Podcast appearances and mentions of caroline golum

Ep. 240: Caroline Golum on Quebec-Core, Ghosts of Mars, The Feeling That the Time for Doing Something Has Passed, Borzage's Man's Castle Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Filmmaker and self-described “rep rat” Caroline Golum returns to the podcast after far too long to discuss highlights from recent viewing! These include: Au clair de la lune (1983, Andre Forcier) from the “Quebec-Core” series at Anthology Film Archives; couples viewing Ghosts of Mars (2001, The Great John Carpenter); new release The Feeling That the Time for Doing Something Has Passed (Joanna Arnow); and My Morning with Magic Mike (John Wilson, visiting Mike Kuchar), which was available for the blink of a week on Le Cinéma Club. I also shout-out Museum of the Moving Image's discovery-laden Hiroshi Shimizu series (e.g. Children of the Beehive, 1948) and, also from Quebec-Core, Mireille Dansereau's Dream Life (1972). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

This week we're once again joined by filmmaker and director, Caroline Golum, to talk about Giftworx, the Psychic Eye, and she also does a live Tarot reading for us!

What can we learn from those who came before us? How does the art we make reflect and define who we are? And why is the medieval past just so interesting?In this conversation with the MMA's Logan Quigley, filmmaker Caroline Golum reflects on these questions and more as she discusses creating her most recent film, “Revelations of Divine Love,” which turns for strong inspiration to the narrative of the 15th-century anchorite Julian of Norwich. Logan and Caroline chat about the difficult and important choices surrounding scene design, narrative continuity, casting, and making stories from a past that often seems distant and strange feel relevant and meaningful to today's audiences.For more information about Caroline, this conversation, and to see stills from Revelations of Divine Love, visit this link: https://tinyurl.com/mmapodcast.

Prismatic Ground founder Inney Prakash returns to talk about the latest installment of the annual festival centered on experimental documentary and avant-garde film. We talk about the (sold out) opening night film, Soda Jerk's Hello Dankness, new work by Tsai Ming-Liang, assembling a supergroup of venues to stage this year's roving fest, a heretofore unannounced new Prismatic Ground venture, and more. John Klacsmann and Caroline Golum co-host.Support the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

Bret Berg of The American Genre Film Archive and Museum of Home Video visits Screen Slate HQ along with returning co-hosts Caroline Golum and John Klacsmann. A beloved fixture of the LA film scene, Bret gives us an insider report on its resurgent rep film culture. We also talk about AGFA's film restoration projects (including Joe Dante's The Movie Orgy and something called Bat Pussy), the nuts-and-bolts of film programming, and MOHV's online video variety show, or “college radio for the eyes,” as Bret calls it.Museum of Home VideoThe American Genre Film Archive[Patreon only] Bonus episode (link forthcoming)[Patreon only] 2020 Microcinema Streaming Summit ft. Screen Slate, MOHV & SpectacleSupport the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

The whole gang returns to the pod to welcome Clyde Folley, curator of the Criterion Channel's '80s Horror series. Folley, who is also a video editor at Criterion, chats with us about programming for streaming, how the video store and special effects advances defined the era, and getting elusive titles like Michael Mann's The Keep. We also learn about his personal points of entry into the genre, from being cast as the child star of a shot-on-video 1990 Thai horror film to renting A Nightmare on Elm Street II: Freddy's Revenge as a  four-year-old in Soldotna, Alaska.Then we do a deep dive into three films in the series: Strange Behavior (Michael Laughlin, 1981), Wolfen (Michael Wadleigh, 1981) and Lair of the White Worm (Ken Russell, 1988). The later is highlighted by an soliloquy by Caroline Golum rhapsodizing about the film she considers to be one of the "top five Russell" movies.The episode continues on Patreon, with a bonus episode with extended discussion of Ken Russell, and short takes on other series deep cuts such as The Fan (Ed Bianchi, 1981) and Dream Demon (Harley Cokeliss, 1988).Guest: Clyde Folley; Hosts: Jon Dieringer, Caroline Golum & John Klacsmann; Audio: C. Spencer YehThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.Support the show

Extended discussion of "Pervert King" Ken Russell from Caroline Golum, Criterion '80s Horror curator Clyde Folley, and the rest of the Screen Slate gang. Plus Clyde and Jon on other series deep cuts The Fan and Dream Demon. Full episode: 27 min.To listen to the full episode sign up for our Patreon, which not only supports the pod, but the whole Screen Slate operation including paying writers, maintaining our listings platform, and the daily email.Support the show

Our friend Owen Kline visits Screen Slate HQ to talk about his feature directorial debut Funny Pages, about a teenage cartoonist who strikes up a demented friendship with a former low-level comic artist. Plus we call up Adam Resnick (Late Night with David Letterman, Get a Life, Cabin Boy) to shoot the shit and talk about an awkward adolescent father-son filmgoing experience.Funny Pages trailerWill Not Attend: Lively Stories of Detachment and Isolation by Adam ResnickHosted by Jon Dieringer, Caroline Golum, and John Klacsmann with audio engineer C. Spencer Yeh.The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts, event invitations, and more.Support the show

Hosts: Jon Dieringer (Screen Slate EIC), Caroline Golum (filmmaker/writer), John Klacsmann (film archivist), Maxwell Paparella (Screen Slate managing editor).Jon reports from the Cannes film festival, covering highlights including Charlotte Wells's Aftersun, Owen Kline's Funny Pages, and hanging out on (allegedly) the world's 34th-to-36th-largest yacht. Caroline Golum reviews highlights of the first post-lockdown Nitrate Picture Show, including Detlef Sierck (aka Douglas Sirk)'s Final Chord, Ernst Lubitsch's Cluny Brown, and Marcel Carné's Daybreak, plus controversial thoughts about the culinary scene in Rochester, NY. And Maxwell Paparella shouts out BAMCinemaFest highlights including Tyler Taormina's nocturne Happer's Comet and Rita Baghdadi's Middle Eastern metal doc Sirens.For more, our Patreon-exclusive bonus episode contains an extended discussion of Crimes of the Future, Top Gun: Maverick and Jon speed-ranking everything else he saw at Cannes. Join to listen.The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts, event invitations, and more.Support the show

We talk to Prismatic Ground founder Inney Prakash about starting a new experimental/documentary film festival with no budget that pays filmmakers, actually programs from submissions, and is free and accessible to all worldwide. We also talk about how visiting the Criterion Closet changes you,  a New York niche celebrity performing lewd sexual acts on Succession, and more.Hosted by Screen Slate editor Jon Dieringer, film archivist John Klacsmann, and filmmaker Caroline Golum. Audio engineer C. Spencer Yeh.Prismatic GroundWhy I Started a Film Festival in 2021 by Inney PrakashThis episode of the Screen Slate podcast is co-presented with the German Film Office, an initiative of the Goethe-Institut and German Films.Support the show

For Patreon members | Full episode 20 min | We turn the mic on co-host John Klacsmann, who is on the bargaining committee of the Anthology Film Archives union, for updates on the workers' situation. We talk about how people can support Anthology staff by continuing to attend screenings there and let their support for a fair contract be known to the AFA board and management. Plus: JD runs into a millennial politician from our dating episode, and Caroline Golum on Mets commentators' film criticism. Anthology Film Archives UnionTwitter: @AFAworkersInstagram: @afaunion Film Forum Unionfilmforumunion.orgTwitter: @FilmForumUnion Instagram: @filmforumunionFilm at Lincoln Center Unionflcunion.orgTwitter: @flcunionInstagram: @flcunionBAMunionbamunion.orgTwitter: @BAM_unionInstagram: @bamunionBecome a Patreon member to listen to the full episode.Support the show

THE CATEGORY IS... GANGSTER'S PARADISE! Caroline Golum (writer! filmmaker! microcinema queen!) joins Michael and Shelley to talk about her Stealth Sex Symbol... Bob Hoskins in THE LONG GOOD FRIDAY (1980). Download wherever you get your pods!Also, help Caroline make a film! https://fundraising.fracturedatlas.org/revelations-of-divine-love/campaigns/3945 Support this show http://supporter.acast.com/everyone-is-hot. Hosted on Acast. See acast.com/privacy for more information.

Michael and Shelley celebrate the previous year in cinema, with the help of former guests Veda Kumarjiguda, Kyle Turner, and Rebecca Robles, as well as upcoming guests Lindsay Blair Goeldner and Caroline Golum! Which film will win Horniest Picture? And what was the most attractive performance of the year? Tune in to find out! Support this show http://supporter.acast.com/everyone-is-hot. Hosted on Acast. See acast.com/privacy for more information.

Scholar, curator, artist, and Batman expert Ayanna Dozier, Ph.D., joins us to talk about the Caped Crusader and queer comic history. We chat about volcel Batman in The Batman, Prince and Kim Basinger fucking on tape during the '89 soundtrack recording sessions, Andy Warhol and Jack Smith's Batman, and more. This podcast began with a discussion of museum labor in part one.Hosted by fellow Batman scholars Jon Dieringer, film archivist John Klacsmann, and filmmaker/writer Caroline Golum.This episode of the Screen Slate podcast is co-presented with the German Film Office, an initiative of the Goethe-Institut and German Films.Support the show (https://www.patreon.com/screenslate)

Scholar, curator, and artist Ayanna Dozier, Ph.D., joins us for a two-part episode that begins with a discussion about front-of-house museum work prompted by the recent attack at the MoMA Film Desk. What does cultural labor really entail? What protections do workers have? How do architecture, outsourcing, and management trends shape museum workplace culture?This podcast was originally planned as a discussion of Batman and queer comic book history, which continues in part two.Hosted by Screen Slate editor Jon Dieringer, film archivist John Klacsmann, and filmmaker/writer Caroline Golum.This episode of the Screen Slate podcast is co-presented with the German Film Office, an initiative of the Goethe-Institut and German Films.Correction: one of the MoMA assault victims was previously misgendered in this podcast. We sincerely apologize for this error and have edited two places where it occurred.Support the show

This week we are joined by filmmaker and old friend of Andrew's, Caroline Golum, to talk about the valley's most enduring bookstore, The Iliad! Below is a link to Caroline's fundraiser for her new film!  https://fundraising.fracturedatlas.org/revelations-of-divine-love/campaigns/3945    

Hosted by Jon Dieringer, Caroline Golum, John Klacsmann, and audio engineer C. Spencer YehAnthology Film Archivist John Klacsmann's multi-year quest to retrieve Jonas Mekas's files from the FBI vault bears fruit. We also call up programmer Inney Prakash for a scene report from the Berlinale and hear about new movies from Claire Denis, Bertrand Bonello, Joana Pimenta & Adirley Queirós, and Tyler Taormina. Plus: a karaoke recap, Moonfall, Golum on pre-code, and more.This episode of the Screen Slate podcast is co-presented with the German Film Office, an initiative of the Goethe-Institut and German Films.Support the show (https://www.patreon.com/screenslate)

Subscribe to our Patreon for all bonus episodes: www.patreon.com/screenslate ━━━ Guest: Cristina Cacioppo with Jon Dieringer, Caroline Golum, John Klacsmann, and engineer C. Spencer Yeh. Full runtime 22 min. ━━━ Introducing the hot take hotline. We discuss PA stories and fanfic. A caller disses Memoria. Deepfake Werner Herzog leaves a message.  Jon briefly convinces everyone Eadweard Muybridge f*cked the horse.Support the show

Special guest: Cristina Cacioppo. Call-in guest: Alex Ross Perry. Hosted by Jon Dieringer, John Klacsmann, and Caroline Golum.Our friend Cristina Cacioppo joins us to talk about her programming career, from Ocularis microcinema to 92YTribeca to Alamo Drafthouse and now Nitehawk Cinema. We get into the late-aughts/early-tens NYC film scene before calling up filmmaker Alex Ross Perry to discuss his memories of Peter Bogdanovich. Then Cristina talks about how programming has changed post-Covid reopening, and adapting her Screen Slate column The Outskirts into a new series at Nitehawk Cinema.To access bonus content support us at www.patreon.com/screenslateSponsored by the German Film Office. Subscribe to their newsletter.Support the show (https://www.patreon.com/screenslate)

Subscribe to our Patreon for all episodes: www.patreon.com/screenslate // Episode 0.5: Chakiris Pizza. Full runtime: 61 min. Featuring Jon Dieringer, Caroline Golum, John Klacsmann, and engineer C. Spencer Yeh.  The San Fernando's own Caroline Golum on Licorice Pizza's verisimilitude, meeting PTA & Maya Rudolph on the beach, and whether Encino Man is a better Valley movie. Screen Slate editor Jon Dieringer comes clean about his family's once-proud, now shameful history with the West Side Story legacy. Film archivist John Klacsmann explains 70mm projection and why Licorice Pizza is a terrible film title. C. Spencer Yeh reads the Alamo Drafthouse menu.Support the show (https://www.patreon.com/screenslate)

Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. At some point last year I learned that Caroline Golum -- a critic whom I read on Screen Slate -- was planning to make a movie about a medieval mystic. For this episode, Caroline joins us to talk about movies set in olden times and how they envision the past. Two recent titles came to mind: The Last Duel, which is based on a true story from medieval France, and The Green Knight, which is inspired by a 14th-century chivalric romance. Our conversation led to storytelling set in other time periods, including the nautical fiction of Master and Commander and Guillermo del Toro's recent remake of Nightmare Alley. Stay tuned to the end when Caroline shares selections from her Budget Middle Ages viewing list. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

We welcome Kevin Maher and Caroline Golum for a deep dive into the work of Orson Welles from the final years of his remarkable life. Follow Caroline Golum: https://twitter.com/carolineavenue Follow Caroline Golum on Vimeo: https://vimeo.com/user2457994 Kevin Maher's Official Site: https://lovekevin.com/ Subscribe to Atomic Abe Productions:  https://www.atomicabe.com/ Follow Kevin Maher: https://twitter.com/KevinGeeksOut  Follow James Hancock: https://twitter.com/WrongReel

Up to his elbow in a cow’s vagina, farmer John Connell takes a journey in his new memoir, “The Farmer’s Son.” Connell joins us to talk about returning to his family’s farm in Ireland for a calving season. And then, resident houseplant enthusiast Caroline Golum talks plant care, the fungus among us, and propagation stations.

Filmmaker Caroline Golum (A Feast Of Man) talks about accidentally deleting key footage from her film, panic attacks, Judaism, and Batman. FIND CAROLINE:https://twitter.com/carolineavenueSUPPORT THE PODCAST:https://www.patreon.com/selfworst

On today's show, NYC film critics, Caroline Golum and Matt Prigge, of Blue Velvet fame make their glorious return to Flixwise. In their previous appearance they discussed David Lynch's 1986 neo-noir, and so we thought it would be appropriate to stick with the freshman dorm-room milieu and talk about the other 69th film on the Sight and Sound Critics' poll, Ridley Scott's Blade Runner (1982). They join host, Lady P (as well as Lady P's new school chum and fellow adventurer in grad school, Lilly Holman) in pondering the various philosophical elements of Scott's cinematic universe, and admiring the seamless fusion of several disparate genre film styles into the production design. From there, the panel starts making baseless predictions about the quality of the forthcoming Blade Runner sequel: Blade Runner 2049, which then leads to a discussion about the greatest sequels of all time. Lilly makes a stand for the Toy Story franchise as being the greatest of all time due to it's narrative coherence. Whereas Matt and Caroline mount a case for why "renegade sequels" aka sequels where the filmmakers make drastic divergences from the style or themes of the original work are the ones most worth watching.

Indie Beat - Caroline Golum by The Playlist --- Send in a voice message: https://anchor.fm/theplaylist/message

This week we head back to the early '90s with filmmaker Caroline Golum to find out why White Men Can't Jump.  Join us as we talk about the film's surprisingly downbeat ending, Caroline's experiences growing up in LA in the '90s, the era of peak "yo momma" jokes, Rosie Perez: Jeopardy Champion and much more.  Follow Caroline on Twitter and check out her film writing on Screen Slate.  Like Movies My Friends Have Never Seen on Facebook and follow us on Twitter. You can also get the show on iTunes and Stitcher. Or paste the RSS feed into the preferred podcast player of your choice to get new episodes when they're released.

In this episode, director Caroline Golum and Alamo Drafthouse creative manager Cristina Cacioppo join me to discuss the 1986 film, Max Mon Amour, Nagisa Oshima's tale of a woman who takes a chimp named Max to be her lover.Discussed links in podcast: PAWS NY Alisa Berk - The woman who played Max

It's the rootinest tootinest hoedown in the west! Filmmaker and friend of the show, Caroline Golum, is on hand to tell us why she thinks Nicholas Ray's JOHNNY GUITAR should be included in the Flixwise Favorites List. She's gotta convince her fellow panelists, Lady P and Anne Marie Kelly, that Joan Crawford's turn as a reluctant gunslinger is more than just campy fodder for the midnight movie crowd. JOHNNY GUITAR wasn't a great commercial or critical success upon its release, but the years have been kind to Nicholas Ray's alternative cowperson picture. Much has been written and said about its queer subtext and overt feminist themes. Our panel tackles these subjects and they deliberate over whether JOHNNY GUITAR is worthy of entry into the great movie canon.

Hated by most critics upon its 1999 release, The Woman Chaser is a lost gem, available only on VHS or bootleg. Patrick Warburton (Seinfeld, The Tick) is a car salesman craving artistic release as an independent filmmaker in this neo-noir that walks the line between comedy and tragedy. The film hits every mark on the misogynist checklist in its path to illustrate masculine discontent. Despite its many wrong turns, Kseniya and Eleanor were mostly charmed by the unusual tale of a cinema-loving lug and were intrigued by our guest Caroline Golum's surprising personal connection to the film. Viewing it as a child on late night television, free of feminist judgment, this tale of a man chasing a cinematic dream provided an erotic charge for young Caroline and  artistic inspiration for her future filmmaking and film programming.---Live Show Alert! Bonnie & Maude Presents: You Are Hair -- an evening of edutainment on the subject of women's hair in television, film, and pop culture. 8PM / March 11, 2014 / Littlefield in Brooklyn, NYMore info here---Leave us a voicemail with your suggestions and thoughts: 530-628-3379---Closing music: "Bacoa" by Les Baxter