Podcast appearances and mentions of Bertrand Bonello

On this episode of What a Picture, Bryan is joined by Stephen Gillespie of the STACKS podcast to talk through the best of international films of the past year.Timestamps:00:00 - Where to find good international films08:33 - Broken Rage (dir. Takeshi Kitano)14:05 - Inside the Yellow Cocoon Shell (dir. Phạm Thiên Ân)18:17 - The Seed of the Sacred Fig (dir. Mohammed Rasoulof)23:55 - Cloud (dir. Kiyoshi Kurosawa)27:37 - Daaaaaalí! (dir. Quentin Dupieux)30:04 - All We Imagine As Light (dir. Payal Kapadia)36:15 - Youth (Spring) (dir. Wang Bing)43:07 - Johanne Sacreblu (dir. Camila Aurora González)47:30 - Caught by the Tides (dir. Jia Zhangke)52:22 - Dahomey (dir. Mati Diop)1:01:35 - The Beast (dir. Bertrand Bonello)1:11:35 - No Other Land (dir. Rachel Szor, Hamdan Ballal, Yuval Abraham, Basel Adra)1:18:00 - Red Rooms (dir. Pascal Plante)1:24:53 - About Dry Grasses (dir. Nuri Bilge Ceylan)1:32:14 - Soundtrack to a Coup d'Etat (dir. Johan Grimonprez)1:39:20 - Universal Language (dir. Matthew Rankin)1:49:11 - Grand Tour (dir. Miguel Gomes)2:00:55 - Honorable Mentions2:10:56 - What we are excited for next yearThe STACKS podcast: ⁠https://open.spotify.com/show/0mQaf7o2bTBGthV6eur2Zt?si=15ceffe35f10488e⁠I'm Thinking of Spoiling Things Podcast: ⁠⁠https://open.spotify.com/show/3Cy7OcwcfnZSsVCCPXcIav?si=8592987bbe4642ef⁠⁠Email us at podcast@whatapicturepod.comWhat a Picture website: ⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠Bryan's Social Media: ⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LetterboxdMusic is "Phaser" by Static in Verona.

Bertrand Bonello alterne entre musique et cinéma, à la fois réalisateur, compositeur, mais aussi acteur et scénariste. Dʹabord musicien, le cinéaste français se plaît à rappeler quʹil a appris à lire les notes avant les lettres, commençant le piano dès lʹâge de 4 ans. A lʹinstar dʹun Chaplin ou dʹun John Carpenter, il compose lui-même les musiques de ses films. Projection de son film " La Bête " et rencontre avec le réalisateur demain, vendredi 14 mars à 18h30 au Casino de Montbenon – Lausanne. Bertrand Bonello est lʹinvité de Pierre Philippe Cadert

It's the UConn Popcast, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It's the UConn Popcast, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

It's the UConn Popcast, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

It's the UConn Popcast, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Comme tout le monde, la mort de Lynch en ce sordide mois de janvier, alors que brûlait Los Angeles, nous a bouleversés.Mais après avoir re-revu Twin Peaks, après avoir lu plusieurs fois d'affilée l'hommage de Kyle Maclachlan à son ami, après avoir partagé comme tout le monde pléthore d'articles et d'images, et après avoir jalousé une dernière fois les cheveux du bonhomme, nous nous somme dits que nous aussi on pouvait faire quelque chose.En plus de cinq ans, pas mal d'invité•es os sont venus nous raconter leur Lynch (on a tous un Lynch intime et des raisons différentes de l'aimer). On a donc décidé d'entrelacer ces témoignages pour dresser le portrait de cet invité rêvé. Nous remercions nos invités Caroline Champetier, Bertrand Bonello, Helio Pu, Matthieu Macheret, Para One, Pacôme Thiellement, Elodie Imbeau et Rodolphe Cobetto Caravannes pour leurs hommages habités ! L'épisode est dispo au lien en bio et sur toutes les plateformes. Et n'oubliez pas, everyday once a day, give yourself a present ☕️ Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt Extraits Twin Peaks : The red room ambiance - Twin Peaks Sounds - YouTube Angelo Badalamenti explains how he wrote Laura Palmer's Theme - YouTube Twin Peaks © 1990 Lynch/Frost Productions, distribuée par CBS Television Distribution. Tous droits réservés. Twin Peaks: The Return © 2017 Showtime Networks Inc., Lynch/Frost Productions et Rancho Rosa Partnership. Tous droits réservés. Lynch, D. (Réalisateur). (2006). Inland Empire [Film]. Absurda, StudioCanal. Sinnerman © 1965 Philips Records. Interprété par Nina Simone. Tous droits réservés aux ayants droit. I've Told Every Little Star © 1961 Canadian-American Records. Linda Scott Tous droits réservés aux ayants droit.

Le cinéma, c'est toujours une question de point de vue. Pour The Brutalist, Brady Corbet annonce d'emblée qu'il voit grand. La toute première image de son film est un logo oublié. Celui de la VistaVision, un format de prises de vues plus grand que le Cinémascope, élargissant l'image en faisant circuler la pellicule horizontalement. Il est né au milieu des années 50. Pas très loin de la période d'un récit suivant la reconstruction mentale d'un architecte hongrois ayant fui l'Europe nazie pour s'essayer au rêve américain. Le rêve de Corbet, acteur croisé chez Haneke, Lars Von Trier ou Bertrand Bonello, est de renouer avec le cinéma hollywoodien pour raconter, plus qu'un nouveau départ, la seconde naissance de l'Amérique, celle du capitalisme dévorant. Ce sera au travers du chantier colossal d'une mini-cité commandée à l'émigré par un richissime industriel. Plus les murs s'érigent, plus la relation entre les deux hommes se fissure, le mécène se dévoilant à la tête d'un clan familial de prédateurs. Corbet construit autour d'eux une œuvre somme, sorte de roman national américain comme il n'y en avait pas eu depuis There Will Be Blood ou le Coppola du Parrain 2. D'autant plus impressionnant que réalisé avec un budget minime, The Brutalist renoue avec le souffle épique de ces grandes fresques opératiques comme leur capacité à scruter la face sombre de la civilisation moderne.À leur manière, les belges de Strip-tease intégral font eux aussi dans la dissection de la société. Au cœur des années 80, cette émission avait transformé les codes du documentaire télé, par de saisissants portraits de spécimens humains. Pour fêter ses quarante ans, la revoilà au cinéma avec un film compilation de cinq reportages, passant les mœurs des années 2000 à la loupe. Immersion chez des influenceuses à Dubaï, une singulière famille d'écolos, un hypo-hypercondriaque ou une stand-uppeuse amatrice, Strip-tease intégral joue plus que jamais d'un effet miroir quand le point commun à ses segments est la résurgence de l'apparence et du narcissisme. Toujours sur le même modèle d'un filmage sans commentaire, cette collection d'ego-trips s'en permet pourtant un via un fil rouge menant à une estomaquante dernière partie, affirmant que l'exhibitionnisme somatique généralisé touche désormais littéralement jusque dans nos chairs. À la télé, Strip-tease intégral avait pour slogan, "l'émission qui vous déshabille". Au cinéma, elle vient de rhabiller le regard documentaire par un mélange de sidération et de compassion, sur l'ordinaire de l'époque, entre vanités et quête de reconnaissance.The Brutalist, Strip-tease intégral. En salles le 12 février.

Hoy recuperamos a Paul Naschy, una figura fundamental del cine fantástico, gracias a la película Call me Paul, dirigida por Víctor Matellano. Hablamos con él, con el actor Jack Taylor y su hijo, el productor Sergio Molina. Antes, el Top cinco de disrupciones fílmicas de 2024 que nos trae Elisa McCausland: La bestia de Bertrand Bonello, tThe Sweet East de Sean Price Williams o La zona de interés de Jonathan Glazer, entre otras.Escuchar audio

For better or worse, Bertrand Bonello's The Beast is one of the most memorable movies of 2024. A discombobulating sci-fi trip through time that stars Lea Seydoux and George Mackay, it explodes the kernel of loneliness at the center of Henry James' 1903 novella - The Beast in the Jungle - into something much more...perplexing.

M7 by Yves Saint Laurent (2003) + Bertrand Bonello's L'Apollonide: Souvenirs de la maison close (2011), Saint Laurent (2014), and Nocturama (2016) with Casey 12/22/24 S6E94 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Bertrand Bonello è quel regista francese così radicale da far discutere due persone terra terra come Marco e Matteo di massimi sistemi. Oggi abbiamo provato a sondare quell'ansia esistenziale che innerva tutto il suo cinema, e ne siamo usciti felicemente confusi e sospettosi. Partecipanti: Matteo Arcamone Marco Grifò Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo Per la gestione dei canali social si ringrazia: Selene Grifò

Parliamo di Blitz di Steve McQueen (Apple Tv+) e The Beast di Bertrand Bonello. Per lo spazio della serialità con Alessandro Vergari vi raccontiamo Maquina (Disney+). Stanze di Cinema è la trasmissione di Ciao Como Radio dedicata a cinema, cultura e spettacoli. A cura di Marco Albanese, Carlo Cairoli e Daniele Valsecchi.

We review The Beast (2023) on The Atomic Cinema Experiment. This is a sci fi movie podcast. The Beast s directed by Bertrand Bonello and stars Léa Seydoux, George MacKay patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co

Ep. 277: Shonni Enelow on Acting: We're All Going to the World's Fair, Mid-to-Late Rohmer, The Beast Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm happy to welcome back scholar Shonni Enelow for another thoughtful chat about acting and performance, and how they reflect or respond to changing times. Enelow, a professor at Fordham University who just published a new book on Joanna Hogg, writes an acting column at Reverse Shot. We talk about realism in 21st-century acting and direct address through her first column's subject, We're All Going to the World's Fair, as well as I Saw the TV Glow, both directed by Jane Schoenbrun. Then we discuss the distinctive performances and styles of self-presentation in Bertrand Bonello's The Beast and two mid-to-late films of Eric Rohmer. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Alors que vous avez pu récemment découvrir son film Nikki avec Charlotte Le Bon, je vous propose de (re)plonger dans le parcours de l'actrice et réalisatrice Céline Sallette. De petite fille bordelaise issue d'un milieu modeste à figure phare du cinéma indépendant, elle a su faire de sa passion son mode de vie à force de détermination et de résilience, jusqu'à jouer avec les plus grands : Sofia Coppola, Jacques Audiard, Costa-Gavras ou encore Bertrand Bonello. 

Suchsland, Rüdiger www.deutschlandfunk.de, Kultur heute

Bertrand Bonello, ein französischer Filmemacher und Komponist, schickt Léa Seydoux in den Kampf gegen das Biest – «La bête» – eines klassischen amerikanischen Autors. Und ein deutscher Musikjournalist analysiert vierzig Jahre französischen Pop: Text kommt vor Musik, Lebenslust vor Schwermut. Der Franzose Bertrand Bonello ist ein experimentierfreudiger Komponist und Filmemacher. «La bête» – das Biest – heisst sein jüngstes Leinwandopus mit Léa Seydoux. Nach seiner Premiere am Filmfestival von Venedig kommt «La bête» jetzt ins Kino. Im raffiniertem Genremix steht «Das Biest» für die lähmende Angst vor der Liebe. André Bosse aus Deutschland verfällt 1987 dem Franko-Pop dank «Voyage Voyage». in seinem gleichnamigen Buch reist der Musikjournalist und Autor quer durch die französische Musikwelt: Von Pop über Chansons und Punk bis hin zu Hip-Hop und Folk; von den 1960er Jahren bis heute. Weitere Themen: - Eine epochale Léa Seydoux in «La bête» von Bertrand Bonello - Voyage, Voyage: Eine Reise durch die französische Popmusik

On this episode, JD and Brendan discuss Bertrand Bonello's latest film THE BEAST, starring Léa Seydoux and George MacKay! Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF24 Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Calu (o sea Santiago Calori) y Flor (aka Fio Sargenti) vieron La Bestia (La Bête, 2023) de Bertrand Bonello, una de ciencia ficción-drama-romance-época-cosas. También hablan un poco sobre todo este tema del cine y las plataformas ahora que los CEOs están hablando de hacer un "Spotify de Hollywood", Billy Zane pide un bono por trauma emocional, hay novedades sobre la casa de Marilyn y otros temas de absoluta importancia y urgencia. Si tenés ganas y podés -> hoytrasnoche.com. Gracias, sos un amor.

On this Quckie Review Lindsay is joined by critic Nadine Whitney. As they talk about Bertrand Bonello's latest movie The Beast starring Lea Seydoux and George MacKay. Out in theatres at the moment. Well, we review the movie, and then it descends into chaos. Listen to Schlock & Awe on your favourite Podcast App

George Mackay is one of the most interesting young actors from these shores and a firm CineSkinny favourite. We were massive fans of Mackay's recent film, Femme, from last year, and barely an episode goes by on the pod without us mentioning the wonderful Pride. Back in March, we sat down with Mackay while he was visiting Glasgow Film Festival for the UK premiere of The Beast, a heady sci-fi romance spread across three timelines. We chat to him about The Beast, AI, his favourite film roles and having to act in French opposite Léa Seydoux. Have a listen! TIMESTAMPS: Introduction (0:05) How Mackay chooses his roles (1:58) How he got the part of Louis in The Beast (4:55) Working with writer-director Bertrand Bonello (9:15) What Mackay took away from the script (9:58) Learning French for the role (15:05) Working with Léa Seydoux (18:38) The rise of AI (20:30) His favourite of his own films (24:00) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded on location at Glasgow Film Festival Music: Too Cool by Kevin MacLeod  (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license  

To coincide with the release of his latest film The Beast (starring Léa Seydoux and George Mackay), writer/director Bertrand Bonello came on the podcast to talk about AI and technology, acting, connection, memory, music and perplexing cinema. It was an honour for Neil to talk filmmaking and cinema - taking in Eyes Wide Shut, David Lynch and Sunrise - for the podcast, as Neil and Dario are big admirers of Bonello's work and it's a privilege to have one of the world's most interesting contemporary filmmakers on the show. Highlights from the Episode: Perplexing Cinema: Bonello discusses his preference for films that engage viewers in active thought, asking questions rather than providing answers. Casting Insights: Learn about the challenges and triumphs of casting George McKay and the enigmatic Lea Seydoux, whose performances bring profound depth to the film. AI and Memory: The film's exploration of AI delves into the subjective nature of human memory and emotion, highlighting the inherent limitations of technology in capturing the human experience. Music as Narrative: Bonello's meticulous selection of music is more than an illustration—it's a narrative tool that enhances character and story. Cinematic Time: Discover how Bonello plays with time in his films, creating a fluid and immersive experience for the audience. The Beast is released by Vertigo Releasing on Friday May 31st in UK cinemas and marks the filmmaker's boldest and most cinematically adventurous film to date. It's one of the films of 2024 and The Cinematologists is proud to have welcomed Bertrand on the show to promote the film's release. Huge thanks to the publicist Chris Lawrance for making this conversation happen. — You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. — Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

We wrap up our dive into the world of Ralph Bakshi with the Kim Basinger bad-girl vehicle, "Cool World." We also tackle the new films "Humane," the decidedly not horny "Challengers," and Bertrand Bonello's "The Beast."    Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

As crowds gather in France and it seems like there have been blessedly few notable headlines (as of recording this episode, anyways) we discuss the opening press conference of Cannes and Meryl Streep's honorary Palme presentation. We also catch up on a good bit of news from Venice and others, and have a nice chat about Kevin Costner's Deadline interview. And to top it all off, Bertrand Bonello's COMA is getting something of a theatrical rollout in America on the heels of THE BEAST, and we've been able to take a look at his pandemic era look at teenage girlhood. We hope Patricia Coma recommends this episode, seems like it would be good for traffic. Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber

One of the things that makes life the adventure it is involves facing the various challenges that it poses. Which is convenient for us here at Movies 101 because the very concept of challenges is this week's theme. In this episode, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two films that involve that very theme. The first is “Challengers,” director Luca Guadagnino's look at a three-way relationship among tennis players. The second is a challenge to our very senses, director Bertrand Bonello's head-scratching study “The Beast.”

Liberated from the arthouse cliches of cinema, Bertrand Bonello is a rare kind of director. Our host Hugo Emmerzael spoke with Bertrand about his daring approach to filmmaking, and why his films focus on translating our collective social anxieties. Find out how influences from Lynch to Jarmusch all unconsciously seep into this French director's work, as well as what it's like working with Lea Seydoux and her unique acting approach for his latest film The Beast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lab111/message

C'est parti pour les critiques en vrac des films vus en mars et avril 2024 dans 24FPS, le podcast ciné avec ou sans spoiler ! Cette fois, Jérôme et Julien abordent sans spoiler : Ferrari de Michael Mann (à partir de 0:01:59) L'Empire de Bruno Dumont (à partir de 0:13:39) Love Lies Bleeding de Rose Glass (à partir de 0:23:02) Spaceman de Johan Renck (à partir de 0:29:07) Une Vie de James Hawes (à partir de 0:34:53) Road House de Doug Liman (à partir de 0:39:27) Saints And Sinners de Robert Lorenz (à partir de 0:53:39) La Malédiction - L'Origine d'Arkasha Stevenson (à partir de 1:02:13) Black Flies (Asphalt City) de Jean-Stéphane Sauvaire (à partir de 1:10:39) Le Salaire De La Peur de Julien Leclercq (à partir de 1:18:08) La Bête de Bertrand Bonello (à partir de 1:31:07) Rosalie de Stéphanie Di Giusto (à partir de 1:44:31) Arcadian de Benjamin Brewer (à partir de 1:51:00) Godzilla x Kong - Le Nouvel Empire d'Adam Wingard (à partir de 1:58:28) Challengers de Lucas Guadagnino (à partir de 2:09:14) SOS Fantômes - La Menace De Glace de Gil Kenan (à partir de 2:17:42) Late Night With The Devil de Colin & Cameron Cairnes (à partir de 2:31:00) Monkey Man de Dev Patel (à partir de 2:51:28) La Zone d'Intérêt de Jonathan Glazer (à partir de 3:05:43) Bonne écoute, et n'hésitez pas à partager votre avis sur La Zone d'Intérêt qui joue avec vos sens pour mieux vous perturber. Crédits musicaux : I Was Made For Loving You de Kiss, issu de l'album Dynasty (1979), et The Zone Of Interest - Closing Credits de Mica Levi (2023) 24FPS est un podcast du label PodShows

Ep. 239: Bertrand Bonello on The Beast, Experimenting with AI, Crafting Melodrama, Reading Henry James, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Bertrand Bonello's latest film The Beast has been melting minds with its time-skipping saga of star-crossed lovers and strangers played by Léa Seydoux and George Mackay. Inspired by a Henry James story, The Beast spans three different time periods and pairings: a married woman and a suitor in the 1910s (Belle Époque), an actress and a madman in 2010's California, and a woman facing a fateful choice in a not-too-distant future where artificial intelligence promises to remove individual trauma. I chatted with the restless French auteur (Nocturama, Saint Laurent) about the struggle for connection across these stories, being tempted by AI, directing Mackay and Seydoux, and more. The Beast is in theaters now, and Bonello's previous feature, Coma, will have its first U.S. theatrical run on May 17. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In this episode of Girls On Film, Anna Smith talks about the recent Cinema for Gaza auction with two of the women behind the initiative, Helen Simmons and Julia Jackman, and she reviews some imminent releases with film critic Rhianna Dhillon and film journalist and programmer Cici Peng. First up Anna speaks with Rhianna Dhillon about Italian box-office hit C'è ancora domani or There's Still Tomorrow. They discuss the representation of domestic violence in this neorealist-style debut from Paola Cortellesi, and pick up on the film's surprisingly hopeful feel. Next up they discuss The Fall Guy, starring Ryan Gosling as a stunt-double and Emily Blunt as a blockbuster director, which is out in UK cinemas on 2 May 2024. A recent auction raised over £260,000 for Medical Aid for Palestinians or MAP, a charity currently working in Gaza to provide immediate medical aid to those in great need. The auction was an initiative led by film critics Hanna Flint, Leila Latif, and Sophie Monks Kaufman who teamed up with publicist Hannah Farr, and filmmakers Julia Jackman and Helen Simmons. Anna talks with Helen and Julia about the initiative, who also share some insights into the highest-earning lots, which included Annie Lennox's handwritten lyrics to 1983 hit Sweet Dreams (Are Made Of This). Finally, Anna is joined by film journalist and programmer Cici Peng, who shares her thoughts on Rose Glass' Love Lies Bleeding, and Léa Seydoux's performance in the upcoming film The Beast. Cici also speaks about her recent archival work to create a programme of hidden gems at Queer East Festival, which showcases queer cinema from East and Southeast Asia and its diaspora. Films mentioned in this episode: There's Still Tomorrow / C'è ancora domani (Paola Cortellesi, 2024) The Fall Guy (David Leitch, 2024) Jungle Cruise (Jaume Collet-Serral, 2021) The Devil Wears Prada (David Frankel, 2006) Ordinary Angels (Jon Gunn, 2024) Hoard (Luna Carmoon, 2024) Abigail (Matt Bettinelli-Olpin, 2024) Bonus Track (Julia Jackman, 2024) Love Lies Bleeding (Rose Glass, 2024) The Beast / La bête (Bertrand Bonello, 2024) The River / He liu (Tsai Ming-liang, 1997) Bye Bye Love / Baibai rabu (Isao Fujisawa, 1974) You can buy Cinema for Gaza merchandise until 7 May 2024 via the links below: https://www.weareprintsocial.com/campaigns/cinema-for-gaza-2 https://www.weareprintsocial.com/campaigns/cinema-for-gaza Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Audio editor: Elliana Jay Hamer House band: MX Tyrants © HLA Agency

Greetings Programs!  This week on the show, we're diving into a heady French Science Fiction film, La Bete (The Beast), starring Lea Seydoux and George MacKay, which will be in Canadian cinemas this week.  Then we move on to the latest entry in the legendary Monsterverse, Godzilla x Kong: The New Empire.    We have a lot to say about each of them, so let's dive in!  Join us!BONUS CONTENT:     This week's bonus discussion explores some interesting topics, including a formative animated film from Matthew's childhood and some movies that were big swings and misses that we still appreciate. We hope you like it! Remember, all paid Patreon supporters get access to the bonus show, and support starts at just $2 CAD per month. Link: https://www.patreon.com/posts/april-14-15-big-102438452SUPPORT:             Patreon    Ko-Fi EPISODE HOMEPAGE:     Find JustWatch-powered links to everywhere you can buy, rent, or stream these movies digitally at this episode's homepage.  The links update as availability updates, so be sure to bookmark the page and come back later if they're not yet available in your area. Link: https://awesomefriday.ca/2024/04/podcast-the-beast-godzilla-x-kong-the-new-empire/CONNECT WITH US:        Awesome Friday: https://awesomefriday.ca        Matthew: https://stretched.ca/ Simon: https://temporarypen.com/ SHOW LINKS: Apple: https://podcasts.apple.com/ca/podcast/awesome-friday/id480100293 Spotify: https://open.spotify.com/show/4kwPQGeBvVFVtewkCbrbA9 Amazon: https://music.amazon.com/podcasts/18daf305-2c59-4718-bd5c-0dc393173353 Deezer: https://www.deezer.com/en/show/2775782 Goodpods: https://goodpods.app.link/ulvugeHonjb IHeartRadio: https://www.iheart.com/podcast/85390621/ Overcast: https://overcast.fm/itunes480100293/the-awesome-friday-movie-podcast Meanwhile, relax and enjoy your flight. 

Another seven movies on the docket for Erik Childress and Steve Prokopy and a lot of variations on horror. Not so much with the third film from director Goran Stolevski that Steve suggests a look at (Housekeeping for Beginners). But Larry Fessenden crafts a werewolf metaphor for America (Blackout), there is a new giant spider film (Sting), Nicolas Cage's sons, at least, fighting hairy snapping creatures (Arcadian) for a few minutes plus Lea Seydoux on the lookout from unimaginable dread for over a century (The Beast) and a new Woody Allen film (Coup de Chance). But the biggest discussion lies with the new film from Alex Garland whose title wants to say it all (Civil War). 0:00 - Intro 1:18 – Housekeeping for Beginners 9:47 – Blackout 22:21 – Coup de Chance 30:27 – Sting 41:34 – Arcadian 50:13 – The Beast 1:03:15 – Civil War 1:23:03 - Outro

durée : 01:00:48 - Club Jazzafip - À l'occasion de la la sortie de son film de science-fiction "La Bête", on donne les rênes notre programmation au cinéaste, réalisateur, scénariste et compositeur.

SIGN UP FOR REGAL UNLIMITED W/ PROMO CODE - REGALNBP24 - https://regmovies.onelink.me/4207629222/q4j9urzs "The Beast" had its world premiere at the 80th annual Venice International Film Festival, where it received positive reviews and went on to screen at TIFF and NYFFF. A French, Canadian production with multiple time periods loosely based on Henry James's 1903 novella "The Beast in the Jungle," the deeply philosophical film stars Léa Seydoux, George MacKay, Guslagie Malanda & Dasha Nekrasova. Director and writer Bertrand Bonello was kind enough to spend some time talking with us about his experience making the film, which you can listen to or read below. Please be sure to check out the film, which is now playing in theaters from Sideshow and Janus Films in the U.S. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Last fall, Bertrand Bonello's latest, The Beast, was a thrilling highlight of both the festival circuit. The film is a loose, two-and-a-half-hour, time-and-space-jumping adaptation of Henry James's 1903 novella The Beast in the Jungle, in which a man refuses love, believing that he is destined for a catastrophe. In The Beast, a woman named Gabrielle (Léa Seydoux) is thwarted in her quest for romance with Louis (George MacKay) across three different historical periods by multiple catastrophes: in 1910, by the Great Flood of Paris; in 2014, by incel culture; and in 2024, by a world dominated by artificial intelligence in which people are purified of their traumatic memories. All this spells doom for love. It's an unpredictable and expansive film that brings together references from cinema, literature, art, and internet culture, into a movie that feels classical in its construction and, at the same time, extremely contemporary in its subject matter and narrative twists—a vision of what it feels like to be alive today. And boy, is it creepy! On today's Podcast, Film Comment Editor Devika Girish was joined by the director Bertrand Bonello to talk about the film, which arrives in theaters on Friday, April 5.

En medio de los recortes del nuevo gobierno de ultraderecha en Argentina, se estrena una fantástica comedia que reivindica la filosofía, la educación pública y la memoria. En este episodio analizamos 'Puan', nos entregamos a la pasión y el terror futurista de Bertrand Bonello en 'La bestia' y hacemos lista de algunas pelis nuevas en plataformas. Lo mismo con las series, hay estrenos interesantes que ya hemos visto.

Esta semana en De película nos acompañará el director Benjamín Naishta y los actores Leonardo Sbaraglia y Marcelo Subiotto. Con ellos conoceremos 'Puan', una cinta doblemente premiada en el último Festival de Cine San Sebastián. También nos acercamos a 'La Bestia'. En un futuro cercano, donde la inteligencia artificial reina, las emociones se han convertido en una amenaza. La bestia nos lleva a recorrer un viaje plagado de obstáculos que conoceremos gracias a su director, Bertrand Bonello. Viajaremos también a otro día y a otro año trágico de nuestra historia reciente. Los hermanos Jorge y Alberto Sánchez-Cabezudo, nos presentan 'Nos vemos en otra vida'. Esta miniserie de 6 capítulos nos transporta hasta aquel fatídico 11 de marzo de 2004 en el que Madrid fue golpeada por el terrorismo yiihadista. 20 años después de aquella tragedia nos adentramos en esta adaptación del libro de Manuel Jabois. Además, el director Emilio Martínez-Lázaro nos presentará 'Un hipster en la España vacía'. La cinta, adaptación del libro de Daniel Gascón, cuenta la historia de Quique, un político al que le encargan lidiar con la España vacía en un pueblo de Teruel. Y González-Sinde nos acerca a 'Las cosas sencillas'. La cinta cuenta la historia de Vincent, un famoso empresario de éxito, que gracias a una avería de su coche, paraliza su frenético ritmo de vida. Tendremos también nuestras secciones habituales con Elio Castro, Ana Vega Toscano y Pedro Calvo que celebran el 25 aniversario de la serie Los Soprano. Con nuestro compañero de RTVE, José Fernández, escucharemos la crítica de 'Milli Vanilli: Girl you know it' s true', la película sobre el mayor escándalo de la música pop.Escuchar audio

Semana de fiesta con estrenos adelantos y ni rastro de películas de Semana Santa en la cartelera. En su lugar llega 'Godzilla y Kong', la apuesta comercial que vuelve a traer a los famosos monstruos frente a una amenaza desconocida. Nosotros nos quedamos con 'La bestia', el fascinante melodrama distópico de Bertrand Bonello que nos habla del amor y del miedo. También os recomendamos la comedia filosófica argentina 'Puan' y tenemos varias opciones de cine en plataformas. En televisión, tranquis, ponemos orden entre tanta oferta con series que pueden merecer un maratón.

durée : 00:46:53 - Le masque et la plume - par : Rebecca Manzoni - Que pensent les critiques du Masque et la plume des derniers films de Quentin Dupieux (avec Gilles Lelouche, Anaïs Demoustier, Edouard Baer, Jonathan Cohen ou Pio Marmaï), de celui de Bertrand Bonello, d'Agnieszka Holland, de Reinaldo Marcus Green, ou de celui de Julien Hervé ? - réalisé par : Lilian ALLEAUME

Eyes in the movie world turn to Berlin as its annual film showcase opens with a typically exciting roster, including the new release from French director André Téchiné starring Isabelle Huppert and Hafsia Herzi. Film critic Lisa Nesselson also tells us about a suitably surreal take on the master painter himself: “Daaaaaali!” is Quentin Dupieux's interpretation of the artist's unique persona. Meanwhile, Bertrand Bonello's latest film "The Beast" blends sci-fi and romance in a time-travelling jaunt that takes the central couple, played by Léa Seydoux and George MacKay, through two centuries. And we check out "Bob Marley: One Love", as the final years of the reggae star's life are revisited in a new biopic.

durée : 00:58:25 - Plan large - par : Antoine Guillot - Aujourd'hui, nous recevons les cinéastes Bertrand Bonello pour "La Bête" et Milena Aboyan pour "Elaha", et aussi Charlotte Garson. - invités : Bertrand Bonello Cinéaste; Milena Aboyan cinéaste; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

durée : 00:58:25 - Plan large - par : Antoine Guillot - Aujourd'hui, nous recevons les cinéastes Bertrand Bonello pour "La Bête" et Milena Aboyan pour "Elaha", et aussi Charlotte Garson. - invités : Bertrand Bonello Cinéaste; Milena Aboyan cinéaste; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

Un esthète? C'est comme ça que l'on dit en effet. Formé à la musique, auteur de prestigieuses collaborations avec Daniel Darc ou Françoise Hardy, BERTRAND BONELLO s'est mué au fil du temps en un réalisateur de cinéma important. Avec « L'Apollonide » (2011) « Saint Laurent » (2014), et bientôt « La Bête » (février 2024), il a en effet imposé un style, enlevé et soucieux du beau. Dans cet épisode distingué, enregistré au légendaire Duc des Lombards, BERTRAND BONELLO raconte son amour inconsidéré des Clash et son obsession chemise blanche. Il dévoile aussi les coulisses de son travail sur le film "Saint Laurent", objet de toutes les attentions vestimentaires, même les plus étonnantes... Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The 61st New York Film Festival closed up shop last weekend, which means that it was once again time for Film Comment's Festival Report, our annual live overview of the NYFF that was. FC co-deputy editors Devika Girish and Clinton Krute convened an all-star team of critics—Molly Haskell, Adam Nayman, and Kelli Weston—for a spirited wrap-up discussion about the highlights and lowlights from the NYFF60 lineup. In front of a lively audience, the panel discuss and debate Todd Haynes's May December, Ryûsuke Hamaguchi's Evil Does Not Exist, Jonathan Glazer's The Zone of Interest, Bradley Cooper's Maestro, Bertrand Bonello's The Beast, Sofia Coppola's Priscilla, Thien An Pham's Inside the Yellow Cocoon Shell, Yorgos Lanthimos's Poor Things, and and many other noteworthy selections. Find all of our coverage of NYFF61 here: https://www.filmcomment.com/blog/category/festivals/nyff/nyff-2023/

Director Bertrand Bonello discusses the timelessness of Léa Seydoux, slashers, and The Beast, a Main Slate selection in this year's festival, with NYFF Artistic Director Dennis Lim. Using Henry James's haunting 1903 short story “The Beast in the Jungle” as his film's provocative inspiration, Bertrand Bonello (Nocturama, Coma) has created a dynamic and disturbing parable that jumps between three different time periods (1910, 2014, and 2044) and tells the story of a young woman (Léa Seydoux) who undergoes a surgical process to have her DNA—and therefore memories of all her past lives—removed. A Sideshow/Janus Films release.

We're reporting this week from one of the major film events of the fall: the Toronto International Film Festival, which runs from September 7 to 17. Throughout this year's festival, we'll be on the ground, covering all the highlights (and lowlights) from the lineup with a rotating crew of critics and special guests. For our second podcast dispatch from Toronto, Film Comment Co-Deputy Editor Devika Girish is joined by local critics Adam Nayman (The Ringer, Cinema Scope, and elswhere) and Saffron Maeve (Cinema Scope and elsewhere). They kick things if with a focus on Canadian films, including Atom Egoyan's Seven Veils, Chloé Robichaud's Days of Happiness, and Michael Snow's Standard Time, before expanding their scope to encompass Cord Jefferson's American Fiction, Pedro Almódovar's Strange Way of Life, and Bertrand Bonello's The Beast. Watch this space for more podcasts from TIFF 2023.

Ep. 201: Venice 2023 with Jordan Cronk: Aggro Dr1ft, The Beast, Evil Does Not Exist, Gasoline Rainbow Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week I'm reporting from the 80th Venice Film Festival in, you guessed it, Venice. For the latest episode, regular guest Jordan Cronk talks about his inaugural trip to the festival. We talk about a number of films including Harmony Korine's Aggro Dr1ft, Bertrand Bonello's The Beast starring Lea Seydoux, Ryusuke Hamaguchi's Evil Does Not Exist, and Gasoline Rainbow from Bill and Turner Ross. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

This week we're excited to present an archival conversation with Saint Laurent director Bertrand Bonello and cast members Gaspard Ulliel & Aymeline Valade. Bertrand Bonello's latest film, The Beast, will make its U.S. Premiere at the 61st New York Film Festival in this year's Main Slate. Saint Laurent, which had its North American premiere at the 52nd New York Film Festival in 2014, is a different kind of biopic, focusing on a particularly hedonistic time in the life of legendary fashion designer Yves Saint Laurent. The film playfully warps and obscures the passage of time, which results in a delirious viewing experience. Anchored by an enigmatic performance by Gaspard Ulliel, the fashion icon becomes a myth, a brand, and an avatar of his era. This conversation was moderated by NYFF Artistic Director Dennis Lim.