Podcast appearances and mentions of Hala Alyan

This week, Sam and Hannah are back from a heavy Memorial Day Weekend of reading, and Hannah's books, in particular, are once again well-coordinated. Even if they're a little hard to describe. Also, this is a solid Pride episode, sort of by mistake. Here's what's on tap: - "The Book of Records," by Madeleine Thien, which is as meaty a read as we've had in a while, full of philosophical truths and a building made of time. This is great stuff.  - "Erasure," by Percival Everett, who is legitimately among the most important writers working today. This is the book that was made into the movie "American Fiction," but, as you might imagine, is even better than the movie.  - "I'll Tell You When I'm Home," by Hala Alyan, who this time delivers a memoir grappling with her family's history of immigration, escaping Kuwait after the Iraqi invasion and coming to the U.S. This book shows you what generational trauma means.  - "The Phoenix Pencil Company," by Allison King, a data privacy professional who's crafted a magical text about a family that can read pencil hearts (they stab it into their veins) that's perfect for Pride month. It's weird, yes. But new and different.  - "Bury Our Bones in the Midnight Soil," by V.E. Schwab, which is an ode to Anne Rice — a vampire book — but doesn't really follow Rice's vampire rules, exactly (they're all lesbian vampires, which is different). The second half of this is pretty great.  - Oh, and we're not going to tell you which book it is we disliked so intensely. See if you can figure it out. And there's no real good reason why this didn't get posted before June 10, other than Sam being in Iceland and not feeling like posting it. Sorry. 

This week on the Sumud Podcast, we're joined by poet, psychologist, professor, and author Hala Alyan. With roots in Palestine, Syria, and Lebanon, Hala shares her remarkable journey navigating displacement, identity, and creative expression—from surviving war and immigration to becoming a published author and clinical psychologist. In this deep episode, Hala opens up about motherhood, addiction, vulnerability, and the messy beauty of transformation. From crafting stories as a child to integrating psychology and poetry in her adult life, her reflections offer powerful insight into what it means to survive and evolve. In this conversation, we explore: ➡ The fluid meaning of “home” and identity ➡ How trauma, displacement, and storytelling intersect ➡ Her path through addiction, healing, and radical honesty ➡ What it means to parent, write, and love with accountability This video is for educational purposes only. It provides psychological, cultural, and political reflections intended to inform and empower. Chapters: 00:00 – Introduction & Embracing Vulnerability 04:30 – Displacement, Identity & Early Storytelling 10:03- Writing, Psychology & Teaching 22:52 – Writing About Taboo Topics & Protecting Others 29:56 – Vulnerability, Motherhood & Speaking Honestly 44:33 – Takeaways, Lineage & Advice to the Next Generation

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Get ready to load your summer totes with compelling reads, both new and old! We're sharing our anticipated summer releases on today's episode, carefully curated from a long list of captivating titles to shake up your TBR. As always, we've included some perfectly paired backlist favorites to enjoy while you wait for the buzzy new books.  Today, we explore an exciting mix of poignant literary fiction, immersive historical narratives, richly layered contemporary stories, and even a touch of magical realism to spark your imagination. You'll find everything from heartfelt memoirs threaded with nostalgia to sharp, insightful critiques of today's world, alongside enchanting tales perfect for reading all season long.  This is our final season with Novel Pairings, but we are saving all of our episodes right here for you to return to, plus we're opening a shop for our exclusive classes and recap series. Stay tuned. To learn when our shop opens up and to get all new announcements, make sure you are following @novelpairingspod on Instagram and subscribed to novelpairings.substack.com. Find us individually and continue to read with each of us here: Chelsey – IG: @chelseyreads | Substack: chelsey.substack.com Sara – IG: @fictionmatters | Substack: fictionmatters.substack.com   Books Mentioned Great Big Beautiful Life by Emily Henry  Heart, Be at Peace by Donal Ryan (5/20) The Queen of Dirt Island by Donal Ryan  Dubliners by James Joyce I'll Tell You When I'm Home by Hala Alyan (6/3) Disoriental by Négar Djavadi  Atmosphere by Taylor Jenkins Reid Challenger by Adam Higginbotham  The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid  Malibu Rising by Taylor Jenkins Reid Daisy Jones & the Six by Taylor Jenkins Reid The Listeners by Maggie Stiefvater (6/3) The Remains of the Day by Kazuo Ishiguro Skipshock by Caroline O'Donoghue (6/3) A Darker Shade of Magic by VE Schwab The Möbius Book by Catherine Lacey (6/17) Audition by Katie Kitamura Liars by Sarah Mangusso The Tiny Things are Heavier by Esther Ifesinachi Okonkwo (6/24) Transcendent Kingdom by Yaa Gyasi El Dorado Drive by Megan Abbott (6/24) Katabasis by R.F. Kuang (8/26) Poppy War Trilogy by R.F. Kuang  Babel by R.F. Kuang  Yellowface by R.F. Kuang  The Inferno by Dante Alighieri The Odyssey by Homer The Austin Affair by Madeline Bell Northanger Abbey by Jane Austen Minor Black Figures by Brandon Taylor On Beauty by Zadie Smith Heart the Lover by Lilly King The Rachel Incident by Caroline O'Donoghue The Unveiling by Quan Berry Endurance by Alfred Lansing   Also Mentioned Paperback Summer Reading Guide  Libro FM The Irishification of Pop Culture (The Culture Study Podcast) LuLaRich Documentary  

What happens when people feel they’ve reached capacity as witnesses? For writer and clinical psychologist Hala Alyan, her work is to preserve the archive of Palestinian stories and pass down resistance through generations. As Israel’s war on Gaza continues, her work on the complexities of displacement, trauma, and the Palestinian diaspora has reached audiences around the world. In this episode: Hala Alyan, (@hala.n.alyan), writer and clinical psychologist Episode credits: This episode was produced by Chloe K. Li, Sonia Bhagat, and Tamara Khandaker, with Phillip Lanos, Spencer Cline, Hagir Saleh, Duha Mosaad, SarÍ el-Khalili, and our host, Malika Bilal. Our sound designer is Alex Roldan. Joe Plourde mixed this episode. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Today's poem is Aleppo by Hala Alyan. The Slowdown is your daily poetry ritual. In this episode, guest host Myka Kielbon writes… “Recently, I dreamt that my friend and I were moving into a big, old apartment. Once we got the couch in the living room, my grandmother appeared, sitting on it. I haven't seen her in a decade. She died in 2015. I think my grandmother, a woman who witnessed and bore great suffering, a woman who was courageous and loving, came to me to remind me of the strength we need to carry each other.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

On this episode of On the Nose—recorded at an online event on October 30th—editor-in-chief Arielle Angel speaks with author Naomi Klein and writer and clinical psychologist Hala Alyan about the place of feelings and affect in the movement for Palestinian liberation. They discuss the role of grief and rage, how movements can accommodate affective diversity, and what it means to channel emotions politically. Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).Texts Mentioned and Further Resources:“How Israel has made trauma a weapon of war,” Naomi Klein, The GuardianThe Generation of Postmemory: Writing and Visual Culture After the Holocaust by Marianne HirschProsthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture by Alison Landsberg “‘Chronic traumatic stress disorder': the Palestinian psychiatrist challenging western definitions of trauma,” Bethan McKernan, The Guardian“Can the Palestinian Mourn?,” Abdaljawad Omar, Rusted Radishes“‘Resistance Through a Realist Lens,'” Arielle Angel in conversation with Abdaljawad Omar, Jewish Currents“Mourning and Melancholia,” Sigmund FreudThe Shock Doctrine: The Rise of Disaster Capitalism by Naomi Klein“One Year,” Palestinian Youth Movement, The New Inquiry (originally published in The New York War Crimes)Recognizing the Stranger: On Palestine and Narrative by Isabella Hammad“A Surge in American Jewish Left Organizing,” On the Nose, Jewish Currents“Gaza and the Coming Age of the ‘Warrior,'” Ghassan Hage, Allegra“One Year,” Arielle Angel, Jewish Currents newsletterThe Secret Life of Saeed: The Pessoptimist by Emile Habibi“Theses on the Philosophy of History,” Walter Benjamin

Palestinian poet and clinical psychologist Hala Alyan shares her poem “Dear Gaza,” about guilt, memory, and hope. Scientist Dr. Salma Mousa talks about her research on empathy and polarization, and describes how soccer star Mo Salah's prominence led to a demonstrable drop in anti-Muslim hate speech and violence in his hometown of Liverpool. H.Sinno, who is the lead singer of the Lebanese band Mashrou' Leila, shares a brand-new song called “Re-Arson.”For a live show, Ben wrote a song called "Yellow Dress," which is available as a fundraiser for World Central Kitchen via Bandcamp, as well as Apple, Spotify, etc.SongWriterPodcast.comInstagram.com/SongWriterPodcastFacebook.com/SongWriterPodcastTikTok.com/@SongWriterPodcastX.com/SnogWriterSeason six is made possible by a grant from Templeton World Charity Foundation

Hala Alyan and adrienne meditate with grief, revisit endurance, share poems and thoughts on tides turning and elections and what is real and who is urgent.hala's newsletter moonseed is now on substack @ halaalyan.substack.comfollow @hala.n.alyan and @fariha_roisin for a month of poemslove you, keep going

Tifani and Lindsey discuss The Arsonists' City by Hala Alyan. Happy Reading!

Today we speak with co-authors Sami Hermez and Sireen Sawalha about their book, My Brother, My Land: A Story from Palestine. The eminent Palestinian author Hala Alyan calls it “A breathtaking display of literary prowess that tells the story of an entire homeland through the frame of one woman's life.”In our conversation Hermez and Sawalha explain the intricate back and forth that took place as the two collaborated to weave together Sireen's many stories about her extended family on Palestine through many generations. At the heart of the book is the story of her brother Iyad. Through his life, and those he interacts with we hear a story of colonial violence, Palestinian resistance, and the never-ending struggle for liberation across generations of Palestinians. Sami Hermez, PhD, is the director of the Liberal Arts Program and associate professor of anthropology at Northwestern University in Qatar. He obtained his doctorate degree from the Department of Anthropology at Princeton University. He is the author of War is Coming: Between Past and Future Violence in Lebanon (UPenn 2017), which focuses on the everyday life of political violence in Lebanon and how people recollect and anticipate this violence, and My Brother, My Land: A Story from Palestine (Stanford 2024), that tells the story of a Palestinian family resisting ongoing Israeli settler colonialism. His broader research concerns include the study of social movements, the state, the future, memory, violence, and critical security in the Arab World. Sireen Sawalha, born in the small village of Kufr Rai in Jenin, Palestine, comes from a family deeply connected to the region's rich history. She moved to the US in 1990 and completed her Bachelor's and Master's degrees at Rider University. Recognized by Cornell University for her outstanding contributions to education in 2022, Sireen serves as a social studies teacher in New Jersey. Beyond academia, she is a passionate chef and compelling storyteller, sharing her family's experiences under occupation. My Brother, My Land is the story of her family. 

On Nakba Day 2024 - commemorated amidst Israel's ongoing genocidal war on Gaza - FMEP is re-releasing a very special podcast produced last year in partnership with Project48. This project was created to commemorate the 75 years of the Palestinian Nakba, sharing the voices of 10 powerful Palestinian artists, sharing their works and that of other iconic Palestinian creators. Featured artists are: Ahmed Abu Artema, Hala Alyan, Suad Amiry, Zeina Azzam, Cherien Dabis, Fady Joudah, Tamer Nafar, Raja Shehadeh, Naomi Shihab Nye, and Waleed Zuaiter – reading their own work and that of other iconic Palestinian artists. Bios and links to the works of each artist can be found below. The Nakba (Arabic for “catastrophe”) is the expulsion of over 750,000 Palestinians from their homes and land, and the destruction of Palestinian society during the creation of the State of Israel – a destruction that continues today. Learn more at: project48.com. For more programming from FMEP on the Nakba please visit: https://fmep.org/resource/nakba-resources/

Recorded by Hala Alyan for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 9, 2024. www.poets.org

It's The Stacks Book Club day and writer Hala Alyan is back to discuss this month's pick, The January Children by Safia Elhillo. It is an award-winning poetry collection by the Sudanese-American poet Safia Elhillo. We examine the prevailing themes of displacement and duality, the urgency with which a poet writes, and we ask, how should one judge poetry?Be sure to listen to the end of today's episode to find out what our May book club pick will be.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2024/04/24/ep-316-the-january-childrenEpisode TranscriptConnect with Hala: Instagram | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Journalist and bestselling author Keith O'Brien joins this episode to talk about his new book Charlie Hustle: The Rise and Fall of Pete Rose, and the Last Glory Days of Baseball. Keith reveals his thoughts on Rose's complex story, which is anything but black and white. We also discuss the steroid era of baseball, Pete Rose's legacy around race, and the Baseball Hall of Fame.The Stacks Book Club selection for April is The January Children by Safia Elhillo. We will discuss the book on April 24th with Hala Alyan.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2024/04/17/ep-315-keith-obrienEpisode TranscriptConnect with Keith: Instagram | Twitter | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Writer, poet and psychologist Hala Alyan joins this episode to discuss her newest poetry collection The Moon That Turns You Back. We hear about how she thinks about form, and cultivating empathy in art. Hala also talks about her experience promoting a book during the ongoing violence attacks on Gaza, and what it's like for her therapy patients to read her work.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2024/04/03/ep-313-hala-alyanEpisode TranscriptConnect with Hala: Instagram | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hala Alyan reads “Tonight I'll Dream of Nadia” from her poetry collection The Moon That Turns You Back, published by Ecco in March 2024.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Episode 8 features Rabab Chamseddine with Rebecca Appleton Rabab Chamseddine (b.1997, Abidjan, Ivory Coast) is a Lebanese (spoken word) poet and film-maker based in Tyre and Beirut, Lebanon. She is currently completing her master's in Literature at the American University of Beirut. Her poetry unfolds as an exploration of the bilateral theme of love and loss, and the poetics of meaning-making that emerge between them, in that very space of mourning, in Beirut. Chamseddine began her spoken word poetry journey in 2017 by partaking in poetry nights hosted in the hubs and communal cafes of Beirut, to later become the winner of Beirut Poetry Slam 2018. Her work will be appearing in an anthology entitled We Call to the Eye and the Night: Love Poems by Writers of Arab Descent (Persea Books), edited by Hala Alyan and Zeina Hashem Beck, as of spring 2023. Find her on Instagram @ rababchamseddine Rebecca Appleton is a postgraduate researcher in the Department of Social Anthropology at the University of Manchester. She is currently undertaking PhD research about the politics of contemporary women's poetry in Beirut, Lebanon. The project researches the emerging and evolving performance and politics of women's poetry in Beirut, focussing on poetry's capacity to generate alternative spaces for personal, social, political, and gendered expression as the city negotiates crises. Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Let's talk Thingies with Samhita Mukhopadhyay, a writer and editor who covers feminism, politics, culture, fashion, racial justice, and existential dating dilemmas—in short, so much we want to read. She's the editorial director of The Meteor, the co-editor of the best-selling anthology Nasty Women: Feminism, Resistance and Revolution in Trump's America, and the author of Outdated: Why Dating is Ruining Your Love Life and (forthcoming!!) The Myth of Making It: A Workplace Reckoning. Yes, consider this the you-hear-it-here-first pre-order nudge.Samhita's Thingies include Ranavat hair oil, wearing her partner's class ring, Care Touch lens wipes, Jolly Rancher Chews, a poem by Hala Alyan, and Megan Thee Stallion's bodyodyody. The phrase “Oh, I'm JV” is brought to us by Sara Petersen's Substack In Pursuit of Clean Countertops, and we have a bonus Thingie: the memoir installments of Kim France's Substack! What areas are you happily JV in? Share with us at 833-632-5463, podcast@athingortwohq.com, or @athingortwohq—and chat it up about anything at all in our Geneva!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Farnaz Fatemi and Julia Chiapella read poems by Palestinian poets and those of Palestinian heritage to amplify and bear witness to the range of their perspectives and the richness of these voices. We found the reading of these aloud to each other to be profoundly moving. Please see the extensive show notes for links to the poets, their books, many more we couldn't include on the show and other recent resources.   In this order--Fadwa Tuqan, Lena Khalaf Tuffaha, Zeina Azzam, Mahmoud Darwish, Mosab Abu Toha, Maya Abu Al-Hayyat, Noor Hindi, Naomi Shihab Nye were featured on the show.    We mentioned the following anthologies during this hour: We Call to the Eye & the Night: Love Poems by Writers of Arab Heritage (Zeina Hashem Beck and Hala Alyan, editors); & Modern Arabic Poetry (Salma Khadra Jayyusi, editor).  Since recording our episode a week ago, the Palestinian academic and poet ⁠Refaat Alareer⁠ was killed in Gaza; we want to bring attention to the ⁠story of this poem, his last⁠.  We additionally want to highlight the work of Deema K Shehabi, George Abraham, Nathalie Khankan, and Fady Joudah (also see Joudah's recent “meditation”), among many, many others. For one additional resource about poets, see the Instagram account, The Palestinian Poetry Project, poetrypalestine.   The LA Review of Books recently published a small folio of writing from poets of Palestinian heritage.   Vox Populi published a “ceasefire cento” solicited from poets globally. You can read it here.

A special bonus episode organized by Hala Alyan with adrienne maree brown, featuring Spenta Kandawalla, Adaku Utah. TRANSCRIPT // LEARN MORE FROM OUR HOSTS:  adrienne maree brown  https://adriennemareebrown.net/ IG: @adriennemareebrown   Hala Alyan https://www.halaalyan.com/ IG: @hala.n.alyan    Spenta Kandawalla  https://www.jaaduacupuncture.com/about IG: @spentawalla   Adaku Utah https://www.adakuutah.com/ IG: @soularbliss   Sepideh Moafi IG: @sepidehmoafi    Noor  https://www.noorimages.com/ IG: @noor    Layla Feghali  www.RiverRoseRemembrance.com IG: @RiverRoseRemembrance GO DEEPER: Here are some resources to deepen your inquiry, build your capacity and engage in embodied activism for the healing and liberation of all:  Li Beirut Herbal and Healing Guide + virtual resilience resources The Land in Our Bones book Herbs for Endurance Social change ecosystem framework 26 ways to be in the struggle, beyond the streets (June 2020 update) Caring for Ourselves as Political Warfare A Brave Community Approach to discussing Gaza  REP Investigative Podcast Series 12-Steps of Jewish Zionists Anonymous REFLECTION QUESTIONS FOR EMBODIED CARE & ENDURANCE:  What is my/our commitment?  Where am I/we aligned/misaligned with my commitment?  What conditions are keeping me/us from alignment?  What do I/we need to stop/start practicing to get in formation with my commitment?  --- Send in a voice message: https://podcasters.spotify.com/pod/show/how-to-survive-the-end-of-the-world/message

This episode is taken from adrienne's Instagram live with the writer/poet Hala Alyan. Her recent piece in the NYT is Why Must Palestinians Audition for Your Empathy? In this conversation she joins adrienne to discuss endurance and care. --- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW! - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow --- Music by Tunde Olaniran, Mother Cyborg and The Bengsons --- HTS ESSENTIALS ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/how-to-survive-the-end-of-the-world/message

This is a special project of Speaking Out of Place, meant to collect and amplify the voices of artists, musicians, and publishers from around the world raising their voices in solidarity with the people of Palestine. We will add to this episode as statements come in.  Here you will hear James Schamus, Ben Ehrenreich, Judith Gurevich, Raja Shehadeh, Ariel Dorfman, Bora Chung, Intan Paramaditha, Nancy Kricorian, Hala Alyan, Anton Shammas, Suzanne Gardinier, and others (please see the blog entry on the Speaking Out of Place website for full list--we update as often as possible).

Originally aired 2021“We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It's hard to know because I think that language was being formed in my brain at the same time that these things were happening.”Hala Alyan is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City, and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by the New Yorker, the Academy of American Poets, Lit Hub, The New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

Originally aired 2021Hala Alyan is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City, and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by the New Yorker, the Academy of American Poets, Lit Hub, The New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

Originally aired 2021“We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It's hard to know because I think that language was being formed in my brain at the same time that these things were happening.”Hala Alyan is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City, and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by the New Yorker, the Academy of American Poets, Lit Hub, The New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

Originally aired 2021Hala Alyan is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City, and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by the New Yorker, the Academy of American Poets, Lit Hub, The New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.halaalyan.comwww.creativeprocess.info

Palestinian American poet Hala Alyan and her family fled Kuwait when Saddam invaded. She joins us to explore storytelling, straddling cultures, loneliness, therapy, and what value belongings come to have when you move constantly. Alyan is also a clinical psychologist and author of Salt Houses. Find Hala Alyan at her website. ------------------------------------- ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!  

Hala Alyan is an award-winning poet, author, and clinical psychologist. She was born in Illinois but spent time in several other states as well as in Kuwait and Lebanon. Alyan shares her Brief But Spectacular take on how those experiences formed what she calls a hyphenated identity. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Hala Alyan is an award-winning poet, author, and clinical psychologist. She was born in Illinois but spent time in several other states as well as in Kuwait and Lebanon. Alyan shares her Brief But Spectacular take on how those experiences formed what she calls a hyphenated identity. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Poets Hala Alyan, Joy Sullivan, and Kate Baer perform this special edition of Mary Oliver's UPSTREAM, with each narrator performing a different section of the audiobook. Host Jo Reed and AudioFile's Kendra Winchester discuss the joy of listening to each poet narrate Oliver's collection of essays. Listening helps to make clear Oliver's intense love for the natural world and the ways that her obsession with nature fills her work. Read the full review of the audiobook on AudioFile's website. Published by Pushkin Industries. Find more audiobook recommendations at audiofilemagazine.com Today's episode is sponsored by Dreamscape Publishing. Celebrate Audiobook Month with Dreamscape Publishing and get ready for thrilling giveaways, behind-the-scenes news, and much more! Check it out on their social media channels and at their website, dreamscapepublishing.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Project48 & FMEP proudly present a very special podcast commemorating 75 years of the Palestinian Nakba. We are honored to share the voices of 10 powerful Palestinian artists, sharing their works and that of other iconic Palestinian creators. Featured artists are: Ahmed Abu Artema, Hala Alyan, Suad Amiry, Zeina Azzam, Cherien Dabis, Fady Joudah, Tamer Nafar, Raja Shehadeh, Naomi Shihab Nye, and Waleed Zuaiter - reading their own work and that of other iconic Palestinian artists. You can find artists biographies and links to their works here: https://tinyurl.com/5ye6jsn6 The Nakba (Arabic for "catastrophe") is the expulsion of over 750,000 Palestinians from their homes and land, and the destruction of Palestinian society during the creation of the State of Israel – a destruction that continues today. Learn more at: https://project48.com/ This podcast was produced by Nadia Saah for Project48 and Kristin McCarthy for FMEP, and edited by Jeffrey Carton.

We kick things off with a controversial fishbowl question, in the vein of "if you could sweat anything" - longtime listeners know. And then, enjoy some fun book talk including a couple of books that the co-hosts may or may not have finished quite yet!!! Hehe thank you so much for listening! You can buy BATC merch here: https://www.booksandthecitypod.com/merch. Browse and shop all the books we've discussed on this episode and past episodes at https://www.bookshop.org/shop/booksandthecity. Check out our website for more information about the fan club, any anything else at https://www.booksandthecitypod.com. You can also subscribe to our newsletter there, and send us a note at booksandthecitypod@gmail.com------------->  Kayla's pick: The Girl from Guernica by Karen Robards (7:14-19:42) https://www.harpercollins.com/products/the-girl-from-guernica-karen-robards?variant=39979322081314  On Kayla's TBR: Capote's Women by Laurence Leamer Libby's pick: The Arsonists' City by Hala Alyan (19:43-34:15) https://www.harpercollins.com/products/the-arsonists-city-hala-alyan?variant=39936001998882  On Libby's TBR: The God of Small Things by Arundhati Roy  Becky's pick: Good Rich People by Eliza Jane Brazier (34:34-43:19) https://www.penguinrandomhouse.com/books/634633/good-rich-people-by-eliza-jane-brazier/  On Becky's TBR: Good Rich People by Eliza Jane Brazier (lol) Music by EpidemicSound, logo art by @niczollos, all opinions are our own.

Dr. Hala Alyan is a licensed clinical psychologist in New York City specializing in the assessment and treatment of trauma, substance abuse, anxiety, mood and relationship concerns, and cross-cultural issues. Currently, she works as a part-time psychologist at the New York University Student Health Center's Counseling and Wellness Services, where she is based within the Islamic Center. In addition, Dr. Alyan is an Adjunct Assistant Professor at New York University, and teaches graduate-level courses on cross-cultural counseling and individual counseling practices.Dr. Alyan is also the author of the novel “Salt Houses,” winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize. Her latest novel, “The Arsonists' City,” was published in March 2021 and was a finalist for the 2022 Aspen Words Literary Prize. She is also the author of four award-winning collections of poetry, most recently “The Twenty-Ninth Year.” Her work has been published by The NewYorker, The Academy of American Poets, LitHub, The New York Times Book Review and Guernica. She lives in Brooklyn with her husband and daughter, where she works as a clinical psychologist.Yael Shy is the Founder and CEO of Mindfulness Consulting, LLC, where she teaches and consults on mindfulness for universities, corporations, and private clients around the world. She is the author of the award-winning book, What Now? Meditation for Your Twenties and Beyond (Parallax, 2017), and the founder of Mindful NYU, the largest campus-based mindfulness initiative in the US. Yael is an Adjunct Faculty Member at the Wagner School of Public Service at New York University. She has been featured on Good Morning America, CBS, Fox 5 News, and in Time Magazine and the Harvard Business Review.

Dread can feel so heavy, most of the time we don't even want to talk about it. But what if we tried to express our dread in a different way? Welcome to Day One of the Dread Project Challenge, a five-day series that investigates an emotion so many of us are struggling with lately – from our dread of the next Zoom meeting to worries that have life-and-death stakes. Each day of the Challenge, we tackle dread in a different way, and offer you a fun exercise for feeling a little better, even when you're anticipating the worst. In today's episode we rewrite some of the stories we tell ourselves about dread. Clinical Psychologist and Poet Dr. Hala Alyan gives us a journaling prompt to get some distance and make even our scariest feelings more approachable.Check out dreadproject.com for more information about The Dread Project and daily prompts for The Dread Project Challenge. Please share how this Dread Project Challenge, “Rewrite Your Dread,” went for you by sending us a voice memo at morethanafeeling@tenpercent.com. Sign up for the Dread Project Listener Challenge here: dreadproject.com. If you're seeing this after the challenge has begun, don't worry! You can sign up and participate anytime.For more information about More Than A Feeling, The Dread Project, and today's guests, check out our show notes at: www.tenpercent.com/mtaf-podcast-episodes/rewrite-your-dread. And follow us on Twitter at @podfeelings.And if digging into dread is very difficult or intense for you, some additional resources that could help are listed below.Search for a therapist: Alma ZencareAPA Psychologist Locator Mental Health Resources:How Right Now | Finding What Helps Adult Mental Health Resources from the CDCMental Health America Apps:Try the Ten Percent Happier app for free for thirty days by visiting tenpercent.com/more and check out the meditation pack made especially for working with dread.Dare App - free app to help with anxious momentsIf you are currently experiencing a mental health crisis, please click here, text 741741, or call 988.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It's hard to know because I think that language was being formed in my brain at the same time that these things were happening.”Hala Alyan is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City, and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by the New Yorker, the Academy of American Poets, Lit Hub, The New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

Hala Alyan is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City, and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by the New Yorker, the Academy of American Poets, Lit Hub, The New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

SPOILER ALERT FOR EPISODE With book club, we discuss all aspects of the book, including the ending and plot twists. While this episode does not have a recorded audio spoiler alert, at the time of posting, please accept my apologies. Due to family issues and my health, I have been behind on this episode. This is our February book club and while I worked hard to edit, I was so focused on getting the episode out, I forgot to add the audio spoiler alert. I may go back and change the audio to add the spoiler alert, but for now, please accept my apologies. Join Libro.FM and use code LLTBPODCAST to get 2 audiobooks for the price of one. Also, you can buy gift memberships for your loved ones for any occasion or just because. It does take a lot of effort to produce these episodes. Your support means the world to me. How about Buy Me A Coffee, I would greatly appreciate it. THANK YOU. If you have any questions about this or any other episode, please contact me by email at livingalifethroughbooks@gmail.com. If you enjoyed this episode or any of my previous episodes, please write me a positive review on Apple Podcasts. I thank you for it. My website is a work in progress. On Instagram I'm @livingalifethroughbooks. On TikTok, Twitter, and Clubhouse I'm @drshahnazahmed. I would like to introduce each of our members in attendance briefly with their instagram tags. Please follow them all. Thank you. Myself Shahnaz - @livingalifethroughbooks. Erin - @erin_eatsbooks. Riffat - @booksection. Dr. Jen isn't on instagram yet. Please note that Riffat also has a blog: www.teacrockery.blog/ --- Send in a voice message: https://anchor.fm/livingalifethroughbooks/message

Marc Lipsitch, professor of epidemiology at Harvard's T.H. Chan School of Public Health,takes a closer look at the Covid-19 lab leak theory with Bianna Golodryga. He says there needs to be an investigation into the origins of Covid-19. Then science writer for The Atlantic Ed Yong warns of an impending mental health crisis after the Covid pandemic and explains how it can be combated. Continuing our conversation about trauma, our Michel Martin speaks to Palestinian-American author and clinical psychologist Hala Alyan about the mental impact of the decades long conflict between Israel and Palestine. And finally, musicians Kev Marcus and Wil Baptiste, aka the classical-hiphop hybrid duo Black Violin, bring a message of unity. To learn more about how CNN protects listener privacy, visit cnn.com/privacy