Podcasts about Sparrow

Tom here, and it's my monthly "State of the Sparrow" for Your Other Family! It feels good to say I am now executive director of this new ministry. This month we finally made the switch away from Patreon to our new ministry giving platform. I actually got emotional deactivating our old way of supporting YOB. But I'm excited for what's to come as I update y'all on the resumption of regular blog/podcast content, as well as our next YOB+YOS membership call and our 7th YOB retreat this month in Pennsylvania. I'll share more about the numbers in my next update pod, but we would love to gain some additional support from outside our existing YOB+YOS membership. If you've been following our content and/or partaking in our community for a while, would you please prayerfully ponder this? Is there a married couple, parent, sibling, friend, elder, pastor, or even church who knows your story, and maybe even knows about your involvement in YOB or YOS, who you might consider asking to support YOF? 200 + 200 = LIFE LINKS FROM THIS EPISODE YOF General Giving YOB Membership YOS Membership YOF Home Tom's email: tom@yourotherbrothers.com

In the desert Southwest, water can be scarce. Yet some birds, like this Black-throated Sparrow, thrive in a scorching landscape. The birds obtain moisture from foods like nectar and fruit, as well as insects and other prey. They tuck into the shade in the heat of the day, so they won't lose water in panting. And they have extremely efficient kidneys, so they excrete almost no liquid. Amazing!The soundscapes featured in this episode were recorded by Gordon Hempton and provided courtesy of QuietPlanet.com.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

Shane Whaley and author I.S. Berry (The Peacock and the Sparrow) welcome spy thriller author Dan Fesperman to talk about his latest novel, Pariah. What happens when a disgraced stand-up comedian becomes a CIA asset in a fictional Eastern European country? Listen/Watch On. Topics covered include: The real-world politics that inspired Pariah How cancel culture shapes protagonist Hal Knight Building a believable fictional Eastern/Central European setting (Bolrovia!) Why did Dan Fesperman choose to create a fictional country rather than base Pariah in a real country? Humour in serious spy fiction Do spy novels need to have a geopolitical canvas? Food in spy novels. Chimney cake anyone? Why Dan Fesperman's audiobook producer stopped him from singing one of the songs referenced in Pariah. Dan Fesperman also reveals that his next novel will feature Winter Work's Emil Grimm; he also shares his thoughts on what makes a spy novel and the guests give a shoutout to the unsung real-life spies. Dan Fesperman's Pariah is perfect for fans of le Carré, McCloskey, Paul Vidich and for readers craving spy fiction with depth, nuance and laughs. Grab your copy of Pariah now and join the conversation in t

Well, it's been quite a ride, but all good things, and even all mediocre things, must come to an end. Our four week series on the American Song Contest comes to a close, and it's actually got some decent stuff... and also some regrettable stuff too. But that's the ASC in a nutshell, so we talk ways to improve it if they ever attempt something so fool-hardy again. Jeremy cannot and will not feel the love for an audience plant, Dimitry's still pining for his Alaskan idol, and Oscar gives us the 90s Marvel card system to rank K-pop artists.Watch the finale of the ASC here: https://www.youtube.com/watch?v=y_diKd6VmRAWatch AleXa break the trophy here: https://www.youtube.com/shorts/tTyHuX9tJ3EThis week's companion playlist: https://open.spotify.com/playlist/4ARyAtJVjWI1QAm2390Jio The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Visit https://shop.intrusiveshirt.com and browse their excellent collection of designs. I've included a few below: https://shop.intrusiveshirt.com/product/local-store-shirt/ https://shop.intrusiveshirt.com/product/the-news-shirt/ https://shop.intrusiveshirt.com/product/fake-chinese-shirt/ — — — On this episode, we spot rare sparrows and uncover monstrous fatbergs. — — — Check out LineMart, our Official TLE Merchandise store: https://www.toplobsta.com/collections/timeline-earth — — — Recorded LIVE every Wednesday! (8/26/2025) Featuring, the "The Golden Throat", Car Campit: https://twitter.com/TLE_Car And the "Number One PTO User of the Year", Aaron: https://twitter.com/btwa_RETURNS And as always, the wise and Dionysian Birdarchist: https://twitter.com/TLEbirdarchist And of course, the team's erudite investigator Paz: https://twitter.com/TLEPaz Follow the show on Twitter: https://twitter.com/timelineearth — — — THE EARTH IS A LINE!

Welcome to the School of Ministry podcast with this remastered episode, we explore Jesus' teaching about the sparrow to show God's care for the hurting and lonely ones. Using passages from Matthew, Luke, and Psalms, we learn how God notices even the 'odd sparrow' — the marginal, forgotten, and hurting — and our Kind, Gracious God, invites all to anchor their souls in Christ, to find comfort in His care, and share His Love while being a blessing to others.

Watch the original episode here on YouTubeBrittany Cartwright describes 'breaking-point' fight with Jax Taylor that led to separation (Page Six) + Vanderpump Rules Recap (19:13)Kelly Ripa begged for an invitation to Diddy's yacht in Tuesday's 'Live' rerun (Page Six) (40:01)Nicole Richie and Joel Madden's Lookalike Kids Harlow, 16, and Sparrow, 14, Make Red Carpet Debut (PEOPLE) (45:53)Lizzo Breaks Silence to 'Clarify' She's Only Quitting 'Negative Energy' (PEOPLE) (48:43)Jennifer Lopez Quietly Rebrands Tour as Greatest Hits Show Amid Weak Ticket Sales (Variety) (51:14)Dear Toasters Advice Segment (58:17)The Toast Patreon:https://www.patreon.com/thetoast Merch:https://www.shoptoastmerch.comLean In:https://www.flow.page/leaninThe Camper & The Counselor:https://www.thecamperandthecounselor.comGirl With No Job by Claudia Oshry:https://www.girlwithnojob.com/bookThis episode is brought to you by Clean Simple Eats - https://glnk.io/73q00/the-toastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this exciting episode of The Uncommon Place, hosts Stacey and J.R. Sparrow sit down with Charles Breakfield and Rox Burkey, the dynamic duo behind the Enigma Series of techno-thrillers. What began as a career in technical writing has now evolved into an action-packed literary journey filled with cyber threats, high-stakes drama, and, yes, a touch of humor.The conversation dives into how two tech professionals transitioned from creating manuals and reports to crafting page-turning thrillers. They share their creative process, the balance of writing as a team, and how they inject humor into the intense world of tech thrillers. Plus, they talk about real-world technology like AI and cryptocurrency—and how fiction can sometimes predict the future.Whether you're a budding writer or simply a fan of gripping, tech-driven narratives, this episode offers unique insights into the intersection of technology and storytelling.Key Topics:​The transition from tech writing to fiction: How they shifted from technical reports to crafting the Enigma Series.​The Enigma Series: The origins and themes of their books, including identity theft and cyber threats.​The creative process: How they divide characters, scenes, and plotlines.​Injecting humor into a techno-thriller: How a bit of comic relief adds depth to their otherwise high-tension stories.​Real-world tech and its impact on fiction: From AI to cryptocurrency, how Charles Breakfield and Rox Burkey​incorporate real-life threats into their thrillers.​Resolving creative conflicts: How they handle disagreements in their writing process, with a surprising twist!Resources Mentioned:​Enigma Series (available on Amazon and major retailers)​Charles and Roxburgh's website: www.enigmaseries.com

I love the topic we are talking about today – fearless authenticity. And guess what? Authenticity is the topic for the next Brave Women at Work book! How cool is that?According to an internet search, “Fearless authenticity means living a life true to your core values and beliefs, without fear of judgment or societal expectations. It involves embracing your unique self, accepting your flaws, and expressing your thoughts and feelings openly and honestly, even when it's challenging or uncomfortable. It's about finding the courage to be vulnerable and unapologetically yourself, even when it may not align with what others expect or want.”I aspire to fearless authenticity. What about you? There are times where I feel like I'm living and working in this state, and then I slip out of it. My goal is to be in states of fearless authenticity more, so I was pumped to talk with my guest today, Jeanne Sparrow.During the podcast, Jeanne and I chatted about: The story behind her Emmy Awards. If you see the podcast on YouTube, she had her Emmy Awards visible in the background!What living it, telling it, and sellling it means to Jeanne.How everyone can discover their own personal brand.The story behind Jeanne's book, Fearless Authenticity: Lead Better, Sell More, and Speak SensationallyWhat the prestige is in each one of us, and how we can leverage it in place of Imposter Syndrome

Dave and Alonso talk sequels, arthouse, and everything in-between. Subscribe and review us at Apple Podcasts, follow us @linoleumcast on Bluesky, Instagram, and Facebook, catch a ride on a wave. Join our Patreon, won't you? (You can listen to this show ad-free.) Subscribe to Dave's Ghost newsletter. Pre-order the new edition of Alonso's Christmas book. Join Dave and Alonso for a 40th anniversary screening of Clue with American Cinematheque.

Charley & Ken chat about the Pacific sector of the long western US road trip that Ken recently embarked upon. What was the biggest surprise, the biggest disappointment, the high point, and the low point?! White-crowned Sparrow recording courtesy of Ed Pandolfino, XC445849. Accessible at https://xeno-canto.org/445849. License Creative Commons Attribution-NonCommercial-ShareAlike 4.0Please check out the website of our sponsor Tropical Birding: https://www.tropicalbirding.com/If you wish to support this podcast, please visit our Patreon page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/naturallyadventurous?fan_landing=true⁠⁠⁠⁠⁠⁠⁠⁠⁠Feel free to contact us at: cfchesse@gmail.com &/or ken.behrens@gmail.comNaturally Adventurous Podcast Nature - Travel - Adventure

Well this should be the last of the ocean recordings for a while so today I bring you aboard for the last leg of this voyage that started way back in April down in Florida. It has been a long trip but Sparrow is finally high and dry and getting some much-needed TLC.  Thanks for listening. October 2nd Indianapolis Show Tickets: https://www.sailingintooblivion.com/new-events-1 Rustbelt 950: https://glexpeditionaryclub.org/rust-belt-950 Support this Podcast on Patreon: https://www.patreon.com/sailingintooblivionpodcast Help fund my next adventure here: https://gofund.me/6df0fb45 One Time Donations Via PayPal and Venmo: https://www.paypal.com/paypalme/JeromeRand https://account.venmo.com/u/sailingintooblivion Amazon WishList: https://www.amazon.com/hz/wishlist/ls/33F36RF315G8V?ref_=wl_share Children's Book: https://a.co/d/1q2Xkev Sailing Into Oblivion Children's Audio Book: Audible.com Sailing Merch: https://www.bonfire.com/store/sailing-into-oblivion/ Books: https://a.co/d/eYaP10M Reach out to the Show: https://www.sailingintooblivion.com/podcasts

“Any assessment of the potential of AI to contribute to education must begin with an accurate understanding of the nature of the outputs of AI,” my guests today write, “The most important reason to resist the use of AI in universities if that its outputs are fundamentally bullshit – indeed, strictly speaking, they are meaningless bullshit.”That particular term of art may appear to be attention-seeking or dismissive of the issue of AI entirely, but it's actually the root of a much deeper philosophical critique, like the late anthropologist David Graeber's notion of “bullshit jobs”, but leveled at Generative AI and the way it distorts the purpose and function of teaching, learning, and education itself. My guests today are Robert Sparrow and Gene Flenady, professor and lecturer, respectively, in philosophy at Monash University in Melbourne, Australia, where they join me from, and they are collaborators on two recent articles: Bullshit universities: the future of automated education and Cut the bullshit: why Generative AI systems are neither collaborators nor tutors. As a heads up, we're gonna be saying bullshit a LOT, sometimes in an academic context, sometimes not so much.Bullshit universities: the future of automated educationCut the bullshit: why GenAI systems are neither collaborators nor tutors

The furry fandom is full of artists teeming with potential, and what better way to hone in on that potential than going to art school? At least, that's what art schools want you to think. Join Space and Sparrow along with this episodes guest, SkullRacket, as they discuss the pros and cons of going to university for creative careers!Trigger Warning: This episode does go into some HEAVY topics and there is mention of suicide. Please do not feel obligated to listen to this episode if the topic of suicide distresses you. You can skip this section of the episode from 00:42:00 - 00:47:00.Follow SkullRacket:Website: https://www.skullracket.comCaard: https://skullracket.carrd.co/Intro & Outro music was created by Rare Ear Candy.Follow Rare Ear Candy:Twitter: https://x.com/rare_ear_candyYouTube: https://www.youtube.com/@RareEarCandy Support the show

Today, on Karl and Crew, we continued our “Ask the Expert” week with special guests, Rob West, Jill, and Mark Savage. Rob West joined us to talk all things finance, and he answered listener questions on how to manage funds. Rob West is the host of the nationally syndicated radio program Faith and Finance Live. He is also the Host of the Faith and Finance podcast and founded the FaithFi app. He is also the CEO of Kingdom Advisors, a community of financial professionals who specialize in delivering biblically wise finance. His latest book is a 21-day devotional called “Look at the Sparrow.” You can hear the highlights of today's program on the Karl and Crew Showcast. Karl and Crew airs live weekday mornings from 5-9 a.m. Central Time. Click this link for ways to listen in your area! https://www.moodyradio.org/ways-to-listen/ Donate to Moody Radio: http://moodyradio.org/donateto/morningshowSee omnystudio.com/listener for privacy information.

Today, on Karl and Crew, we continued our “Ask the Expert” week with special guests, Rob West, Jill, and Mark Savage. Rob West joined us to talk all things finance, and he answered listener questions on how to manage funds. Rob West is the host of the nationally syndicated radio program Faith and Finance Live. He is also the Host of the Faith and Finance podcast and founded the FaithFi app. He is also the CEO of Kingdom Advisors, a community of financial professionals who specialize in delivering biblically wise finance. His latest book is a 21-day devotional called “Look at the Sparrow.” You can hear the highlights of today's program on the Karl and Crew Showcast. Karl and Crew airs live weekday mornings from 5-9 a.m. Central Time. Click this link for ways to listen in your area! https://www.moodyradio.org/ways-to-listen/ Donate to Moody Radio: http://moodyradio.org/donateto/morningshowSee omnystudio.com/listener for privacy information.

Every year, Woven highlights a ministry that we want to come alongside, encourage, and support in whatever way possible. That's why we've chosen to spotlight Sparrow Collective based in Lewisville, Texas. Today I get to sit down with their founder and CEO, Rachel Joy. She shares some pretty incredible stories, some timeworn nuggets of wisdom, as well as her own journey of God birthing this multifaceted ministry. She opens up about God chasing her when her walls were up, healing some deep wounds, and calling her to step out in great faith. Today we start the conversation with Rachel giving us an overview of who Sparrow is and what they do. Social media handle: @rachelrjoy, @sparrowcollective Website: sparrowandco.comShow Notes/Quotes:“I'd been a believer for quite some time but I mean the Lord, He was after me, and he stared down and broke down all these walls that I had put up.” “Truth, freedom, identity, purpose. Truth, freedom, identity, purpose.” “Comparison is a real thing. Competition is a real thing. We think that our Christianity needs to look like everyone around us, and we don't actually ask the Lord, ‘Who have you created me to be? And what have you created me to do?'”“Instead of competing with you and comparing myself to you, I get to celebrate you.”“I think if you go to the scriptures you'll see that there are a lot of leaders that are not ideal in the mind's eye, yet God uses the least of these.”“A leader is someone who listens to the Lord and steps out in faith and they don't necessarily have the full picture but they trust the God who does. That's who a leader is.”“A leader is not the loudest person in the room. A leader is actually one who listens first.”“My allegiance has to be to King Jesus. Period, end of story…what sits on the throne of your heart?” “A leader always prays and leads with prayer.” “Sometimes leaders can build little kingdoms, instead of building THE kingdom. Two very different things.”“Not every opportunity is obedience.”“Am I about results, or am I about God being glorified? Those are two very different things.”“God uses the lowest points to show you who He is and then you know beyond a shadow of a doubt that it's Him that's doing the work and it's not you.”“I feel very much caught up in something that is totally the mark of the Lord and has very little to do with me.”“Stepping out in faith, you do look a little crazy, and that's ok.”“Be curious. Be curious…no sphere of influence is too small, too big, God has placed you exactly where He wants you. Be curious about what He's doing, and join Him in what He's doing.” Verses: 1 Corinthians 13:12

Join us as Sparrow and Ragnar discuss the smoking of Roo meat and walk you through the ins and outs of the second edition of the Expansion Cup 2025To get in contact, best to either email, comment on Spotify or message on XGive us a review or rating.Email: thesquinterspodcast@gmail.comYouTube: NeverSurrenderByTheSquintersX: The SquintersInstagram: gws_squintersFB: thesquintersTikTok: the.squinters

The Shred is a weekly roundup of what's making headlines in the world of employment. The Shred is brought to you today by Jobcase.

The time has finally come: the Eurovangelists have gone American... American Song Contest, that is! We're spending the month of August covering one of our most requested topics: NBC's 2022 attempt to create an American version of the ESC. We're recapping the entire thing, so listen along to the show that could very well have become an American institution (probably not). Jeremy's got hometown pride, Dimitry has flashbacks to episode 1, and Oscar's crushing on boys with million dollar smoothies.Watch the first two episodes of ASC here: https://drive.google.com/drive/folders/1RyPo0MDjoJgr0v0iYPE-oYEO4H5ugbRy?usp=sharingThis week's companion playlist: https://open.spotify.com/playlist/5Bnb8fgTY32KYCmIzvVFJK The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

What if companies stopped calling themselves “military-friendly” and actually became military-focused? On this week's episode of The ToosDay Crue, hosts Jake and Stephen sit down with Janine Smith, founder of Sparrow Consulting, LLC, and a force in the world of military career transition and corporate integration. With over two decades of experience working within and around the military sector, Janine bridges the critical gap between transitioning service members, military spouses, and the private sector workforce. This episode dives deep into: Why being “military-friendly” isn't enough anymore How businesses can evolve into military-focused organizations Common mistakes companies make when trying to recruit veterans How veterans and spouses can better align their skills for private sector success Career guidance, hiring events, and navigating post-military uncertainty Janine's mission? Helping companies unlock the untapped potential of military talent—and helping military-connected individuals unlock new purpose and direction. Connect here: https://www.linkedin.com/company/sparrow-consultingjs23/

Join us for an explosive episode of Friends With Davey as comedians Kurt Metzger and Jenna Sparrow dive into the shadowy world of religious cults and secret societies! Kurt shares his insights on the controversial legacy of Cecil Rhodes and the shocking revelations of author Carroll Quigley. Are there groups pulling the strings behind global events, or is it all just smoke and mirrors? Tune in for a wild ride through history, intrigue, and mind-bending theories! Follow on social media: Kurt Metzger - @kurtmetzgercomedy Jenna Sparrow - @__jennasparrow__ Davey Jackson - @daveyjax Friends With Davey - @friendswithdavey Watch new episodes every Wednesday at 8:00PM on YouTube! Podcast audio available on all streaming platforms. #secret #truecrimepodcast #podcast #history #comedy #americanhistory

Listen as Sparrow and Ragnar dissect the epic game that was against the Swans and move into talking about our next biggest rivals the poodles...Drop us a comment (Spotify) or get in touch via email. And we'd love a rating and review if you have a spare moment. It helps our reach, and we love hearing your feedback.--------YOU CAN NOW SUPPORT THE POD!!!!! If you enjoy the show and want to be a part of it, throw us a penny at https://www.buymeacoffee.com/thesquintersEnjoy and give us a rating and/or review wherever you're listening. And share this glorious content till your Orange heart's content

Are you a multi-passionate artist who loves all the shiny things? Same! This week we're joined by the brilliant Sami Sparrow — illustrator, educator, and creative whirlwind — for a heartwarming chat about embracing your multi-passionate self and letting joy lead the way. From fabric licensing and whimsical colouring packs to running kids' art classes, Sami shares how she juggles it all while staying true to her inner child.   Reminder: Sami's magical colouring packs are now live on her website — perfect for all ages! https://samisparrow.com/collections/prints/products/whimsical-sami-sparrow-colouring-pack-1   What We Cover: Art licensing 101 — how Sami gets her work on fabrics and products, and why it's not quite as it sounds (06:04) Creating mindful colouring packs — the joys of whimsical design and why it's not just for the kids (15:52) Healing through art and creativity — Sami's journey to rediscovering herself and her joy (21:45) Embracing the messy, magical artist life — permission to abandon perfectionism and follow ALL your passions (23:48)   Resources & Mentions: Sam''s Website & Colouring Packs: https://samisparrow.com/ Instagram: https://www.instagram.com/samisparrow020/ Ros' Thrive Mastermind — strategy + support to finish the year strong: https://www.permissiontopaint.co/thrive Laura's Vietnam Art Retreat (2026) — early bird ends this month! https://www.laurajaneday.com/retreat   Prefer to Watch or Listen? YouTube: https://www.youtube.com/@paintrestrepeatpodcast Spotify: https://open.spotify.com/show/3XkuZ4KuoUgy3Shu7IpmjN Apple Podcasts: https://podcasts.apple.com/au/podcast/paint-rest-repeat/id1597004305   Sponsored by: Laura Day: https://www.laurajaneday.com https://www.instagram.com/laurajaneday/ Ros Gervay: https://www.permissiontopaint.co https://www.instagram.com/rosgervayart   Stay Connected Ros's Newsletter — get weekly inspiration + practical biz advice here: https://www.permissiontopaint.co/stay-connected Laura's Newsletter — find your creative rhythm + joy here: https://laura-jane-day.myflodesk.com/studio-news   Let Us Shout You Out! Leave us a review and we'll shout you out in an upcoming episode: Here's how

Today we get into the process of bring Sparrow back to life and getting her ready for the high seas.  Hoping for a fun and quick trip north the Cape Cod.  I'm under the gun with time but am confident that Sparrow will rise to the occasion. Thanks for listening. October 2nd Indianapolis Show Tickets: https://www.sailingintooblivion.com/new-events-1 Rustbelt 950: https://glexpeditionaryclub.org/rust-belt-950 Support this Podcast on Patreon: https://www.patreon.com/sailingintooblivionpodcast Help fund my next adventure here: https://gofund.me/6df0fb45 One Time Donations Via PayPal and Venmo: https://www.paypal.com/paypalme/JeromeRand https://account.venmo.com/u/sailingintooblivion Amazon WishList:https://www.amazon.com/hz/wishlist/ls/33F36RF315G8V?ref_=wl_share Children's Book: https://a.co/d/1q2Xkev Sailing Into Oblivion Children's Audio Book: Audible.com Sailing Merch: https://www.bonfire.com/store/sailing-into-oblivion/ Books: https://a.co/d/eYaP10M Reach out to the Show: https://www.sailingintooblivion.com/podcasts

Trump tells Europe to get its 'act together' on immigation, Germany, UK, France say Gaza humanitarian crisis must end, and Germany moves to fast-track weapons purchases.

Listen as Sparrow and Ragnar discuss the comprehensive win against the Bombers as well as the upcoming game v the Swans. Drop us a comment (Spotify) or get in touch via email. And we'd love a rating and review if you have a spare moment. It helps our reach, and we love hearing feedback — good, or excellent...--------YOU CAN NOW SUPPORT THE POD!!!!! If you enjoy the show and want to be a part of it, throw us a penny at https://www.buymeacoffee.com/thesquintersEnjoy and give us a rating and/or review wherever you're listening. And share this glorious content till your Orange heart's content

The Say YES Summit is coming!Join us August 5–6, 1–4 PM EST for a free, virtual gathering designed to help you say YES to the next season of your life—with courage, joy, and unapologetic self-trust. Save your spot here. Use code FREEDOM to join us for free. Welcome to the Say YES to Yourself! Podcast—the show for midlife women, empty nesters, and those navigating major life transitions like divorce, reinvention, and rediscovery. If you're ready to shed old roles and finally put yourself first, you're in the right place.In this heart-centered episode, Wendy sits down with Susan Tripi, visionary founder of The Sparrow Collective, to explore the power of creating safe, supportive living communities for women navigating divorce. Susan shares the divine download that sparked this movement, the bold mission behind it, and how presence, trust, and aligned action are transforming lives.They explore:Why stepping out of familiar environments can create space for clarity, healing, and visionHow The Sparrow Collective is addressing financial insecurity, housing, and holistic support for women and their childrenThe difference between forcing outcomes and allowing divine orchestration in your dreamsSusan's work is a powerful reminder of what's possible when women rise together - and she's just getting started. Connect with Susan and the Sparrow Collective:TheSparrowCollective.org Contribute to the mission here.The Sparrow Collective on FacebookInstagram @susantripicoaching________________________________________________________________________________________ Say YES to joining Wendy for her: Say YES Sisterhood PWH Farm StaysPWH Curated France TripsInstagram: @phineaswrighthouseFacebook: Phineas Wright HouseWebsite: Phineas Wright HousePodcast Production By Shannon Warner of Resonant Collective Want to start your own podcast? Let's chat! If this episode resonated, follow Say YES to Yourself! and leave a 5-star review—it helps more women in midlife discover the tools, stories, and community that make saying YES not only possible, but powerful.

Today I chat about the upcoming trip to Cape Cod from North Carolina and all the prep and planning that is needed between now and departure in just a few days.  These small passages still require a ton of planning to be safe and successful, so its time to get to work.  Thanks for listening. October 2nd Indianapolis Show Tickets: https://www.sailingintooblivion.com/new-events-1 Rustbelt 950: https://glexpeditionaryclub.org/rust-belt-950 Brandon's YouTube Channel: https://www.youtube.com/@restrothunderroad Support this Podcast on Patreon: https://www.patreon.com/sailingintooblivionpodcast Help fund my next adventure here: https://gofund.me/6df0fb45 One Time Donations Via PayPal and Venmo: https://www.paypal.com/paypalme/JeromeRand https://account.venmo.com/u/sailingintooblivion Amazon WishList:https://www.amazon.com/hz/wishlist/ls/33F36RF315G8V?ref_=wl_share Children's Book: https://a.co/d/1q2Xkev Sailing Into Oblivion Children's Audio Book: Audible.com Sailing Merch: https://www.bonfire.com/store/sailing-into-oblivion/ Books: https://a.co/d/eYaP10M Reach out to the Show: https://www.sailingintooblivion.com/podcasts

The sermon explored the story behind the hymn 'His Eye is on the Sparrow,' tracing its origins in the life of Civilla Martin and her husband, Walter, who had run in with the law in the summer of 1903. Later they'd collaborate and write a few enduring hymns. Drawing theology from Matthew 10, the lesson centers on God's unwavering care for faithful Christians who suffer persecution. It encourages listeners facing adversity and persecution, emphasizing that even in difficult circumstances, God's eye is ever watchful and provides comfort and hope.

Do you want to grow your business? One way to do that is with exposure! And influencers can help with that! Please do not roll your eyes or envision a high-priced celebrity holding a product and smiling! We are joined by expert Erin Sparrow for real world advice on collaborating with other small business owners to spread the word about your products. From influencers to podcasters to authors and more, Erin has grown her business by working with others to reach a whole new audience and she is going to share how! Be sure to sign up for Kittl and give it a try for yourself: https://link.craftingcamps.com/kittl Erin Sparrow is the owner of Sparrow and Wilde, a small business selling licensed merchandise for authors and other creators. Erin started Sparrow & Wilde in June of 2022 as a side hustle selling mainly print-on-demand apparel. In May of 2023, Erin signed her first author licensing contract with Sarah J. Maas, which allowed her to design and sell merchandise based on best-selling book series like A Court of Thorns and Roses. Since then, Erin has signed with seven other authors, and expanded the Sparrow and Wilde product line to include temporary tattoos, accessories, and more. Erin has also collaborated with podcasts, influencers, and other businesses to create mutually beneficial partnerships. During the growth of Sparrow and Wilde, Erin kept track of every step of her process. In April 2025, she launched a 6-week course to help others build shops of their own. The course focuses mainly on Etsy & print-on-demand (as that is how Erin started her shop, and is a great low-risk/low-cost way to start), but also discusses author licensing, social media, and scaling.This 6-week course is designed to take you from square one to a thriving Etsy Print-on-Demand business. Whether you're just starting out or looking to scale your existing shop, I'll guide you through everything from setting up your shop and mastering SEO to trend research, design tools, licensing, customer service, and long-term scaling strategies.What makes this course different? Most courses focus on either creativity or business. But in this course, every single week includes both! Each week has a Creativity Section where you'll develop your design skills, learn about trends, and create standout listings. And there's a weekly Business Section covering the essential steps for opening and maintaining a small business (both from my own experiences and from my background as a CPA).See the course at: https://link.craftingcamps.com/sparrow Check out Cori's Etsy shop here: https://www.etsy.com/shop/ChapterCraftStudio Don't forget to shop our merch store to support the podcast! https://link.craftingcamps.com/merch Let us help you craft your future by turning your passion into a paycheck. Angie Holden and Cori George are teaming up for a series of live events dedicated to helping you start and grow your craft business. Be sure to subscribe so you don't miss any of the future episodes!Sign up for our email newsletter here: https://crafting-camps.ck.page/4715c59751Ask us questions here: https://forms.gle/ShKt64gKjeuneMLeAWant more from Cori and Angie? Be sure to subscribe to our YouTube channels and follow on Instagram using the links below.https://www.instagram.com/craftingcampshttps://www.instagram.com/heyletsmakestuffhttps://www.instagram.com/angieholdenmakes

What does it take to build a recruiting firm that survives three recessions, operates across borders, and thrives without retainers? In this episode of The Resilient Recruiter, we spotlight David Fishman, founder of Sparrow Company—a bi-national executive search and staffing firm based in both the U.S. and Mexico. David shares how he rebuilt after nearly losing everything in 2009 and developed a resilient, multi-revenue business that consistently closes $30K+ deals on contingency. With a team of 12 and placements ranging from hourly plant workers to C-suite executives, David proves that long-term success in recruiting isn't about flashy tech or a narrow niche—it's about grit, loyalty, smart diversification, and building client trust. Whether you're a firm owner, solo operator, or team leader, this episode will inspire you to think bigger, act faster, and future-proof your business model. Episode Highlights: [2:30] Why David's recruiting journey started with a family staffing business and a Coast Guard exit [7:00] How the 2009 recession nearly wiped him out—and what it took to survive [16:00] Expanding into Mexico: a single client request that changed everything [24:00] Building a binational team and training his kids to become recruiters [36:00] Why he's not retained (yet), and how he consistently closes $30K+ fees on contingency [47:00] How Sparrow places both plant supervisors and presidents using the same recruiting mechanics [1:06:00] David's multiple revenue streams: recruiting projects, temp staffing, nearshore talent [1:13:00] Why impulsivity is his superpower and what legacy he wants to leave behind Why Diversification is Non-Negotiable After nearly losing his business during the 2009 downturn, David made a key decision: stop relying on one industry or one type of placement. Today, Sparrow Company operates across manufacturing, engineering, mining, supply chain, and IT—placing roles at all levels across North America and Europe. Key takeaway for recruiters: Think beyond niche. Build a multi-layered model across industry, function, level, and geography. 3 Revenue Streams Every Recruiting Firm Owner Should Know To protect against market shifts and add recurring income, David built three revenue lines: Embedded recruiters on short-term contracts Temporary staffing through a dedicated local firm Contract engineers working remotely from Mexico for U.S. clients These offerings helped him scale sustainably, stabilize cash flow, and serve clients more deeply. “Every time we add a new service, it helps us survive another economic cycle.” How to Close $30K+ Deals Without Retainers David works 100% on contingency—but trains his clients to expect fewer resumes and faster, more precise matches. His firm is known for first-candidate hires and high-level execution without the upfront fees. “I'm not retained, but I'm still beating the firms that are. Because I'm hungrier.” About David Fishman David Fishman is the founder of Sparrow Company, a bi-national staffing and executive search firm incorporated in the United States and Mexico. With 30+ years in recruiting, he's placed CEO, CFO, VP, Director, Plant Manager, and Engineering roles across global manufacturing, supply chain, logistics, and Tier-One automotive clients. Sparrow's clients include publicly traded multinationals, private equity-backed firms, and international companies operating across the U.S., Mexico, Switzerland, and Germany. David is a member of the Pinnacle Society, recognized by the California Staffing Professionals Association as Staffing Professional of the Year, and frequently speaks on recruiting best practices and production hiring. In 2022, he launched a traditional temporary staffing firm serving the El Paso, TX and Las Cruces, NM region. Connect with David David on LinkedIn Sparrow Company Website Connect with Mark Whitby Book a FREE 30-minute strategy call: https://recruitmentcoach.com/strategy-session Mark on LinkedIn X: @MarkWhitby Instagram: @RecruitmentCoach Facebook: RecruitmentCoach Subscribe to The Resilient Recruiter

Learn more about the Irish Rebellion in Wexford in 1798 on the Irish & Celtic Music Podcast #718 . Subscribe now! Maggie's Wake, Marc Gunn, The Almost Irish Band, Avourneen, Téada, The Ciderhouse Rebellion, David Pedrick, Kennedy's Kitchen, Pipedance, Robert Zielinski, Sheridan Rúitín, River Drivers, Emerald Rose, The Bloody Irish Boys, Kilmaine Saints, Derek Warfield & The Young Wolfe Tones GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:08 - Maggie's Wake "Harrison's Way" from Maggie's Wake 1:46 - WELCOME 4:28 - Marc Gunn "Rising of the Moon" from St. Patrick's Day 6:33 - The Almost Irish Band "Wind That Shakes the Barley & Cuckoo's Nest" from Song Henge, Vol. 21 8:44 - Avourneen "The Wind that Shakes the Barley" from Sparrow 11:13 - Téada "Jig / Air / March  -  Farewell to Stoneybatter / An Raibh Tú ag an gCarraig / March at Kilmore" from Coiscéim Coiligh / As the Days Brighten 15:14 - The Ciderhouse Rebellion with Molly Donnery "Jimmy Murphy" from A Little Bit Slanted 18:28 - FEEDBACK 22:49 - David Pedrick "Tintern" from On the Way 24:10 - Kennedy's Kitchen "Vinegar Hill" from The Hotting Fire 28:13 - Pipedance "The Mountain Road / Jenny Picking Cockles / The Woman of the House / Rakish Paddy" from The Pleasures of Hope 33:03 - Sheridan Rúitín "Boolavogue" from Rebels in the Night 38:05 - Robert Zielinski "Flax in Bloom/The Green Groves of Erin" from The Day Dawn 40:39 - THANKS 45:29 - River Drivers "KELLY THE BOY FROM KILLANE" from Live at SteelStacks 48:44 - Emerald Rose "Mountain Fey" from Sunwise 51:15 - The Bloody Irish Boys "Enniscorthy in a Bottle" from Drunk Rock 55:11 - Kilmaine Saints "Wearing of the Green" from The Good, The Plaid, and The Ugly 57:26 - CLOSING 1:00:18 - Derek Warfield & The Young Wolfe Tones "The Dying Rebel" from Let Ye All Be Irish Tonight 1:04:38 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. Let's protect the land and people that we love. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and You will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic Last month, I led my Celtic Invasion of County Wexford. We visited the National 1798 Irish Rebellion Museum. I learned a lot. In the summer of 1798, in the town of Enniscorthy, a spark was lit that echoed across the centuries. Inspired by the ideals of liberty and self - determination that fueled the American and French Revolutions, ordinary Irish men and women rose up against British rule—hoping to shape a freer, more equal Ireland. The United Irishmen, a movement of Protestants and Catholics alike, dreamed of unity. But their rebellion was met with brutal force. The most haunting chapter came to a head on Vinegar Hill, where rebels made their last stand. Though the 1798 Rebellion was crushed, the spirit behind it lived on. It became a quiet current beneath Irish history, resurfacing again in 1916 during the Easter Rising—and carrying through to modern Ireland. Today's episode features songs and tunes inspired by the 1798 rebellion. These are songs of hope, defiance, heartbreak, and memory. This episode is not about blame. They're about telling the stories of those who dared to dream of freedom. GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Want to wear your love of Celtic music? Check out our album pins—these are striking lapel pins inspired by our official podcast compilation albums, featuring some of the best Celtic bands we've ever had on the show. Each pin comes with a full digital album download compilation, so you get great music and great style. Get all the details at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of Celtic music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

The song Tico-Tico no Fuba, like Carmen Miranda, came to us from Brazil. Believe it or not, the song is about a bird. The Portuguese lyrics tell the story of the tico-tico, a local name for the Rufous-collared Sparrow. Like so many birds, tico-tico was named for its song. In the song, the bird keeps coming back to the singer's yard to dine on her cornmeal, piled in a backyard granary. Tico-tico loves her cornmeal.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

Catch up on all the footy news from AFL 360, Monday the 14th of July with Gerard Whateley and Garry Lyon. Gerard Whateley and Garry Lyon are back for a huge edition of AFL 360, discussing the three big MRO decisions of the week, starting with Xerri’s 3-match ban for a hit that knocked out Sparrow. The guys then debate two decisions that have baffled them - Adam Cerra facing the tribunal for umpire contact and Harley Reid being given a fine, rather than a suspension, for a trip on Travis Boak. They then dissect the best of the rest from Round 18. For more of the show tune in on Fox Footy & KAYO.See omnystudio.com/listener for privacy information.

This message explores the theme of relinquishing control and fully trusting in God's protection and care. Hannah shares a personal experience of facing danger and feeling God's supernatural protection, relating it to the hymn "His Eye Is on the Sparrow." She emphasizes the importance of moving beyond intellectual understanding to a gut-level trust in God's watchful care, encouraging listeners to release their need for control and embrace the freedom that comes from trusting in God's sovereignty.

This message explores the theme of relinquishing control and fully trusting in God's protection and care. Hannah shares a personal experience of facing danger and feeling God's supernatural protection, relating it to the hymn "His Eye Is on the Sparrow." She emphasizes the importance of moving beyond intellectual understanding to a gut-level trust in God's watchful care, encouraging listeners to release their need for control and embrace the freedom that comes from trusting in God's sovereignty.

In this sermon, Pastor Chris Romig explores the theme of hope and faith in the midst of suffering and persecution, using both the story behind the hymn "His Eye Is on the Sparrow" and the passage from Revelation 6. Romig begins by recounting how the hymn was inspired by the deep faith of a suffering couple, reminding us that God cares for even the smallest sparrow and, even more so, for His children. He connects this message to Jesus' words in Matthew 10, emphasizing God's intimate knowledge of our lives and His care for us during difficult times. Chris then delves into Revelation 6, where the souls of martyrs cry out to God for justice during the Great Tribulation. Although God's response is a call to patience and trust in His timing, it is also a reassurance of security and righteousness for those who suffer for their faith, symbolized by the gift of white robes. Applying this to the present day, Chris highlights the reality of Christian persecution globally and urges believers to consider their own faith and courage in standing for Christ. He calls for prayer and support for persecuted Christians and reminds his audience that God remains sovereign, just, and compassionate. Ultimately, Chris encourages Christians to find strength in the knowledge that God's love is steadfast and that the faithful will one day be vindicated and welcomed into His eternal kingdom.

Part 2 - On July 9th, the Mighty Sparrow turned 90 years old, and Neville James is joined by LoLo Willis and Osbert Potter to discuss Sparrow's legacy as the Calypso King of the World.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 23rd July 2025. The winner will be contacted via Bluesky. Show references:  Sam Mullins, Trustee at SS Great Britainhttps://www.linkedin.com/in/sammullins/https://www.ssgreatbritain.org/ Transcriptions:  Paul Marden: What an amazing day out here. Welcome to Skip the Queue. The podcast for people working in and working with visitor attractions, I'm your host, Paul Marden, and today you join me for the last episode of the season here in a very sunny and very pleasant Bristol Dockyard. I'm here to visit the SS Great Britain and one of their trustees, Sam Mullins, who until recently, was the CEO of London Transport Museum. And I'm going to be talking to Sam about life after running a big, family friendly Museum in the centre of London, and what comes next, and I'm promising you it's not pipes and the slippers for Sam, he's been very busy with the SSGreat Britain and with other projects that we'll talk a little more about. But for now, I'm going to enjoy poodling across the harbour on boat number five awaiting arrival over at the SS Great Britain. Paul Marden: Is there much to catch in the water here?Sam Mullins: According to some research, there's about 36 different species of fish. They catch a lot of cream. They catch Roach, bullet, bass car. Big carpet there, maybe, yeah, huge carpet there. And then your European great eel is here as well, right? Yeah, massive things by the size of your leg, big heads. It's amazing. It goes to show how receipt your life is. The quality of the water is a lot better now. Paul Marden: Oh yeah, yeah, it's better than it used to be years ago. Thank you very much. All right. Cheers. Have a good day. See you later on. So without further ado, let's head inside. So where should we head? Too fast. Sam Mullins: So we start with the stern of the ship, which is the kind of classic entrance view, you know. Yeah, coming up, I do. I love the shape of this ship as you as you'll see.Paul Marden: So lovely being able to come across the water on the boat and then have this as you're welcome. It's quite a.Sam Mullins: It's a great spot. Isn't it?Paul Marden: Really impactful, isn't it? Sam Mullins:  Because the amazing thing is that it's going this way, is actually in the dry dock, which was built to build it. Paul Marden: That's amazing. Sam Mullins: So it came home. It was clearly meant to be, you know,Paul Marden:  Quite the circular story.Sam Mullins:  Yeah, yeah. Thank you. Paul Marden:  Thank you. Wow. Look at that view.Sam Mullins: So that's your classic view.Paul Marden:  So she's in a dry dock, but there's a little bit of water in there, just to give us an idea of what's going on. Sam Mullins: Well, what's actually going on in here is, preserving the world's first iron ship. So it became clear, after he'd come back from the Falklands, 1970 came back to Bristol, it became clear that the material of the ship was rusting away. And if something wasn't done, there'd be nothing left, nothing left to show. So the innovative solution is based on a little bit of science if you can reduce the relative humidity of the air around the cast iron hull of the ship to around about 20% relative humidity, corrosion stops. Rusting stops. It's in a dry dock. You glaze over the dock at kind of water line, which, as you just noticed, it gives it a really nice setting. It looks like it's floating, yeah, it also it means that you can then control the air underneath. You dry it out, you dehumidify it. Big plant that dries out the air. You keep it at 20% and you keep the ship intact. Paul Marden: It's interesting, isn't it, because you go to Mary Rose, and you go into the ship Hall, and you've got this hermetically sealed environment that you can maintain all of these beautiful Tudor wooden pieces we're outside on a baking hot day. You don't have the benefit of a hermetically sealed building, do you to keep this? Sam Mullins: I guess the outside of the ship is kind of sealed by the paint. That stops the air getting to the bit to the bare metal. We can go down into the trigger, down whilst rise up.Paul Marden:  We're wondering. Sam, yeah, why don't you introduce yourself, tell listeners a little bit about your background. How have we ended up having this conversation today.Sam Mullins: I'm Sam Mullins. I'm a historian. I decided early on that I wanted to be a historian that worked in museums and had an opportunity to kind of share my fascination with the past with museum visitors. So I worked in much Wenlock in Shropshire. I worked created a new museum in market Harbour, a community museum in Leicestershire. I was director of museums in St Albans, based on, you know, great Roman Museum at Verulamium, okay. And ended up at London Transport Museum in the 90s, and was directed there for a long time.Paul Marden: Indeed, indeed. Oh, we are inside now and heading underground.Sam Mullins: And you can hear the thrumming in the background. Is the dehumidification going on. Wow. So we're descending into thevery dry dock.Paul Marden: So we're now under water level. Yes, and the view of the ceiling with the glass roof, which above looked like a lovely little pond, it's just beautiful, isn't it?Sam Mullins: Yes, good. It sets it off both in both directions, really nicely.Paul Marden: So you've transitioned now, you've moved on from the Transport Museum. And I thought that today's episode, we could focus a little bit on what is, what's life like when you've moved on from being the director of a big, famous, influential, family friendly Museum. What comes next? Is it pipe and slippers, or are there lots of things to do? And I think it's the latter, isn't it? Sam Mullins: Yes. Well, you know, I think people retire either, you know, do nothing and play golf, or they build, you know, an interesting portfolio. I wanted to build, you know, something a bit more interesting. And, you know, Paul, there's that kind of strange feeling when you get to retire. And I was retiring from full time executive work, you kind of feel at that point that you've just cracked the job. And at that point, you know, someone gives you, you know, gives you a card and says, "Thank you very much, you've done a lovely job." Kind of, "Off you go." So having the opportunity to deploy some of that long term experience of running a successful Museum in Covent Garden for other organisations was part of that process of transition. I've been writing a book about which I'm sure we'll talk as well that's been kind of full on this year, but I was a trustee here for a number of years before I retired. I think it's really good career development for people to serve on a board to see what it's like, you know, the other side of the board. Paul Marden: I think we'll come back to that in a minute and talk a little bit about how the sausage is made. Yeah, we have to do some icebreaker questions, because I probably get you already. You're ready to start talking, but I'm gonna, I'm just gonna loosen you up a little bit, a couple of easy ones. You're sat in front of the telly, comedy or drama?Sam Mullins: It depends. Probably.Paul Marden: It's not a valid answer. Sam Mullins: Probably, probably drama.Paul Marden: Okay, if you need to talk to somebody, is it a phone call or is it a text message that you'll send?Sam Mullins:  Face to face? Okay, much better. Okay, always better. Paul Marden: Well done. You didn't accept the premise of the question there, did you? Lastly, if you're going to enter a room, would you prefer to have a personal theme tune played every time you enter the room. Or would you like a personal mascot to arrive fully suited behind you in every location you go to?Sam Mullins: I don't know what the second one means, so I go for the first one.Paul Marden: You've not seen a football mascot on watching American football or baseball?Sam Mullins: No, I try and avoid that. I like real sport. I like watching cricket. Paul Marden: They don't do that in cricket. So we are at the business end of the hull of the ship, aren't we? We're next to the propeller. Sam Mullins: We're sitting under the stern. We can still see that lovely, gilded Stern, saying, Great Britain, Bristol, and the windows and the coat of arms across the stern of the ship. Now this, of course, was the biggest ship in the world when built. So not only was it the first, first iron ship of any scale, but it was also third bigger than anything in the Royal Navy at the time. Paul Marden: They talked about that, when we were on the warrior aim the other day, that it was Brunel that was leading the way on what the pinnacle of engineering was like. It was not the Royal Navy who was convinced that it was sail that needed to lead. Sam Mullins: Yeah, Brunel had seen a much smaller, propeller driven vessel tried out, which was being toured around the country. And so they were midway through kind of design of this, when they decided it wasn't going to be a paddle steamer, which its predecessor, the world's first ocean liner, the Great Western. A was a paddle steamer that took you to New York. He decided that, and he announced to the board that he was going to make a ship that was driven by a propeller, which was the first, and this is, this is actually a replica of his patent propeller design. Paul Marden: So, this propeller was, is not the original to the show, okay?Sam Mullins: Later in its career, it had the engines taken out, and it was just a sailing ship. It had a long and interesting career. And for the time it was going to New York and back, and the time it was going to Australia and back, carrying migrants. It was a hybrid, usually. So you use the sails when it was favourable when it wasn't much wind or the wind was against. You use the use the engines. Use the steam engine.Paul Marden: Coming back into fashion again now, isn't it? Sam Mullins: Yeah, hybrid, yeah.Paul Marden: I can see holes in the hull. Was this evident when it was still in the Falklands?Sam Mullins: Yeah, it came to notice in the 60s that, you know, this world's first it was beached at Sparrow Cove in the Falkland Islands. It had lost its use as a wool warehouse, which is which it had been for 30 or 40 years. And a number of maritime historians, you and call it. It was the kind of key one realised that this, you know, extraordinary, important piece of maritime heritage would maybe not last too many war winters at Sparrow cope had a big crack down one side of the hull. It would have probably broken in half, and that would have made any kind of conservation restoration pretty well impossible as it was. It was a pretty amazing trick to put it onto a to put a barge underneath, to raise it up out of the water, and to tow it into Montevideo and then across the Atlantic, you know, 7000 miles, or whatever it is, to Avon mouth. So it's a kind of heroic story from the kind of heroic age of industrial and maritime heritage, actually.Paul Marden: It resonates for me in terms of the Mary Rose in that you've got a small group of very committed people that are looking to rescue this really valuable asset. And they find it and, you know, catch it just in time. Sam Mullins: Absolutely. That was one of the kind of eye openers for me at Mary rose last week, was just to look at the kind of sheer difficulty of doing conventional archaeology underwater for years and years. You know, is it 50,000 dives were made? Some immense number. And similarly, here, you know, lots of people kind of simply forget it, you know, it's never gonna, but a few, stuck to it, you know, formed a group, fund, raised. This is an era, of course, you know, before lottery and all that jazz. When you had to, you had to fundraise from the public to do this, and they managed to raise the money to bring it home, which, of course, is only step one. You then got to conserve this enormous lump of metal so it comes home to the dry dock in which it had been built, and that has a sort of fantastic symmetry, you know about it, which I just love. You know, the dock happened to be vacant, you know, in 1970 when the ship was taken off the pontoon at Avon mouth, just down the river and was towed up the curving Avon river to this dock. It came beneath the Clifton Suspension Bridge, which, of course, was Brunel design, but it was never built in his time. So these amazing pictures of this Hulk, in effect,  coming up the river, towed by tugs and brought into the dock here with 1000s of people you know, surrounding cheering on the sidelines, and a bit like Mary Rose in a big coverage on the BBC.Paul Marden: This is the thing. So I have a very vivid memory of the Mary Rose being lifted, and that yellow of the scaffolding is just permanently etched in my brain about sitting on the carpet in primary school when the TV was rolled out, and it was the only TV in the whole of school that, to me is it's modern history happening. I'm a Somerset boy. I've been coming to Bristol all my life. I wasn't alive when Great Britain came back here. So to me, this feels like ancient history. It's always been in Bristol, because I have no memory of it returning home. It was always just a fixture. So when we were talking the other day and you mentioned it was brought back in the 70s, didn't realise that. Didn't realise that at all. Should we move on? Because I am listening. Gently in the warmth.Sam Mullins: Let's move around this side of the as you can see, the dry dock is not entirely dry, no, but nearly.Paul Marden: So, you're trustee here at SS Great Britain. What does that mean? What do you do?Sam Mullins: Well, the board, Board of Trustees is responsible for the governance of the charity. We employ the executives, the paid team here. We work with them to develop the kind of strategy, financial plan, to deliver that strategy, and we kind of hold them as executives to account, to deliver on that.Paul Marden: It's been a period of change for you, hasn't it? Just recently, you've got a new CEO coming to the first anniversary, or just past his first anniversary. It's been in place a little while.Sam Mullins: So in the last two years, we've had a, we've recruited a new chairman, new chief executive, pretty much a whole new leadership team.One more starting next month, right? Actually, we're in July this month, so, yeah, it's been, you know, organisations are like that. They can be very, you know, static for some time, and then suddenly a kind of big turnover. And people, you know, people move.Paul Marden: So we're walking through what is a curved part of the dry dock now. So this is becoming interesting underfoot, isn't it?Sam Mullins: This is built in 1839 by the Great Western Steamship Company to build a sister ship to the Great Western which was their first vessel built for the Atlantic run to New York. As it happens, they were going to build a similar size vessel, but Brunel had other ideas, always pushing the edges one way or another as an engineer.Paul Marden: The keel is wood. Is it all wood? Or is this some sort of?Sam Mullins: No, this is just like, it's sort of sacrificial.So that you know when, if it does run up against ground or whatever, you don't actually damage the iron keel.Paul Marden: Right. Okay, so there's lots happening for the museum and the trust. You've just had a big injection of cash, haven't you, to do some interesting things. So there was a press release a couple of weeks ago, about a million pound of investment. Did you go and find that down the back of the sofa? How do you generate that kind of investment in the charity?Sam Mullins: Unusually, I think that trust that's put the bulk of that money and came came to us. I think they were looking to do something to mark their kind of, I think to mark their wind up. And so that was quite fortuitous, because, as you know at the moment, you know, fundraising is is difficult. It's tough. Paul Marden: That's the understatement of the year, isn't it?Sam Mullins: And with a new team here and the New World post COVID, less, less visitors, income harder to gain from. Pretty well, you know, all sources, it's important to keep the site kind of fresh and interesting. You know, the ship has been here since 1970 it's become, it's part of Bristol. Wherever you go in Bristol, Brunel is, you know, kind of the brand, and yet many Bristolians think they've seen all this, and don't need, you know, don't need to come back again. So keeping the site fresh, keeping the ideas moving on, are really important. So we've got the dockyard museum just on the top there, and that's the object for fundraising at the moment, and that will open in July next year as an account of the building of the ship and its importance. Paul Marden: Indeed, that's interesting. Related to that, we know that trusts, trusts and grants income really tough to get. Everybody's fighting for a diminishing pot income from Ace or from government sources is also tough to find. At the moment, we're living off of budgets that haven't changed for 10 years, if we're lucky. Yeah, for many people, finding a commercial route is the answer for their museum. And that was something that you did quite successfully, wasn't it, at the Transport Museum was to bring commercial ideas without sacrificing the integrity of the museum. Yeah. How do you do that?Sam Mullins: Well, the business of being an independent Museum, I mean, LTM is a to all sets of purposes, an independent Museum. Yes, 81% of its funding itself is self generated. Paul Marden: Is it really? Yeah, yeah. I know. I would have thought the grant that you would get from London Transport might have been bigger than that.  Sam Mullins: The grant used to be much bigger proportion, but it's got smaller and smaller. That's quite deliberate. Are, you know, the more you can stand on your own two feet, the more you can actually decide which direction you're going to take those feet in. Yeah. So there's this whole raft of museums, which, you know, across the UK, which are independently governed, who get all but nothing from central government. They might do a lottery grant. Yes, once in a while, they might get some NPO funding from Ace, but it's a tiny part, you know, of the whole. And this ship, SS Great Britain is a classic, you know, example of that. So what do you do in those circumstances? You look at your assets and you you try and monetise them. That's what we did at London Transport Museum. So the museum moved to Covent Garden in 1980 because it was a far sighted move. Michael Robbins, who was on the board at the time, recognised that they should take the museum from Scion Park, which is right on the west edge, into town where people were going to be, rather than trying to drag people out to the edge of London. So we've got that fantastic location, in effect, a high street shop. So retail works really well, you know, at Covent Garden.Paul Marden: Yeah, I know. I'm a sucker for a bit of moquette design.Sam Mullins: We all love it, which is just great. So the museum developed, you know, a lot of expertise in creating products and merchandising it. We've looked at the relationship with Transport for London, and we monetised that by looking at TFL supply chain and encouraging that supply chain to support the museum. So it is possible to get the TFL commissioner to stand up at a corporate members evening and say, you know, you all do terribly well out of our contract, we'd like you to support the museum as well, please. So the corporate membership scheme at Transport Museum is bigger than any other UK museum by value, really, 60, 65 members,. So that was, you know, that that was important, another way of looking at your assets, you know, what you've got. Sometimes you're talking about monetising relationships. Sometimes it's about, you know, stuff, assets, yeah. And then in we began to run a bit short of money in the kind of middle of the teens, and we did an experimental opening of the Aldwych disused tube station on the strand, and we're amazed at the demand for tickets.Paul Marden: Really, it was that much of a surprise for you. And we all can talk. Sam Mullins: We had been doing, we've been doing some guided tours there in a sort of, slightly in a one off kind of way, for some time. And we started to kind of think, well, look, maybe should we carry on it? Paul Marden: You've got the audience that's interested.Sam Mullins: And we've got the access through TFL which, you know, took a lot of work to to convince them we weren't going to, you know, take loads of people underground and lose them or that they jump out, you know, on the Piccadilly line in the middle of the service, or something. So hidden London is the kind of another really nice way where the museum's looked at its kind of assets and it's monetised. And I don't know what this I don't know what this year is, but I think there are now tours run at 10 different sites at different times. It's worth about half a million clear to them to the museum.Paul Marden: It's amazing, and they're such brilliant events. So they've now opened up for younger kids to go. So I took my daughter and one of her friends, and they were a little bit scared when the lights got turned off at one point, but we had a whale of a time going and learning about the history of the tube, the history of the tube during the war. It was such an interesting, accessible way to get to get them interested in stuff. It was brilliant.Sam Mullins: No, it's a great programme, and it was doing well before COVID, we went into lockdown, and within three weeks, Chris Nix and the team had started to do kind of zoom virtual tours. We all are stuck at home looking at our screens and those hidden London hangouts the audience kind of gradually built yesterday TV followed with secrets of London Underground, which did four series of. Hidden London book has sold 25,000 copies in hardback, another one to come out next year, maybe.Paul Marden: And all of this is in service of the museum. So it's almost as if you're opening the museum up to the whole of London, aren't you, and making all of that space you're you. Museum where you can do things.Sam Mullins: Yeah. And, of course, the great thing about hidden London programme is it's a bit like a theatre production. We would get access to a particular site for a month or six weeks. You'd sell the tickets, you know, like mad for that venue. And then the run came to an end, and you have to, you know, the caravan moves on, and we go to, you know, go to go to a different stations. So in a sense, often it's quite hard to get people to go to an attraction unless they've got visitors staying or whatever. But actually, if there's a time limit, you just kind of have to do it, you know.Paul Marden: Yeah, absolutely. Everybody loves a little bit of scarcity, don't they? Sam Mullins: Should we go up on the deck? Paul Marden: That sounds like fun to me.Sam Mullins: Work our way through.Paul Marden: So Hidden London was one of the angles in order to make the museum more commercially sound. What are you taking from your time at LTM and bringing to the party here at the SS Great Britain?Sam Mullins: Well, asking similar, you know, range of questions really, about what assets do we have? Which of those are, can be, can be monetised in support of the charity? Got here, Paul, so we're, we've got the same mix as lots of middle sized museums here. There's a it's a shop, paid admission, hospitality events in the evening, cafe. You know that mix, what museums then need to do is kind of go, you know, go beyond that, really, and look at their estate or their intellectual property, or the kind of experiences they can offer, and work out whether some of that is monetisable.Paul Marden: Right? And you mentioned before that Brunel is kind of, he's the mascot of Bristol. Almost, everything in Bristol focuses on Brunel. Is there an opportunity for you to collaborate with other Brunel themed sites, the bridge or?Sam Mullins: Yeah. Well, I think probably the opportunity is to collaborate with other Bristol attractions. Because Bristol needs to. Bristol's having a hard time since COVID numbers here are nowhere near what they were pre COVID So, and I think it's the same in the city, across the city. So Andrew chief executive, is talking to other people in the city about how we can share programs, share marketing, that kind of approach.Paul Marden: Making the docks a destination, you know, you've got We the Curious. Where I was this morning, having coffee with a friend and having a mooch around. Yeah, talking about science and technology, there must be things that you can cross over. This was this war. This feels like history, but it wasn't when it was built, was it? It was absolutely the cutting edge of science and technology.Sam Mullins: Absolutely, and well, almost beyond, you know, he was Brunel was pushing, pushing what could be done. It is the biggest ship. And it's hard to think of it now, because, you know, you and I can walk from one end to the other in no time. But it was the biggest ship in the world by, you know, some way, when it was launched in 1845 so this was a bit like the Great Western Railway. It was cutting edge, cutting edge at the time, as we were talking about below. It had a propeller, radical stuff. It's got the bell, too,Paul Marden: When we were on, was it Warrior that we were on last week at the AIM conference for the first. And warrior had a propeller, but it was capable of being lifted, because the Admiralty wasn't convinced that this new fangled propeller nonsense, and they thought sail was going to lead. Sam Mullins: Yeah. Well, this ship had, you could lift a you could lift a propeller, because otherwise the propeller is a drag in the water if it's not turning over. So in its earlier configurations, it was a, it was that sort of a hybrid, where you could lift the propeller out the way, right, set full sail.Paul Marden:  Right, and, yeah, it's just, it's very pleasant out here today, isn't it? Lovely breeze compared to what it's been like the last few days. Sam Mullins: Deck has just been replaced over the winter. Paul Marden:  Oh, has it really. So say, have you got the original underneathSam Mullins: The original was little long, long gone. So what we have replaced was the deck that was put on in the in the 70s when the ship came back.Paul Marden: Right? You were talking earlier on about the cafe being one of the assets. You've done quite a lot of work recently, haven't you with the team at Elior to refurbish the cafe? What's the plan around that?Sam Mullins: Yeah, we're doing a big reinvestment. You always need to keep the offer fresh anyway, but it was time to reinvest. So the idea is to use that fantastic space on the edge of the dock. It's not very far down to where the floating harbour is really well populated with kind of restaurants and bars and an offer, we're just that 200 meters further along the dock. So perhaps to create an offer here that draws people up here, whether they visit the ship, you know, or not. So it's money, it's monetising your assets. So one of the great assets is this fabulous location on the on the dockside. So with early or we're reinvesting in the restaurant, it's going to go in the auto into after some trial openings and things, Paul, you know, it's going to have an evening offer as well as a daytime offer. And then it's been designed so the lights can go down in the evening. It becomes, you know, an evening place, rather than the museum's all day cafe, yes, and the offer, and obviously in the evenings would similarly change. And I think our ambition is that you should, you should choose this as the place to go out in the evening. Really, it's a great spot. It's a lovely, warm evening. We're going to walk along the dockside. I've booked a table and in the boardwalk, which is what we're calling it. And as you pay the bill, you notice that actually, this is associated with Asus, Great Britain. So, you know, the profit from tonight goes to help the charity, rather than it's the museum cafe. So that's the,Paul Marden: That's the pitch.Sam Mullins: That's the pitch in which we're working with our catering partners, Eli, or to deliver.Paul Marden: Andrew, your CEO and Claire from Eli, or have both kindly said that I can come back in a couple of months time and have a conversation about the restaurant. And I think it would be rude to turn them down, wouldn't it?Sam Mullins: I think you should test the menu really fully.Paul Marden: I will do my best. It's a tough job that I have. Sam Mullins: Somebody has to do this work. Paul Marden: I know, talking of tough jobs, the other thing that I saw when I was looking at the website earlier on was a press release talking about six o'clock gin as being a a partnership that you're investigating, because every museum needs its own tipple, doesn't it?Sam Mullins: Absolutely And what, you know, I think it's, I think what people want when they go to an attraction is they, they also want something of the offer to be locally sourced, completely, six o'clock gym, you know, Bristol, Bristol beers. You can't always do it, but I think, I think it's where you've got the opportunity. And Bristol's a bit of a foodie centre. There's quite a lot going on here in that respect. So, yes, of course, the museum ought to be ought to be doing that too.Paul Marden: I was very kindly invited to Big Pit over in the Welsh Valleys about 8 or 12 weeks ago for the launch, relaunch of their gift shop offering. And absolutely, at the core of what they were trying to do was because it's run by Museums Wales, they found that all of their gift shops were just a bland average of what you could get at any of the museums. None of them spoke of the individual place. So if you went to big pit, the gift shop looked the same as if you were in the centre of Cardiff, whereas now when you go you see things that are naturally of Big Pit and the surrounding areas. And I think that's so important to create a gift shop which has things that is affordable to everybody, but at the same time authentic and genuinely interesting.Sam Mullins: Yeah, I'm sure that's right. And you know I'm saying for you is for me, when I when I go somewhere, you want to come away with something, don't you? Yes, you know, you're a National Trust member and you haven't had to pay anything to get in. But you think I should be supporting the cause, you know, I want to go into that shop and then I want to, I want to buy some of the plants for my garden I just seen, you know, on the estate outside. Or I want to come away with a six o'clock gin or, you know, whatever it might be, there's and I think, I think you're more likely to buy if it's something that you know has engaged you, it's part of that story that's engaged you, right, while you're here. That's why everyone buys a guidebook and reads it afterwards.Paul Marden: Yeah, it's a reminder, isn't it, the enjoyable time that you've had? Yeah, I'm enjoying myself up on the top deck. Sam Mullins:  But should we go downstairs? The bow is a great view. Oh, let's do that. I think we might. Let's just work our way down through.Paul Marden: Take a sniff. Could you travel with these smelly passengers? Oh, no, I don't think I want to smell what it's like to be a cow on board shit. Sam Mullins: Fresh milk. Just mind yourself on these companion, ways are very steep now. This is probably where I get completely lost.Paul Marden: You know what we need? We need a very good volunteer. Don't we tell a volunteer story? COVID in the kitchen. Wow. Sam Mullins: The Gabby.Paul Marden: Generous use of scent. Sam Mullins: Yeah, food laid out pretty much based on what we know was consumed on the ship. One of the great things about the ship is people kept diaries. A lot of people kept diaries, and many have survived, right? You know exactly what it was like to be in first class or in steerage down the back.Paul Marden: And so what was the ship used for? Sam Mullins: Well, it was used, it was going to be an ocean liner right from here to New York, and it was more like the Concord of its day. It was essentially first class and second class. And then it has a founders on a bay in Northern Ireland. It's rescued, fitted out again, and then the opportunity comes take people to Australia. The Gold Rush in the 1850s. Migration to Australia becomes the big kind of business opportunity for the ships. Ships new owners. So there's more people on board that used to it applies to and fro to Australia a number of times 30 odd, 40 times. And it takes, takes passengers. It takes goods. It does bring back, brings back gold from because people were there for the gold rush. They were bringing their earnings, you know, back with them. It also brings mail, and, you know, other. Kind of car goes wool was a big cargo from. Paul Marden: Say, people down and assets back up again.Sam Mullins: People both directions. Paul Marden: Okay, yeah. How long was it taking?Sam Mullins: Well, a good trip. I think it did it in 50 odd days. Bit slower was 60 odd. And the food was like this. So it was steerage. It was probably a bit more basic. Paul Marden: Yeah, yes, I can imagine. Sam Mullins: I think we might. Here's the engines. Let's do the engines well.Paul Marden: Yes. So now we're in the engine room and, oh, it's daylight lit, actually. So you're not down in the darkest of depths, but the propeller shaft and all of the mechanism is it runs full length, full height of the ship.Sam Mullins: Yeah, it runs off from here, back to the propeller that we're looking at. Okay, down there a guy's stoking the boilers, putting coal into into the boilers, 24 hour seven, when the engines are running. Paul Marden: Yes, that's going to be a tough job, isn't it? Yeah, coal is stored in particular locations. Because that was something I learned from warrior, was the importance of making sure that you had the coal taken in the correct places, so that you didn't unbalance the ship. I mean,Sam Mullins: You right. I mean loading the ship generally had to be done really carefully so, you know, sort of balanced out and so forth. Coal is tends to be pretty low down for yes, for obvious reasons.Paul Marden: So let's talk a little bit about being a trustee. We're both trustees of charities. I was talking to somebody last week who been in the sector for a number of years, mid career, interested in becoming a trustee as a career development opportunity. What's the point of being a trustee? What's the point of the trustees to the CEO, and what's the benefit to the trustees themselves? Sam Mullins: Well, let's do that in order for someone in the mid part of their career, presumably looking to assume some kind of leadership role. At some point they're going to be dealing with a board, aren't they? Yes, they might even be doing, you know, occasional reporting to a board at that at their current role, but they certainly will be if they want to be chief executive. So getting some experience on the other side of the table to feel what it's like to be a trustee dealing with chief executive. I think he's immensely useful. I always recommended it to to my gang at the Transport Museum, and they've all been on boards of one sort or another as part of their career development.Sam Mullins: For the chief executive. What's the benefit? Well, the board, I mean, very directly, hold the chief executive to account. Yes, are you doing what we asked you to do? But also the wise chief executive recruits a board that's going to be helpful in some way or another. It's not just there to catch them out. Yeah, it's it's there to bring their experience from business, from IT, from marketing, from other museums into the business of running the place. So here we've got a range of Trustees. We've been we've recruited five or six in the last couple of years qquite deliberately to we know that a diverse board is a good board, and that's diverse in the sense not just a background, but of education, retired, still, still at work, young, old, male, female, you know, you name in.Paul Marden: In all of the directionsSam Mullins:  Yeah. So a diverse board makes better decisions than one that just does group think all the time. It's, you know, it's a truism, isn't it? I think we all kind of, we all understand and understand that now and then, for the trustee, you know, for me, I particularly last couple of years, when the organization has been through huge changes, it's been really interesting to deploy my prior experience, particularly in governance, because governance is what it all comes down to in an organisation. You do learn over the course of your career to deploy that on behalf, you know, this is a great organisation, the story of Brunel and the ship and and, you know, his influence on the railways. And I travel down on the Great Western railways, yeah, the influence of Brunel is, you know, is enormous. It's a fantastic story. It's inspiring. So who wouldn't want to join? You know what in 2005 was the Museum of the year? Yes, I think we'll just go back there where we came. Otherwise, I never found my way.Paul Marden: Back through the kitchen. Sam Mullins: Back through the kitchen. It looks like stew is on the menu tonight. You've seen me at the mobile the rat.Paul Marden: And also the cat up on the shelf. He's not paying a lot of attention to the ratSam Mullins: Back on deck. Paul Marden: Wonderful. Yeah. So the other great endeavor that you've embarked on is writing, writing a book. Tell us a little bit about the book.Sam Mullins: Yeah, I've written a history of transport in London and its influence on London since 2000 since the mayoralty, elected mayoralty was, was started, you know, I was very lucky when I was running the museum where I had kind of one foot in TfL and one foot out. I knew lots of people. I was there for a long time, yes, so it was, it was easy to interview about 70 of them.Paul Marden: Right? I guess you've built trust levels, haven't you? Yeah, I don't mean that you don't look like a journalist walking in from the outside with an ax to grind. Sam Mullins: And I'm not going to kind of screw them to the Evening Standard, you know, tomorrow. So it's a book based on interviews, oral reminiscences. It's very much their story. So it's big chunks of their accounts of, you know, the big events in London. So what was it like to be in the network control room on the seventh of July, 2005 when the bombs went off? What was it like to be looking out for congestion charge the day it started? Yep. What was it like to kind of manage the Olympics?Paul Marden: You know? So you're mentioning these things. And so I was 10 years at British Airways. I was an IT project manager, but as well, I was a member of the emergency planning team. Yeah. So I got involved in the response to September the 11th. I got involved in some of the engagement around seven, seven, there's seminal moments, and I can, I can vividly remember myself being there at that time. But similarly, I can remember being there when we won the Olympics, and we were all sat in the staff canteen waiting to hear whether we'd won the Olympics, and the roar that erupted. There's so many of those things that have happened in the last 25 years where, you know, you've got, it's recent history, but it's real interesting events that have occurred that you can tell stories of.Sam Mullins: Yeah. So what I wanted to get in the book was a kind of sense of what it was like to be, really at the heart of those, those stories. And there are, you know, there are, there are people in TfL who made those big things happen? Yes, it's not a big, clumsy bureaucracy. It's a place where really innovative leadership was being exercised all the way through that 25 years. Yes, so it runs up to COVID, and what was it like when COVID struck? So the book's called Every Journey Matters, and it comes out in November.Paul Marden: Amazing, amazing. So we have, we've left the insides of the ship, and we are now under, what's this part of the ship? Sam Mullins: We're under the bow. There we go, and a bow spread that gets above our heads. So again, you've got this great, hulking, cast iron, black hull, beautifully shaped at the bow. Look the way it kind of tapers in and it tapers in and out.Paul Marden: It's a very three dimensional, isn't it? The curve is, is in every direction. Sam Mullins: Yeah,it's a great, great shape. So it's my sort of, I think it's my favourite spot. I like coming to look at this, because this is the kind of, this is the business, yeah, of the ship.Paul Marden: What have we got running along the front here? These these images in in gold.Sam Mullins: This is a figurehead with Victoria's Coat of Arms only sua Kim Ali points on top with it, with a lion and a unicorn.Paul Marden: It's a really, it's not a view that many people would have ever seen, but it is such an impressive view here looking up, yeah, very, very cool. And to stand here on the on the edge of the dry dock. Sam Mullins: Dry Docks in to our right, and the floating harbor is out to our left. Yeah.Paul Marden: And much going on on that it's busy today, isn't it? Sam Mullins: Yeah, it's good. Paul Marden: So we've done full loop, haven't we? I mean, it has been a whistle stop tour that you've taken me on, but I've loved every moment of this. We always ask our guests a difficult question. Well, for some it's a difficult question, a book recommendation, which, as we agreed over lunch, cannot be your own book. I don't think, I think it's a little unfair Sam Mullins: Or anything I've ever written before.Paul Marden: Yes, slightly self serving, but yeah.Sam Mullins: It would be, wouldn't it look the first thing that comes to mind is, I've actually been reading my way through Mick Herron's Slow Horses series, okay, which I'm a big fan of detective fiction. I love Ian Rankin's Rebus. Okay, I read through Rebus endlessly when I want something just to escape into the sloughhouse series Slow Horses is really good, and the books all have a sort of similar kind of momentum to them. Something weird happens in the first few chapters, which seems very inconsequential and. Suddenly it turns into this kind of roller coaster. Will they? Won't they? You know, ending, which is just great. So I recommend Mick Herron's series. That's that's been the best, not best, fiction I've read in a long time.Paul Marden: You know, I think there's something, there's something nice, something comforting, about reading a series of books where the way the book is structured is very similar. You can, you can sit down and you know what's going to happen, but, but there's something interesting, and it's, it's easy. Sam Mullins: It's like putting on a pair of old slippers. Oh, I'm comfortable with this. Just lead me along. You know, that's what, that's what I want. I enjoy that immensely.Paul Marden: And should we be? Should we be inviting our listeners to the first book in the series, or do they need to start once, once he's got his, got his, found his way? Sam Mullins: Well, some people would have seen the television adaptation already. Well, that will have spoilt the book for them. Gary Oldman is Jackson lamb, who's the lead character, okay, but if you haven't, or you just like a damn good read, then you start with the first one, which I think is called Sloughhouse. They're all self contained, but you can work your way through them. Paul Marden: Well, that sounds very good. So listeners, if you'd like a copy of Sam's book, not Sam's book, Sam's book recommendation, then head over to Bluesky and repost the show notice and say, I want a copy of Sam's book, and the first one of you lovely listeners that does that will get a copy sent to you by Wenalyn. Sam This has been delightful. I hope listeners have enjoyed this as much as I have. This is our first time having a @skipthequeue in real life, where we wandered around the attraction itself and hopefully narrated our way bringing this amazing attraction to life. I've really enjoyed it. I can now say that as a West Country lad, I have actually been to the SS Great Britain. Last thing to say for visitor, for listeners, we are currently midway through the Rubber Cheese Annual Survey of visitor attraction websites. Paul Marden: If you look after an attraction website and you'd like to share some information about what you do, we are gathering all of that data together to produce a report that helps people to understand what good looks like for an attraction website. This is our fourth year. Listeners that are interested, head over to RubberCheese.com/survey, and you can find out a little bit more about the survey and some of the some of the findings from the past and what we're looking for for this year. Sam, thank you so very much.Sam Mullins: Enjoyed it too. It's always good to rabbit on about what you do every day of the week, and being here and part of this really great organisation is huge privilege.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

If you love playing "Who's that Pokemon" then this is the fable game for you! Join Fox as she tries to guess the animals in each tale Sparrow has collected! Sometimes with a furry clue and sometimes without- Sparrow shares 6 short tales from all around the world including tricksters and revenge!  Show notes can be found on our website at: www.talesfromtheenchantedforest.com You can also find us on: Bluesky Mastodon Instagram   TikTok

Quan Huynh's story details the resilience of the human spirit. His book, "Sparrow in the Razor Wire: Finding Freedom from Within While Serving a Life Sentence," is an open, honest look at his life while incarcerated for committing murder. Quan was paroled in 2015, and, just six months later, he started his first company. He has devoted his entire career to helping incarcerated people have the best shot at a second chance. His lessons of internal transformation, healing, and friendship are universal. You can learn more about Quan and his work here: https://quanxhuynh.com/

Every Midsummer's Eve, a sparrow flies into the Owens house and circles three times before being ushered back out—an omen, a tradition, and a mystery woven through all four books in the Practical Magic series. In this enchanting episode, we unravel the deeper meaning of the sparrow: as a messenger of liminal spaces, a symbol of the Threefold Law, and a harbinger of magical thresholds. We explore how this unassuming bird flits through myth, literature, and folklore—embodying everything from divine justice to poetic rebellion. We also dive into: The Wiccan Threefold Law and its connection to karmic return The literary "rule of three" and its mythic echoes Dream symbolism and the spiritual power of small things Cultural and mythological sparrow lore across the globe Why the "in-between times"—like Midsummer—are so ripe with magic Join us as we chase the sparrow through story, spell, and symbolism… and discover what messages it might be bringing you this Midsummer. SOCIALS:⁠⁠Link Tree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERO SOURCES DISCLAIMER:The Magnolia StreetPodcast intends to discuss the movie, “Practical Magic” in its entirety. Thiswill evidently result in spoilers and it is recommended that you watch and orread the following. Alice Hoffman's: Practical Magic, Rules of Magic, Magic Lessons,Book of Magic. The Magnolia StreetPodcast is for entertainment and informational purposes and should not be usedas a substitute for professional or medical advice. Do not attempt any of thediscussed actions, solutions, or remedies without first consulting a qualifiedprofessional. It should be noted that we are not medical professionals andtherefore we are not responsible or liable for any injuries or illnessesresulting from the use of any information on our website or in our media.The Magnolia StreetPodcast presenters, Kristina Babich and Justina Carubia are passionate fans ofAlice Hoffman's work and the Practical Magic word she has created. There is nocopyright infringement intended, all characters and story lines are that of AliceHoffman. We do not own any of that material as well as any of the move scoremusic shared within the podcast.All intellectualproperty rights concerning personally written music and or shared art arevested in Magnolia Street Podcast. Copying, distributing and any other use ofthese materials is not permitted without the written permission from KristinaBabich and Justina Carubia.

We have a holiday weekend coming up and you can enjoy it by checking out a new episode of Good, but not the best... a Dancing Gnome podcast! We kick things off by talking about Andrew's trip to Maine, some of the food and beers he enjoyed and a little about the Wavy Days fest the following weekend. Next, we are joined again by Luke Cypher of Blue Sparrow. Luke was our third ever guest when we started this podcast and hasn't been back since that episode. We get caught up on all of the changes since then, including the partnership with Dancing Gnome, how that relationship works, and much more. We dive a little deeper on food and food trucks in general and Luke talks about mentoring other folks that are interested in getting into the food service industry. Luke sticks around for a round of Watch, Listen, Learn to close out the episode. Intro/Outro music by: Kabbalistic VillageBreak music by: Joseph McDade

Pastor Scallions reminds us of God's care of us and The Sparrow.

Jesus teaches on the severity of the gospel. It is true good news for all, yet it will not be received kindly by everyone. Followers of Christ are to stand firm on what is true and everlasting, able to withstand anxiety and fear because of the power of the Holy Spirit. Deeply cared for by God, Christians carry the good news wherever they go, and the Lord is with them always.

Quick solo show about boats, challenge, and staying upbeat and positive.  Thanks for listening! Support this Podcast on Patreon: https://www.patreon.com/sailingintooblivionpodcast Help fund my next adventure here: https://gofund.me/6df0fb45 One Time Donations Via PayPal and Venmo: https://www.paypal.com/paypalme/JeromeRand https://account.venmo.com/u/sailingintooblivion Amazon WishList:https://www.amazon.com/hz/wishlist/ls/33F36RF315G8V?ref_=wl_share Children's Book: https://a.co/d/1q2Xkev Sailing Into Oblivion Children's Audio Book: Audible.com Sailing Merch: https://www.bonfire.com/store/sailing-into-oblivion/ Books: https://a.co/d/eYaP10M Reach out to the Show: https://www.sailingintooblivion.com/podcasts

This week on The Nerdpocalypse Podcast, the guys return to discuss Duster, CRISPR new innovation on chromosome editing that creates some moral issues potentially, Tyler Perry accused of exactly what you'd assume he'd be accused of, first look at He-Man is interesting, Clayface solo film gets its lead, is Mindhunters going to return?, more Pirates movies, Rachel Brosnahan has a message for actors in superhero movies, and much more.CHECKED OUTDusterSCIENCE & TECH NEWSCRISPR used to remove extra chromosomesTOPICS - Section 1Tyler Perry accused of sexual assault in actor's $260m lawsuitFirst look at He-Man is well…ok sure. Umm okMike Flanagan's Clayface solo movie finds its leadTNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium)$5 a month Access to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcastTOPICS - Section 2Mindhunters may make a return!More Pirates of the Caribbean movies in the works but with or with Jack Sparrow?Rachel Brosnahan on acting not standing by their comic book moviesWTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/hell2danawJay: https://tinyurl.com/gwarlivesTRAILERS40 Acres

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Amy Hooper - Short Story Long FOLLOW ON SPOTIFYJessie Elizabeth - Machine FOLLOW ON SPOTIFYOlivia James - Learn To Be Alone FOLLOW ON SPOTIFYEvidence Of Love - Treasures In Darkness FOLLOW ON SPOTIFYettie - Jealous of Him FOLLOW ON SPOTIFYEntifan - Clovers FOLLOW ON SPOTIFYThe Curse of KK Hammond - Walk With Me Through The Fire FOLLOW ON SPOTIFYMad Jupiter - Dududu FOLLOW ON SPOTIFYEvana Lee - Stray FOLLOW ON SPOTIFYAlexandra Hallberg - Gone Wild FOLLOW ON SPOTIFYHanorah - Heavenly One FOLLOW ON SPOTIFYDesert Sparrow - With You FOLLOW ON SPOTIFYalmost fine - laughter FOLLOW ON SPOTIFYMelody Lee Hayden - Superhero FOLLOW ON SPOTIFYFiona Grey - Girl That I Was FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor Her Sound at hersound.co.ukVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resources Become more Profitable in just 3 minutes per day. http://profitablemusician.com/join