Podcast appearances and mentions of Hala Alyan

Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Recorded by Mary Sutton and Hala Alyan for Poem-a-Day, a series produced by the Academy of American Poets. Published on April 30, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Un roman ample et profondément humain, où l'exil se transmet de génération en génération, jusqu'à fissurer les identités. Dans Les Maisons de sel, Hala Alyan, portée en français par la traduction d'Aline Pacvon, interroge ce que signifie appartenir lorsque le foyer ne cesse de se dérober. Sébastien Thomas-Calleja, libraire à la Fnac Bercy nous raconte l'ouvrage.

Award-winning novelist Hala Alyan discusses how she is thinking about teaching her daughter about her rich culture, how she talks to her daughter about current world events, and what Hala's own upbringing looked like. Hala's new memoir is I'll Tell You When I'm Home.

Description: This month in the Jen Hatmaker Book Club, Jen is joined by novelist Eliana Ramage to talk about her stunning debut, To the Moon and Back—a book that is as page-turny as it is tender, and as expansive as it is rooted. Jen and Eliana trace the actual arc of this book—how it began with an unforgettable spark of an idea at Dartmouth (about an “astronaut girl” who shows us that our stories aren't static, and neither are our people) and how, over more than a decade, that idea became a novel about ambition, belonging, identity, and the complicated, beautiful gravity of connection. In this conversation, Jen and Eliana explore a story centered on a young woman unraveling in the aftermath of loss, navigating complicated relationships, spiritual longing, and the quiet ache of wanting more than the life she's been handed. They dig into the women at the center of the novel—the ones you'll root for, the ones who will frustrate you (hi, ambition), and the ones who will linger long after you close the cover—and they unpack why the ending matters: not because it ties everything into neat bows, but because it honors what's true. Because in real life, healing doesn't land with fireworks. It lands with honesty. With restraint. With the choice to keep loving, even when certainty has slipped through our fingers. This is a conversation about grieving honestly, questioning inherited beliefs, and staying awake to your own life. It's about learning that connection matters more than performance—and trusting that the long arc of love and healing is still unfolding. Whether you're reading along with the book club or simply craving a thoughtful, soulful conversation to start the new year, this episode invites you to slow down, feel deeply, and remember: even in loss, even in doubt, we are still reaching—toward connection, toward each other, and back to ourselves. Thought-provoking Quotes: “This is a story about women who are trying to understand who they are and move forward together after making some mistakes. That's where I definitely am right now. And if I could just finish this one thing that has been so hard for so many years, then it would be the first time I had done something that I could be really proud of.” – Eliana Ramage “I think in real life, you don't need to know that everything is all gonna be figured out at once. You need to land the plane on what matters. I don't think any of us, for our own lives, feel like we have that written out. And so there's some wiggle room on where we could go next, I think.”– Eliana Ramage “It's become kind of a ritual to ask myself,  can you believe that you're doing this job because your wildest dreams came true?”– Eliana Ramage Resources Mentioned in This Episode: Avid Reader Press - https://avidreaderpress.com/ Fancy Lunch - https://tinyurl.com/3uyuxryf Joyride: A Memoir by Susan Orlean - https://amzn.to/49vTrhC The Uncool: A Memoir by Cameron Crowe - https://amzn.to/3LFmd7n Lily King - https://lilykingbooks.com/ Reese Witherspoon book club pick - September 2025 - https://reesesbookclub.com/book/to-the-moon-and-back/ Mid-America All Indian Center, Wichita, KS - https://www.theindianmuseum.org/ Awake: A Memoir by Jen Hatmaker - https://amzn.to/4swRPg9 Parnassus Books - https://parnassusbooks.net/ Ring of Salt: A Memoir of Finding Home and Hope on the Wild Coast of Ireland by Betsy Cornwell - https://amzn.to/3Z9qtPu I'll Tell You When I'm Home by Hala Alyan - https://amzn.to/4bof7yr Guest's Links: Website - https://www.elianaramage.com/ Instagram - https://www.instagram.com/elianaramage/ Connect with Jen!Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmakerJen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmakerJen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Hala Alyan is the author of the debut memoir I'll Tell You When I'm Home, available from Avid Reader Press. Alyan is the author of the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University. *** Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠Brad's email newsletter⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Palestinian American writer Hala Alyan has a personal history of exile. Over the years, the author and her relatives have been displaced from their homes in Gaza, Kuwait, and Lebanon – and she says it's difficult to fully separate herself from these places. In today's episode, she speaks with NPR's Leila Fadel about her new memoir I'll Tell You When I'm Home, which contends with themes including exile, infertility, surrogacy, and motherhood.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

I'll Tell You When I'm Home is a poignant exploration of place and identity by Hala Alyan, the author of Salt Houses. Hala joins us to talk about poetry, what it means to tell the truth, redaction, establishing trust with readers, loyalty, motherhood and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): I'll Tell You When I'm Home by Hala Alyan Salt Houses by Hala Alyan Arsonist's City by Hala Alyan Good Girl by Aria Aber The Ferguson Report by Nicole Sealey A Little Daylight Left by Sarah Kay

Megan Fernandes joins Kevin Young to read “Half-Life in Exile,” by Hala Alyan, and her own poem “On Your Departure to California.” Fernandes's books include “I Do Everything I'm Told” and “Good Boys.” Her poems have been published widely, and she's received fellowships from the Yaddo Foundation, the Sewanee Writers' Conference, and the Hawthornden Foundation. She's currently an associate professor of English and the writer-in-residence at Lafayette College. Learn about your ad choices: dovetail.prx.org/ad-choices

This week, Sam and Hannah are back from a heavy Memorial Day Weekend of reading, and Hannah's books, in particular, are once again well-coordinated. Even if they're a little hard to describe. Also, this is a solid Pride episode, sort of by mistake. Here's what's on tap: - "The Book of Records," by Madeleine Thien, which is as meaty a read as we've had in a while, full of philosophical truths and a building made of time. This is great stuff.  - "Erasure," by Percival Everett, who is legitimately among the most important writers working today. This is the book that was made into the movie "American Fiction," but, as you might imagine, is even better than the movie.  - "I'll Tell You When I'm Home," by Hala Alyan, who this time delivers a memoir grappling with her family's history of immigration, escaping Kuwait after the Iraqi invasion and coming to the U.S. This book shows you what generational trauma means.  - "The Phoenix Pencil Company," by Allison King, a data privacy professional who's crafted a magical text about a family that can read pencil hearts (they stab it into their veins) that's perfect for Pride month. It's weird, yes. But new and different.  - "Bury Our Bones in the Midnight Soil," by V.E. Schwab, which is an ode to Anne Rice — a vampire book — but doesn't really follow Rice's vampire rules, exactly (they're all lesbian vampires, which is different). The second half of this is pretty great.  - Oh, and we're not going to tell you which book it is we disliked so intensely. See if you can figure it out. And there's no real good reason why this didn't get posted before June 10, other than Sam being in Iceland and not feeling like posting it. Sorry. 

This week on the Sumud Podcast, we're joined by poet, psychologist, professor, and author Hala Alyan. With roots in Palestine, Syria, and Lebanon, Hala shares her remarkable journey navigating displacement, identity, and creative expression—from surviving war and immigration to becoming a published author and clinical psychologist. In this deep episode, Hala opens up about motherhood, addiction, vulnerability, and the messy beauty of transformation. From crafting stories as a child to integrating psychology and poetry in her adult life, her reflections offer powerful insight into what it means to survive and evolve. In this conversation, we explore: ➡ The fluid meaning of “home” and identity ➡ How trauma, displacement, and storytelling intersect ➡ Her path through addiction, healing, and radical honesty ➡ What it means to parent, write, and love with accountability This video is for educational purposes only. It provides psychological, cultural, and political reflections intended to inform and empower. Chapters: 00:00 – Introduction & Embracing Vulnerability 04:30 – Displacement, Identity & Early Storytelling 10:03- Writing, Psychology & Teaching 22:52 – Writing About Taboo Topics & Protecting Others 29:56 – Vulnerability, Motherhood & Speaking Honestly 44:33 – Takeaways, Lineage & Advice to the Next Generation

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed.I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists' City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Get ready to load your summer totes with compelling reads, both new and old! We're sharing our anticipated summer releases on today's episode, carefully curated from a long list of captivating titles to shake up your TBR. As always, we've included some perfectly paired backlist favorites to enjoy while you wait for the buzzy new books.  Today, we explore an exciting mix of poignant literary fiction, immersive historical narratives, richly layered contemporary stories, and even a touch of magical realism to spark your imagination. You'll find everything from heartfelt memoirs threaded with nostalgia to sharp, insightful critiques of today's world, alongside enchanting tales perfect for reading all season long.  This is our final season with Novel Pairings, but we are saving all of our episodes right here for you to return to, plus we're opening a shop for our exclusive classes and recap series. Stay tuned. To learn when our shop opens up and to get all new announcements, make sure you are following @novelpairingspod on Instagram and subscribed to novelpairings.substack.com. Find us individually and continue to read with each of us here: Chelsey – IG: @chelseyreads | Substack: chelsey.substack.com Sara – IG: @fictionmatters | Substack: fictionmatters.substack.com   Books Mentioned Great Big Beautiful Life by Emily Henry  Heart, Be at Peace by Donal Ryan (5/20) The Queen of Dirt Island by Donal Ryan  Dubliners by James Joyce I'll Tell You When I'm Home by Hala Alyan (6/3) Disoriental by Négar Djavadi  Atmosphere by Taylor Jenkins Reid Challenger by Adam Higginbotham  The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid  Malibu Rising by Taylor Jenkins Reid Daisy Jones & the Six by Taylor Jenkins Reid The Listeners by Maggie Stiefvater (6/3) The Remains of the Day by Kazuo Ishiguro Skipshock by Caroline O'Donoghue (6/3) A Darker Shade of Magic by VE Schwab The Möbius Book by Catherine Lacey (6/17) Audition by Katie Kitamura Liars by Sarah Mangusso The Tiny Things are Heavier by Esther Ifesinachi Okonkwo (6/24) Transcendent Kingdom by Yaa Gyasi El Dorado Drive by Megan Abbott (6/24) Katabasis by R.F. Kuang (8/26) Poppy War Trilogy by R.F. Kuang  Babel by R.F. Kuang  Yellowface by R.F. Kuang  The Inferno by Dante Alighieri The Odyssey by Homer The Austin Affair by Madeline Bell Northanger Abbey by Jane Austen Minor Black Figures by Brandon Taylor On Beauty by Zadie Smith Heart the Lover by Lilly King The Rachel Incident by Caroline O'Donoghue The Unveiling by Quan Berry Endurance by Alfred Lansing   Also Mentioned Paperback Summer Reading Guide  Libro FM The Irishification of Pop Culture (The Culture Study Podcast) LuLaRich Documentary  

What happens when people feel they’ve reached capacity as witnesses? For writer and clinical psychologist Hala Alyan, her work is to preserve the archive of Palestinian stories and pass down resistance through generations. As Israel’s war on Gaza continues, her work on the complexities of displacement, trauma, and the Palestinian diaspora has reached audiences around the world. In this episode: Hala Alyan, (@hala.n.alyan), writer and clinical psychologist Episode credits: This episode was produced by Chloe K. Li, Sonia Bhagat, and Tamara Khandaker, with Phillip Lanos, Spencer Cline, Hagir Saleh, Duha Mosaad, SarÍ el-Khalili, and our host, Malika Bilal. Our sound designer is Alex Roldan. Joe Plourde mixed this episode. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Today's poem is Aleppo by Hala Alyan. The Slowdown is your daily poetry ritual. In this episode, guest host Myka Kielbon writes… “Recently, I dreamt that my friend and I were moving into a big, old apartment. Once we got the couch in the living room, my grandmother appeared, sitting on it. I haven't seen her in a decade. She died in 2015. I think my grandmother, a woman who witnessed and bore great suffering, a woman who was courageous and loving, came to me to remind me of the strength we need to carry each other.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

On this episode of On the Nose—recorded at an online event on October 30th—editor-in-chief Arielle Angel speaks with author Naomi Klein and writer and clinical psychologist Hala Alyan about the place of feelings and affect in the movement for Palestinian liberation. They discuss the role of grief and rage, how movements can accommodate affective diversity, and what it means to channel emotions politically. Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).Texts Mentioned and Further Resources:“How Israel has made trauma a weapon of war,” Naomi Klein, The GuardianThe Generation of Postmemory: Writing and Visual Culture After the Holocaust by Marianne HirschProsthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture by Alison Landsberg “‘Chronic traumatic stress disorder': the Palestinian psychiatrist challenging western definitions of trauma,” Bethan McKernan, The Guardian“Can the Palestinian Mourn?,” Abdaljawad Omar, Rusted Radishes“‘Resistance Through a Realist Lens,'” Arielle Angel in conversation with Abdaljawad Omar, Jewish Currents“Mourning and Melancholia,” Sigmund FreudThe Shock Doctrine: The Rise of Disaster Capitalism by Naomi Klein“One Year,” Palestinian Youth Movement, The New Inquiry (originally published in The New York War Crimes)Recognizing the Stranger: On Palestine and Narrative by Isabella Hammad“A Surge in American Jewish Left Organizing,” On the Nose, Jewish Currents“Gaza and the Coming Age of the ‘Warrior,'” Ghassan Hage, Allegra“One Year,” Arielle Angel, Jewish Currents newsletterThe Secret Life of Saeed: The Pessoptimist by Emile Habibi“Theses on the Philosophy of History,” Walter Benjamin

Palestinian poet and clinical psychologist Hala Alyan shares her poem “Dear Gaza,” about guilt, memory, and hope. Scientist Dr. Salma Mousa talks about her research on empathy and polarization, and describes how soccer star Mo Salah's prominence led to a demonstrable drop in anti-Muslim hate speech and violence in his hometown of Liverpool. H.Sinno, who is the lead singer of the Lebanese band Mashrou' Leila, shares a brand-new song called “Re-Arson.”For a live show, Ben wrote a song called "Yellow Dress," which is available as a fundraiser for World Central Kitchen via Bandcamp, as well as Apple, Spotify, etc.SongWriterPodcast.comInstagram.com/SongWriterPodcastFacebook.com/SongWriterPodcastTikTok.com/@SongWriterPodcastX.com/SnogWriterSeason six is made possible by a grant from Templeton World Charity Foundation

Hala Alyan and adrienne meditate with grief, revisit endurance, share poems and thoughts on tides turning and elections and what is real and who is urgent.hala's newsletter moonseed is now on substack @ halaalyan.substack.comfollow @hala.n.alyan and @fariha_roisin for a month of poemslove you, keep going

Tifani and Lindsey discuss The Arsonists' City by Hala Alyan. Happy Reading!

Today we speak with co-authors Sami Hermez and Sireen Sawalha about their book, My Brother, My Land: A Story from Palestine. The eminent Palestinian author Hala Alyan calls it “A breathtaking display of literary prowess that tells the story of an entire homeland through the frame of one woman's life.”In our conversation Hermez and Sawalha explain the intricate back and forth that took place as the two collaborated to weave together Sireen's many stories about her extended family on Palestine through many generations. At the heart of the book is the story of her brother Iyad. Through his life, and those he interacts with we hear a story of colonial violence, Palestinian resistance, and the never-ending struggle for liberation across generations of Palestinians. Sami Hermez, PhD, is the director of the Liberal Arts Program and associate professor of anthropology at Northwestern University in Qatar. He obtained his doctorate degree from the Department of Anthropology at Princeton University. He is the author of War is Coming: Between Past and Future Violence in Lebanon (UPenn 2017), which focuses on the everyday life of political violence in Lebanon and how people recollect and anticipate this violence, and My Brother, My Land: A Story from Palestine (Stanford 2024), that tells the story of a Palestinian family resisting ongoing Israeli settler colonialism. His broader research concerns include the study of social movements, the state, the future, memory, violence, and critical security in the Arab World. Sireen Sawalha, born in the small village of Kufr Rai in Jenin, Palestine, comes from a family deeply connected to the region's rich history. She moved to the US in 1990 and completed her Bachelor's and Master's degrees at Rider University. Recognized by Cornell University for her outstanding contributions to education in 2022, Sireen serves as a social studies teacher in New Jersey. Beyond academia, she is a passionate chef and compelling storyteller, sharing her family's experiences under occupation. My Brother, My Land is the story of her family. 

On Nakba Day 2024 - commemorated amidst Israel's ongoing genocidal war on Gaza - FMEP is re-releasing a very special podcast produced last year in partnership with Project48. This project was created to commemorate the 75 years of the Palestinian Nakba, sharing the voices of 10 powerful Palestinian artists, sharing their works and that of other iconic Palestinian creators. Featured artists are: Ahmed Abu Artema, Hala Alyan, Suad Amiry, Zeina Azzam, Cherien Dabis, Fady Joudah, Tamer Nafar, Raja Shehadeh, Naomi Shihab Nye, and Waleed Zuaiter – reading their own work and that of other iconic Palestinian artists. Bios and links to the works of each artist can be found below. The Nakba (Arabic for “catastrophe”) is the expulsion of over 750,000 Palestinians from their homes and land, and the destruction of Palestinian society during the creation of the State of Israel – a destruction that continues today. Learn more at: project48.com. For more programming from FMEP on the Nakba please visit: https://fmep.org/resource/nakba-resources/

Recorded by Hala Alyan for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 9, 2024. www.poets.org

It's The Stacks Book Club day and writer Hala Alyan is back to discuss this month's pick, The January Children by Safia Elhillo. It is an award-winning poetry collection by the Sudanese-American poet Safia Elhillo. We examine the prevailing themes of displacement and duality, the urgency with which a poet writes, and we ask, how should one judge poetry?Be sure to listen to the end of today's episode to find out what our May book club pick will be.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2024/04/24/ep-316-the-january-childrenEpisode TranscriptConnect with Hala: Instagram | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Journalist and bestselling author Keith O'Brien joins this episode to talk about his new book Charlie Hustle: The Rise and Fall of Pete Rose, and the Last Glory Days of Baseball. Keith reveals his thoughts on Rose's complex story, which is anything but black and white. We also discuss the steroid era of baseball, Pete Rose's legacy around race, and the Baseball Hall of Fame.The Stacks Book Club selection for April is The January Children by Safia Elhillo. We will discuss the book on April 24th with Hala Alyan.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2024/04/17/ep-315-keith-obrienEpisode TranscriptConnect with Keith: Instagram | Twitter | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Writer, poet and psychologist Hala Alyan joins this episode to discuss her newest poetry collection The Moon That Turns You Back. We hear about how she thinks about form, and cultivating empathy in art. Hala also talks about her experience promoting a book during the ongoing violence attacks on Gaza, and what it's like for her therapy patients to read her work.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2024/04/03/ep-313-hala-alyanEpisode TranscriptConnect with Hala: Instagram | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hala Alyan reads “Tonight I'll Dream of Nadia” from her poetry collection The Moon That Turns You Back, published by Ecco in March 2024.

Let's talk Thingies with Samhita Mukhopadhyay, a writer and editor who covers feminism, politics, culture, fashion, racial justice, and existential dating dilemmas—in short, so much we want to read. She's the editorial director of The Meteor, the co-editor of the best-selling anthology Nasty Women: Feminism, Resistance and Revolution in Trump's America, and the author of Outdated: Why Dating is Ruining Your Love Life and (forthcoming!!) The Myth of Making It: A Workplace Reckoning. Yes, consider this the you-hear-it-here-first pre-order nudge.Samhita's Thingies include Ranavat hair oil, wearing her partner's class ring, Care Touch lens wipes, Jolly Rancher Chews, a poem by Hala Alyan, and Megan Thee Stallion's bodyodyody. The phrase “Oh, I'm JV” is brought to us by Sara Petersen's Substack In Pursuit of Clean Countertops, and we have a bonus Thingie: the memoir installments of Kim France's Substack! What areas are you happily JV in? Share with us at 833-632-5463, podcast@athingortwohq.com, or @athingortwohq—and chat it up about anything at all in our Geneva!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A special bonus episode organized by Hala Alyan with adrienne maree brown, featuring Spenta Kandawalla, Adaku Utah. TRANSCRIPT // LEARN MORE FROM OUR HOSTS:  adrienne maree brown  https://adriennemareebrown.net/ IG: @adriennemareebrown   Hala Alyan https://www.halaalyan.com/ IG: @hala.n.alyan    Spenta Kandawalla  https://www.jaaduacupuncture.com/about IG: @spentawalla   Adaku Utah https://www.adakuutah.com/ IG: @soularbliss   Sepideh Moafi IG: @sepidehmoafi    Noor  https://www.noorimages.com/ IG: @noor    Layla Feghali  www.RiverRoseRemembrance.com IG: @RiverRoseRemembrance GO DEEPER: Here are some resources to deepen your inquiry, build your capacity and engage in embodied activism for the healing and liberation of all:  Li Beirut Herbal and Healing Guide + virtual resilience resources The Land in Our Bones book Herbs for Endurance Social change ecosystem framework 26 ways to be in the struggle, beyond the streets (June 2020 update) Caring for Ourselves as Political Warfare A Brave Community Approach to discussing Gaza  REP Investigative Podcast Series 12-Steps of Jewish Zionists Anonymous REFLECTION QUESTIONS FOR EMBODIED CARE & ENDURANCE:  What is my/our commitment?  Where am I/we aligned/misaligned with my commitment?  What conditions are keeping me/us from alignment?  What do I/we need to stop/start practicing to get in formation with my commitment?  --- Send in a voice message: https://podcasters.spotify.com/pod/show/how-to-survive-the-end-of-the-world/message

This episode is taken from adrienne's Instagram live with the writer/poet Hala Alyan. Her recent piece in the NYT is Why Must Palestinians Audition for Your Empathy? In this conversation she joins adrienne to discuss endurance and care. --- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW! - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow --- Music by Tunde Olaniran, Mother Cyborg and The Bengsons --- HTS ESSENTIALS ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/how-to-survive-the-end-of-the-world/message

Originally aired 2021“We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It's hard to know because I think that language was being formed in my brain at the same time that these things were happening.”Hala Alyan is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City, and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by the New Yorker, the Academy of American Poets, Lit Hub, The New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

Originally aired 2021Hala Alyan is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City, and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by the New Yorker, the Academy of American Poets, Lit Hub, The New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

Palestinian American poet Hala Alyan and her family fled Kuwait when Saddam invaded. She joins us to explore storytelling, straddling cultures, loneliness, therapy, and what value belongings come to have when you move constantly. Alyan is also a clinical psychologist and author of Salt Houses. Find Hala Alyan at her website. ------------------------------------- ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!  

Hala Alyan is an award-winning poet, author, and clinical psychologist. She was born in Illinois but spent time in several other states as well as in Kuwait and Lebanon. Alyan shares her Brief But Spectacular take on how those experiences formed what she calls a hyphenated identity. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders