numerous grants and honors, including a Guggenheim and a Fulbright, a Director's Fellow at the Center for Scholars and Writers at the New York Public Library, Prose is a former president of PEN American Center, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She is a Distinguished Writer in Residence at Bard College. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Teddy Wayne is the author of the novels The Winner, The Great Man Theory, Apartment, Loner, The Love Song of Jonny Valentine, and Kapitoil. He is the winner of a Whiting Writers' Award and an NEA Creative Writing Fellowship as well as a finalist for the Young Lions Fiction Award, PEN/Bingham Prize, and Dayton Literary Peace Prize. A former columnist for the New York Times and McSweeney'sand a frequent contributor to The New Yorker, he has taught at Columbia University and Washington University in St. Louis. He has developed films and series from his novels with Columbia Pictures, HBO, MGM Television, and others. He lives in Brooklyn with his wife, the writer Kate Greathead, and their children. Teddy joins Barbara DeMarco-Barrett to talk about his path to writing, how to make unlikeable characters empathetic, writing characters who are outsiders, his unusual way of plotting, and much more. For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. Support the show by buying books at our bookstore on bookshop.org. We've stocked it with titles from our guests, as well as some of our personal favorites. You'll support independent bookstores and our show by purchasing through the store. Finally, on Spotify listen to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners. (Recorded on July 12, 2024) Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
Today, we get to hear from Maurice Carlos Ruffin whose novel, THE AMERICAN DAUGHTERS, was released in February. We'll be talking about how to write politically charged topics. Watch a recording here. The audio/video version is available for one week. Missed it? Check out the podcast version above or on your favorite podcast platform.To find Ruffin's latest novel and many other books by our authors, visit our Bookshop page. Looking for a writing community? Join our Facebook page.Maurice Carlos Ruffin is the recipient of the 2023 Louisiana Writer Award and the Black Rock Senegal Residency. He also wrote The Ones Who Don't Say They Love You, which was published in August 2021. It was the 2023 One Book One New Orleans selection, a New York Times Editor's Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence and longlisted for the Story Prize. The book was also selected to represent Louisiana at the 2023 National Book Festival. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize. It was longlisted for the 2021 DUBLIN Literary Award, the Center for Fiction Prize, and the Aspen Words Literary Prize. A New Orleans native, Ruffin is a professor of Creative Writing at Louisiana State University, and the 2020-2021 John and Renee Grisham Writer-in-Residence at the University of Mississippi. Ruffin is part of the Artist Network of Narrative 4, an organization dedicated to aiding the educational opportunities of young people. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com
The pod team is still on vacation! In the mountains! Without recording equipment! The Season 5 premiere will be in your feed soon. Until then, enjoy this conversation with Maurice Carlos Ruffin, author of three books and faculty member twice over. Maurice Carlos Ruffin, author and faculty member at two MFA programs, joins Jared for this special episode about Maurice's multi-year journey from corporate lawyer to professional writer (with plenty of rejection in between), the role of a creative writing professor in guiding students' work, and the criticality of retaining joy in our writing, despite the challenges of publication, deadlines, and stories that just aren't working. Finally, Maurice offers advice on what makes someone a successful MFA student, and where emerging writers should devote their energy. Maurice Carlos Ruffin is the author of The Ones Who Don't Say They Love You, which was published by One World Random House in August 2021. It was a New York Times Editor's Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence, and longlisted for the Story Prize. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize, among others. A New Orleans native, Maurice is a professor of Creative Writing in the MFA program at Louisiana State University and a faculty member in Randolph College's low-residency M.F.A. program. Find him at his website, mauricecarlosruffin.com, and on Twitter @MauriceRuffin. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com
Teddy Wayne is the author of the novel The Winner, available from Harper. Wayne is the winner of a 2011 Whiting Writers' Award and a finalist for the Young Lions Fiction Award, PEN/Bingham Prize, and Dayton Literary Peace Prize. He writes regularly for the New Yorker, New York Times, Vanity Fair, McSweeney's, and other publications. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
In today's flashback, an outtake from Episode 455, my conversation with author Min Jin Lee. The episode first aired on January 9, 2019. Min Jin Lee is the author of the novels Free Food for Millionaires and Pachinko, a finalist for the National Book Award, and runner-up for the Dayton Literary Peace Prize. In 2022, Lee received the Manhae Grand Prize for Literature, the Bucheon Diaspora Literary Award, and the Samsung Happiness for Tomorrow Award for Creativity from South Korea. She is the recipient of fellowships in Fiction from the Guggenheim Foundation, the Radcliffe Institute of Advanced Study at Harvard, and the New York Foundation for the Arts. Lee is an inductee of the New York Foundation for the Arts Hall of Fame and the New York State Writers Hall of Fame. In 2023, Lee served as the Editor of Best American Short Stories. She is a Writer-in-Residence at Amherst College. She is at work on her third novel, American Hagwon and a nonfiction work, Name Recognition. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's Super Bowl week in America. And it's a Super Bowl year of politics and national security. And as the world focuses on America's big game, it's also focused on America's dysfunction. And so are we. The border deal has collapsed, funding for Ukraine and Israel is stalled, and the election division across the country is reaching peak levels of nasty and stupid. It's an especially ugly time in America–as America again thrusts itself in the global spotlight. But there are glimmers of hope–and even fun. And in this smart, fast and fun episode, we're digging into all of it. As only Independent America does. From Putin and Zelensky to Mahomes and Tony Romo. From the fight for The Lombardi Trophy, to the fight of our time, this is a conversation for everyone. And one of the most surprising and interesting ones you'll hear this Super Bowl week. Matt Gallagher is of the most important writers of our time, especially touching on issues of war and national security. And a sharp, real and funny voice of reason for America. He is the internationally-recognized author of the novels Empire City, Youngblood, the forthcoming Daybreak, the class Iraq war memoir Kaboom, and a finalist for the Dayton Literary Peace Prize. His work has appeared in Esquire, ESPN, The New York Times, The Paris Review and Wired. He's also co-editor of the short fiction collection Fire & Forget: Short Stories from the Long War. He's a popular, funny and insightful voice—including on Twitter–on everything from politics and war to his beloved Cleveland Browns. Matt was featured in Vanity Fair as one of the voices of a new generation of American war literature. A graduate of Wake Forest and Columbia, Matt is a 2021-23 fellow with the Tulsa Artist Fellowship, based in Oklahoma, and a US Army veteran of the Iraq war. He lives with his wife, young sons and dog in Tulsa and works as a writing instructor for NYU's Words After War program– devoted to bringing vets and civilians together to study conflict literature. Every episode of Independent Americans hosted by Paul Rieckhoff (@PaulRieckhoff) provides light to contrast the heat. It's independent content for independent Americans. And every episode delivers a dose of the Righteous Media 5 Is: independence, integrity, information, inspiration and impact. This is another insightful pod to help you stay vigilant. Because vigilance is the price of democracy. In these trying times especially, Independent Americans will continue to be your trusted place for independent news, politics, inspiration and hope. Stay vigilant, America. Matt's previous appearances on IA: Episode 161 - March 18, 2022 Episode 215 - March 23, 2023 -Get extra content, connect with guests, attend exclusive events, get merch discounts and support this critical show that speaks truth to power by joining us on Patreon. Where you can also see or watch extra content with this guest. -Pre-order Matt's new book Daybreak now here. -Meet Matt on one of his book tour dates nationwide–or invite him to visit your area. -Watch the full video of this conversation with Paul and Matt here. -Check the hashtag #LookForTheHelpers on Twitter. And share yours. -Find us on social media or www.IndependentAmericans.us–where you can also grab some cool IA gear. Independent Americans is powered by Righteous Media. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's Super Bowl week in America. And it's a Super Bowl year of politics and national security. And as the world focuses on America's big game, it's also focused on America's dysfunction. And so are we. The border deal has collapsed, funding for Ukraine and Israel is stalled, and the election division across the country is reaching peak levels of nasty and stupid. It's an especially ugly time in America–as America again thrusts itself in the global spotlight. But there are glimmers of hope–and even fun. And in this smart, fast and fun episode, we're digging into all of it. As only Independent America does. From Putin and Zelensky to Mahomes and Tony Romo. From the fight for The Lombardi Trophy, to the fight of our time, this is a conversation for everyone. And one of the most surprising and interesting ones you'll hear this Super Bowl week. Matt Gallagher is of the most important writers of our time, especially touching on issues of war and national security. And a sharp, real and funny voice of reason for America. He is the internationally-recognized author of the novels Empire City, Youngblood, the forthcoming Daybreak, the classic Iraq war memoir Kaboom, and a finalist for the Dayton Literary Peace Prize. His work has appeared in Esquire, ESPN, The New York Times, The Paris Review and Wired. He's also co-editor of the short fiction collection Fire & Forget: Short Stories from the Long War. He's a popular, funny and insightful voice—including on Twitter–on everything from politics and war to his beloved Cleveland Browns. Matt was featured in Vanity Fair as one of the voices of a new generation of American war literature. A graduate of Wake Forest and Columbia, Matt is a 2021-23 fellow with the Tulsa Artist Fellowship, based in Oklahoma, and a US Army veteran of the Iraq war. He lives with his wife, young sons and dog in Tulsa and works as a writing instructor for NYU's Words After War program– devoted to bringing vets and civilians together to study conflict literature. Stay vigilant, America. Matt's previous appearances on IA:Episode 161 - March 18, 2022Episode 215 - March 23, 2023-Get extra content, connect with guests, attend exclusive events, get merch discounts and support this critical show that speaks truth to power by joining us on Patreon. Where you can also see or watch extra content with this guest. -Pre-order Matt's new book Daybreak now here.-Meet Matt on one of his book tour dates nationwide–or invite him to visit your area. -Watch the full video of this conversation with Paul and Matt here. -Check the hashtag #LookForTheHelpers on Twitter. And share yours. -Find us on social media or www.IndependentAmericans.us–where you can also grab some cool IA gear. Independent Americans is powered by Righteous Media. Ways to listen:Spotify: https://open.spotify.com/show/0F1lzdRbTB0XYen8kyEqXeApple Podcasts: https://podcasts.apple.com/us/podcast/independent-americans-with-paul-rieckhoff/id1457899667Amazon Podcasts: https://music.amazon.com/podcasts/49a684c3-68e1-4a85-8d93-d95027a8ec64/independent-americans-with-paul-rieckhoffTuneIn Radio: https://tunein.com/podcasts/News--Politics-Podcasts/Independent-Americans-p1214607/Ways to watch:YouTube: https://www.youtube.com/@independentamericansInstagram: https://www.instagram.com/IndependentAmericansUS/Social channels:X/Twitter: https://x.com/indy_americansBlueSky: https://bsky.app/profile/indyamericans.bsky.socialFacebook: https://www.facebook.com/IndependentAmericansUS/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Poet, novelist, and environmentalist Wendell Berry lives in Port Royal, Kentucky near his birthplace, where he has maintained a farm for over 40 years. Mistrustful of technology, he holds deep reverence for the land and is a staunch defender of agrarian values. He is the author of over 50 books of poetry, fiction, and essays. His poetry celebrates the holiness of life and everyday miracles often taken for granted. In 2016, Berry was awarded the Ivan Sandrof Lifetime Achievement Award by the National Books Critics Circle. In 2010, Barack Obama awarded him with the National Humanities Medal. Berry's other honors include the T.S. Eliot Prize, the Aiken Taylor Award for poetry, the John Hay Award of the Orion Society, and the Richard C. Holbrooke Distinguished Achievement Award of the Dayton Literary Peace Prize. Berry's poetry collections include This Day: Collected & New Sabbath Poems (2014), Given (2005), A Timbered Choir: The Sabbath Poems 1979-1997, Entries: Poems (1994), Traveling at Home (1989), The Selected Poems of Wendell Berry (1988), Collected Poems 1957-1982 (1985), Clearing (1977), There Is Singing Around Me (1976), and The Broken Ground (1964).Critics and scholars have acknowledged Wendell Berry as a master of many literary genres, but whether he is writing poetry, fiction, or essays, his message is essentially the same: humans must learn to live in harmony with the natural rhythms of the earth or perish. His book The Unsettling of America: Culture and Agriculture (1977), which analyzes the many failures of modern, mechanized life, is one of the key texts of the environmental movement. Berry has criticized environmentalists as well as those involved with big businesses and land development. In his opinion, many environmentalists place too much emphasis on wild lands without acknowledging the importance of agriculture to our society. Berry strongly believes that small-scale farming is essential to healthy local economies, and that strong local economies are essential to the survival of the species and the wellbeing of the planet. In an interview with New Perspectives Quarterly editor Marilyn Berlin Snell, Berry explained: “Today, local economies are being destroyed by the ‘pluralistic,' displaced, global economy, which has no respect for what works in a locality. The global economy is built on the principle that one place can be exploited, even destroyed, for the sake of another place.”Berry further believes that traditional values, such as marital fidelity and strong community ties, are essential for the survival of humankind. In his view, the disintegration of communities can be traced to the rise of agribusiness: large-scale farming under the control of giant corporations. Besides relying on chemical pesticides and fertilizers, promoting soil erosion, and causing depletion of ancient aquifers, agribusiness has driven countless small farms out of existence and destroyed local communities in the process. In a New Perspectives Quarterly interview Berry commented that such large-scale agriculture is morally as well as environmentally unacceptable: “We must support what supports local life, which means community, family, household life—the moral capital our larger institutions have to come to rest upon. If the larger institutions undermine the local life, they destroy that moral capital just exactly as the industrial economy has destroyed the natural capital of localities—soil fertility and so on. Essential wisdom accumulates in the community much as fertility builds in the soil.” Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
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