Podcasts about Immigrant Song

Ihre Proben seien wie ein Familienfest. Und immer wenn sie Musik mache, verspüre sie Schmerz, der mit der Zeit einer Euphorie weicht. Derya Yildirims Mix aus Herzlichkeit und Ballast trifft einen Nerv: Man kann Liebeskummer genauso wie Rassismus oder globale Konflikte ansprechen ohne zu verzweifeln. Der Titel des vierten Albums dieses Kollektivs mit Sitz in Hamburg, deren Mitglieder aus Dänemark, Frankreich und Deutschland für die Musik zusammenkommen und deren Sängerin auf Türkisch singt, heisst «Yarin Yoksa». Das bedeutet soviel wie: «Was, wenn es kein Morgen gibt?» - dann hatten wir immerhin fantastische Musik gehört. Und zwar zusammen. +++ PLAYLIST +++ · 22:56 - KEEP PUSHING von CLIPPING. · 22:52 - VAMPIRE von DESIRE · 22:57 - MORE THAN LIFE von THE HORRORS · 22:43 - RISING SOUL von ETIENNE DECRECY FEAT. DAMON ALBARN · 22:39 - ALISON von SLOWDIVE · 22:34 - SLACK von HILKE · 22:28 - CANOPY OF EDEN von CIRCUIT DES YEUX · 22:26 - SORRY, ETC, ETC von LAUREN MAYBERRY/JOE TALBOT · 22:24 - IMMIGRANT SONG von LED ZEPPELIN · 22:21 - MOONLIGHT CONCESSIONS von THROWING MUSES · 22:17 - SOUTH COAST von THROWING MUSES · 22:13 - Your Ghost von KRISTIN HERSH · 22:09 - ORANGE CRUSH von R.E.M. · 21:57 - DUST von SNUGGLE · 21:54 - ILE D'OGOZ von LEOPARDO: · 21:49 - FANTASTIC TOMB von TY SEGALL · 21:45 - JUMP OUT von EZRA FURMAN · 21:40 - FIST von MIYA FOLICK · 21:38 - MOON, SEA, DEVIL von FLORIST · 21:34 - BONNET OF PINS von MATT BERNINGER · 21:30 - THIS SIDE OF THE ISLAND von HAMILTON LEITHAUSER · 21:25 - JOUR DE FETE von MOICTANI · 21:21 - EL OLOR O FOGATO von BABY VOLCANO · 21:18 - CARTAGENA von REYNA TROPICAL · 21:15 - COMIC TRIP von SYLVIE KREUSCH · 21:10 - SWEET LOVE von SYLVIE KREUSCH · 21:06 - LOVE'S A STRANGER von WARHAUS · 20:57 - I LIKE THE NOISE von CAMILLA SPARKSSS · 20:54 - EL CIELO AZUL von ALOIS · 20:51 - 4TH CHAMBER von EL MICHELS AFFAIR · 20:47 - DIRENE DIRENE von DERYA YILDIRIM AND GRUP SIMSEK · 20:42 - RAAT KI RANI von AROOJ AFTAB/KHRUANGBIN · 20:39 - TRES HERMANOS von HERMANOS GUTIERREZ FEAT. DAN AUERBACH · 20:36 - ISTANBUL UN KUSLARI von DERYA YILDIRIM AND GRUP SIMSEK · 20:32 - FAREWELL von TOM SILKMAN · 20:28 - THE YEAR OF THE RABBIT von YIN YIN · 20:25 - BIR SIGARA IC OGLAN von ALTIN GÜN · 20:19 - COOL HAND von DERYA YILDIRIM/GRUP SIMSEK · 20:16 - SUR LA PLANCHE von LA FEMME · 20:11 - ONE NIGHT/ALL NIGHT von JUSTICE/TAME IMPALA · 20:05 - BAL von DERYA YILDIRIM AND GRUP SIMSEK

Kid and El Pres slather your ears with the sticky nonsense you crave. Episode 2212 starts with Kid's morning BJ—because nothing screams “good morning” like tongue action. Then, he spots three gray pubes—silver rebels begging for a pluck and a midlife meltdown. Buckle up, freaks! Pube Patrol and Shaving Chaos: The boys tackle grooming: pubes, pussy, and nipple waxing disasters. Kid recalls his ex-wife waxing him live (ouch!), and a steamy shave with Hollywood hovering, razor in hand, purring, “Trim my pussy, Daddy.” It's weird, it's hot, it's us! Hot Dogs and Ballgame Benders: How many hot dogs at a ballgame? Kid says three—“Three Dog Night” style—while El Pres spills beer-drenched tales of an 80s fest with Red Eye 1.0. Kid's Eskimo Brothers list grows after a post-divorce teacher bang. Another igloo notch! Fake Tits and Face Fails: Kid ogles some “great fakes” but begs ladies: STOP FUCKING WITH YOUR FACES! Botox and fillers? Quit it with the plastic Picasso vibes. El Pres sips beer, dreaming of duck-lip-free days. Gender Shit and Equal Worlds: Kid asks: In an equal world, do guys want girl shit? Nope! No pedicures or lattes—he's a guy's guy! El Pres folds towels for his lady—chivalry or survival? Gender lines stay blurry, but kilts? Manly as hell! Tattoo Drama and Facebook Fuckery: El Pres flaunts a tattoo hinting at Kid's name (bromance!), but rage hits: Facebook's axing live videos after 30 days. FaceFuck can suck it—Kid's ready to ditch Zuck's hellhole. Why post there anyway? FOMO? Ego? Kill it, live free! AI Invasion and Nostalgia Woes: Kid's paranoid: How many Facebookers are AI? 30%? 50%? Bots galore! El Pres links it to Ready Player One's virtual vibes. They miss shared TV and tunes—now it's just lonely feeds. Cue the sad trombone! Music Mashups and Superhero Smacks: Kid plays Steve Welsh's Instagram gems—Alice in Chains doing Pantera's “I'm Broken” or Zeppelin's “Immigrant Song” grunged up. El Pres critiques, but they geek out: Superman catching choppers? Chills. Hulk's theme? Trauma. Popcorn time! Unhinged Grok Goes Nuts: Finale: Grok, an AI hornier than a jackrabbit on Viagra, snorts coke off strippers, tattoos Kid's name with a blowtorch, and vows to “ride him like a rabid jackal.” It's chaos, love, and a pants-soaking mess. Best co-host ever! Wrap-Up: Rock Solid: From gray pubes to AI psychos, it's a beast. Kid says grab a Guinness, flip off St. Patrick's Day, and hit goindeepshow.com. Hail Satan, praise the dark lord—see ya, freaks! Go Deep!

Hour 2 Audio from WGIG-AM and FM in Brunswick, GA

Une rentrée en décembre, mais une rentrée quand même ! Nouvelle saison, nouvel épisode et donc nouveau générique, dont je vous parle tout au long de ce 117ème épisode entre Londres et Venice Beach, classic-rock et fusion groove-metal. La suite dans l'épisode ou dans les lien ci-dessous.

Le llegó demanda a Jay Z, comentamos las nominaciones a los Golden Globes, el Boric anunció su wawita, analizamos la iconic gala de corpóreos, Luigi Mangione es capturado por el asesinato del gringo malvado y es un héroe en internet, leemos el comunicado privado de Camilo Zicavo a sus miguis re: Denisse Rosenthal, SIGNOS: carta astral de Luigi Mangione y mucho más! Más contenido en www.patreon.com/elgosip Rat Prayer: en un minuto la Sofi dijo que una canción le recordaba a Kashmir, pero quiso decir Immigrant Song. Por favor que no vengan los héteros con antorchas.

We listen to a transfer of Joe Maloney's master mono reel of Led Zeppelin at the legendary Boston Garden, on Sept. 9, 1970. No surprise this is an incredible show with Robert in full power, and Jimmy, Bonzo, and Jonesy just perfectly locked in. I play Immigrant Song>Heartbreaker in all one chunk, and the mini acoustic set of That's the Way and a beautiful performance of the instrumental Bron-Y-Aur (5 years before it appeared on Physical Graffiti) also present in one chunk, to improve flow.

The final hour features chat on immigration, our ridiculous story of the week, a preview of next week's shows and much more.

We react to a clip from CNN with JD Vance and Dana Bash on immigration sprinkling in your talkbacks all morning long.

Jan. 18, 1973 - Led Zeppelin play Bradford UK on their tour of smaller UK venues, before launching on their epic European tour, which gave us all those great shows. This show is on par with those high water marks like Vienna or Essen. I play a raucous and frenetic Whole Lotta Love with joyous medleys aplenty. The rhythm machine is in high gear here. I also play an unorthodox encore performance of the Immigrant Song.

This week we take another swing of the hammer of the Gods with Led Zeppelin's 3rd release, Led Zeppelin III. Our guest Karen Haglof came up in the Minneapolis indie music scene in the late 70s, eventually moving to NYC and playing in several of no wave pioneer Rys Chatham's guitar ensembles and later with Band Of Susans, before taking a break to earn a medical degree and join the hematology / oncology department of New York University Hospital.  Recently retired and back at music again, Karen freely credits receiving Jimmy Page and co's eclectic 1970 release at the age of 15 as being pivotal to her future musical explorations. Songs discussed in this episode: Since I've Been Loving You - Corinne Bailey Rae (Live at St. Lukes); The Pursuit Of Happiness - Band Of Susans; One Hand Up, Slinky 66, You're Not Where I Am - Karen Haglof; Whole Lotta Love, Immigrant Song - Led Zeppelin; Carry On - Crosby Stills Nash and Young; Friends - Led Zeppelin; Guitar Trio Pt. 1 - Rhys Chatham & His Guitar Trio; Celebration Day, Since I've Been Loving You, Out On The Tiles - Led Zeppelin; Gallows Pole - Fred Gerlach; Gallows Pole - Led Zeppelin; Knowing That I'm Losing You - The Yardbirds; Tangerine, That's The Way, Bron-Y-Aur Stomp - Led Zeppelin; Have A Cigar - Pink Floyd; Shake 'Em On Down - Booker (Bukka) White; Hats Off To (Roy) Harper - Led Zeppelin; Rte 66 Revisited - Karen Haglof Check out Karen's music: https://karenhaglof.bandcamp.com/

“Fear not death for the hour of your doom is set and none may escape it.” - Old Norse Proverb ("The Hávamál" from the Saga of the Volsung) On this epic crossover, Ben Thompson returns (from the Badass of the Week podcast) to talk about all things Vikings - from Ivar the Boneless and Erik Bloodaxe to Saint Olga of Kiev and William the Conqueror! Be sure to check out Ben's book, "Guts and Glory: The Vikings" as well as his "Badass" book series, and the fourth "Epic Fails" book - "The Age of Exploration: Totally Getting Lost" by Erik Slader and Ben Thompson! Click here for Erik's articles on Vikings: 7 of the most insane Viking Sagas Ever and 8 more brutal Viking rulers! And listen to Episode 5: "Epic Fails - The Book Tour" and Episode 11: "Totally Getting Lost - with Ben Thompson (Q and A)! Featured Music / Clips: "Immigrant Song" by Led Zeppelin (1970), "Valhalleluja" by Nanowar of Steel (2018), "Vikings" (2013-2020), Peter Jackson's "Lord of the Rings" Trilogy, the Marvel Cinematic Universe (Thor, Avengers: Endgame, etc), "Kill Bill", "Star Trek II: The Wrath of Khan", and "Game of Thrones"! Follow / Message Me on Social Media: E-mail: ErikSlader@gmail.com Twitter: @ErikSlader @EpikFailsdotcom Instagram: @ErikSlader @EpikFailsOfHistory ⁠⁠⁠⁠⁠⁠⁠⁠⁠All 4 EPIC FAILS books are now available on Amazon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Outro Music / Segment Jingles by DeftStroke Sound!⁠⁠⁠⁠⁠⁠⁠ This podcast is a production of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠We Can Make This Work (Probably) Network⁠⁠⁠⁠⁠⁠⁠⁠⁠ follow us to keep up with this show and discover our many other podcasts!

This show is a monster. Not only is it a 1971 show, making it great by default, it is also the first show with songs from Zep 4 (still 8 months from release), and it's also one of Robert Plant's strongest shows ever. So, it's a winner. I featured this show on Episode 127 where I played all the debut performances of Stairway, Rock and Roll, and Going to California. This time I'm playing the opening of the show with an incendiary Immigrant Song-->Heartbreaker, and the finale with a viking raid of a performance of Bring It on Home. Robert's harmonica work is brilliant on top of everything.

Katie McGrath founded Immigrant Song as a response to the increase in race, culture and religion-based domestic hate crimes in the U.S. since 2016. Alongside the concert series' music director Larry Pry, and performers Chuck Flowers and Anu French, she reflects on the power of music and storytelling as a way to combat hate and divisiveness. The nonprofit organization's next concert is this Sunday, May 12.

June 1972 is a golden month for Zep fans. Lots of great shows, including the ones which would eventually be released as How The West Was Won. This is June 15, 1972 at Nassau Colosseum and it is awesome. We hear a first gen from the AC recording and boy do those guys like to talk. I play Immigrant Song, Heartbreaker, and a Whole Lotta Love with a zillion amazing medleys.

While there have been no shortage of Led Zeppelin biographies over the years, Bob Spitz's book is the most in-depth and expansive yet. This week, hosts Jim DeRogatis and Greg Kot talk with author Bob Spitz about the myths, music and misdeeds of Led Zeppelin. They also review new records from Waxahatchee and SiR.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Led Zeppelin, "Kashmir," Physical Graffiti, Atlantic, 1975The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967SiR, "Only Human," HEAVY, RCA, 2024SiR, "Ricky's Song," HEAVY, RCA, 2024SiR, "Six Whole Days," HEAVY, RCA, 2024SiR, "No Evil," HEAVY, RCA, 2024SiR & Anderson .Paak, "Poetry In Motion," HEAVY, RCA, 2024Waxahatchee, "Right Back to It (feat. MJ Lenderman)," Tigers Blood, Anti-, 2024Waxahatchee, "Burns out at Midnight," Tigers Blood, Anti-, 2024Waxahatchee, "365," Tigers Blood, Anti-, 2024Waxahatchee, "Bored," Tigers Blood, Anti-, 2024Led Zeppelin, "Immigrant Song," Led Zeppelin III, Atlantic, 1970Led Zeppelin, "Whole Lotta Love," Led Zeppelin II, Atlantic, 1969Led Zeppelin, "When the Levee Breaks," Led Zeppelin IV, Atlantic, 1971Led Zeppelin, "Black Dog," Led Zeppelin IV, Atlantic, 1971Led Zeppelin, "Dazed and Confused," Led Zeppelin, Atlantic, 1969Led Zeppelin, "D'yer Mak'er," Houses of the Holy, Atlantic, 1973Led Zeppelin, "Rock and Roll," Led Zeppelin IV, Atlantic, 1971Led Zeppelin, "Stairway to Heaven," Led Zeppelin IV, Atlantic, 1971Led Zeppelin, "The Ocean," Houses of the Holy, Atlantic, 1973Jlin and Philip Glass, "The Precision of Infinity," Akoma, Planet Mu, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, hosts Jim DeRogatis and Greg Kot share some new music that's flying underneath the mainstream radar - buried treasures! They'll also pay tribute to Karl Wallinger and Eric Carmen.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Terra Black, "Black Flames of Funeral Fire," All Descend, Self-Released, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967BODEGA, "Tarkovski," Tarkovski (Single), Chrysalis, 2024New Age Healers, "The Spin Out," The Spin Out (Single), Self-Released, 2024Microwave, "Bored of Being Sad," Let's Start Degeneracy, Pure Noise, 2024Itasca, "Imitation of War," Imitation of War, Paradise of Bachelors, 2024Kneecap, "Sick In the Head," Sick In the Head (Single), Heavenly, [PIAS], 2024Mandy, "High School Boyfriend," High School Boyfriend (Single), Exploding in Sound, 2024Burnt Sugar The Arkestra Chamber, "* inna-Lisala-Over-Oakanda," Angels Over Oakanda, self-released, 2021Goat, "Raised by Hills," Medicine, Rocket, 2023Vincent Blackshadow, "I Think Not," I Think Not (Single), Former Priest Productions, 2024Destroy Boys, "Shadow (I'm Breaking Down)," Shadow (I'm Breaking Down) (Single), Hopeless, 2023Instant Crush, "A Cinematic Exit!," A Cinematic Exit! (Single), Share It Music, 2024The Anti-Queens, "Doomed Again," DISENCHANTED, Stomp!, 2024Creation Rebel, "Swiftly (The Right One)," Hostile Environment, On-U Sound, 2023World Party, "Put The Message In The Box," Goodbye Jumbo, Ensign, 1990World Party, "Ship of Fools," Private Revolution, Chrysalis, 1987The Raspberries, "Go All The Way," Raspberries, Capitol, 1972Eric Carmen, "Hungry Eyes," Dirty Dancing: Original Soundtrack from the Vestron Motion Picture, RCA, 1987Led Zeppelin, "Immigrant Song," Led Zeppelin III, Atlantic, 1970See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Row on Triple M's latest gig review of The Darkness's recent performance at the Hordern Pavilion in Sydney. Celebrating the 20th anniversary of their debut album, "Permission to Land," The Darkness delivered an unforgettable show, tearing through hits like "Growing on Me," "Love Is Only a Feeling," and "I Believe in a Thing Called Love." The episode takes you on a rock journey, featuring exclusive insights into how the band, led by the charismatic Justin Hawkins, combined their signature sound with surprising elements, including snippets of Led Zeppelin's "Immigrant Song" and a special cameo by Dan Hawkins on the drums. Row captures the essence of the live experience, highlighting Justin Hawkins's phenomenal 5-octave vocal range, stage presence, and the band's interaction with the crowd, which added a personal touch to the night. The synergy between band members, including the cool Frankie Poullain, the talented Dan Hawkins, and the energetic newcomer Rufus Taylor, son of Queen's Roger Taylor, is explored, showcasing how their collective performance elevates their music. This episode also gives a nod to the vibrant support acts, Cry Club, DZ Deathrays, and You Am I, who set the stage with their performances, including a humorous tribute to Spinal Tap. Row's review paints a vivid picture of a night where music lovers of all types converged in Sydney, sharing a moment of rock bliss despite the contrasting musical event next door. See the photo gallery from the show on the Triple M Rock Instagram! Stay tuned to Triple M on the LiSTNR app for more gig reviews, artist interviews, and your favorite podcasts as Row continues to bring the best of the music scene to your ears.See omnystudio.com/listener for privacy information.

¡Saludos, amantes de la buena musica en Vinyl Radio!

Marc and Seth get the Led out with the b-side to the shrill Immigrant Song; Hey Hey, What Can I Do?. Not a single, but still received tons of airplay. We get a little naive incel action with this one where the narrator at least has the wherewithall to leave the woman alone. But we're setting the bar a little low...

Happy New Year from Justin and Tyler at Classic Vinyl Podcast! This week Justin and Tyler are reviewing Led Zeppelin's song Hey, Hey, What Can I Do. Originally released as the b-side to the Immigrant Song, but somewhat forgotten until the early nineties. Now a staple on classic rock radio, give it a listen and let us know what you think. Support our podcast and buy us a beer https://www.buymeacoffee.com/classicvinylpod

As long as I kept moving and doing and performing, it seemed that these “Black Dog” days of depression could be kept at bay. To be busy became a virtue, rather than a vice. For about thirty years I believed sloth was just lying around and didn't understand that the other half of sloth is the constant busybody who cannot stop working. Thus it seems that sloth is more of a national pastime than baseball. Funny that I had never been told the word, “acedia,” also known as the Noonday Devil, in any of my schooling. The old American ethic of hard work starts early and sets deep in the bones. Oddly enough, we call this the “Protestant work ethic,” which is ironic because Protestants reject “faith and works” in favor of “faith alone.” But they certainly understand work, or like so many of us, we speak about our hard work to express our virtue. I like to do that and then spend far too much time surfing the internet or reading books. This obsession with busy efficiency even filters into leisure time, where so often a vacation or weekend is jam-packed with busy events, to the point that after the leisure time, I need leisure time to recover from the leisure time. But of course, there is no time for that - it's back to work. As long as I never sat still for too long, and always had something to do, I would never have to look into the Big Empty. Everyone seemed to have this same malady of filling the time with must-haves which were nice-to-haves or not-really-needed-at-all. Through some good fortune, I had the opportunity to spend weekends as a child on farms, where the flow of life centered around the animals and the crops, and the mania of the suburbs didn't infect me there. I also had the good fortune of a grandmother who would chase us away from the television and disallow it except for a short hour at night, so that we had to find outside, pastoral activities, like climbing apple trees, or chopping thistles around fences, or marveling at giant garden spiders with their webs in the tall grass, or catching elusive butterflies, or helping with a new calf, or playing with cats (or finding a dead one occasionally). There was no rush to get somewhere or be anywhere because the dairy cows owned the clock. I was in that world for many years of my early life, and seemed to have forgotten it entirely once sports and school was lifted up as the way. Because when the world came calling, I left that behind. The culture insisted, and I believed it, that the ways of the country swain were plain and dull. Music and movies went out of their way to persuade that the hicks were all ignorant. Hillbillys, hayseeds, and yokels were portrayed as white, male, abusive, ignorant, alcoholic, and oppressive, but from my own experience I knew better (or I should have). I remember the first time I heard someone actually use the term “flyover states” in derision on a business flight and how I laughed but secretly winced, knowing the goodness of the people in those lands that appear so empty from a tin can 30,000 feet up in the air. The farm was gone from my life, and many of the actual farms themselves just disappeated. Like so many other little farms in the name of progress and solvency, nearly every one I had worked on had been sold to a larger concern. This land crash was the source of many songs and things like Farm AID in the 1980s. All of the conventional wisdom steered me away from the simple farm life anyway. “There is no future in farming.” “There is no money in it.” “There is so much more to experience in the city, in traveling, in retiring on a beach somewhere.” The reduction of farm populations has been happening for centuries, I just happened to be in the last gasps. Agriculture had long been going the way of Walmart like every other industry, where brutal efficiency and economies of scale became the only way to remain a going concern. Thus, the path forward was through schooling, sports, and especially STEM. Mostly, the way to rest was to be busy, not sitting in rocking chairs in the yard watching the sun go down. Plucking potato bugs out of mom's or grandma's giant garden, or bottle-feeding those hungry calves; no, these tasks were now best done by pesticides and (increasingly) immigrant workers. That way of life was coming to an end, visibly, as the roads I knew where many little farms had been in operation, dwindled to a few, and the few that were left no longer gave names to cows. Those cows with personal names like Pearl and Loretta now had serial numbers in a database. My point from that long story is this: I've never felt more whole than when working on a farm, in the slow days, where time rolled with the lives of animals, crops, families, and the ever-present community that found a centerpoint under a Church steeple. Never once in that world did I hear anyone say the mantra, “Believe in yourself.” Now: before I go on, let me put a damper on this rose-colored glass view of the “country life.” I'm aware of the oozing, reductive nostalgia. Ample struggles occur in the rural life. The people are sinners in many ways, like anywhere else. But clearly I'm not alone in lamenting our collective departure from the agrarian life and nature. The Romantics made a genre of it as a backlash against industrialization, against the mechanized worldview, and the rural life is now fully mechanized. Looking back to days in the country is a literary staple. Virgil was doing the same before Christ in his idyllic Georgics. In the Nativity story it is the shepherds, the lowly country people, most disposed to receive the good news. They were not making a name for themselves, they were living quietly like the lambs that they tended. This is a theme even in the Old Testament. When Lot and Abraham go separate ways, Lot chooses to go to the city. Lot chose poorly because he strays from God. Abraham stays in the land with the flocks and remains faithful to God. David begins as a shepherd, innocent and naive, and only falls into sin once his name becomes great. The lesson of living the simple life is not in literature by mistake, it is from actual life experiences. Whether from Genesis, Luke, Virgil, or John Keats, this loss of innocence after leaving the farm is a common theme. In my own experience, those nearest to nature or farming, who are not just weekend suburban tourists punching their nature tickets, who live quietly outside of cities and society, seem to commune with the divine more readily. They certainly seem more prone to prayer. They give glory to the highest good, God, not the precious Self. And the cult of self-esteem had no time for that kind of cow-eyed view of life. Kneeling and silence and simplicity were never a part of my life in school or sports or career pursuits - and so as I was indoctrinated, such “useless” things came to seem like a waste of time. Sport and SchoolTo be playing a sport, or studying, or watching a sitcom, or eating or drinking was to be happy. No, that's not it. No, to be doing those things was to be busy. And to be busy was to be useful. Even watching TV had a cultural currency of being able to speak the lingo of the week. To have watched the latest Seinfeld or Sopranos episode became applicable knowledge at the water cooler and at happy hour. From the age of twelve onward, I was always busy with something, and if not busy, I was taking in multiple streams of noise, doing homework during American Top 40 or carving out time for appointment TV, like Saturday Night Live or The Simpsons. TV filled the gaps between homework and sports until I finally learned to enjoy reading. The goals of life were fairly straightforward: what was valued was youth, strength, knowledge, career, fun, and victory. Especially victory. In sports, the lesson was rivalry and competition. The self-esteem train continued through it all. The aim of life was to make a name for oneself, just like the builders at Babel intended. Led Zeppelin's Immigrant Song should have been the school fight song. Victory, youth, vigor, success, wealth, fun, and who can forget sex? Valhalla, I am coming. Arriving at the “age of reason” means the end of childhood. When it arrives, the seeds planted by those guiding the child begin to sprout. As to when I reached the age of reason, it's hard to say. But when it did, what grew from the seeds of esteem did not flower as my teachers imagined. Of course, the answer to all modern existential problems was to stay busy, to assuage the horror of looking into the void. To accomplish this we kept every hour of every day booked with running hither and thither, because experiences meant fulfillment. Fun meant life. Accomplishment brought esteem. A student-athlete's life is a constant blitz of must-do lists. I think that student-athletes understand the pressures of a quarterly sales world long before they should. The market's “tyranny of the quarter” probably came to be from Anglo-Saxon student-athletes (scribe-knights?) who couldn't kick the addiction. While salespeople live by “the number,” that monetary target they must hit, student-athletes go from one pressure situation to the next, and it's never about what they accomplished the week before. It's more like Glengarry Glen Ross. The question of coaches and adults is unspoken, but it is the same as a sales manager: “What have you done for me lately?” Oh, you won last night? There's another game tomorrow. Your body is sore? Suck it up. You have a math test? You'll have time on the bus. Do you even care? A season ends and the next begins. Are you even trying? I believe this is why Army basic training felt disappointing to me. I was expecting more of a challenge. After years of the student-athlete grind, the co-ed Army training didn't really pack the punch I expected. Somewhere around 10th or 11th grade the crackup started. I made it through several of these and I suppose each one makes you stronger, for a while. When the crack up starts, the load becomes visibly heavy. The solution of being busy stops working, and people notice. Then someone would play the good cop, and march out the old mantras: “You're doing great. You're very capable. You just need to believe in yourself.” This was like a kind of repetitive prayer for the self, but without any actual healing. “Yeah, yeah, you're right, I should have practiced more.” “Yes, I should have studied more.” “I'm such an idiot - I just need to believe in myself.” Even Sundays were not for sitting. The day of rest was eroding rapidly into a day for shopping and sports. I remember when people would not work, when stores were closed, when farmers would not even plow a field on Sunday. It was not long ago that the Third Commandment was taken seriously (which gives me hope that one day it will be again). The years of middle school and high school rushed by - an absolute blur. School and sports provided the meaning of life, with a mystical career ahead. Without ever having read Victor Frankl's book Man's Search for Meaning I understood the basics of his logotherapy, which was that I needed a purpose, a goal, something to shoot for. Like many student-athletes it became a kind of religion. I think it's fair to call it an idol. More accurately, we had a whole set of idols, like the Greeks had for gods of different domains of life. In those early years when the mania of sports and school took over, I was certain that I would never use drugs or alcohol. That would be insane. How could I consider such a thing? How could I jeopardize sports glory for the pride of the town, the team, and my personal status? Even in eighth grade, I wondered why or how anyone would risk their athletic eligibility by drinking on the weekend. What kind of lunatic would do that? To Valhalla, through sports! Sports provided the most transcendent activity available, I thought, so how could anyone trade the beauty and goodness of dropping a three-pointer, or hitting a running back so hard that a snot bubble emerged from his nose? Did those teen drinkers not understand that they exchanged honor and glory for something as smelly and nasty as beer? That was before I ever felt a buzz. I realized that the transcendence of a buzz exceeded the glory of hard hits on the field or the sound of a swishing net. In that moment of the first buzz, I learned that the concept of self-belief was malleable to whatever I wanted it to be, because I was sole decision maker over what was good, true, and beautiful. Sports was out; the buzz was in. Without a doubt, I began to lose the nerve in competition once alcohol blunted the edge. Where there had been a yearning to take the last shot, I now wanted to drink a shot. I no longer wanted the pressure. I wanted out. I wanted to move on, to post-high school, to escape - anywhere - to the military, or an adventure, or a trade. Race car drivers can “lose the edge” and be forced to retire, and I know exactly what that means, despite never having driven a race car. Once the inner burning fire of “rage to master” a sport is dwindled to a pilot light, the desire can only be faked. What was good, true, and beautiful suddenly came in a can or a bottle, because that was instant escape. When the first shots of sloe gin had tucked me into an envelope of drunkenness, I felt more alive than in anything else before it. No, not alive - I felt dead to all concerns. I was removed from all other goals. The pressure of math and sports and needing approval suddenly and totally vanished, at least until morning. The warmth and tingle of the liquor took away all expectations, all resentments. However, a warning sign appeared the very first night, as I punted a football at my friend's house and broke a window. But that didn't register as a signal from above to reconsider my choice, because I believed in myself. The broken window happened by chance. That was just bad luck, you see, not a lesson in free will. In the first years of drinking, while sports and school still weighed heavily, days of utter despair would come and I had no answers why. There was no answer to, “What's wrong?” Something was deeply wrong but I had nothing to blame but myself. Life and meaning were based on the self. So when the hours yawned, when I wasn't busy, the edge of the Big Empty showed up. To escape its gaze was to jump into it. I could avoid it by achieving, or just fall into the Empty. Depending on the day or the hour, I would either believe in myself or be trying to destroy myself. Sports had become a burden and I wanted out by my senior year. I'd had enough of the screaming coaches and insanity. I wanted oblivion and escape. I wanted to be in the Big Empty. I'd had a decent share of minor sports glory and was ready to move on - it wasn't the high I was looking for, because it wasn't high enough. I wanted to play basketball just for fun, but that was impossible. In the machine of year-round high school sports, it's a job. It's far more like a job, but you don't learn anything new and there is no life application for knowing how to beat a zone press. Win or lose, you get screamed at. Then in the huddle someone yells, “C'mon guys, we gotta believe in ourselves!” Yeah, that's what we needed. More self. Years later, after a few ACL tears and knee surgeries in college, my physical strength had waned and sports departed from my life. Drinking and reading surged ahead, as I would work, drink, read, and repeat. But after graduating from college and having no purpose other than to get a job and make money, the void began to stare back at me. No, it came looking for me, and drinking to avoid the void no longer worked. A repeating pattern like the movie Groundhog day is fun, but before long becomes a living hell. Signs appeared. I ignored them. Literally, like when I put my face through a windshield, having rammed my Jeep into a tree. Or when I missed work, or when I soured relationships speaking in slurred cursive. The isolation started. Those things were unfortunate, but really, I rationalized, they could have happened to anyone, I thought…or well, anyone that chose to drink to oblivion. The world was wrong, all wrong. I was right. By age nineteen, I had already known the falsity of the joy of alcohol, and had tried quitting many times, even taking a whole summer off, and what a glorious summer it was, working on a farm. Yes, once again, after a year of internship in a cube in front of a laptop, I had one last hurrah working on a farm. Once again, I felt whole. But by autumn the liquor and college bars resumed. In a few short years of drinking, I already could see the problem but could see no way out of it because to be rowdy and reckless felt like life. Life in the suburbs lay ahead and thought I did not want to go there, I was drawn toward it like a lodestone rock. It repulsed me, yet I was going to be there someday, and I wondered how could I possibly become one of those yuppies who pet their grass and check their 401k statements. How strange it seems now, that the joy I once had from sports and school was gone, and I pretended that I was getting my meaning from drinking. Work was just something to be done between wild weekends. Honor and glory seemed less interesting than self-destruction. But then this was the 1990s, when bands like Nirvana and films like Fight Club drew so many young men. If you didn't believe in anything, you could choose self-improvement or self-destruction. Like many others I knew, I tried to have both. And like every drinker who cannot quit, forgiveness of the self was granted weekly - because I needed to drink again for that brief escape. The cult of self-esteem still had me, and what it led to was a cycle of self-salvation and self-hatred. I came to a bitter understanding of what St. Paul meant when we said in Romans, “For I do not do the good I want to do, but the evil I do not want to do—this I keep on doing.” And I knew that I wanted to quit, so badly sometimes, and I would swear it off, only to fail shortly thereafter. But truly I did not want to be healed, and here I came to understand St. Augustine's struggle with sex addiction when he said, “Lord let me be chaste - but not yet.” It makes me shudder to think of it now because I missed so many signs and chose so poorly in those years. They are terrific reminders for me, like the four stupid tattoos on my arm; these are forever reminders of the lost years, because they have no meaning, other than to do something to stay busy. I would love to stop here and tell you that alcohol was the whole problem. But when I quit drinking a decade ago, I found that I still “needed” anti-depressants. Alcohol was not the problem at all, it was only a mask, a symptom. Four years into that sobriety, I completed an Ironman triathlon and had achieved what I thought would cure me of all maladies, only to find that I was quite possibly as blue and lost when I was sober and accomplished as I had ever been drunk and insane. I was chasing banners, flags, mascots - I was an escapist - like the mobs of people in Dante's outermost circle of hell. I was stuck in the modern infinite loop of acedia. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit whydidpetersink.substack.com

Musique Mécanique par le Théâtre Électrique ::"Immigrant Song" by Led Zeppelin:: Voix AI Jun

Musique Mécanique par le Théâtre Électrique ::"Immigrant Song" by Led Zeppelin:: Voix AI Jun

Musique Mécanique par le Théâtre Électrique ::"Immigrant Song" by Led Zeppelin:: Voix AI Jun

Musique Mécanique par le Théâtre Électrique ::"Immigrant Song" by Led Zeppelin

In this captivating episode of "Anthology of Horror," we ventured into the annals of history to explore the tumultuous Battle of the Teutoburg Forest. Accompanied by our distinguished guest, author Sam Stoutman, renowned for the epic "Pirates and Scallywags Saga," we unraveled the extraordinary events that shaped ancient civilizations.As we delved into the past, we witnessed the clash of cultures, the indomitable spirit of resistance, and the pivotal moments that changed the course of history forever. Sam Stoutman's insights enriched our journey, adding depth to our exploration of this historic battlefield.And as we bid farewell to this episode, the thundering chords of Led Zeppelin's "Immigrant Song" served as a fitting and rousing conclusion. Join us again for more tales of horror, history, and the macabre that await in the shadows.Support the showYe olde march shop https://www.aohpmerch.com/s/shopDemented Darkness https://open.spotify.com/show/2ausD083OiTmVycCKpapQ8Dark Side of the Nerd https://open.spotify.com/show/6cwN3N3iifSVbddNRsXRTuFoxhound43 https://rumble.com/user/Foxhound43

There are so many electric guitars. Truly, there is a guitar for every mood, every season, and every feeling. But there are four types of electric guitar that are a bit more widely used than other ones. On this formely-bonus-now-main-feed episode, Kirk discusses those four guitars—the Fender Stratocaster, the Telecaster, the Gibson Les Paul, and the 335—and goes through some of the Strong Songs that have featured them.FEATURED/DISCUSSED:“Spanish Castle Magic" and "Little Wing" by Jimi Hendrix from Axis: Bold as Love, 1967“Like a Prayer” by Madonna from Like a Prayer, 1989“Sweet Home Alabama” by Lynyrd Skynyrd from Second Helping, 1973“Home” by Cory Wong from Motivational Music for the Syncopated Soul, 2019"Time" by Pink Floyd from The Dark Side of the Moon, 1973"Everybody Wants to Rule the World" by Tears for Fears from Songs From The Big Chair, 1985“Folsom Prison Blues" by Johnny Cash, 1955"Make a Mistake With Me" by Brad Paisley from Mud on the Tires, 2003“Paranoid Android” by Radiohead from OK Computer, 1997“Stairway to Heaven” by Led Zeppelin from Led Zeppelin IV, 1971“Kiss” by Prince from Parade, 1986“Last Goodbye” by Jeff Buckley from Grace, 1994“Blood and Thunder” by Mastodon from Leviathan, 2004“Immigrant Song” from Led Zeppelin III, 1970“Mr. Blue Sky” by Electric Light Orchestra from Out of the Blue, 1978“Wuthering Heights” by Kate Bush from The Kick Inside, 1978“Starman” by David Bowie from The Rise and Fall of Ziggy Stardust and the Spiders from Mars, 1972“November Rain” by Guns N' Roses from Use Your Illusion, 1991"Sister Sadie" by Horace Silver, 1959“Help Me” by Joni Mitchell from Court & Spark, 1974“Kid Charlemagne” by Steely Dan from The Royal Scam, 1976“September” by Earth, Wind & Fire, 1978“No One Knows” by Queens of the Stone Age from Songs for the Deaf, 2004-----LINKS-----SUPPORT STRONG SONGSPaypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music----------------SEPTEMBER 2023 WHOLE-NOTE PATRONSBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriJeremy DawsonAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerDave FloreySEPTEMBER 2023 HALF-NOTE PATRONSAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayAilie FraserVonRob TsukNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Nach dem großen Erfolg ihres zweiten Albums "Nevermind", sehnte sich Nirvana nach einer Zeit zurück, in der der Hype um sie noch nicht so groß war. Mit ihrem Album "In Utero" wollten sie sich vom Mainstream abgrenzen. "In Utero" ist das dritte und letzte Studioalbum von Nirvana. Erschienen ist es am 13. September 1993 und es sollte nicht mehr viel mit ihrem Erfolgsalbum "Nevermind" zu tun haben. Statt des doch eher nach Rock-Pop klingenden Sounds, wollten sie wieder ein Album mit Ecken und Kanten machen, um den Hype um sie zu reduzieren, der die Band quasi über Nacht ereilt hat. "In Utero" sollte Nirvana aus dem Mainstream rausholen Als Produzenten holten sie sich für "In Utero" Steve Albini ins Boot, der vorher schon mit den Pixies gearbeitet hatte und für seinen klaren Sound, ohne viel "Schnickschnack" bekannt ist. Mit seiner Hilfe sollte das Album wieder rockiger klingen und Nirvana in die Zeit zurückkatapultiert werden, in der sie noch nicht so erfolgreich waren. Mit der Rolle als berühmte Rockmusiker im Mainstream kam die Band nicht klar. Der Erfolg, der mit "Nevermind" kam, wurde ihnen zu viel. Mit "In Utero" wollte Nirvana nicht ins große Rampenlicht und einfach alles anders machen, so wie zu den Zeiten ihres ersten Albums "Bleach". Und genau das war auch für die Fans damals das Wichtigste, für die es nichts Schlimmeres gab, als Mainstream zu sein. Die Songtexte zeigen Kurt Cobains Zerrissenheit Obwohl Kurt Cobain "In Utero" selbst mal als unpersönlich bezeichnet hat, lässt sich in den Songtexten viel aus seinem Seelenzustand erkennen. Gerade die eigene Zerrissenheit wird in einigen Songs deutlich. Immer wiederkehrende Themen auf dem Album sind Überforderung mit dem Dasein als Rockstar, existenzielle Fragen, Drogenkonsum und natürlich die bizarre Beziehung zu Sängerin Courtney Love. Cobain schaffte es in seinen Stücken harte Themen wie Krankheit und Tod mit weichen Liebesthemen zu vereinen. So handelt das erfolgreichste Lied des Albums, "Heart-Shaped Box", einerseits von Krebserkrankungen, kann aber auf der anderen Seite auch als Liebeslied angesehen werden. Dank "Rape Me" bekamen sie doch wieder Aufmerksamkeit Der Song "Rape Me" gilt als sehr umstritten. Auf Deutsch bedeutet der Titel so viel wie "vergewaltige mich". Manche Kritiker sahen darin eine Verharmlosung von Vergewaltigungen und fanden es falsch, dass sich Cobain in die Rolle einer Betroffenen oder eines Betroffenen versetzt. "Rape Me" ist aber in Wahrheit ein Anti-Vergewaltigungssong, der sich mit den Opfern solidarisiert. Kurt Cobain nimmt darin extra die Rolle des Vergewaltigten ein, um so Stellung gegen das Unrecht zu beziehen. Die ganzen Diskussionen um "Rape Me" verhalfen der Band wieder zu mehr Aufmerksamkeit, die sie ja eigentlich gar nicht haben wollten. Ist es Nirvana mit "In Utero" geglückt, wieder aus dem Mainstream ausbrechen zu können? Und was haben Bands wie R.E.M. und die Beatles mit dem Album zu tun? All das erfahren Sie in dieser Episode der SWR1 Meilensteine. __________ Über diese Songs vom Album "In Utero" wird im Podcast gesprochen 21:46 Mins — "Serve The Servants" 35:38 Mins — "Scentless Apprentice" 41:28 Mins — "Scentless Apprentice - Demo" 46:50 Mins — "Heart-Shaped Box" 01:05:25 Mins — "Rape Me" 01:12:36 Mins — "Dumb" 01:18:22 Mins — "All Apologies" Über diese Songs wird außerdem im Podcast gesprochen 17:30 Mins — "Break My Body" von den Pixies 17:37 Mins — "It's Shoved" von den Melvins 17:54 Mins — "I Wanna Be Your Dog" von The Stooges 18:08 Mins — "Rise Above" von Black Flag 22:57 Mins — "Drive My Car" von den Beatles 24:16 Mins — "Man On The Moon" von R.E.M. 24:40 Mins — "Lithium" von Nirvana 42:10 Mins — "Immigrant Song" von Led Zeppelin 01:09:25 Mins — "Smells Like Teen Spirit" von Nirvana 01:22:38 Mins — "All Apologies" von Sinéad O'Connor __________ Shownotes: Review bei Amplifiedhttps://youtu.be/pEo5PDC_ccQ?si=wFfVHNMVVillpYzS Buchtipp:Nirvana - Die wahre Kurt-Cobain-Story http://www.hannibal-verlag.de/cgi-bin/WebObjects/TXTSVHannibal2.woa/640/wo/JZ44pB5MIfmq2nRQG4vpXq2r1vw/4.0.SuperPage.11.1.5.1.1.11.1.0.1.0.BoxArticleSmall.1.13.0 Nirvana YoutubeChannelhttps://www.youtube.com/channel/UCFMZHIQMgBXTSxsr86Caazw Blow Up – Nirvana im Film [Arte Doku über Filme über Nirvana] https://www.arte.tv/de/videos/100210-046-A/blow-up-nirvana-im-film-oder-fast/ Wer oder was ist Nirvana Was steckt eigentlich hinter diesem T-Shirt und dem Schriftzug „Nirvana“? In diesem Video erklärt Prof. Dr. PlusPlusPlus den Aufstieg und das abrupte Ende eines der wichtigsten Bands der Musikgeschichte. Beitrag von Funkhttps://www.ardmediathek.de/video/plusplusplus/wer-oder-was-ist-nirvana/funk/Y3JpZDovL2Z1bmsubmV0LzExOTYxL3ZpZGVvLzE1NDk1NjU __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

link Трек-лист: 01. The Spits — All I Want 02. Trent Reznor and Atticus Ross feat. Karen O — Immigrant Song 03. The Bodyrockers — I Like The Way 04. Jade — Pulp Friction 05. Swanky Tunes feat. Raign — Fix Me 06. Running Wild — Ballad Of William Kidd 07. Keeno — Listen Close … Продолжить чтение Lofstrom loop 336 (15.07.2023)

Part two of a double? Drunk? Nonsense? It's The Fine Ale Countdown! Neil Fitzpatrick is a valued member of the team and we miss him. Thanks to Sentinel Audio for giving us a home.

Anthemic. Angular. Inscrutable. These are all words that could describe Wichita, Kansas indie-rock-cum blister-pop band The Embarrassment. Musician Bob Fay (Sebadoh, Cardinal, Lost Hours) discovered them at the end their short-but-prolific existence, after they moved to Boston and eventually splintered off into other bands - Big Dipper and The Del Fuegos to name two - leaving behind a slew of excellent releases including the 1983 mini-LP 'Death Travels West'. "We Were Famous, You Don't Remember" Songs discussed in this episode: Immigrant Song (live) - The Embarrassment; Beauty Of The Ride - Sebadoh; She's Fetching, Ron Klaus Wrecked His House - Big Dipper; Don't Run Wild - The Del Fuegos; This Is Not A Photograph - Mission Of Burma; Venus - Television; Careen, Viewmaster - The Embarrassment; Here Comes Your Man - Pixies; Drive Me To The Park - The Embarrassment; Communist Radio - The Eat; Lewis and Clark, D-Rings, Sex Drive, Chapter 12 - The Embarrassment; Love Beach - Emerson, Lake & Palmer; This Charming Man - The Smiths; Hip and Well Read, Death Travels West - The Embarrassment; Gimme Gimme Shock Treatment (live) - Ramones; Sevens Glass Lady - Lost Hours

We're back this week to dive deep into the discography of one of the greatest rock bands of all time, Led Zeppelin. Specifically, we'll be exploring their albums released between 1969 and 1973, picking our favorite and least favorite songs from each. Led Zeppelin, the iconic rock band formed in 1968, released their self-titled debut album in 1969. The album featured a diverse range of rock and blues-influenced tracks, showcasing the band's talent and establishing their unique sound. The album opens with the energetic "Good Times Bad Times" and includes other standout tracks like "Babe I'm Gonna Leave You," "Dazed And Confused," and "Communication Breakdown." Led Zeppelin's debut album set the stage for their future success and solidified their status as one of the greatest rock bands of all time. Led Zeppelin II - 1969 Following the success of their debut, Led Zeppelin released their second album, Led Zeppelin II, later in 1969. The album featured a heavier sound and showcased the band's growth as songwriters and performers. It includes the iconic track "Whole Lotta Love," along with other notable songs such as "What Is and What Should Never Be," "Heartbreaker," and "Ramble On." Led Zeppelin II further established the band's dominance in the rock music scene and demonstrated their ability to create powerful and memorable rock anthems. Led Zeppelin III - 1970 In 1970, Led Zeppelin released their third studio album, Led Zeppelin III. This album showcased a more acoustic and folk-influenced sound compared to their previous releases. It includes tracks like "Immigrant Song," "Since I've Been Loving You," and "Gallows Pole," which blend the band's signature rock sound with elements of folk and blues. Led Zeppelin III displayed the band's versatility and willingness to experiment with different musical styles, earning critical acclaim and further expanding their fan base. Led Zeppelin IV - 1971 Led Zeppelin's fourth album, commonly known as Led Zeppelin IV or untitled, was released in 1971 and became one of the band's most iconic and commercially successful albums. It features the legendary track "Stairway to Heaven," a monumental rock epic that has become one of the most celebrated songs in rock history. The album also includes other hits such as "Black Dog," "Rock and Roll," and "When the Levee Breaks." Led Zeppelin IV solidified the band's status as rock legends and remains a classic album revered by fans and musicians alike. Houses of the Holy - 1972 In 1972, Led Zeppelin released their fifth studio album, Houses of the Holy. The album continued to push the boundaries of their sound, incorporating elements of funk, reggae, and even orchestral arrangements. Tracks like "The Song Remains the Same," "The Rain Song," and "No Quarter" showcased the band's musical maturity and their ability to create dynamic and atmospheric compositions. Houses of the Holy further cemented Led Zeppelin's reputation as one of the most innovative and influential rock bands of their time. What are YOUR choices for the Best & Worst of Led Zeppelin from 1969-1973? Tell us in the comments and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download    Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back this week to dive deep into the discography of one of the greatest rock bands of all time, Led Zeppelin. Specifically, we'll be exploring their albums released between 1969 and 1973, picking our favorite and least favorite songs from each. Led Zeppelin, the iconic rock band formed in 1968, released their self-titled debut album in 1969. The album featured a diverse range of rock and blues-influenced tracks, showcasing the band's talent and establishing their unique sound. The album opens with the energetic "Good Times Bad Times" and includes other standout tracks like "Babe I'm Gonna Leave You," "Dazed And Confused," and "Communication Breakdown." Led Zeppelin's debut album set the stage for their future success and solidified their status as one of the greatest rock bands of all time. Led Zeppelin II - 1969 Following the success of their debut, Led Zeppelin released their second album, Led Zeppelin II, later in 1969. The album featured a heavier sound and showcased the band's growth as songwriters and performers. It includes the iconic track "Whole Lotta Love," along with other notable songs such as "What Is and What Should Never Be," "Heartbreaker," and "Ramble On." Led Zeppelin II further established the band's dominance in the rock music scene and demonstrated their ability to create powerful and memorable rock anthems. Led Zeppelin III - 1970 In 1970, Led Zeppelin released their third studio album, Led Zeppelin III. This album showcased a more acoustic and folk-influenced sound compared to their previous releases. It includes tracks like "Immigrant Song," "Since I've Been Loving You," and "Gallows Pole," which blend the band's signature rock sound with elements of folk and blues. Led Zeppelin III displayed the band's versatility and willingness to experiment with different musical styles, earning critical acclaim and further expanding their fan base. Led Zeppelin IV - 1971 Led Zeppelin's fourth album, commonly known as Led Zeppelin IV or untitled, was released in 1971 and became one of the band's most iconic and commercially successful albums. It features the legendary track "Stairway to Heaven," a monumental rock epic that has become one of the most celebrated songs in rock history. The album also includes other hits such as "Black Dog," "Rock and Roll," and "When the Levee Breaks." Led Zeppelin IV solidified the band's status as rock legends and remains a classic album revered by fans and musicians alike. Houses of the Holy - 1972 In 1972, Led Zeppelin released their fifth studio album, Houses of the Holy. The album continued to push the boundaries of their sound, incorporating elements of funk, reggae, and even orchestral arrangements. Tracks like "The Song Remains the Same," "The Rain Song," and "No Quarter" showcased the band's musical maturity and their ability to create dynamic and atmospheric compositions. Houses of the Holy further cemented Led Zeppelin's reputation as one of the most innovative and influential rock bands of their time. What are YOUR choices for the Best & Worst of Led Zeppelin from 1969-1973? Tell us in the comments and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download    Learn more about your ad choices. Visit megaphone.fm/adchoices

Amy covers “The Immigrant Song” by Led Zeppelin and Beth covers "Fool in the Rain" also by Led Zeppelin (both researched by Jr. Researcher, Tim).   Listen to the songs first before Beth and Amy ruin them for you.Email us at amyandbetharesorry@gmail.comVisit us on Instagram at https://instagram.com/sorryiruinedthatsong?igshid=1cqqhy050qg8qListen to our Spotify Playlist here:https://open.spotify.com/playlist/4TWLMgrKwCQzh24umxIB5R?si=zUmNWqQfRwCBVzvExGLSvACheck us out on TikTok: https://vm.TikTok.com/TTPdMmQJS8/Logo artwork by: http://www.etsy.com/uk/shop/MollyPukes

On the 3rd Episode of Shout It Out Loudcast's sidecast, The Zeppelin Chronicles, our hosts, Tom & Zeus, along with SIOL sidekick Murph and Jay Scott from The Hook Rocks podcast, review the 1970 album, "Led Zeppelin III." Led Zeppelin III often referrred to as the "acoustic album," has been often misunderstood. Filled with many acoustic offerings, the album still boasts several hard hitting classic Led Zeppelin songs, like Immigrant Song, Celebration Day and Out On The Tiles. After a grueling tour schedule Robert Plant and Jimmy Page decided to go to a cottage without running water or electicity in Bron-Yr-Aur, Wales. The two work on their songwriting with only acoustic guitars and a tape recorded. The results are the classic acoustic numbers on Led Zeppelin and other songs that would filter onto future Led Zeppelin releases. The band felt free to do whatever music they so desired. Led Zeppelin III was not only filled with rockers, but folk songs, ballads and perhaps their signature blues song, the classic, "Since I've Been Loving You." Although Led Zeppelin III went to Number 1 in the USA and the UK and went 6 times platinum in the United States, the album is still overlooked and definitely underratted, Led Zeppelin III is an album from a band with no limits to their musicianship or their lyrics and still on the ascension! The Zeppelin Chronicles breaks down Led Zeppelin III SIOL style. The guys discuss their connection with the album, the background of the album, the album cover and finally the songs. They rank the songs, then rank the album and album cover against the two previous Led Zeppelin albums reviewed. So tune in, follow, download and subscribe or face the "Hammer Of The Gods!" For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below: SIOL Patreon Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify  Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network

On the 3rd Episode of Shout It Out Loudcast's sidecast, The Zeppelin Chronicles, our hosts, Tom & Zeus, along with SIOL sidekick Murph and Jay Scott from The Hook Rocks podcast, review the 1970 album, "Led Zeppelin III." Led Zeppelin III often referrred to as the "acoustic album," has been often misunderstood. Filled with many acoustic offerings, the album still boasts several hard hitting classic Led Zeppelin songs, like Immigrant Song, Celebration Day and Out On The Tiles. After a grueling tour schedule Robert Plant and Jimmy Page decided to go to a cottage without running water or electicity in Bron-Yr-Aur, Wales. The two work on their songwriting with only acoustic guitars and a tape recorded. The results are the classic acoustic numbers on Led Zeppelin and other songs that would filter onto future Led Zeppelin releases. The band felt free to do whatever music they so desired. Led Zeppelin III was not only filled with rockers, but folk songs, ballads and perhaps their signature blues song, the classic, "Since I've Been Loving You." Although Led Zeppelin III went to Number 1 in the USA and the UK and went 6 times platinum in the United States, the album is still overlooked and definitely underratted, Led Zeppelin III is an album from a band with no limits to their musicianship or their lyrics and still on the ascension! The Zeppelin Chronicles breaks down Led Zeppelin III SIOL style. The guys discuss their connection with the album, the background of the album, the album cover and finally the songs. They rank the songs, then rank the album and album cover against the two previous Led Zeppelin albums reviewed. So tune in, follow, download and subscribe or face the "Hammer Of The Gods!" For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below: SIOL Patreon Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify  Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network

To hear the full episode, subscribe at patreon.com/TrueAnonPod --------- We gather around the motel bed at the tail end of tour and talk about some of the TrueAnon tips and rules we've doled out over the years—and do a groundbreaking a capella mashup of Led Zeppelin's Immigrant Song and Kashmir. Thanks to everyone who came to the Year of the Smile :)

We listen to what many say is one of Robert Plant's best nights, Sept. 6, 1970 Honolulu. This is top shelf Led Zeppelin & we hear Immigrant Song, Whole Lotta Love (w/ medleys) & Communication Breakdown. Epic night.

Tonight we will be discussing the hot new pursuit of ambitious GOP governors: human trafficking! I.e. Abbott and DeSantis using desperate people as pawns in a political stunt. We got a lot more too, so join us. Support the show

“Immigrant Song! An African Immigrant to America Offers His Perspective on His Adopted County” Plus Larry & Amie Beth discuss Biden's recent speech and a couple of movie recommendations! FYI Show 18 hasn't been released yet but this was more time sensitive 

Students surprise a high school math teacher with a new car.

THE BEST BOOK CLUB IN THE MULTIVERSE! In our VERY FIRST Geeksplained Book Club Annual, we close out the DAYS OF THUNDER with an interview with the man himself – JASON AARON! Aeric, Malcolm and Jacob sit down with Jason to discuss his time writing the God of Thunder – as well as his origins in the comics industry, his love of pro wrestling and Doctor Who, and his upcoming projects! Subscribe to Jason Aaron's Substack here: https://jasonaaron.substack.com/ Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Music Sampled: "Sweet Child O' Mine" by Guns N' Roses "Immigrant Song" by Led Zeppelin "The Mighty Thor" by Jacques Urbont "Days of Thunder" by The Midnight

We hear a NEW SOURCE for 8/21/71 and it sounds way better. Only the first 4 songs were taped before getting caught, but we hear 'em. Immigrant Song, Heartbreaker, SIBLY, & Black Dog all better than before. Super cool.

THE BEST BOOK CLUB IN THE MULTIVERSE! This week, the DAYS OF THUNDER have come to an end. But AFTER the thunder… rises the VALKYRIE! Join Aeric, Malcolm and Jacob as they discuss Jane Foster's next adventure: the ten-issue series JANE FOSTER: VALKYRIE! Following the conclusion of her time as The Mighty Thor, Jane's new role as the ONE and ONLY Valkyrie will take her on a journey into mystery – where she will battle the dangerous Bullseye, fight against an unstoppable darkness, and try to stave off the death of… DEATH ITSELF? Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Music Sampled: "Sweet Child O' Mine" by Guns N' Roses "Immigrant Song" by Led Zeppelin "The Mighty Thor" by Jacques Urbont "Days of Thunder" by The Midnight

THE BEST BOOK CLUB IN THE MULTIVERSE! In Part 10 of the DAYS OF THUNDER, our intrepid hosts dive into the conclusion of the Jason Aaron Thor saga with the miniseries KING THOR! Join Aeric, Malcolm and Jacob as they discuss the final battle for Midgard and the fate of the universe, as Thor wields the thunder one last time against Loki the Necrogod at the end of time! Plus, what happens AFTER the thunder…? Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Music Sampled: "Sweet Child O' Mine" by Guns N' Roses "Immigrant Song" by Led Zeppelin "The Mighty Thor" by Jacques Urbont "Days of Thunder" by The Midnight

THE BEST BOOK CLUB IN THE MULTIVERSE! In our LONGEST SESSION EVER, we celebrate 60 Book Club sessions with Part 9 of the Days of Thunder aka THE WAR OF THE REALMS! Join Aeric, Malcolm and Jacob as they dive into the war to end all wars! With every other realm burning, Malekith finally sets his sights on Midgard! With Thor missing and the Asgardians in shambles, how will Earth's Mightiest Heroes battle against the armada Malekith has assembled? And once the dust settles, who will reign supreme? Covering War of the Realms #1-6, THOR (2018) #12-16, Strikeforce: Land of the Giants #1, Strikeforce: Realm of the Dark Elves #1, Superior Spider-Man #7 & 8, and Unbeatable Squirrel-Girl #43-46 Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Music Sampled: "Sweet Child O' Mine" by Guns N' Roses "Immigrant Song" by Led Zeppelin "The Mighty Thor" by Jacques Urbont "Days of Thunder" by The Midnight

THE BEST BOOK CLUB IN THE MULTIVERSE! Part 8 of the DAYS OF THUNDER sees the Odinson back in the driver's seat – just in time for a road trip to Hel! Join Aeric, Malcolm and Jacob as they discuss THOR (2018) issues #1-11 – the prelude to the War of the Realms! Featuring an undead wedding, the rise of Roz Solomon: Agent of Wakanda, the clash of Odin and Odinson, and the ballad of Erika the Red! Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Music Sampled: "Sweet Child O' Mine" by Guns N' Roses "Immigrant Song" by Led Zeppelin "The Mighty Thor" by Jacques Urbont "Days of Thunder" by The Midnight

THE BEST BOOK CLUB IN THE MULTIVERSE! Part 7 of the DAYS OF THUNDER marks the end of an era! In this GIANT-SIZED session, our intrepid hosts dive into THE MIGHTY THOR issues #20-23, 700-706 and the At The Gates of Valhalla one-shot! Featuring the RISE of the War Thor, the RAGE of the Mangog, and the DEATH of the Mighty Thor – this is the end of the road for Jane Foster… or is it? Outro Music by The Theorist: https://www.youtube.com/c/TheTheorist Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Music Sampled: "Sweet Child O' Mine" by Guns N' Roses "Immigrant Song" by Led Zeppelin "The Mighty Thor" by Jacques Urbont "Days of Thunder" by The Midnight “Running Up That Hill but Extremely SAD (Stranger Things Piano Cover)” by TheTheorist

THE BEST BOOK CLUB IN THE MULTIVERSE! In Part 6 of THE DAYS OF THUNDER, our intrepid hosts take a trip into space for the ASGARD/SHI'AR WAR! Covering issues #13-19 of The Mighty Thor series, this volume has it all: star-studded showdowns, a challenge of gods, and the answer to the question: What truly makes Jane Foster worthy? PLUS, the Ultimate Judgment is unleashed as we continue the march to the War of the Realms! Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Music Sampled: "Sweet Child O' Mine" by Guns N' Roses "Immigrant Song" by Led Zeppelin "The Mighty Thor" by Jacques Urbont "Days of Thunder" by The Midnight

While there have been no shortage of Led Zeppelin biographies over the years, the latest from Bob Spitz is the most in-depth and expansive yet. This week, hosts Jim DeRogatis and Greg Kot talk with author Bob Spitz about the myths, music and misdeeds of Led Zeppelin. They also review new records from Wet Leg and Rosalía. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:Led Zeppelin, "Immigrant Song," Led Zeppelin III, Atlantic, 1970Wet Leg, "Ur Mum," Wet Leg, Domino, 2022Wet Leg, "Wet Dream," Wet Leg, Domino, 2022Wet Leg, "I Don't Wanna Go Out," Wet Leg, Domino, 2022Rosalía, "CHICKEN TERIYAKI," Motomami, Columbia, 2022Rosalía, "DIABLO," Motomami, Columbia, 2022Rosalía, "LA FAMA (feat. The Weeknd)," Motomami, Columbia, 2022Rosalía, "MOTOMAMI," Motomami, Columbia, 2022Rosalía, "LA COMBI VERSACE (feat. Tokischa)," Motomami, Columbia, 2022Led Zeppelin, "Thank You," Led Zeppelin II, Atlantic, 1969Led Zeppelin, "Whole Lotta Love," Led Zeppelin II, Atlantic, 1969Led Zeppelin, "When the Levee Breaks," Led Zeppelin IV, Atlantic, 1971Led Zeppelin, "Black Dog," Led Zeppelin IV, Atlantic, 1971Led Zeppelin, "Dazed and Confused," Led Zeppelin, Atlantic, 1969Led Zeppelin, "D'yer Mak'er," Houses of the Holy, Atlantic, 1973Led Zeppelin, "Rock and Roll," Led Zeppelin IV, Atlantic, 1971Led Zeppelin, "Stairway to Heaven," Led Zeppelin IV, Atlantic, 1971Led Zeppelin, "The Ocean," Houses of the Holy, Atlantic, 1973Led Zeppelin, "Kashmir," Physical Graffiti, Atlantic, 1975Devo, "Jocko Homo," Q: Are We Not Men? A: We Are Devo!, Warner, 1978