Podcasts about Sparrow

Part 2 - On July 9th, the Mighty Sparrow turned 90 years old, and Neville James is joined by LoLo Willis and Osbert Potter to discuss Sparrow's legacy as the Calypso King of the World.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 23rd July 2025. The winner will be contacted via Bluesky. Show references:  Sam Mullins, Trustee at SS Great Britainhttps://www.linkedin.com/in/sammullins/https://www.ssgreatbritain.org/ Transcriptions:  Paul Marden: What an amazing day out here. Welcome to Skip the Queue. The podcast for people working in and working with visitor attractions, I'm your host, Paul Marden, and today you join me for the last episode of the season here in a very sunny and very pleasant Bristol Dockyard. I'm here to visit the SS Great Britain and one of their trustees, Sam Mullins, who until recently, was the CEO of London Transport Museum. And I'm going to be talking to Sam about life after running a big, family friendly Museum in the centre of London, and what comes next, and I'm promising you it's not pipes and the slippers for Sam, he's been very busy with the SSGreat Britain and with other projects that we'll talk a little more about. But for now, I'm going to enjoy poodling across the harbour on boat number five awaiting arrival over at the SS Great Britain. Paul Marden: Is there much to catch in the water here?Sam Mullins: According to some research, there's about 36 different species of fish. They catch a lot of cream. They catch Roach, bullet, bass car. Big carpet there, maybe, yeah, huge carpet there. And then your European great eel is here as well, right? Yeah, massive things by the size of your leg, big heads. It's amazing. It goes to show how receipt your life is. The quality of the water is a lot better now. Paul Marden: Oh yeah, yeah, it's better than it used to be years ago. Thank you very much. All right. Cheers. Have a good day. See you later on. So without further ado, let's head inside. So where should we head? Too fast. Sam Mullins: So we start with the stern of the ship, which is the kind of classic entrance view, you know. Yeah, coming up, I do. I love the shape of this ship as you as you'll see.Paul Marden: So lovely being able to come across the water on the boat and then have this as you're welcome. It's quite a.Sam Mullins: It's a great spot. Isn't it?Paul Marden: Really impactful, isn't it? Sam Mullins:  Because the amazing thing is that it's going this way, is actually in the dry dock, which was built to build it. Paul Marden: That's amazing. Sam Mullins: So it came home. It was clearly meant to be, you know,Paul Marden:  Quite the circular story.Sam Mullins:  Yeah, yeah. Thank you. Paul Marden:  Thank you. Wow. Look at that view.Sam Mullins: So that's your classic view.Paul Marden:  So she's in a dry dock, but there's a little bit of water in there, just to give us an idea of what's going on. Sam Mullins: Well, what's actually going on in here is, preserving the world's first iron ship. So it became clear, after he'd come back from the Falklands, 1970 came back to Bristol, it became clear that the material of the ship was rusting away. And if something wasn't done, there'd be nothing left, nothing left to show. So the innovative solution is based on a little bit of science if you can reduce the relative humidity of the air around the cast iron hull of the ship to around about 20% relative humidity, corrosion stops. Rusting stops. It's in a dry dock. You glaze over the dock at kind of water line, which, as you just noticed, it gives it a really nice setting. It looks like it's floating, yeah, it also it means that you can then control the air underneath. You dry it out, you dehumidify it. Big plant that dries out the air. You keep it at 20% and you keep the ship intact. Paul Marden: It's interesting, isn't it, because you go to Mary Rose, and you go into the ship Hall, and you've got this hermetically sealed environment that you can maintain all of these beautiful Tudor wooden pieces we're outside on a baking hot day. You don't have the benefit of a hermetically sealed building, do you to keep this? Sam Mullins: I guess the outside of the ship is kind of sealed by the paint. That stops the air getting to the bit to the bare metal. We can go down into the trigger, down whilst rise up.Paul Marden:  We're wondering. Sam, yeah, why don't you introduce yourself, tell listeners a little bit about your background. How have we ended up having this conversation today.Sam Mullins: I'm Sam Mullins. I'm a historian. I decided early on that I wanted to be a historian that worked in museums and had an opportunity to kind of share my fascination with the past with museum visitors. So I worked in much Wenlock in Shropshire. I worked created a new museum in market Harbour, a community museum in Leicestershire. I was director of museums in St Albans, based on, you know, great Roman Museum at Verulamium, okay. And ended up at London Transport Museum in the 90s, and was directed there for a long time.Paul Marden: Indeed, indeed. Oh, we are inside now and heading underground.Sam Mullins: And you can hear the thrumming in the background. Is the dehumidification going on. Wow. So we're descending into thevery dry dock.Paul Marden: So we're now under water level. Yes, and the view of the ceiling with the glass roof, which above looked like a lovely little pond, it's just beautiful, isn't it?Sam Mullins: Yes, good. It sets it off both in both directions, really nicely.Paul Marden: So you've transitioned now, you've moved on from the Transport Museum. And I thought that today's episode, we could focus a little bit on what is, what's life like when you've moved on from being the director of a big, famous, influential, family friendly Museum. What comes next? Is it pipe and slippers, or are there lots of things to do? And I think it's the latter, isn't it? Sam Mullins: Yes. Well, you know, I think people retire either, you know, do nothing and play golf, or they build, you know, an interesting portfolio. I wanted to build, you know, something a bit more interesting. And, you know, Paul, there's that kind of strange feeling when you get to retire. And I was retiring from full time executive work, you kind of feel at that point that you've just cracked the job. And at that point, you know, someone gives you, you know, gives you a card and says, "Thank you very much, you've done a lovely job." Kind of, "Off you go." So having the opportunity to deploy some of that long term experience of running a successful Museum in Covent Garden for other organisations was part of that process of transition. I've been writing a book about which I'm sure we'll talk as well that's been kind of full on this year, but I was a trustee here for a number of years before I retired. I think it's really good career development for people to serve on a board to see what it's like, you know, the other side of the board. Paul Marden: I think we'll come back to that in a minute and talk a little bit about how the sausage is made. Yeah, we have to do some icebreaker questions, because I probably get you already. You're ready to start talking, but I'm gonna, I'm just gonna loosen you up a little bit, a couple of easy ones. You're sat in front of the telly, comedy or drama?Sam Mullins: It depends. Probably.Paul Marden: It's not a valid answer. Sam Mullins: Probably, probably drama.Paul Marden: Okay, if you need to talk to somebody, is it a phone call or is it a text message that you'll send?Sam Mullins:  Face to face? Okay, much better. Okay, always better. Paul Marden: Well done. You didn't accept the premise of the question there, did you? Lastly, if you're going to enter a room, would you prefer to have a personal theme tune played every time you enter the room. Or would you like a personal mascot to arrive fully suited behind you in every location you go to?Sam Mullins: I don't know what the second one means, so I go for the first one.Paul Marden: You've not seen a football mascot on watching American football or baseball?Sam Mullins: No, I try and avoid that. I like real sport. I like watching cricket. Paul Marden: They don't do that in cricket. So we are at the business end of the hull of the ship, aren't we? We're next to the propeller. Sam Mullins: We're sitting under the stern. We can still see that lovely, gilded Stern, saying, Great Britain, Bristol, and the windows and the coat of arms across the stern of the ship. Now this, of course, was the biggest ship in the world when built. So not only was it the first, first iron ship of any scale, but it was also third bigger than anything in the Royal Navy at the time. Paul Marden: They talked about that, when we were on the warrior aim the other day, that it was Brunel that was leading the way on what the pinnacle of engineering was like. It was not the Royal Navy who was convinced that it was sail that needed to lead. Sam Mullins: Yeah, Brunel had seen a much smaller, propeller driven vessel tried out, which was being toured around the country. And so they were midway through kind of design of this, when they decided it wasn't going to be a paddle steamer, which its predecessor, the world's first ocean liner, the Great Western. A was a paddle steamer that took you to New York. He decided that, and he announced to the board that he was going to make a ship that was driven by a propeller, which was the first, and this is, this is actually a replica of his patent propeller design. Paul Marden: So, this propeller was, is not the original to the show, okay?Sam Mullins: Later in its career, it had the engines taken out, and it was just a sailing ship. It had a long and interesting career. And for the time it was going to New York and back, and the time it was going to Australia and back, carrying migrants. It was a hybrid, usually. So you use the sails when it was favourable when it wasn't much wind or the wind was against. You use the use the engines. Use the steam engine.Paul Marden: Coming back into fashion again now, isn't it? Sam Mullins: Yeah, hybrid, yeah.Paul Marden: I can see holes in the hull. Was this evident when it was still in the Falklands?Sam Mullins: Yeah, it came to notice in the 60s that, you know, this world's first it was beached at Sparrow Cove in the Falkland Islands. It had lost its use as a wool warehouse, which is which it had been for 30 or 40 years. And a number of maritime historians, you and call it. It was the kind of key one realised that this, you know, extraordinary, important piece of maritime heritage would maybe not last too many war winters at Sparrow cope had a big crack down one side of the hull. It would have probably broken in half, and that would have made any kind of conservation restoration pretty well impossible as it was. It was a pretty amazing trick to put it onto a to put a barge underneath, to raise it up out of the water, and to tow it into Montevideo and then across the Atlantic, you know, 7000 miles, or whatever it is, to Avon mouth. So it's a kind of heroic story from the kind of heroic age of industrial and maritime heritage, actually.Paul Marden: It resonates for me in terms of the Mary Rose in that you've got a small group of very committed people that are looking to rescue this really valuable asset. And they find it and, you know, catch it just in time. Sam Mullins: Absolutely. That was one of the kind of eye openers for me at Mary rose last week, was just to look at the kind of sheer difficulty of doing conventional archaeology underwater for years and years. You know, is it 50,000 dives were made? Some immense number. And similarly, here, you know, lots of people kind of simply forget it, you know, it's never gonna, but a few, stuck to it, you know, formed a group, fund, raised. This is an era, of course, you know, before lottery and all that jazz. When you had to, you had to fundraise from the public to do this, and they managed to raise the money to bring it home, which, of course, is only step one. You then got to conserve this enormous lump of metal so it comes home to the dry dock in which it had been built, and that has a sort of fantastic symmetry, you know about it, which I just love. You know, the dock happened to be vacant, you know, in 1970 when the ship was taken off the pontoon at Avon mouth, just down the river and was towed up the curving Avon river to this dock. It came beneath the Clifton Suspension Bridge, which, of course, was Brunel design, but it was never built in his time. So these amazing pictures of this Hulk, in effect,  coming up the river, towed by tugs and brought into the dock here with 1000s of people you know, surrounding cheering on the sidelines, and a bit like Mary Rose in a big coverage on the BBC.Paul Marden: This is the thing. So I have a very vivid memory of the Mary Rose being lifted, and that yellow of the scaffolding is just permanently etched in my brain about sitting on the carpet in primary school when the TV was rolled out, and it was the only TV in the whole of school that, to me is it's modern history happening. I'm a Somerset boy. I've been coming to Bristol all my life. I wasn't alive when Great Britain came back here. So to me, this feels like ancient history. It's always been in Bristol, because I have no memory of it returning home. It was always just a fixture. So when we were talking the other day and you mentioned it was brought back in the 70s, didn't realise that. Didn't realise that at all. Should we move on? Because I am listening. Gently in the warmth.Sam Mullins: Let's move around this side of the as you can see, the dry dock is not entirely dry, no, but nearly.Paul Marden: So, you're trustee here at SS Great Britain. What does that mean? What do you do?Sam Mullins: Well, the board, Board of Trustees is responsible for the governance of the charity. We employ the executives, the paid team here. We work with them to develop the kind of strategy, financial plan, to deliver that strategy, and we kind of hold them as executives to account, to deliver on that.Paul Marden: It's been a period of change for you, hasn't it? Just recently, you've got a new CEO coming to the first anniversary, or just past his first anniversary. It's been in place a little while.Sam Mullins: So in the last two years, we've had a, we've recruited a new chairman, new chief executive, pretty much a whole new leadership team.One more starting next month, right? Actually, we're in July this month, so, yeah, it's been, you know, organisations are like that. They can be very, you know, static for some time, and then suddenly a kind of big turnover. And people, you know, people move.Paul Marden: So we're walking through what is a curved part of the dry dock now. So this is becoming interesting underfoot, isn't it?Sam Mullins: This is built in 1839 by the Great Western Steamship Company to build a sister ship to the Great Western which was their first vessel built for the Atlantic run to New York. As it happens, they were going to build a similar size vessel, but Brunel had other ideas, always pushing the edges one way or another as an engineer.Paul Marden: The keel is wood. Is it all wood? Or is this some sort of?Sam Mullins: No, this is just like, it's sort of sacrificial.So that you know when, if it does run up against ground or whatever, you don't actually damage the iron keel.Paul Marden: Right. Okay, so there's lots happening for the museum and the trust. You've just had a big injection of cash, haven't you, to do some interesting things. So there was a press release a couple of weeks ago, about a million pound of investment. Did you go and find that down the back of the sofa? How do you generate that kind of investment in the charity?Sam Mullins: Unusually, I think that trust that's put the bulk of that money and came came to us. I think they were looking to do something to mark their kind of, I think to mark their wind up. And so that was quite fortuitous, because, as you know at the moment, you know, fundraising is is difficult. It's tough. Paul Marden: That's the understatement of the year, isn't it?Sam Mullins: And with a new team here and the New World post COVID, less, less visitors, income harder to gain from. Pretty well, you know, all sources, it's important to keep the site kind of fresh and interesting. You know, the ship has been here since 1970 it's become, it's part of Bristol. Wherever you go in Bristol, Brunel is, you know, kind of the brand, and yet many Bristolians think they've seen all this, and don't need, you know, don't need to come back again. So keeping the site fresh, keeping the ideas moving on, are really important. So we've got the dockyard museum just on the top there, and that's the object for fundraising at the moment, and that will open in July next year as an account of the building of the ship and its importance. Paul Marden: Indeed, that's interesting. Related to that, we know that trusts, trusts and grants income really tough to get. Everybody's fighting for a diminishing pot income from Ace or from government sources is also tough to find. At the moment, we're living off of budgets that haven't changed for 10 years, if we're lucky. Yeah, for many people, finding a commercial route is the answer for their museum. And that was something that you did quite successfully, wasn't it, at the Transport Museum was to bring commercial ideas without sacrificing the integrity of the museum. Yeah. How do you do that?Sam Mullins: Well, the business of being an independent Museum, I mean, LTM is a to all sets of purposes, an independent Museum. Yes, 81% of its funding itself is self generated. Paul Marden: Is it really? Yeah, yeah. I know. I would have thought the grant that you would get from London Transport might have been bigger than that.  Sam Mullins: The grant used to be much bigger proportion, but it's got smaller and smaller. That's quite deliberate. Are, you know, the more you can stand on your own two feet, the more you can actually decide which direction you're going to take those feet in. Yeah. So there's this whole raft of museums, which, you know, across the UK, which are independently governed, who get all but nothing from central government. They might do a lottery grant. Yes, once in a while, they might get some NPO funding from Ace, but it's a tiny part, you know, of the whole. And this ship, SS Great Britain is a classic, you know, example of that. So what do you do in those circumstances? You look at your assets and you you try and monetise them. That's what we did at London Transport Museum. So the museum moved to Covent Garden in 1980 because it was a far sighted move. Michael Robbins, who was on the board at the time, recognised that they should take the museum from Scion Park, which is right on the west edge, into town where people were going to be, rather than trying to drag people out to the edge of London. So we've got that fantastic location, in effect, a high street shop. So retail works really well, you know, at Covent Garden.Paul Marden: Yeah, I know. I'm a sucker for a bit of moquette design.Sam Mullins: We all love it, which is just great. So the museum developed, you know, a lot of expertise in creating products and merchandising it. We've looked at the relationship with Transport for London, and we monetised that by looking at TFL supply chain and encouraging that supply chain to support the museum. So it is possible to get the TFL commissioner to stand up at a corporate members evening and say, you know, you all do terribly well out of our contract, we'd like you to support the museum as well, please. So the corporate membership scheme at Transport Museum is bigger than any other UK museum by value, really, 60, 65 members,. So that was, you know, that that was important, another way of looking at your assets, you know, what you've got. Sometimes you're talking about monetising relationships. Sometimes it's about, you know, stuff, assets, yeah. And then in we began to run a bit short of money in the kind of middle of the teens, and we did an experimental opening of the Aldwych disused tube station on the strand, and we're amazed at the demand for tickets.Paul Marden: Really, it was that much of a surprise for you. And we all can talk. Sam Mullins: We had been doing, we've been doing some guided tours there in a sort of, slightly in a one off kind of way, for some time. And we started to kind of think, well, look, maybe should we carry on it? Paul Marden: You've got the audience that's interested.Sam Mullins: And we've got the access through TFL which, you know, took a lot of work to to convince them we weren't going to, you know, take loads of people underground and lose them or that they jump out, you know, on the Piccadilly line in the middle of the service, or something. So hidden London is the kind of another really nice way where the museum's looked at its kind of assets and it's monetised. And I don't know what this I don't know what this year is, but I think there are now tours run at 10 different sites at different times. It's worth about half a million clear to them to the museum.Paul Marden: It's amazing, and they're such brilliant events. So they've now opened up for younger kids to go. So I took my daughter and one of her friends, and they were a little bit scared when the lights got turned off at one point, but we had a whale of a time going and learning about the history of the tube, the history of the tube during the war. It was such an interesting, accessible way to get to get them interested in stuff. It was brilliant.Sam Mullins: No, it's a great programme, and it was doing well before COVID, we went into lockdown, and within three weeks, Chris Nix and the team had started to do kind of zoom virtual tours. We all are stuck at home looking at our screens and those hidden London hangouts the audience kind of gradually built yesterday TV followed with secrets of London Underground, which did four series of. Hidden London book has sold 25,000 copies in hardback, another one to come out next year, maybe.Paul Marden: And all of this is in service of the museum. So it's almost as if you're opening the museum up to the whole of London, aren't you, and making all of that space you're you. Museum where you can do things.Sam Mullins: Yeah. And, of course, the great thing about hidden London programme is it's a bit like a theatre production. We would get access to a particular site for a month or six weeks. You'd sell the tickets, you know, like mad for that venue. And then the run came to an end, and you have to, you know, the caravan moves on, and we go to, you know, go to go to a different stations. So in a sense, often it's quite hard to get people to go to an attraction unless they've got visitors staying or whatever. But actually, if there's a time limit, you just kind of have to do it, you know.Paul Marden: Yeah, absolutely. Everybody loves a little bit of scarcity, don't they? Sam Mullins: Should we go up on the deck? Paul Marden: That sounds like fun to me.Sam Mullins: Work our way through.Paul Marden: So Hidden London was one of the angles in order to make the museum more commercially sound. What are you taking from your time at LTM and bringing to the party here at the SS Great Britain?Sam Mullins: Well, asking similar, you know, range of questions really, about what assets do we have? Which of those are, can be, can be monetised in support of the charity? Got here, Paul, so we're, we've got the same mix as lots of middle sized museums here. There's a it's a shop, paid admission, hospitality events in the evening, cafe. You know that mix, what museums then need to do is kind of go, you know, go beyond that, really, and look at their estate or their intellectual property, or the kind of experiences they can offer, and work out whether some of that is monetisable.Paul Marden: Right? And you mentioned before that Brunel is kind of, he's the mascot of Bristol. Almost, everything in Bristol focuses on Brunel. Is there an opportunity for you to collaborate with other Brunel themed sites, the bridge or?Sam Mullins: Yeah. Well, I think probably the opportunity is to collaborate with other Bristol attractions. Because Bristol needs to. Bristol's having a hard time since COVID numbers here are nowhere near what they were pre COVID So, and I think it's the same in the city, across the city. So Andrew chief executive, is talking to other people in the city about how we can share programs, share marketing, that kind of approach.Paul Marden: Making the docks a destination, you know, you've got We the Curious. Where I was this morning, having coffee with a friend and having a mooch around. Yeah, talking about science and technology, there must be things that you can cross over. This was this war. This feels like history, but it wasn't when it was built, was it? It was absolutely the cutting edge of science and technology.Sam Mullins: Absolutely, and well, almost beyond, you know, he was Brunel was pushing, pushing what could be done. It is the biggest ship. And it's hard to think of it now, because, you know, you and I can walk from one end to the other in no time. But it was the biggest ship in the world by, you know, some way, when it was launched in 1845 so this was a bit like the Great Western Railway. It was cutting edge, cutting edge at the time, as we were talking about below. It had a propeller, radical stuff. It's got the bell, too,Paul Marden: When we were on, was it Warrior that we were on last week at the AIM conference for the first. And warrior had a propeller, but it was capable of being lifted, because the Admiralty wasn't convinced that this new fangled propeller nonsense, and they thought sail was going to lead. Sam Mullins: Yeah. Well, this ship had, you could lift a you could lift a propeller, because otherwise the propeller is a drag in the water if it's not turning over. So in its earlier configurations, it was a, it was that sort of a hybrid, where you could lift the propeller out the way, right, set full sail.Paul Marden:  Right, and, yeah, it's just, it's very pleasant out here today, isn't it? Lovely breeze compared to what it's been like the last few days. Sam Mullins: Deck has just been replaced over the winter. Paul Marden:  Oh, has it really. So say, have you got the original underneathSam Mullins: The original was little long, long gone. So what we have replaced was the deck that was put on in the in the 70s when the ship came back.Paul Marden: Right? You were talking earlier on about the cafe being one of the assets. You've done quite a lot of work recently, haven't you with the team at Elior to refurbish the cafe? What's the plan around that?Sam Mullins: Yeah, we're doing a big reinvestment. You always need to keep the offer fresh anyway, but it was time to reinvest. So the idea is to use that fantastic space on the edge of the dock. It's not very far down to where the floating harbour is really well populated with kind of restaurants and bars and an offer, we're just that 200 meters further along the dock. So perhaps to create an offer here that draws people up here, whether they visit the ship, you know, or not. So it's money, it's monetising your assets. So one of the great assets is this fabulous location on the on the dockside. So with early or we're reinvesting in the restaurant, it's going to go in the auto into after some trial openings and things, Paul, you know, it's going to have an evening offer as well as a daytime offer. And then it's been designed so the lights can go down in the evening. It becomes, you know, an evening place, rather than the museum's all day cafe, yes, and the offer, and obviously in the evenings would similarly change. And I think our ambition is that you should, you should choose this as the place to go out in the evening. Really, it's a great spot. It's a lovely, warm evening. We're going to walk along the dockside. I've booked a table and in the boardwalk, which is what we're calling it. And as you pay the bill, you notice that actually, this is associated with Asus, Great Britain. So, you know, the profit from tonight goes to help the charity, rather than it's the museum cafe. So that's the,Paul Marden: That's the pitch.Sam Mullins: That's the pitch in which we're working with our catering partners, Eli, or to deliver.Paul Marden: Andrew, your CEO and Claire from Eli, or have both kindly said that I can come back in a couple of months time and have a conversation about the restaurant. And I think it would be rude to turn them down, wouldn't it?Sam Mullins: I think you should test the menu really fully.Paul Marden: I will do my best. It's a tough job that I have. Sam Mullins: Somebody has to do this work. Paul Marden: I know, talking of tough jobs, the other thing that I saw when I was looking at the website earlier on was a press release talking about six o'clock gin as being a a partnership that you're investigating, because every museum needs its own tipple, doesn't it?Sam Mullins: Absolutely And what, you know, I think it's, I think what people want when they go to an attraction is they, they also want something of the offer to be locally sourced, completely, six o'clock gym, you know, Bristol, Bristol beers. You can't always do it, but I think, I think it's where you've got the opportunity. And Bristol's a bit of a foodie centre. There's quite a lot going on here in that respect. So, yes, of course, the museum ought to be ought to be doing that too.Paul Marden: I was very kindly invited to Big Pit over in the Welsh Valleys about 8 or 12 weeks ago for the launch, relaunch of their gift shop offering. And absolutely, at the core of what they were trying to do was because it's run by Museums Wales, they found that all of their gift shops were just a bland average of what you could get at any of the museums. None of them spoke of the individual place. So if you went to big pit, the gift shop looked the same as if you were in the centre of Cardiff, whereas now when you go you see things that are naturally of Big Pit and the surrounding areas. And I think that's so important to create a gift shop which has things that is affordable to everybody, but at the same time authentic and genuinely interesting.Sam Mullins: Yeah, I'm sure that's right. And you know I'm saying for you is for me, when I when I go somewhere, you want to come away with something, don't you? Yes, you know, you're a National Trust member and you haven't had to pay anything to get in. But you think I should be supporting the cause, you know, I want to go into that shop and then I want to, I want to buy some of the plants for my garden I just seen, you know, on the estate outside. Or I want to come away with a six o'clock gin or, you know, whatever it might be, there's and I think, I think you're more likely to buy if it's something that you know has engaged you, it's part of that story that's engaged you, right, while you're here. That's why everyone buys a guidebook and reads it afterwards.Paul Marden: Yeah, it's a reminder, isn't it, the enjoyable time that you've had? Yeah, I'm enjoying myself up on the top deck. Sam Mullins:  But should we go downstairs? The bow is a great view. Oh, let's do that. I think we might. Let's just work our way down through.Paul Marden: Take a sniff. Could you travel with these smelly passengers? Oh, no, I don't think I want to smell what it's like to be a cow on board shit. Sam Mullins: Fresh milk. Just mind yourself on these companion, ways are very steep now. This is probably where I get completely lost.Paul Marden: You know what we need? We need a very good volunteer. Don't we tell a volunteer story? COVID in the kitchen. Wow. Sam Mullins: The Gabby.Paul Marden: Generous use of scent. Sam Mullins: Yeah, food laid out pretty much based on what we know was consumed on the ship. One of the great things about the ship is people kept diaries. A lot of people kept diaries, and many have survived, right? You know exactly what it was like to be in first class or in steerage down the back.Paul Marden: And so what was the ship used for? Sam Mullins: Well, it was used, it was going to be an ocean liner right from here to New York, and it was more like the Concord of its day. It was essentially first class and second class. And then it has a founders on a bay in Northern Ireland. It's rescued, fitted out again, and then the opportunity comes take people to Australia. The Gold Rush in the 1850s. Migration to Australia becomes the big kind of business opportunity for the ships. Ships new owners. So there's more people on board that used to it applies to and fro to Australia a number of times 30 odd, 40 times. And it takes, takes passengers. It takes goods. It does bring back, brings back gold from because people were there for the gold rush. They were bringing their earnings, you know, back with them. It also brings mail, and, you know, other. Kind of car goes wool was a big cargo from. Paul Marden: Say, people down and assets back up again.Sam Mullins: People both directions. Paul Marden: Okay, yeah. How long was it taking?Sam Mullins: Well, a good trip. I think it did it in 50 odd days. Bit slower was 60 odd. And the food was like this. So it was steerage. It was probably a bit more basic. Paul Marden: Yeah, yes, I can imagine. Sam Mullins: I think we might. Here's the engines. Let's do the engines well.Paul Marden: Yes. So now we're in the engine room and, oh, it's daylight lit, actually. So you're not down in the darkest of depths, but the propeller shaft and all of the mechanism is it runs full length, full height of the ship.Sam Mullins: Yeah, it runs off from here, back to the propeller that we're looking at. Okay, down there a guy's stoking the boilers, putting coal into into the boilers, 24 hour seven, when the engines are running. Paul Marden: Yes, that's going to be a tough job, isn't it? Yeah, coal is stored in particular locations. Because that was something I learned from warrior, was the importance of making sure that you had the coal taken in the correct places, so that you didn't unbalance the ship. I mean,Sam Mullins: You right. I mean loading the ship generally had to be done really carefully so, you know, sort of balanced out and so forth. Coal is tends to be pretty low down for yes, for obvious reasons.Paul Marden: So let's talk a little bit about being a trustee. We're both trustees of charities. I was talking to somebody last week who been in the sector for a number of years, mid career, interested in becoming a trustee as a career development opportunity. What's the point of being a trustee? What's the point of the trustees to the CEO, and what's the benefit to the trustees themselves? Sam Mullins: Well, let's do that in order for someone in the mid part of their career, presumably looking to assume some kind of leadership role. At some point they're going to be dealing with a board, aren't they? Yes, they might even be doing, you know, occasional reporting to a board at that at their current role, but they certainly will be if they want to be chief executive. So getting some experience on the other side of the table to feel what it's like to be a trustee dealing with chief executive. I think he's immensely useful. I always recommended it to to my gang at the Transport Museum, and they've all been on boards of one sort or another as part of their career development.Sam Mullins: For the chief executive. What's the benefit? Well, the board, I mean, very directly, hold the chief executive to account. Yes, are you doing what we asked you to do? But also the wise chief executive recruits a board that's going to be helpful in some way or another. It's not just there to catch them out. Yeah, it's it's there to bring their experience from business, from IT, from marketing, from other museums into the business of running the place. So here we've got a range of Trustees. We've been we've recruited five or six in the last couple of years qquite deliberately to we know that a diverse board is a good board, and that's diverse in the sense not just a background, but of education, retired, still, still at work, young, old, male, female, you know, you name in.Paul Marden: In all of the directionsSam Mullins:  Yeah. So a diverse board makes better decisions than one that just does group think all the time. It's, you know, it's a truism, isn't it? I think we all kind of, we all understand and understand that now and then, for the trustee, you know, for me, I particularly last couple of years, when the organization has been through huge changes, it's been really interesting to deploy my prior experience, particularly in governance, because governance is what it all comes down to in an organisation. You do learn over the course of your career to deploy that on behalf, you know, this is a great organisation, the story of Brunel and the ship and and, you know, his influence on the railways. And I travel down on the Great Western railways, yeah, the influence of Brunel is, you know, is enormous. It's a fantastic story. It's inspiring. So who wouldn't want to join? You know what in 2005 was the Museum of the year? Yes, I think we'll just go back there where we came. Otherwise, I never found my way.Paul Marden: Back through the kitchen. Sam Mullins: Back through the kitchen. It looks like stew is on the menu tonight. You've seen me at the mobile the rat.Paul Marden: And also the cat up on the shelf. He's not paying a lot of attention to the ratSam Mullins: Back on deck. Paul Marden: Wonderful. Yeah. So the other great endeavor that you've embarked on is writing, writing a book. Tell us a little bit about the book.Sam Mullins: Yeah, I've written a history of transport in London and its influence on London since 2000 since the mayoralty, elected mayoralty was, was started, you know, I was very lucky when I was running the museum where I had kind of one foot in TfL and one foot out. I knew lots of people. I was there for a long time, yes, so it was, it was easy to interview about 70 of them.Paul Marden: Right? I guess you've built trust levels, haven't you? Yeah, I don't mean that you don't look like a journalist walking in from the outside with an ax to grind. Sam Mullins: And I'm not going to kind of screw them to the Evening Standard, you know, tomorrow. So it's a book based on interviews, oral reminiscences. It's very much their story. So it's big chunks of their accounts of, you know, the big events in London. So what was it like to be in the network control room on the seventh of July, 2005 when the bombs went off? What was it like to be looking out for congestion charge the day it started? Yep. What was it like to kind of manage the Olympics?Paul Marden: You know? So you're mentioning these things. And so I was 10 years at British Airways. I was an IT project manager, but as well, I was a member of the emergency planning team. Yeah. So I got involved in the response to September the 11th. I got involved in some of the engagement around seven, seven, there's seminal moments, and I can, I can vividly remember myself being there at that time. But similarly, I can remember being there when we won the Olympics, and we were all sat in the staff canteen waiting to hear whether we'd won the Olympics, and the roar that erupted. There's so many of those things that have happened in the last 25 years where, you know, you've got, it's recent history, but it's real interesting events that have occurred that you can tell stories of.Sam Mullins: Yeah. So what I wanted to get in the book was a kind of sense of what it was like to be, really at the heart of those, those stories. And there are, you know, there are, there are people in TfL who made those big things happen? Yes, it's not a big, clumsy bureaucracy. It's a place where really innovative leadership was being exercised all the way through that 25 years. Yes, so it runs up to COVID, and what was it like when COVID struck? So the book's called Every Journey Matters, and it comes out in November.Paul Marden: Amazing, amazing. So we have, we've left the insides of the ship, and we are now under, what's this part of the ship? Sam Mullins: We're under the bow. There we go, and a bow spread that gets above our heads. So again, you've got this great, hulking, cast iron, black hull, beautifully shaped at the bow. Look the way it kind of tapers in and it tapers in and out.Paul Marden: It's a very three dimensional, isn't it? The curve is, is in every direction. Sam Mullins: Yeah,it's a great, great shape. So it's my sort of, I think it's my favourite spot. I like coming to look at this, because this is the kind of, this is the business, yeah, of the ship.Paul Marden: What have we got running along the front here? These these images in in gold.Sam Mullins: This is a figurehead with Victoria's Coat of Arms only sua Kim Ali points on top with it, with a lion and a unicorn.Paul Marden: It's a really, it's not a view that many people would have ever seen, but it is such an impressive view here looking up, yeah, very, very cool. And to stand here on the on the edge of the dry dock. Sam Mullins: Dry Docks in to our right, and the floating harbor is out to our left. Yeah.Paul Marden: And much going on on that it's busy today, isn't it? Sam Mullins: Yeah, it's good. Paul Marden: So we've done full loop, haven't we? I mean, it has been a whistle stop tour that you've taken me on, but I've loved every moment of this. We always ask our guests a difficult question. Well, for some it's a difficult question, a book recommendation, which, as we agreed over lunch, cannot be your own book. I don't think, I think it's a little unfair Sam Mullins: Or anything I've ever written before.Paul Marden: Yes, slightly self serving, but yeah.Sam Mullins: It would be, wouldn't it look the first thing that comes to mind is, I've actually been reading my way through Mick Herron's Slow Horses series, okay, which I'm a big fan of detective fiction. I love Ian Rankin's Rebus. Okay, I read through Rebus endlessly when I want something just to escape into the sloughhouse series Slow Horses is really good, and the books all have a sort of similar kind of momentum to them. Something weird happens in the first few chapters, which seems very inconsequential and. Suddenly it turns into this kind of roller coaster. Will they? Won't they? You know, ending, which is just great. So I recommend Mick Herron's series. That's that's been the best, not best, fiction I've read in a long time.Paul Marden: You know, I think there's something, there's something nice, something comforting, about reading a series of books where the way the book is structured is very similar. You can, you can sit down and you know what's going to happen, but, but there's something interesting, and it's, it's easy. Sam Mullins: It's like putting on a pair of old slippers. Oh, I'm comfortable with this. Just lead me along. You know, that's what, that's what I want. I enjoy that immensely.Paul Marden: And should we be? Should we be inviting our listeners to the first book in the series, or do they need to start once, once he's got his, got his, found his way? Sam Mullins: Well, some people would have seen the television adaptation already. Well, that will have spoilt the book for them. Gary Oldman is Jackson lamb, who's the lead character, okay, but if you haven't, or you just like a damn good read, then you start with the first one, which I think is called Sloughhouse. They're all self contained, but you can work your way through them. Paul Marden: Well, that sounds very good. So listeners, if you'd like a copy of Sam's book, not Sam's book, Sam's book recommendation, then head over to Bluesky and repost the show notice and say, I want a copy of Sam's book, and the first one of you lovely listeners that does that will get a copy sent to you by Wenalyn. Sam This has been delightful. I hope listeners have enjoyed this as much as I have. This is our first time having a @skipthequeue in real life, where we wandered around the attraction itself and hopefully narrated our way bringing this amazing attraction to life. I've really enjoyed it. I can now say that as a West Country lad, I have actually been to the SS Great Britain. Last thing to say for visitor, for listeners, we are currently midway through the Rubber Cheese Annual Survey of visitor attraction websites. Paul Marden: If you look after an attraction website and you'd like to share some information about what you do, we are gathering all of that data together to produce a report that helps people to understand what good looks like for an attraction website. This is our fourth year. Listeners that are interested, head over to RubberCheese.com/survey, and you can find out a little bit more about the survey and some of the some of the findings from the past and what we're looking for for this year. Sam, thank you so very much.Sam Mullins: Enjoyed it too. It's always good to rabbit on about what you do every day of the week, and being here and part of this really great organisation is huge privilege.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

If you love playing "Who's that Pokemon" then this is the fable game for you! Join Fox as she tries to guess the animals in each tale Sparrow has collected! Sometimes with a furry clue and sometimes without- Sparrow shares 6 short tales from all around the world including tricksters and revenge!  Show notes can be found on our website at: www.talesfromtheenchantedforest.com You can also find us on: Bluesky Mastodon Instagram   TikTok

If you are one of the smart people who have a subscription to Cyber Protection Magazine you will soon receive our next special issue focused on the rise of non-human identities (NHI) and their impact on society. If not, you get just this podcast with a hint of what is in the issue.We talk with Mike Towers, Chief Security & Trust Officer at Veza, about the meteoric increase of NHI. As a bonus, we also look into the theft of $90 million in cryptocurrency by the Israeli hacktivist group Predatory Sparrow. This represents a new area of asymmetric warfare.

This week we're chasing golden hour vibes and jungle heat. From tribal twists to nostalgic reworks, Episode 6 is built for rooftop sunsets, barefoot kitchen dancing, and wide-open road trips. Tracklist 00:00:00 - Womack & Womack - Teardrops (Rules Radio Remix) 00:03:07 - SUPER-Hi - Feeling Good 00:06:19 - DJ Harmelo - Feel It (Afro Jazz Remix) 00:07:57 - Gipsy Kings - Volare (Modish. Remix) - TREASURE TRACK 00:11:30 - RUSH AVENUE & Adam Port - Dame Move Mas (HERMANN Mashup) 00:14:44 - Jayli - Sunset Lover - NEW WAVE ARTIST 00:19:06 - Danny Ocean - Me Rehuso (David Marley Remix) 00:22:14 - Sparrow & Barbossa - Azucar 00:26:11 - Zonderling - Zonder - TROPICAL TRANSITION 00:28:29 - Lost Frequencies & Zonderling - Crazy 00:30:48 - JOHN ELLE - Marrakesh (Club Bad Records) 00:32:41 - Bob Marley - Is This Love (Sam Redmore's Acoustic Takedown) 00:37:51 - Diplo, Msaki - Sawa (Extended Mix) - MELODIC MAP 00:41:56 - Temper Trap - Sweet Disposition (VXSION Remix) 00:46:10 - OneRepublic - If I Lose Myself Tonight (Tommy Menger Remix) 00:50:05 - Kaoma - Lambada - DJ Mag Remix 00:53:23 - Nina Simone / Sofi Tukker - Sinnerman (Sofi Tukker Remix) 00:56:49 - SUPER-Hi x NEEKA - Following The Sun (Jay Mocio Remix)

Welcome to Chapter 161! New music from Adana Twins, Ahmed Spins, Sparrow & Barbossa and labels including Circoloco, Selador and Helix! 1 Madraas - Northern Lights - Songuara  2 Laroz, Asher Swissa - Bad Girl ft. Sheera (Alex Twin Remix) - Camel Riders  3 Chris Luno - Night Jet - PIAS  4 Adana Twins, Ocean Flor - Keep On Coming - TAU 5 Kiko Navarro, Pere Navarro ft. Zano - Uva Umbe - Afroterraneo Music 6 Sparrow & Barbossa - You Go ft. Sebastian Rivero - Circoloco Records  7 David Morales - Boriqua - DIRIDIM  8 Giovanni Lucchetti, Simo Sax - Mamasita - Sunuraghe  9 Danny Howells - Powershow (Payoff Mix) - Selador 10 Death on the Balcony - Yutori - Sounds Of Sirin  11 Ahmed Spins X Ankhoi ft. Caroline Byrne - Mood - DHB Records  12 RÜFÜS DU SOL - Break My Love (Samm Remix) - Rose Avenue  13 Maesic, Marshall Jefferson - Life Is Simple (Move Your Body) ft. Salomé Das - Helix https://pod.co/chapters SoundCloud: https://bit.ly/34dG4R1  Spotify: https://spoti.fi/2JS6fn7  Instagram: @atalaiamusica  Beatport: https://bit.ly/2RcAnxq YouTube: https://bit.ly/3YPiAgf Substack: https://substack.com/@atalaia TikTok: @atalaiamusic Facebook: https://bit.ly/2xNZeAL Apple: https://apple.co/2KsgGgS Amazon: https://tinyurl.com/duf3c4n3  Mixcloud: https://bit.ly/2GSQF9o TuneIn: http://tun.in/pjsMJ LinkedIn: https://tinyurl.com/eyvm935k X: @AtalaiAmusicA www.atalaiamusic.com #housemusic #deephouse #organichouse #afrohouse #dancemusic #djs #dj #Chapters #AtalaiA #Audylic #house #progressivehouse #melodichouse #vinyl #vinylcut #technics

Every Midsummer's Eve, a sparrow flies into the Owens house and circles three times before being ushered back out—an omen, a tradition, and a mystery woven through all four books in the Practical Magic series. In this enchanting episode, we unravel the deeper meaning of the sparrow: as a messenger of liminal spaces, a symbol of the Threefold Law, and a harbinger of magical thresholds. We explore how this unassuming bird flits through myth, literature, and folklore—embodying everything from divine justice to poetic rebellion. We also dive into: The Wiccan Threefold Law and its connection to karmic return The literary "rule of three" and its mythic echoes Dream symbolism and the spiritual power of small things Cultural and mythological sparrow lore across the globe Why the "in-between times"—like Midsummer—are so ripe with magic Join us as we chase the sparrow through story, spell, and symbolism… and discover what messages it might be bringing you this Midsummer. SOCIALS:⁠⁠Link Tree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERO SOURCES DISCLAIMER:The Magnolia StreetPodcast intends to discuss the movie, “Practical Magic” in its entirety. Thiswill evidently result in spoilers and it is recommended that you watch and orread the following. Alice Hoffman's: Practical Magic, Rules of Magic, Magic Lessons,Book of Magic. The Magnolia StreetPodcast is for entertainment and informational purposes and should not be usedas a substitute for professional or medical advice. Do not attempt any of thediscussed actions, solutions, or remedies without first consulting a qualifiedprofessional. It should be noted that we are not medical professionals andtherefore we are not responsible or liable for any injuries or illnessesresulting from the use of any information on our website or in our media.The Magnolia StreetPodcast presenters, Kristina Babich and Justina Carubia are passionate fans ofAlice Hoffman's work and the Practical Magic word she has created. There is nocopyright infringement intended, all characters and story lines are that of AliceHoffman. We do not own any of that material as well as any of the move scoremusic shared within the podcast.All intellectualproperty rights concerning personally written music and or shared art arevested in Magnolia Street Podcast. Copying, distributing and any other use ofthese materials is not permitted without the written permission from KristinaBabich and Justina Carubia.

We have a holiday weekend coming up and you can enjoy it by checking out a new episode of Good, but not the best... a Dancing Gnome podcast! We kick things off by talking about Andrew's trip to Maine, some of the food and beers he enjoyed and a little about the Wavy Days fest the following weekend. Next, we are joined again by Luke Cypher of Blue Sparrow. Luke was our third ever guest when we started this podcast and hasn't been back since that episode. We get caught up on all of the changes since then, including the partnership with Dancing Gnome, how that relationship works, and much more. We dive a little deeper on food and food trucks in general and Luke talks about mentoring other folks that are interested in getting into the food service industry. Luke sticks around for a round of Watch, Listen, Learn to close out the episode. Intro/Outro music by: Kabbalistic VillageBreak music by: Joseph McDade

Pastor Scallions reminds us of God's care of us and The Sparrow.

Jesus teaches on the severity of the gospel. It is true good news for all, yet it will not be received kindly by everyone. Followers of Christ are to stand firm on what is true and everlasting, able to withstand anxiety and fear because of the power of the Holy Spirit. Deeply cared for by God, Christians carry the good news wherever they go, and the Lord is with them always.

Quick solo show about boats, challenge, and staying upbeat and positive.  Thanks for listening! Support this Podcast on Patreon: https://www.patreon.com/sailingintooblivionpodcast Help fund my next adventure here: https://gofund.me/6df0fb45 One Time Donations Via PayPal and Venmo: https://www.paypal.com/paypalme/JeromeRand https://account.venmo.com/u/sailingintooblivion Amazon WishList:https://www.amazon.com/hz/wishlist/ls/33F36RF315G8V?ref_=wl_share Children's Book: https://a.co/d/1q2Xkev Sailing Into Oblivion Children's Audio Book: Audible.com Sailing Merch: https://www.bonfire.com/store/sailing-into-oblivion/ Books: https://a.co/d/eYaP10M Reach out to the Show: https://www.sailingintooblivion.com/podcasts

In this edition of Between Two Nerds Tom Uren and The Grugq dive into the motivations and actions of Predatory Sparrow, a purported hacktivist group that has been attacking Iran for the last five years and has leapt into the Iran-Israel war. This episode is also available on Youtube. Show notes

Breathe in loving kindness for yourself, as you breathe out for others through this guided meditation led by Julie Potiker. She completes the meditation with her poem, "Going Gently Looks Like".“Going gently looks like” (prompt from Julia Fehrenbacher)This rounded cane chair, my body nestled in cozy fleece, the breeze kissing my thighs, knees, shins, and ankles.Black-headed Grosbeak trilling like a Song SparrowCobweb threads fluttering from the body of the cracked wooden shorebird to its black wire legsWestern Backyard Birds pocket guide dusty atop the Cornell Lab of Ornithology field guide book, on the weathered cement side table.Going gently is me on my second cup of coffee in a mug that says, fill this cup with joy, given to me by a place where I feel belonging and connection.A Cedar Waxwing is here, a Sparrow, the Grosbeak, the wind, and me, going gently.~Julie PotikerFind out more about using mindfulness in everyday life through Julie's books, "SNAP: From Calm to Chaos", and "Life Falls Apart, But You Don't have To: Mindful Methods for Staying Calm in the Midst of Chaos". Both are available on Amazon.com.Follow Julie on YouTube and Facebook at Mindful Methods for Life.comThis podcast is available on iTunes, iHeart, Blubrry and everywhere you listen to podcasts.

Breath in loving kindness for yourself, and out for others through this guided meditation led by Julie Potiker. She completes the meditation with her poem, "Going Gently Looks Like".This meditation ends with music allowing you to drift off into sleep.“Going gently looks like” (prompt from Julia Fehrenbacher)This rounded cane chair, my body nestled in cozy fleece, the breeze kissing my thighs, knees, shins, and ankles.Black-headed Grosbeak trilling like a Song SparrowCobweb threads fluttering from the body of the cracked wooden shorebird to its black wire legsWestern Backyard Birds pocket guide dusty atop the Cornell Lab of Ornithology field guide book, on the weathered cement side table.Going gently is me on my second cup of coffee in a mug that says, fill this cup with joy, given to me by a place where I feel belonging and connection.A Cedar Waxwing is here, a Sparrow, the Grosbeak, the wind, and me, going gently.~Julie PotikerFind out more about using mindfulness in everyday life through Julie's books, "SNAP: From Calm to Chaos", and "Life Falls Apart, But You Don't have To: Mindful Methods for Staying Calm in the Midst of Chaos". Both are available on Amazon.com.Follow Julie on YouTube and Facebook at Mindful Methods for Life.comThis podcast is available on iTunes, iHeart, Blubrry and everywhere you listen to podcasts.

This week on The Nerdpocalypse Podcast, the guys return to discuss Duster, CRISPR new innovation on chromosome editing that creates some moral issues potentially, Tyler Perry accused of exactly what you'd assume he'd be accused of, first look at He-Man is interesting, Clayface solo film gets its lead, is Mindhunters going to return?, more Pirates movies, Rachel Brosnahan has a message for actors in superhero movies, and much more.CHECKED OUTDusterSCIENCE & TECH NEWSCRISPR used to remove extra chromosomesTOPICS - Section 1Tyler Perry accused of sexual assault in actor's $260m lawsuitFirst look at He-Man is well…ok sure. Umm okMike Flanagan's Clayface solo movie finds its leadTNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium)$5 a month Access to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcastTOPICS - Section 2Mindhunters may make a return!More Pirates of the Caribbean movies in the works but with or with Jack Sparrow?Rachel Brosnahan on acting not standing by their comic book moviesWTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/hell2danawJay: https://tinyurl.com/gwarlivesTRAILERS40 Acres

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Amy Hooper - Short Story Long FOLLOW ON SPOTIFYJessie Elizabeth - Machine FOLLOW ON SPOTIFYOlivia James - Learn To Be Alone FOLLOW ON SPOTIFYEvidence Of Love - Treasures In Darkness FOLLOW ON SPOTIFYettie - Jealous of Him FOLLOW ON SPOTIFYEntifan - Clovers FOLLOW ON SPOTIFYThe Curse of KK Hammond - Walk With Me Through The Fire FOLLOW ON SPOTIFYMad Jupiter - Dududu FOLLOW ON SPOTIFYEvana Lee - Stray FOLLOW ON SPOTIFYAlexandra Hallberg - Gone Wild FOLLOW ON SPOTIFYHanorah - Heavenly One FOLLOW ON SPOTIFYDesert Sparrow - With You FOLLOW ON SPOTIFYalmost fine - laughter FOLLOW ON SPOTIFYMelody Lee Hayden - Superhero FOLLOW ON SPOTIFYFiona Grey - Girl That I Was FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor Her Sound at hersound.co.ukVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resources Become more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Back aboard Sparrow and instead of the normal welcome home podcast, I have something a bit different, a bit deeper if you will.  My thoughts on just what drives me to go out to sea over and over again.  Thanks for listening.  Support this Podcast on Patreon: https://www.patreon.com/sailingintooblivionpodcast Help fund my next adventure here: https://gofund.me/6df0fb45 One Time Donations Via PayPal and Venmo: https://www.paypal.com/paypalme/JeromeRand https://account.venmo.com/u/sailingintooblivion Amazon WishList:https://www.amazon.com/hz/wishlist/ls/33F36RF315G8V?ref_=wl_share Children's Book: https://a.co/d/1q2Xkev Sailing Into Oblivion Children's Audio Book: Audible.com Sailing Merch: https://www.bonfire.com/store/sailing-into-oblivion/ Books: https://a.co/d/eYaP10M Reach out to the Show: https://www.sailingintooblivion.com/podcasts

Three Buddy Problem - Episode 51: Former Immunity/Trail of Bits researcher Hamid Kashfi joins the buddies for a fast-moving tour of cyber activities in the Israel-Iran war. The crew unpacks who 'Predatory Sparrow' is, why Sepah Bank and the Nobitex crypto exchange were hit, and what a $90 million cryptocurrency burn really means. Plus, radar-blinding cyberattacks that paved the way for Israel's air raid, the human cost of sudden ATM outages and unpaid salaries, and the puzzling “Code Breakers” data leak that preceded it all. Hamid shares on-the-ground context, the buddies debate whether cyber operations can sway a shooting war, and everyone tries to gauge Iran's true offensive muscle under sanctions. Cast: Hamid Kashfi (https://twitter.com/hkashfi), Juan Andres Guerrero-Saade (https://twitter.com/juanandres_gs), Ryan Naraine (https://twitter.com/ryanaraine) and Costin Raiu (https://twitter.com/craiu).

Space, Ruby, & Sparrow talk about the Sub-Communities that make up the Furry Fandom.Send us an email: TalkToTheMuzzle@gmail.comFollow Our BlueSky: https://bsky.app/profile/fromthemuzzle.bsky.socialJoin Our Telegram Group: https://t.me/StraightFromTheMuzzleSupport The Muzzle: https://sftm.buzzsprout.com/205992/supporters/newIntro & Outro music was created by Rare Ear Candy.Follow Rare Ear Candy:Twitter: https://x.com/rare_ear_candyYouTube: https://www.youtube.com/@RareEarCandy Support the show

PLUS: Laurie Kilmartin answers our questions for America, What The Hell?; why accessibility gains in video gaming are being rolled back; exercise regimes and period syncing; Jeremy Dutcher celebrates Pride and National Indigenous People's Day; and Riffed from the Headlines, our weekly musical news quiz.

On this special TCN Interview, Taylor and Michael sit down with Bryce Gilman. He is an independent filmmaker and creator of "The Protectors Universe" and original characters The Sparrow, Knight Wolf, and The Dragonfly. You can check out his work on his YouTube Channel  @BGilStudios  or head over to his Instagram and Facebook to follow and support his work.

Over 5 million impacted by Episource breach Predatory Sparrow strikes Iran again Data leak at Swiss banks  Huge thanks to our sponsor, Adaptive Security — OpenAI's first cybersecurity investment As deepfake scams and GenAI phishing evolve, Adaptive equips security teams with AI-powered phishing simulations featuring realistic personalized deepfakes and engaging security awareness training. Their new AI Content Creator turns threat intel and policy updates into interactive, multilingual training — instantly. Trusted by Fortune 500s and backed by Andreessen Horowitz and OpenAI, Adaptive helps you stay ahead of AI-driven threats. Learn more at adaptivesecurity.com.

fWotD Episode 2965: Russet sparrow Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 17 June 2025, is Russet sparrow.The russet sparrow (Passer cinnamomeus), also called the cinnamon or cinnamon tree sparrow, is a passerine bird of the sparrow family Passeridae. A chunky little seed-eating bird with a thick bill, it has a body length of 14 to 15 cm (5.5–5.9 in). Its plumage is mainly warm rufous above and grey below. It exhibits sexual dimorphism, with the plumage of both sexes patterned similarly to that of the corresponding sex of house sparrow. Its vocalisations are sweet and musical chirps, which when strung together form a song.Three subspecies are recognised, differing chiefly in the yellowness of their underparts. The subspecies rutilans and intensior breed in parts of eastern Asia, where they are usually found in light woodland, and the subspecies cinnamomeus breeds in the Himalayas, where it is usually associated with terrace cultivation. The russet sparrow is the typical sparrow of human habitations in towns where the house and Eurasian tree sparrows are absent. In the southern part of its range, the russet sparrow prefers higher altitudes, but in the north it breeds by the sea. The russet sparrow is known well enough in the Himalayas to have a distinct name in some languages, and is depicted in Japanese art.This sparrow feeds mainly on the seeds of herbs and grains, but it also eats berries and insects, particularly during the breeding season. This diet makes it a minor pest in agricultural areas, but also a predator of insect pests. While breeding, it is not social, as its nests are dispersed. It forms flocks when not breeding, although it associates with other bird species infrequently. In some parts of its range, the russet sparrow migrates, at least to lower altitudes. Its nest is located in a tree cavity, or a hole in a cliff or building. The male chooses the nest site before finding a mate and uses the nest for courtship display. The typical clutch contains five or six whitish eggs. Both sexes incubate and feed the young.This recording reflects the Wikipedia text as of 01:40 UTC on Tuesday, 17 June 2025.For the full current version of the article, see Russet sparrow on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.

Listen as Sparrow and Ragnar discuss the disappointment that was the Power game and stare with rose tinted glasses at the challenge that is the Lions in Brisbane

Em Piratas do Caribe - O Baú da Morte, Elizabeth Swann (Keira Knightley), a filha do governador Weatherby (Jonathan Pryce), está prestes a se casar com o ferreiro Will Turner (Orlando Bloom). Porém o evento é atrapalhado pela ameaça de Davy Jones (Bill Nighy), o capitão do assombrado navio Flying Dutchman, que tem uma dívida de sangue com o capitão Jack Sparrow (Johnny Depp), amigo do casal. Temendo ser amaldiçoado a uma vida após a morte como escravo de Jones, Sparrow precisa encontrar o misterioso baú da morte para escapar da ameaça.PIX: canalfilmesegames@gmail.comSiga o Filmes e Games:Instagram: filmesegames Facebook: filmesegames Twitter: filmesegamesSpotify: https://open.spotify.com/show/5KfJKthPodcast: https://anchor.fm/fgcastIntro - 0:00Pirateis of the Caribeis: Ded Mens Xeste - 3:11O que é "Piratas do Caribe - O Baú da Morte "? - 3:50Notas dos agregadores - 6:13Tirando o bode da sala - 6:52Os Culpados - 42:58Premiações - 55:52Bilheteria - 58:20Notas do Filmes e Games - 1:02:15Comentários da comunidade - 1:067:13Momento Locadora - 1:12:55Revelação do FGcast #384 - 1:51:38Dicas do FGcast #385 - 1:56:11

* The Natural: Listen in as RSR host's Fred Williams and Doug McBurney interview homeschool mom, author, podcaster & Certified Naturalist Eryn Lynum about the scriptural, and Godly nature of rest for the mind, body and soul.   * Rocky Mountain HomeSchool Conference: Visit RSR and Eryn on the exhibitors floor at the 2025 CHEC Conference June 12-14 in Denver! And use coupon code NatTheo25*! to save $30.00 on CHEC registration!   * Nat Theo: Check out NathTheo Eryns Nature Lessons rooted in the Bible!   * Fairy Shrimp Tough: Find out how fairy shrimp can survive conditions that would make a Green Beret cry.    * Rest of the Hummingbird: Hear about God's design for torpor - how hummingbirds rest!   * House of the Sparrow: Hear about sparrows in the Holy Land, and the story of the Bird Whisperer!   * Foragers: Find out how God designed certain bees to communicate the intricacies of foraging for nectar by both rest, and the "waggle dance."   * Great Frigate Bird! Discover the God given gift of unihemispheric sleep that helps the Great Frigate Bird rest while flying over the ocean!   * Renewing Body & Mind: God's pattern of rest for the axolotl and the human teaches us how Jesus wants us to renew our minds by the washing of the water of the Word, and that we be not conformed to this world: but be transformed by the renewing of our mind, that we may prove what is that good, and acceptable, and perfect, will of God.

  Woke By Accident- Sambaza Podcast Collaboration Episode Details Guests: Sambaza (Co-Host, Sambaza Podcast) On this episode of Woke By Accident we recap our conversations from prior episodes 204-208- Queue Points, Jay Moore, and Angel Amos and J.R. Sparrow. Sambaza's Content https://podcasts.apple.com/us/podcast/sambaza/id1520678096 https://www.instagram.com/sambazapodcast/   Podcast Information Website: www.wokebyaccident.net Streaming Platforms: Available on all your favorite streaming platforms Sponsors Poddecks: https://www.poddecks.com?sca_ref=1435240.q14fIixEGL Affiliates Buddys Pet Referral Link: 30% discount https://buddyspet.net/?ref=JENSBUDDY Opus Clips: https://www.opus.pro/?via=79b446 StreamYard: https://streamyard.com/pal/d/5989489347657728 Curtsy: Use code JEND87 for $10 off first order of $20 or more https://heycurtsy.com/BLN7Be4kUzb Whatnot: https://whatnot.com/invite/jendub Poshmark: https://posh.mk/bDYu5ZMwbTb (Receive $10 to shop using this code) Music Soul Searching · Causmic Last Night's Dream — Tryezz Funkadelic Euphony- Monz  

* The Natural: Listen in as RSR host's Fred Williams and Doug McBurney interview homeschool mom, author, podcaster & Certified Naturalist Eryn Lynum about the scriptural, and Godly nature of rest for the mind, body and soul.   * Rocky Mountain HomeSchool Conference: Visit RSR and Eryn on the exhibitors floor at the 2025 CHEC Conference June 12-14 in Denver! And use coupon code NatTheo25*! to save $30.00 on CHEC registration!   * Nat Theo: Check out NathTheo Eryns Nature Lessons rooted in the Bible!   * Fairy Shrimp Tough: Find out how fairy shrimp can survive conditions that would make a Green Beret cry.    * Rest of the Hummingbird: Hear about God's design for torpor - how hummingbirds rest!   * House of the Sparrow: Hear about sparrows in the Holy Land, and the story of the Bird Whisperer!   * Foragers: Find out how God designed certain bees to communicate the intricacies of foraging for nectar by both rest, and the "waggle dance."   * Great Frigate Bird! Discover the God given gift of unihemispheric sleep that helps the Great Frigate Bird rest while flying over the ocean!   * Renewing Body & Mind: God's pattern of rest for the axolotl and the human teaches us how Jesus wants us to renew our minds by the washing of the water of the Word, and that we be not conformed to this world: but be transformed by the renewing of our mind, that we may prove what is that good, and acceptable, and perfect, will of God.

DAVID GAUSA presents SUTIL SENSATIONS RADIO / N#474 TRACKLIST JUNE 6th 2025 / 6 JUNIO 2025 Chris Lake x Abel Balder 'Ease My Mind' (Odd Mob Remix) - Black Book Nic Fanciulli & Marc E. Bassy 'Hold On' - Defected Vintage Culture & Layla Benitez ft. Max Milner 'Nirvana' - Knee Deep In Sound J Ribbon 'Lifetime' - Anjunabeats Nick Lampos 'The Chain' - Early Days Adam Ten & Mita Gami ft. Marina Maximilian 'Million Pieces' - Maccabi House Sparrow & Barbossa feat. BAYLI 'Float' - Circoloco Records Raze 'Break 4 Love' (Ridney & Inner Spirit Remix) - Armada Music --- TRACK OF THE WEEK / TEMA DE LA SEMANA Keinemusik (Rampa, &ME, Adam Port), Boys Noize feat. Vinson 'Crazy For It' - Keinemusik --- THE TECH HOUSE ZONE Max Dean, Luke Dean, Locky 'Can't Decide' - NeXup Recz Sama 'EY' - Spinnin Deep Mau P 'Like I Like It' (taken from 'Too Big For B-Side' EP) - Diynamic CID 'Party Jumpin' - Night Service Only --- Anyma, Y Do I 'The End Of Genesys' - Interscope Kolsch & CamelPhat 'Waste My Time' - IPSO --- THE LAIDBACK ROOM / LA SALA 2 Dam Swindle feat. Haile Supreme 'Not Enough' (taken from 'Open' LP) - Heist Adriatique, Bipolar Sunshine 'Love's A Game' - X Recordings --- DAVID GAUSA IN THE MIX: #CANELAFINA TAKEOVER Innellea, Goom Gum 'Childhood' - belonging Emanuel Satie, Maga, Sean Doron, Tim Engelhardt 'Hotline' - Scenarios Vintage Culture, Layla Benitez ft. Max Milner 'Nirvana' (Hot Since 82 Remix) - Knee Deep In Sound Kiko, Olivier Giacomotto 'Bounce' (taken from 'Four To The Floor 44' VA/EP) - Diynamic Yost Koen 'Stupid Things' (taken from 'Untold Stories' EP) - Diynamic Th;en 'My Head' - Spectrum Damon Jee, Demian 'A Night In 2006' - Polaris --- THE CLASSIC / EL CLASICO Celeda 'The Underground' (Saeed & Palash Addictive Trip Mix) - Star 69 --- If you want to know more about DAVID GAUSA, visit: Si quieres saber mas de DAVID GAUSA, visita: http://www.davidgausa.com http://instagram.com/davidgausa http://www.facebook.com/davidgausa http://twitter.com/davidgausa http://soundcloud.com/davidgausa http://www.mixcloud.com/davidgausa http://www.youtube.com/davidgausa http://www.sutilrecords.com http://www.facebook.com/sutilrecords

#panchatantra #India #SagaIn the first story we learn why you don't kill baby birds. In the second story, we learn to listen to our elders.Source: Panchatantra Arthur W RyderNarrator: Dustin SteichmannMusic: परी नजरिया गाना। नाचा धुन। पंडवानी।। Sound Effect: Rain and Birds by Dustin SteichmannPhoto Credit: "Bali - Garuda Wisnu Kencana (6 of 12)" by GOC53 is licensed under CC BY 2.0.

Join as Needles, Sparrow, Ragnar and a special guest discuss 100 episodes in the podcast game, break down what Cal Ward means to the Giants as well as his actual half time speech. Jimmy and the boys deliver again!

I'm joined by guests Praveen Perera, Future Paul & Ben Carman to go through the list.Bitcoin • Software Releases & Project Updates (00:01:29) Cove Wallet (00:18:14) Harbor.cash (00:35:45) Sparrow Wallet (00:37:05) BDK bdk_chain (00:37:52) Liana (00:38:24) Nunchuk Android (00:39:02) Bull Bitcoin Mobile (00:40:39) Blue Wallet (00:41:00) Bitkey App (00:43:21) FullyNoded (00:44:03) Zaprite (00:45:43) BoltzExchange (00:45:46) Padawan Wallet (00:46:23) Blockstream Green Android (00:46:37) Samourai Dojo (00:46:49) ESP-Miner (00:46:51) NBXplorer (00:47:12) Mempal• Poject Spotlight (00:47:23) DahLIAS (00:48:25) Manna Bitcoin (00:48:34) Darkwire (00:48:44) Parasite Pool (00:48:55) Blockpicker (00:49:10) LOCK Protocol (00:49:17) Sigbash (00:49:38) Arkade OS (00:50:09) Swift Bitcoin (00:50:36) Pythia (00:50:45) Arcana Seed Lodge (00:50:54) BIP47 Message Verifier (00:51:02) Traxe (00:51:08) Censorship Resistant (00:51:21) Bitcoin-4-AllVulnerability Disclosures (00:51:38) Coinbase data breach (00:54:07) Ledger Donjon (00:54:46) CVE-2023-21563 (00:55:59) BitpixiePrivacy & Other Related Bitcoin Projects • Software Releases & Project Updates (00:57:14) SimpleX (00:57:15) NomadNet (00:57:16) Sideband (00:57:17) Mullvad VPN Loader (00:58:17) Signal Desktop (00:58:20) Have I Been Pwned (00:58:22) KYCnot.me• Poject Spotlight (01:00:26) OniuxLightning + L2+ • Project Spotlight (01:00:39) Routstr (01:02:22) Lightning Blinder (01:02:32) Phoenixd MCP Server (01:03:27) Amboss Rails (01:03:48) Sixty Nuts (01:03:54) BTCNutServerBoosts (01:07:13) Shoutout to top boosters AVERAGE_GARY, hgw39, Rod Palmer, Chris, Hech, AVERAGE_GARY, Bob the Cow, Plunger & Homer Hodl.Links & Contacts:Website: https://bitcoin.review/Substack: https://substack.bitcoin.review/Twitter: https://twitter.com/bitcoinreviewhqNVK Twitter: https://twitter.com/nvkTelegram: https://t.me/BitcoinReviewPodEmail: producer@coinkite.comNostr & LN: ⚡nvk@nvk.org (not an email!)Full show notes: https://bitcoin.review/podcast/episode-97

For this month's edition of the Book Club, we discuss Mary Doria Russell's The Sparrow. Joining us is Stephen Mazur. The post The Sparrow by Matt Keeley appeared first on Kittysneezes.

For this month's edition of the Book Club, we discuss Mary Doria Russell's The Sparrow. Joining us is Stephen Mazur. The post The Sparrow by Matt Keeley appeared first on Kittysneezes.

Discover the fascinating world of the White-throated Sparrow: birds with two colour morphs, a unique mating system, and songs that spread like the latest Taylor Swift release. Professors Ken Otter and Scott Ramsay reveal the surprising complexity behind these seemingly ordinary birds.When you order from birdsandbeans.ca/warblers Birds and Beans donates to this podcast, plus you support bird-friendly coffee farms which provide essential habitat, simply by drinking a cup of coffee. Scott Ramsay is a Biology professor at Wilfrid Laurier University in Waterloo, ON, where he has been studying White-throated Sparrows since 2001. Since joining the faculty at Laurier, his research has included studies of the White-throated Sparrow populations in Algonquin Park, and Prince George BC in collaboration with Ken Otter.Ken Otter is a professor at the University of Northern British Columbia. Ken and his team were behind much of the song research for White-throated Sparrows. His primary interest is in how forest birds respond to anthropogenic disturbance.Andrea Gress (she/her) secretly thinks Piping Plovers are better than all the other birds...studied Renewable Resource Management at the University of Saskatchewan. She pivoted towards birds, after an internship in South Africa. Upon returning, she worked with Piping Plovers in Saskatchewan, and then as the Ontario Piping Plover Coordinator. Years of sharing her love of plovers with beach goers has turned into a full time communications role with Birds Canada. Support the show

Here's a break-down of why I changed my mind on the OP_RETURN limit in Bitcoin.---My previous discussion with Ziya: https://youtube.com/live/fFYvIsLOsnQLink to my Sparrow feature request: https://github.com/sparrowwallet/sparrow/issues/1716#issuecomment-2872672114Bitcoin Explained - Episode 98: Return of the OP_RETURN: https://bitcoinexplainedpodcast.com/@nado/episodes/episode-98-return-of-the-op-return---00:00 – Introduction00:40 – The Latency Problem with Limited OP_RETURN01:40 – Mining Centralization: A Side Effect of Censorship02:14 – Not All OP_RETURN Usage Is Spam02:35 – Bitcoin Knots and the BIP47 Limitation03:15 – Peter Todd's Whisper Demo: You Can't Stop the Message04:42 – What If OP_RETURN Could Crash Bitcoin Nodes?05:46 – Can We Disable Bare Multisig? (Spoiler: No)06:29 – Mempools Always Clear – A Hill I'm Willing to Die On---

Listen as Sparrow and Ragnar discuss all things orange

This episode explores the intersection between applied behavior analysis and user experience (UX) research, demonstrating how behavior analysts can apply their skills in technology and design fields. The discussion focuses on transferable skills including interview techniques, observational methods, and behavioral assessment strategies that are valuable in UX research. Participants will learn about effective approaches to gathering stakeholder information, understanding user needs, and applying behavior analytic thinking to improve product design and user interfaces. The content emphasizes how behavior analysts can expand their career opportunities while contributing their unique skillset to interdisciplinary teams in technology and other fields.  To earn CEUs for listening, click here, log in or sign up, pay the CEU fee, + take the attendance verification to generate your certificate! Don't forget to subscribe and follow and leave us a rating and review. Show Notes References:   Anderson, N. (2019, March 26). Getting specific with the TEDw method [Interview]. dscout People Nerds. https://www.dscout.com/people-nerds/tedw   Cihon, T. M., Cihon, J. H., & Bedient, G. M. (2016). Establishing a common vocabulary of key concepts for the effective implementation of applied behavior analysis. International Electronic Journal of Elementary Education, 9(2), 337–348.   Partington, J. W. (2006). Assessment of Basic Language and Learning Skills-Revised (ABLLS-R). Behavior Analysts, Inc.  Partington, J. W., & Mueller, M. (2012). The Assessment of Functional Living Skills (AFLS). Behavior Analysts, Inc.  Sparrow, S. S., Cicchetti, D. V., & Saulnier, C. A. (2016). Vineland Adaptive Behavior Scales, Third Edition (Vineland-3). Pearson.  Resources:   Association for Behavior Analysis International (ABAI) - https://www.abainternational.org  CentralReach - https://www.centralreach.com  Council of Autism Service Providers (CASP) - https://www.casproviders.org    

How can you be authentic in a way that strengthens your leadership and personal success? Kevin sits down with Jeanne Sparrow to chat about what authenticity truly means, why it matters for leaders, and how you can live it out with courage and confidence. Jeanne explains that being authentic isn't simply about being yourself; it's about knowing yourself deeply, having the bravery to express it, and using it to advance your work and connect with others meaningfully. Kevin and Jeanne explore the relationship between authenticity and confidence, the role of leaders in creating environments where team members feel safe to be themselves, and the transformational power of understanding your value and values. Listen For 00:00 Introduction: What is authenticity? 02:02 Meet Jeanne Sparrow 03:38 Jeanne's media career highlights 04:59 How Jeanne's podcast led to her book 07:09 The “inside knowledge” of broadcasting 08:03 Why this is still a leadership book 08:40 Jeanne's definition of authenticity 09:46 A powerful example of authenticity at work 12:46 Creating safety for authenticity 13:49 Why "fearless" authenticity matters 16:00 Jeanne's junior high story 18:00 Her dad's three truths about authenticity 20:08 The link between identity, value, and service 21:14 What does authenticity sound like? 23:08 Code-switching and being real 24:16 The foundation Live it Tell it Sell it 26:08 Authenticity and confidence 29:18 Clarity as the source of confidence 30:41 Authentic leaders give others permission 31:02 Why authenticity matters at the top 32:17 We don't have time to be inauthentic 33:34 Jeanne on food, wine, and salsa dancing 33:39 What she's reading Atomic Habits 35:05 Where to find Jeanne and her book 36:05 Kevin's final question Now what? 36:45 Wrap-up and next week's teaser Jeanne's Story: Jeanne Sparrow is the author of Fearless Authenticity: Lead Better, Sell More, and Speak Sensationally. She is a multi-hyphenate communicator. Her extensive repertoire includes hosting her own daily morning TV talk show for seven years, co-hosting daily radio shows with media giants Steve Harvey, George Wallace, and Doug Banks, and interviewing hundreds of Hollywood heavyweights. She now hosts a weekly radio show on V103, the top-ranked iHeart Radio station in Chicago, and hosts the “Fearless Authenticity with Jeanne Sparrow” podcast on the iHeart Podcast Network. She appears regularly on top-rated Chicago TV stations as a fill-in host and guest. She's a long-time voiceover artist, doing hundreds of commercials for national brands, and an actor in commercials and on broadcast television, including Fox's “Empire,” and NBC's “Chicago Med, and Magnum P.I.” Jeanne has spoken to and consulted for many nonprofit organizations and corporations including: AES, Women in Insurance Leadership, AT&T, Guaranteed Rate, Ravinia, iHeartRadio, and Governors State University. She's a respected faculty member at Northwestern University, teaching at the graduate level in the School of Communication This Episode is brought to you by... Flexible Leadership is every leader's guide to greater success in a world of increasing complexity and chaos.  Book Recommendations Fearless Authenticity: Lead Better, Sell More, and Speak Sensationally by Jeanne Sparrow  Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones by James Clear Like this? Leading with Authenticity with Sabrina Horn How to Find Your True Self in a Noisy World with Joshua Berry Leave a Review If you liked this conversation, we'd be thrilled if you'd let others know by leaving a review on Apple Podcasts. Here's a quick guide for posting a review. Review on Apple: https://remarkablepodcast.com/itunes   

Performed By Sis. Hannah Barnett

The Sundilla Radio Hour for the week of 05/12/2025 featuring: Jill Sobule "Somewhere In New Mexico" Pink Pearl (2005 Eagle Rock) 4:28 Amanda Ekery "Stitching" Arabe (2025 Hey Lu!) 3:39 Tre Burt "Sweet Misery" You, Yeah, You (2021 Oh Boy) 3:09 Sonya Cohen Cramer "Lowlands" You've Been a Friend to Me (2024 Smithsonian Folkways) 5:04 Mike Kinnebrew "Good Day" Call It Life (2025 Mike Kinnebrew) 4:14 Liz Simmons "Night in the City" Poets (2021 Liz Simmons) 3:00 Eric Bibb "The Real World" In The Real World (2024 Repute) 4:00 Hannah Wyatt "it just won't do" sunday cowboy (2024 Washingtones) 3:04 Last Year's Man "Right Where We Are" Time Is a Sparrow (2022 Last Year's Man) 3:10 Vic Chesnutt "Sad Peter Pan" Is the Actor Happy? (2004 New West) 3:29 Ordinary Elephant "Worth the Weight" Honest (2019 Ordinary Elephant) 3:13 Ryan David Green "Afterlife" Off and Running (2024 Ryan David Green) 3:07 Maya De Vitry "Stacy, In Her Wedding Gown" Infinite (2023 Mad Maker Studio) 3:57 Peter Mulvey "Me and Albert" More Notes From Elsewhere (2024 Peter Mulvey) 2:48

In Pastor Rebecca's last sermon before her summer sabbatical, she leaves the Wellspring ‘Ohana with 3 blessings drawn from Psalm 84.

On today's episode of Five Takes Femenil Glenn and Angel talk about Decatur's 8-1 victory over over Union10FC, the match day experience and what growing culture through lower league grassroots football is all about. Interviews from #6Becky Contreras, #11Maysoon El-Shami and coach Chapman.Cat and her daughter Sparrow also make an appearance!

I talk about some of the 52 comic books I read in April 2025. Helen of Wyndhorn My Time Machine Groupies 1-4 Blood Squad Seven v1 Sparrow 1 Summer of Superman Special Batman: Dark Patterns 1-3 Absolute Martian Manhunter 1 Feedback! Email = longboxreview@gmail.com Text/voicemail = 208-953-1841 Social = Bluesky Mastodon Facebook Web =  longboxreview.com Thanks for listening! episode 258

EarthTones - Episode 30: Afrohouse Special #2 A regular podcast series exploring deep, organic sounds of house, afrohouse & melodic progressive 1. Cuneyt Cilingiroglu - Richiana ft Idd Aziz 2. Angel Sanchez, Olio, Walther, Frede - Night Sky ft. Iyami Aje 3. AxMod - Kibarani feat. Idd Aziz 4. MoBlack, Gruwski - Void 5. Moeaike Bo Bom (Alan Dixon Remix) 6. Daomega. Elevation ft Idd Aziz (Lucas Reyes Sentenza Remix) 7. Erin Yildiz, Zeki Cirpici - Promised Land 8. Unfazed - Keep Falling (Extended Mix) 9. Moderat - More Love (Rampa &ME Remix) 10. Sade - No Ordinary Love (Chris Wallem AfroHouse Remix) 11. Jonni Gill, Addam - Telling Myself Lies 12. Arodes, Fahlberg - She Asked Me To Dance (Extended Mix) 13. Justice, Tame Impala - Neverender (Rampa Remix) 14. Stavrakiz - Magic Sunset (Original Mix) 15. Rampa, Adam Port, &ME, Keinemusik - Guilt Trip (Imad & Dennis Louvra Remix) 16. Awen & Caiiro - Your Voice (Enoo Napa Remix) 17. DJ Merlon & Enoo Napa - BroCode 18. Elderbrook & Ahmed Spins - Waterfall (Extended) 19. Sparrow & Barbossa - After Saturday Night (Monkey Safari Remix)

For Episode 429, Jon and Brendan head to Sparrow in the North Quarter. It's the latest concept from the suspiciously Michelin-ignored Good Salt Group. This week also features an interview with Orlando Fringe artist, Canadian puppeteer Adam Francis Proulx. This week's topics include an update on two major downtown park projects, Blue Bamboo's plans for the former Winter Park Public Library, a tougher Winter Park Preservation Ordinance built to punish offenders, a flaming scavenger hunt, and a parking garage for Westcourt. This week's episode was sponsored by Enzian Theater and JustCallMoe.com. Tune in to Bungalower and The Bus on Real Radio 104.1 FM every Friday at 8 p.m. or catch the podcast to stay in touch with all of the latest headlines, new restaurants, and best-bet events to attend this week.

Don "Muddy" Watrous discusses his 28 Jan 1991 MiG-23 kill with the 32d TFS, the Wolfhounds. Episode 71 Part 2.Buy merch and books today! https://www.10percenttrue.com/product-page/baotdSupport me with a coffee! https://www.buymeacoffee.com/10percenttrue Discussion on Discord: https://discord.gg/9vJ3hPYFQh0:00 “Hey Sir, mind if I take your picture?” (Teaser)2:28 Welcome back Muddy3:42 28th Jan 199129:30 diagnosing the unsuccessful Sparrow shots33:35 tanker crew were true to their word! 34:34 dissecting the timeline & engagement39:45 Bogey ID? 40:20 3's story?44:22 a what if?46:20 drop tank jettison envelope? 48:00 temporal distortion? 49:20 feelings on the outcome? 51:20 human aspect?53:55 rest of the war1:00:38 other lessons learned1:06:02 why continual re-learning?1:11:22 who killed the o-club?1:14:55 the returning Mig killer1:19:12 in squadron curiosity 1:20:55 fighting East German Fulcrums (4 ship flight lead qual)1:23:53 lessons learned on the Fulcrum1:29:30 dealing with high off boresight capabilities 1:34:15 any psychological legacy of the kill?1:36:20 part 3!

Episode 255 of the Endless Endeavor Podcast features an incredible conversation with Quan Huynh. Quan spent 22 years behind bars after a gang-related incident in 1999 in Hollywood, where he took another man's life. But in the midst of serving a life sentence, Quan discovered a powerful truth: real freedom comes from within. Today, Quan is on a mission to change the narrative around formerly incarcerated individuals. He's using his journey to bring healing to others, and he shares his transformation in his powerful book, Sparrow in the Razor Wire: Finding Freedom from Within While Serving a Life Sentence. Quan's story is raw, real, and deeply inspiring. I truly enjoyed the time we spent together, and I'm honored to share his voice with you. Please enjoy Episode 255 of the Endless Endeavor Podcast. Connect with Quan Huynh:  Instagram: @quanxhuynh Website: https://quanxhuynh.com Book: https://quanxhuynh.com/collections/products/products/purchase-sparrow-in-the-razor-wire-by-quan-h Connect with Greg: Instagram: @granderson33 Email: gregandersonpodcast@gmail.com Linktr.ee: https://linktr.ee/Granderson33 Podcast Apparel: www.theelectricnorth.com Episode Resources:  Moya Brand 1 https://www.moyabrand.com Coupon ENDLESS 20% off Cured Nutrition https://glnk.io/5wr64/granderson33 coupon ENDLESS 20% Off Bio Pro + https://www.bioproteintech.com coupon code ENDLESS saves 10% If you enjoy the show, make sure to give the Endless Endeavor Podcast a rating via your favorite audio platform OR on YouTube here: https://www.youtube.com/channel/UCieFsr26t9cyPDKMbLQJzXw/featured!

Stephan & NVK discuss the current state of self-custody in Bitcoin, highlighting the advancements in hardware wallets like Coldcard and the importance of understanding trade-offs in wallet solutions. Coldcard introduces new features such as co-signing and key teleport, which enhance security and usability. The conversation also touches on the future of wallet software, including the promising Cove Wallet and the potential of Miniscript in Bitcoin transactions. NVK also highlights the significance of seed phrases in Bitcoin custody, critiques the current OP_Return dynamics and GitHub moderation, and reflects on the implications of BitVM and Layer 2 solutions. Takeaways