Podcasts about aruj

As obras do Rodoanel Norte receberam, na madrugada deste domingo (31), quatro vigas metálicas para sustentar as alças de acesso do Rodoanel Norte à Rodovia Presidente Dutra, no sentido Rio de Janeiro, no Trecho 1 da obra, em Arujá, na região metropolitana da capital e do Alto Tietê. As obras estavam paradas desde 2018 e foram retomadas no ano passado. Essa etapa de intervenções integra a primeira fase de entrega do Trecho Norte do Rodoanel, que conectará a Dutra à Rodovia Fernão Dias e tem conclusão prevista para o segundo semestre deste ano.

Composers Max Aruj and Alfie Godfrey sit down for a brand new Film.Music.Media conversation for a look into their recent score to Mission: Impossible - The Final Reckoning Learn how Max and Alfie got the call to tackle The Final Reckoning. Max and Alfie break down the musical approach for The Final Reckoning, breaking down the thematic elements of the classic Lalo Schifrin theme and incorporating it into the fabric of the score, dealing with picture changes, writing for action and emotion, and the pressure they felt stepping in to bring Ethan Hunt's arc to a satisfying resolution. A Film.Music.Media Production | Produced & Presented by Kaya Savas

Having worked together as assistants to film composer veteran Lorne Balfe for several years, Max Aruj and Alfie Godfrey have had their biggest career breakthrough yet on the Final Reckoning, the latest, and possibly last, movie in the Mission: Impossible franchise. They chat to Headliner about the huge undertaking of scoring the film, creating the music for its two jaw-dropping set pieces, and rubbing shoulders with superstar lead actor Tom Cruise.

It's bonus time once more for you on here Soundtracking, as music supervisor / producer / editor Cecile Tournesac & composers Alfie Godfrey and Max Aruj join us to discuss their formidable contribution to Mission Impossible: The Final Reckoning. We've spoken to director Christopher McQuarrie on the podcast, who couldn't have been more complimentary about their work on the movie. Hopefully, this chat with Cecile, Alfie and Max we'll shed further light on how much thought went into the score, and how important it was to our viewing experience.

The Mission Impossible franchise has been going strong for nearly thirty years, so it's a bit surreal to see it apparently come to an end, with Tom Cruise hanging up the mantle as Ethan Hunt. To celebrate the final entry, Mission: Impossible - The Final Reckoning, the film's composers Max Aruj and Alfie Godfrey join the show! Naturally, the three of us spend most of the interview talking about Mission: Impossible, including spending a year straight exclusively scoring the film, how score fits into the broader film making process in a project of this scale, the difficulty in scoring the two major set pieces, and how and when to utilize Lalo Schifrin's iconic main theme. The last point was a particularly interesting one to me, as I've seen quite a few people wondering about it as well given that they don't quote the full theme often at all. Trust me, it's all intentional and done for good reason! I also want to point out how prevalent the theme of teamwork is in this interview. Naturally, it's become a main thematic motif throughout the film series, with Cruise's Ethan Hunt willing to essentially do anything possible to save his team (and, in turn, save the world). Would Max or Alfie hold onto a biplane as it speeds thousands of feet in the air? Not sure. But they will spend a lot of timing raising up their colleagues and team members. Something I can definitely get behind. One note: Alfie's voice is the first you'll hear and Max provides the first longer answer. Mission: Impossible - The Final Reckoning is currently in theaters, and Max and Alfie's score (as well as much of their other work) is available on all major platforms.

O governador em exercício, Felicio Ramuth, visitou nesta quinta-feira (24) as obras do Trecho Norte do Rodoanel Mário Covas (SP-021), retomadas na atual gestão após seis anos paralisadas. Com 44 quilômetros de extensão, o trecho vai conectar a Avenida Raimundo Pereira de Magalhães, em São Paulo, à Rodovia Presidente Dutra (BR-116), passando pelos municípios de Arujá, Guarulhos e São Paulo, melhorando a infraestrutura viária e logística na Região Metropolitana.

O trecho norte do Rodoanel de São Paulo está com cerca de um terço das obras concluídas. A construção, iniciada em 2013, sofreu várias interrupções e foi totalmente paralisada em 2018, sendo retomada em abril do ano passado. Com 43,8 km de extensão, o trecho é o último a ser construído e vai completar a interligação de todo o grande anel viário que circunda a capital paulista. A conclusão está prevista para o segundo semestre de 2026. O investimento, de R$ 3,4 bilhões, inclui 107 obras, sendo 44 pontes e 63 viadutos, além de sete túneis duplos. O Rodoanel Norte passa pela capital paulista, Arujá e Guarulhos. O principal objetivo é desviar grande parte do trânsito das marginais Tietê e Pinheiros. O governo paulista também alega que foi necessária uma revisão no traçado original, que afetava áreas de preservação ambiental. Com a conclusão, serão interligados o trecho sul e o leste, fechando o anel viário de 177 quilômetros cuja construção começou há 27 anos – em 1998. O novo trecho terá pedágios sem cabine, no sistema free-flow – os veículos não precisarão parar ou reduzir a velocidade. Em entrevista à Rádio Eldorado, o engenheiro civil Ivan Carlos Maglio, pesquisador do Instituto de Estudos Avançados (IEA-USP), disse que o Rodoanel “continua sendo muito importante”, mas alertou que a obra iniciada há 27 anos pode já não ser suficiente. “Toda obra tem um tempo de saturação e ela pode estar mais próxima”, afirmou. Para o especialista, o ideal seria dar mais ênfase ao transporte ferroviário de cargas com a construção do Ferroanel Norte.See omnystudio.com/listener for privacy information.

Steffen Thum is a German composer for film, TV, games and advertising, based in Berlin. With over 70 credits to his name, he has extensive experience across high profile studio films, independent cinema, TV and advertising campaigns. Max Aruj is a composer born and raised in Los Angeles. His recent projects include MoviePass, MovieCrash (HBO), Lansky starring Harvey Keitel, and The Ice Road (Netflix) starring Liam Neeson. Both are successful film composers with experience working on high profile projects with composers such as Lorne Balfe, Hans Zimmer and others. They're here to talk with us today about collaboration, lessons learned in their careers, and their work on the film “Betrayal.” Topics Include: *Working for another composer is another level of training and “school” *The importance of working very cleanly and clearly in collaboration *Work at a high level to hone your craft *The importance of attention to detail *Behind the score of “Betrayal” *Advice for aspiring musicians https://www.steffenthum.com/ https://maxaruj.com/

O Departamento Estadual de Trânsito de São Paulo (Detran-SP) anuncia a abertura da temporada de leilões de dezembro. O primeiro certame do mês começa a partir do dia 3, com veículos apreendidos na cidade de Arujá. Serão, ao todo, 320 lotes, entre 92 veículos com condições de circular, 126 lotes de sucata aproveitável para desmonte com motor servível, 30 unidades de sucata aproveitável com motor inservível e 72 lotes de sucata inservível para fundição ou reciclagem. As inscrições dos interessados vão até 48 horas antes do leilão, no site da organizadora, Rico Leilões (www.ricoleiloes.com.br), mesmo lugar onde são feitos os lances e as sessões.

RAB MARCO KASSAB- Parashat Vayera: El Shulhan Aruj de Hesed! by FOOD 4 OUR SOUL

¿Qué tan lejos ha llegado el extremismo sobre el contacto físico en el judaísmo? ¿Está realmente prohibido que un hombre judío toque a una mujer que no es su esposa, incluso para un simple saludo? Hoy nos sumergimos en la halajá y exploramos qué dicen la Torá y las fuentes rabínicas sobre este tema, desafiando algunas creencias arraigadas. ¿Será verdad que no podemos ni siquiera darnos la mano? ¡Descúbrelo en este episodio de Judaísmo Picante! Fuentes: Rab David Golinkin; Torá; Tanaj; Ervah; Arayot (Levítico 18); Niddah; Midrash Tanaítico (Sifra, Ajarei Mot 13:2); Levítico 18:6; Levítico 18:19; Najmánides; Deuteronomio 22:14; Isaías 8:3; Levítico 20:16; Ketubot 17a; Rashi; Kiddushin 81b-82a; Shmuel; Shabat 13a; Avodah Zarah 17a; Génesis 29:11; Génesis Rabbah 70:12; Yerushalmi Sotah 3:1, fol. 18c; Números 5:25; Mishná Sotah 3:1; Rab J. Simcha Cohen; Tosafot a Kiddushin 82a; Ritba (Jidushim a Kiddushin 81b); Rema en Even Ha'ezer 21:5; Rabí Shmuel b”r Baruch; Mordejai; Rabí Yosef Caro; Rashba; Rabí Yehonatan Eibeschitz; Rabí Yosef Steinhart; Rabí Ovadia Yosef; Rabí Yitzhak Yosef; Prof. Baruch Levine; Éxodo Rabbah 16:2; Sefer Hassidim; Rabbeinu Yonah Gerondi; Igeret Hateshuvah; Sha'arei Teshuvah; Sefer Hayirah; Rabí Ya'akov Ben Asher (Ba'al Haturim al Hatorah); Testamento Ético de Eliezer ben Shemuel Halevi; Shulján Aruj; Aruj Hashulján; Aseh Lekha Rav, Jerusalén, 2019. Spotify: open.spotify.com/show/6l3kxIeAgGavsMSvEKDnzd Instagram: /pasionygratitud ¡Te invitamos a suscribirte y dejar tus comentarios! El Rab Diego lee personalmente cada uno de los mensajes.

A polícia de São Paulo apreendeu o carro de Pedro Henrique, atacante do Corinthians. Ele e o goleiro Carlos Miguel se envolveram em uma confusão após uma batida com o veículo de luxo do jogador em Arujá, na Grande São Paulo. O carro foi levado para Arujá para passar por perícia. Imagens de circuitos de segurança mostraram a caminhonete dirigida pelo atacante batendo no portão de uma casa e sendo impedido por seguranças ao tentar ir embora. O goleiro Carlos Miguel entrou na discussão e ambos teriam ofendido e ameaçado o dono da residência. A polícia investiga se Pedro Henrique estava alcoolizado durante o incidente. O jogador afirmou que seu advogado está cuidando dos detalhes e o Corinthians optou por não se posicionar sobre o assunto pessoalmente. Veja também: Haddad anuncia corte de quase R$ 26 bilhões no orçamento para atender meta fiscal.

Bonni Stachowiak: Teaching in Higher Ed Bonni is the host of the Teaching in Higher Ed podcast, Dean of Teaching and Learning and Professor of Business and Management at Vanguard University, and my life partner. Prior to her academic career, she was a human resources consultant and executive officer for a publicly traded company. Bonni is the author of The Productive Online and Offline Professor: A Practical Guide. Question from Qasim Qasim asked our thoughts on how to break the busy cycle and actually get started with something important. Aruj wondered how to handle a tricky situation where colleagues are gossiping lots in the office. Alice has three great opportunities in front of her was curious our advice on how to decide between them. Resources Mentioned How to Decide by Annie Duke Related Episodes How to Start a Conversation With Anyone, with Mark Sieverkropp (episode 177) How to Deal with Opponents and Adversaries, with Peter Block (episode 328) The Way to Make Better Decisions, with Annie Duke (episode 499) The Power of Unlearning Silence, with Elaine Lin Hering (episode 678) Discover More Activate your free membership for full access to the entire library of interviews since 2011, searchable by topic. To accelerate your learning, uncover more inside Coaching for Leaders Plus.

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This is part one of a series of episodes exploring the role of AI in the future of education.AI is here to stay and we need some tools and a plan to make the most of this transformative technology. Aruj Khaliq from Pakistan shares great ideas to start us on this journey! In this recording Aruj lays out the challenges but also the potential for AI to transform our schools. We discuss the need to rethink some assessments in light of AI's presence, and Aruj gives us some guidance on how to start discussions with staff and students about AI. Use this form to ask Aruj a question about AI strategies or to provide ideas or feedback for our future AI episodes.Email IB Matters: IBMatters@mnibschools.orgTwitter @MattersIBIB Matters websiteMN Association of IB World Schools (MNIB) websiteDonate to IB MattersTo appear on the podcast or if you would like to sponsor the podcast, please contact us at the email above.

Max Aruj to talks to Paul Sandell about this fantastic score to the new horror movie The Tank. The discussion spans his beginnings in music and how a love of jazz and Oscar Peterson informed his initial journey.You can catch the full show with all the fun and tracks here on our Mixcloud: https://www.mixcloud.com/sohoradio/scenesounds-10072023/This is the Soho Radio podcast, showcasing the best broadcasts from our online radio station in the heart of London.Across our Soho channel, we have a wide range of shows covering every genre alongside chat, discussions and special productions.To catch up on all things Soho Radio head on over to mixcloud.com/sohoradio, tune in live anytime at sohoradiolondon.com or get the app..Support this show http://supporter.acast.com/soho-radio. Hosted on Acast. See acast.com/privacy for more information.

Muzeum loutek v Plzni přináší dětem nezapomenutelné zážitky s letními tvořivými dílnami. Kromě výroby vlastních loutek na děti čeká také zmenšenina vietnamského vodního divadla, nebo akvárium, kde děti chytají dřevěné rybky.

1. Rázsochy zaplatili za to, že sa nevieme rozhýbať. 2. Milan Majerský uráža svojich voličov. 3. Učiteľov, čo šíria hoaxy, nevedia poslať do somárskej lavice. 

Composer Max Aruj sits down for a brand new Film.Music.Media conversation! From getting his start working on Lorne Balfe's team to scoring hit thrillers like Crawl (co-scored with Steffen Thum) and his recent score to The Tank, Max has quickly stood out for his incredible versatility and unique voice as a musical storyteller. For this chat we explore Max's background and path to composing, getting his foot in the door, working with Lorne Balfe, early lessons learned, branching out and scoring films on his own, finding his storytelling voice, and co-composing some projects with Steffen Thum. For The Tank we look at what it takes to successfully create tension and score a creature feature, and why we as a society love the genre so much! A Film.Music.Media Production | Produced & Presented by Kaya Savas

Este episodio tuvo de invitado al Rabino Uriel Romano (@urielromano en twitter) con quien pudimos conversar y ordenar cronológicamente los textos sagrados que funcionan como fuentes para el pueblo judío y la religión judía. Un recorrido super ameno y claro para entender cómo se va organizando la historia de los libros que contienen y codifican las leyes y costumbres hasta nuestros días y también cómo podría seguir. - El primer libro: ¿De dónde sale el Tanaj o Antiguo Testamento y de qué trata? - Uriel nos cuenta cómo sigue la historia de la organización comunitaria en base al siguiente libro, la Mishná - El Talmud: ¿Qué es y cómo se logró compaginar? - Uriel reconstruye el camino hacia la última estandarización de las leyes judías, el Shulján Aruj de Yosef Karo - ¿Existe la posibilidad de un nuevo texto sagrado? - Preguntas del público